#nor write

[ketchupp0]

btw im reading dark rise and I like it?? like it isn’t pretentious at all and its just a silly light read?? plus I’m really vibing with violet, love her!!

[smoosie]

(Which arm, Viktor, huh ? Which one ??)

They were not a couple so, Jayce (who had a very bad day and just wanted to hug it out) proceeded to freak out, backed out of the lab and never mentioned it again but, Astral Viktor, that mf ? He'd be delighted to remind Jayce of that moment in time, of that missed call and watch him die from embarrassment and resentment over himself

(I'm glad they've never beaten the gay allegations and never will)

[orcboxer]

those first couple weeks after escaping a time loop have gotta be disorienting as all fuck. all those little cues that used to tell you what's about to happen are now triggers that cause you to brace for something that isn't coming. you have to relearn the permanence of death -- hell, you have reacquaint yourself with the entire concept of finality altogether. everything keeps changing but it never changes back and you keep having to remind yourself that this is normal. "it won't reset anymore," you echo to yourself, over and over and over, like a broken record, like you're still trapped in a loop, like someone who escaped the time loop but was doomed to bring it into the future with them

[hhhhunty]

How funny that she never considered that.

[keferon]

Guys. Guys they’re miners. They’re tiny cogless miners. Guys

I blacked out and filled the whole three canvases with sketches of them being itty bitty goobers. Figured Imma show you some haha

[mossy-rock-in-a-field]

Several weeks ago, my retirement-age mother requested that I play Baldur’s Gate 3 for her because she has trouble with controllers/keyboards and wanted “to see what all the fuss is about with that cute wizard boy.” For context, my mother and I have done this sort of thing in the past with certain RPGs (dragon age, mass effect, etc.), but it’s been a few years since she’s personally requested a game like this. Basically, I control her Tav but let her make all the choices so she can determine how the story plays out without worrying about mechanics. She treats it like a choose-your-own-adventure book.

Anyway, here is a list of some of the things my mother has said and/or chosen to do throughout the course of BG3 in no particular order:

She is (obviously) romancing Gale. She is quite smitten with him and his passion for books and learning; she also thinks he’s polite and qualifies as “relationship material.” She also REALLY likes the things he’s said about his cat so far (my mom is a cat lady), so I know she’s gonna flip shit when we meet Tara in Act III.

She’s playing a normal druid Tav with a generally good alignment. Her favorite spell is Spike Growth because she thinks it’s hilarious whenever enemies walk into the AOE and die. I usually end up having to cast it at least once per battle per her request. Sometimes twice.

Contrary to her alignment, my mother tasks me with robbing every single chest, crate, barrel, and burlap sack we come across; this also includes people and their pockets. The party is always at max carrying capacity. ALWAYS. She doesn’t like selling things because “what if I need them.” The camp stash is in literal shambles. There is no hope of organizing it. She’s got like fifty seven sets of rags and a billion pieces of random silverware.

She MUST talk to every animal and corpse in the game. I think five hours of her total playtime so far (47ish) has been spent speaking to animals as many times as humanly possible. Like, I was thorough in my own playthroughs, but this is on a whole other level.

She did NOT get Volo’s lobotomy, but she did let Auntie Ethel take her eye in hopes of a cure for the tadpole. I did not understand the logic then. I still do not understand it now.

She is far more interested in fashion than equipment stats. Do you have any idea how much gold I’ve had to spend on dyes just to make things match? SO much. Same vibe as that “please someone help me balance my finances my family is starving” tweet but instead of candles it’s thirty thousand fucking bottles of black and furnace red dye.

We broke the prisoners out of Moonrise, but they got on the boat too early and bugged the fight by leaving Astarion and Karlach behind. Wulbren Bongle somehow got stuck in combat mode even after engaging the cutscene on the docks below Last Light; he he kept trying to run ALL THE WAY BACK TO MOONRISE nine fucking meters at a time while I frantically tried to finish the fight with the Warden, otherwise Wulbren would have run straight into the shadow curse. (I would’ve let him go; fuck Wulbren Bongle, all my homies hate Wulbren Bongle. But my mom didn’t know that, and she wanted to keep him safe. So.)

She had me reload a save like eighteen times to save the giant eagles on top of Rosymorn Monastery. Wouldn’t even let me do non-lethal damage just to get past things. I think getting that warhammer for the dawnmaster puzzle took us like an hour and a half alone. (Yes, I know you can use any warhammer, but SHE didn’t.)

