#none of these characters are perfect and that’s why I love them

[le-fruit-de-la-passion]

Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

[brekkie-e]

Okay, so the more I sit with it- the more I can see the appeal of the Solavellan "happy ending." The mythological implications. The opportunity for both of them to be free of the pain that their title has caused them. Solas gets to return to the Fade in the only scenario that means he can find meaning and happiness there like he once had.

There is more going for it than I think a lot of people saw at first glance. Myself included.

The thing that still holds me back on it, though, is it feels like it works best for a Lavellan who's clan is dead and presumably removed her Vallaslin. That character is the candidate for this to be her perfect ending. She gains something from this. Where going into this scene- she has no family left and no home to speak of- she leaves with a metaphorical husband and the promise that the Fade will be their domain forever. There's some work that has to go into it first, but the two of them will make a home there.

Lavellan's who have a clan, though? Who chose to keep their Vallaslin out of love for their family/culture? They abandon their family for him. They could have been the First, and they abandon that role as well. He doesn’t even read like he wants her to reach out to him in that moment, and she throws all of it away without receiving a scrap from him.

The whole thing feels like yet another blow to me. It feels like your character is constantly being asked to sacrifice the part of herself that loves her people for Solas. Which is even more frustrating because he gives none of himself to her in return for her sacrifices. There are reasons for that, yes. I have read Weekes' explanations for why Lavellan needs to reach out to him, and I get it. I get the bigger mythological symbolism, and I appreciate it. However, just looking at it in the context of these two characters. In the context of this series as a whole- it gets under my skin a little.

Clan Lavellan is the third clan you can see whiped out in the series. It's not even acknowledged in the game. The fact that the narrative wants so badly for you to reject your characters Dalish heritage, and rewards you the most if you do so is just really disappointing. This game in some ways tries to do better than its previous counterparts with its baked in save the Dalish quest. But the whole thing is messy. There's so much to unpack with how they are still handling the elves in this game.

The thing is "ideal" routes are not new to Dragon Age, or Bioware at large for that matter. So I'm not exactly surprised that this is coming up. I am just a little disappointed that there isn't more in the story to engage with that minimizes some of the "delulu girl throws her life away for the quintessential 'if he wanted to he would (derogatory)' guy while her friends and family look on in horror" energy that it has. Because I think that comes in mostly from execution more than anything. And there are certain play throughs where it looks worse than others. "Certain" being mine and I don't like it 🤣.

[sonechkaandthedynamos]

i'm rewatching satc and i don't understand why carrie is seen as the only villain in her relationship with aidan for cheating on him, when he imposes his life onto hers without consulting anything with her, behaves like an asshole to her when he willingly gets back together with her and practically kicks her out (!!!) of her apartment when she doesn't want to marry him when he feels like it. just like mr big, he's the one making all the decisions for her and escalating their relationship on his own and carrie is the villain??

[oceanwithouthermoon]

kubosai brainrot so bad i sometimes look at the actual show/manga and realize i forgot how few interactions they actually have together..

[stararise]

today's mood is: wanting to play ghost trick for the first time again

[welovelouisandbucky]

You don't say it back

Summary: you prank your boyfriend by not saying "I love you" back, while he's getting late for quidditch practice.

Warnings: Fluff. Kissing (insert scandalised face) Few suggestive moments? Out of character stuff mayne? Seriously, none on this one, lol. Well, of course my writing, as usual. Not proof read.

S/n: positive criticism is appreciated as always. As well as any form of feedbacks, likes, comments or rebloggs. And be kind you guys, this is a safe place for everyone. Enjoy!!

Masterlist

Mattheo Riddle (with Hufflepuff!reader)

It was stupid and ridiculous.

You were just curious of his reaction, that is all.

You heard your friends' talking about doing this to their boyfriends for shits and giggles. At first, you hated the idea of tormenting your significant other for fun, then curiosity consumed your mind for weeks.

Now it seemed like a fun idea to prank your boyfriend, Mattheo Riddle.

You thought it was a perfect way to get back at your boyfriend for teasing you last week in The Great Hall. In your mind it was the perfect revenge.

So you made up your mind to put it into action as soon as you had the chance. Which was now, at his dorm room while he was about to leave for Quidditch practice with Theo.

You were excited as well as anxious for his reaction. Anticipation has been eating away your brain for days now and you were finally going to do it.

Mattheo came up to you and kissed your forehead as you remained sitted on his bed, with your books all splattered around before you.

"gimme a kiss, will you?" He grinned down at you, ignoring annoyed and impatient Theo by the door, who was urging him to hurry up as they were already late.

Smiling, you complied to his wish and kissed him. Without meaning to, you deepen the kiss, clinging onto him as if he's your life support, suddenly not feeling ready to send him off just yet. He seems to think the same way as he holds onto you tighter, kissing you more intensely, cupping your face with his one hand as the other roams down. You almost moan into his mouth when you hear someone gag.

"oi! Stop snogging her and hurry up!" Theo called, tapping his foot impatiently. Matthew rolled his eyes and winked at you before stepping back.

"'ight, love. We'll finish this later, yeah?" Mattheo smirked when you blushed under his gaze. He loves how's you blush at his every word, one of the reasons why he teases you a lot.

"Love you!" He said as he was about to leave with Theo. You just smiled and waved at the both of them. Physically restraining yourself from saying it back, you almost did, but you are glad you didn't as he stopped abruptly.

He looks back at you, expectedly.

You all but smiled up at him innocently. Your eyes never once betraying the guilt you are feeling inside, you just now realised how bad of a timing this is to do this prank, when he's clearly beyond late for his practice. Though, it's too late to go back now.

He clears his throat.

"uh, love? Aren't ya forgetting something?" He asks, his one brow raised in accusing manner. Mattheo steps inside the room again, completely ignoring the loud groan of his best mate ( who looks ready to hit Mattheo with his broomstick any second now ).

You don't reply, just look in his way with furrowed brows, feigning false confusion, which you can tell Mattheo saw right through.

"don't think so, no," you say. You pretend to think over it for couple of minutes before shrugging your head no. Mattheo huffs and rolls his eyes at you. Almost annoyed with you, as you're purposefully making him even more late to his practice.

"c'mon now, princess. Don't play stupid with me," he says impatiently. Not wanting make his team wait any longer on his account, just wanting to get over with that thing as soon as possible so he can come back and spend time with you again. But he can't do that unless he leaves and he's not leaving until you say "I love you" back, but judging by the look on your face, he knows he's not leaving any time soon.

"oh yeaahhhh, sorry, baby!" You giggle. And he smiles, thinking you finally got what he was saying.

"I forgot to wish you luck! Well, good luck with your practice, and have fun!" You tell him affectionately, your voice sugary sweet. You waved him bye again and blowed him a kiss.

Mattheo's hopeful expression falls, so does your heart.

"Y/n," he says, there's an edge to his voice, as well as a slight hint of hurt. Your heart breaks a little inside, regretting your stupid prank now as you look at him. He's standing in middle of the room, in his quidditch robes with his broomstick clutched tightly, his puppy brown eyes looking alarmingly sad.

You know how hard it was for him to express his feelings openly, it is still a struggle for him to express his emotions sometimes, you help him best as you can. And you're really proud of him, for how far along he had come since when you first met him. You curse at yourself mentally, just realising how stupid of an idea this was to began with.

"oh Mattheo," you softly say and go over to him. Wrapping your arms around him and he instantly holds you closer to him, you kiss him tenderly all over his face. "I'm so, so sorry, baby. I thought—i well, doesn't matter now. It was stupid anyways, I'm sorry. I love you." You say against his skin, feeling him tightening his hold, nudging his face deeper into your hair. You heard him sigh of relief, and relax into him.

"sorry, Mattheo. Please forgive me?" You ask, pulling back just a little to look at his face. He gives you one of his smiles which tells you're forgiven, you almost melt into a puddle at that.

"don't. ever. do that again, yeah?" He mumbles before kissing you. He doesn't have to tell you that anyway, since you're never attempting something like this ever again.

He leaves ghostly kisses against your skin, traveling from your lips to sensitive skin under your ear. His hand sliding down to your back, as you lock your arms around his neck.

"don't think you can get away with this so easily, love. We'll see about that forgiveness once I'm back from practice." He whispers darkly, and with one firm pat to your bum, he begins to leave once Theo clears his throat. Making his presence known, which you seemed to forget about completely.

