#no this is not about one specific person and not about one specific group but it is about a particular fandom

[just-a-ghost00]

What they wish to tell you

Decks used : I don't care oracle, White Numen tarot, Spirit Junkie oracle

Group 1 ⭐️

"My productivity stems from inspiration. When I focus on what brings me joy, my tasks become effortless actions." The Moon, 4 of pentacles, 5 of cups, Abuse of power rx, Party in your heart, Surprise rx

They wish to tell you that they're afraid and unhappy. That they feel powerless within this connection. They feel like they've lost all chances of being with you and that scares them. I get a lot of sadness from this spread. Sadness and regret. They feel unsafe. Like all the fun has been taken away from them. They can't seem to rejoice about the things they used to like or to marvel at life. They have a hard time focusing on daily tasks, seeing the glass half full. They feel uninspired, unmotivated, lost because things aren't as they used to be. They feel like you've changed, whether that's the truth or not. They feel disconnected from you, from people in general. They have a hard time thinking positively. I feel like they struggle with mental health issues at the moment. At the back of each deck we have The High Priestess, Dopamine ? Dopa-go ! & My friendships support me, nourish me and inspire me. This person feels like they are not supported by the people around them. They have lost the will to fight for what makes them happy, what they believe in. They're going through a dark night of the soul and they're in a lot of confusion right now. That's also something they try to hide from people around them, including you. They put on a façade but the truth is they wish they could tell you how empty they feel without you. This person wishes they could go back to the times where things weren't as complicated and they could enjoy themselves freely. This person feels like they cannot be themselves freely with their loved ones. For some of you, the person you're thinking of may struggle with their sense of identity. I was picking up on the LGBTQIA2S+ community. For some of you, if your person is a masculine, they may struggle with expressing their feminine side because of societal expectations or pressure from family. I was specifically picking up on Drag Queens and Kings. But more than that I just feel like your person is currently struggling to find their path in life and may be questioning themselves a lot. Which is a very tiring and uncertain time of their life. And they wish they could talk about it with you but for some reason they struggle to do so. Their heart feels very guarded. They are very insecure right now. They have a hard time showing compassion to their own self for what they are experiencing. They may be blaming themselves a lot when they have nothing to be ashamed of. I feel like if this person could change their surroundings maybe they wouldn't be going through such a difficult phase.

Group 2 🍾

"I accept the gifts I've been given as a high service to the world." Death, The Chariot, 3 of swords, Stop doing so much, There's no planet B! , Stand up for yourself rx

The person on your mind wishes to tell you that they feel stuck career wise and they don't know where they stand anymore. This person doesn't feel happy with their professional life as of now and they are afraid to leave whatever situation they're in because they have no idea where they would go or what they would do in such case. This person feels like they don't have what it takes to start over again. They wish they could move on and find something better, get closer to you possibly but they lack the strength and courage to do so. This person feels burnt out by their responsibilities and engagements. They're also afraid of criticism from their peers. On the back of each deck we have knight of swords & Close your eyes, close the curtains and sleep & "Attacking others is an attack on myself. I choose to release this now." They wish to tell you that they do not dare to speak up their mind for fear of rejection. They're afraid of their own light and power, as well as the effects their choices would have on the people around them. They're afraid of the unknown, of "losing" what they're used to. They're afraid of change. They're losing sleep over the fact that no matter how hard they try, no matter how much they think about it, they can't seem to find a way out or a way to change the outcome. On one hand, they know that where they're at right now is detrimental to them. But on the other hand, they feel like if they left whatever situation they're in right now, they would be wasting something beautiful and they could not go back. This person is afraid of taking responsibility and they feel very bad about themselves right now. They're in a dilemma and though they sincerely wish to put an end to this cycle, they can't seem to get themselves out of it. They wish they could tell you how exhausted they are and how hurt they are but they keep it to themselves because they do not wish to burden you with their struggles. Also, for some of you, your person sees you working really hard for your dreams and they're afraid that you're overworking yourself. They wish you would take the time to rest and take care of yourself.

Group 3 🎀

"My friendships support me, nourish me and inspire me." 10 of wands, 2 of wands, The Magician, I dare to declare my love, Please leave a message, Spread the love

I really like the energy of this spread. It's such a stark contrast to the other groups. They wish to tell you that, though they have a lot on their plate, you do not leave their mind and they still have a lot of hope for your connection. You are a source of motivation and inspiration to them. You are the reason why they get up in the morning and do their best every day. They wish to tell you that whatever you are going through, they still appreciate you and care for you. That should you need them, even if they're busy with their own things to deal with, they'll make time and space for you, to comfort you and guide you. They wish to tell you that you are so dear to them and that they're working really hard to be able to be closer to you. That may be true especially for those of you that are in a long distance connection. This person hopes to travel so that they can meet you. They're constantly day dreaming about you. They wish to tell you that you're all they care about and that they only have eyes for you. At the back of each deck we have Ace of pentacles, You are here & "Compassion is my compass. I am willing to hold space for the experience of others." The "You are here" card show an arrow pointing to the Earth from an outer space perspective and the Earth is right at the center of the galaxy from that angle. So they wish to tell you that you're at the center of their Universe. You occupy their thoughts at every moment of their life. I get the same vibe from the compassion card. They are willing to adapt and change things in their life so that you can better fit into their world. With this ace of pentacles, they wish to tell you that they would like to start anew with you or give your connection a new turn by making you an offer. I feel like this person would like to be in a relationship with you, regardless of what people may think and despite the challenges this may rise. It's like, no matter what, they're willing to make it work because you mean so much to them. Honestly this is so sweet.

[patchwork-artists]

Hey you! Have you seen this post by @pigswithwings? Do you like it? Do you like animation? Well do I have the news for you! With the author's permission and consultance, I am running a 5 minute animation short film on it, called "Angel back at home"!

Now, here's the most exciting news: We are looking for storyboarders, background designers, and 3 voice actors of all genders! Even better, you don't need to be a professional on any of those things whatsoever, only have some knowledge on them (and be of minimum age 16) to try and apply for the role!

Unfortunately, it is not paid, as for legal reasons we can not make profit out of it. Why should you join then, you ask? In this project we guarantee three things:

Portifolio building: Everything you will be producing, you can be using to add to your personal art portifolio, if this is a career you'd like to follow!

Resume: The short-film will be hosted on several film festivals, so you'll be able to put a big list of festivals your work was featured in, if you'd like to follow any art career. If not, the entire experience can be written in several bullet points on a resume ("experience with working in group", "experience of working within a deadline", etc) for any general job.

Advice and art growth: Every art that gets made on this project will be seen by me, the producer, and will be given advice for improvement. This is especially good if you've been on an art block, is self-taught, or overall would like a different perspective on your art. Don't worry, I'm not harsh!

Additional points is that it allows me to know new artists and new talents! From the last project I had run in this format, I had taken notice of 5 to 6 different artists that I hadn't known were so talented for their specific skills, which made me keep their names for the next project I'd produce. I am someone who dreams of opening an animation studio for new underrated talents and non-professionals that are studying to be professionals, so i'm looking forward to finding the artists on this project that will catch my eye and I'll bring over to the next project.

The timing is flexible since it is a volunteer ran project, if I can't pay I can't demand work hours of a job, so the deadline won't be too tight. For 5 minutes of film, the boards, voice acting, and single music will all in total take about 3 months, with the deadline starting in ferbuary and ending in the end of April. The following months will be given towards animation, sound editing and mixing, and video editing.

Requirements for storyboarders: Know how to draw, understand rule of thirds, enjoy drawing expressiveness through body language. You can be using any drawing device, whether that's computer, cellphone, or traditional, as long as you use the storyboard template in question and stay faithful to references.

Application link for storyboarders

Requirement for voice actors: have a somewhat good microphone(doesn't need to be professional and expensive, just good enough so we don't want to give the audio editors too much work), have interest in acting (preferably have had at least one theather class).

Application link for V/A

Lines for V/A

Requirement for background designer: Know how to draw or how to put together a 3d model of free assests, you don't need to be super experienced and specialized with drawing backgrounds but it'll be good to have a basic idea of it. You will be given specific references for the backgrounds, and you won't draw every single background, it'll be split work

Application link for background designer

Applications end by ferbuary 8th, but may be pushed forward if the applications are low. Everyone that passed will be noticed two days after.

Best of luck to everyone!

[literaryvein-reblogs]

Writing Dialogue: Compliments

Compliment - a verbal or written remark that expresses admiration, respect, or praise for another person or group.

