Imagine being on the verge of death, your mind being ripped apart by the very gods. You beg and you pray and none of the gods you know and worship show up for you. They all leave you to die. Except one person. They come for you at your time of need and they save you when they didn't have to. In fact, they had more reason to kill you, but they risked their own life to save you anyway.
You travel around with them and watch all the things that they do. You question them, try to understand them, because they intrigue you. They are extraordinary. They are powerful. They are exquisite! They see the world in the same way you do, value the same things that you do. They are willing to stand before the very gods themselves and defy them, challenge them, and destroy them. And you accept them for everything that they are. You appreciate them for everything that they are. And you wouldn't want to change a single thing about them because you think they are marvelous just the way that they are! You love them with everything that you have, because they exist in the way that they do. You are loyal to them, devoted to them. You want to go where they go, do what they do, see what they see, because you can't imagine a life without them.
And then they turn around and look at you and say you are broken. That you need to be fixed. To be changed to be "better". You realize that they do not accept you in the same way you accept them. You realize that they didn't take a single moment to try to understand you. That the only parts of you that they like are what is convenient for them. And whatever they do not like, they want to scrape out of you and replace it with what they think would make you "better". They have spent this entire time, harshly judging you despite not spending a single second to get to know you. They want you to change, not for your sake, but to appease them. To them, you were only worth it because they thought they could change you, remold you into something that would make them feel better about being in your presence. Because your presence disturbs them. And when you make it clear that you will live as you are and you will not compromise for the approval of others, they throw you away and discard you. Calling you cruel, and evil, and a genocidal lunatic, when all you have ever done is just try to survive whatever situation you found yourself in.
Minthara accepts you and loves you for who you are and will NEVER ask you to change a single thing about yourself, and especially not for her sake. She wants you to just be... you. She likes you just the way that you are. She doesn't always agree with every single thing that you do, but by the gods, she will still love you anyway. No matter what choice you make, good or evil, she will still love you and accept you and go along with whatever you want to do.
Why won't you show her the same courtesy? Why do you only love companions when you think you can change them into what you want them to be? Why do you look at companions and only see their flaws and see it as something that immediately needs to be fixed into something you like? Why do you abandon companions when you realize that you can't change them into something you want? Why does she have to be the one to change? Are you willing to change for her?
Do you ever spend a single second asking yourself why Minthara is the way that she is? Cause if you did, you'd realize that she shouldn't be changed, and she can't. This isn't to say that Minthara can't change at all, she just can't and won't in the way that you want her to be. Minthara is very confident in herself and has been through many tribulations in her long life and has prevailed above them all, because she is the way that she is. She is proud, strong, loyal, and a survivor. And you are telling her that all of that is wrong.
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getting real fed up with my peers treating teenagers like shit. how did you forget so fucking quickly what it's like to be them. shame on you.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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ppl are too quick to point to laios' disability as the reason his friends think he's a freak sometimes. so many instances of laios getting yelled at are, in my eyes, a case of "this guy had to emotionally mature very early in order to be there for his little sister" combined with "much older friends who never had to learn to manage their own emotions to the same degree"
a lot of the time he's right about needing to be more direct/deal with things in a way that may seem scary/needing to put your gut reaction aside. he tries not to make his friends uncomfortable and he puts up with a lot because he's trying to keep the peace, but he also pushes the others out of their comfort zones purposefully to try to get them to think more constructively. everyone else in the party is prone to acting on their gut instincts and avoiding uncomfortable situations even when facing them head-on is very much necessary. part of what makes laios such a great leader is the fact that he knows from experience how to put his own feelings aside to help someone else grow.
yes, he does make a lot of social blunders by accident and he does struggle to connect with others, but not all of his positive influence on others is accidental or "despite" making people uncomfortable. a lot of the time, I think it's clear he knows exactly what he's doing and he's trying to help the people around him process emotions in a healthy way as they all go through some truly harrowing shit. all the main characters support each other as well as they can with their unique emotional skillsets. laios' skillset just happens to be "gently talk child into eating her vegetables"
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holds your face so fucking gently please leave reviews for indie games. please. every single review legit counts, especially if the game is small enough, and you don't even gotta say much if that's the problem!!
like, anything from a long ramble to a simple 'it was good' matters, because steam (and probably also the Other Ones) uses an algorithm. so the more reviews, the more exposure, the more money the dev team gets. like, please. please. leave a review. throw your small indie dev team a bone
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Get Their Ass.
[First] Prev <–-> Next
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i really do love that there’s a whole genre of people out there who cannot handle getting told “hey can you maybe just be nice to other human beings” . that’s so funny to me. how are you alive
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People are acting so weird and possessive of Markiplier for the whole OnlyFans situation. He's an adult. He's an adult who's been a celebrity for years. He knows people thirst on him. That's why he had this idea in the first place. He's not some naive kid you must protect. He's not some innocent soul that the evil sluts of Tumblr and Twitter will corrupt. He knows the Internet, he knows his fans and he knows his job.
He's an adult and he can make his own choices.
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trans woman: well before my egg cracked, [goes into explicit detail about the social and gender alienation she experienced and the background radiation of dysphoria that she did not realize was dysphoria and how it seeped into so much of her life]
some brain genius: well really this is so vague it could apply to anything. have you considered that we should encourage men to be gnc instead of transgender actually
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Helki compilation
Helki is a prisoner-turned-servant. He’s a criminal canary and was implicitly one of Milsiril’s charges, and now that she’s retired he’s become her servant.