"love you," he smirks your way before leaving with Theo, who looks as if he wants to dig himself into hole and never comeback, ever again.

You try to reply, but no words come out. Suddenly breathless.

You watch him leave with newfound excitement and anticipation burning through your body.

Maybe you're not forgiven afterall.

(divider credits to the rightful owner @rypnami 🙏🏼)

A/n: annnnnnddddd I'm back!!!!! So sorry for disappearing again😭 I have some ideas that I'm currently working on, so hopefully I'll be able to post more content soon!! Yay!

And don't forget to comment or reblog.

Hope you enjoyed reading. Have a nice day!!!

Requests are open.

[peak-dumbass]

tumblr isn’t letting me edit my tags unless I add text sorry OP

I will never full-on slander Earthspark.

Yes, I know S2 and "S3" writers are different (I'm always for Marty Isenberg though that was a neat surprise) AND the animation went downhill with a new studio (no hate to any workers) but it is not the worst show like I've seen people say it is ever since S1 finished. It's not "ruined", maybe lost potential but not flat out "RUINED FOREVER".

A few episodes in these last two batches were kinda "huh" BUT, I personally really enjoyed them, ESPECIALLY this last batch. Good amount of action, comedy and character interactions.

Imo, Earthspark doesn't SUCK. It is not "ruined". Circumstances may have affected the production quality, but I don't think it needs "saving" the way people think.

I do criticise the "batches" format and I will always criticise Paramount's shit advertising and Hasbro's lack of care and toy distribution. Hasbro hates money after all.

And I'm saying this as a Starscream fan? I bloody love Earthspark and the plot S2+S3 gave us.

(Even if he is a total bitch ala Starscream, I am a little concerned for him. But this is not the Starscream show, it's the Malto show!!)

[astrobydalia]

Aquamarine. Gold. Lavender.Colors of summer... Astro Observations

work by astrobydalia

Your 9th house rules your gandchildren! 9th house is 5th from 5th so your kids' kids.

Also, if you are any of your parent's first kid look at their 11th house to get a glimpse at how they will perceive your fs. (11th house is 7th from 5th, so your first kid's spouse)

^^these are derivative astrology methods so you gotta use whole sign system

The scorpion actually represents the underdeveloped/young version of Scorpio while the developed version of Scorpio is represented by the eagle which to me is analogous to the phoenix. That's why you see an eagle representing Scorpio in the The World card (cause this card signifies fulfillment or completion in tarot)

I think the song 'Part of Me' by Katy Perry really illustrates developed Scorpio energy. Is not resentful or vengeful but rather transformative and empowering, you can't end their spirit just like you can't end a phoenix. Underdeveloped Scorpio energy allows pain, trauma and resentment to ultimately k!ll their soul which turns into self-destruction, think how scorpion's stinger actually points at them (and fun fact: scorpions can actually k!ll themselves when they feel cornered)

Being "different" or an "outcast" is not an Aquarius trait, it's a Leo trait. Leo is all about being yourself, being unique, the one and only and main character energy. Aquarius rules inclusivity, equality, social cohesion, FRIENDSHIP (aka people who get you) and public validation, that's why it is a strong fame indicator. Aquarius energy is relatable to others, its new and fresh, Leo it not relatable because it is unique, it shines among the crowd and burns just like the Sun. Aquarius can be unique too but the main difference is Leos feel ultimately they only have themselves while Aquarius will always have people.

Leos are meant to experience feeling "different" or outcasted because they need to learn to accept and express themselves no matter what, that's why it rules bravery and courage. They often either feel alone in their "greatness" or feel like nobody accepts their real self. Either way its more common for them than for Aquarius to experience loneliness and rejection just like the sun can't never have anything come too close to it

Aquarius does not rule uniqueness per se it rules innovation, authenticity and detachment from the ego. Aquarians that try hard to be different and separated from "most" people are underdeveloped because they're still attached to their ego and this is the n1 thing that kills their innovative potential. Aquarius doesn't do things to validate the self like Leo, it generates ideas on how humanity can better express itself and develop, that's why it rules over technology, science and activism and that's why they're known to be trend setters. Air signs are all about finding common ground, aquarians are not meant to be different from communities or groups but rather find new and authentic new ways to represent them (hence the inclusivity).

All the Gemini Venus I've met were very loyal in their relationships idk what you guys are talking about. They are the golden retriever person that is head over heals obsessed with their partner. It's not easy to get them to commit cus they need someone who has that perfect blend between goofy and mysterious, too much of either bores them quickly. They love in a playful and child-like way so I see how they can be flighty and non-commital sometimes but if they're genuinely intrigued by you oh boy they'll be ALL over you in every way pretty consistently

Harsh aspects (esp square) between Mercury-Mercury in synastry are a no-go when it comes to compatibility. The two people can get along well and like each other if the rest of the synastry supports it but they likely have NOTHING in common. Efforts to try and find shared interests or ideas might be misunderstood or feel forced because there's none 😭. Even if you do have shared ideas or interests, you will have vastly different ways of looking at them because the way in which you both think/communicate always clash so you never really see eye to eye. You can get away with having unharmonious connections between venus or mars in synastry but mercury? Nah.

When it comes to predictions specially, you need to have AT LEAST three indicators for an energy to stick. For example, having just one planet at 29º doesn't mean you're gonna be famous, you need to have at least three fame indicators to even consider fame in chart. Also, I can't stress this enough, you REALLY shouldn't need to dig too hard to find the indicators, they're usually evident and fit into the context of the chart, meaning there are no other things contradicting or neutralizing said energy.

Even though we often look at 7th house for marriage, you are most likely to consider marrying and settling down with people who have their placements in your 4th house and/or 10th house, or you just see them as marriage potential in general. 4th house creates a sense of home, security and familiarity while 10th house synastry points to shared goals, seeing a future together, etc. That's how you'll feel tho, to see if that would happen you gotta check composite chart

If you have fire in your big 3 I just know you love being unhinged and a little wild once you get comfortable

Natives with Venus-Chiron aspects tend to have... questionable taste in lovers or get in relationships that are not so promising (forbidden love, etc). Their love life is always a struggle, they feel like they can't find someone that truly loves them and when they do it's always "complicated". With hard aspects they tend to date people who blatantly suck (abusers, psychos, players, etc). With easy aspects this can happen too but I've noticed they are more prone to attracting people who are alright however deep down are very troubled and/or unavailable individuals so the native tends to be the one to heal or sooth their lover.

Scorpio Mars can have sadistic tendencies... It obviously does NOT have to go that far for everyone, in fact most of them are pretty tame but this placement really gets off on the reactions of others I've noticed. Their n1 superpower is catching you off guard and poking at you psychologically. They know exactly what strings to pull and are very aware of how anything they do or say can trigger and affect others. This can manifest as smart and punchy humor, teasing... or really toxic behaviors. Oh and you do NOT wanna see them genuinely angry 😶 If you have this placement im gonna kindly ask you to please use your powers for good 😭💀

Females with Libra placements could have experienced being 'the other woman' I've seen this a lotttt. Either that or they constantly attract situatioships. They have a tendency to not be taken seriously by the opposite sex, only being seen as a trophy or a pretty face kinda vibe. Unless they also have Cancer energy

Which is interesting to see cause even though Libra rules marriage, the kind of women who are mostly perceived as marriage material by men are Cancer placements not Libra. If you think about it, it makes sense tho cause cancer rules family and motherhood

Water venus people have a very approachable and understanding aura. Very diplomatic and tactful, they'll effortlessly make you feel comfortable around them. Equally accepting of others both in public and in privet, but you'll automatically lose them if you make them feel invaded

Fire venus motto is "it's impossible to impress me.... but let's see you try😏". They purposefully market themselves as hard to get cause they want to see what you got. Will constantly crave interactions with some fun and friction

Earth venus are a lot more harsh, they haven't even talked to you yet but somehow have already decided you didn't make the cut 🥱 Silent observers, they'll have a mental spread sheet of what they like and don't like about you

With air venus you don't want to come off too strong otherwise you'll activate their fight or flight response 🏃‍♀️ You'll never know where you stand with them but if you wanna get closer you need to keep it playful and give them space

Virgo Sun/Mars/ASC like to help others but they do it in such way that is also indirectly self-serving to themselves. Virgos are sidereal Leos, they secretly want recognition for their modesty and want their actions and efforts to ultimately shine back on them

Underdeveloped Pisces Moons are selfish and out of touch. I’ve noticed this placement is painted in a way too innocent light but they can have a nasty shadow too. They will not accept anything that does not conform to their delusional expectations about life and when things don't go their way they’ll isolate in melancholy and victimize themselves using the ‘misunderstood’ card. They can have a really twisted perception of reality, confusing the lines between right and wrong to accommodate their own narrative. Think Thanos from MCU, that character is a perfect example of underdeveloped Pisces Moon fr!! They tend to be very aloof and weaponize their empathy to appear innocent . Can use the “I can understand the world but the world doesn’t understand me” mentality to justify everything they do without ever feeling bad about it.

