#not because something impacted you differently

[koryxx]

idk y’all people have different reading tastes. like, is it really that deep? does it really matter? do you really need to try to convince people there’s something wrong with them for not liking books you think are amazing? or that they don’t know their own opinion and taste by insisting they only disliked those books because they were forced to read them/were a contrarian/had a bad teacher/etc.? genuinely. why do you care. how does this impact you.

I straight up do not trust you if you did not enjoy a single book you had to read for English class. I know they assigned some real stuffy stinkers and the curriculum varies across districts but not one? Not The Outsiders? Not The Picture of Dorian Gray? Not Fahrenheit 451? Not even Frankenstein? Damn. That’s crazy.

[andhumanslovedstories]

Something I've been thinking about in regards to the difficulty of writing about my job in the healthcare profession is that there's very different conversations happening at the same time. The first is that this is a job that gives us a lot of power over vulnerable people that is easy to abuse and easier to be passive about. The second is that people will never not bitch about their jobs.

What if a customer service job was high-stakes? That's nursing. It's not the only part of nursing, but cmon, anyone who has worked a public-facing job knows how some people can be. Hospitals are full of people having the worst days of their lives while also being tired, hungry, lonely, and bored.

Plus, it's not just the general population you're dealing with. Hospitals have a disproportionate amount of very difficult people. To draw some examples from my own direct experience: the dementia patient had become too violent to stay at home (unfortunately common), infected chronic wound guy who is so racist that his facility will not take him back, confused patient who screams unceasingly 24 hours a day until she passes out, sexually inappropriate guy who needs two caregivers at all time, another racist patient but this time they're also sexist, banned from multiple shelters for assaulting the staff, etc. Or what might be the most common: person who is too sick to go home alone but no one they know will agree to take care of them. Like, have any of you cut off horrible relatives or abusive partners? People who were in whatever way unacceptable to be around? Would you like to take care of them? And you KNOW they're also not doing any of the stuff that would help them heal so it seems like they will never leave.

I think the gap between healthcare as a Duty versus as a Job contributes to hostile conversations. When you're complaining about your Job ("that moment when you let a call light ring for a while in the hopes someone else answers this time because that patient is annoying as hell"), it's frustrating to get a response that solely looks at the situation through the lens of a Duty ("all patients deserve the same level of care and shouldn’t be ignored.") And it's also frustrating to have these legitimate criticisms ignored or disputed because people are like "it's not that serious, calm down, let nurses vent." And it’s also frustrating to feel so intensely monitored in your free time because of your job. And it’s also frustrating to see people in their free time display qualities that seem like they would have big, negative impacts on their job.

Thinking on this topic, I keep coming back to this one memory. There was a time when I responded to a Code Blue (cardiac arrest, guy’s heart has fully stopped) and was the fifteenth or so person to arrive. The room's full of critical care nurses, I'm not the direct care nurse, the rest of the floor is quiet. So basically, I'm useless to the emergency situation. I ran into a coworker who also responded to the code. I hadn't seen her in a minute, so we caught up. She showed me the new stickers on her water bottle. I don’t remember the exact sticker, but I believe it was a nacho-based pun. It was a pleasant chat.

Meanwhile during this entire conversation, within eyesight of where we are because we’re waiting around to see if we’re needed, people are trying to bring a patient back from the dead. What was happening in that room is life-or-death--to the patient. For me, it was an interlude during a forgettable shift. I only remember that code because the discrepancy between what I was experiencing and what the patient was experiencing was so stark. I don't even remember if the patient survived or not.

None of the patient’s family was there. If they had been, we would have removed ourselves further or not talked so casually. Probably. But if the spouse was there, it would be so insanely insensitive if we tried to include the patient's spouse in our chat about fun stickers. If me and that nurse had been casually in a different hallway chatting, it would be very abrupt for the patient's spouse to walk into our conversation and explain how the patient's death would be so hard on the kids. One of these examples is way more sympathetic and understandable than the other. And I want that spouse to feel comfortable coming up to me and discussing that! That’s part of my job! But also, you can get why that would be a distressing interruption to a moment of downtime.

In both cases, the people in the conversation couldn't be further apart in tone and investment. Neither of us are being bad people. We just should not be talking to each other. And the nature of the Internet and public posting is sometimes talking about my job feels like it's me, my coworker, the spouse, and the revived but severely affected patient in single group chat.

[sailorsoons]

Hello, Darling (c.hs)

Pairing: Vernon x afab reader

Summary: Vernon has been one of your best friends for years. Shy, quiet and calm, he’s always been a steady rock for you. He has no idea you’re in love with him, but that’s neither here nor there. Ater a strange series of events on Halloween night, Vernon seems a little… different, and the new version of him both terrifies and thrills you. 

Word Count: 21,558

Genre: Supernatural, Friends to Lovers, Thriller

Type: Smut, Angst

Rating: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

Warnings: Explicit language, recreational drinking and smoking, crude humor, some of the members of SVT are a bit of an asshole in this - it is not a reflection of how I think of them, mentions of occult practices, a NOT ACCURATE spirit summoning/ritual, mentions of a murder suicide case/event, mentions of murders, light mentions of blood, mentions of infidelity, catching someone in a sexual act (not the main couple), Vernon is a bit of an asshole at times, mentions of insecurities/confused feelings, I owe Chan and Mingyu an apology for how I wrote them, sexual tension, some angst, sexually explicit content including thigh riding, oral (f. receiving), nipple play, a lot of biting and scratching, choking/breath play, vaginal fingering, a lot of spit and cum mentioned, unprotected sex, references to sub space, Vernon takes a dom role but it is not explicitly established, Vernon gets a little bit possessive, calls reader a slut a total of one time, some light finger sucking, reader is at several points annoyed with the women in this fic which can come off a lil bitchy, general creepy scenes in woods and in some dark spooky places. 

Additional Content Warning: It is implied by the end of this fic that Vernon is possessed to some degree by a spirit in this. I make zero distinction as to whether it’s Vernon or the spirit calling the shots or if there is even a difference/distinction between the two, which poses the fair question of consent in parts of this that I do not address or provide nuance to. The lack of clarification is due to the POV of this fic being entirely from reader’s perspective and she doesn’t have a clue what’s going on until the very end, and thus we are unable to unpack to what degree this character is or is not himself. If that lack of nuance bothers you, that is valid but this is not the fic for you. 

❀ A/N: This was an original request fill for my Haliween event on my first blog for @eoieopda. Thank you for letting me write you 20k+ of this Vernon :)

A/N 2: Alternative summary for this fic is Hali repeatedly drags Chan because she loves him so much

Reader Notes: This reader is never explicitly gendered as girl/she/her etc. so I have listed them as an afab reader.

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Cool wind lifts the pages of your book, threatening to flip them over. You press your fingers flat to the page, fighting to keep them from flitting over and losing your place in the story. There’s not much daylight left in the sky as the afternoon dies to make way for the evening, but you’re eager to finish the chapter, craving to unravel the mystery you’ve been working your way through the past week. 

Atmospheric sounds play in your headphones as you read. Your legs are crossed, book in your lap as you sit on the concrete wall separating the quad from one of the sidewalks on campus. Now that there’s a chill in the air, you crave being outside, finding the opportunity to sit wherever you can on campus to crack open a book before the sunlight finally fades. 

Flipping the page, you only get a split second warning of the shout you hear through your headphones before something hits you in the back of the head. You yelp, dropping the book to the ground as your headphones clatter from your head to the grass from the impact. 

Scowling, you swivel around to see Mingyu jogging over, his hand over his mouth as apologies start pouring out of him. A flush creeps up your neck as he approaches, his friends and fellow fraternity brothers watching from afar. Some of them are bent over cackling, the others have their hands on their head, visibly stressed from hitting you with their football.

Again. 

“I am so sorry,” he pleads, running a hand through his sweaty hair. “Seungcheol threw wide.” 

“Maybe play on a rec field, then?” You snap, sliding from the wall, picking up your headphones and book. You kick the football toward him, irritated. “There’s literally so many other places you can play. Don’t you have a yard at your little frat house?” 

“It’s being used for float building for the Halloween parade.”

“Convenient.” 

For the most part, Mingyu isn’t so bad. He’s a little loud and obnoxious, but he’s always nice and he does seem to mean it when he picks up the football and apologizes again. It’s more than a lot of his fraternity brothers would do, though it’s not much now that they’ve managed to hit you twice with the same ball. 

Someone like Mingyu wouldn’t even pay attention to you if it weren’t for Vernon, though. As Mingyu retreats, the reason you’re even friends with Mingyu appears on the sidewalk, coming toward you with his hands in his pockets, hood pulled up on his head and headphones on. He lifts his chin in greeting to Mingyu, but Vernon’s brown eyes focus on you, his true destination. 

Vernon pulls his hood and headphones down when he’s within a few feet, jerking his thumb at Mingyu. “What did he want?” 

“He was apologizing for hitting me with the football. Again.”

“Again?” 

“Yeah. They hit me earlier.”

Vernon hums, displeased. He doesn’t say much, instead turning to lean against the wall, shoving his hands in his jacket pockets again.

The last embers of sunlight hit his side profile, stunning you to momentarily silence. In a halo of fiery light, Vernon looks like a god. His light brown eyes turn burnished gold, reflecting the dying sun. His hair is spun copper, strands dancing in the breeze as he watches the world around him. 

Not for the first time, you think that you understand why Helen of Troy inspired a thousand ships to come after her. Vernon’s face is the kind of thing you’ve read about in all of your mythologies and folktales for your Occult Studies major, so beautiful that it can’t be real.  

If Vernon notices you staring, he doesn’t say anything. Instead, his eyes watch the other members of his fraternity play football, one of them crashing into someone on a lawn chair. He shakes his head and mutters under his breath, wearing his second-hand embarrassment silently as he watches them apologize for the millionth time. 

Vernon is nothing like the rest of his fraternity. You’re still unsure why he even joined. It was something he had done his freshman year going into school, wanting to put himself out there and make friends. 

He certainly looks the part - he’s handsome and in shape from playing soccer in highschool, and he’s got good fashion sense for a college student. But he’s quiet and a little awkward, unsure how to navigate conversations with most people who aren’t in his immediate circle of friends and shy to an almost crippling point. 

It had taken Vernon seven weeks of being your lab partner before he finally spoke more than three sentences to you. For the longest time, you’d assumed it was because he thought you were beneath him. It wouldn’t have surprised you. Greek life on campus tended to stick with their own. 

Now, you know it was because he didn’t know what to say or how to start a conversation. You’d only managed to get him to talk to you when he noticed a song by Frank Ocean bleeding from your headphones, piquing his interest. 

Four years later, talking to Vernon is easy. Well, maybe not easy. You’ve got years of friendship between you now and you know what makes Vernon tick, but the butterflies you get when you’re around him and the way your heart swells when he does something so simple makes it a little harder. 

Like now, as day fades to evening and the world is awash in purple and gold, and he’s looking at the watercolor sky like it's the most fascinating thing in the world, completely unaware that while he’s in awe of the sky, you’re in awe of him. 

Vernon jerks forward, making you flinch. You have no idea what he’s doing until his hand is in front of you, smacking down the football that has been sent your direction again. You huff in frustration, watching as this time it’s Chan who jogs over to get it. 

“Are you all fucking serious?” You demand. He slows his approach, eyes darting to Vernon as though looking for help from his friend. Vernon says nothing, bending over to pick up the football and toss it to Chan. “I should shove that football up your ass.” 

“Maybe not the football,” Chan quips, catching it. He looks you up and down, head cocking to the side a little. His mouth lifts at the corner and there’s a glint in his dark eyes that makes you even angrier. “I’m open to other things, though?” 

“You’re so gross.”

“What? You’re hot when you’re mad.” 

“Go away, Chan!” You shriek, flustered and angry as you spin around to grab your things and storm off. You only get a few feet before realizing Vernon is still leaning on the wall. “Are you coming or not?”

He scrambles after you, nearly tripping over his own feet to catch up. Chan is snickering as he runs back toward where the others wait for him, yelling a trilling bye toward you and Vernon as you charge north toward the main campus parking lot. 

“He’s so annoying,” you gripe, shoving your book in your bag. Vernon hums, noncommittal. You glance at him. “Nothing more to add?” 

He lifts a shoulder. “It’s cause they think you’re hot, Lovecraft.”

You smile at the nickname, fondness sweeping through you. He’d started calling you Lovecraft your freshman year after learning about your major, deciding that it just fit. You like it - at least coming from Vernon, who understood Occult Studies was more than just spooky and magic and the metaphysical. 

“They think anything with a set of tits and a hole to stick their dick in is hot. I’m sure a blowup doll would blow their fucking mind.” 

Vernon’s mouth twitches at that. “You’d hate Chan’s room.”

“Don’t give me that visual!” 

His laugh is warm. He bumps shoulders with yours, grinning at you as the two of you walk. You feel the telltale sign of your traitorous heart beating extra hard at his closeness, your gaze shooting to the floor as you try to hide any evidence of your feelings that might lurk on the surface of your expression. 

Thankfully, Vernon never seems to notice. You’re glad that he doesn’t. You don’t think you’re very good at hiding how you feel, but he is equally bad at picking up on it, totally oblivious to the long stares and the way you fumble over your words when he gets too close. 

Vernon has that effect on a lot of people. His proximity to being attractive has always outweighed his inability to make small talk among the female population on campus. The amount of times you’ve watched girls openly flirt with him and whisper about what it would take to get him to crack was insurmountable. 

Autumn wind kicks up leaves at your feet. Neither one of you says anything as you walk, simply content to be together. It’s one of your favorite things about him, never feeling pressure to perform or to have conversation. Being with Vernon is just… easy. Natural, even. 

The parking lot is slowly emptying as the rest of the late afternoon classes end. A few unlucky evening class students pull in, slamming their car doors and rushing off to their auditoriums. Vernon’s car is easy to find and you let yourself in, sliding into the passenger seat like it’s yours - it kind of is. 

“Pizza?” he asks, engine humming to life. 

“Please.” His lips twitch in a soft smile as he nods, flipping on the radio. You hum, leaning forward and turning up the volume. “I love this song.” 

Vernon’s smile increases as you lean back, the sounds of Emotional Oranges filling the car. He rolls the windows down once he’s on the road proper, cool wind kissing your skin. You pull your feet up onto the seat, leaning toward the window as the fading twilight brushes past you. 

Outside the car, the world smells like pine. You take a deep breath in, loving the way the October air feels just right. Fall is always your favorite time of year, and with the music playing in the background, wind in your hair and Vernon drumming on the wheel, you don’t think there could be anything better in the world. 

Sal’s Pizzeria glows against the dark, a beacon of hunger and hope against the night. The giant pizza slice on the roof blinks rapidly, the neon a little bit broken. Gold light glows through the windows as you climb out the car, gravel crunching beneath your feet. 

A bell chimes as the door opens and a group of students pour out, laughing and carrying boxes. Vernon catches the lip of the door and holds it open for you, gesturing you to enter first. The smell of bread and warm air hits you in the face, your lips curving as you tell the girl at the host stand two.

College students and local residents fill the restaurant. The hostess leads you to a booth in the corner, the vinyl seats creaking under you as you hop-slide your way in. She hands you the menus, her eyes lingering on Vernon as she does, lips twitching when she asks if there’s anything else you need. When he doesn’t answer, you shake your head, shooting her a thin-lipped smile. 

She’s hesitant to leave but she does, casting one last look over her shoulder as she heads back to the stand. You look at Vernon too, studying him. He’s none the wiser, brown eyes scanning the menu even though you know he’s going to order the same thing. 

When the server comes, Vernon does as expected: orders a diablo pizza with a side of fries. You shake your head a little, asking for the white feta pizza, handing over the sticky menus. When the server is gone, Vernon leans back in the seat, sipping his coke as he drinks you in, wordless. 

You kick your feet up on his side of the booth next to him and he lets you, patting your ankle fondly when he sets his drink down. He has no idea how torturous that alone is, the simple comfort of his familiar touch enough to send your eyes averting across the room, trying to control your breathing. 

“What are the favorites and least favorites this week?” he asks, balling up the paper his straw came in. 

Favorites and least favorites is a game you like to play with him. It’s not so much of a game as it is a routine where you tell him your favorite piece of material from your classes and your least favorite. Most people dismiss your major as too peculiar for interest. No one knows what you’re supposed to do with Occult Studies but it fascinates you.

And Vernon, who has always had a keen interest in the goings on in your classes and homework. 

“We’re in the psychology of the occult module.” He nods, eyes fixed on you. “Mostly covering the psychology of community as it relates to the occult. We have sections on covens, clans, actual cults, sects and more modern mass followings.” 

“Hmm. So like… Twitter stans.”

You smile a bit. “Something like that. We covered the maenads in class today. Ever heard of them?” He shakes his head and you lean forward, elbows on the table. “They were women in Ancient Greece devoted to the god Dionysus and they were believed to be possessed by the god. They were said to have wild parties in the woods with one another where they’d do all manner of sordid things, all while under the influence.” 

“A Friday night for Chan.”

“Exactly. A lot of historians call them crazy and speculate they were raving mad, but if I was a woman under the thumb of men in Ancient Greece…”

“Shit, I’d get fucking crazy in the woods with my friends too.”

“Exactly. It was more about reveling in female companionship and being unfettered from the male-dominated societal norms.” 

The arrival of your dinner interrupts the conversation. Both of you lean backward, making room for the hot plates and Vernon’s basket of fries. You slide your feet down from his side of the booth, leaning to grab the red pepper flakes from the corner of the table. He grabs salt, immediately dusting his fries.

“Ugh, you could have at least let me have some first.” He looks up at you through his lashes, brows raised. “They’re already salted, Vernon.”

“Not enough.”

“You know, if you were haunted or possessed you’d never want the salt.” He gives a questioning hum. “Salt is used in purification rituals. It’s believed spirits hate it because it’s used in banishing spells and rituals. It’s why a line of salt keeps them out.”

“Good thing I’m hungry, not haunted.” 

You snort, taking a piece of your pizza from the tray. “Speaking of haunted, are we going to your Halloween party this weekend?”

“My halloween party?”

“You are in the fraternity, Vernon. Yes, yours.” 

He makes a face and tears into his pizza. You shake your head as he lets out a sound, huffing and tilting his head backward as he tries to deal with the too-hot food in his mouth burning him. “Ya,” he says around the slice. “I guess so.” 

“What are you going to wear?” He raises a brow at you, swallowing down the hot bite. You pout, sagging in your seat. “Dude, you have to dress up. You can’t just go in a black shirt and a baseball hat.” 

“Why not?” You kick him under the table and he winces, ducking down to rub at his shin. “Shit, fine. Okay, what do I go as?”

You grin, picking up your appropriately cooled pizza. “Leave it to me.” 

-

“This makeup itches,” Vernon mutters, looking up at you through long lashes. You hush him, putting the finishing touches on the black line down his mouth. “Couldn’t I have gone as something easier?”

“What is easier than black jeans and a jacket you already own, huh? Stop talking, I’m gonna fuck up this line and this makeup is perfect so far.” 

It’s true. You’ve outdone yourself on turning Vernon’s face into a skull, taking inspiration from American Horror Story for the costume. Vernon is a low effort kind of person, so getting him into costume is a lot easier when all it requires are clothes he already owns and makeup that you have to do anyway. 

Stepping away from him, you admire your handy work. His eyes are painted black, hollowed out for the skull. His dark hair is slicked back, the perfect skeleton. He looks… good. Painfully good, which makes you nervous and turn away quickly, heart flipping. You’re not sure what it says about you that Vernon staring at you while painted as a deadly skeleton makes your heart race but… it does. 

“How do I look?”

“Terrifying,” you admit, turning back to him. “But good.” 

He grins and if it were anyone else but Vernon, you’d be terrified. Maybe you did a little too good of a job. 

“What are you again?”

“One of the witches from American Horror Story Coven. Close your eyes, I’m going to use setting spray.” 

Darkness blankets the sky by the time you’re both scrambling down the steps and into an Uber. The driver does a double take when they see Vernon, eyes watching nervously in the rearview as you give him the address. 

“That’s at a closed down gas station.”

“Yep,” you agree, leaning back into the seat.

The driver mutters something about fucking college kids and fucking holiday but otherwise says nothing about the questionable location. He doesn’t need to know that a mile from the abandoned gas station is also an abandoned farmhouse notorious for unsanctioned parties and being distinctly haunted. 

Haunted isn’t your favorite thing in the world. You didn’t like to mess with ghosts, despite your area of study. You were infinitely more interested in the intersectionality of occult studies and modern culture and society and less enthused about the idea of drinking stale beer from a foamy tap in the middle of a murder house. 

