#not a bad trade off

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[mochii-derogatory]

ive been watching the dog motif show... why is no one talking about this guy. isaac lahey come home from france,,,, sweet boy,,,, we miss you,,,

[cultivating-wildflowers]

ladies, I need to wander despondently across a foggy moor asap

[tastycitrus]

there's an alternate timeline where the new 52 reboot kept all three batgirls but retconned all the robins except for dick, who went back to being robin with nightwing banned from being mentioned at all

[sparring-spirals]

I was initially clipping this to capture the overwhelmingly accurate, absolutely devastating hilarity of "you went for realistic, and sadly, you nailed it". And then just kept recording because I really fucking love the discussion about how to balance the line between like:

You are trying to tell a story that feels good and gives you the kind of lift you might be looking for in an explicitly fantasy story,

vs

How to ensure it still feels grounded and rewarding in a way where you can "bring this good feeling back to earth" at the end.

Like they're talking about TTRPG's but they clearly make parallels to other forms of storytelling/worldbuilding mediums, like movies, and. like. Yeah. Yeah.

Like the framing of "you really recreated the feeling of powerlessness..." and wanting the fantasy element to manifest in there being the clearer, straightforward ways to solve complex issues, vs trying to ensure that you can have a victory and it feels feasible and substantial and applicable in some way, and has something you can take out of the fantasy world and hold with you back on "terra firma".

Its tricky! Its a tricky thing to balance, and I don't think there's a single "right" answer nor should there be because it depends. It depends on the story, and the intent, and the setting, and the medium, and etc. Big fan of this framework to explain it.

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[wield-the-mighty-pen]

You know what still bothers me about the end of season 5?

We still have no idea what exactly is it that Gabriel wished for AND we have no idea what he used to pay for his wish

All we know is that a wish was made and were then shown a scene of an idyllic alleged (dare I say even eerie?) utopia, in which he is deemed a hero and the entire world, his son included, has seemingly forgotten about every wrong he has committed.

A world everyone appears to be happy and serene, the heroes of Paris able to have fun as there is no occasion for them to need to step in. A world where fast progress is able to occur without any consequences being brought up. A world where Adrien is apparently happy and is “blessedly” unaware of all the things that Gabriel has kept from him, and hasn’t caught on to anything being amiss

How the only thing that appears to have been taken away from Gabriel was possibly his life, which was something he was mere hours from losing anyway. And regardless of whether or not this was a real sacrifice, it seems to pale in comparison to what he potentially wished into existence

It just feels to me like there is a subtle ticking going on in the background, counting down to the eventual explosion of this unstable wish

[doubledyke]

do yall ever feel like you aren't mentally capable of having a fucking job like this shit is so draining. i feel like im missing the part of my brain that would allow someone to even reluctantly accept that this is their existence. work is THE number one source of stress in my life and then my pre-existing nutjob conditions take that and feed off of it and it's a neverending cycle of existential dread and ripped up bleeding cuticles

[revvethasmythh]

So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?

I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.

[silly-billy-skilly]

CHIBI ART TRADE WITH @mothscotch !!! GAAAHHHHGGGH

[welcometogrouchland]

your talia in your newest comic is very pretty 💜 shiny hair save me….

AHH THANK YOU SM I didn't shade her hair originally when I was coloring cause I was trying to streamline things but it looked so incomplete without it...I can't help it if she has L'Oreal model energy. Anyway you're always really nice on my Steph posts so here's some misc Stephs I had lying around as thanks for this ask (feat one of those alt cowl designs i posted back when!)

[quaranmine]

can people be nicer about the solar eclipse because i've had people irl laugh at me when i express disappointment over the bad weather forecast and online i see tons of people being rude about it too? like where is your whimsy and sense of awe at the universe and how dare you insinuate that i'm being frivolous to be sad about potentially missing what is, for my area, a once in a lifetime event?

[dykedvonte]

This is something I've only seen on the game's TV Tropes page, but what do you think of the idea that Curly's less than perfect decisions were because he was sleep deprived?

I think it’s one of the factors on many.

To say it’s the biggest reason pushes past a lot of stuff and other concepts but I do think his “zoning out” and slow reactions were extrapolated by not sleeping enough. We can kinda infer he used the coffee machine to supplement the sleep he missed despite it keeping him up worse. Losing that in tandem with the last weeks stressors is like anxiety on top of caffeine withdrawal, but the machines been broke for a while so he’s likely over it. So I do think he was sleep deprived but it was more so the beginning stages of fog, irritability and struggles with organizing thoughts.

Like I put his sleep deprivation in one of the faults of capitalism and Pony Express when it comes to things Curly couldn’t handle vs just didn’t Janel well, it was out of his control. Like he is the Captain but also the main pilot, idk if yall know but 5 hours is not enough for like a nice day of relaxing let alone flying a space craft. It’s not just sleep deprivation but exhaustion from the monotony of work at play. If his psych eval is any indication he has been running on autopilot for a while, doubly so if we consider that sort of dissociative hallucination before Jimmy’s eval as another dash on his not all there ness.

A weird design of work relaxation balance from P.E as I feel like it makes accidents more likely to happen, but if that includes more reasons to dock pay then I can see why they made it that way.

[simplepotatofarmer]

it's finally mine.....

[behaemoth]

Sometimes I look back on the year I spent on Twitter fandom for a stupid movie (2020) and how so many people in that fandom were so goddamn awful and I’m like girl………why did you do that to yourself

[sincerely-sofie]

Oh my word. Guys.

I found the MS Paint drawing I made with a mouse after beating Pokemon Black.

Oh my goodness.