Another Return that brings a lot of karmic lessons aside from Saturn Return is your North Node return which happens every 18 years (Ages 18, 36, 54, etc)

Gemini risings have a fabricated or fragmented personality. They're often attracted to things like astrology, personality stuff, psychology, etc because it helps them make sense of themselves through abstract concepts. They also tent to define themselves through imitation or comparison like "I do that too", etc. It's very easy for them to convince themselves they're something they're not (gemini rules lies and deception), that's why they're often good actors (Pisces 10th house). They come across as very air-headed cause who they present themselves to be is based on who they THINK and SAY they are vs. how that translates in reality

Based on my life experience and also the responses in astro/observation posts, I've observed Scorpio placements respond relatively well to criticism. Not saying they don't care, but they can handle being villainized quite well because when developed they can have a really healthy acceptance of their shadow side and toxic traits. They also don't mind being misunderstood cause that means people can't pry on their business

CANCER, Libra, Leo and Virgo placements on the other hand are the most sensitive to criticism.... They can't handle not being seen as "the good one" all the time

Most Pisces suns I've met gave off huge xNTJ vibes for some reason like very deep thinkers, silent, sarcastic with a low-key threatening and unapproachable aura. Also VERY elusive and protective their personal stuff, they embodied the "mysterious" Scorpio stereotype fr.

However Pisces sun+pisces venus combo gives much softer vibe, more quiet and doormat-like, you'd think they're high 24/7.

The other bunch of Pisces suns Ive met had a very bubbly and dramatic personality. Can be emotional in a really performative way

Libra Mars people are SMOOOOOTH. Not only with their words but also their mannerisms, how they move and do things in general. You'll never see them triggered or stressed, they make everything look so effortless

The Pluto in Scorpio generation (millennials mostly) were the ones who started this mental health awareness wave. All this concern with anxiety, depression, mental and personality disorders was started by them. They’re the ones who started putting focus on the deeper effects of the dark psychology (Scorpio).

All the people that have scared me and traumatized me deeply for life had planets in my 12th house with no 8th house synastry in sight whatsoever…

>>> In my experience 8th house synastry is only intense in the moment but eventually you get over it fast once you stop entertaining the person/situation. It might be hard to let it go tho cause the connection is intense and this person will leave a lasting impression, but once it’s done that person is forever dead to you. 12th house synastry on the other hand is giving "I fight with you in my sleep", 12th house feels harmless at first but it deals with themes of sorrow and shame. It lingers and haunts you fr. Let’s remember that Saturn, the planet of permanece and lessons, finds its joy in the 12th house…

8th house venus/juno is NOT a sugar baby indicator imo. As per my observation, it is actually the 8th house native that ends up making a lot of money and their spouse/partner benefits from the native's income and success. I swear every person I've seen with these placements had "we could hang out in my yacht if you want😉" as their main flirting technique LMAO. Their own power (8th house) is their main source of seduction and attraction (Venus/Juno)

I believe 2nd house Venus/Juno is more indicative of sugar baby energy. They want that spoiled good life with little effort even if that means being financially dependent on someone else or using family's money

In contrast I've noticed 8th house placements are not really like that, they have a HEAVY entrepreneurial spirit. Super ambitious individuals

With that being said, be careful if your have natal 8th house placements (specially Venus, Moon, Juno, 7th house ruler), cause the people you bond with WILL benefit from YOUR income and success. That's why these natives are prone to experiencing betrayal, cause if you surround yourself with the wrong people they'll take what they want from you or cause chaos in your life and then leave, so use your intuition!!

With 2nd house energy you are good at keeping your resources and income safe, but this means they can lose value if you don't use or invest them eventually just like food goes bad if it just sits in the fridge. With 8th house energy you are prone to loss, debt, loans and other financial risks where you either lose it all or gain lots and lots of money, the all or nothing nature of plutonic energy.

I bet any virgo placement can relate to being a little bit of mess but something I’ve seen in particular with Virgo risings is they are surprisingly sloppy?? You really wouldn't in a million years think so given how they always end up presenting good results but once you know them deeply you notice they often miss out on important details in the process or get so caught up with short-term things that they miss the big picture. Either way, they often look like they got it all together but they constantly improvise a lot more that what it looks like in the surface

Aquarius Mars is a placement I've seen A LOT in celebrities, specially well-liked ones. They attract people to them just by existing, they don't even have to try too hard

I’ve noticed a lot of critically acclaimed actors have air moons

Sagittarius Part of Fortune have a vibrant and fun spirit, you can’t never kill their vibes but they can tend to be immature. It’s like they’re completely oblivious to anything serious 

Libras are people pleasers due to a hidden inferiority complex (sidereal virgo)

work by astrobydalia

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[unluckiestmember]

Hey so I LOVED your X-Men x sweetheart reader and I was wondering if you could do a similar head cannon of X-Men x kind reader but their reaction to you being good with kids. I just feel like they would have various opinions or feeling if they saw you interacting with a child.

Coming right up!

X-Men '97 X Compassionate! Reader

Characters: Nathan Summers/Cable, Scott Summers/Cyclops, Jean Gray, Remy LeBeau/Gambit, Rogue, Kurt Wagner/Nightcrawler, Erik Lehnsherr/Magneto, Wanda Maximoff/Scarlet Witch, Pietro Maximoff/Quicksilver, Morph, Logan/Wolverine and Jubilee.

Warning: None. SFW.

A/N: So how did you guys feel about Deadpool and Wolverine?

Cable

“Well would you look at that! Seems someone knows how to get along with the kiddies… Oh don’t mind me, keep playing.”

Cable isn’t used to hanging out with children or being around them due to his workload, but he does enjoy the presence of kids that look up to him. He hasn’t really thought about wanting kids because of his fear that the disaster of a future he’s from would be too harsh for a child to be raised, let alone he is scared that something will happen to them.

However, when he sees you being so compassionate with children, it makes him reconsider a little bit! The sight of you and the kids at the local shelter on his base laughing and playing together makes his heart sour. Whenever he finds himself down in the dumps and needs a good boost or reminder of what he’s fighting for, he will just watch you and the children happily running around and realize why he’s the famous freedom fighter the young ones and yourself admire.

Cyclops

“Huh, you’re a natural at this! Makes me wonder how things would be when you become a parent of your own kid.”

When he sees you taking care of children on and off missions, Scott can’t help but stand and watch you with the biggest smile tugged on his lips. The sight of you all happily living your lives without a care in the world makes him remember the civilians he is fighting for. And more importantly, it makes him think of giving the family thing another shot!

Can you blame him? The way you are with children makes him daydream a perfect life away from the mansion raising a family together and properly being there for your child. Though there is hesitance to it all due to the result of Nathan and his last relationship, if you assure him, then he will definitely try to be a father again. Because with you by his side, can he really fail again?

Jean Gray

“Aww! Are you playing nice? Mind if I join in? I’m sure they would love to see my powers in action.”

Jean has thought of having a family with you when everything is settled down. So before she can have this ideal world of raising a kid with the love of her life, she can get a peek into a potential future in the brief moments of you caring for children, mutant or human. Whenever she sees you taking care of a child, usually during a mission, she will assist you in any way and naturally take up a mother role she’s used to having around the mansion.

The team can always find you two trying to make sad or distraught children on missions turn their frowns upside down with some powers or just speaking to them and making sure they are heard. You and Jean are definitely the go to for young ones, and if you both around children confirms anything, it’s that you two would be great parents someday.