If the driver thinks there’s anything weird about other people being dropped off at the gas station - you’re sure he does - he says nothing, ignoring the two of you as you get out of the car and dive into the night air. Vernon is close behind as you take a few steps away from the car, eyeing the old gas station.

The windows have long since been broken and cracked, foggy with time. The stations are stripped of their labels and stickers, just white residue left behind and no pumps. A few people lounge around the building smoking, dressed in a variety of halloween costumes. 

Nervous, you look up at Vernon. His smile is small and he juts his chin toward the dirt road that leads through the woods. Nodding, you both fall into step, sand and gravel crunching beneath your feet as you go. Vernon recognizes a few people associated with his fraternity and others, throwing a casual wave or a nod as you pass by people.

Music echoes down the road. It’s a little less foreboding in the dark trees when you can hear Michael Jackson’s thriller coming down the way and the dull roar of voices. The bend in the road straightens out, the line of trees giving way to flat land. 

The farmhouse is pretty, even in old age. It’s two stories, glowing from within from all of the battery lanterns and lights being used to light the party. A generator roars somewhere behind the house, light flooding the yard where people mingle and crowd the kegs. 

A chill slithers down your spine as you enter the yard, the broken gate doing a poor job at keeping trespassers out. Even with the lighting, shadows dance as you navigate through people, the strange anxiety crawling up your throat worsening as you near the house. 

Vernon pulls the sleeve of your dress so that you’re closer to him, his fingers steady and calm as he leads you up the steps where you can clearly hear Mingyu’s howling laughter inside. 

Bright light fills the house. As do a crush of people and beer pong tables, the abandoned home turned into a raucous display of drinking and debauchery. If you weren’t so distracted by the wave of people pushing you into Vernon’s arm, you might be impressed at how much you could forget the farm home was abandoned because someone had been murdered here. 

“I need a drink,” Vernon announces, continuing to pull your arm after him as he plunges toward what used to be the kitchen.

It’s where you find Mingyu dressed as a lifeguard - and loudly yelling directions. He blows his whistle shrilly when he sees you and Vernon, pointing at the two of you and spitting the whistle out of his mouth to scream, “NOT WET ENOUGH!”

“What a weird way to offer drinks,” you mutter. Chan, who seems to be on lifeguard assistant duty - while dressed in a horrid felt dinosaur costume - scrambles to get you drinks, spilling rum as he tips it over into a cup. “No ice?” 

“There’s not a fridge,” he pouts, shoving the cup in your hand. His eyes drink you in. “Are you a hot goth or?” 

Instead of answering him, you roll your eyes and turn to Mingyu, who blows the whistle again. Both you and Vernon wince, the latter throwing back his drink to chug it all before thrusting the cup back at Chan. “That’s gonna get real tiring.” 

Mingyu comes around the corner of the old island countertop, pumping his fists in the air to the music rattling through the house. “Vernon you look fucking sick!” He and Vernon do the little hand-clap-to-half-hug men do. Mingyu turns to look at you, eyes dark. “Are you like, a hot goth?” 

Your smile is plastic as the whistle around Mingyu’s neck. “Sure.” 

Mingyu, dancing and moving toward the living room, reaches out to you. “Come dance with me! This song fucks.”

“Decidedly not!” 

“Go ahead, Lovecraft!” Vernon urges, pushing you toward the obnoxious lifeguard with a shit-eating grin as he imitates Mingyu’s voice. “This song fucks.” 

Before you can chastise him for egging his fraternity brother on, Mingyu has you sucked into the dancing crowd, throwing his hands in the air as he swivels his way through the crowd. You try to knock back as much of the lukewarm drink as you can, cringing at the burn of cheap rum and not-iced coke. 

Bodies pressed in. Mingyu is close to you, a hand going to your waist. You frown and look over your shoulder, eyes scanning for Vernon. You know he’s probably lingering on the edge of the crowd, watching you with a smirk over the rim of his cup as he watches Mingyu roll his hips toward you.

“Mingyu,” you snap, turning back to him when you don’t find Vernon. “It’s the Monster Mash, it doesn’t require grinding.” 

“I mean, if you wanna graveyard smash…”

“You’re all insufferable! All of you!”

Still, you sway back and forth, trying to stomach finishing the rest of your horrid drink. It takes an effort, but shaking your head at Mingyu and judging him silently gets you most of the way through it until Soonyoung - dressed in the same tiger costume from last year - crashes through the crowd into the pair of you, thrilled when he realizes who it is he has slammed into. 

“Hot goth!” he screams, pointing at your outfit. “Where is your other half?” 

You don’t have to ask what Soonyoung means and both the drink and the accusation have you flushing. You shrug a shoulder, eyes surveying the party. Before either of you can find Vernon, Joshua appears at Soonyoung’s side, leaning to his ear to murmur something. Soongyoung’s face lights up and he grins at you, grabbing you by the wrist to yank you through the crowd. 

“Hello?” you demand, pulling your wrist from his grip. “Have you heard of asking?”

“Come on, I want to show you something.”

“The last time I heard that was promptly followed by you showing me that stupid peach tattoo on your ass.”

“First of all, that tattoo is amazing.” He heads to the stairs, which you eye warily. “Second, Vernon is already upstairs, come on. You like weird ghost shit, you’ll like this.”

Without waiting for a reply, Soonyoung thunders up the stairs. You cringe, waiting for a foot to go through a dry plank and send him falling. It doesn’t happen, though. Tentatively, you creep up the stairs after him, eyes glued to each of the steps as you go. 

It’s colder upstairs, the windows in the rooms open to the elements. You shiver, looking down the hall to Soonyoung heading into a bedroom. You tentatively follow him, stopping at the threshold of the doorway to survey the people inside.

Vernon is one of them, back pressed to the wall near the window, his eyes focused on his boots in front of him, hands tucked into his pockets. A girl next to him dressed as Red Riding Hood is leaning close, speaking to him rapidly. Nothing on his face indicates he’s listening. Then again, his expression is hard to read while painted as a skull, mystifying and dark as you follow Soonyoung down the hall. 

Soonyoung goes straight toward a pile of things on the floor next to Seungcheol’s feet in the corner of the room. The president of Vernon’s fraternity pays Soonyoung no mind, eyes totally focused on the pretty fox in front of him, bottom lip tucked between his teeth. 

Suddenly, the room feels too intimate for you, like everyone is a couple tucked away. You have half a mind to go back downstairs when Vernon looks up at you, dark eyes zeroing in. His face is ten times more intense with the skull paint, pinning you to the spot. 

Everything dulls to the background for a second. You don’t dare breathe, too afraid to shatter the moment as he stares at you, unblinking. His eyes glitter in the darkness of the room, two amber pools reflecting the moonlight. 

Joshua enters the room behind you, shattering the spell as you step out of his way. You turn back to Vernon, clearing your throat. He pulls a hand from his pocket, beckoning you over. Mouth dry, you obey, skittering over toward him quickly as you observe the materials that Soonyoung is sifting through in the corner. Candles. Matches. Salt. A bell. 

“Soonyoung,” you say sharply, slowing your step. “Why do you have ritual materials?”

He looks up at you, his grin wide. “Told you that you’d like this.” 

“What is this?” You turn back to Vernon, who shrugs one shoulder. 

Hesitantly, you take the unoccupied space next to him, casting the girl at his side a cursory glance. She observes your costume. “Are you a hot goth?” 

“Jesus Christ,” you mutter, head thunking against the wall as you watch Soonyoung stand, materials in hand. Vernon coughs next to you, trying to cover his laugh. You glare at him sidelong and he says nothing, but his skeleton mouth is screwed up in a smirk. “What is he doing?”

“No clue.”

Soonyoung walks over to the bedroom door, looking down the hallway before shutting it. You fight a shiver, disliking how quiet the room becomes, cut off from the rest of the world. The window near you is the only source of light, and the only one shut on the second level of the abandoned home. 

“What time is it?” Soonyoung asks Joshua.

“11:45.” 

“Perfect.” Soonyoung spins, eyes falling on you. “Want to talk to a ghost?” 

All eyes turn to you in the room. You open and close your mouth, confused. “What?” 

“Do you want to talk to a ghost? Like someone who died?” 

Your eyes drift to the candle, bell and matches in Soonyoung’s hand. A tingle spreads over your skin and your spine stiffens. “Soonyoung that better not be to invite a spirit in.” 

His grin grows. “Come on, you are the ghost major or whatever. You should be thrilled to do this.”

“Occult Studies. And that doesn’t mean I fuck with the unknown or make a mockery of the dead. We’ve been over this.” 

“It’s basically the same thing, come on. You learn it all in class.” 

“No.” 

He pouts. “You’d be best at it, though. Rumor has it that when the veil is thinnest, you can talk to the spirit that haunts this house.” 

“The murderer? Or the murdered?” Soonyoung shrugs. “I doubt either would be very happy a bunch of drunk college kids are trying to bother them. My answer is no.” 

“Ugh. I was kind of counting on you doing it.” 

“Do it yourself.”

“I don’t study ghost shit!”

“Occult! Studies!”

“Ghost shit,” Soonyoung assures the room confidently.

“I’ll do it,” Vernon sighs, pushing off the wall. “Leave her alone.” 

Soonyoung’s eyes are alight as Vernon steps toward him. You reach out to grab his wrist, pulling him back. “Don’t.” 

“It’s fine.”

“Vernon.”

His eyes are soft when he looks at you. As soft as the terrifying makeup allows, anyway. “It’s fine, Lovecraft. Let me. He’ll stop asking.”

“I’m right here.”

“We know,” you and Vernon say in unison. You feel warm, chewing the inside of your cheek before nodding. You drop his wrist and turn to Soonyoung, eyes hard. “Give me that, you’ll do it wrong. Tell me what the mythos is.”

“What math? You need math?”

“The story, Soonyoung. What is the fucking story of this house?”

“Right. Apparently some dude murdered his girlfriend in here and then hung himself in that closet.” He points to a door you didn’t see when you walked in, dark and far away from the window. “Legend says at midnight, ring the bell three times and step into the closet with a candle. If the candle blows out, the spirit is with you. If it doesn’t, it didn’t work.” 

Grabbing the items from Soonyoung’s hand, you look at Vernon. “When you’re done, ring the bell three times again and say: Thank you, I dismiss thee. Go in peace.” 

“Thank you,” Vernon repeats gently, taking the bell from your hand. “I dismiss thee. Go in peace.”

“Everyone else take candles,” you direct, voice rough with irritation. You glare at Soonyoung and Seungcheol in particular as you shove candles in their hands. “Stand in the four corners of the room. Did you bring sage, Soonyoung?”

“Bring what?”

“Of course not, why would you?” Everyone starts moving to the corner of the room, using matches to light their candles. The room feels unnaturally cold now, despite your long sleeves. Turning back to Vernon, you say, “It’s probably a stupid rumor.”

“Probably.”

“If your candle goes out, just ring the bell, say the words, and dismiss it.” 

“Right.” 

“You don’t have to do it, Vernon.”

His mouth kicks up at the corner. “I’m not worried, Lovecraft. You are.” 

Letting out a breath, you give a laugh that’s only half-there. You are nervous. You don’t like the idea of inviting a spirit into Vernon’s space, and though Soonyoung’s little ritual doesn’t really sound right, you’re not going to correct him. 

Still, you feel unsettled as you light your own candle and then Vernon’s. He cradles it in his hands as you escort him to the door. Tucked under your arm is the canister of salt. Crouching down, you pour the salt in a thick white light in front of the door, careful to ensure that there are no breaks and that it covers the entire entryway from corner to corner.

“Be careful when you step over it and when you open the door,” you instruct, standing up. The candle in your hand flickers unsteadily. “Don’t break the line. The idea is that if Soonyoung’s stupid summoning works, the spirit can’t get through the salt.”

“Banishing and all that,” Vernon recalls with a smile. Your heart flips. “I remember.” 

“Come on, you only have a minute!” Soonyoung calls eagerly. 

Shooting him a glare that silences him, you turn back to Vernon. “Ring the bell three times. Thank you, I dismiss thee. Go in peace.”

“Got it.” 

Unsettled you shuffle back from the door a little bit. You don’t go to a corner of the room like you’ve asked everyone else, unwilling to totally leave him by himself. Heart hammering, you hold your candle in front of you, cradling the warmth like a second heart. 

Vernon is unbothered. You can see it in the loose set of his shoulders and the way he sighs, already tired of Soonyoung’s antics. The party downstairs feels a million miles away as you watch Vernon stand in front of the closed closet door, looking up at it, unimpressed.

“It’s midnight,” Joshua whispers from the corner. 

Vernon doesn’t make any sound that he’s heard Joshua, but he lifts the little bell in his hand. It’s a hand bell, the wood grip worn and cracked. You wonder where Soonyoung got it from, having half a mind to ask him when the first clear ring of the bell disrupts your thoughts. 

The note sings through the air, your blood turning to ice in your veins. It feels like your pulse is throbbing in your neck as Vernon rings the bell hard a second time, the sound chasing the echo of the first. The third ring feels like a tremor in the air, warbling as Vernon quickly sets the bell on the floor, careful not to extinguish his candle flame. 

You hold your breath when he sets his hand on the doorknob. No one makes a sound as he twists it open. He pulls on the door and it comes away with a silent swing. The darkness on the other side is gaping, like there’s no back to the closet, just a wide hole of nothing. 

Vernon doesn’t seem to mind. He steps over the line of salt carefully until he’s in the middle of the closet, pivoting to face you. The orange flicker of his candle casts a haunting glow over his skull face. You swallow down a brief moment of fear before he winks and leans forward to pull the door shut.

For a long moment, there’s nothing. You feel your heart hammering in your chest, the thudthudthud so loud you swear everyone else in the room can hear it. No one moves, everyone fixated on the door. The silence is so piercing that your ears start to ring, the sound of the party completely unreachable over your mounting anxiety. 

“Well?” Soonyoung whispers somewhere behind you. “I guess it didn’t work.” 

Vernon begins pounding on the door. Someone screams behind you followed by a bunch of curses. You leap forward, heart in your throat as Vernon screams something unintelligible on the other side. You drop your candle, completely throwing caution to the wind as you grab the doorknob and twist. 

It doesn’t move.

“Vernon?” you ask, voice spiking with fear. “Let go of the doorknob, let me turn it. Vernon!”

The pounding doesn’t stop. He is screaming in a way you’ve never heard before, his fists rattling the door against the frame. You shriek his name back, yanking at the door frantically, your panic mounting as he screams and- 

When the door opens, you nearly fall backward with the force of it, stumbling over your feet. Soonyoung steadies you, to your surprise. You hadn’t realized he had left his corner of the room to help, his hand warm and firm. 

Vernon stands on the other side of the door, mouth pressed in a firm line. 

“You fucking asshole,” Soonyoung swears, throwing his unlit candle at Vernon. Vernon laughs, dodging it. “You fucking suck.”

“Yeah, well don’t ask me to do stupid shit.” Vernon steps out of the closet, eyes dropping to you. His mirth is edged with something sharp, a glint in his eyes that is wholly unfamiliar. “I was kidding.”

“You fucking asshole!” You screech at him, slamming your hands into his chest and knocking him back a little. He smirks and says nothing, letting you hit him a few times. “Why would you do that to me? What is wrong with you?” 

“Sorry.”

“Yeah, you sound really fucking sorry.” Anger sours your mouth. Turns your words to poison. Your throat tightens up and you feel the telltale sign of tears, equal parts livid, embarrassed and offended that Vernon would do such a thing. “Fuck you, Vernon.”

Someone laughs awkwardly as you storm off. Vernon calls your name but you ignore him, bolting down the hall and down the stairs. The wood creaks uncertainty under your feet but you don’t care. You want to be anywhere but here, the hot lick of embarrassment burning your heels as you go. 

You blow past Chan on your way out, his bleary eyes following you. “Nooo,” he whines. “Hot goth, come back to me!”

“Shut up, Chan!” You scream, slamming down the steps as you go.

People nearly dive out of your way, swiveling to watch the wake of your wrath as you leave the party. You ignore them, not wanting anyone to see the hot tears that spill over as you hit the dirt road, boots crunching. 

It’s hard to tell what’s worse. The fact that Vernon had played a joke on you he knew you wouldn’t like, or the way you had panicked and lost all resolve to be the one in charge. Both feel awful, but the sting of Vernon’s joke is the sharper of the two, cutting you to the quick.

Vernon has never dared to do something like that in your entire friendship. You have no idea why he did it now. Was it because he had an audience? Was he drunk? Was he actually like the members of his fraternity he associated with? 

You had no idea, which only made things worse. Above anyone else, you thought you knew Vernon best. But perhaps, you didn’t know Vernon at all, which was far worse than any sort of haunted spirit you could imagine. 

-

The next morning, you don’t hear from Vernon. It makes your blood boil, a nasty feeling forming in the pit of your stomach as you put your phone on Do Not Disturb. You put on a big set of headphones, blaring music to keep you sane as you set about cleaning your apartment furiously. 

It’s an okay distraction. The lull of clinical cleaning is nice and the music soothes the sting that nips at your heels like an incessant hound. When you run out of things to clean, though, you’re forced to face the fact that it’s nearly evening and Vernon still hasn’t said anything to you.

You don’t want to text him first. Your pride is wounded from the night before and you’re shocked he hasn’t apologized - he should apologize. The silence only makes you angrier, and with nothing left to clean in your apartment, you decide to think of all the things you’re going to say to him when he does finally reach out to you. Because you’re not saying anything first. 

Vernon’s radio silence makes it nearly impossible to sleep. You toss and turn in bed, unable to get comfortable, checking your phone and social media. It’s difficult to remember the last time you went over twenty four hours without hearing from Vernon, and the realization forms a pit in your stomach.

Maybe the silence was good. Maybe you were too reliant on his friendship, the one constant that you had grown far too fond of. Maybe he was into that girl last night, making a show of you because he wanted to make her laugh or maybe he was just putting you in your place.

The insecurity wars with your logic that Vernon wouldn’t do that. He’s never had a history of that kind of behavior before, and though he might tease you on occasion, you have never been the butt of his jokes or the target of his humor. 

Jokes like that aren’t even Vernon’s style. He doesn’t like cruelty, and that’s what pretending to be screaming for help was. It was cruel, and strange and it hurt. 

What hurts more is the silence continuing into a second day. By the late afternoon, though, the hurt has morphed into something else. You sit on your couch, staring at the phone on your coffee table. Your pride was begging you not to text him, but your worry was starting to chip away at you. 

Heaving a sigh, you pick up the phone. The tap of your nails against the glass screen is loud in your quiet apartment, the final rays of sun melting through the blinds while a candle burns on the counter. 

[You 5:14 PM]: So are we not talking? 

Setting the phone down, you immediately start making dinner. It doesn’t matter that you’re too early. You’re nervous waiting for his text back, which makes you feel ridiculous. Then you feel ridiculous for feeling ridiculous, validating yourself that it is totally okay to have feelings and be nervous.

“God,” you mutter under your breath. “I’m exhausting.” 

By the time you’ve had dinner and watched a full episode of Alice in Borderland, Vernon has said nothing. Worry eats away at the lining of your stomach. You pause the show and pick up the phone again, dialing his number.

On the other side of the line, the phone rings. And rings. And rings. 

You hang up when you get the automated voicemail, frowning. It’s all strange, and a nagging feeling tugs at your nervous system but you can’t put your finger on it.

Just as you set the dishes in the sink, your phone starts to ping. You’re grateful no one can see you in your apartment as you lurch to the phone, picking it up and unlocking it to see if it’s Vernon. It isn’t, but your heart starts to thud when your group chats with other friends and classmates in projects flood with the same rumor over and over.

A dead body had been found on campus. 

Vernon doesn’t live on campus, but it doesn’t stop you from calling him again. And again. And again. When the voicemail turns on a fourth time, you seethe into the phone, fingers gripping it so hard it feels like it’ll break. “Call me back you fucking asshole! Someone died on campus and you’re not answering and I just need to know it’s not you. Fuck!” 

Time passes and you get so desperate you do the one thing you didn’t want to do unless it was dire circumstances. You hit dial and bring your phone up to your ear, pinching the bridge of your nose to prepare yourself for when Mingyu answers the phone. 

“Am I dreaming?” he says by way of greeting. “It was the life guard costume, right?” 

“Mingyu, it wasn’t a costume. You were shirtless with board shorts.” 

“But it worked, right?”

“Have you heard from Vernon?” 

“Nah, why?” 

“Like you haven’t seen him at all since the party?” 

“Mmm. I don’t think so.” There’s a muffled sound on the phone like he’s trying to cover it when he yells, “Chan, have you seen that fuck head Vernon?” You wait impatiently, holding the phone further from your ear as Minguy yells. “Chan hasn’t seen him either.” 

“Isn’t that weird? I haven’t been able to get a hold of him.”