The definition of compliment includes the general expression of good wishes or affirmations on quality, as in the example sentence, “My compliments to the chef.”

Studies show that compliments can activate the brain’s reward center, promote positivity, and help build self-esteem and overall good mental health.

Types of Compliments

You can compliment anyone, from family members to coworkers to strangers on the street. Some compliments include the following:

Accomplishments: You can compliment someone about their past or recent achievements. You could compliment a significant personal win like reaching a career goal or a minor victory like guessing the word of the day on a challenging crossword puzzle.

Appearance: You can view these compliments as flattering comments about how someone looks on a particular occasion or about attributes like beautiful eyes, skin, or hair.

Creativity: Compliments about creativity might include kind statements about someone’s artistic ability or creative solutions to issues, projects, or problems.

Intelligence: When you compliment someone’s intelligence, you could give them a sincere compliment about a specific situation or playfully tell them they’re a smart cookie in a general sense.

Personality: Compliments about someone’s personality cover many areas and might include statements about the person having a great sense of humor, being a great listener, or always seeing the silver lining in difficult situations.

Whole person: You can compliment someone about how you view them, such as telling them they’re an awesome friend or a great sister.

Examples of Compliments to Give

The best compliments come from the heart and are unique and specific to the person you’re addressing. Consider the following compliment suggestions:

You have a beautiful smile.

You always light up a room.

I love your style.

That color looks great on you.

I love your sense of humor; you always make me laugh.

I’m impressed by your ability to stay calm and focused when things are stressful.

Your ideas are so innovative and fresh.

You’re always so helpful.

I appreciate your honesty.

I always have fun when I’m with you.

You’re stronger than you think you are.

I’m grateful you’re in my life.

You’re an inspiration to me.

You add so much to our community; I’m glad you’re here.

I admire that you always speak up with your opinion.

I always feel comfortable being myself around you.

You’ve brought such joy into my life.

I love how curious you are about how things work.

You’re such a good team player and considerate of others.

You’re so patient when dealing with others’ problems.

How to Compliment Someone

Giving a compliment might feel awkward at first, but with practice, you’ll experience the benefits of improved relationships and an overall sense of wellness. Follow these guidelines when giving a compliment:

Be specific. The more detailed your compliment, the more impactful it feels to the person receiving it. Telling someone they’re a good listener is lovely, but telling them about a specific time when they made you feel heard them feels more meaningful.

Embrace sincerity. Most people can sense when a compliment is insincere, so tell the truth when giving praise. Avoid giving compliments you don’t believe, such as telling them they’re attractive when you don’t find them attractive or telling someone they did a good job when they failed at the task.

Include strangers. Avoid reserving compliments just for people you know well. A well-timed and honest compliment to someone you don’t know can make their day, even if it’s about something simple. Avoid complimenting people you don’t know well on their physical appearance.

Notice the good things. Pay attention to your family, friends, loved ones, and coworkers, and note their good qualities and accomplishments. When you spend a lot of time with people, it’s easy to only focus on problems or negative issues that need solutions. Incorporate taking in the positive and giving compliments regularly to forge stronger connections and make a habit of noticing the good.

How to Respond to a Compliment

In some cases, you may find receiving compliments creates anxiety, especially if you suffer from low self-esteem. Follow these tips when responding to a compliment:

Avoid rejecting the compliment. Sometimes receiving compliments feels uncomfortable, making you impulsively want to give credit to someone else, turn it into a joke, or tell the person why you don’t deserve the accolades. Though you may feel all these things internally, do your best to avoid verbalizing your self-doubt, which could make the other person feel foolish or rejected.

Express your gratitude. Accept the compliment as you would a gift, saying “thank you.” If you wish, you can expand on your appreciation by adding how the compliment made a difference (either as a positive emotion or as an encouragement to keep going).

It’s about the giver as much as it’s about you. When someone compliments you, they tell you how your behavior or actions impacted them, which may feel like a vulnerable act for them. Remember that how you respond can have an emotional effect on the receiver.

Redirect compliments meant for someone else. If someone compliments you about an action or work you didn’t do, redirect them to the right person while supporting their desire to give a compliment. For example, if someone compliments you about a work project you didn’t do, you might say, “That’s so nice of you to say that! Actually, Kim completed that job. I’m sure she’d love to hear your feedback.”

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[writing-zelda-brainrots]

Listen. Re:Zero is my favourite anime. Let me just yap about this for a minute.

One idea that I keep finding myself returning to when thinking about Linked Universe fanfics is the idea of [Name] having Return by Death from Re:Zero. I have many thoughts.

For those of you unfamiliar with the series, Return by Death is Subaru’s ability to return to a specific, predetermined point in time every time he dies. The user of this ability cannot change or choose where these ‘savepoints’ are, they change automatically at seemingly random (basically, think of them as the world ‘autosaving’ from time to time).

The user of RbD cannot tell anyone about this power, as the one in control of this authority can punish the user by squeezing their heart (basically giving them a heart attack) or by killing the person the user was talking to. Though it is important to note that this restriction goes for telling about RbD directly, so if the user speaks about it indirectly (for example in riddles/confusing metaphors) or if the listener does not understand/think much of the user's mutterings/ramblings, the curse will not take effect.

The user of RbD is almost always marked with a stench of ‘evil’ that makes them irresistible to monsters, leading them to lock onto and attack the user. Though the smell is mostly faint (not even noticeable to most people) a majority of the time, it becomes stronger when RbD or the curse activates. So, the more recent the death or punishment, the stronger the smell.

You better hope that none of the Links find out about this power or how many loops you've gone through (not that the curse would let you tell anyone, anyway). It would shatter them. All they know is that when you suddenly start tweaking, it’s time to lock in. It’s not that they ‘get used to’ your odd (to put it mildly) behaviour, but they do learn to back off and kind of just let it happen after you tell them to not worry about it. It’s still unnerving, but they don’t know what to do other than offer their concerns, since you never want to explain yourself.

Time realises quickly that something is up with you. You seem to know what’s going to happen ahead of time, even if you try to not make it obvious, you’re constantly planning ahead and removing yourself from the group to ‘collect your thoughts’ when you think no one would notice. He’s seen your mood shift dramatically at the drop of a hat. One minute you’re fine, laughing and joking, and suddenly you look like you’re about to have a mental breakdown or you wake up screaming bloody murder. Eventually, it all starts to feel awfully similar to how he was whenever he travelled through time. And all the pieces start to fit into place when he realises this. You have some ability related to time travel/clairvoyance, he just doesn't know how it works. But he is determined to figure it out, even if you never want to give him an answer, always avoiding the topic and trying to lead his attention somewhere else.

Despite how much Warriors teases you for being a ‘scaredy cat,’ he honestly thinks you’re irreplaceable. You’ve gotten the group out of many sticky situations, so much so that you must have some kind of future sight or the goddesses have gifted you with the most brilliant strategic mind in history. You always have a plan, you’ve never made a mistake, you can come up with an idea that’ll get them the best possible outcome all in the blink of an eye. If only they knew… Now if only he could do something about that stupid ‘self sacrificial’ habit of yours.

When forming a plan, he wants your input. When you say that the group should avoid an area, he takes that into consideration, even if when questioned, you say that it’s because you just ‘have a feeling.’ You have yet to be proven wrong in his eyes. He’s almost jealous of you. You unmasked a whole group of Yiga soldiers after being in town for less than a day, all based on tiny ‘hints’ that you noticed (little does anyone know that it took you about 8 loops to figure that mess out). Maybe you should be the head strategist of the group, huh? Not up for it? Alright, fine, but at least try to not steal his thunder, okay?

Hyrule is like Warriors, but way more. He believes you’re the coolest person to ever exist, even more worthy of the ‘hero’ title than him. You’re undoubtedly the weakest in the group, but you never give up, you’re still out there fighting because you believe you all can win. He’d trust you with his life if you asked. Travelling with the Chain made him realise how much he needed positive connections with others, so he wants to be there for you too, especially given he’s seen your ‘mood swings’ and self worth plummet. He is your number 1 supporter, just like you’re constantly inspiring him and others around you.

He also finds that he’s often healing you. He’s noticed that on days when you’re really out of it, you inflict harm onto yourself for reasons he can’t fathom. You’d scratch yourself until you begin to bleed, usually on your arms, but sometimes on your neck as well. He’s tried to snap you out of it, and while it does usually work, he can never get you to stop for good.