Gambit

“Look at you all go! Mind if Gambit takes a stab at this, mon amour? I’m sure I can win their hearts. I won yours, didn’t I?”

Gambit is used to dealing with the younger folk of the world because of his time around them back home. So when he’s around children, he can easily adapt to them by playing some mindlessly fun games, pulling off tricks with his cards or telling some jokes. That’s not surprising though. What’s really surprising is him finding out you’re a pro when it comes to little kiddies!

When he found out you were a natural, he was beyond impressed by you and even let his mind wonder on a more intimate possible future down the line for the both of you. Around children, he’ll have you both as a package deal with you as the caring caretaker and him as the funny guy who will not hesitate to flirt and send signals your way in front of the kids. With how much he’s flirted with you, the kids always mistake you two for a married couple! A married couple… That doesn’t sound half bad.

Rogue

“You got these kids all excited, running and screaming like a bunch of baby banshees! You’re a natural, babe!”

Rogue wasn’t a big kid person on missions. She simply gets the job done and if there are children that need assistance she leaves it to someone who can be more intimate without fearing they’ll hurt them. She stayed this way until you showed off innocently how well you were with younger civilians.

At first when the mission called for dealing with kids, Rogue watched you from the sideline in silent awe of your tender love and care for children that were distraught or needed a distraction. Yet with time, simply watching you gave her the courage to join in and actually help out by giving out free rides on her back or showing off her immense strength. Together you two are a happy fun couple kids love to be around as much as Rogue just loves being around you. Now whenever there’s a mission with the young ones, she’s more than excited to tag along with you and live in the moment.

Nightcrawler

“May I cut in? I can play a mean game of tag!… Really?! Then round up the kiddies because I’m it!”

Because of Genosha, Nightcralwer is just as good with children as you are! He enjoys his time with the little ones around town or during stakeouts because of how accepting they are of him and how much their laughter fills his heart with joy. Now mix your own laughter in because of your handling with them and the blue devil was sure he was getting a slice of heaven.

The both of you are so well together and with others that the team delegates you both to taking care of the children on missions and making sure they’re okay. Around you both, the kids can expect a bunch of games to be played and a lot of memories to be made. Whenever a mission calls for babysitting, Nightcrawler knows exactly who to call on to assist him in having a little bit of fun on the job!

Magneto

“The future of mutants is bright if you’re around to bring such laughter and happiness.”

Though Erik has children of his own, he’s pretty subpar for a caretaker let alone a babysitter of mutant children. He tries his best of course, but the lack of fatherhood he was allowed made him a bit rough around the edges. Luckily he can depend on you to pick up where he lacks and he thanks you deeply for that.

Everytime he takes a moment to look at you with kids just minding your own business and being giddy without a care in the world, it makes him wonder if he’d be open to trying to raise a family once again. He knows with age and with the weight on his shoulders, it may be harder for him. But if you’re by his side, he wouldn’t mind giving it another try and stepping up to the plate to be a better father than he ever was for Wanda and Pietro.

Morph

“Hey, if the kids want to see a few tricks, send them my way, alright? I can throw them for a loop and think there’s two yous running around!”

Morph is decent with children, but they mainly leave that kind of work to you. When it comes to the more emotional attachment, they need a bit of work on that, but if you’re talking tricks and jokes? Then they are the right person to work with on missions dealing with kids!

They use your connection with children to playfully throw you for a loop by shapeshifting into someone and tricking you a lot just to get some laughter in the air. Most of the time he succeeds but there have been a few times where both of you just team up in some funny interactions that are bound to leave the children happy in your presence. Honestly, Morph wouldn’t care so much, but since you’re around? They don’t know- You just bring out that side of them! And they kind of love it!

Wolverine

“Of course you’d be good with the children, what did I expect?… Don’t mind me, I’m just keeping watch. Have fun.”

Children and Logan don’t mix that well. He just finds it annoying to babysit when he already does that with the teenagers at the mansion. Add that with some crying, whining and begging and he becomes pretty livid. Which is why he doesn’t like missions that deal with kids. That is, unless you’re there to help him out.

He finds your handling of children to not only be a big help for him but also a nice change of pace. It’s adorable seeing how kids easily gravitate towards you and how you let them do whatever they want. Whenever they have you pinned down in a game or surrounded, Logan can’t help but laugh at the cute little ambush before he breaks everything up. He doesn’t like kids and he still can’t stand them. But you make them more bearable, so there’s always that!

Jubilee

“Hey, babe! Send the kids over here- I’m gonna do a mad fireworks show for them!”

Jubilee is, surprisingly enough, really good with kids! She’s a lot like a cool aunt to your nurturing parent bit! She thinks it’s cute that you’re good with children and even compliments you around them when she’s not busy with other kids on a mission. The firecracker can rely on you to assist her or even stop her from making whacky moves that could get some children hurt out of pure excitement.

It’s not hard for everyone to know you two are a couple because of how much she calls you by pet names or makes fireworks that send signals to you if not make some look like you. It’s awfully sweet of her and it makes you comment that not only is she a great girlfriend, but she’d also make a great mom. Though, it’s highly recommended to hold that because if Jubilee hears you speak of motherhood, she’ll cringe at the thought. She likes kids, don’t get her wrong! But she could never be a mom!

If you got any requests for X-Men '97 or Arcane, send them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3

[rookinthecrownest]

Some Updated Thoughts on Lucanis' Romance (Both Positive & Constructive)

I want to make this as balanced and as reasonable a take as I can. I'll put everything under the cut and tag as critical so you don't have to engage with it/see it if you don't want to.

As usual, these are just my opinions. If you really enjoyed Lucanis' romance, none of what I'm about to say is meant to dissuade you from that. I'm happy for you!! I'm so glad you enjoyed it. There were parts of it that I absolutely loved too, and I hope I'll do that justice with this post so it doesn't come across as hate. Because I don't hate his romance, I just think there was some places where it could have been fleshed out a bit more.

If you want to engage in discussion with the more critical aspects of this post, my only request is you do so respectfully.

Positives

I'd like to start on a good note by detailing the aspects of his romance that I really liked. There are a few places where I think they did a great job with his romance.

Party Banter & Codex Entries

Although meant to be supplemental material to the story, I think they do a really good job at helping the slow-burn aspect of his romance they were going for. There's one codex entry that goes something along the lines of 'It is not an hour lost, but an hour found' and that is one of my favourite codex entries....ever. It's such a short entry but so meaningful and shows you a lot about his character. You get this profound sense of just how much Rook means to him with this one line.

His party banter once you're in a relationship is also very sweet. I didn't get a lot of it, but what I did get was lovely. Especially when he admits to Neve that Rook is good for him and makes him smile. There's another line about how he doesn't know what Rook sees in him, but he's happy they're with him which is super sweet. Telling Emmrich how Rook is his first relationship? Adorable.

Everything about the party banter and codex entries did a good job of giving us more insight into how his character is dealing with things, when it's not explicitly shown to us in cutscenes (We'll come back to this later). It helps form a more complete picture of the way they wanted to handle this romance in general.

Relationship Cutscenes

There's a few scenes throughout the romance that I enjoyed a lot.

The scene with Illario at Cafe Pietra and the talk of first kisses and kisses goodbye was very cute and well done. It really did feel like a coffee date haha.

The almost-kiss scene was also amazing. The confident stride towards Rook, the wall-lean, his facial expression when he pulls away. You can feel how much he wants it, but something in the back of his mind (whether it's him, or Spite) pulls him away at the last second? I loved that. I'm actually super glad they didn't kiss here. The pull away made for great tension (I'm going to come back to why this is important later).

His line about Rook breaking apart his 'perfectly gathered clouds of doom' was beautiful, and one of my favourite lines in the game.

Although there could have been more to it, his romance lock-in scene with him baking dessert for Rook is also sweet and shows his romantic side and thoughtfulness.

The ending scene of the romance, after Rook comes out of the Fade Prison, is some of my favourite romance scenes in any Bioware game. Any game, period. It was so incredibly well done. From the writing, to the dialogue, to the facial expressions - absolutely everything was perfect. The wings coming out, the fade to black, the banter about falling asleep and playing cards with Spite? Lovely. All absolutely lovely. 10/10, no notes.