“Nah, I mean we never really see him. Usually he’s with you.”

“Right. And he isn’t with me, I haven’t seen him since the party.” 

“Well have you checked his apartment?” You hesitate. “Helloooo?”

“No.”

“Well. Do that. He’s probably sleeping or some shit, who knows.” 

“Great. You were so helpful,” you deadpan.

Mingyu sounds genuinely happy when he says, “I’m so glad!”

You hang up the phone before he can say anything else. 

Chewing your nail, you stare at the wall, mind racing.  Mingyu has a point that it’s normal for them to never see Vernon. He is usually with you, or he’s solitary. There is little in between. He also has a point that most of the time if you were looking for Vernon, you’d just swing by his apartment. 

The thought of seeing him again makes you want to curl in on yourself, but your concern weighs out. You get dressed and grab your keys, trying not to let your fear of what you might find there keep you from leaving. 

Opening the door to your apartment, you get one foot out the door and then slam directly into Vernon. You reel backward, eyebrows shooting up as he steadies you by the elbow, equally surprised to see you as though he wasn’t at your doorstep. 

“Easy there,” he greets, a half smile on his face.

Vernon looks totally normal. He definitely doesn’t look like he was murdered, and he’s dressed in his usual jeans, plain black shirt, and a backwards hat. For a second, you just stare at him, totally shocked and utterly relieved he isn’t dead.

Then, the anger comes. 

You slam a hand into his chest, cursing at him. “Where?” Slap. “Have?” Slap. “You?” Slap. “Been?” 

He takes the blows in stride. His chest is firm beneath your palm, heart beating steadily. Alive. And now that you’ve established he’s not dead, you feel so much anger ripple through you that you don’t let him answer before you’re pivoting on your foot and storming back into your apartment.

The sound of the door closing behind you followed by his shuffling as he takes his shoes off tells you he hasn’t left. A small part of you curls in satisfaction with the domesticity of his arrival, but it is blotted out by the hurt and rage at the surface of your emotions.

“What the fuck is wrong with you?” You demand. It isn’t as eloquent as your practiced rant, but it’s something. “You better explain yourself. And quickly.”

Vernon’s dark eyes connect with yours, simmering. You feel your heart lurch as he slinks over to the kitchen, never taking his gaze off you. The back of your neck tingles. Vernon never keeps this much eye contact and it’s both thrilling and unnerving. 

“I want to apologize,” he murmurs, pitching his voice low. You watch with trepidation as he reaches out to gather your hand in his. He folds your fingers under his, pulling your hand to his chest. Your breath quickens, pulse throbbing as he cradles your fist to his chest, his heartbeat steady. “I fucked up. I wanted to fuck with Soonyoung but I did it at the expense of you, and for that I’m deeply sorry.”

Warmth spreads from his hand to yours. You don’t know what to make of the apology - it’s so unlike him. Vernon has no problem apologizing when he’s wrong, but he’s usually not so confident, so well spoken. You stare and stare, that pitless gaze of his pinned on you. 

“I just…” You chew the inside of your cheek. “You really hurt my feelings, Vernon.” His hands tighten around yours and he tugs a little, pulling you closer. It’s harder to think when you’re this close, fingers wrapped in his. “You really scared me and then you vanished for nearly three days. Why did you do that?” 

“I wasn’t feeling well and I slept most of the days away. Honestly.”

“You weren’t feeling well?”

He gives you a look. “I see the skepticism. I’m serious, I just… wasn’t myself. I tried to rest and I didn’t hear my phone and I’m sorry. Really.”

Vernon’s apology settles around you like a weight. You watch him, contemplating what to do next. He doesn’t look ill, his gold skin as flawless as ever, his rosy lips tucked under his teeth as he watches you, waiting. His heart thuds under your palm, his thumb absently brushing back and forth over the top of your hand.

Breathing becomes difficult. Vernon isn’t overly affectionate, but the way he presses your hand to his chest now sends you down a dangerous path. The desire for him bubbles just below your surface and you’re terrified it’ll boil over, exposing everything you’ve ever thought about him.

“Alright,” you say softly, pulling your hand from his. He lets you. “Don’t ever do something like that to me again. It was scary and I felt stupid. And I thought you were dead.”

“Why?” 

Gesturing to the couch, the two of you plop down, seemingly back to normal. You’re still a little off kilter, but you report back to Vernon what your classmates had been saying. He grabs your remote and turns on the news, settling close enough to you that your thighs brush against one another. You shoot him a questioning look but he’s fixated on the TV, leaning forward to press his elbows into his knees.

The reporter on the news confirms the body of one of your fellow students had indeed been found on campus. Names and details were not yet available, but they were interviewing students about whether or not they felt safe on campus. By the second interview, Vernon was turning off the TV and leaning back.

“Freaky,” you murmur, tapping the arm of the couch. “Weird timing, right?”

“How so?”

“We just had a Halloween party in a weird murder house.”

Vernon goes silent. You turn to look at him, eyes searching. He stares at you, again the eye contact unsettling. Even though it feels like your Vernon sitting next to you, there is an edge to him that’s new. You don’t know what to do with it, shifting in your seat a little.

“Forget the murder house,” he says eventually, flicking his fingers in dismissal. “That party sucked and I’d rather forget it.”

“Yeah,” you murmur, eyeing him as he looks out the window. You swear he’s agitated, but you can’t pinpoint why. “Me too.”

-

Someone sitting down roughly next to you draws your attention away from your essay, barely audibly over the sound of Current Blue playing through your headphones. You raise a brow as Vernon slings his belongings on the table unceremoniously, uncaring how loud he is in the library.

You glance around, seeing that he’s attracted the attention of a few people at nearby tables, some scowling, others blushing. When you turn your gaze back to him, you see his mouth moving as he divests his bag of its contents, but you can’t hear him. 

Pulling your headphones from your head, you ask, “What?” 

“Can you help me with my organic chem assignment?” 

“I hate chemistry.” 

His mouth twitches as he opens his laptop. “Right, but you’re good at it. You’re the smartest person in school.”

Again, something nags at your instincts. You can’t pinpoint it, examining Vernon more closely. He looks totally normal, dressed in black jeans, a black shirt, and a jean jacket pulled over it. He’s without a hat today, his hair falling in messy strands over his brow as he sets up his area to study.

Sensing your gaze, he turns to look at you, eyebrow raised. “What?” 

“You seem different.”

“Different how?” He types on his computer to start bringing up his chemistry homework. “Different as in going to fail organic chem without your help?” 

“Oh shut up. I’m obviously going to help you.” 

His mouth is wicked when he grins. “Good.” 

When Vernon looks up at you, the world stops a little. His gaze today is fathomless, dark eyes smooth like the surface of a lake with no end. You tip into that gaze, letting yourself drown in it for a moment. Normally, Vernon would break eye contact by now, easily distracted or unrealizing that he’s got you stuck on him. 

Now, he doesn’t do that. He looks right back at you. Heat crawls up your neck and your breaths quicken. For the first time since you’ve known him, Vernon looks at you like he knows everything inside your locked-tight heart. 

You lick your lips and his gaze dips to your mouth. Inside your chest, your hummingbird heart hammers, threatening to break free. The corner of Vernon’s mouth tilts upward as his eyes meet yours again, and you watch, completely frozen, as he leans toward you. 

Vernon is so close you can smell the spicy cologne on his skin. It’s heady and makes you dizzy, and you watch, totally lost as he wraps his hand around the leg of your chair and tugs hard. You yelp, startling a few people around you as he yanks your chair next to his, your thighs pressed together. 

“What are you doing?” you whisper harshly at him, throwing an apologetic look at the people you’ve disturbed for a second time. 

“How are you going to help me from over there?”

“You could have asked me to move my chair.” 

The problem isn’t that he moved your chair. Not really. The problem is how close he is, leg pressed against yours and elbows touching as he shrugs and turns his computer screen toward you. The problem is how at ease he is with you nearly on top of him, his lazy smile making your thoughts tangle and your breath quicken. 

This Vernon is still the one you’re used to but there’s something about him that keeps you on edge. Keeps you looking at him when his hand brushes against yours to grab a pen, or when he leans back and puts his arm across the back of your chair, idly playing with the hood of your jacket.

It’s almost like he’s flirting, and you spend half the time stumbling through his homework, barely able to assist him in a meaningful way because you’re busy decoding the subtle touches and the light teasing. You feel yourself blush more and look the other way to collect yourself more in the hour you help him than you have your entire friendship, unsure what’s happening or how to handle it. 

Homework completed, Vernon stares off into the distance, his finger twisting in the string of your hoodie absently as you try to write the rest of your paper. It’s nearly impossible to concentrate like this, the intimacy more than you’re used to. 

“You’re very distracting today,” you comment as you reference a text to the right of your screen. “Are you aware of that?” 

He hums. “This is hardly a distraction. I could try harder, though.”

You cut a glance at him. He seems utterly serious, any sort of mirth nonexistent in his expression. There’s just that shadowed gaze, that spark of something right where you can’t reach it. You abruptly stand, surprising him as you knock his arm away from you and clear your throat. 

“I need a different text. It’s downstairs, though.” 

“I’ll come with you.” You raise your brows and he shrugs. “I’ve got nothing else to do.” 

“Sure.” 

Without another word, you pivot on your heel and nearly run for the far set of stairs that lead to the subterranean level of the library where all the old texts and books exist. Vernon follows you at a casual pace, still totally at ease despite the fact that you’re obviously unraveling.

You have no idea what his sudden interest in you is and it’s making you unspool, thoughts wild and racing as you reach the stairwell that leads down. 

Damp air greets you as you start down the steps and it smells like wet carpet. You cringe, hating every time you have to come here. It’s always poorly lit and damp, not at all what one would expect from a library trying to keep books from molding. But no one really comes down here anyway, only the history majors and people like you, who require weird books long retired from the main shelves.

It’s eerie in the old stacks. There are lamps above head casting a burnt orange glow over the green, shag carpet but otherwise it’s nearly impossible to see in the shadowy parts of the room. You certainly could never read a book down here. 

Vernon is silent behind you but you can feel him, his gaze burning into your back as you navigate toward the last set of rows. As you approach, you hear a sound, stopping you dead in your tracks. Vernon crashes into you, nearly knocking you over but his hands grab you, steadying you and holding you close to his chest. 

For the first time today, you’re able to ignore his nearness in favor of straining your ears for the sound you heard, a small whimper, perhaps. You hear it again, distinctly human. Your heart starts to pound as you remember that just the day before there was a body found on campus, mind racing with thoughts as you stand rooted to the spot, Vernon pressed against you.

Craning your head, you look up at him. His expression is unreadable as he looks at you through long lashes, face shadowed. There’s a soft bang, like someone knocking something over. He looks over your head and back at you, shrugging his shoulder as if to say your choice. 

Slowly, you move forward. Vernon keeps close, his heat radiating behind you like a furnace as you creep through the last few rows of shelving. As you near the third one, you stop and peer around the corner, eyes trying to adjust in the shitty lighting. 

What you see has you snapping back around the stack, mouth dropping open. Vernon, curious, leans around you to peer around the stack. He raises his brows and steps backward, mouth pressed in a firm line to conceal his laugh. 

In the next row over is a girl you vaguely recognize, naked from the waist down while someone who is very much not her boyfriend, pumps their fingers between her legs. Slapping Vernon’s chest you point toward the door, silently screaming at him to turn around and hightail it out of there. 

Vernon, for a second, bites his lower lip and wags his eyebrows at you, suggestive. You glare and shove his chest. He goes easily, grinning at you playfully as he turns on his heel and heads back up to the main floor. 

When you reach your table, you drop down in the chair, totally shocked. Vernon drops down next to you, laughing. “Listen, when the urge hits, I guess.”

“I guess,” you agree sharply, shaking your head. “That was not her boyfriend, though.”

“No shit?” 

“Yeah. She’s dating some dude in Sigma whatever.” 

Vernon’s gaze turns sharp and his eyes trail back toward the far side of the library, resting on the stairs. “Interesting.” 

“Not really. That seems to happen a lot among you Greek lifers.” 

“I would never do that.” The severity of his declaration has you looking up from your notebook. Vernon’s expression is cutting, his jaw flexing. “I would never participate in infidelity. Ever.” 

“I didn’t mean you, Vernon.” 

“I’m not like that.” 

You soften a little, guilt tugging at you. So often you remember that Vernon isn’t like a lot of the people around him and grouping him in is unfair and insensitive. 

“I know. I’m sorry, I didn’t mean it like that.” 

He nods once, turning from you to pack up his stuff. Somehow, you can’t help but feel like you’ve said the wrong thing. 

-

“Oh shit,” Vernon mutters. You look up from where you’re flipping a grilled cheese in the pan. He holds his phone out to you from where he leans against his kitchen counter. “They found another body. Same MO or whatever as the first.” 

“No way?” 

Putting down the spatula, you grab his phone from him where he has the article pulled up. Sure enough, there’s been another murder on campus. Your eyes drink in the details, similar as before: student victim, stab wounds, message written on the wall. 

“What is the Hello Darling Murder?” you ask, more to yourself than Vernon. “It’s linked here as a reference to these being copycat murders.” He says nothing. You read out loud, “The Hello Darling Murder is a case of a murder suicide that happened in the same town in 1979. It was the town’s first violent domestic crime in years, and drew national media attention for the gruesome crime scene in which a message had been written on the wall in blood.” 

Vernon makes an amused sound. You look up at him sharply, staring. He has his arms crossed over his chest, staring at the floor with a mildly bemused expression. You kick him and he looks up at you. “What?”

“Why are you laughing? That’s not funny.”

“The way people sensationalize murder is weird.” 

“I mean, I agree. But what is funny?”

“It’s not funny as in funny ha ha,” he clarifies. “It’s funny stupid. The media is going to sensationalize this and turn it into an entire thing.” 

“Yeah, well. That’s their job.” 

Off put by his dark mirth, you turn back to the article, reading further. You skip over the old murder, more interested in the details of the two new ones. Your heart seizes in your chest when you see the name and picture of the second victim, stomach roiling. 

He sees your expression, pushing off the counter toward you, hands shooting your arms. “What? What’s wrong?” 

In any other scenario, you’d be overwhelmed by the sudden care and affection. Now, you just turn the phone toward him, showing him the photo. “It’s that girl from the library. Her name was Sidney. She’s the one I told you was cheating on her boyfriend.” 

Nothing registers in his face when he looks at the phone, his hands still resting on your arms lightly. He looks away from the screen and at you instead, a sharpness to his gaze that’s there so often you’re starting to grow used to it.

“You’re burning the grilled cheese, Lovecraft.” 

-

Mosquitos nip at your skin as you walk down the narrow path between trees. You slap your hand against your neck again, muttering under your breath. Vernon chuckles next to you, keeping his pace even as you struggle to step over a fallen tree branch. 

You hate the woods at night. It’s not your first time going to a bonfire deep in the woods off campus, but you don’t know why you keep coming back. Tripping over another branch, Vernon catches you by the arm and steadies you, stopping to make sure you’re okay before he lets go.

Scratch that. You do know why you keep coming back. For as long as you’ve been friends, you’ve been Vernon’s permanent plus one to all of his parties, formals and events, even if both of you hate going. It’s become a weird obligation to show up at things like this as a pair. 

They aren’t always terrible, you have to admit. When Mingyu isn’t absolutely hammered, he’s mostly tolerable to be around. Soonyoung isn’t bad either, though you’re still pissed off at him for the Halloween party incident, unwilling to talk to him. 

But nights like this where you have to trek out into the middle of the woods using your phone’s flashlight to navigate, you sort of loathe your unspoken oath to attend with Vernon. 

Instead of focusing on the distaste and the inherent anxiety the shadows of the trees give you, you let Vernon help you slide down a ditch and climb up the other side. His fingers are firm on your wrist, not quite holding your hand but keeping you connected. 

Your skin is warm and tingles when he lets go, deeming it safe enough to let you walk yourself. It’s easier to see now, too, the orange light of the massive bonfire casting a circle of orange glow that only grows as you near the party. 

Party is perhaps too strong of a word for it. There can’t be more than twenty people in the small clearing surrounding the roaring fire the Soonyoung tends to, foldable chairs and coolers arranged in a circle. Chan is trying to roast a marshmallow and failing, the white snack immediately catching fire and singing in the heat of the fire. 

Mingyu whistles when he sees you, catching your attention to wave you over to a pair of seats by him and Chan. You make your way there, navigating through groups of people clutching plastic cups and stepping over various sizes of coolers. 

The heat from Soonyoung’s inferno is nearly unbearable, making you cringe back as he adds something that cracks and pops, sending bits of orange ash floating toward the sky. 

“Jesus Christ, Soonyoung!” Seungcheol complains from his seat where a girl sits on his knee. “Enough, it’s fucking hot!” 

“Sorry,” Soonyoung answers, sheepish. 

Backing your chair away from the fire a little, you sit down and curl into the folding chair, accepting the drink Vernon hands you before moving his chair closer to yours and sitting down. A shiver ripples through you at the cool can in your hands. You crack the top and take a sip, trying to cool down from the blast of heat you’d taken while passing the fire.

Mingyu turns to you and Vernon as Chan pops a burned marshmallow in his mouth, the two of them immediately launching into discussions of the murders. You shift uncomfortably in your chair, listening as they recount the details in the news mixed with the rumors on campus. 

So far, two bodies have been discovered and linked together. The authorities don’t want to call it a serial killer, attempting to avoid a media craze and inspiring the killer to go on a spree, but denying the murders are connected is impossible.

You’re unsure what the victims have in common. The first had been a male senior who was in the business track, discovered by the dorms near the lake on campus. The second had been the girl you’d seen in the library in her apartment off campus, and Sidney had been in the education track and a junior. 

Neither of them were friends. You don’t go to a large university, but there are enough students that it’s normal to have a ton of people that you don’t know. From what anyone can tell, there was nothing the two victims had in common.

Except that they’d been murdered by someone who had left a bloody Hello Darling written at the crime scene.

A chill sweeps over you as Mingyu mentions the Hello Darling Murderer. It was the same story as before - a man had murdered his girlfriend in the 70s, a shocking and violent domestic crime that had unsettled the citizens and local university. He’d promptly killed himself after that, leaving only a bloody Hello Darling on the walls.

Authorities didn’t even know who the blood had belonged to - it took them so long to realize the couple was missing before they did a wellness check that by the time they investigated, they’d been dead a week. 

Vernon snorts at that and mutters something about the ineptitude of law enforcement. You cut your eyes at him. Though you agree, Vernon is usually the last person to make degrading comments - or comment at all really. 

Not for the first time in the last two weeks, you can’t help but sense that honed edge to him he has now. You’ve attributed it to him moving with more confidence, talking to people directly and making actual eye contact. You don’t know where the sudden swell in self-conviction has come from, but you’d be lying if you said it didn’t look good on him.

Still, it’s got you a little uneasy, trying to adjust to this version of him. 

The topic shifts to football and you find yourself tuning everyone out, sipping your cider and staring at the fire as it warms your feet. More people arrive and drag chairs up. Someone hauls a few kegs into the firelight, cheers going around the fire.

Vernon stands and holds his hand up for your empty can. You give it to him wordlessly and he heads to get you a refresh, tossing the trash into one of the trash bins.

Turning to Mingyu as he goes, you ask quietly, “Has he seemed different to you lately?” 

“Who?”

“Steve Jobs,” you deadpan. “Vernon, obviously.”

“I don’t think so? He’s around a lot more lately and actually talks to us.” Mingyu pauses, thinking as he cocks his head to the side. “I mean, I guess that is kind of weird for him. He also actually goes to places with us now.” 

“Exactly what I mean.”

“Hey! We are friends, you know?” 

You hum uncertainty, your attention trailing back to Vernon. You observe him, noticing all the little details that are different. He stands a little bit straighter, inserts himself in conversations where he didn’t before.

Now, he stands near the keg, nodding along to something the girl next to him is saying. They’re standing close - you realize it’s the same girl from the Halloween party that had been talking to him, except this time, he’s talking back. 

Vernon leans in close to her and says something, making her laugh. He bites his lower lip a little, watching her with half-lidded eyes. Your stomach turns a little, eyes glued as he brushes her arm when he reaches for the cup that Joshua hands him. 

Turning away from them, you tune yourself into Chan’s conversation, needing a distraction. You try not to count the minutes until Vernon returns. When he does, the girl is with him. He drags a chair over so she can sit on the other side of him. 

It’s close, their knees touching when he sits and hands her the drink he was holding for her. He turns and holds out your drink to you, which sloshes a little when you snatch the cup from his hand. He arches his brows but you say nothing, taking a large gulp and turning your back on him to ask Chan about football instead. 

“You watch football?” Chan asks cryptically. 