Hoo boy. Twilight. So you know how he almost died? Yeah, turns out that that injury was a ‘canon event’ that you cannot change. When you forced a RbD (in other words, you killed yourself), you found out that the fight had already happened and your last respawn point was set afterwards. That was the first time that Twilight realised that there was something seriously wrong with you. While Rulie was passed out from using too much magic, and the others wouldn’t dare enter the room for various reasons, and he was falling in and out of consciousness, you stood by his bedside, hardly able to choke back tears, apologising for ‘not being able to fix this.’

Of course, he had noticed that smell on you, how it seemed to fluctuate at random but still sticking to you, and how monsters were drawn to you like moths to a flame whenever that smell spiked. It reminded him of the Twili magic that clung to him. Could you have been affected by something similar? But by what and what did it do to you other than make you an irresistible target to monsters? This and other factors cause him to be very protective of you, similarly with how he is with Wild.

Wild is down for your crazy plans, even if he has to admit that some of them sound dicey at the very best. But you have the devil’s own luck and he’s honestly thankful that you’re the lucky one out of everyone.

While he is glad that others (including himself, of course) have high opinions of you, he’s keeping a close eye on you and how much pressure is put on you. While he might not remember much of his ‘previous life,’ he’s all too familiar with what happens when expectations are piled onto someone. Because of this, he’s trying to joke and laugh with you, telling embarrassing stories because he wants people to remember that you’re a person, not a walking list of accomplishments. But should you ask for his help, he’s not going to say ‘no.’

I want you to know that of all of the links, Legend is the one most determined to know what is up with you. Yes, he teases you the same way that Warriors does, but he recognises that you are deeply messed up (takes one to know one, bitch). He’s seen that faroff, dead look in your eyes and it felt so real that - if it was not for you blinking - he could swear he was looking at your corpse.

He once cornered you (literally) in an attempt to get you to tell the truth, but when he noticed that genuine fear in your eyes, he backed off. He swears that he’ll get to the bottom of it, but knows that forcing it out of you won’t help. Even if your ‘stubbornness’ is wearing his patience thin.

Sky is basically your therapy dog. You know how his Zelda was always standing up for him? Well, now he’s doing that with you. He knows a bullying victim when he sees one. He sticks close to you when in new places and should you show any signs of discomfort, tries to distract you.

One thing that makes him nervous though, is what happens when you come into contact with the Master Sword; it burns you. With some help from Twilight, Sky knows that there’s a ‘curse’ on you, which would explain some things about you. He doesn’t like how the sword’s power isn’t enough to get rid of it, like it could with Legend’s transformations. Whatever this curse is, it’s powerful and won’t be easy to get rid of. Not like he’ll give up on finding a cure.

Four is surprised at how quickly you begin to pick up on swordplay. Did he teach you some of those moves? He’s sure he would have remembered it if he had. Maybe Sky taught you? The Skyloft knight was the best swordsman in the group, so it’s possible. But something keeps nagging at him that that wasn’t the case.

You’re hiding something. Something big; he’s absolutely certain of it. And he knows that the others know too. Still, it’s not like none of them have secrets they’re sitting on. But what could possibly be so important that you won’t tell them? It’s not that he doesn’t trust you, you’ve shown time and time again that you’re an amazing person. It’s just that he feels a little hurt that you don’t trust them enough to tell them what’s going on with you. They’re all worried about you, but if it really means that much to you, he’s sure that you’ll tell them eventually.

Wind wants to make bets with you on basically anything and everything. Is it going to rain today? Who will be the first to trip on a rock and fall flat on their face? Will the next portal lead the group to his era? Yes, these questions are often silly, but he genuinely wants to keep you happy. That’s why he’s constantly sticking to your side, telling jokes and stories, inviting you to play some stupid game of chase. Wind is a lot more emotionally intelligent than many assume (mostly because they underestimate him due to his age), so he can tell when your mental health is about to take a nosedive, despite the happy ‘mask’ that you put on.

One person who you never thought would ‘understand’ you is the Fierce Deity. You have no idea how or why, but it seems like he holds you in very high regard. Not necessarily for your physical strength or weapon skills (lord knows you could never match him or any of the Links), but he seems to ‘get’ you, like he… Respects you? He can’t help but see you as a warrior in your own right. He looks at you and he sees that look in your eyes; the look of someone who has seen death many times. It’s a trait that is highly valued among warriors (because it shows experience) and often even seen as ‘attractive.’

He is actually the only one who learns the truth about you. Fierce has seen Time repeat the day night cycle over and over so many times, so he’s more than familiar with the concept of time travel. But when he learned the method behind your power - when, in a last ditch effort, you put the mask on and his mind and memories fused with yours - his respect for you shot up sky high, but he’s also incredibly worried about you. The toll that your ability has already taken on you is immense and he knows that it’ll only get worse as the group gets closer to defeating the one behind the portals. It’s times like these that he wishes he had the knowledge and ability to give you comfort. Yes, he has more than enough strength to protect you in a fight, but being locked away in a mask (one that his host refuses to use), leaves him useless.

All he can hope for is that you two could get a moment alone, where he can tell you that ‘he knows,’ and let you let out all the emotions that you’ve been forced to bottle up for much too long. If you want to use him as a shoulder to cry on and vent out everything you’ve gone through, he’ll let you. As for why he can’t be killed by the curse, it’s because his status as a literal deity is protecting him.

[essycogany]

Fun details I love about Sonic Movie 3!

Some of my takes might not be popular, but I have no problem if anyone disagrees with them.

The animation is by far the BEST from any of these movies. The characters blend into the environment more convincingly here. The facial expressions are near Drone Home levels of good. Still not as cartoony, but it’s close. Body language is 100% great too. Especially if you know some of the references from Sonic specifically. Have I said how much THE LIGHTING IN THIS MOVIE EATS UP THE SCREEN!!! The color variety is insane!

I especially enjoyed the little details like Sonic practically crying when Tom got hurt. Then he immediately grew angry with the transition feeling seamless. Ben’s voice acting was hurting my heart in the best way. Don’t get me started on the “Where…is it!” line from the argument scene. UGH!

Tails was so brave for standing up to Sonic who was a person who inspired him. The little guy was clearly the responsible one of the group. Even getting irritated with Sonic multiple times or being a bit sassy with Tom and Maddie.

Knuckles was TOO good. Him protecting Tails when Sonic started getting defensive is a stand-out moment for me. Not to mention basically saving the day near the end. He’s certainly TRUE hero by the end. I’m glad both him and Tails had more time to be fleshed out despite the pacing being quick. Left me wanting more to be honest.

We don’t ever see the three squabble the way they did and for it to not feel forced is an accomplishment that should be studied. All of the neat character moments or emotional range we barely see from Sonic characters were presented perfectly. Also, hot take but I think the movie's dynamic of Team Sonic is the best it's ever been. It's arguably better than the games.

Can we also talk about how the film has the BEST Sonic and Shadow dynamic ever? Shadow gets snarky with Sonic at some points when they reconcile. They feel more like friends/acquaintances here than in the games in my opinion. I don’t know why, but the back and forth between the hedgehogs, fox, and echidna feels expanded. The believably of their relationships is stronger. No shame to the games, but Tails and Knuckles barely interact there.

Also, this is the GREATEST Shadow hands down. 2024 truly helped me appreciate him as a whole but Movie!Shadow is awfully lovable. They allowed him to emote and not stay stoic the entire time. Ever since Prime Shadow’s been so expressive and I love it.

Oh, and the humans were fun as usual. Of course the movie isn’t perfect but my 9/10 rating is largely for how much I enjoyed it more than anything. And Amy…Just Amy.

[generallemarc]

you care more about proving a woman wrong than you do about improving society. Typical.

Why yes, that is the worst possible way to interpret "it is neither my fault nor my responsibility that members of my demographic do bad things."

Why do you think it’s unreasonable for women to be afraid of the group who commits 90% of the violent crimes?

For the same reason you think it's unreasonable to be afraid of the race that commits the majority of those crimes. Oh, but when you use crime statistics to reinforce your bigotry it's ok, because your statistics are because the demographic you're talking about is just objectively evil.

“being in very real danger of rape and murder”

As a victim of rape, there are two possibilities here: either you are a fellow victim venting rage, or you're lucky enough to not be a victim and are trying to tell me that you understand rape better than I do, that you magically know that every man is Schrodinger's rapist in spite of all the data you were relying on for your bigotry a second ago showing conclusively that rape is usually by someone the victim knows, which I can personally attest to. So, which is it?