She’s started keeping an irl notebook to keep track of her quests between play sessions. She writes down ideas and strategies when she thinks of them during the week, then brings them to her next game session at my house. I think she wrote about three pages on possible approaches to the goblin fortress alone.

She insists that I pet Scratch and the owlbear cub before every single long rest, no exceptions. Sometimes I have to do it multiple times until she is absolutely sure that the animals know exactly how much she loves and cherishes them. She has also commissioned a crocheted owlbear plush from a friend of hers and is very excited.

I’m sure there’s a bunch of stuff I’m forgetting, but those are some fun things I thought of. She’s enjoying the game and is telling all of her retired friends to get it and play it for themselves. She asked me “what is Discord” yesterday and I think my life flashed before my eyes.

anyway shout out to my mom for being neat

Part 2 — Part 3 — Part 4 — Part 5

[bluerosefox]

Selina's New Kittens

Once again. A new DPxDC idea/prompt.

(Deaged! Danny, Dan, Ellie, and Jazz!)

Enjoy my random ideas.

Look.

Selina....

Selina wasn't expecting this when she decided to have some fun and do what she does best.

She just meant to sweet talk her way into Master's gala/party. Flirt and get info, maybe some blackmail. Steal away the rare cat themed artifact he had recently gotten (and also steal away his actual cat, such a lovely little diva it is too). then she was going to disappear into the night like always.

So...

Selina casted her eyes into the mirror of her car and could see the tiny children she had rescued from Master's hidden basement lab. All but one was asleep, the oldest out of them, although she seemed to be losing that fight from the way her head was falling forward, eyes closing but would jerk herself back awake when she realized she was falling asleep.

Curled up as hard and as much as they could towards the little redhead was three dark haired children, Selina mused that they'd fit right in with Bruce and his little bats/birds.

Two were near identical boys, though one seemed to be much paler than the other and if she remembered right one had red eyes and the other had blue, and the last one of the sleeping kids was a tiny toddler, a girl she heard was named 'Ellie' from the others.

Selina took note that the red head, Jazz, had finally fallen asleep a few minutes later. With a deep breath as she drove further and further away from that... that insane Fruitloop (she overheard the two boys call him that as they ran to her car) Master's place, she blindly reached for her phone and pressed a single digit on the screen, knowing it will connect to her car and call up the only person she can trust to help her with this.

"Selina." came the gravely voice after a single ring, sounds like she caught him on patrol but he seemed to be in a spot where he was okay to say her actual name over coms or she caught him before his night shift started.

"Hello Darling, I need your help with some kittens I found and to help me... Put away their terrible old owner."

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[every-aj-needs-an-angel]

Okay this one's been stuck in my head all day but I have absolutely time to write it so please share this vision with me

Try as they might, Steve and Robin couldn't get tickets to Chrissy Cunningham's arena tour, but they could get tickets to a festival she was playing.

The last thing Steve ever wanted to do was go and stand in a muddy field for sixteen hours while they waited for the headline act. But he was pretty sure Robin was in love with her favourite musician, and he wasn't about to deny his best friend a chance at love.

So he helped her make personalised t-shirts because honestly all the other bands in the line-up kinda sounded like they sucked.

His read, "Only Here for Chrissy" on the front and "I'm Steve" on the back and Robin's read "Chrissy, Will You Be My Girlfriend?" on the front and "If Lost, Please Return To Steve" on the back.

And it turned out, as they stood against the barrier in a not so muddy field, on a lovely, warm, but overcast, May day, that even bands that sucked could be fun. Even if it was only because they spent their day with earplugs in, so their eardrums wouldn't combust, bitching about each artist's lack of ability to put notes or an outfit together.

During the lunchtime intermission, the pair made friends with the lesbian couple next to them, Kayla and Jess, who were also eagerly awaiting Chrissy's set and similarly liked to mock those who committed crimes against sound and fashion. Steve was glad to have met them, they were really nice, and he felt better about leaving her to use the bathroom or to fetch food, knowing Robin was in safe hands.

He also felt better about letting her wander off, not that it stopped him from stressing out when she and Kayla had been missing for over fifteen minutes. He spread himself out to keep their places against the railing with his back to the stage, watching the crowd intently. Jess wasn't quite as chatty once they were alone, but she seemed content enough, bobbing along to the band that'd appeared on the stage.

Steve didn't turn back around to face the stage until he spotted the girls heading back towards them, he gave them a wave and turned around to look at the guys who hadn't been attempting to destroy anyone's hearing and was met with the face of the most gorgeous man he'd ever seen. Pretty face, long curly hair tied up in a bun, muscle tee showing off his many tattoos, piercings and chains and glittery Docs; Steve felt himself owl blink and blush.