“Sure. Go Green Bay Ravens.” 

He stares. “Packers. Green Bay Packers.”

“That’s what I said.”

“Hey, I’m not arguing with you. In fact, if you want to tell me what’s what more often-”

You scoff. “Shut up, Chan!”

Stuck between Vernon flirting with the girl next to him and Chan and Mingyu being - Chan and Mingyu - sours your mood. You try to lose yourself in your cup, going mute as you stare at the fire. Vernon hardly notices the shift in your mood, leaning in to the girl as they chat. 

You can’t help but notice everything about them. It’s impossible not to see the way she leans into him, bumping shoulders when she laughs. He lets her, watching her with a gaze you can only describe as hungry. The grip on your cup tightens as he knocks their knees together when he shifts in his chair, leaving it pressed against hers. 

It reminds you of the way he’d behaved in the library with you, brushing against you on purpose, making his words come out in a playful pur instead of what you’re used to, and seeing him do it with her now makes you snap. 

You stand abruptly, drawing the attention of Chan and Mingyu but not who you want. 

“I’m going for a walk.”

“Need company?” Chan offers. It seems genuine, but you give him a sharp no before you’re walking away, sticks snapping underneath your boots as you go. 

Chill air licks your face as you get further from the fire. There are plenty of people dispersed throughout the general area, some people pulled far away for intimate conversations, others pulled away to pass a joint in a circle, the pungent smell chasing you as you pass them. 

Away from the smoke and the noise, you feel like you can breathe a little more. You find a fallen tree, thick enough to sit on. You test your weight on it first before deciding it’s safe, swinging your leg to straddle it and look off into the dark trees.

There’s just enough light from the silver moon above your head and from the distant fire to feel safe. Wrapping your arms around your middle, you hug yourself and close your eyes, breathing in deep. The fire smoke isn’t strong here, the air clean and crisp.

Opening your eyes, you look at the sky. This far out in the country, you can see the stars. Out of habit, you start mapping out all the constellations you know, eyes tracing Orion the Hunter. You skip over to Andromeda, counting each star before moving to the east to spot Cassiopeia. 

It reminds you of the time you taught Vernon all the different constellations. He’d been a silent and attentive listener, watching as you’d pointed them all out while sitting on a bench at the park. You’ve caught him drawing them more than once in his chemistry notebooks, little dots of perfect constellations memorized. 

An ache you’re familiar with fills your chest. It’s the same ache you had when you realized you had feelings for him but didn’t want to tell him. The same ache you had when he’d hurt your feelings on Halloween. The same ache as when you’d seen him actually look back at someone who's interested in him, for once. 

Crying seems silly, but suddenly you have the urge to, throat twisting as you stare at the sky and try to puzzle out the direction your friendship has gone since that night. As you sit on the tree, a prickling sense of awareness creeps up your spine, tugging at you. 

Looking around, you see nothing. You can generally see in a good circumference, but the sudden instinct that something or someone is watching you drives you to get off the branch, hitting the ground with both feet to stride back toward the fire. 

As you go, your foot gets stuck in a tangle of tree roots again, making you stumble. You curse, bending down through squinted eyes to untangle your foot. Your fingers are a little cold and shaking, anxiety creeping up slowly as you pull the weeds and roots away from your shoe. 

Something snaps behind you. Your fingers freeze, head whipping around to look for the source of the noise. Again, you see nothing but your heart is hammering. You don’t dare to breathe, holding your breath as you strain your ears to hear anything else. There’s only crickets and an owl in the distance, no more snapping branches.

In that moment, it occurs to you that you’ve decided to wander out in the woods at night and alone after two recent murders. The stupidity of your actions land like a blow.

Turning back around, you wrench your shoe free and stand up, nearly colliding with Vernon who leans backward to avoid smacking into you as you shriek in surprise, stepping backward. Vernon’s hand darts out to grab you, catching you and tugging you forward into him before you can lose your balance fully.

Heart hammering, your fingers dig into his biceps, keeping yourself standing as you hiss, “What are you doing?”

“What do you mean what am I doing? You’re wandering out in the middle of the woods while there is an active serial killer in town.” 

“Oh please, like you noticed.”

He frowns. You drop your hands and try to step away from him, eager to put some distance between you. Vernon’s grip on you tightens though, keeping you where you’re standing. “I’m here, I obviously noticed.” You snort derisively and his grip tightens a little. “Is there something you want to say?”

You open and close your mouth, scowling at him. He’s never so direct you’re unsure how to approach the question. So you try for a little bit of honesty. “I wasn’t having fun.” 

“Okay, so let’s leave.”

“You look like you were having fun.” 

Silence hangs in the air. Vernon’s face is indecipherable. Then, “Are you jealous?”

“Don’t be ridiculous.”

Your response is so fast that it even sounds practiced and hollow to you. It’s hard not to wince, hoping that as always, he doesn’t see through your cellophane defense. Vernon’s touch drops from your biceps to your wrist, delicate. You’re afraid to look him in the eye, instead staring at the buttons on his jean jacket. 

“I noticed you were gone.” His voice is gentle, a low purr. You dart a quick glance at him to see the intensity of his gaze. It makes you squirm, unsure how to respond. “I always notice when you’re gone.”

“Alright. Well.” 

“I notice everything about you.” 

The way he says it is a soft whisper. A promise, a suggestion. Again, it feels like Vernon has discovered your loose thread, tugging lightly on it. If he tugs again, you think you might unspool all the way, showing him everything you don’t want him to see. 

It feels like he wants to, and that’s what scares you more. That suddenly he’s looking at you like he wants to see past the veneer of your words, like he’s ready to look inside. You hear the double meaning. It’s so terrifying that you look away from him, ready to hide. 

“Don’t tease me,” you whisper. 

“I’m not. If you’re not having fun, let’s go home. I came here with you.” He tugs your wrist. “Come on. You can’t be walking around out here alone with a killer on the loose, Lovecraft. I’ll be forced to fight them off.” 

The tension fades. You let out a breath and laugh, looking at him skeptically. “Yeah? You’re going to fight for me?” 

His grip on your wrist tightens. You wonder if he can feel the speed of your pulse under his thumb, the way it hammers when he smirks. “Yeah, I am.” 

-

Sal’s Pizzeria isn’t your favorite place to do school work. It’s too loud and bright, the promise of food is way too distracting for you to focus for much longer than a few minutes at a time, and usually your fingers are too slippery with pizza grease to type properly. 

You only have a narrow window to finish writing your paper before going to the bar for Jihoon’s birthday. You barely know him, but he’s someone Vernon is decently close enough too that you feel obligated to attend. More importantly, you’re finally almost done with your paper you’ve been working on for two weeks, eager to celebrate hitting submit. 

“You know that dude who was killed first was a rotten cheater?” 

The girls sitting behind you catch your attention. Your brows knit together and you turn your head a fraction to eavesdrop, eyes unfocusing on the words on your screen. There are four of them behind you that you don’t recognize but assume go to the same school as you, based on the attire and the backpacks. 

“Yeah! Sam told me about that. Apparently he was sleeping around with a bunch of freshmen. Maybe his girlfriend found out and went all psycho killer on him?” 

“Ew, how scummy. But what’s with the hello darling message shit? Can you say weird?” 

“I know, right?” 

Their words give you pause. The first victim had been someone known for his infidelity too? Turning back to your screen, you pull up your web browser and type in Hello Darling Murderer to the search. The original murder from the 70s hadn’t given you much thought beyond assuming someone was being a copycat, but now you feel something nagging at you. Something you’re missing. 

All of the top stories are of the recent murders. You amend your search to the 70s and get older articles and links to podcasts covering the initial incident. Clicking on a story from a reputable journal, you start reading in detail about the first murder and his victim, skin prickling as you go.

As an Occult Studies major, a lot of people think you’re into murder mysteries. In truth, you’re not. They have little to do with what you study, and you’ve spent countless times telling people that occult and people obsessed with true crime are two totally different things. You have no idea why they’re lumped together so often, but on more than one occasion you’ve had to explain you’re not interested in serial killers or their stories.

Except now. Chewing the inside of your cheek, you unwind the story of Thomas Ellswater, who had apparently murdered his girlfriend at the time before promptly killing himself. The initial investigation hadn’t dug up much, assuming that it was a case of domestic violence gone as bad as it could. 

But the journalist who had written the story had other details. Accounts from family friends that detailed Elsswater’s girlfriend, Maya, unhappy with their relationship. One even insinuated that she had been cheating on him for a long time, though with who, they were unsure. 

Further down in the article, you stop. Read the paragraph again. Look at the picture of the house. A sickly chill coats your skin as you lean forward, taking in the details of the house. You’ve seen it before, though your memory of it at night surrounded by floodlights and full of drunk college students makes it almost unrecognizable when you see it on the screen. 

Thomas Ellswater lived in the same house that you’d partied in on Halloween night, where Vernon had played that horrible prank in the closet. Thomas or Maya had been the haunting spirit Soonyoung had been attempting to summon.

And now someone was killing in the same exact style.. 

The server bringing you two trays of pizzas and a basket of fries breaks you from your trance. You close the article, a sick feeling in your stomach as you try to piece together the puzzle. Was it just a spurned lover who was paying homage to someone who related? Or was it a serial killer poking fun at the MO?

Vernon crashing into the seat across from you startles you. He gives you a grin, eyeing the pizza in front of him and rubbing his hands together. Rolling your eyes, you grab the red pepper flakes and salt, passing the latter over to him. 

“So I learned something weird today,” you venture, pulling a slice of pizza from the tray. 

“Tell me,” he answers over a mouthful of pizza, once again burning himself. You roll your eyes, shaking your red pepper onto your slice. “What is going on in the world of occult today?”

“Actually, not occult.” He gives you an appraising look, popping some fries into his mouth. “What, no salt today?”

He pauses, looking at the basket of fries. “Nah, I need to cut back on the sodium.”

“Good idea. Anyway, it’s about the murders.” 

“Do tell.”

“The girls behind me said the first victim was known for cheating.” 

“It’s college. Apparently there is a lot of that.” 

“But remember that day we saw Sidney in the library? She was cheating too.” 

“Right.” He rips into his pizza, gaze sharp as he looks at you. “So this town is full of a bunch of lowlife fucking cheaters.”

You flinch at his vehemence, leaning back in your seat. Vernon drops his gaze, tearing into his slice in silence. “Sorry,” he says after swallowing. “I’m hungry.”

“Right. As I was saying, I looked up that Hello Darling Murder.” 

He pauses, gaze flicking to you. “And?”

“And it was ruled as a case of domestic violence gone wrong, but there were some people who think the Maya Caravalo was cheating on Thomas Ellswater, who killed her.” 

“I’m sure cheating is the leading cause of crimes of passion.”

“In the house that we were in on Halloween.” 

Vernon frowns. “Ah. Weird.” 

He doesn’t elaborate. You watch him as he chews on more pizza, shoving fries into his mouth on occasion too. He seems totally at ease - and more normal than he’s been in weeks. You watch, mildly disgusted at the way college men eat. 

“That’s all you have to say?” You ask. “Weird.”

“It is weird.” 

“Kind of an insane coincidence.” 

He becomes still, only his eyes moving as he settles his inky gaze on you. For a second, you can’t help but think he looks a bit like the cat who ate the canary, eyes glittering. “So tell me what theory is in that pretty head of yours, Lovecraft.” 

Ignoring the way your heart leaps at him calling you pretty, you sigh, picking at the wooden table with a thumb nail. “I don’t really have one. I just think someone came across the original murder and thought I could write that at my crime scenes. I don’t study criminology, I can’t figure out motivation.”

“You’re the smartest person in school, Lovecraft. Try.” 

“I guess… I don’t know. The new killer was probably cheated on recently, came across what happened in the 70s, and has been taking out their rage on other adulterers because they feel some sort of kinship with Thomas. Maybe like finishing his work or ridding the world of a common enemy.” 

Vernon hums. “Maybe so. Do you think they deserve it?” You look at him sharply, mouth downturning. “The victims. Do you think they deserve to be killed for their infidelity?” 

“I don’t know that anyone is deserving of murder.” You chew the inside of your cheek, watching Vernon’s face for any sign of what he’s thinking. He’s totally closed off, a blank canvas. “This is why I’m in Occult Studies and not law, Vernon.” 

He gives a wolfish grin. “Touche. Come on, eat your pizza. We have a bar to go get drunk at.” 

-

The bar in question is teeming with people. You’re immediately overwhelmed, squeezing your way between chairs, tables and people as you navigate to your group of friends. Vernon keeps you close, his arm encircling your waist as pulling you to him as you go. 

He either ignores or doesn’t notice the sharp look you give him. Instead, he’s focused on keeping the two of you attached, shouldering his way through the crowd, the press of his fingers on your hip dizzying and steadying at the same time. 

At the far back of the bar, an entire section of people associated with Vernon’s fraternity crowd from wall to wall. Vernon manages to get you onto a stool at the bar top, shouldering one of the pledges off the seat with a narrow-eyed look. You raise your brows at him and he winks, leaning his elbow on the bar top to order you both drinks.

Spinning to face him in the stool, you give him a quick once over. You’d been so engrossed in your murdery mystery findings at the pizzeria that you haven't really looked at him until now. He looks good, dressed simply in dark jeans and a dark, long sleeve shirt that shows how broad he is. Has he always been that broad? 

Vernon catches you staring. “What are you looking at?” 

“Nothing.” 

He grins, accepting drinks from the bartender and sliding one over to you. You burn under the full weight of his attention as he pops his straw into his mouth. “Tell me.” 

“You look nice tonight.”

“You look nice every night.”

“Oh shut up.” 

“What?” he laughs. “I mean it.” 

“Whatever.”

Spinning in the chair again, you place your back to the bar, facing the crowd to watch people. Vernon is content to stand next to you in silence, both of you sipping your drinks as you observe the people around you. Someone jostles him a little closer, his arm shifting to lay across the bartop along your back. 

Heat creeps into your cheeks and you try to remain breathing normally. Vernon leaves his arm there, pressed against you but not exactly wrapped around you. There is a distinct difference, but this is still new. Still confusing. 

People who recognize you both come up and say hi. You keep the conversation polite and short, especially when you see the girl who has lingered at the last two parties slink toward you, her eyes only for Vernon. 

“Hi,” she yells over the crowd, totally ignoring you. “I didn’t expect to see you tonight!”

“Why wouldn’t you? I’m friends with Jihoon.”

The girl opens and closes her mouth, lips pursed at that. You sense the serrated edged to Vernon’s words, casting a glance his direction. He’s not looking at her, eyes instead scanning the crowd. Uninterested. Even you know she didn’t literally mean she wasn’t expecting to see him - it was just a conversation starter. 

Using the opportunity to sip from your straw to hide your laughter, you have to admit you’re a little relieved to see Vernon missing social cues again. It’s more him, a Vernon that you're used to. Maybe a little meaner than usual, but this is closer. 

“Right,” the girl says. Her eyes flicker to you for the first time. “It’s his birthday, right?” 

“According to the giant sign in the corner and all the balloons, yes.” 

Okay, maybe it’s not entirely normal Vernon. Usually he isn’t so callous. In this case, you don’t mind, watching as she tries to puzzle out how to keep the conversation going. Vernon decides for you, turning from her to press his mouth close to your ear. 

“I’ll be right back,” he murmurs, breath hot against you. “I’m gonna greet Jihoon really quickly.” 

All you can manage is a breathy, “Alright.” 

Vernon finishes his drink and pushes off the bar, fingers dragging against you as he goes. He ignores the girl standing and watching, her eyes darting from you to him until he vanishes in the sea of bodies. Without Vernon there, she has nothing to do. She tilts her chin up, sucking up her pride and turns on her heel to walk a direction distinctly not the same way as Vernon.

Alone at the bar, you swivel in your seat to order you both another drink. You assume Vernon is drinking a whiskey coke, hoping that’s right as you flag down the bartender. While you wait, someone slips into the spot next to you. You turn, thinking Vernon’s already back only to find someone you definitely don’t know. 

“Sorry,” he shouts over the loud voices and music. “Did not mean to get in your personal space, this spot was way smaller than I thought it was.” 

“That’s okay! Getting a spot kind of sucks.”

“No kidding.” He grins at you, turning his attention back to trying to get anyone to take his drink order. “How long do you think it’ll take for them to notice me?” 

“About seven years.”

“Yikes. I’m Seokmin, by the way.” You give him your name and he grins. “What brings you to this shit hole ass bar?”

“A friend of a friend's birthday. You?”

“A friend of a friend's birthday indeed.”

A bartender finally comes over to take Seokmin’s order. He leans forward to shout over the crowd, his shoulder knocking into yours. You don’t mind - he’s nice. He looks over at you, a question on his face. “You like tequila?”

“No!”

“Let me rephrase - want a shot of tequila?” 

“She doesn’t.”

Vernon slides behind you, his palm pressed flat to your back. You startle, looking up at him in surprise. He isn’t looking at you, his eyes zeroed in on Seokmin. You slide Vernon’s drink toward him, eager to dispel the sudden tension thrumming through him.

“Whiskey and coke?”

He looks down, eyes rounding out a little as he softens. “Mhmm. Thank you.”

Drink in hand, Seokmin turns to you both and waves. “Y’all have a good night!”

When he’s gone, Vernon leans against the counter again, his tone flat as he says, “He was nice.”

“He was, but what do you sound bothered by ?”

“Maybe I am.” 

“Why?” 

He lifts a shoulder. Instead of answering you, he picks up the lime in his drink and squeezes it, stirring it with his straw before taking a long pull straight from the rim of the glass. 

You nudge him. “I’m going to say this again: you’ve been different, lately.” 

“Different how.” 

“I don’t know. You talk more. You’re a lot more engaging. You’re a little…” 

“A little what?”

“Cockier?” He hims, eyes dropping down to your mouth. “Like that,” you point out, voice a little weaker. “You do that now, and you didn’t used to.”

“I always did. I’m just a little more obvious about it now.”

Tension crackles between the two of you. Your mouth feels dry as you watch him, reading the minute expressions of his face. Finally, when you can’t unpuzzle him, you say, “I don’t know what you’re doing.”

“What do you mean?”

“I can’t tell if you’re coming onto me or if it’s some sort of game to you.” That makes him frown as he sips his drink again. Your fear and frustration clash, wrestling for dominance. “It makes things confusing.”

“Why didn’t you say so? I’m happy to clear things up.” 

You grip your glass, trying to keep your fingers from quaking. This moment feels like it’s all or nothing. Vernon puts it out on the table so easily, leaving the option to you. Either you can ask for clarity, or keep playing this new game of cat and mouse. But you have to decide. 

“I would appreciate it if you did,” you say eventually. 

Vernon nods and finishes the rest of the drink. He sets the glass down before he leans forward, hand going to the underside of your chin to lightly tip your face upward with his knuckle so he can press the world’s most gentle kiss to your mouth. 

You freeze. When he doesn’t pull away, lips soft and warm, you sigh into the kiss, eyes fluttering shut. He feels you relax, mouth curling in a smile against yours. He steps into your space without breaking the kiss, finding the space between your legs as his lips press firmer to yours. 

Vernon smells like his cologne and something distinctly him. It makes you dizzy, and the way he tastes like whiskey and lime makes the room spin. When he pulls away from him, you feel like you’re going to fall from the stool, leaning toward him. 

His hands grip your thighs, squeezing generously as he leans in and drags his mouth to your ear. “Does that clear things up?” 

“Actually, no?” 

His groan is throaty, turning into laughter as he buries his face in your neck. Your hands tentatively settle on his waist, a little hesitant. “I always said you were the smartest person at school, but maybe not.”

“Hey!” 

“Come home with me.” He feels your delay, laughing. “Come home with me because I like you. Is that clearer? Because I want you to come home with me, and I don’t want anyone else here.” 

Your heart goes bolting like a rabbit, running in circles. Vernon pulls away from you to study your face. You watch him for any sign that he’s kidding, that he doesn’t mean it. You find none. In its place, you only see honesty. Hunger. Fiery desire burning at the surface. 

“Really?” Your question is small. Vulnerable. “Do you mean that?”

“I do.” He tugs on your thighs. “I’m not playing games with you. Come home with me - I’ll prove I’m serious about you. You are what I want. I just had to be sure.” 

Lightheaded and heart slamming, you let Vernon pull you from the seat and lead you out of the bar. 

-

Vernon’s apartment on the north side of town is a place you’ve been a million times. You recognize all the cars in the parking lot, and you know exactly what building and floor belongs to him. You even recognize his neighbors come in mat that you’ve always hated. 

He catches you staring at it with distaste now, laughing as he shakes his head and inserts his keys. “You and that mat.”

One hand works the keys into the door while the other is stretched behind him, fingers linked with yours. Your hand is warm and your heart is still racing as he gets the door open, pulling you inside the dark of his home. 