Fourth, here are some links about reverse sexism and why it’s ridiculous:

Oh, some articles from a bigot telling me her bigotry isn't akshually bigotry because I'm not oppressed enough for people to judge me by my demographic? Lady, there is no combination of words in the English language that could ever convince me that being a bigot, which is judging someone based on their demographic, which is what you are doing, is akshually ok for this or that contrived exemption. I hold everyone to the same standards, because unlike you I believe in equality and not the supremacy of one group over another.

women are pushed out of male dominated industries (it’s not that we think it’s too hard or too dangerous, it’s that it’s hard to break the glass ceiling.

Oh, so there's women lining up to take jobs in logging and mining? Women are being artificially held back from their dream jobs in being manual laborers on construction sites? Show me. Show me that, specifically. Show me women wanting to work in the bad jobs.

You’re wrong and nobody cares that your feelings are hurt.

Projection does not become you, my dear.

Because women might have the ability to hurt your feelings, but men COMMIT 90% OF THE FUCKING VIOLENT CRIMES. THESE TWO THINGS ARE NOT THE SAME

And there's the collectivism at the root of every dumbass ideology ever conceived. Because Group A members have done bad things to Group B members, it is ok and in fact morally good for individual members of Group B to act like shitheads to members of Group A. What you're doing can't possibly be bad, because children are starving in Afri-I mean, because other people have it worse so your problem doesn't ma-I mean, because men oppress women in all these first-world democracies with countless women holding more power in their little fingers than most men could ever dream of. You wanna see real, genuine gender-based oppression? Try the Middle East. They are, and I say this without a shred of irony, in desperate need of feminism, of the classical model that you and your kind abandoned that simply called for both sexes to be treated equally in all things. But you'd rather defend your own bad behavior than direct your attention towards advancing the cause of women who, unlike your privileged first-world ass, actually need it.

man hating will never be progressive. you can't take terf shit and slap a rainbow coat of paint on it and act like it's somehow now based and woke and pro queer rights. snap out of it.

[marxistlesbianist]

It seems to me that the propensity of socialist orgs in the US to sink into covering up sexual abuse scandals emerges from the method of volunteerism that is basically universal in political organizing here. At a queer community center I used to be involved in, there was a long-standing member who had to stop going to events because their abusive ex-boyfriend ingratiated himself in the organization. My friend who is still on their board tells me that the people involved would mostly like the man gone, but begrudgingly put up with him because he is one of the most consistent volunteers, contributing far beyond what the survivor was themselves physically capable of. This is, of course, liberal nonsense, of the specific type that arises when the goal of hosting a pride event in the suburbs each year takes precedent over community empowerment. In short, it is opportunism. And whilst I haven’t personally witnessed an ML group mishandle a sexual abuse scandal, from the accounts I have read/heard, I suspect the mechanism is similar.

What I see “leftists”—including many self-proclaimed communists—in the US fail to grasp is that it is necessary for a revolutionary organization to always be building within the masses the social base for its action. A revolution cannot be made by a mere handful of dedicated individuals, and any organization running entirely off of the work of such few volunteers is treading on dangerously unstable grounds. Of course, dedicated individuals are still going to be important for an organization, but more important is a connection to the masses which allows such individuals to be found. In crude terms: everyone must be replaceable. This is for many reasons, not the least of which is that you have to be able to recall from power anyone who commits sexual abuse.

Ultimately this means that the actions of an organization shouldn’t go far beyond what the masses are themselves currently capable of accomplishing. Disruptive protests and union efforts are methods of struggle which are readily accessible to the masses, whilst education campaigns and community survival programs simultaneously increase the fighting capacity of the masses and also to deepen the party’s ties to the people. Even when the movement reaches the point of full revolutionary war, this can only be accomplished if the masses are at the point of being able to support a people’s army. Small guerrilla cells in communities with low class consciousness are perhaps able to frustrate/disrupt the capitalist state, but not overthrow it. When Newton and Seale founded the Black Panther Party, the tactic of armed patrols was decided upon as a means of demonstrating to the community how they could use the weapons they already possessed.

When an organization commits ultra-leftist errors, it risks isolating itself from the people not just ideologically but materially. The org leaps beyond where the people can/will follow, and, divorced from the motive force of history, inevitably stumbles and falls. The way to avoid this, of course, is for an organization to take proper stock of its present manpower, and to set actionable goals with an eye toward expanding their social base—the predominant method in US orgs, conversely, seems to be a sort of opportunistic ultra-leftism, where the active capacity of the masses is overstepped in service of symbolic/electoral goals which on their own do nothing to advance the political power of the working class.

Which . . . fuck. Typing that last sentence out really fills me with frustration and despair. What gives me the slightest bit of hope is reading about how these tendencies have manifested in the history of every attempted communist revolution, with the successful ones demonstrating not how to avoid such errors entirely, but how to overcome them!

[otherkinnews]

New York bill proposes criminalizing costumes and masks in public

[This article was originally posted on the main blog for Otherkin News, on DreamWidth: https://otherkinnews.dreamwidth.org/95526.html Orion Scribner @frameacloud wrote it on January 8, 2025.]

During the previous two years, Republicans in the US have penned "anti-furry bills." These come from Republicans rumoring that schools also provide litter boxes for students who believe they are animals. The rumor has been debunked by the fact-checking sites Snopes and Reuters. Anti-furry bills oppose what the legislators variously and inaccurately describe as people who are furry, anthropomorphic, transspecies, identifying as animals, or having the "perception of being any animal species other than human". Sometimes the text of the bill itself uses those words, and sometimes the legislators only spell that out in interviews. The bills are based on the satirical urban legend about litter boxes, not on the behavior of any real people. The purpose is to satirize transgender students' requests to use the correct restrooms in schools. Republicans care about this as part of a vendetta against public schools and LGBT people.

The bills began in 2023 with North Dakota House Bill 1522, Oklahoma Senate Bill 943, Indiana Statehouse Bill 380, and a proposed amendment to Montana Senate Bill 544. 2024 had Oklahoma House Bill 3084, Mississippi House Bill 176, and Missouri House Bill 2678. No anti-furry bills have yet passed into law as such. Fellow volunteers and I have been reporting on these in the Otherkin News blog all along, which you can read in the tag for that purpose. I expect to see Republicans propose some more anti-furry bills this year, too. Here is the first relevant bill for 2025 that I've found, though it is not specifically what I would categorize as an anti-furry bill.

New York Senate Bill 723 would make it be a class B misdemeanor to wear a mask and/or costume in public places. It describes these as "deceptive wearing of a mask" and "disguised by unusual or unnatural attire." It would be a crime even for people who are doing harmless activities, such as "loiter[ing], remain[ing] or congregat[ing] in a public place with other persons so masked or disguised while engaged in a protest, rally or other public assembly." The explicit purpose is to make it more difficult for peaceful protestors to maintain any anonymity.

Today, one common tactic of protestors is "Black Bloc," in which all the protestors cover themselves in sunglasses and black clothing from head to foot. They hide their body shape as well as hair and faces as much as possible. Because Bloc makes the whole group look uniformly similar and anonymous, it makes it more difficult for police to identify an individual for later legal punishment or single someone out for immediate brutality. Covering one's skin and eyes as part of Black Bloc also gives some protection from pepper spray. If Black Bloc is banned, protestors will be more vulnerable to injury and police violence. If common attire of protestors is criminalized, then the bill could be used to some degree to limit or effectively ban peaceful protest, which is a First Amendment right. For centuries, disguises have played a role in how protestors protect their anonymity, show who they're together with, or invoke cultural symbols and beliefs (Leslie Feinberg, Transgender Warriors, pp. 75-80). In American history alone, disguises were a part of the famous protest that led to the US becoming an independent nation in the first place: the Boston Tea Party in 1773.

If your city in the state of New York requires permission from the police or other authorities for entertainment events, then Senate Bill 723 would require you to specifically get permission for people to wear disguises to the event, because it makes an exception for those. The bill also makes an exception for attire worn for religious reasons.

This bill could have an impact on other sorts of gatherings. It leaves itself open for various sorts of people to be considered to be wearing "unusual or unnatural attire." It doesn't specifically mention people who wear costumes and masks as part of hobbies such as fursuiting, cosplay, and quadrobics, but it could have an impact on them. There are other bills that oppose transgender people in much more explicit ways, but couldn't this one also be stretched to be used against people whose outfits don't conform with their assigned gender?