God's gift to mankind was kneeling centre stage, guitar in hand making the most beautiful sounds Steve had ever heard as his fingers flew over the strings, and it was only when the rest of the band kicked back in that the man looked up, winked directly at Steve, and then jumped back to his feet, spending the rest of the song bouncing around the stage.

Steve only realised his mouth was agape when Robin finally arrived next to him and elbowed him hard in the ribs, giving him the same look she did whenever he was embarrassing in the club. He watched the rest of the Corroded Coffin, according to the backdrop, set in awe. Screaming and clapping along when they wished everyone a great day, throwing picks and drumsticks into the crowd and taking a bow; patting each other on the back as they wandered offstage.

As soon as it was quiet again, Robin wanted to know what the hell was wrong with his face and honestly, he couldn't answer her. He didn't even believe in love, not for himself at least, and he certainly didn't believe in love at first sight. It didn't stop him from spending the next couple of hours watching the faces at the sides of the stage, hoping to catch a glimpse of his new favourite guitarist, though.

As soon as Chrissy hit the stage, Steve got lost, between filming the set and watching Robin trying not to hyperventilate when Chrissy spotted her t-shirt, pointed to her, and giving her a coy little wink, blew her a kiss.

"An old school friend is here with me tonight, and I'd like him to help me out with this next track. Especially for the beauty in the front row, this is Girlfriend!"

The crowd went wild as the beat kicked in, but Steve was still watching Robin because it looked like she'd stopped breathing altogether. That was until she gasped loudly and started smacking Steve in the way she always did whenever she got overly excited; pointing wildly at the stage, and it was only when he looked over he saw Corroded Coffins guitarist bouncing up and down next to Chrissy.

Instead of the black muscle vest and skinny jeans he'd been sporting earlier in the day, he had changed into pale blue board shorts and a baggy white t-shirt that read "Hey Steve!" written in black sharpie with a giant winking smiley face underneath that could only really be seen when he swung his guitar around his back to copy Chrissy's dance moves.

The song ended, and the friends hugged, Chrissy waving him off the stage and calling out, "Eddie Munson everybody!" letting the crowd go wild for her friend before launching into the rest of her set.

By the time Chrissy had actually left the stage, Robin looked exhausted, having screamed and sung and danced herself out. They hung around a bit, said goodbye to Kayla and Jess, wishing them a safe journey home, and they were just taking one last look at the now empty stage when he heard someone yell his name...

[eddtollett]

NEED the hotd writers to stop giving rhaenyra free passes out of making difficult decisions we were doing so well with the dragonseed arc and then they reverted back to having someone else roll up and go lol actually you don't have to make a hard choice after all im gonna offer you an easy way out! this is NOT how you write interesting characters 💀

[crabsnpersimmons]

thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:

long-story short, Sun doesn’t believe he has emotions since he is a robot 😔

of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)

but there is a part of him that wonders if he is missing something—he just doesn’t understand what that is

Note: i should also mention, his voice is almost completely monotone. the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoes—fairly even in tone, somewhat soft

[terminallydiseased]

content warning — nsfw (lewd), vincent x reader, clothed sex, overstimulation, begging, slight praising, boss/employee relationship, handjob, anal.

author's note — fuuuck.... sex penis?

summary — your boss wanted you in his office, excusing yourself from your job for a bit.

your head was spinning, the pleasure hazing your mind and jumble of noises and incoherent words escape your lips. vincent rolls his hips inside your hole, letting out small grunts and groans as he silences you with force, covering your mouth with his hand, the other hand gripped firmly on your hip.

you were bent over on his desk, taking his cock like a good boy you are to him, but you were greedy, wanting more, begging for more, yet all you could let out are noises and cries, vincent knows what you want, but he likes teasing you, tormenting you. fucking you so hard that you're so close to cumming but just can't.

"apologies, dear, you're gonna have to use your words." he mutters against your neck, he could see you clawing the desk, trying to stabilize yourself, and it was just too much for you. he thumbs the slit of your tip, earning a whimper from you, you tried your best to form your words but his roughness with you didn't help at all, in fact, made it worse.

"poor thing, i can't understand you with all that pathetic babbling." he chuckles, his voice gruff and raspy. letting go of your mouth as he tells you not to be loud. "s-sir, ah-! please, please... need it so bad..." you plead, pressing yourself against his hips desperately as he emits a low groan.

you both were a mess, you might need to change clothes soon because there's a chance you'd spurt your fluids on your trousers, which was already down to your ankles with your belt and boxers. vincent here has his hair messed up, disheveled even, he has his pants up, it's just his zipper undone to fill you with his dick.