“They could be inviting anything in,” you assert, a little breathless as he pulls you to his chest. He kicks the door shut, the frame rattling as it slams. “You should never have a doormat that just welcomes whatever shows up at your door inside. You could end up with a vampire in your home.”

“A vampire, huh?” Vernon ducks his head towards your neck, lips skimming your throat. Your fingers twist in the hem of his shirt, eyes fluttering closed as his teeth scrape against your pulse point. “Sounds scary.” 

“It is. There’s nothing to disprove that vampires exist.” 

Vernon bites down and you whine, melting into him. His laugh vibrates through his chest as his tongue presses to the bite mark, soothing the pain. His mouth closes over the spot and he sucks gently, sending a shiver through your body. 

“I promise the only thing biting you will be me.”

The full weight of his words hit you between the legs. You feel like putty in his hand as he navigates you to the island counter in his kitchen. He presses your back into it, careful not to jam you too harshly against the marble. 

Heat licks through your stomach as Vernon steals your lips in a kiss. It’s different from the gentle one he gave you at the bar. This one drinks you in, pries you open and lets you spill out into him, all the feelings and bottled thoughts you have free for the taking.

You get lost in him, hands wrapping around his neck to pull him close, fingers sliding through his hair. He moans and you respond, curling your fingers to scrape your nails against his scalp. His hips twitch forward, pinning you between him in the counter as he sucks your bottom lip harshly. 

“Be careful,” he warns, a hand drifting from your chin to your neck. He doesn’t wrap his fingers around your throat, but his hand rests there, heavy and wanting. “I’m trying to be gentle.” 

You steal a kiss, nipping his bottom lip sharply. “Don’t be.”

His resounding groan makes you dizzy. His kisses become rough and heated, using his tongue as much as his teeth. He presses you hard into the countertop now, the marble digging into your back as he nearly folds you in half with the weight of his body. 

It feels like the air has left the room. Vernon is the only thing you need to breathe in, fueled by the way his tongue licks into you, the gentle squeeze of his hand at the base of your throat. His fingers press against your pulse, not enough to cut off any airflow but enough to send a bolt of pleasure and thrill through you. 

“You have no idea,” Vernon pants, pressing sloppy, wet kisses to your jawline. “How long I’ve waited to do this. I could have had you this entire fucking time, but I held myself back.” 

His thumb presses under your jaw, angling your head to the side. With more access to your throat, he peppers you in bites and kisses, tongue soothing each sting. “I have wasted so much time,” he mutters, almost like he’s talking to himself. “Being a fucking coward.”

“Don’t say that,” you gasp as his other hand presses between your legs. The ache in your cunt is already throbbing, and he does nothing but make it worse by adding pressure but doing nothing more. “Please don’t tease me.”

“I’m not.” He pulls away from you. Before you can complain, he gives you a quick kiss, tugging you toward his room. “I shouldn’t have waited until I had a little… encouragement to do this. I’m going to give you everything you want, love.”

A quiver slithers down your spine at the shortened version of your nickname. The new endearment hits home when you see the way he looks at you, the want and desire more unrestrained than anything else you’ve ever seen on his expression. 

Hand in yours, he pulls you into the bedroom, spinning you to sit you down on the edge of his bed. You look up at him through your lashes, admiring the shape of his face and the way you can just barely see his freckles in the soft glow from the nightlight in his bathroom as he slots himself between your knees. 

“I’ll give you whatever you want,” Vernon whispers, voice like velvet. He slides a finger under your chin, tilting your gaze even higher as he watches you, eyes blown. “I’m entirely devoted to you and you only. You know that, right?” 

Vernon’s thumb pulls at your bottom lip. You open your mouth on instinct and he growls low in his throat. He pushes his thumb past your swollen lips, pressing down on your tongue. You taste the lime from earlier and the hint of salt on his skin, closing your mouth as you suck gently. 

“Fuck,” he swears, thumb pressing harder. “You really have been a little slut for me this entire time, huh?” 

Hearing Vernon say it in that deep, whispered voice of his does something to you. There’s a note in his voice you’re unfamiliar with, a dangerous edge that you want to lean into and cut yourself on. So you nod, lashes fluttering as you bat them up at him. 

“Yeah, thought so.” He pulls his thumb from your mouth, dragging it spit-slicked down your chin. “Lay back on the bed for me, love.” 

You do so immediately, shuffling backward so that you can lean back. The sheets smell like him and you tilt your head to the side, nuzzling his comforter a little. You try to ground yourself, feeling a little staticky as he kneels on the bed, mattress dipping. 

Vernon plants a knee between your legs, leaning forward to cage you in with a hand on either side of your head. His kiss is all consuming, any sense of delicacy gone. You let him devour you, your hands pulling at his belt loops to bring him closer.

He’s not close enough, never close enough. 

Having him like this is everything you’ve ever wanted and more. He’s familiar, the scent of him and the warmth of his skin and the little sounds he makes but he’s also entirely new. He is rougher than you imagined, sharper than you thought. He drags his blunt nails over your collarbone as he pulls your shirt away from your neck, giving his mouth access to litter your skin with kisses. 

Your hands slip under his shirt, curious as you press the pads of your fingers into his stomach. You feel the muscles flex and he hums low in his throat, enjoying your exploration as you slide your hands around the perfect taper of his waist to the small of his back. 

Vernon slides his knee higher, pressing it directly to your clothed cunt. You twitch against him, a questioning sound leaving your lips as you breathe in sharply. 

“Go ahead,” he mumbles against your chest, one pulling sharply at your shirt. You hear the seams rip and you don’t even care. “Take what you need, love.” 

The rawness of his words fucks you up. You do as he says, rolling your hips against his thigh for any sort of pressure and friction. It helps relieve the tension a little, but not nearly enough. Your breathing turns ragged as he harshly bites and kisses his way to your bra. 

Yanking hard, he rips the rest of your shirt. You let out a throaty laugh and he looks up at you, eyes like burning coals. “What’s so funny, hmm?”

“I did not expect you to be able to rip my shirt.” 

“Oh?”

The dangerous note in his voice makes your hips stutter and stop. He runs the tip of his tongue around the soft curve of your chest, watching you all the while and fuck. If you’d realized that this was the type of Vernon you’d get, maybe you’d have been braver sooner. Because this Vernon is something else, confident and cocky and ravenous. 

“Want me to rip this too?” He teases, teeth pulling at the cup of your bra. Your chest rises and falls as you try to catch your breath, a little overwhelmed. “Say the word.”

“Maybe salvage some of my clothing, Vernon.”

“Fine. I will not salvage you, though.”

You believe him. Nothing about the way Vernon peels your bra off of you is gentle. Nothing about the way his hand cups your breast, squeezing before he lowers his mouth to give a generous suck to your nipple feels like he has your survival in mind. 

Squeezing your eyes shut, you let Vernon have his way. It feels like he’s peeling you open layer by layer, plucking every string connected to your pleasure that he can find.

His mouth is a weapon, tongue lazily circling your pert nipple until you’re whining and squirming under him. He laughs and drags his tongue to the other side of your chest, licking his way to your peak to tease you further. 

“Shit,” you whisper, one hand leaving his back to tangle in his hair. You don’t know if you’re pulling him away or pushing him closer - maybe both. “Vernon.”

His teeth scrape your nipple and you whine. He shuts you up by closing his mouth around you, sucking sharply. When he pulls away with a loud pop, you let out a shaky breath. 

“You can barely keep it together,” he observes. He placed closed mouth kisses on your stomach as he descends, pulling his knee from between your thighs. “What are you gonna do when I eat you out, huh?”

Flushed and embarrassed, you cover your face as his tongue licks the skin above your jeans. “Cat got your tongue, love?” 

“You - you’re - ugh!”

He chuckles, popping the button of your jeans. “I’m ugh?” 

“You know what I mean.” 

Vernon tugs on your jeans. You try to lift your hips to help him, but your thighs are like jelly already, turning you useless. He coos at you, pressing a kiss to your hip gently. “I got you.” 

Unsure if he means about your inability to get out your fucking pants or he understand what you mean, you let him peel them down the rest of the way. His hands skate up your calves, squeezing and firm as he sinks to his knees on the floor. 

Bracing yourself, you brave a look between your legs where he presses your thighs open gently with his palms. Veronon’s eyes are on the apex of your thighs, entirely focused on where your underwear stick to your folds. He licks his lips, hand brushing up and down your thighs. 

His gaze flickers to you. For a moment, the two of you just stare at one another. You feel overly exposed, naked from the waist up, cool air pebbling your spit-slicked chest. The weight of his gaze presses you down like a physical thing, but it’s comforting. Warm. Reassuring. 

The air is charged between you as he keeps watching you while he drags a hand up and between your legs. He presses a thumb between your folds and you whimper, feeling the way he prods at your aching entrance, only the thin fabric keeping him out.

“Are you always this wet for me?” he asks, thumb slowly dragging up the damp patch to your clit. He digs in sharply, pressing firm enough that your pleasure spikes and your hips pop off the bed. He hisses at you and smacks your thigh, making you lower your ass to the bed again. “Everytime we were together, did you get like this?” 

It takes effort to rasp, “Sometimes.”

Vernon hooks his thumb in the side of your pants, pulling. The fabric peels back achingly slow, cool air hitting your cunt and making you whine. He hums thoughtfully, placing the fabric to the side.

“Like what times?” he questions, blowing cool air against you. You thrash and he laughs, pinning you down by the hips. “I’m curious. Elaborate for me.” 

“Umm.” 

It’s the only word you can get out before he renders you speechless, the flat of his tongue sliding slowly up your pussy. You go boneless, breath stuck in your chest as his tongue lazily circles around your clit and drags back down. He repeats the motion, the slow-soft brush of his tongue driving you insane instantly. 

“You’re not elaborating,” Vernon notes. He presses a kiss that is far too sweet for the moment to your bundle of nerves. “I wanna know all the times you were with me where you felt like this. Go on.” 

“I don’t,” you breath catches when his tongue curls through your folds. He’s soft and slow as he licks you, a lazy smoothless to it that makes you see stars. “Know how to speak when you’re doing that.” 

“Should I stop?” 

“No.”

“Try,” he murmurs, dipping his tongue in your dripping entrance. “I want to know.” 

Fuck. Trying to pull together any coherent thoughts is like wading through thick water. You’re distracted by the way Vernon’s mouth closes on you, sucking gently. He takes his time, fingers pressed into the meat of your thighs as he keeps you open, enjoying you fully. 

“I - shit - I guess sometimes when we go out,” you manage. “I like when you wear your hat backwards.” 

He flicks his tongue back and forth over your clit, making you clench, toes curling. His mouth is wet and warm, closing around your throbbing bundle and sucking gently. Your hips lift but his grip is firm, keeping his mouth to you. 

When he pulls away, the suction is audible, a string of spit and arousal connecting his lips to your pussy. “Taste so fucking good,” he whispers. You think it’s more to himself than you, his tongue carving through you again. “Tell me more.” 

“Halloween night. When you were in skull makeup.”

His tongue starts circling your clit again, the indirect stimulation driving you wild. Your hands tangle in the sheets, sweat slicking your skin as Vernon works to firmer motions. You realize he knows exactly how you like it, gentle to start, working you to firmer motions, a little hungrier. 

It makes him all the more lethal, the way he can just figure you out like that. “Yeah?” he asks, sucking harshly against you. “Wanted me to fuck you like that?” 

“God, yeah.”

“You should have asked. I’ll fuck you however you want.” 

“Didn’t think you liked me.” 

Vernon is too busy to answer, increasing the attention of his mouth. Your hands slide down to his, nails digging into the tops of his hands where he holds you. He lets go of your hips in favor of linking your fingers, pressing your clasped hands to the mattress. 

His name drips from your mouth, eyes falling shut as you sink into the pleasure deep in your stomach. He makes little sounds of pleasure, grunting and groaning as his mouth becomes more fervent. You feel yourself toeing the edge of an orgasm, so so so close.

He can tell too. He finds a harsh rhythm, pulling you closer and closer to your high with each sharp suck of his lips. You twist in his grip, fingers squeezing his so hard you think you might break his hands. You don’t, feeling your breath catch and hold as you come hard, thighs squeezing as you writhe on the bed.

You draw in a ragged breath, desperate for air as he kisses your cunt once. Twice. His slick mouth presses against your thighs, teeth dragging against soft flesh as he mouths his way to your knee. He gives you a moment, letting you pant against the sheets. 

Fabric sticks to your skin as you wiggle against the bed. He stands up, crawling up you again to find your mouth. You lean forward, catching him in an open-mouth kiss that is more tongue than anything, your taste heady in the heat of his mouth. 

“Turn over on your stomach for me,” he groans. His hands squeeze your side as he gives you room to follow his direction. You do, but not without his help, your orgasm making you a little clumsy. “Can you get on your knees for me?”

“Maybe?”

“I’ll help you in a second.”

Instead of moving, you lay slumped on the bed, fully intending to let him do the work. You turn your head to watch him pull his shirt off, revealing firm, tan skin. Vernon is beautiful, the sleek lines of his body reminding you of a painting. He kicks off his jeans before shuffling back on the bed behind you, looking down and snorting.

“Didn’t want to move like I asked?” You shake your head. He pats your ass lightly. “Come on, darling. Help me get these panties off or I will rip them off.” 

Huffing, you do as he says. He does lend you his strength hauling you up by the arm as you lean up on your knees. The room is cold, making you shiver but he presses your back to his chest, mouth dusting kisses over your shoulders. 

Vernon’s fingers dance along your sides until he’s pulling your underwear the rest of the way down your thighs, helping you kick out of them. When he’s got you full naked, he presses your back to him, crowding your space as he angles your head to kiss you slowly. Fully. 

Behind you, his cock presses firmly into your ass. You push back against him, putting pressure against his shaft. He hisses, biting your shoulder harshly. 

“Careful,” he growls, teeth at your neck. “Or I won’t be very nice.” 

“Want you, though.”

“You’ll have me when I say you can.” 

One of his hands slides up to your neck, gripping your throat lightly. He pauses, leaning to catch your gaze. His eyes are round and soft. Honest. Open. “This okay?” He questions gently. He gives a little squeeze to indicate what he means. You nod eagerly, reaching a hand to close around his, making him press harder. “Fuck you’re perfect.” 

You lean your head back against his chest as he holds you by the throat, one of your hands dropping to his elbow, the other reaching behind you to sink your fingers in his hair and tug. The sound he makes is feral, the hand he has placed on your waist dropping between your legs, fingers pressing between them. 

“Oh,” you squeak, feeling his deft tough on your clit. His movements are aided by your earlier release, fingers circling smoothly as he squeezes your throat, thumb pressed perfectly, to make it just a little harder to breathe. “Shit.” 

“Can you tell me a safe word? Not gonna go hard, just wanna know if it becomes too much.” 

“Maenad.” He snorts and you huff. “I just wrote an essay on them, don’t start.”

He laughs, pressing a kiss to your shoulder. “Alright. Just please use it if it’s too much - any of it. If you can’t talk, pat my arm, alright? Just wanna do this right.” 

You nod, so in love with him it takes all of you to stop yourself from blurting it. 

Vernon shuffles behind you, letting you tilt forward a little. The hand between your legs leaves and he instead brings it behind you, prodding at your pussy with his fingers from behind. You let out a loud sound and you can almost feel his grin as he presses a finger into your heat. 

He’s slow at first, the same way he was with his mouth. He explores what you like, testing the way his fingers drag against your walls combined with different grip strengths on your throat. You feel light headed. The room spins as he finds a rhythm that draws the most noises from you, that makes you clench down on his finger the most. 

All of your weight is against the hand around your neck, barely able to hold yourself up as he presses another finger in. This time, his fingers prod right against that soft spot inside of you, making you see stars. He must realize he’s found it, because he starts finger fucking you in earnest. 

The grip on your throat loosens a little, careful not to keep you short of breath for too long as he works your cunt with his hand. His lips find your shoulder, peppering you with light kisses that are delicate and butterfly soft in comparison to the way his fingers fuck into you. 

“Vernon,” you whisper, only able to think of his name. “Vernon vernon vernon.”

“Doing so good, darling,” he whispers against your skin. He kisses his way to your ear, sucking the sensitive spot on your neck. “So fucking good for me.” 

His words hit below the belt. You shudder in his hold, letting him drive you toward another release. You never imagined Vernon to be talkative in bed, but he is, his voice like velvet. Just like that. Perfect for me. There you go, come on. 

Everything about him is perfect, driving you to mania. His grip on your throat tightens suddenly, sensing how close you are to your second peak. Your breath quickens until you can’t breathe, going mute against him as his fingers press hardly into that spot over and over and over.

A high-pitched ring winds in your ears. You hold and hold and hold and when Vernon lets go of your throat, a gust of air flooding your lungs, you shatter around his hand. You collapse backward against him, head knocking into his. You don’t even care, twitching and gasping against him as his hand stills. 

For a few moments, you just lean against him like that, sweaty and lost and in a dream. Slowly, you become aware of his pounding heart against your back and the slick between your thighs. Vernon’s mouth is pressed to your shoulder, waiting patiently as you blink a few times, the room swimming into view.

“Hi,” he murmurs, watching you with shadowy eyes.

“Hi,” you croak, voice rough.

“Good?”

“Very.” 

“Want to stop?”

“No. Unless you want to.”

His gaze darkens. “I don’t.” 

“I want more. I can take more.” 

He lifts his head and presses a sweet kiss to your temple. “You’re perfect for me. Do you know that?” 

Reverent hands help you lay back against the pillows. Vernon touches you like you’re something delicate - not because he thinks you’re fragile, but because you’re something important to him. Valuable. You see it in the way he looks down at you, taking a moment to drink you in. 

There’s something else there too. Something edged with a knife, a little wild. Covetous. There is something in the way Vernon grips your leg briefly, a language he’s trying to communicate to you with touch. 

Mine, it says. Mine and no one else's.

With hooded eyes, you watch him peel his briefs off. Your eyes shoot to where his cock hangs heavy, beads of precum dripping at his tip. You reach a hand up toward him but he shakes his head, careful as he shuffles toward you.

“Later,” he promises. “I like touching you.” 

“I want you to feel good.”

“You make me feel good. Seeing you unravel makes me feel good. I like seeing how much you enjoy me touching you.”

You can tell he means it. His lips are swollen and soft when he kisses you. You open your legs open for him, letting him settle between the softness of your thighs. Vernon runs the head of his cock through your messy fluids, earning a whine for you.

“Sensitive?” he asks against your lips, nose nudging yours. You nod and you feel him smile. “Sorry.”

“Feels good,” you assure him, pressing a kiss to his jaw. “Want more.” 

“Greedy thing.” 

“I’m Your greedy thing.”

Your words have the desired effect. You feel a shiver ripple through him, Vernon’s grip on your leg turning to iron as he opens you up wider. He presses his cock into your entrance slowly, pausing just as the tip pops in. You throb around him, whispering his name - begging him to keep going. 

Vernon’s grin is sharp as he sinks in further, the slide tortuous and wonderful and so much as he finally finds home, hips pressed as far as he can go. He stays like that, tangling your tongue in a messy kiss as he sits there, fully seated in your heat. Your pussy spasms around him, pressed open to the max. 

“Feels so good,” he whispers, dropping his forehead to yours. “I’m going to come embarrassingly fast.”

“So do it.” You wrap a leg around his waist, your hips tilting upward. Both of you moan at the angle change, so close to breaking. “I wanna see it.” 

Instead of answering, he nods. He drags his hips backward slowly before slamming back in. He punches the breath out of your lungs with each slide home, the stroke slow but deep. Your head falls to the side, breaths rasping as he sets a steady, slow pace. 

It feels good, your legs curling around him to keep you close, hands tangle in his hair to keep him tethered to you. His hair is damp with sweat, your fingers curled in the strands, tugging a little. He seems to like it, making a needy sound in his throat that has you grinning. 

“Mine,” Vernon whispers to you, words muffled by your neck. “You are only mine, darling. You will only ever be mine. You were made for me. No one else.”

“No one else,” you agree. 

His hips move faster, a little messier. You egg him on, legs squeeze, cunt spasming around him. He lets out a feral sound, driving himself further to his orgasm. He drags you with him, another swell reaching you. Vernon can tell, chasing it like a predator, pinning you down and slamming his cock into you until you’re melting around him again, vision blotted out. 

Vernon comes to the sound of his name on your lips. His movements become sloppy until he can’t go anymore, holding himself above you, trembling. Carefully, he drops next to you, pulling his cock free. You feel your joint fluids run down your leg, but you’re too tired to care. 

Reaching for him, your hand finds his chest. He wraps his fingers around yours, holding your palm to him, his heart thudding wildly under your touch.