The bill was prefiled on January 8 by Republican Senators Steven Rhoads, George Borrello, Patricia Canzoneri-Fitzpatrick, Jack Martins, Mario Mattera, Dean Murray, Peter Oberacker, William Weber, and Alexis Weik. Here is the bill on the New York Senate government website: https://www.nysenate.gov/legislation/bills/2025/S723

If you care about costuming hobbies as well as the First Amendment right to peaceful protest, what can you do about this bill? My partners Page Shepard, House of Chimeras, and I have presented a convention panel about that. In the recording of our panel, skip to the timestamp 23:44 to hear what ordinary people can do about bad bills. In the written script of our lecture, see Slides 21 through 25.

[genderqueerdykes]

is it bad that i hate when people take my posts about trans issues and make trans women the center of them. my posts always say “trans people” when i talk generally about the violence and transphobia because i mean that. all trans people, not only one kind. but every time the comments turn it into a discussion revolving around trans women.

i’m not against talking about specific demographics! but it’s very frustrating when people take trans men and non-binary people out of the picture when i intentionally included them by NOT specifying a specific gender of trans people.

it’s honestly very disappointing and disheartening that trans men aren’t included in any type of discussion when it comes to trans issues. at least not that i see, i don’t know.

additionally, when (mainly perisex cis)people claim their supposed allyship to trans people, they only talk about how they include trans women in their feminism and women’s spaces. no mention of trans men. and when we ARE talked about, it’s “i hate trans men because they’re just like cis men :)” or “no i don’t want trans men in WOMENS spaces because they’re men”.

i don’t know… maybe i’m too sensitive, but it’s something i don’t like. we should definitely bring awareness to trans women’s issues but not completely forget about the existence of trans men.

i think it's okay to feel that way. i don't care for when people do that to me, either. this discussion is long overdue and so few people want to have it, but this is an issue. yes, trans women are allowed to talk about our issues, we are. i'm not saying we should never speak. what i'm saying is we can't take posts that are made for everyone and make them about us and us alone.

we need to stop making conversations about transmasculine people about us. not all nonbinary people are transfeminine, other intersex, multigender, nonbinary, genderqueer, gendervast, gnc, etc people need a chance to speak. like i'm serious, it's okay to talk about one's own experience. but if it is explicitly to point out why people should not listen to other people when they are talking about their own issues, and that they should listen to you instead, you are controlling the narratives, and shifting the goalposts.

it's one thing to say "here's what i experience" but if someone takes your post and goes. hey actually. trans women have it the worst. they're the one leaving other people out of the picture in that situation. whenever you try to point this out on this website, people foam at the mouth to try to kill you and it's ridiculous. when, well, with so many people bringing it up:

it's an issue.

there's been a specific group of people who identify as transradfems and people who identify with their politics even if they don't know the name for it. they are pushing people to be quiet and not speak about their own experiences because somehow that silences trans women, as if we can only be about one type of queer person at once. it's gotten old. like can we seriously just have this conversation already and be done with?

i feel like i have to say the thing that most people are afraid of, because this conversation is way overdue.

can disenfranchised dysphoric trans women stop attacking men & mascs because you don't like being seen as one? can disenfranchised trans women who have been hurt by men stop attacking men who haven't hurt you?

enough. men & mascs are not your personal punching bag. manhood isn't what hurt you. being forced to be a man or masc is what hurt you. the general concept of manhood and men did not hurt you. let go. i understand it's painful to get misgendered and treated as a man for life. it sucks. you don't deserve that. no trans woman does. nobody deserves to be misgendered. you don't deserve to be dehumanized because people refuse to see you for who you are. it's okay to acknowledge that you're in pain. but you gotta let the fuck go of your irrational hatred, because it will never help you accept or love yourself

you will never experience true trans joy if you spend all of your time hating on other people. hate solves nothing. if that's the only thing you see, that's the only thing you feel. if hate has nowhere else to go, it rapidly turns inward. you will not be seen as a woman by more people if you attack men. you will not be accepted by cis radfems if you attack men and parrot their politics. this isn't helping you, or anyone else.

we need to break down these walls and talk to each other. trans women and trans men can have conversations about our experiences at the exact same time. conversations involve multiple points of input. if we're only allowing one type of person to speak and one type of person to speak only: that is a lecture. that is not a discussion. if you never listen or give other people a chance to speak, you are lecturing them.

[battlefrankies]

saw ur tags, wanted to give some context because you do bring up some interesting points!

newkama as a term is a combination of okama (a reclaimed pejorative that refers to drag queens/transvestites, who don't always identify as women) and newhalf (a term some trans women celebrities used to refer to themselves in the 90s, but today i've seen most trans women prefer to just be called women) (and the word for trans people in japan today is just english loanwords, literally just 'trans' and 'transgender', so the terminology has evolved)

the newkama and especially iva-chan's impel down group see themselves not as specifically drag queens or trans women, but as people who've transcended the restrictions of gender entirely. they do tap into that campy drag aesthetic though, like you can clearly see the rocky horror influence on ivankov's designs. i think it's a mistake to try and apply concrete labels that we see constantly online to this group (and also, lgbt people in general). oda isn't on twitter reading about how gen Z kids on tiktok want to be portrayed, he's talking to real-life people he meets, but also mostly he's drawing one piece and playing gacha games.

even on momoiro island when they were trying to put sanji in a dress, i think it's important to point out that sanji agreed to that training regimen and discussed it with iva-chan in order to get stronger; he could've left at any time. imo the optics for that section weren't ideal, but it emphasizes the freedom of expression for the newkama who live on that island. there's no pressure to conform to rigid standards of femininity when they're safe and comfortable having body hair and square jaws, but they just wanna wear a frilly dress too. ivankov could (and would) physically alter anyone's body at any point they wanted, but the newkama of the kamabakka kingdom felt no need for that.

are there better ways to portray that? for sure! i'm not mad about oda imperfectly supporting the lgbt community in a time & media environment that was either dismissive or downright hostile to trans people though. it was, again, head and shoulders above pretty much any shonen that was being published at the time. personally, i like that there's such a diversity of trans experiences being depicted in the series with so much affection, to the point where each time sanji said or did anything transphobic, he'd get punished for it. you can truly tell that oda thinks it's dope as fuck that people can just trans their genders, and to me that matters more than optically perfect trans women.

giselle gewelle from bleach, for example, being a really cute trans girl who is also evil, and whose trans identity is openly insulted by a protagonist and also she dies, in 2013. oda having the newkama not just be empowered, heroic characters but also living and thriving on their own island was basically unheard of at a time when 'bury your gays' was so prevalent it's got a tvtropes page. and it's not just that these heroic characters happen to be trans, their establishment of a supportive community in impel down is the REASON luffy could be saved.

i think a lot of people criticize the trans representation in OP in bad faith without context or any intention of trying to understand the context, but i don't take them seriously. the reason we're even talking about the supportive but flawed 2009 trans rep in one piece is because OP has so much staying power and influence in the cultural consciousness. i think it's fair to be uncomfortable with aspects of it, and that speaks to how far we've come since then, which is a good thing. i think the intent of these characters & oda's stance on trans rights couldn't be more clear though.

the trans representation in one piece is phenomenal actually

[astheskycries]

Twisted Games- Meetings

Growing up with a hitman for a father, Andy Barber has never wanted to go near the mafia and used the money from the family to go to law school. When Steve Rogers offered him help after a hit on his family, he was more than happy to ensure no more unnecessary hits were made. As long as everyone is at arms’ length, he can keep them safe.

I want to take the time to give a MASSIVE shout out to @stargazingfangirl18 , who not only read this over for me but also has listened to me ramble and brainstorm over this AU and gave me amazing advice. This series wouldn't exist without her ❤️ I hope you all enjoy! If your name is not tagged it means I physically can't tag you, but I will be redoing my Tags soon so please keep an eye out for that!

Masterlist Buy Me a Coffee

The sun sparkles over the water of the Harbor, starting to set over the horizon as I review the documents for the umpteenth time. Though the hours are long, it’s been well worth the investment. Taking out money from a waitressing job was a huge risk, especially for someone who can’t afford college or a car that ran without being patchworked together, but somehow I turned a small business worked in the little time between jobs into a booming construction company, expanding into design and even buying out several companies in the greater Boston area.

“Ma’am? Your appointment is here.”

Speaking of.

I relax back a bit as I watch the lawyer slip inside, my assistant nodding once before shutting the door behind her. In other circumstances he would be a welcome distraction- short but soft brown hair styled up, a full beard with just the slight hints of grey, and the most beautiful baby blues I’ve ever seen. Tall and well-built, it’s no wonder Andy Barber has the reputation he does.