His dialogue about killing any god to keep Rook safe is very sweet/romantic. How he wants Rook to tell them this all ends with him asleep in their arms. How Rook's voice is a comfort. This was SO beautiful.

All in all, in some places, I feel that they did achieve the slow burn they wanted with his romance. Even excelled at it, really.

Constructive Criticism

I'm just going to re-iterate that while this section may be longer than the positives, it comes from a place of love rather than just wanting to hate for the sake of hating. I've been a fan of this character ever since I picked up Tevinter Nights, and was looking forward to his romance the most.

The Neve Situation

I'm going to get this one out of the way first because it's probably one of the more.... contentious points in this discussion.

Besties, I need you all to hold my hand so tightly as I say this, but absolutely none of my frustration with the Neve/Lucanis thing is to be construed as hate towards Neve. In fact, I love Neve. I've been a fan of her since she appeared in the comics. I loved her in Tevinter Nights. I love her in the game, I can't wait to romance her. I don't have a problem with these two characters getting together if Rook is not romancing either of them. That being said, there are a few things about his interactions with Neve if romanced by Rook that I can see why they would rub people the wrong way (and why they rub me the wrong way a little bit too).

-Neve and Lucanis can still flirt after Lucanis is locked into a romance with Rook. This is a pretty big oversight from the devs. Its no secret that characters will romance each other if not in a romance with the player character. It happened in DA2 with Fenris/Isabela, in DAI with Josephine/Blackwall, Sera/Dagna, and Bull/Dorian. In ME, I believe it happens with Garrus and Tali as well. So, I don't think the simple fact that they can get together is really what's bothering people.

Importantly, unlike previous games, once the player character is locked into a romance with the other party, the LI doesn't flirt with other companions. I think if the devs had locked the flirting once Lucanis is locked in with romance, much of this conversation wouldn't even be happening.

DATV is a role-playing game. Nothing would take someone out of a role-playing game faster than their love-interest being flirty with another companion - and understandably so. It just feels...icky? Like your player character is getting in the way of a ship the writers wanted. I don't think it's unreasonable for someone to not want to feel like a third wheel in their own romance.

-In Lucanis' mind-prison quest, even if he's romanced by Rook, Neve will still appear. The way Spite describes her seems to imply he still has some sort of romantic feelings for her. Which.... yikes (but this may also just be the way I read his line). If he's not romanced by Rook, Neve being here would make sense. There's not even a mention about Rook in a note or anything. Spite has one line about Rook opening doors and not closing them but that's about it. There's no special romance reactivity in this scene, even though it happens pretty late in the game and after the romance-lock in. Afterwards, he says he trusts you with his thoughts, which is sweet. But this should have been in the cutscene - not skippable banter at the LightHouse.

Set Up & Pay-off

This is a fundamental aspect of storytelling I'm sure you're all familiar with. The classic Chekov's gun. Don't set up something you don't plan to pay off.

Let's go back to the almost-kiss. They set up some fantastic romantic tension here. If you go see Lucanis again after this scene, I think he has a line along the lines of "I'm sorry Rook... I can't ..." But that's all we get. And the almost-kiss isn't really addressed again. Actually I wouldn't even call this being addressed in the first place, because if you wait too long to see him after that cutscene it may not trigger in the first place. This is probably the most egregious example of wasted set up with no pay off. There's no discussion about it. There's no cutscene of Lucanis talking to another companion, or even having some kind of internal monologue about it.

Another example of set up & pay-off is after confronting Illario. Lucanis says he has a plan to celebrate instead of sticking around at the party.

Cut to him drinking coffee by himself back at the Lighthouse.

Rook & Lucanis could have sneaked off to Cafe Pietra, or gone walking in the Treviso market. Or hell, taken the Gondola ride that was in the concept art. Or kissed in the rain under an awning. (I'm never getting over that concept art they showed us...)

The conversation about sparing Illario, how he doesn't want to lose what he has left, including Rook, is fine. But I feel this was another wasted opportunity.

The romance lock-in scene is another example of a missed opportunity/failed set-up. It doesn't even feel like a romance lock-in to a lot of people. If so many players think their game is bugged because that's how you lock in the romance, I think there's a problem. You go from almost kissing to a full on relationship. There is so much that can happen in between that (none of which has to be physical intimacy btw) which could have helped make the lock in scene make more sense. It's the same scene as the one with Neve - but almost...done worse?

Having coffee with Spite & Lucanis. This one is more a writing issue. At the end of the scene he stands awkwardly next to Rook and says, "Whatever this is, I'll take it" and I couldn't help but feel... the writers really just didn't know what they wanted to accomplish with this scene. 'Whatever this is' could have been 'I don't know what this is yet or what to call it, but whatever it is, I want to see it through with you' or something along those lines. Astarion actually says something similar in one of his romance scenes, but he holds your hand, looks at Tav earnestly, and says "Honestly, I don't know what we're doing. But this...this is nice..". He doesn't put a name to the relationship either, but it's the way he says it and how it's conveyed that make it a more effective scene.

He's been imprisoned for a year. He was made into an abomination. He doesn't sleep. He's dealing with PTSD probably. He's a romantic at heart but needs to learn to trust again. It makes sense that he's not overly flirty with Rook, and the romance isn't very physical. This is all FINE.

BUT.

While I listed the codex entries & party banter as a positive (because I do like it), I feel that they leaned too heavily on that for the romance.

Let's contrast Lucanis' romance to Cullen's romance in DAI. After all, Cullen has also gone through some pretty traumatic shit and is literally struggling with Lyrium addiction when you meet him in Inquisition. I want you to remove all of Cullen's side-banter about the inquisitor, all party banter about their relationship, and all the codex entries. When you watch the cutscenes of his romance in order, you are still left with a solid romance. If you're a mage, you even get some heartbreaking mage-specific dialogue about whether or not he'd cut you down if you ever become an abomination.... And I'm getting off topic here, sorry.

My point is, these things are meant to be extra. They are not supposed to be the way you piece together bits of your own relationship and a substitute for companion interaction. And here is where I think DATV's choice not to let you randomly talk to your companions really hurts it as a game.

Romance Reactivity

There's a few points in the game where romance-specific dialogue would have really helped solidify things.

No, I don't mean flirting. I mean dialogue that reads like he's struggling with building the relationship - not bulldozing right past it. It makes the romance-specific dialogue wheel options feel rather useless.

One example is during one of his personal quests, Rook says

"I'm still here aren't I"

No facial reaction, "We need to talk about Illario"

You can see how this is a bit ... jarring, right? Like you may as well have not even picked the romance-specific dialogue? There's a few instances of this, but that one is just the one I can recall off the top of my head. When I pick the romance-specific dialogue wheel in Bioware games, there's always something about the response from the other character that indicates something more might be going on - it could be something as simple as a nervous smile, or an extra line of dialogue, or hell, maybe they flirt back (although with Lucanis I understand why he wouldn't).

If you're not going to show romance reactivity with Rook, give us a scene with Lucanis where we understand why. Show him fumbling to do something nice for them. Show him pacing and wondering if Rook is really into him. Show him struggling against Spite, if he's worried Spite will hurt Rook. Don't just tell us through codex entries. Show us.

Miscellaneous Sentiments & Final Thoughts

On the whole, I genuinely feel like Lucanis has the least content out of all the companions. Maybe it's because they laid off Courtney Woods & Mary Kirby, maybe there's another reason. I don't know. But so often I found myself going back to the Lighthouse wanting to talk to Lucanis but there's no little indicator thingy for him. But every time I go back Davrin, Harding, Bellara, etc. all have something to say.

We should have had an opportunity to delve a little bit more into his relationship with his family, unpacked the stuff with Caterina & Illario a bit more, and unpacked him being made First Talon. Which, if you read Tevinter Nights, you know he actually doesn't want the job. If they weren't going to include it as a cutscene, then extra dialogue (a-la-Inquisition) would have been a good place to fit that in.

On the whole, I still like aspects of his romance. I'm looking forward to romancing him again. I just feel that the romance could have benefitted from even 1 or 2 extra small scenes. If I can go on 1000 walks in the forest with Davrin and Assan, I should be able to have a real conversation with Lucanis about the relationship, his hangups about it, and try and work through it.