“For you,” he mutters. “Only for you, darling.” 

You fall asleep like that, hand pressed to his chest.

-

Waking up in Vernon’s bed is not new to you. You’ve fallen asleep numerous times at his apartment or stayed the night after going out, but you’ve always had the bed to yourself, Vernon opting to take the couch. 

The bed is empty now, but still warm. You stretch as you roll over in his sheets, groaning as you feel the soreness between your legs and mostly everywhere else. Pressing your hand to your chest and shoulders, you feel all the tender places Vernon mapped his affection with tongue and teeth. It makes you smile fondly as you lay in bed alone for a minute, breathing in the scent of his room.

Slowly, you peel yourself from his bed. With an awkward waddle, you make it to the bathroom, flicking on the light. You shield your eyes at first, going about your morning routine and washing your face to try and feel human again. 

On your way out, something catches your eye. You frown, walking back toward his laundry hamper where you see brass glinting in the light. You reach for it, pulling the bell from the tangle of his clothes. It has an old wooden handle with cracks, a little hand bell used for-

Well. Used the night of halloween. You have no idea why Vernon still has it, the memory of that night like poison in your mouth. You toss it back into the hamper on top of another shirt that catches your eye. It’s one of his dark green t-shirts, but the collar is stained dark brown.

Curious, you pull it out, shaking the shirt out in front of you. It’s mostly unmarked, save for the spatter of something dark brown and dried. You run your finger around the edge of it, puzzled. It looks like dried blood, but you can’t recall any injuries he’s suffered recently. 

You take the shirt with you into his room, tossing it on his bed as you get dressed, stealing sweatpants and a hoodie. Grabbing the shirt again, you trail out toward the kitchen where Vernon is making breakfast, the smell of bacon crackling in the pan.

You grin, leaning against the doorframe for a second to watch him. He looks so at ease, flipping pieces of bacon while he sings to some seventies song you don’t know the name of. 

Pushing off the wall, you head toward him. He catches you in his peripheral, turning his head and smiling at you. “Hello, Darling.” 

The nickname gives you pause. You slow as you come around the corner of the counter, stopping completely as the endearment pricks you sharply on the back of your neck. Vernon goes back to flipping bacon, singing along a song you vaguely know, but don’t know why Vernon does. He’s never liked music from the 1970s, and-

Your ears start to ring. Several things occur to you at once. 

The memory of Vernon screaming and banging his fists against the door, begging for help. You’d been so afraid that you ripped the door open, crashing through the line of salt. 

Vernon, sharp and confident, the new edge to him as he interacts with people, a little harsher. A little darker.

Nah need to cut back on the sodium had said when you asked about the lack of salt on his fries.

The way he’d called you darling the night before, whispering it against your skin. 

70s music that Vernon has never listened to since you’ve known him.  

The bell sitting in the hamper used to call a spirit on Halloween. 

In the house that belonged to the Hello Darling Murderer.

Brown stains - like blood - on his shirt. 

Carefully, you learn toward the middle of the counter, watching Vernon like a prey skirts a predator. With trembling hands, you gently grab the salt from where it sits next to the pepper. You hold your breath, trying not to draw his attention as you unscrew the top of it, placing the metal lid on the shirt to keep it quiet. 

With as silent steps as you can manage, you cross to the other side of the kitchen where you’re out of his line of sight. Tipping the salt over, you pour it across the tile from counter to fridge, eyes darting between the barrier of white and the man standing in the kitchen humming. 

Your heart hammers. 

Your hands shake. 

Salt shaker empty, you set it on the counter and take a few steps back. It’s an unbroken line of salt, and though it doesn’t trap him in the kitchen, at least it’s there. 

Vernon turns around with the pan of bacon. He sees you and his humming stops, cocking his head to the side. He notices the empty salt shaker. Frowns. Looks at you. Looks at the ground where you’ve drawn a line of salt. 

For a second, he just stares at it. His eyes flick back up to you, warm and brown but narrowed. 

“Why is there salt all over my floor?” 

“Cross it.” 

“Huh?”

“Step over the line of salt.” 

Silence stretches between you. He remains standing in the kitchen, pan in hand, music playing in the background.

When Vernon doesn’t move, you can see everything so clearly. 

Vernon hadn’t been joking when he slammed his hands on the door begging for help on Halloween. A sick feeling roils in your stomach as you remember the panicked screams, the way his fists hammered the door. 

Your next words come out as a hiss. “Cross the line of salt, Vernon.”

He looks at the salt and purses his lips before sighing and setting the pan down on the stove. He tosses the rag from his shoulder and shakes his head, striding over to the white line you made against his tile. He stops in front of it, looking at you with his eyebrows raised as if to say really?

“Well, do it.”

Vernon looks down at the salt. Looks back up to you. Down at the salt. 

And then he laughs. 

“Fuck, you really are the smartest person in school.” He sighs heavily, a gaze darker than anything you’ve ever seen on his face as he stares at you. “You know I can’t cross that line of salt, darling.” 

@ddaddunugu @ourkivee @tie-nn @cookiearmy @thesunsfullmoon @stray-bi-kids @ldysmfrst @onlywon4u @hopeless-foolery @iamawkwardandshy @gyuguys @codeinebelle @ateez-atiny380 @bultaereume @yoongznme @kaitieskidmore97 @coffee-addict-kitten @gyubakeries @archivistworld @asyre @kaepjjangiya @fancypeacepersona @beckyloveshannie @imujings @do-you-remember-summer-127 @jbluen @mingumis @kimsaerom

PLEASE NOTE: IF YOU DO NOT SEE YOUR TAG HERE, TUMBLR WOULD NOT LET TAG YOU AND YOU'VE BEEN REMOVED FROM THE TAG LIST.

[laura1633]

I had to write something after hearing Crane suggest Max wear a ball gag to the first press conference of the year. It's just something short and silly but here it is. (1281 words)

“Charles, quick here, help me with this!”

Charles makes a peculiar squeaking sound as he finds two hands on him dragging him away from the direction he was heading and down a corridor. The Monegasque is just about to start kicking and screaming when he realises that it is Max who is currently manhandling him. 

“We don’t have much time” Max holds something up in his hand. And Charles - , well Charles has to do a double take because -

“What the fuck is that?” Charles stares straight at the item. There’s no real need to ask what it is because it is quite clearly a ball gag. The real question is why Max is holding it up menacingly seconds before they head into a press conference. 

“I was talking to Seb,” Max appears a little frustrated at the delay Charles is causing by wanting an explanation, “and he said that if I really want to make a statement about these new rules then perhaps the best statement would be silence….”

“Seb said to wear a gag?” Charles raises an eyebrow as he gives Max a curious look. He supposes that does sound a little like something Seb would suggest.

“Well no not exactly,” Max’s lips curl upwards into a grin, “The gag was my idea. Good right?”

“You know you’ll probably end up in the stewards room for this?” Charles’ heart rate spikes as Max impatiently thrusts the ball gag into his hands. 

“I will end up in there anyway!” Max smirks, “May as well have some fun first.” 

Charles finds a lot of things fun. Hanging out with friends. Skiing. Hiking. Music. Something. Anything other than stepping out in front of the world’s media in bondage gear. Clearly him and Max have different ideas of what is considered fun. 

“Are you going to help me or am I going to have to do it myself?” Max huffs.

“I can help,” Charles tuts rather defensively. Of course he is capable of placing a gag into Max’s mouth and be completely normal about it.

Completely. Utterly. Normal. 

“Cool,” Max opens his mouth wide. Ready, waiting. 

And suddenly it doesn’t feel quite so funny because Charles’ hands are getting sweaty and his heart is about to break free from his ribcage. He doesn’t really have much choice though, he can’t exactly run away, so the Monegasque reaches out and tentatively places the ball gag directly into Max’s mouth and watches as the Dutchman wraps his lips around it.

It looks -, fuck it looks hotter than it has any right to. 

Max makes a soft humming sound of approval and turns around to let Charles fasten the back. 

This is absolutely not what Charles imagined he would be doing moments before the first press conference of what could be a pivotal season for him.  He has no idea how he is going to answer questions about Ferrari’s championship potential or the impact of the arrival of Lewis when he has Max sat next to him like this. 

Charles gets the gag properly fastened and is pretty pleased with his handiwork. It’s not too tight but it’s secure enough that it’s not going to fall out.

Max makes a muffled sound that goes immediately to Charles’ dick and the Monegasque tries his best to think unsexy thoughts. It’s bad enough Max is going in there with his mouth stuffed, Charles absolutely can not accompany him with a hard on.

“You ready to go?” Charles gets a gentle nod in return as Max rather dutifully follows him through to the room. 

And just as Charles had anticipated, the whole room erupts with noise. There’s raucous laughter and excitable chatter along with a few gasps and most significantly of all a blinding amount of flashing cameras. Within minutes there will be photos all over the internet of Max with his mouth held open and lips plush around the silicone ball.  

“Everything okay Max?”

Charles watches as Max gives the reporter a thumbs up and then slinks down on the couch casually. Like this is any other press conference. Like there isn’t the smallest amount of saliva already dripping from behind the gag. 

There is though. 

Charles is close enough to see it dripping around the sides. By the time they are done here Max will likely be drooling helplessly. Wet. Messy. Filthy. 

Fernando looks endlessly amused. Ollie looks shocked but then giggles along nervously. Charles is - , well in truth Charles is turned on.

“Max why don’t you tell us what you think your chances are of retaining your championship this year? 

Charles turns to his right and watches Max shrug and then make a ‘so-so’ action with his hand. It’s enough to earn him another round of laughter from everyone.  Everyone apart from Charles who has to force a smile on to his face. 

Max fidgets a little in his seat. Charles can’t help but wonder what the Dutchman is thinking, whether he is regretting it, whether he is enjoying it. 

The Dutchman tries to swallow down the spit that is clearly building in his mouth. Charles hears the wetness of it. Sees more drool starting to escape down the sides, glistening under the lights. Max doesn’t look embarrassed though, he is just staring out ahead. Charles isn’t sure he has ever seen someone look so submissive and dominant at the same time. Gagged but in control. 

“Max is this some kind of statement regarding the new rules and penalties?”

Charles tries not to groan as he hears Max make a murmured sound from behind his gag. It’s completely incomprehensible, obviously, but the helplessness of the sound makes Charles’ dick twitch.  Again everyone in the room chuckles. And once again Charles has to force a smile on his face whilst also discreetly trying to readjust himself so his semi is not quite so obvious. 

There must be other people finding this a turn on. Charles can’t be the only one. Except maybe its because Charles can hear Max trying to breath around the intrusion. Maybe its because he can hear the muffled sounds and the slurping of spit. Maybe it’s because he can see the stretch of the lips and the way Max’s throat muscles are contracting each time he swallows. Maybe its because Charles is the only one thinking about what else Max could be gagging around right now. 

Charles has no idea what answers he gives to any of the questions thrown his way. In fact Max is probably making a lot more sense than he is. The Monegasque jumps up the second he is allowed to leave and immediately turns his back to the audience of journalists so they can’t spot the rather obvious bulge in his pants. 

Max follows him closely out of the room and is quick to remove the gag. The Dutchman starts gently massaging lightly his own jaw and wiping the excess of drool up. His cheeks looked flush, red all along the cheekbones, his eyes are sparkling tough. Excitement. 

“I think you shocked them,” Charles tries to look normal about the whole thing, “I don’t know whether you are a genius or an idiot.” 

“Perhaps both,” Max shrugs. 

“I can’t believe you bought a ball gag just to wind them up,” Charles’ gaze drops to the gag, it’s soaking wet, “What the hell are you going to do with that now?”

Max laughs and shakes his head. 

“I didn’t buy this for them,” Max smirks as he meets Charles’ gaze, “I had it at home. It’s going straight back into my collection.”

Charles stares blankly as Max winks and then saunters off swinging his ball gag in his hand. 

[shukraastro]

Indicators for past life connection with the future spouse

- 7th lord, Darakaraka and Venus in the 12th of D1, D9 and D60 charts

- 7th lord, Darakaraka and Venus in Ketu Nakshatras (Ashwini, Magha, Mula) or in Rahu Nakshatras in D1, D9 and D60 charts. The difference between the two types is: with Ketu you will feel bound to them because you have to give/pay something to them, with Rahu you will obssess over them because you will get something from them

- 7th lord, Darakaraka, Venus and Jupiter (or even Mars for the male partner) in the sign of Leo in D1, D9 and D60 charts in either Magha or Purva Phalguni. If it's in Magha it can be any kind of a past life Karma good or bad, if it's in Purva Phalguni it will be blessings/fruits from the past life

- 7th lord, Darakaraka, Venus and Jupiter in the 5th house or in the 9th house in D1 or D9 chart. With the 5th house spouse or marriage will be a blessing from the past life, with the 9th house it will be an even much higher blessing because the 9th house is the 5th from the 5th house. It has a more spiritual impact. Your spouse and your marriage will elevate your the spiritual aspect of your soul

- Placement of rulerships between the 7th and 6th house (7th lord in the 6th house or 6th lord in the 7th house). It shows that there is a karmic dept from the past life which you have to pay in this life time to your spouse. There is an unfinished business and you will have to serve your spouse in this life time to pay off your past life dept. What exactly it is depends on the planet, sign and Nakshatra. Because the 6th house derived makes the spouses 12th house, so it makes a 12th house connection. And this aspect can be in the D1 or in the D9 chart

- The same game but derived, if the 1st lord is placed in the 12th house or the 12th lord is placed in the 1st house in the D1 or D9 chart. Because again derived the 1st house is the spouses 7th house and the 12th house is the spouses 6th house. Same thing as mentioned above

- Darakaraka placed in the 6th/12th house axis in D1, D9, D60 charts also shows karmic depts towards the spouse

- 7th lord, Darakaraka, Venus, Jupiter conjunct Rahu/Ketu or conjunct/opposite Saturn in D1, D9 or D60 charts

- Rahu/Ketu or Saturn in the 7th house

- 7th lord, Darakaraka, Venus, Jupiter (or Mars) in Anuradha Nakshatra indicates a spouse/wife/husband/partner who you got seperated from in the past life and in this life time you find each other again to stick together till the end it indicates a very devotes and loyal spouse and a bestfriend at the same time. If opposing aspects are present here with Rahu/Ketu/Saturn it can also influence this

- 7th lord, Darakaraka, Venus, Jupiter (or Mars) in Revati indicates a spouse/wife/husband/partner who is your soulmate and you will not be pleased with anyone else until you go to far away places and find your past life soulmate again and unite with them. You will feel like nobody is worthy of your love and you will yearn to find your soulmate but you will have to travel far away because it's in Pisces which is the sign of the original 12th house and Revati's symbol is a pair of fish which symbolizes soulmates. If opposing aspects are present here with Rahu/Ketu/Saturn it can also influence this

🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺🌺

These are the ones which I could think of by now. I will add more if I remember something which I forgot.

I hope this was helpful.

Thanks for reading. 🌺

[theclownghoul]

Gratuitous

Opinion piece & analysis

I really hate how Jinx’s suicidality is portrayed in S2, largely in Act lll but we’ll talk about all of it.

In S1 we have about three moments (by my count) that show Jinx harming herself or trying to end her life. Hitting herself in episode 3, being careless with the staples in episode 7 and pulling the pin on the bridge also in episode 7. There is also a line she says to Vi “You’re the reason I’m still alive” in episode 9 which given other things she says in that moment could be interpreted as other ideations.

What makes these moments different from S2 episode 9? Well none of the three main writers were credited to those episodes other than the dialogue in S1 episode 9. Most of them are communicated through animation only. They also just feel different, they’re vulnerable, other things are the focus and her doing these things is just a reaction to those feelings. There was something to get from the scene besides a showcase of her pain.

Episode 9 of S2 is not that. It’s gratuitous, it’s a spectacle, it’s gory and somehow losing all its impact. There’s the music which is not what I’d call tasteful or subtle. It’s making an impression, wants to force a feeling or reaction. Make you sad or horrified and oh, I was horrified but not the way they wanted.

Even the way she digs her nails into her cuticles in S2 episode 8 isn’t really meant to show us anything about her. It’s meant to affect the audience.

In comparison I almost appreciate how people have read her pulling the pin in S1 episode 7 as trying to manipulate or take Ekko out too instead of being a completely clear cut attempt. Because it at least shows that there is enough going on with the character’s mindset that we can speculate on her motivations and how she’s reacting to all the emotions that came from fighting her old friend. If you look at her face it’s sadness and regret (S1 is also better at story through facial expressions since there was forethought). You’re free to have your own reaction, not the one that’s set out for you.

I have mixed feelings about her fight with Vi now and telling Vi that she’s okay to go out by her hand. It feels closer to the moments in S1 than later in episode 9. There’s more going on, we’re meant to consider multiple layers of both her and Vi’s feelings in the moment. It’s a non explicit parallel to the Bridge and does show a pattern of behaviour. It’s also not credited to any of the main writers.

The scene from the opening of episode 9 as a whole, is it romanticization? Heard differing opinions on this and I honestly don’t know where I stand. One one hand it shows how empty she feels and how everything has come crashing down despite trying and it communicates her emotions through the images and music. On the other the scene is meant to be visually appealing while also showing her detonating the bomb very explicitly, like you see her blood. I’m sorry but this is some 13 reasons shit. None of this is helped by the fact that Isha was killed purposely to get her in this state.

I had way more emotions about the actual story in the scene with Ekko in S1 and the scene with Vi in episode 3. Originally I liked this scene but I just can’t really remember why exactly, especially when compared to the earlier ones. The other scenes aren’t lacking in any way when it comes to showing her despair so I’m lead to believe it’s a stylistic choice in line with S2’s music video focus.

Then there’s Ekko… what did he do to deserve this? I’ve said before that if he had to he would save her but the reason he had to was because this scene sounded like a good idea. Saw someone say why is it his responsibility to save her and yeah why? He’s her romantic interest? Not from her perspective at this point and that’s a terrible reason anyway. Not only are we shown her blowing herself up in detail, being inflicted with it but he also has to see that, multiple times. Please don’t make me think too long about it… then we don’t see what actually changes her mind and actually see their bond. That also doesn’t give me a lot of faith is what they think is important to show.

Then she sacrifices herself at the end to “break the cycle” which no one is actually clear on what is meant by that and the same damn song is playing. It’s weird.

I’d like to compare it to the Poison sequence from Hazbin Hotel since that scene faced backlash for romanticizing abuse specifically in that scene. If I can describe what makes Poison not exploitative and what makes Wasteland so then I can safely say they are different and there is something deeply sinister about Jinx’s scene.

Poison benefits internally, inside the context of the story from being visually appealing and pretty. That tells part of the story in and of itself and eventually it cracks, mirroring how Angel feels in the scene and in his situation.

Wasteland benefits externally, it’s done for the audience as I’ve been saying. There is nothing about Jinx’s mindset or actions that we get a better insight into from the stylistic choices. We know “she loves a spectacle” but that’s the only internal explanation that I could make. Even if they wanted the cutting of her hair and the burning on the last drop but the framing could have easily been different.

Think about the staple scene for contrast, it has no interest in being something other than what it is, brutal and disorienting, just as she is feeling in that moment. Jinx would behave that way whether there were “eyes” on her or not. Poison is the same, Angel “performs” to keep his thoughts at bay regardless of an audience. Wasteland only exists in its current form to entertain.

The final “sacrifice” also falls into this, solely focusing on eliciting a reaction from the audience and making a spectacle of sadness. There is no resolution to Jinx’s earlier conversation with Ekko, we don’t see her reflect, we don’t see a change. We have no reason to believe she’s in any way in a better place. Her decision to give her life for Vi’s isn’t particularly fleshed out and this as a conclusion to her arc is bizarre at best and offensive at worst, suggesting she had to remove herself from her loved ones lives, something she simultaneously feared and was tempted by.

I probably shouldn’t feel the need to make such a caveat but I am aware that the could be a matter of preference when it comes to how scenes like this are portrayed but the way this scene was done continues to strike me as odd. I can’t help but think it maybe intentionally or unintentionally is playing into the “sacrifice” message where, it may be a sad thing but Jinx had to die. And that’s a horrible thing to say.

[eldritchmochi]

sum more tips!!