“Good Afternoon,” He greets smoothly, relaxing in his chair as he grabs his file folder. “I’m assuming you’ve reviewed everything?”

“Of course,” I lock the computer and move to my own paper copy, lazily opening it with a finger. “You’re nothing if not thorough, Mr. Barber.”

He hums, a slight smirk on his lips. “Well, it’s part of the job. Mr. Rogers wanted to make sure everything was covered.”

Yes. That.

“I saw that,” I flip through to a specific section, humming once. “Unfortunately, I’m still not interested in selling.”

Mr. Barber raises an eyebrow, watching me carefully. “Mr. Rogers has offered an unusually high payout for this company. If it’s stability you’re concerned about, he’s clearly stated money is no object.”

“It’s no object for me either, the answer is no.” I let the file close with a little smack, relaxing against my chair. “Will that be all?”

Mr. Barber shifts to lean closer, toying with a pen. “On a personal level, I think you may want to reconsider. Mr. Rogers has hired me for all of his business dealings; I know how he works. He’ll wait as long as it takes to acquire the company.”

I mirror his movements, leaning closer and crossing my hands on the desk. “I’ve done my own research, Mr. Barber. I’m fully confident that I will not be signing any deal that hands my company over to him.”

He makes a noise, putting away the file and slowly rising to his feet. “I’ll inform Mr. Rogers of your response. I’m sure we’ll be seeing each other again shortly.”

I hum, watching him until the door shuts before sagging against the chair with a breath, glancing over at the clock and seeing how late it is. I turn to look out at the skyline again, biting my lips as I let my mind wander.

Tomorrow. Tomorrow we can plan for the next one.

…

“I assume it didn’t go as planned?” Steve muses, pouring a glass of bourbon as he watches Andy pace the floor of his private office. Though the leader of the group, the blonde looks innocent, almost angelic with his bright blue eyes and clean shaven appearance. He's a walking Greek god, a perfect covering for the horns holding up the halo.

“She turned the offer down. Again.” Andy fumes loosening his tie as he continues to pace, flipping through the file for the hundredth time.

“Is this the third time? Or second?” Steve leans against his desk, eyebrows raised as he looks over his drink, downing it in one swig.

“Third offer. Second refusal- no one ever refuses your deals.” Andy turns, unamused by Steve’s expression. “I even warned her you wanted to continue negotiations. She said money wasn’t an object and sent me packing.” He sighs, accepting the new glass Steve offers. “I told her I’d let you know and be in touch.”

Steve smirks, hiding it behind another drink. “See if you can find what she wants, come up with an agreement. Take her to one of our best restaurants.” He lets his shoulders relax, taking a moment to observe how ruffled the lawyer is. “I have to admit, this is refreshing.”

“Fuck off,” Andy mutters, finishing the glass. “I’ll get to work tomorrow.”

Steve hums, taking a slow drink. “I mean it. I haven’t seen you this animated in a while.”

Andy hums, rolling the ice in his glass. “I can’t get a read on her. It’s frustrating, you know how long I've worked on our offers being airtight? We’re more than generous when we buy out.”

“Well, it’s good for you. Something different.” Steve takes his friends’ empty glass, setting them aside. “I trust you to handle it. I’m not sparing any expenses, this would give us control over the other side of town. More leverage.”

Andy nods, glancing at his watch. “I’ll make it happen.”

“Andy?” Steve waits for the man to pause and look back, hand still on the handle. “Take her to that high rise restaurant.”

“I’m not taking her on a date.” Andy swiftly leaves, leaving a new voice to laugh from their place lounged on the sofa.

“You’re setting up the hard ass?” Lloyd muses, smirking over his drink as his rings gently tap against the glass. His loafers are shining in the light as he crosses his ankles, thick mustache doing nothing to hide his amusement. “You really think this is a good idea?”

Steve hums, moving back to his seat. “You’re complaining?”

“Fuck no.” Lloyd grins, continuing to spin his knife in his fingers, enjoying the way it glints from the lamp light. “Just determines whether I plant those cameras in his office.”

“No.” Steve focuses on his computer. “But send him my black card. I’ll cover his ‘dinner’.”

Tags: @janeyboo @mylittlefandomfanfictions @palaiasaurus64 @averyrogers83 @guera31 @soulmates8 @coffeebooksandfandom @sweater-daddiesdumbdork @pegasusdragontiger @mizzzpink @onetwo3000 @see-you-again-my-sun-and-stars @sleepylunarwolf @wheresmyplums @smoothdogsgirl @marvelouslyme96 @esoltis280 @jtargaryen18 @k-evans-writes @rainbowkisses31 @buchanansebba @katiew1973 @patzammit @time-for-a-lullaby @openup-yourmind

Twisted Games: @hangmanscoming

[thepersonperson]

Sukuna’s Loneliness Part 5 (Sukuna Did Nothing Wrong in the Heian Era, Probably)

Part 1 Part 2 Part 3 Part 4

Some notes before we start.

1) Big content warning for in depth discussion of historical slavery and the exploitation of minority groups.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Raws are from Mangareader(.)to.

(Click images for captions/citations.)

Preface

This is another case of me making everyone suffer the consequences of my fic research. I finally got my hands on 100+ page THESIS on the lives of the lower class in ancient Japan that references multiple peer-reviewed sources. This is my holy grail. Please read all of it. (Thank you Mr. Breann M Goosmann!) Whenever I quote something, I am quoting this source. Most of what I'm summarizing is directly from this source.

Gege may have failed to write a proper backstory for Sukuna, but one was clearly set up using the actual history of that time. So I'm here to infer what's in those gaps using this document.

The Class System in Ancient Japan

During the Heian Era (794–1185) a social caste system called Ritsuryō (you can read more about its application here). The upper class was called 良民 or Ryōmin (good people) and the lower class was called 賤民 Senmin (low people).

The kanji 民 (Min) used for both of these classes can be translated as citizen instead of person. The Wiki page I linked uses the citizen translation. I have decided to change that to people because of 3rd group of people excluded from this system: The 非人 or Hinin (non-people).

Ryōmin included court nobility, citizens, professions that served the court, and tradesmen.

Senmin included servants and slaves.

Hinin included criminals, the deformed/disabled, and those working professions considered "unclean."

The most notable thing about this class system is the mobility between Ryōmin and Senmin. Committing crimes, selling oneself into slavery, aging, paying off debts, and doing good work allowed people to rise or fall from the ranks accordingly. Hinin, however, were confined to their class for the most part because many were viewed as innately "unclean".

Ironically, the best way to understand how this class system functioned is to understand what being "unclean" meant to it.

Uncleanliness (Kegare)

穢れ (Kegare) is a term that can be translated as the following: uncleanliness, defilement, pollution, impure.

晴れ (Hare) is a term considered the opposite for Kegare and can be translated as the following: to clear up, clear skies/sunny, renew, dispel, sacred, pure.

Both of these terms largely inform of how ancient Japan functioned and evolved over time. And though not a black and white dichotomy, it can be generally understood that society was organized in a way to minimize Kegare.

What's interesting about Kegare specifically is its complexity and its impermanence. Rather than being something only bad people have, anyone could acquire and dispel it through the proper rituals.

From the Kojiki, a Shinto document compiled before the introduction of Buddhism, and therefore before the Heian, separates Kegare into 2 categories:

1) Touch Kegare: Defilement through the physical contact with something unclean such as bodily fluids and the dead.

2) Transgression Kegare: Defilement through sinful actions.

"These versions of pollution appear as transient, exorcised relatively simply through misogi (cleansing ritual), seclusion from society, or expulsion of disorder causing elements."

This understanding of Kegare then evolved with the introduction of Buddhism to Japan. (This began in the Nara Era and extended well into the Heian.)

"As Jacqueline Stone explains in her study of deathbed rites and rituals, someone who had become enlightened was considered to have a “pure” mind, while those with a deluded mind were said to have a “defiled” mind. Monastic Buddhists also followed their own codes of “pure” conduct such as refraining from the eating of meat and killing of animals."

The old Shinto understandings of Kegare still carried over with the physical avoidment of unclean things such as dead bodies and blood. However, Buddhism introduced the idea that certain groups of people were innately impure. This includes the Hinin who were uniquely ostracized by this system.

"Hinin, like all outcast groups were bound to their “defiled” status. However, unlike other outcasts, they were also cast as blasphemers of Buddhist doctrine afflicted with karmic illness."