Keep the almost-kiss in there. An extra kiss before the finale would have been fine, but not necessary. What was necessary, imo, is a whooole lot of buildup throughout the course of Act 2 so it doesn't feel like you're getting whiplash in Act 3 when you do kiss and have the implied sex scene.

I think the concept art that was recently released feels like a gut punch to us Lucanis fans. Because it shows that Bioware had the skeleton of a great romance, and chose to axe nearly all of it.

It really feels like they didn't quite know what to do with his character and romance and just said 'put it all in the codex and banter and let them figure it out for themselves'.

Quick Notes

The argument that we should 'run to AO3' to fix our issues with the narrative, to me, is unproductive. Fanfiction should supplement the source material, not act as a replacement for good storytelling.

I don't think telling people to headcanon a majority of a romance they were looking forward to is helpful either. Headcanon is not supposed to replace storytelling either.

Boiling down the criticisms of Lucanis' romance to 'you just want more steam/sex/etc' is also unhelpful. Maybe it's just who I follow, but I have barely seen anyone (on here or reddit) state that this is their main problem with the romance.

Okay, that's it!

Bye!

[blimpintime]

cursed : azriel x reader

in which azriel has a crush on a witch, and thinks she cursed him.

warnings: none (unedited)

word count: 1.4k

“She’s quite the character huh?” Cassian says to Azriel, staring at you. He grunts in response wondering why you are currently in a handstand competition with a couple of kids in the middle of town. Kind of in awe how your little black dress didn't fall down to your face with you being upside down, but that's a perk of being a witch, he thinks. 

As if you heard them talking about you, your gaze finds theirs. You grin and then lose balance and gracefully fall out of the handstand. It being the last day of summer did make it a cool one but still having been outside with a summer camp of kids you were quite dewy with sweat. Your face was flushed and damp as you made your way towards the two men. 

“Hi Cassian!” You say with a grin, you turn and look at Azriel, your smile falling into a smaller one. “Spymaster.” You nod. Cassian lets a chuckle slip through at Az’s blank face. You were always like this with him. He never fully understood why. You kept him at a distance always but managed to be involved in every one else’s business. He often thought it was because you could not stand him. And then he thought you were terrified of him, because let’s face it, that was more believable.

You were making small talk with Cassian when Azriel started to get lost in his mind thinking of you and how it seemed you teased him on occasion. With your little quips here and there. Constantly smelling like those fresh baked chocolate-chip muffins that were his guilty pleasure to eat when he got back from long missions

He noticed eventually that Cassian had walked away from you two when a group of kids started playing tag with him. He turned to look at you where you decided to sit on the grass, he made a quick decision to sit next to you. Both of you were silent, but for once it was comfortable.

The path leading up to your small little house on the bank of the Sidra was always well lit at night. Glowing with purple and orange lanterns their reflection makes it seem brighter than it was that night. Your house was on the smaller side (still fairly large all considering.) But you loved to host seasonal parties due to them being in connection with your magic and since summer was ending and fall was starting, it was the perfect time to throw one of your celebrations. 

Currently the Inner Circle is in your living room drinking and eating food you have made for them. Your familiar, Silly the tabby cat, has made their home on Azriel’s lap. He doesn’t seem to mind though. Gently petting the cat's soft fur. You stare at them from the kitchen with a soft smile on your face. 

“You could just tell him you know.” Nesta says from behind you, scaring the absolute shit out of you. You place a hand over your chest and let out a deep breath. “Nesta, I’m going to put a bell on you.” She laughs lightly as you scrunch up your nose. 

“I am not joking though.” She says softly, and you look back at him now playing with Silly on the couch. “He can’t even stand to be in the same room as me for more than ten minutes. There is no way I could tell him how I feel.” She hums in response. 

“I think you’d be surprised.” And then she walks back out to sit with Cassian. You did deeply care about Azriel, borderline loved him. You felt connected to him in a way you couldn’t describe, just that your soul was at peace with him. Your magic proved that theory too. It sometimes appears to you in colorful hazes around people. 

Every color had a different meaning, the majority of the Inner Circle had a warm orange around them. Your magic had to be newer or just not have a written history because there is barely any research on what these colors mean.  However, you chalked it up to orange meaning some of the most important people in your life. Azriel though, he had a beautiful blue humming around him almost constantly for you, and you had no idea what that meant.

You must have been lost in thought for a while because the next person to scare you was Rhys with Nyx on his hip. He was building another plate for Feyre and Nyx to pick off of. 

“You okay?” He asked you softly. Nyx’s grubby hands reaching for the fresh food on the plate, you and Rhys both grin at that. You nod your head in response to his earlier question. 

“Maybe ask him to hang out with you?” He says, like it's that easy. You shake your head, “I don’t know about that.” 

“Well, it doesn’t hurt to try.” You watch him leave the kitchen and decide it's time to do the same. 

You follow Rhys back into your living space, where it's warm of laughter and love. You sit down on the only open seat, which happens to be on the couch next to Azriel. Silly runs over to your lap and demands petting. You look down at the orange cat with love and when you look back up you meet Azriel’s puzzled stare.

“What?” You ask him softly, nudging the cat off your lap gently. You turn to fully face him when he abruptly stands up. He grabs your arm and pulls you towards the outside. 

“We will be back.” He says gruffly towards everybody, dragging you along.

“Please for the love of Mother, take your time.” Cassian says with a cheeky grin, “We have bets placed.” to which earns him a vulgar gesture from both you and Azriel.

When you go outside he drags you closer to the river and further from the house. Probably to avoid prying ears and eyes, but with everyone’s magic you go ahead and place a sound proofing spell over the two of you.

“Is everything alright Azriel?” You ask him after a moment of silence. He turns back around to look at you with something close to… fear?  

“So, what is it?” You look at him deadpanned and tilt your head in confusion.

“What spell did you place on me? Why, when I go to sleep I think about how I hope you had a good day. When I wake up I wonder if you actually ate breakfast and not forgetting after you have your morning coffee. And tonight, I wonder where you go when this party is mainly in celebration for you and I am busy playing with your cat and not with you.” He gets out in one breath. I stare at him for a moment and when I open my mouth he interrupts me again,

“Why is it when you are near my hands shake less and my worries ease but when you are gone I crave your scent. What curse? What spell?” Azriel genuinely looks shaken for a moment, and for a second so do you. 

“I didn’t know you felt that way too, Azriel.” You say and approach him with a soft smile. When you guys finally make eye contact though something inside you both, snaps. Your eyes widen and so do his. Mate.

You let out a little giggle that eventually turns into a full laugh. “You thought I cursed you?” You say through giggles, “I thought you hated me Az.” 

“Ah, well that goes both ways.” He responded with a smile. You look at him in confusion. “I could never hate you.”

“You couldn’t stand to be near me.” He quips back.

“No. You couldn’t stand to be near me.” You say and jokingly sniff at him. He shakes his head and grins. “We are both stupid.” You nod your head in agreement. 

“A couple of stupid mates, huh.” You look up at him, now leaning shoulder to shoulder. 

“Yeah something like that.” And then he kisses you. 

Warm lips slotting over yours softly, you both start getting a little more heated with each other. Hands finding their way into your hair while yours go around his neck. His lips softly biting yours and then pulling away. You arch and reach up on your tiptoes in a feat of chasing his lips. He grins at you, puts his hands on your cheeks and kisses your nose. 

“Let’s go back inside.” He whispers and leans back, as if he’s afraid that this will all be a dream if one of you speaks too loudly.

“I am kicking everyone out the minute we get back inside.” You whisper back and kiss his collar bone. 

“That sounds great to me.” he says and with that you both walk back to your house holding hands. 

a/n: so this was completely self indulgent, I wanted a cozy azriel fic!

please tell me what you think!

I don't own any characters that sarah j. mass created.

[alloftheimaginesblog]

first love {e.m}

plot: you were eddie's first love and you never forget your first love.

character: eddie munson x reader

Everyone knew about you. A day never passed without Eddie mentioning you and your name whether it be a passing "(y/n) loved that" or a more in depth conversation about you or a memory but Eddie always spoke about you. You and Eddie were high school sweethearts. You'd been friends for years and everyone thought that you'd eventually end up together and they were right.

Eddie was your first. First boyfriend, first kiss, first love. You were the same for him and everybody knew it.