"please...?" you beg once more, feeling his finger tracing the vein on your cock, your body shuddering at the feeling. "i'll consider." he responds, hearing you whine from his answer.

he pulls himself out from you, the tip only kissing and teasing your hole as he harshly thrusts back in, angling himself at your prostate, his hand finally jerking your weeping shaft off. you could feel your eyes rolling at the back of your head because of it, tears prickling at the corner of your eyes, drool leaking out of your lips while you let out more noises.

he pushes your head flat onto his desk, fucking you harder. "i told you to not make a sound, did i not?" he reprimands, making you bite down on your lower lip with a muffled cry. "good boy."

the way he flatters you makes you shiver, you could feel yourself nearing your release even more, trying your best to hold back any noises. "i'm- ngghh-! i'm close, sir..!" your legs tremble, wanting to relax as vincent increases his pace, signaling he was also close.

as his pace fastens, you swore you were seeing stars, your body was gonna pass out from such ecstacy you were feeling, you gripped on the edge of the desk, your throat wanting to let out a loud moan as vincent covers your mouth again, letting you moan onto his hand.

you both finally came, vincent pushing himself inside you and painting your walls white, while your dick shoots out cum all over the floor, both you and your boss gasping and heaving for a moment.

it was only for a moment until he finally pulls out, zipping his pants and letting out a contented sigh.

"clean up and go back to your job, i'll be expecting you to come back here later."

divider, banner.

[future-crab]

It's been said before, it will be said again, but it's still worth saying: the fact that art centering on straight romance is allowed to just be bad, but art with queer romance in it always has to be indicative of A Serious Problem With the Way We Tell Queer Stories makes being a queer person making queer art deeply stressful

[oblique-lane]

more mercenary analysis, whichever merc you want <3

Not a mercenary but... Okay!

Let's dissect Pauling

Always so collected, responsible and efficient. The one who is not afraid to get her hands dirty for the sake of a goal, and her performance is always one hundred percent. What could possibly be not cool about her?

Well, maybe the fact that this all is, in fact, an act. Of course it is.

I'm not saying her determination and dedication to her job aren't sincere decisions of her heart, she really enjoys it and shines in her work. It's just a matter of WHY and WHAT she's doing it for. And on what scale.

For her, her job is EVERYTHING. Eagerly working 364 days a year with barely any rest, masochistically putting herself in so much danger, blindly following the boss's instructions, not even hesitating to kill people standing on the way...

Wow, there's gotta be something going on here.

Well, obviously the Administrator plays A HUGE role in this situation. Why would Pauling trust her so much? Referring to the comics, Pauling trusted her wholeheartedly on whatever the Administrator was planning, even though she didn't know what it was. This blind following that vaguely resembles nothing less than a weird somewhat child-to-a-mother attachment. It's just a Boss, just a job, why?

Because that's what it is. Mother issues. Very apparent.

We don't know anything about Pauling's past, so there's where the headcanons begin:

I'm assuming her birth mother was very neglectful and dismissing, never acknowledged her daughter's accomplishments and struggles. No matter how hard Pauling tried to become "worthy" in her eyes, it seemed to be never enough, as if she didn't even exist at all. Maybe her mother was a substance addict or something and their household wasn't safe and stable, so Pauling had to become an adult early and run away from home as a teenager and find a job to get by.

(I assume that because I believe there was a mention in the canon lore that Ms.Pauling had been working for the Administrator for long long years (don't remember exactly), indicating that she started working when she was still a minor).

So, being taken under the Administrators wing, her young wounded brain found a substitute for a very thing she was lacking, subconsciously clinging onto the Administrator as a newly mother figure, in order to "get it right this time".

Administrators Strictness, responsibility and demandingness were the most favorite qualities of a person of authority in Pauling's eyes, in contrast to the laziness, unaccountability and indifference of the environment in which she grew up. She could finally strive.

This time she would show the mother figure that she's worthy, she's important and irreplaceable; she exists. She would prove that no amount of hardship is too much for her if it means approval for the Administrator.

And the Administrator kind-of-sort-of gave Pauling this pseudo-love in return, encouraging her to sacrifice herself even more for their work. Which is at the very least unfair, and at most just predatory. Administrators "love" was conditional, in contrast with when the real motherly love Pauling unknowingly expected. Administrator was too immature for a mother figure, too much in power for a partner or a friend, yet too close for a formal boss. What is this!? Something not nice.