But despite being seen as this innately impure, the religious institutions were closest to them. Of the few places in society willing to tolerate and deal with Kegare, they offered outcasts "positions" where they could beg, display themselves as what happens to people who don't follow religious doctrine, and help with jobs considered "unclean". Since outcasts were considered permanently defiled for the duration of that life, they could touch impure things such as the dead, the sick, and blood on behalf of those avoiding temporary Kegare.

This is exploitation point blank. And though this suggests outcasts had some agency when it came to their survival, it doesn't remove the systemic coercion driving their situation.

Please keep this in mind as I explain why Sukuna did nothing wrong.

Sukuna is Hinin

Though there is plenty of debate on what makes someone Hinin, the general consensus is the following:

"All agree that hinin were considered defiled by others in society and looked at with some contempt. One medieval reference book called the Chiribukuro explains that hinin and other outcast groups “are alike in that they are shunned by human society.”"

But when trying to define Hinin more narrowly, this is the result:

"the term hinin indicated a very specific group of social outcasts isolated from the community and cast aside due to disease or deformation. In his description of hinin, Nagahara explains that those referred to as “kojiki-hinin” were of the lowest social class, physically isolated from their families and communities and therefore excluded from society and economic activities in the medieval period."

Sounds like Sukuna, right?

Sukuna does not refer to himself as Hinin of course, but he does call himself 忌み子 (Imigo).

To quote myself from Part 1, Imigo can be translated as "Abominable Child", "Unwanted Child", or "Shunned Child." None of these translations in my opinion get across how severe Imigo is. It's closer to meaning "child who should've never been born". Like the child's very existence is an affront to god. (If you play Elden Ring the Omen are called Imigo in Japanese for this reason.)

And since we know that Sukuna is canonically a conjoined twin, aka someone with a visible deformity, this all indicates he was considered afflicted with a "karmic illness" that would classify him as Hinin.

This means that from birth, Sukuna was designated as fundamentally unclean and non-human. Within that society, there was no route he could take to remove himself from this uncleanliness and be seen as human.

The following views of Hinin were considered controversial for their time (during the Kamakura Era aka right after the Heian):

"Although Nichiren believed in the karmic nature of certain diseases, he also understood that this kind of disease was not a hindrance to salvation."

"Undoubtedly, Eison envisioned hinin as the physical representation of the Bodhisattva Monju and advocated that compassion and charity were the appropriate response to karmic illness."

And since these controversial views of *checks notes* considering Hinin worthy of compassion and salvation were documented after the Heian, I don't think it's unreasonable to assume Hinin had less advocates during the Heian.

In other words, Sukuna could not exist within human society without being shunned or exploited. The manga itself suggests this has always been the case.

As you can see Sukuna is absolutely miserable performing a ritual someone of this lower class would be responsible for overseeing. All while the people he is helping regard him with disgust. (By the way there is a purification ritual in Nara called Yamayaki that involves burning an entire mountainside. Something Sukuna's flames would be very good at.)

This is also from the same chapter where he's assaulted by Yorozu who assumes he's lonely because he's strong. She's wrong about this. Just like Kashimo who assumes Sukuna cares little for love for the same reasons he does.

Love from one person is worthless when compared to the nonstop ostracization that comes from institutional discrimination. At most, love can offer relief from that pain. It does not eliminate it. I'm saying this as a minority myself. I love my friends dearly and they love me as well, but I still wake up and go about my day with the soul-crushing knowledge that most wish for me to not exist.

Sukuna is not lonely because he's not loved. Uraume clearly does. It's that for circumstances beyond his control, he has been excluded from human society and forced to constantly be around people who exploit him for the very traits they scorn.

Sukuna pretty much confirms this himself when he talks to Mahito.

And you know what? Sukuna deciding to kill all the people exploiting him is completely justified. (Imo, he can even kill the non-sorcerers that discriminate against him as a treat.)

The Cannibalism was Justified too, for the most part.

Another thing to note about Sukuna. He was born starving and he died starving.

Famines and natural disaster were frequent and extremely hard on the commoner population during the Heian. The fact Sukuna was born starving indicates he was of lower birth to begin with since nobility hoarded the resources to avoid starvation for themselves.

One way for commoners dealt with famine was via foraging. We actually see Sukuna doing that when he meets Uraume.

Now there are several very interesting things we learn from this.

1) Sukuna hunts and eats elk/deer. Something massively taboo for the time. Especially since deer were considered sacred animals back then and even to this day.

2) He appears to wander around and owns very little. This is further in line with him being Hinin per the following:

"Clearly, welcome could be revoked at any time, which meant that hinin had to be prepared to leave any location at any given moment. This mobile lifestyle also meant that hinin could only afford to carry essential daily items, such as cooking utensils and begging bowls. The image also reveals that the hinin were never officially invited to stay in that particular area. Instead, they sought out their own locations to set up communities."

3) Despite Uraume being alive and fresh human meat, Sukuna does not immediately see them as food. Nor does he attack them. This, combined with him not taking the dead villagers for eating and preparing deer/elk instead, suggests that cannibalism is not the default for him.

Back to famines, it's also not unheard of for people to resort to cannibalism during them. The logic is simple: An outcast with no support network eats humans to survive.

And given the frequency of death from natural disasters of this time, there’s a real chance he never had to hunt humans in the first place. As Hinin, handling the dead is one of the few jobs he’s allowed to do. So it’s possible the worst thing he did was desecrate corpses in the name of scavenging.

Furthermore, if Sukuna is considered a non-human, is it even cannibalism to begin with? Is a hungry animal evil for eating a human?

I may consider Sukuna human because I refuse to partake in his dehumanization, but it needs to be understood that in the context of the JJK's story, there is not a single character that refers to Sukuna as a human. He's not even referred to as a man. He's either a curse, a monster, or at the very end, a sorcerer. Sukuna has been so dehumanized by others that he himself identifies as a "curse". This is also separate from "cursed spirit", leaving him in his own unique category of non-human.

Sukuna may not see eating other people as acts of cannibalism. After all, they are the ones who decided he was non-human at birth. (And since he is taboo, eating the deer/elk can’t make him more taboo than he already is.)

The following is an excerpt discussing the dehumanization of the starving:

"This strange image is from the Scroll of Hungry Ghosts and the huge emaciated creature depicted is just one of many of the numerous depictions of hungry ghosts or gaki. Invisible to humans, the gaki depicted are the spirits of greedy or jealous individuals karmically punished for their covetous thoughts with perpetual hunger for bodily excretions such as urine or feces."

"The protrusions of the stomach, the red-tinted hair, as well as the greying of the skin, are all genuine symptoms of starvation. In this light, our image appears significantly different. Instead of an invisible monster attacking a man, we have a disfigured and suffering human reaching out for humanity."

The phenomenon of hair during red or blond from starvation is called Kwashiorkor. Gege may be color blind, but Sukuna being depicted with pink or blond hair appears to be deliberate and in line with Kwashiorkor.

Sukuna was probably framed.

The only crimes Sukuna is accused of by Jujutsu Society is murder and cannibalism. As demonstrated by the previous section, there could be a pretty good reason for the cannibalism. But what about the murder?

Another thing that should be noted about Sukuna is how his destruction is largely retaliatory in the modern era. Every kill or kill attempt is made as a response to a challenge that was directed at him first.

When Sukuna first incarnates, Megumi says this to him:

Yuji may be Megumi's target, but remember that Kegare spreads through touch. Sukuna coming into contact with Yuji has made them both unclean. In other words, Sukuna has been informed that in this life, 1,000 years later, where he has yet to do any harm (Those comments about the women, children, and massacre are still sus, but they could've been about the Merger.), he will be attacked by sorcerers no matter what. It's not unreasonable for him to then attack them on sight.

But even when he does that, most of them survive until Shinjuku. During the culling games, Sukuna kills only 2 sorcerers—Ryu and Yorozu. Ryu is given a chance to walk away, but he doesn't. Uro flees and is spared. Yorozu is the sole person Sukuna seeks out to kill and that’s just for his Gojo plans.

And in that month Sukuna has before the showdown with Gojo? Nothing happens. He kills no one and just lounges around. Eating his own corpse is the only cannibalism. He absolutely could have eaten Tsumiki’s body to further crush Megumi’s soul, but he doesn’t.