The way Eddie spoke about you made everyone smile. He spoke so highly of you, always complimenting you and telling the craziest stories. The two of you were the perfect couple; the 'it' couple as they say. The pair of you together were free, no cares in the world and just happy. God, the two of you were just so damn happy.

"Well, where is she?" Dustin asked with that toothy grin after Eddie had finished telling him a story about the time you and him broke into the school and ended up catching two teachers making out, "You're always talking about her but where is she?"

Eddie's face fell and it was in that moment that Dustin knew he'd fucked up.

Around the room, everyone who knew the truth's eyes widened and stared at Dustin then Eddie then Dustin. Eddie's eyes glazed over face unreadable as Dustin frowned and looked around the room, "What?" He asked, "Did I say something I shouldn't have? I was only asking where (y/n) is, you all look like you've seen a ghost- Oh."

With a horror filled expression, Dustin turned to Eddie and his suspicion was confirmed, "Oh fuck," Dustin whispered, "Eddie, I'm so- fuck, man, I didn't know- I'm so sorry-"

Eddie shook his head, swallowing hard and forcing a quick smile, "It's fine." He stood and cleared his throat, "I just need to get some air."

The room was dead silent until Eddie left and then Steve whacked Dustin on the arm, "Dude!"

"Why did none of you freaking tell me his girlfriend is dead?!" Dustin hissed to Nancy and Steve, "You- You made me look like an idiot! Fuck!"

Outside, Eddie was on the hood of his car, pulling a cigarette out of his pocket along with a lighter to light it up. He looked up to the darkening sky as he took a puff and closed his eyes. He liked to imagine you up there with all the legends, partying and singing away, just waiting until it was his turn to come and then you'd party for all eternity with each other. It had been almost two years since he lost you and there wasn't a moment where he didn't think about you. Every single decision Eddie made, every thought he had... it was all connected to you. Eddie had bought his new van based on what he thought you'd say about it. Eddie wore the outfits you bought him or at least modelled himself in similar items of clothing to ones he knew that you liked. You were gone but you truly lived on in Eddie Munson's day to day life.

It was a few minutes later when Eddie was pressing the cigarette into the grass under his boot that Dustin came out, "Hey, kid," Eddie said, glancing over his shoulder at him, "Come, sit."

Dustin awkwardly sat beside Eddie on the hood of the car, he was shit scared and Eddie could tell, "Dude, I'm so-"

"S'alright," Eddie said with a half smile.

"No, Eddie, seriously, I didn't-"

"Dustin," Eddie's voice was louder but he wasn't angry, he was calm. This was probably the calmest Eddie had ever been now that Dustin was thinking about it, "It's alright."

Dustin nodded and released a long breath allowing his shoulders to sag. He was silent for a few seconds before he said it anyway, "I didn't know... I'm really sorry."

The older boy dug around in his pocket before he pulled out two things; a photo and his lighter. He handed them both to Dustin, "There's my girl." The smile on Eddie's face when he looked at your picture said it all, "That's (y/n) and that lighter was (y/n)'s. She carved our initials into it, see?" Dustin flipped the lighter and sure enough, yours and Eddie's initials were carved onto the black metal, "I carry those everywhere I go... so that she's always with me."

"Can- Can I ask what happened?" Dustin handed the picture and lighter back to Eddie.

Eddie shrugged, "I lost her, that's the long and short of it all. Got hit by a drunk driver one night when we were stopped at a red light. She was gone instantly. I..." Eddie sucked in breath and released it, "Sometimes I wish I'd gone that night too." Dustin didn't speak, he just let Eddie talk, "She hadn't wanted to go out, she wanted to stay in but I wanted more beer. Had I not wanted it-"

"It's not your fault, Eddie."

Eddie nodded, staring down at his photo of you, "Would you believe me if I said it makes it easier if I blame me? No use blaming the other driver, he died that night in hospital. He's dead, can't blame a dead man but I can blame me... and if I blame me, it means that I can be better; I can better myself for her, for (y/n)."

"What was she like?" Eddie spoke about you that much that Dustin already had a pretty good idea of what you were like but he wanted to hear it from Eddie in this heartbreakingly raw moment.

Eddie's face stretched into a wide smile, "Henderson, you would've loved her. She was fiery, didn't take anyone's shit. She was funny, could make friends just like that. She loved D&D, she was the one that coined the name Hellfire Club. She was... She would've done great things. She would've loved you."

The pair smiled at one another before Eddie's eyes returned to the sky, "S'alright, Henderson. You didn't know, don't feel bad about it."

Dustin nodded, realising that was Eddie ending the conversation, "You coming back in?" He jumped from the hood of the car and looked expectantly at the older boy.

"In a minute," Eddie sighed, "just gonna chat to my girl for a minute."

"Say hi to her from me."

"Will do."

Dustin gave him a small smile before walking back inside. Eddie's eyes closed as he looked up, "I wish you could meet them all, pretty eyes, Henderson especially. I think he would've loved you almost as much as I do... Ah well, I better go back in. Don't want them thinking I've gone all soft, eh?" He opened his eyes and looked at your picture once more before pressing a gentle kiss to it, "I love you."

[silkentine]

Okay okay okay everyone be cool.

AHHHHHHHHHHHHH!!!! IT’S SANJI’S TURN!!! I think my bias really shines through by the fact that there are four illustrations rather than my usual three. Not to mention… this isn’t even half of the busts that I’ve drawn and also none of these are post-timeskip. I need to make a whoooole other character sheet for post-timeskip Sanji. She changes a lot in two years.

But I digress, here are my design notes for Sanji: (WARNING includes discussion of Sanji’s journey during the timeskip. There are also some super duper minor vague spoilers for whole cake island but those are written in blue so you can skip over them easily.)

So personality wise, I wanted to keep a lot of her complex relationship with femininity and gender. She grew up under the care of super butch Zeff who taught her that being a girl doesn’t mean that you have to be girly; in fact, it’s probably best if you toughen up so you can protect people who need it. Sanji takes this to heart and becomes a total tomboy, she believes that she’s rejected her feminine side completely.

She’s also a diehard romantic!! She’s the dashing prince who has come to save every damsel she comes across. She finds it very easy to flirt with women because it was very much the modus operandi on the Baratie, but she’s all talk. She gets flustered very easily once any romantic endeavor starts to bear fruit. She’ll make some poignant revelations about why once she lives in the Kamabakka Kingdom.

So why isn’t she wearing a suit? Because I’m a whore for an apron. It’s the perfect way to establish the silhouette of a dress but maintain a clean, utilitarian appearance. Fem!Sanji is more line-cook than waitress, but she DOES wear menswear pieces. I’ve put her in a silk vest with flared slacks in one outfit and she’s sporting that cute tie from Long Ring Long Land in another. Very preppy. I think she mostly wears tidier versions of Sanji’s more casual outfits: patterned button ups, cargo shorts, tees. She is religious about keeping her nails clean and manicured though. As fussy as canon Sanji is about his suits? Fem!Sanji is tenfold more fussy about her nails. She never wears polish (it could chip into the food) but her digits are trimmed perfectly and buffed to a shine.✨

She has a birthmark(?) at the nape of her neck that isn’t a scar but doesn’t tan. No one’s ever noticed it before because she was pretty good about staying inside when she lived on the Baratie but, now that she’s out adventuring on a much smaller ship, she finds herself basking in the sun more often and the mark is becoming more defined. She would be mortified to know it was there, especially since it doesn’t show up on the four other people who have similar marks because their skin cells are invulnerable to UV. (Inspired by @themetalhiro )

I love Sanji so so so so so so much. This design is like… 50% what I wish I looked like, 49% what I think is hot, and 1% forced-feminized transponder snail. I’ll have so much more to say about her characterization when I post the next version. Let me know your thoughts in the replies!!

[kinardsboy]

This has been sitting on my mind a lot lately but it seems extra relevant now with the way Tommy and by extension Lou has been criticized for acting “too gay” in ep 5. And while yes, I will agree Tommy acted slightly different in ep 5, it has absolutely everything to do with Lou’s incredible acting choices to play Tommy differently when he is around people he deems as “safe” which is much better explained in this amazing post here <-

All these complains are doing is just yet again exposing buddies as homophobes who are, at the end of the day. Uncomfortable with real queerness being shown infront of them. Of course we already knew this with how they react to Buck and Tommy kissing and god forbid flirting especially if it has sexual implications like the daddy kink scene.