The Administrator doesn't love Pauling for Pauling, she loves her working qualities. And thus, Paulings subconscious guess was confirmed that "I'm only important when I'm doing the job. I AM the job."

Tying your worth to what you DO instead of what you are is a huge dangerous existential rout one could choose. But she never really knew her importance outside of her skills, so she wouldn't know.

Now imagine how actually painful that character arc was for her, when the Administrator proved herself to be unreliable and secretive, and when Pauling started to question her intentions for the first time.

"... Because I trusted you!"

"Then why are you questioning me now?"

It wasn't even the real conversation between them, just Pauling's mind torturing her.

It reminded me of the crisis of a 4-year-old when they realise that their parents aren't perfect; they don't know anything and they CAN hurt you.This shattering illusion of almighty love. When a child stops believing that the "harsh love" their mother treats them with is simply an abuse.

Wouldn't it be terrifying to realise in your 20s thar despite running for "the mother's approval" all your life, you will never truly get it. If your mother failed to provide it to you at such a young age, nothing will truly substitute that, especially now, when you're an adult, no one will love your inner child the way it was supposed to be loved.

Unless you yourself decide to take that role.

...

Realistically speaking, it's not nearly that sever with Pauling! She's happy in the environment she's in, there's lots of interests for her to explore (Guns, fights, killin'!) So many adventures every day! Even if Pauling has her inner suffering, it's not that bad aa I describe it. Her mother problems may actually be an advantage, a reason she is such a good and caring boss for the mercenaries.

I'm just edgying things down for the sake of the clearer analysis. But still...

If the Administrator will be gone and Pauling loses her life-dedicated job... What will be left? Who is Pauling once Mann Co is no more? Can she answer that?

References:

– A video that helped me better understand the Good Girl mask:

– "Lise Bourbeau's 5 soul wounds model: Injustice"

[lady-loveluck]

Werewolf AU-

Prank doesn't work on Max, someone else falls, and after drunk driving and running over a mysterious creature, Max now has much more to think than the nerd who saved his life.

[vm-haunts]

Little Prayers

A shrine is where gods and spirits resides, a little kid read from a book.

Thinking of that, the kid made a shrine in his corner of the apartment.

It consist of one candle and two prized books, made scared by a few candy wrappers and the prayers of a little child.

A few days later, a tiny wisp of something moved in.

[thread] [ao3 version]

...

The spirit is... weak.

Weak to the point of almost fading, when it found this tiny empty shrine and moved in.

It wasn't always this weak, maybe. Once upon a time, it might even have been strong. With a solid body, a real name.

Now it has none of that, just a wisp that held no memory nor shape.

The spirit confessed to the child, in a voice that isn't made from sound, that it isn't a god, nor can it offer protection in return. That it is sorry for taking the offering but couldn't brought anything in return.

The child doesn't know the difference though, between a god and a spirit, between then and now. Nor does he particularly cares. His little shrine worked and that's the important bit. The child told the spirit exactly that, and got a flicker in the candle light as a nod.

So the spirit stayed, in the little shrine of one candle and two books. Listening to the prayers of a child, spoken more to a friend than a god.

Maybe it can offer something back after all, the spirit thought. A presence, a friend. That'll be... not good or enough, but nice, maybe.

...

Jason is- not lucky, no.

Lucky would mean his mom is healthy, or never had gotten sick; lucky would mean his dad not getting caught, or not needing to work anything illegal at all. That would be real luck, and Jason don't have that kind of luck.

But Jason isn't absolutely unlucky either, he reasoned. His parents aren't good people by the standards of most, but they do love him, when they're able to.

That's better luck than a lot of kids in the Alley.

Jason tells that to the little god- spirit, he isn't sure he knows or cares of the difference. The wisp living in his shrine wavers, and the shadows whispers again that they're sorry they can't help him.

Jason is fine with that. The spirit staying with him in the little shrine is enough luck, maybe.

...

Then, one day, Jason's luck ran out.

Well, not really. There's a lot that can happen to a kid left alone in the Alley, and Jason had avoided the worst of those things so far. It's the same kind of not-quite-luck that he seems to had, and Jason is greatful for it. Sometimes.

Strangely, the spirit follows him still, even without the tiny shrine to hold them. So Jason shares his day and what food he could find, like he always did. He'll eat the offering too, after, like he always did. No sense wasting perfectly fine food.

The spirit flickers sometimes, speaks with him in a way that isn't really speaking, and Jason is... not content, but greatful, maybe, to be not entirely alone.