He must have gotten into Milsiril’s good graces, wether through attachment or convenience, which is a feat considering Milsiril’s a socially anxious recluse. Which is interesting because it’s not like he seems like the agreeable type, shifty upbeat delinquent style… We really don’t know much about him, not even what crimes he did, so there’s a lot of space for speculation on all grounds.
He seemed to be acting out of his own initiative in the Rin comic, he doesn’t look thrilled to be there in many post-canary comics but he also seems content enough. He restrains Milsiril in the Mithrun cleaning comic which is interesting to think of for their relationship.
It’s fun to notice how he’s the only one that didn’t get bored of looking after Rin, and then reports back about her condition… I’d say he was getting used to taking care of kids which would come with the job of serving Milsiril, but then, not enough for him to clean the blood off himself hah. In this way it’s interesting to think about his relationship to the idea of parenthood, he’s probably the closest thing to a father figure/male role model Kabru had growing up, without mentioning the other kids. I feel like he’d consider himself an older brother, cousin or uncle figure sooo much sooner than a father, but even then I do think it’s just his job and he’s not really invested or forming real relationships with any of them much.
It’s curious to note that he’s dressed in canary uniform presumably after having been pardoned and living with Milsiril? Which you can tell by the armor bits (the yellow strips of spider silk). In the Kabru training montage and the Rin comic specifically. It seems very implausible for him to have still been a canary while being a retired Milsiril’s servant and being with her all the time, and the cleaning with Mithrun comic (where he’s not in uniform) happens after Utaya so it could happen after Kabru was taken in but around the time of the Rin comic. So why uniform? It could be one of the best outfits he has, so it’d make sense to wear it around especially if you’re sparring or getting… Blood on you? Could just be because that's how Milsiril wants him to dress. But yeah we don't know when exactly Helki becoming Milsiril’s servant happened. We do see Mithrun’s charge Cithis be tasked with taking care of him, so charge being given a servant-caretaker role doesn’t seem all that out of the ordinary, sometimes even prior to retiring.
Imo, if he doesn't work for Milsiril he goes back to jail/the canaries/has to try and get a job instead of just tending to her, so Helki is staying with Milsiril because she's the best option for him. He’s her milsiril's personal servant and does mostly dull tasks involved in that. He’s not particularly suited to the role but they’ve gotten used to each other to him so she took him with her, and he does prefer it to canary work so it works out decent for him. I think he’s used to reading her and managing her moods and he’s one of the rare social connection she has.
Under spoiler is stage 2 interpretation stuff, bigger speculation, in a reblog I’ll make soon I’ll go over my thoughts for stage 3 interpretation lol. Helsiril I’m coming for you
Translation of the canary hierachy chart used is by Thatsmimi, here
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I have a DP x DC AU brainworm about Danny and Tim being long lost siblings (twins or otherwise).
Because both of them have faced evil future versions of themselves who've almost ended the world in some way through altering time. If Clockwork had been watching Danny's world-ending timelines, then who's to say he wouldn't keep tabs on Tim's as well?
Imagine that the brothers had to be temporarily separated at a young age to ensure a peaceful future. Danny had to be in Amity Park to gain his ghost powers and become the new Ghost King. Meanwhile, Tim had to stay in Gothem to become the new Robin, something he'd have been less likely to do if Danny stayed in his life.
However, their separation was only supposed to be temporary. What if both Dan and Future Tim were from futures where they never reunited as teens? Heck, what if both of them were from the SAME future?
The Nasty Burger explosion happened, Danny killed Vlad and absorbed his soul, and became Dan. Dan grew too powerful for the GIW to handle anymore, so the government tried reaching out to the Justice League. But oops! Future Tim already killed off and tore down that whole organization, meaning the world no longer had it's protectors to stop this new foe.
Though they were strangers, the future brothers unwittingly collaborated in sealing the world's fate.
Back to the present, the Observants wanted Clockwork to get rid of Danny and also Tim before that timeline came to pass. What they didn't understand was Clockwork's plan.
See, the Infinite Realms needed a new monarch to replace Pariah Dark, but not just anyone would do. In timelines outside of Dan's future, the U.S government would've started a war with the Infinite Realms anyway. One that would guarantee Earth's destruction and offset the balance of other realms near it.
The war is set to start in Amity Park, but the information blackout is preventing it's citizens from getting outside help. Mid-to-late teen Danny can't bring down the Anti Ecto Acts alone. He'd be struggling to keep the Realms beings from invading his home as it is. And the government's iron grip on the city makes it nearly impossible for news to get out to the masses.
Danny being the brother of a vigilante detective across the country is another story.
Batman's mentorship would give Tim the training needed to eventually track down his lost sibling. And through Red Robin's connections to the Justice League, Danny could get help overturning the Anti Ecto Acts while he keeps declarations of war at bay on his end. Danny and Tim's combined efforts could be what's keeping the world at peace instead of ending it.
Long story short: Clockwork kills two birds with one stone by uniting a pair of long lost brothers through the prevention of an interdimensional war.
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okay but sarah celebrating tommy every year for mother’s day
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do you consider your self made?
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If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)
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