They can’t possibly fathom their precious uwu baby Buck would be sexual with another man so they spin and twist it however they can to make it out to be, “NO! You see! Tommy started the flirting! Tommy is just an insatiable horny gay man! He only wants sex! Like most of them do!”

Which is again spewing homophobic rhetoric, who wouldve guessed thats what they immediately turn to?

I now have something probably controversial to say but oh well, im going to say it anyway.

A good many of these shippers would be deeply uncomfortable with Buddie actually becoming canon, because they would be nothing like their fanfic. They don’t want to see two men in a relationship, they want to see Eddie in a relationship with the character they project themselves onto.

There are so many examples of this but perhaps the biggest being the way Buck is made out to be the “woman” in the relationship and especially how he is made to be the “mom”

Buck and Tommy’s relationship 1st does not have any children involved so there are no gendered roles to be assigned (even though if there was.. theyd just both be a dad), they are both beefy and the same height, which is what people usually use to decide “top” and “bottom” but again since there is little physical difference between them, they cannot do this, which only adds to their uncomfortableness.

Furthermore, I would go as far to say that Buddie shippers dont actually like Buck.

A while back a shipper posted this analysis of Buddie, that essentially reduces Buck to a dog. A pet. Only to be let out of the bedroom to cook and take care of Chris, otherwise he’s meant only for Eddie’s pleasure.

Which, disgusting. But the thing that stood out most to me was how Tommy was criticized for

letting Buck be himself. For accepting and loving him flaws and all. For not trying to change anything, or “train” the bad out of him

While Eddie was the “trainer” in that scenario, that had to train the bad out of Buck in order for him to be acceptable.

And thats the funny thing isnt it? Buddie shippers have to completely warp and destroy Buck’s character to make him fit their mold of perfect partner for Eddie. They make him out to be this helpless person who can’t even tell Tommy he doesnt want to be called Evan, that needs rescuing from Tommy, that is a “mother figure” to Chris, that his “dream role” would be live in chef and maid for the diaz family..

When none of that is Buck.

Buck is a smart, independent and strong man. He has worked tirelessly on himself to know who he is and what he wants, which right now? Is with Tommy.

Bringing it back to my main point, their complaints of Tommy being more gay and Bucktommy intimacy ultimately just boil down to homophobia plain and simple, seeing real queer representation and not representation that they can specifically twist and cater to themselves through fic, headcanons or gifs, makes them uncomfortable

(could this be why so many of them ignore shows with canon m/m ships for favor of shows with fanon ones that will never actually happen? So they can make these demands for representation then shit on it as soon as they get it because its not fanfic? Its not their fetish specifically catered to them? It actually represents real life queer men who they don’t actually like?)

[starkeygirlposts]

Boyfriend turned Step-Bro Rafe Cameron x Reader

SERIES MASTERLIST

Summary: You've been dating Rafe Cameron for 3 years, and one day Ward and your mom tell you they're getting married.

This is a snippet of a fic I'm going to see if I want to continue writing. Please let me know if you'd like it to be continued.

I'm not diving too deep on details or character traits in this, as it's just a blurb/idea for a full fic.

Trigger warnings: stepcest, underage, drugs, pregnancy

----

The Rafe Cameron who became your boyfriend when you were sixteen years old was not the Rafe Cameron who people referred to your step-brother at eighteen.

The complete opposite, really.

Your parents separated when you were in your sophomore year of high school, your dad moving across the country to California when he met his mistress on a business trip while you and your mom kept a tidy home. The affair nearly killed your mom, and she learned to lean on none other than your boyfriends dad.

Ward was the perfect fill-in for your mom for a while. She was just having a good time, she'd told you. "He occupies my mind Y/N, does that make me such a bad mom?" Like you being upset with your mother being however which way involved with your boyfriends dad was so out-of-this-world believable. Truth was, yes it made her a bad mom. Not just because it put you and Rafe in an uncomfortable position, but because you were struggling yourself after having your family as you knew it blown apart.

But she wasn't just "having a good time." Or rather, maybe she was having too good a time. Because on a Thursday evening at the Cameron's dinner table that you all had gathered for, Ward held your moms hand and told you all that they were getting married.

That day, your world fell apart, and Rafe started to become someone you soon would not recognize. Rafe's hand slipped from your thigh, gone the tender loving warm fingertips, drawing lazy hearts on your skin.

You looked over at Rafe before doing or saying anything to anyone else, and his eyes were higher than yours, connecting with his father's in an expression you could only imagine was pure hatred. Because Rafe could never live up to his father in any sense, and now he was taking away the one thing that kept his feet planted to the earth. Of course he was. You flinched when Rafe's chair scraped like nails on the tile flooring, as he darted from the table outside to his truck, leaving you to pick up the pieces. How badly you'd wanted to chase after him. But when your eyes connected with Ward's, the decision made for you.

You didn't even need to ask.

"Unless you want to live with your father in California, you and Rafe will stop whatever it is you two have going on." Ward had told you.

You looked to your mom as if she'd help you - feel some semblance of remorse for you. You'd met Rafe first. Three years ago. You'd been the only reason your mother even met Ward. But why should you be so surprised that what she wanted was more important than your happiness?

From that day, Rafe started slowly slipping from you. A hollow shell of the boy you loved so deeply and painfully. He'd drink himself to sleep every Friday and Saturday night, breathe cocaine on the other nights, and wave you off when you tried to ask him to slow down.

"Y/N, you want me to stop? To make you happy? What do you do anymore that makes me happy?" You'd touch his cheek and guide his head down to make his eyes meet yours, and you'd stare into them - hoping for a shimmer of your boyfriend to snap back and remember.

He'd shrug away from you, his hand brushing you off and leave you watching his back as he'd resume slowly killing not only himself, but you too. But his coldness didn't stop him from sneaking into your room past midnight to have sex with you. Not that you wish he'd stop, because you so badly craved his touch, eager for it any way he'd offer it. Mean, rough, kind, tender; you'd take any of him just to feel connected.

So when you'd texted Rafe to meet you in your room after dinner on Thursday night nearly one year after your world truly blew apart, hoping you'd get to him before the white powder did, he locked the door behind him and the black in his eyes told you he'd already gotten his fix. But your small hand came up to his chest as he approached you, seated cross legged on your pink floral bed spread, clutching the stick in your other hand. You looked up at him and when you locked eyes, he understood, because he took your hand from his chest and squeezed it in his own before leaning down to touch his lips to yours.

"I miss you, baby. My beautiful girl."

His breath was hot against your mouth, his scent so familiar and home to you. You couldn't stop the tears from falling from your eyes, your hand loosening from his hand to hold onto his forearm that connected to the fingers clutching your jaw tenderly but firmly in place, kissing you like he loved you again.

How badly you missed him, too.

"Rafe, please..."

Your hand falls and his breaks from your jaw, and you take this moment to capture his hand with your fingers and place the stick into his palm. His eyes break away from yours to look down at what you've given him, and you watch with tears streaming down your face as his brows furrow, his feet shuffling to back up and you brace yourself.

He doesn't do what you expect him to do, though. He stares so deeply down into his palm that when his eyes do reconnect with yours, confusion in his own eyes, his head tilting just the slightest and you're trembling, waiting for the shoe to drop.

"This...this is a -- you're..." His eyes screw up shut and he shakes his head like he's imagining things and he's crazy. "A baby?" He finally asks, looking up at you again and you can only nod.

"My baby?" He asks again, and you nearly scoff, because really? Was he kidding? Who else was sneaking into your room after midnight, invading your body and your thoughts?

"Yes, Rafe, I'm pregnant with your baby." You tell him, standing and he's still shaking his head, eyes bunching up as if he's being told the craziest thing in the world - because really, he is. But you've sat with this for the entire day and while your reaction wasn't as confused, you too felt the familiar disbelief.

You watch his chest rise and fall, deep breaths in and out before you're in a whirlwind and he closes the distance between you and pulls you to him, tucking your head underneath his chin, the back of your skull rested protectively in his large palm. His lips are at your forehead when he tells you

"I'm going to take care of it. They're not keeping me from my kid."

----

AH, what do you think? My ask box is open for feedback. Please feel free to use it to ask for what you'd like to see from this fic!