- for americans: learn how to read insurance coverage documents. its a huge hassle but it helps a LOT to know what is and is not covered, what the coverage is like, and what you need to do to get things covered. this can make transition of care a lot less stressful when you have to swap insurance for like, job reasons

- related, memorize your deductible and your oopm, as well as the copays for your common medical needs, that way if something is fucky, you can do something about it asap

- if you struggle with doctors taking you seriously, bring someone with you to your appointments whenever you can. i whole ass married my wife because theyre in a medical adjacent field and is thus *really good* at helping get my symptoms across, but someone who sees you regularly and can attest that xyz is Bad, or add to your descriptions of symptoms is phenomenal (cos if youre disabled you almost certainly have brain fog and you DEFINITELY have symptoms you dont realize are as bad as they are)

- tylenol works better if taken regularly and is generally less hard on the body when taken regularly than ibuprofen. 2 extra strength tylenol 3x a day every day does a LOT for my pain. PLEASE DISCUSS WITH YOUR DOCTOR FIRST THIS IS NOT MEDICAL ADVICE

- otc ibuprofen is formulated slightly different than prescription ibuprofen, so taking otc at a higher dose is harder on your body than taking the same dose of prescription ibuprofen. its not a huge difference but it is something to be aware of if you take otc ibuprofen regularly

- when seeing a new doctor, especially when switching to a new pcp, having a print out you can physically give to a doctor with your med list, your relevant symptoms or concerns, and relevant timeline (if applicable), is a HUGE help for both you and the doctor. keep it breif and snappy tho, one page or less (meds notwithstanding)

- if you have any kind of mobility problem, see if you can have regular appointments with a physical therapist. a) itll give you tailored exercises to maintain and hopefully improve your mobility, even just for small qol things like toileting and getting dressed, and b) going regularly (1-2x a month if possible) will help keep you on track

- there are things medical institutions and especially insurance look at when deciding treatment, and they are unfortunately tied a lot to how "useful" you are. if your doctor isnt taking you seriously when you talk about your symptoms, try including how it impacts your daily life, focusing on things like sleep, showering/toileting, feeding yourself, ability to work/do chores, sitting in a chair (like at a desk) or standing (like queuing or cooking), ie "my hands hurt so bad i cant hold a spoon to feed myself without crying" or "i wake up every couple of hours to roll over because my hips hurt" or "i cant stand for more than 2 or 3 minutes without my knees locking"

- if you struggle with basic self maintenance or daily life tasks, like brushing your hair or folding laundry, see if you can talk to an occupational therapist. their whole bit is to devise alternative ways of doing daily tasks tailored to an individuals needs and abilities. includes problem solving stuff like: if you struggle to reach into upper cabinets, move your frequently used items to the lower cabinets, as well as finding adaptive equipment for things you struggle with that you may not even know exist

- if you can afford it, highly recommend splurging on a roomba. an older gen refurbished Roomba you can often find for 100-150 online and having a regularly vacuumed floor helps keep your environment feeling MUCH nicer and it can go a long way towards improving your mood, like, cannot recommend more

- also for americans: look into laws regarding FMLA/PFML. it is good to know how it works in case, heaven forbid, something happens to you, but also great to know when planning for things like non-urgent surgeries. also good to know if your main carer can use FMLA/PFML to take time off to care for you

- also for americans: if your job offers an fsa with a % match, max that thing out and use it. its SO HELPFUL to have in order to pay health costs like prescriptions and copays, especially if the total amount meet or exceeds your oopm, and theres a ton of stuff you can use it on thats ootc, from Tylenol to heating pads to bigger things like adaptive equipment and those 200$ specialty pillows

I've been disabled for almost 29 years. Here's what I've learned.

Tablets sink and capsules float. Separate out your tablets and capsules when you go to take them. Tip your head down when taking capsules and up when taking tablets. Liquigels don't matter, they kinda stay in the middle of whatever liquid is in your mouth.

If your pill tastes bad, coat it with a bit of butter or margarine. I learned this from my mom, who learned it from a pharmacist.

Being in pain every day isn't normal. Average people experience pain during exceptional moments, like when they stub their toe or jam their finger in a door, not when they sit cross-legged.

Make a medical binder. Make multiple medical binders. I have a small one that comes with me to appointments and two big ones that stay at home, one with old stuff and one with more recent stuff.

Find your icons. Some of mine include Daya Betty (drag queen with diabetes), Stef Sanjati (influencer with Waardenburg syndrome and ADHD), and Hank Green (guy with ulcerative colitis who... does a bunch of stuff). They don't have to be disabled in the same way as you. They don't even have to be real people. Put their pictures up somewhere if you want; I've been meaning to decorate my medical binders with pictures of my icons.

Take a bin, box, bag, basket, whatever and fill it with items to cope with. This can be stuff for mentally coping like colouring books or play clay or stuff for physically coping like pain medicine or physio tape.

Decorate your shit! My cane for at home has a plushie backpack clip hanging from the end of the handle and my cane for going places is covered in stickers. All of my medical binders have fun scrapbooking paper on the outside. Sometimes, I put stickers and washi tape on my inhalers and pill bottles. I used my Cricut to decorate my coping bin with quotes from my icons, like "I've seen enough of Ba Sing Se" and "I need you to be angrier with that bell".

If a flare-up is making you unable to eat or keep food down, consider going to the ER. A pharmacist once told me that since my eye flares can make me so nauseous that I cannot eat, then I need to go to the hospital when that happens.

Cola works wonders for nausea. I have mini cans of Diet Pepsi in my coping bin.

Shortbread is one of the only things I can eat when nauseous. Giant Tiger sells individually-wrapped servings of shortbread around Christmas or the British import store sells them year-round. I also keep these in my coping bin.

Unless it violates a pain contract or something, don't be afraid to go behind your doctor's back to get something they are refusing you. I got my cardiologist referral by getting in with a different NP at my primary care clinic than who I usually saw. I switched from Seroquel to Abilify by visiting a walk-in.

If you have a condition affecting your abdomen in some way (GI issues, reproductive problems, y'know) then invest in track pants that are too big. I bought some for my laparoscopy over a year ago and they've been handy for pelvic pain days, too. I've also heard loose pants are good for after colonoscopies.

Do whatever works, even if it's weird. I've sat on the floor of the Eaton Centre to take my pills. I've shoved heating pads down my front waistband to reach my uterus.

High-top Converse are good for weak ankles. I almost exclusively wear them.

You can reuse your pill bottles for stuff. I use my jumbo ones to store makeup sponges and my long skinny ones to hold a travel-size amount of Q-Tips.

Just because your diagnostics come back with nothing, it doesn't mean nothing is wrong. Maybe you were checking the wrong thing, or the diagnostic tool wasn't sensitive enough. I have bradycardia episodes even though multiple cardiac tests caught nothing. I probably have endometriosis even though my gynecologist didn't see anything.

You can bring your comfort item to appointments, and it's generally a green flag when someone talks to you about it. I brought a Squishmallow turkey (named Ulana) to my laparoscopy and they had her wearing my mask when I woke up. I brought a Build-A-Bear cat (named Blinx) to another procedure and a nurse told me that everyone in the hall on the way to the procedure room saw him and were talking about how cute he was. Both of those ended up being positive experiences and every person who talked to me about my plushies was nice to me. If you don't feel comfortable having it visible to your provider during the appointment, you can hide it in your bag and just know it's there, or if you're in a video appointment, you can hold it below frame in your lap.

Get a small bucket, fill it with stuff, and stick it in your bed (if you have room for it). I filled a bucket with Ensure, juice boxes, oatmeal bars, lotion, my rescue inhaler, etc. in October 2023 in anticipation of my laparoscopy and I still have it in my bed as of January 2025.

If your disability impacts your impulse control (e.g. ADHD, bipolar disorder), you should consider setting limits around your spending -- no more than X dollars at a time, nothing online unless it's absolutely necessary, and so on. Or, run these purchases by someone you trust before committing to them; I use my BFF groupchat to help talk sense into myself when I buy stuff.

Feel free to add on what you've learned about disability!

[mach-talk]

JRWI fans, tell me if this is something that makes sense to you: I think Dakota Cole is the first superhero in a VERY long time to feel like an actual superhero.

⚠️Spoilers ahead for both seasons of Prime Defenders, if you haven’t finished it already, what are you doing here?! Go watch it!!⚠️

I think Grizzly did a phenomenal job in his research of superhero media before making Dakota, and that research really paid off for how real Dakota feels as not just a hero, but as a person. Season 1 made me fall in love with the characters and the story, but as an avid Marvel skeptic, season 2 made me believe in the superhero genre again.

I’ve talked about my disdain for modern superhero movies before, but to condense it, I feel like they don’t really feel like HEROES as much as “the lesser of two evils in a fight that’s destroying a city.” A lot of modern heroes feel too gritty and gloomy, not the symbols of hope they’re meant to be, but only focusing on the reluctance of their position.

Dakota Cole’s story is different to me: we’re able to see all sides of it, the good and the bad, and spend enough time in those moments to feel what he feels. His story feels so perfect to the Hero’s Journey, both in what we start out with and what we learn along the way.

First and foremost, I’m grateful to see heroes that WANT to be heroes again, not just to save one person or some moral obligation, but for the sake of wanting to do good and help others. Prime Defenders as a whole is such a breath of fresh air in the superhero genre for its message, and it gets to the heart of what makes superhero movies good. It feels, for lack of a better word, colorful. In a world of low light and gritty heroes making hard decisions, we get moments like the fight for New Haven where the heroes came together with the sword to defeat the planet, or the showdown with Powerhouse, while we get silly moments like the Wasp Vs Bee debate or the chaos portal in the Winnebago. That doesn’t mean we don’t get dark or gritty scenes, of course- I’m still deeply impacted by Ashe’s sacrifice to save everyone, William’s spiral with his brother, and (most relevant to this rant) Dakota’s surgery. But because we got to see the whimsy and the heart behind the heroes, it just made all of those moments so much more impactful.

Dakota Cole, though, feels to me like the result of dissecting the superhero genre and finding what makes it so appealing and meaningful to people. He is, upon first glance, hopeful and confident, optimistic perhaps to a fault, and wants to see the best in people and bring out that goodness. He starts with a very rigid view of what good and evil is, but as his mindset shifts, we see him open up to other ideas of what goodness means to him.

You’d think this would immediately fall apart when he goes through the heartbreak and disillusionment of losing someone to a villain, and that’s what we see with Ashe’s loss in season 1. He is clearly devastated by the loss, but is the first to believe that they can bring him back. He even says it as some of his last words to Ashe before he becomes The Trickster- “Don’t forget that you have somewhere to come back to.” After the loss, though, he’s only more motivated to save his friend. He goes to train and get stronger, and is the one to suggest getting him back. Throughout season 2, as well, we see the backstory that had been set up throughout season 1 come back to the front, and how it impacts him not only as a hero, but as a regular person. His love for his aunt, his attitude towards others, his willingness to sacrifice…

The first thing that he did for himself, in my opinion, was the heart surgery to keep himself alive, and even that wasn’t all for him; it was largely to help William rather than just staying alive. But he was so desperate to help others that he found the thing he needed to learn most in order to be the hero the world needed: patience. His heart surgery and subsequent training with Master Cole taught him the patience he needed to put his abilities to use.

But I think what his training arc taught him best outside of patience- the lesson that stuck with me the most- was that it is okay to ask for help. In fact, one of the quotes that still sticks with me is the quote from Master Cole: “Sometimes, we can’t carry the weight of the world alone.” He spent two seasons up until this point trying to carry every burden on his own, but this was a turning point for him. He realized that he has a team for a reason, and that he doesn’t have to protect them, and that allowing them to help him will make everyone stronger.

In my opinion, Dakota had the most personal growth out of the Prime Defenders from S1E1 to S2E40. He lost a lot of the innocence and pure optimism he had before, but the wisdom and patience he gained from it turned his passion for saving people and his genuine desire to do good into a more productive and successful energy that could save more lives than before. Sure, he had his silly moments- the consistent Fortnite jokes during his training arc, the goofiness of creating The Purps, etc. But his humor served to deepen his character, and the balance of genuine care and compassion for others with the humor and the struggles he faced (and still faces) just make him such a deep character.

He’s a silly goofy guy and he is one of the best written characters in modern hero stories.

[sonic-au-collision]

Do you by any chance have any tips n tricks on making aus + stories fleshed out and more coherent? This can also be answered in Reblogs idrm 🙏🙏

AU & STORYWRITING TIPS AND TRICKS

You have released me from my cage and I have unleashed a word dump below the cut. This isn't really organized at all and I did jump back and forth between sections but I hope at least some of it helps.

Since I don't really know the specifics about your AU, I'll use some shows, books, or even sometimes my own AUs as examples but you should be able to take what I said and apply it to your stories.

(Note from future mod after writing this guide. I also ended up spontaneously making new AUs because of this. That was not meant to happen.)

This will also be tagged under #collision questions! If you want to reblog with some notes of your own go right ahead!

It's important to figure out how canon divergent your AU is and how that impacts your characters.

Think about your overall AU concept!

Like, let's say you have an AU that diverges off one point of canon. Everything up until this event is the same. Then something changes, something happens differently. For these kinds of AUs, I'd definitely recommend reviewing and analyzing the original source a lot!! Especially the events taking place after your changed plot point!!

Understand the importance of that event in canon and how it may have impacted events afterwards. Take the episode The Sign from Bluey for example. Also SPOILERS FOR THE SIGN!! Let's say, Winton's dad and the Terrier's mom had never gotten together. This would mean that since Winton's dad would not be moving in to live with the Terrier's, he would have no need to sell his house. And since he isn't selling his house, the sheepdogs wouldn't have changed their minds about buying Bluey's house. Bluey and Bingo would have ended up moving to a new city, as a opposed to canon where they ended up staying. If you've seen The Sign, you'll know there's way more examples of this cause and effect than what I just listed.

Or another example, let's say in Sonic Prime, Shadow didn't use the emerald when Sonic shattered the paradox prism. This leaves Sonic on his own without Shadow's help. Now think about scenes where in canon, Shadow was there to help Sonic. Now take Shadow away. What might have happened in that scene? How will Sonic handle the situation without Shadow? Take creative liberties! Because Shadow isn't there, the story may take a completely different turn. The story SHOULD take a completely different turn. Things that happened in the show, may not have even happened at all here as a result. Things that happened in the show, may be impossible to occur in this world as well! I don't have specific examples because I haven't watched the show in a while but man do I want to turn this into a real AU now. What have you done to me this was supposed to be a random example I came up with just a few minutes ago. Anywho, moving on! Sonic's character in this world would also be different as a result of his experiences and how he had to adapt to the situation differently.

Alternatively, your AU isn't canon divergent. Let's say it takes place in a world completely different from canon. A world with different rules and norms can affect and change how the characters experiences as they grow up. For some reason I have been thinking about Shadow a lot so let's say we have a world where Sonic and Shadow grew up together on ARK. They knew each other from day one and don't have a reason to distrust each other. Consider how something like that would affect their dynamic, personality, etc. Because they grew up together, consider how for example, SA2 would be changed.

This can apply to AUs where its Sonic characters but in the world of a different fandom. Like a Lilo and Stitch sonic AU or Percy Jackson AU. Consider how the Sonic characters interact with this world. Try not to rely on too much on how the actual characters of that world interacted within that world because here's the thing. Sonic is not Percy. Sonic would not act the exact way Percy would in a situation because they are different characters. The AU covers the main beats of the original story but it will not follow the exacts events word for word. If you're planning on writing a fic for an AU like this, please please please don't just like yoink the script and exchange character names for Sonic ones because there's really nothing new being added and that's what makes these stories interesting. Same thing for role swaps!! They may have changed roles but do not give them the exact same dialogue as the original. Characters have different personalities and speaking patterns after all. Take the overall message of the dialogue and reword it to better fit the character who's saying it.

So about characterization

Maybe you have an idea of x character doing something, and that something may seem out of character for them, but maybe that action is really important to the story or you just really want it to happen. Here's what you do: have the steps you take to get to the out-of-character event, be in-character. Have the reasoning for the actions be in-character.

An example with an AU of my own but I'm not giving specifics due to spoiler reasons. There is a character who canonically, is loyal to a fault. Their loyalty to their friends and family is both their greatest strength and weakness. But my AU features this same character, betraying their friends and family. They're fighting on the wrong side, sabotaging their friends. So as you can see, very out of character.

That AU started around just the concept of that character betraying everyone. Now since loyalty is a vital part of their character, I need to take that into consideration when figuring out how to get the canon character to become the AU character.

This character is loyal to their loved ones. So, I put their loved ones at risk. This character's parents and baby sibling are held captive by the enemy. They must help the enemy otherwise their parents are at risk. This is why they betray their friends and share information with the enemy.

So pretty much, an out of character action will have in character reasoning. What will this character do to get to this point? How do their actions get them to his point? And maybe, all that happens before the main events of your AU and that's why your AU character is different.

Writing stories

Speaking of characters doing one thing to get from point a to point b, that's pretty much how writing a stories go. At this point I've been writing for over an hour so I might not dive too deep into this.

First think of. What is the status quo? What's usually normal in this world? Then. What happens that causes a change in that normality. And there's your beginning of the story.

Again, think about how the characters will react to this change? What do they do next because of it? What is something they want? What is something they need? What do they do next to get it? And what do they do if an obstacle appears in their way.

If you know the climax or any events in the middle, just think of what you can do to guide this character so they can get where they need to be for these events. Then what does the character do to get out of the situation?

As for the ending. You can establish a new status quo. What's going on now in the world after all the adventures they've gone on? What's your stories message? What do you want readers to take out of it as they reach the end?

Miscellaneous bullet points

Sketch!! Do a lot of little doodles of character designs or scenes to help get the ideas flowing!! Don't feel obligated to post these online, draw what you want for you

What if? A lot of AU ideas can come from asking what if x happened? Maybe there's a point in a game where something you were hoping to happen, didn't. Well, what if it did?

Use a notebook!! Sometimes, it's better to take a break from the screen and get all your thoughts down traditionally and break them down in a way you just can't in Google docs. Try making a mind map. Start with one idea and branch out from there.

Review the source material!! Get an understanding of the characters and their world and why they act that way

You can write scenes out of order! Then when incorporating it all together into a main storyline, just think of what the character did to get from this point to the next.

Save deleted scenes!! Keep them in a separate document. There's always a chance you can use them for something else later

Keep readers engaged by raising questions within the story and not answering them until later. Say Sonic gets hit by a spell but don't say the exact effects just yet. Have Sonic slowly notice them himself. But he doesn't realize what's wrong. The readers will be curious to what exactly happened to Sonic and if it can be fixed. When a question is answered, raise another one. Sonic and friends learn about the spell and luckily! There's a cure! Unluckily, they have a time limit. Will they make it in time?

Create an outline, but don't stick strictly to it. This what I usually do. I let my thoughts run wild as I piece together what happens in the story. It's messy and chaotic. I'll show you an example of my outlines if you go over to my main blog. Then I use the outline to guide me as I write, looking at it every so often but not 100% following it. There will be times as I write that I deviate completely from the outline, adding or changing different scenes because it just makes more sense for the story. The outline is a guide of suggestions, not an instructive manual.

Hope at least some of that made sense and provided some help!! If you've got more AU specific questions feel free to ask here!

If you want more on story writing or you want a look at my story outlines, I'd like to direct you on over to my main blog @starzdeath

[elumish]

You speak on romance as a genre a lot, and there’s a trope I’d love to hear your thoughts on. I don’t know if there’s a real name for it, I usually just call it “perceived rejection” wherein Character A overhears/misinterprets/somehow comes to believe that Character B hates them, doesn’t want them around, only puts up with them for appearances, etc and now have to live with that misunderstanding until it’s cleared up. If there’s a proper name for the trope, I don’t know it, but I bet it’s related to another semi common romance trope of the love interest admitting they’re wrong/needing to beg forgiveness for something (ala pride and prejudice).

You’ve certainly read more of the genre than I have, I’m just wondering if you’ve seen this a lot and noticed any patterns about it?

Ooh, the hated misunderstanding trope (eavesdroppers never any hear good of themselves edition).

As with all misunderstanding plotlines, this is the sort of thing that can work really well or can feel extremely contrived. In my opinion, the two biggest things that make or break this trope are:

Is it believable that the character would hear the thing that they heard in the way that they heard it?

Is it believable that the character would misinterpret what they heard in the way that they did?

The most successful implementations of this trope, from my experience, are either when the thing that they heard reaffirms a belief they already had and/or is factually accurate. Overhearing that someone started pursuing them over a dare or bet, for example, has a much bigger impact on the reader if it's true than if the character misinterpreted what someone was saying.

The reason for this is that the biggest failure with misunderstanding plotlines is that they rely on characters continuing to not talk to each other. If what someone overheard was accurate, even if it's not the person's main motivation anymore (or isn't the whole truth), then simply clearing up the misunderstanding isn't sufficient, because the truth was still hurtful. Then the other character needs to make up for it, which makes for a more satisfying emotional arc.

