#no this is unrelated to everything
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buttercupshands · 2 months ago
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So.
Act 5, huh?
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Oh, and that.
"You can start breakdown now."
Finished the game couple of days ago and had some thoughts I needed to process a little. Like. Yes.
So anyway I actually didn't plan this and just wanted to redraw some sprites to just make sure I understand how to draw Siffrin correctly (still working on that!)
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What did I learn from this? How fun it it to draw on a canvas that literally doesn't let you draw with colors without some layer cheating when necessary. Never tried it.
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The beans. Sleeping beans.
Basically what happens when you want to sleep AND draw. Draw characters sleeping on your behalf.
Doesn't help, but at least it's cute.
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I have no idea what was going on in my mind as I drew this. Feels like a fever dream of 'I want to sleep' at 4 am and 'Hm...' of thinking random things
Also that phone craft sign. Still too funny to imagine. I had to.
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picspammer · 10 months ago
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Happy Desolation Row anniversary, released on this day in 2009 ⚡
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cj-the-random-artist · 4 months ago
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Up until this moment, they weren't quite sure Narinder could purr....
(greyscale, sunset, w/out speech bubbles, and pencil sketch versions under the cut so that this post isn't hella long lol)
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The greyscale one is just to check my values (which arguably aren't great lol) but hey I'm posting it anyways
I liked the sunset version but not quite as much as the daylight version, which was kinda weird cuz I expected to like the sunset one more, but regardless it's still good enough that I wanted to share :P
Also I was super happy with the pencil sketch lol
Anyways. May good things happen for you lovelies today and pls enjoy this silly doodle :D
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fanfic-gremlin-ft-trauma · 1 year ago
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What if we snuck off to the supply closet while u were working in ur uncles tea shop 😳😳 and we were both boys 😳😳
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Bonus :)
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breelandwalker · 1 month ago
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Apropos of nothing and unrelated to anything whatsoever, if you tell a witch something and their response is, "Are you SURE you want to do that?" it really should be taken as a sign that you are tap-dancing on the verge of a catastrophic fuckup.
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starcurtain · 2 months ago
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Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲
Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.
I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:
First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.
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It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.
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Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.
If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.
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Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.
This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.
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And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)
Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.
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Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.
(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)
Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?
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He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?
If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?
I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?
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Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).
His mission is diametrically opposed to the concept of a "Genius Society" in the first place.
He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.
Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.
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I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.
So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.
PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!
Anyway... Aventurine.
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I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.
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I think Aventurine is a struggling fatalist.
He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.
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First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.
But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)
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Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.
Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.
In essence, faith requires belief in fate. And that leads to fatalism.
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No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.
This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.
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As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.
(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)
This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.
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And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.
Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.
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How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?
This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.
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This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.
Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:
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Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.
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Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.
They really are perfect opposites.
Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...
And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.
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It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.
I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.
Aventurine and Ratio need each other on core metaphysical levels! 😂
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It's so good guys. You can't see it, but I'm making chef's kisses, I promise.
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secrescaryat · 3 months ago
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// pentiment spoilers (implied ig but still there)
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more of these because i was inspired
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robinfollies · 10 months ago
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KEEP THE DANGER OUT // KEEP THE DANGER IN
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#billie bust up#bbu billie#bbu fantoccio#robin’s art#2024 art#COMPANION PIECES BABY!!! started these last year (month) and finally finished em!!! :33#i could write an ENTIRE essay abt billie and fanto and their parallels and stuff#which actually i love tumblr tags. lets do some of that here!#okAY IM NOT GONNA GO INTO EVERYTHING BUT HERES A BASIC RUNDOWN OF SOME OF MY THOUGHTS#let’s start by looking at goatshire + the lost city of magic !!#both places have some kind of border around them keeping SOMETHING in/out#goatshire’s wall keeping the trolls/other danger out; keeping the villagers inside safe#and the city’s barrier keeping the curse inside; while keeping everyone outside safe from it#but in turn it’s also keeping billie and fanto trapped in their respective places#one moreso than the other i guess but ahahaha. haha. heh. OKAY MOVING FORTH#unrelated but how sick would it be if the barrier broke and let the curse out. just sayiiin.. a lil theory thats been on my mind recently#anyways back to THE POINT#okay this parts gonna sound insane BUT JUST HEAR ME OUT HERE#goatshire citizens / the cursed city citizens.#billie and fanto both kinda stick out in their respecitve homes; fanto being the only uncursed guy and billie with their magic#so theres like. a real disconnect between them and others there. u get what i mean.#theyre both outliers and like something something allegory for neurodivergence and struggling to connect with others probably#SORRY GETTING AHEAD OF MYSELF. idk how to explain it BUT DO U GET IT!!! DO U UNDERSTAND!!!!#also they were both abandoned by SOMEone stares at arthur#okay specifically whoever fanto’s cretaor was left him behind but u know me im such a fanto elmtwig jak#something something loneliness and being left behind and having ppl around you who kinds understand u but also not totally. kicks rock#someone get these siblings some THERAPY!!!!!!!#this was a very disjointed explanation bUT HOPEFULLY I GOT MOST OF MY THOUGHTS ACROSS GOOD. IM BAD AT EXPLAINING THINGS SORRY#someone order me a yappuccino!!!!! BYE!!!!
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hazel2468 · 1 year ago
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"UWU op defends Israel UWU"-
Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?
Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?
Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.
Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?
To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."
I am TIRED.
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fernsensei · 5 months ago
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i forgor to post this
original pic vvvv
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unexpectedbrickattack · 1 year ago
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this is for like three whole followers im doing this for Us <3
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kkoct-ik · 6 months ago
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scarian for morale
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zkretchy · 20 days ago
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It's 2am and I can't sleep, have this silly doodle
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italyveneziano · 3 months ago
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Old redraw of an even older drawing ☺️ They are the father and son ever. To me (please don't tag as ship!)
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dailyloopdeloop · 6 months ago
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DAY 48: noncorporeal
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sangrefae · 6 months ago
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theyre doing the emotionally closed off middle-aged man equivalent of parallel play with each other
(aka i think estinien final fantasy 14 and mithrun dungeon meshi would Get each other as mentally ill, white/silver haired elves with a fixation on revenge as a result of their traumas)
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