I feel like I see this show up most in a few different ways:

Character B started their relationship with Character A under false pretenses but is now in love with them, and Character A overhears someone talking about the false pretenses

Character A already thinks that Character B is planning to leave them and then overhears something that implies that

Character A overhears Character B being defensive about the relationship or otherwise denying that it's romantic

Character A misunderstands an overheard conversation that Character B is having and assumes it's about their relationship

The problem particularly with the latter three is that often I read the conversation and either it doesn't seem like a conversation any human being would actually have in real life (so it feels manufactured just for the drama) or I can't read the misinterpretation from the conversation (so the misinterpretation feels contrived).

[funnier-as-a-system]

Big decision making has made me decide to try ADHD meds. My psychiatrist is awesome and she assures me that none of the effects are permanent and if I don’t like them, I can stop and go back to how I was before.

But my question is…what do I do if the meds cut off communication between me and my headmates? I’m not sure we know how to function completely independently from each other. Some of us don’t, definitely.

What advice can you give and what do you know about ADHD meds and the impact they have on headmates?

Might it go in the opposite direction and make communication EASIER? And CLEARER? And make us work more efficiently as a team?

I know the number one thing people taking them say is it makes your brain “go quiet” and I don’t like the sound of that. I’m not prepared to only have one train of thought and I’m a bit nervous about how I’ll react.

There's no one certain way that ADHD meds will impact your internal communication. Some say it makes communication more difficult, others say they make it easier, still others report no difference at all; for some, their brains "going quiet" can include not hearing their headmates as much, but for others, their brains "going quiet" can just mean that their brains calm down enough that their headmates' voices are clearer. So, unfortunately, this is something that won't make its effects obvious until you're on the meds for a while.

But even if meds make communication more difficult, it's unlikely that it will just stop entirely. In addition, you can practice external communication if that sounds like it might be helpful – things like keeping a journal, leaving each other notes, and co-fronting or proxying* to write messages back-and-forth without having to switch (you can even hold entire conversations this way, though it may take some practice).

* I'd recommend asking other system blogs about this, because I don't feel that I can give a good explanation and description of proxying.

At the end of the day, your psychiatrist is correct that you can stop taking ADHD meds if that treatment doesn't work out, which includes if the meds impact your internal communication badly enough that it's not worth taking them. If this happens, perhaps bring up the possibility of short-term meds that you only take when you need to focus on something, rather than daily meds (which I assume you'll be trying out). We tried out ADHD meds, and the negative side-effects outweighed the positives, so we stopped taking them. If worst comes to worst, you can do the same and look for alternative treatments.

You don't have to just wait for results to appear before you take action, though. By recording how you feel and what's going on within your system each day, you can track symptoms, positives, and potential problems as they appear. If you start now, you'll also have records of how you are when you're not taking any meds, so you can compare later down the line if needed (or just wanted, if you're ever curious). Keeping your own records to refer to can also help your psychiatrist know what the effects of this new treatment are, when they appeared, and how things are likely to develop in the future.

In short: things might go better than you expect, if things go poorly they can be fixed and new plans can be made, and in the meantime, you can keep a personal record of your internal and external functioning to help keep track of things and catch any problems you might face early.

Wishing you the best, anon!

[yermes]

Reaping the Whirlwind 🎪

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Pick a meme

123

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Disclaimer: please take what I say with a grain of salt and not as the gospel. I just want to share some ideas of practicing and giving advice using the medium as often as I can with school, work, and my own personal studies and practice. But I am working on sharing my notes soon so that will be exciting! Liking and sharing does a lot 🥰

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Socials: My Socials **☾**

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The cards

IX of disks rev 🌙

You are going to have to cut back a lil on spending my sweet baby girl, time to open that excel spreadsheet and track those numbers because believe it or not if we aren’t trust fund rich we do have to keep the future in the back of our heads a bit. Do not spend for clout, do not spend for satisfaction, please be aware of the people around you who cross your spending boundaries. Friends don’t need to spend money to have a good time together and TBH its a red flag if you do. Enter granny mode, budget for treats but do not over spend for fun.

IX of cups 🌷

Girl you don’t need money to focus on yourself for this moment in your life, you just need to feel your emotions and come up with internal satisfaction. You have been sad for to long and I hate to say it buy babes you have been standing in your own way, you don’t need a million dollar mental health saving kit you need to put a plan into motion to get that emotional satisfaction and contentment. And babe i promise with some work you will get there. You are not doomed to emotional suffrage, you can over come this and be much greater than you were before. Will it be okay? It will be different.

The Sun ☀️ rev

You know people are getting what they bargained for but unfortunately we are getting what they bargained for as well. Its always rough when the choices of others negatively impacts you, what everyone else is reaping you are reaping as well. The biggest thing is people took an action believing something so incomprehensible, that yeah theres no way that could be true or happen. But pook, listen, its not your fault, go out. Have fun do what you can with what you are given. People will realize they fucked up even if now you are already here sitting knowing they fucked up. You still need to live your life to the absolute fullest, you have always been crafty don’t let peoples shit choices hold you back. Will it be okay? It will be different.

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Extras:

Story/vent:

4th time trying to upload

Will probably be as anon as possible for next 4 years

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[shukraastroasks]

Hi i am the person you ignored earlier. 🧍‍♀️

I would like to know placements that could indicate past life connection with future spouse. I also wanna know why we use D60 sometimes to look for spouse placements. Because I think it's for ancestors how can that be connected to spouse?

Thank you!

I'm not ignoring anyone. 👀 Just can't really keep up with so many asks daily. I'm asking for everyones understanding at this point.

First of all to the significance of the D60 chart. The D60 chart, yes it tells us about our ancestors, but it also tells us about out past lifes and Karma from the past life which becomes a big part of our destiny in this current life time. So it can also tell you about your spouse whom you have a past life karma/unfinished business/connection with. The techniques are again the same. We look at the 7th house, 7th lord, the placements of the D1 7th lord and Darakaraka and also Venus and Jupiter as well. But it shows more abstract themes about our relationship with the spouse, it tells us more about the themes of the relationship in our past life.

Now to the general indicators for past life connection with the future spouse:

- 7th lord, Darakaraka and Venus in the 12th of D1, D9 and D60 charts.

- 7th lord, Darakaraka and Venus in Ketu Nakshatras (Ashwini, Magha, Mula) or in Rahu Nakshatras in D1, D9 and D60 charts. The difference between the two types is: with Ketu you will feel bound to them because you have to give/pay something to them, with Rahu you will obssess over them because you will get something from them.

- 7th lord, Darakaraka, Venus and Jupiter (or even Mars for the male partner) in the sign of Leo in D1, D9 and D60 charts in either Magha or Purva Phalguni. If it's in Magha it can be any kind of a past life Karma good or bad, if it's in Purva Phalguni it will be blessings/fruits from the past life.

- 7th lord, Darakaraka, Venus and Jupiter in the 5th house or in the 9th house in D1 or D9 chart. With the 5th house spouse or marriage will be a blessing from the past life, with the 9th house it will be an even much higher blessing because the 9th house is the 5th from the 5th house. It has a more spiritual impact. Your spouse and your marriage will elevate your the spiritual aspect of your soul.

- Placement of rulerships between the 7th and 6th house (7th lord in the 6th house or 6th lord in the 7th house). It shows that there is a karmic dept from the past life which you have to pay in this life time to your spouse. There is an unfinished business and you will have to serve your spouse in this life time to pay off your past life dept. What exactly it is depends on the planet, sign and Nakshatra. Because the 6th house derived makes the spouses 12th house, so it makes a 12th house connection. And this aspect can be in the D1 or in the D9 chart.

- The same game but derived, if the 1st lord is placed in the 12th house or the 12th lord is placed in the 1st house in the D1 or D9 chart. Because again derived the 1st house is the spouses 7th house and the 12th house is the spouses 6th house. Same thing as mentioned above.

- Darakaraka placed in the 6th/12th house axis in D1, D9, D60 charts also shows karmic depts towards the spouse.

- 7th lord, Darakaraka, Venus, Jupiter conjunct Rahu/Ketu or conjunct/opposite Saturn in D1, D9 or D60 charts.

- Rahu/Ketu or Saturn in the 7th house.

- 7th lord, Darakaraka, Venus, Jupiter (or Mars) in Anuradha Nakshatra indicates a spouse/wife/husband/partner who you got seperated from in the past life and in this life time you find each other again to stick together till the end it indicates a very devotes and loyal spouse and a bestfriend at the same time. If opposing aspects are present here with Rahu/Ketu/Saturn it can also influence this.

- 7th lord, Darakaraka, Venus, Jupiter (or Mars) in Revati indicates a spouse/wife/husband/partner who is your soulmate and you will not be pleased with anyone else until you go to far away places and find your past life soulmate again and unite with them. You will feel like nobody is worthy of your love and you will yearn to find your soulmate but you will have to travel far away because it's in Pisces which is the sign of the original 12th house and Revati's symbol is a pair of fish which symbolizes soulmates. If opposing aspects are present here with Rahu/Ketu/Saturn it can also influence this.

These are the ones which I could think of by now. I will add more if I remember something which I forgot.

I hope this was helpful.

Have a good day. 🌺

[tojisprettylittlething]

Mr. and Mrs. Fushiguro 17

Pairing: Assassin!Toji Fushiguro x Assassin!Reader

Warnings: Toji being a loser- :(

Masterlist

➴➵➶➴➵➶➴➵➶➴➵➶➴➵➶➴➵➶➴➵➶➴➵➶

Chapter Seventeen: How to Love a Killer

A/N: short chapter...sorry

Toji is difficult.

You knew that. You were used to that.

But you? You were worse.

At least, that’s what he liked to tell you. The difference between you two, he said, was that while he could kill with ease, you destroyed everything in sight without even trying.

You hated that he was right.

-----

It was early morning when he showed up at the door, all casual, as if he didn’t just disappear for two days without a word.

He had that stupid smirk on his face again.

You hated it.

You hated the way it made your chest tighten, the way your body responded to him even when you didn’t want it to.

The door barely made a sound when you swung it open.

He looked at you, like he always did—those dark eyes piercing through you, seeing every single thing you tried to hide.

"You're back," you said, your voice colder than you meant it to be.

"Mm," Toji murmured, his gaze lingering on you. "Wasn’t planning on staying away long."

And you almost let him stay.

You almost let him walk back into your life like it was nothing.

But you didn’t.

"Don’t make this a habit," you said. Your arms folded across your chest, trying to protect yourself from the impact of whatever this was.

"Don’t act like you didn’t miss me," he shot back, a smirk tugging at his lips.

You rolled your eyes. "I didn’t."

"That’s a lie," he teased, stepping closer.

"Yeah, well, so what?"

Your words hung in the air between you, but they didn’t mean what they should. Not anymore.

-----

Toji is difficult.

You knew he’d be difficult. That was part of the deal.

What you hadn’t anticipated was that you’d become just as bad—maybe worse.

He kissed you like it was the last time he’d ever get the chance.

You didn’t fight him when he pushed you against the wall. Didn’t push him away when his hands were already on you, rough and impatient.

What is wrong with me?

Your mind screamed, but your body didn’t care. You weren’t just kissing him back—you were pulling him closer, forcing his lips to your neck, your fingers tangling in his hair, as if you couldn’t get enough.

As if you didn’t want to get enough.

But you did.

You wanted to pull back. Wanted to create space between you two before you lost yourself completely.

But every time you tried to, Toji was right there—always a step ahead.

His touch was a constant reminder of everything you couldn’t escape, everything you tried so damn hard to shut down. And it was like he could sense that. Could feel it in your pulse, in the way your body refused to stay still under his hands.

You wanted to fight him. You did, in your own way. But the harder you tried, the deeper you fell.

-----

You weren’t sure when it happened.

When he became more than just a mission. When the lines blurred, and everything you knew about love, loyalty, and power became just another battlefield to fight on.

But it had happened.

You had fallen into something worse.

And so had he.

You let him go eventually—pushed him out the door, or tried to.

But he was always right there, just outside of your reach.

And that was the hardest part.

Because in the end, it wasn’t just Toji who was difficult.

It was you, too.

Both of you, too much, yet never enough.

My lil taglist ₍₍ ◝(　ﾟ∀ ﾟ )◟ ⁾⁾ : @t4naiis - @crimsonxm00n -

[didyoulookforme]

7 & 25 for the prompts :)

this is a different arrangement coded aka film location scout matty <3

from the prompt list here.

warning: smut. age gap. soft dom matty. impact play. grammar and spelling errors.

never in a million years did you ever think you’d be in a long-distance relationship, let alone with a man five years older than you. it wasn’t exactly something you planned for, wasn’t something you even thought you were built for, but then again, nothing about matty had ever followed the script. 

and now? now, he’s here. here for a couple of months, here in your space, your life, your mornings, your nights. 

least of all, you would’ve never thought you’d be the type of girl to be currently lying across his lap, legs draped over his, his palm warm and steady, moving slow up and down your thigh.

and to think, all of this started because of that night at his place.

you weren’t snooping. just flipping through his recordings, looking for something to put on tv, when an unexpected title caught your eye. you clicked it without thinking. and then immediately wished you hadn’t—because there, right in front of you, was a woman and a man licking between her legs.

your stomach flipped. you blinked at the screen. scrolled down. there were more. enough to make you sit back, pressing your lips together back in amusement. it didn’t take long for you to take a photo of the list and send it to him.

which one’s your favourite? xxxx

as soon as you hit send, you regretted not being able to see his reaction. all you got were the three little dots on your screen—appearing, disappearing, appearing again. until finally, he responded.

guess that’s what i get

lonely much?

sometimes. yeah.

sorry. at least you’ve got your hand to keep you company 

does the trick

suuuuure

it’s the fourth one btw and don’t judge. you asked.

and that’s how you found out matty gets off on pain being inflicted.

it didn’t take much to fish out that he’s done it, too. that it wasn’t just something he watched but something he’d made real many times prior.

which, of course, made it impossible not to wonder how it might feel.

wanna try with me?

if you ask nicely, perhaps ;)

truth was, the thought of ruining you like that got to him immediately. not that he told you. but you could tell. could hear it in the way his breath hitched when you asked if he’d finally want to do it that night. the way he went quiet when you admitted you’d never done so before.

and that’s exactly why you’re in this position now. sprawled over his lap, head resting on a cushion, heartbeat throbbing in your head, (im)patiently waiting.

“i’ll talk you through it, okay?” his mouth is close, warm against your ear.

you meet his gaze, nodding once before pressing a quick kiss to his lips that makes him beam. “sweet girl.” the words come just as he leans in, brushing a kiss to the tip of your nose, his hand firm at the curve of your ass. a slow squeeze, then another, before his palm shifts, tracing lazy circles over the thin cotton stretched across your skin.

“i’ll need you to count for me,” he soflty instructs. “start from one. count up each time. that way, i’ll know you’re good to keep going. understand?”

you swallow, nodding again.

his thumb presses a little deeper on your flesh. “and if it’s too much, you tell me, yeah?”

another nod. his lips brush your shoulder before he lifts the hem of your dress with his free hand. it’s barely even started, but already, your pulse is in your throat, heat pooling deep in your gut.

“okay, love. whenever you're ready.”

you exhale slow, curling your fingers into your palm to steady yourself. this might already be too much and it hasn’t even started. you’re pretty sure your panties are soaked through with your cum dripping on his trousers. but finally, you close your eyes and count down inside your head.

“one.”

the sound comes first—a sharp snap of fingers against cotton—before the sting follows, blooming warm across your skin. you could tell that he was gentle with you, which you appreciate him for. always being careful with you. with your eyes still closed shut, you take another deep breath and exhale, burrowing your forehead into the cushion.

“two.”

you gasp at the second strike, landing right where the first did. it lingers, a slow burn threading through your skin, settling deep in your stomach.

“you okay?” you hum and nod against the sofa as he tenderly rubs circles over your skin, as if trying to soothe the pain. it’s followed by his mouth pressing a sweet kiss on your ass. that makes you bite down a laugh.

“doing so good, sweetheart.” and that’s enough to keep you going.

“three.”

this one lands harsher, your skin now throbbing where his palm struck you. he doesn’t notice when you glance at him, but you’re taken aback at how fully absorbed he’s by you, teeth tugging on his bottom lip as he stares down at the marks he’s clearly left.

so you push it a little. shimming your hips just enough to tease him. and it works. he breathlessly laughs, shaking his head before tipping it back, letting out a soft “fuck” in return.

you barely have time to process the confidence it sparks before you feel his fingers hook into your underwear, tugging it up until the fabric bunches tight between your ass. him holding it place so now you’re on full display. keeping you still, right where he wants you. and you’d be lying if you said that didn’t make you feel fucking wanted.

“four.”

the moan spills out. you don’t even try to hold it back anymore. there’s no point. it feels too good, better than you’d ever let yourself imagine. there’s something addictive about this. about being held steady, about matty keeping you in check, guiding you through it, making sure you feel every second of it. all somehow made that much better when one of his fingers slides over your clothed cunt, caressing you gently where he knows you want him the most.

“i adore you so much, darling. s’ fucking good for me.”

“five.”

he doesn’t hesitate. the sharp smack of his fingers against your skin filling the room, quickly followed by your groans as his hand slips between your thighs. this time cupping you fully, rubbing you through the soaked cotton as his hips roll against you, making sure you feel just how much this is getting to him.

six, seven. eight. nine. ten.

it continues on until you’re so fucked out of your mind, head so clouded with pleasure that you cannot form a single word other than “stop”. and he does. immediately, without aquestion. 

you push yourself up slowly, his hands firm at your waist, guiding you as you settle onto his lap. your face tucks into the crook of his neck, his arms pulling you in, holding you close as you catch your breath. and yeah, you can’t help but feel how hard he is underneath you.

"let me help you," you murmur, fingers already moving to his belt.

but before you get far, he catches your wrist, brings it to his lips, then presses it against his shoulder instead.

he shakes his head. "i can manage. just let me take care of you, yeah?"

you can’t help yourself, shifting against him just one more time to hear him moan. but then you nod, slow and sweet, looking up at him through your lashes. his lips twitch, just slightly before he brushes your hair off your face and gives you a soft kiss.

"there’s my good girl."

[messrsrarchives]

and also based on this comment section, i feel the need to clarify that even if you have a HBO Max subscription already,,, it's still doing harm???

we get so caught up in mass change that we make no change. we get so caught up in this idea that by doing something we change everything, when that's not the case.

everybody on earth could boycott. the reboot could get 0 streams and she would still be a transphobic piece of shit because whilst, yes, boycotts are about mass change, we can't change a person's morals and her pockets are already fully lined.

what you can do, is stick to your own morals. because mass change isn't the only worthwhile change.

one person not watching the show does not make a tremendous impact, of course not. but one person posting about it online and receiving 10k+ likes? that makes a difference. that makes a different to how safe people feel, that makes a difference to those 10k people who now feel justified in engaging, that makes a difference to the people IN these spaces who want to facilitate a welcoming community.

and yessss, there's no ethical way to engage. i can talk about jkr as much as i want on tiktok and yet when i post about her characters, it is promotion.

it's about doing the least amount of harm possible. because one post and one comment section of people saying how easily they'd abandon their morals for some content? That makes a change.

that makes a massive change to how welcome we feel in these spaces.

and i am so Tired of the "one person doesn't make a difference" mentality - we've all been there! i've said it too.

but (1) nobody is asking you to be the only person to do it, that's why we have these conversations. (2) it's evidently not one person when everybody falls into this mindset,,, maybe something could be done? (3) that's what you say, and then you go to facilitate talks. you don't use it as an excuse to do nothing and cause harm

and most importantly, one person can.

you can make a difference in your corner. you can make a difference with the people around you, with your account, in this space etc etc. you can not talk about the reboot, you can delete pro-jkr comments, you can make it clear where you stand (and not even loudly! you don't have to be loud about it, you just have to be Consistently On Our Side)

we desperately need to free ourselves from the idea that mass, widescale change is the only valuable change and instead start thinking about all the small, seemingly insignificant changes we could make that have a massive impact on a fandom space.

because you can make a difference. to the people around you, and to the space you're engaging in. it's just that you're too focused on alterating everything that you don't recognise the other ways you're causing harm.

harm is harm. no matter how indirect. and i really wish people got that.

at the end of the day, i don't care who watches it. you do you, i'll simply know you're not someone to associate with. but i DO care who posts about it, because then it's abundantly clear that you have no respect for this space, or our comfort. you just want some likes,,,

i don't care who watches it, i care that i have to sit back and see people show just how little they truly care about our existence if they get some sparkly new content.

(and p.s. streaming on HBO Max even with a sub,,, still gives her money? "we were already involved in the maki-" then idk. delete your subscription? or don't add more money to her pocket? stop making excuses and hiding behind "roadblocks" that are literally poorly placed traffic cones that you can move)

i am ONE minor inconvenience away from deleting my account i am going INSANE

make it worth it for WHO??? FOR WHOOOOO 😭😭😭