Then when it comes to the actual showdown, Sukuna kills 3 sorcerers total. It's also very telling that after Sukuna is dead...no one blames him for what happened. They blame Kenjaku, hell even Gojo, but Sukuna isn't mentioned once. Higuruma is convinced that Sukuna was playing around. Kusakabe agrees that Sukuna’s manner of play isn't what they’re super worried about, it's Kenjaku.

The worst thing Sukuna does is Shibuya and that too has nuance to it. The twins aren't killed for fun. Sukuna punishes them for making demands of him. The citizens of Shibuya? Collateral from dealing with Jogo and Mahoraga. (He only really kills Haruta for the sake of it. And let's be real, he deserved that.)

And though the Shibuya civilian deaths are an objectively bad thing Sukuna has done, the fact they are not intentional gives credence to the idea that Sukuna didn't really target them in the past either. This suggests that the "murders" Sukuna did in the Heian were likely retaliation against people challenging him or trying to subjugate him. In other words, self defense.

And if he did wipe out a village, it was probably collateral. But that's kind of the thing. Did Sukuna even kill innocents by accident? The only confirmed kills of the Heian are those of the Subjugation and Military Squads. You know, people who may have attacked him for simply being "unclean".

Who am I kidding he absolutely was attacked for being “unclean”. This is how Angel talks about Sukuna and the incarnated.

She doesn’t care about saving the lives of innocents, all that matters to her are things that she deems evil are purged. Sukuna to Angel is ontologically evil and doesn’t deserve to exist. She targets him more than other incarnated players while ignoring Kenjaku who is responsible for this mess in the first place. She also quite literally did something she deemed wrong and evil so she could follow him into the future and make sure he died. (Move over Gojo Satoru we've got a new minority hunter.)

But it’s not like her attitude is new. Jujutsu Society is notorious for trying to kill things they deem "bad" such as Yuji and Yuta. The striking thing about the wanted executions of these literal children is that the higher ups giving the command make other sorcerers do it for them. Going back to the ideas of Kegare—spilling blood and touching corpses makes one impure so the outcasts are to deal with it. This is the logic driving their decision to coerce Yuta into a binding vow to kill Yuji.

("No matter how many cursed spirits you kill, it's proof of nothing!" <Please take note of how Yuta's good deeds do nothing to earn the higher ups' favor because he's seen as inherently evil.)

Yuta is essentially scapegoated through this manipulation and Yuji initially treats him like an enemy. In the same way characters like Kusakabe blame Gojo for refusing to execute Yuji. Despite the higher ups being responsible for the system functioning this way, the people they’re manipulating bear the brunt of responsibility to other characters.

Who's to say Sukuna isn't also a victim of this scapegoating? His power is comparable to a natural disaster. It would be very easy to blame one on him. After all, the higher ups of the Heian, the Fujiwaras, did exactly that to Uro.

Uro’s situation is much worse than Yuta’s however. She is a military slave. This distinction of military slave is important because unlike domestic slaves, they were allowed to rise through the ranks and be given awards despite their status.

And since Uro is a Sukuna parallel, there is a pretty good chance he was a slave at some point during the Heian.

Slavery in the Heian

A little detail I left out when discussing famine in the Heian. The asymmetrical wealth distribution was so severe during this time that commoners would sell themselves into slavery in hopes of not starving to death.

An example from the Kamakura Era (after the Heian):

"As the article shows, during the three years of the Kangi famine (1229-1232) and several recovery years following, various common people sold themselves, their relatives, and their retainers into slavery in exchange for sustenance. Not only would an amount be given to the seller, but also presumably whoever now owned the sold individual would be responsible for feeding and providing shelter for that individual. In this way, the common populations of Japan created a strategy for survival. There was no certainty that a new owner would fulfill this obligation, but the promise of reprieve from daily struggles was impetus enough for the sale."

Another example from the same era:

"A didactic tale from 1283 tells the story of a small family consisting of a mother and son, who after experiencing severe famine, came to the realization they would soon starve to death. In the hope of saving his mother, the young boy offers to sell himself into bondage, and although the mother disagrees, he goes ahead with the plan."

Yes this is as bad as it sounds, but there is one thing I would like to get out of the way—this slave system did not function anything like the chattel slavery during colonialism. Strangely enough, these slaves had some rights they could fight their owners in court over. They could pay off debts and be set free. They were allowed to be married and have children with those outside of their class. They were not kept in cages or in chains like animals. (Silver linings! /s)

The term used for these slaves was 奴婢 (Nuhi) which roughly translates to “bonded person”. This is more in the contractual sense rather than the physical sense since most were slaves by contract or debt.

This kind of sounds like something binding vows could do, right? Well binding vows share no kanji with Nuhi using 縛り(Shibari) instead. However, Sukuna introduces the concept of binding vows with chains and a handshake.

Sukuna was also born unwanted to a starving mother during a time when starving people sold themselves or their relatives into slavery to survive. This can mean a lot of things for his upbringing and none of them are pleasant.

Here is a summary of what jobs Nuhi did:

"As stated previously, wealthy households frequently obtained slaves and assigned them to various domestic tasks. However, sources further illuminate trafficking of women into the sex trade of Kamakura Japan."

If you noticed, Sukuna's Cursed Technique is perfect for this. He can chop up veggies, butcher fish, till farmland, slash and burn farmland, light fires, and every other non-violent thing a knife and fire can be used for. If he wasn't exploited for exorcising curses, he absolutely would've been exploited for domestic tasks.

And to get to much more depressing line of work Sukuna could've been subjected to as a child, I'd like to discuss why someone as masculine as him would be associated with women's work in the first place.

The Treatment of Women in Ancient Japan

"In Japan prior to the Heian and Kamakura periods, women played prominent roles in religious activities as miko, which was akin to a female medium or female shaman...Since miko functioned as a sacred and integral part in religious communities, issues of impurity did not appear to be an issue. Instead, it was Buddhist ideas that linked the female form to impurity."

With the introduction of Buddhism, women began to be seen as innately impure due to the blood and fluids associated with childbirth and mensuration.

"In the Heian period, Buddhist temples such as such as Enryakuji and Tōdaiji, began barring women from entering the premises due to their defiled nature."

"prominent Buddhist discourse painted women as innately defiled and therefore unable to achieve enlightenment in their own female bodies."

"To be born as an innately defiled female was considered a karmic punishment for past actions."

Though not ostracized as much as outcasts, women were seen as innately unclean in a similar vein to Sukuna. Women were expelled from religious institutions but not the courts, while outcasts were tolerated by religious institutions and barred from the courts. (The courts and temples operated independently of each other, which is why it was possible for noble women to hold power despite being designated as unclean.)

A few months ago I made a joke about this panel:

"Sukuna’s two options were helping Uraume transition or becoming a girl himself."

This is still mostly a joke, but I do think Sukuna identifies more with women than with men. Not that Sukuna is a girl, but that he relates to them and their struggles better. (Keep in mind he does wear a women's yukata and a men's obi at the same time as Yujikuna.)

It's important to note is that this mystery woman here wears the clothes of a Miko or Shrine Maiden/Priestess—the main group of women that was displaced and persecuted because of the new religious doctrine. And like every other group without a proper social safety net, selling themselves into slavery became a survival strategy. They did have other options of course. In the case of Asobi, the Priestess that used to serve the courts, turned to entertainment and sex work after their exclusion.

"Either riding in boats or setting up shop on busy routes to the capital and religious sites, Goodwin argues that these performers were part of independent, possibly female-run organizations, which were not stigmatized until the later part of the Kamakura period. However, as Wakita Haruko has examined, at least some women involved in sexual entertainment were female indentured servants, serving as security on a loan issued by their parents."

In this way, the exact identity of the Miko in Sukuna's path may not matter. She might be a representation of those who accepted their exclusion and did their best to survive on society's terms. If the South choice is meant to represent returning to who Sukuna used to be, then it can also mean the types of struggles Mikos faced are his as well.

However, there was a temple that continued to accept women as followers—the Muroji Temple in Nara. Interestingly enough, this temple contains an inner sanctuary devoted to the founder of Shingon Buddhism, the type of Buddhism Tengen brought over. The mountain this temple is located on is also associated with a dragon spirit. Since there is historical precedent of at least one temple accepting a group of people seen as innately impure, a place like this may have also been a sanctuary for Sukuna.

With the information we have, it's not really possible to know exactly what awful thing happened to Sukuna. The most important takeaway from this is that the suffering he experienced was systemic. He didn't get unlucky with a few ignorant and bad people. This was the direct result of the Heian class system dehumanizing people. In other words, his choices were severely limited.

Sukuna's Other Choice

Going North with Uraume appears to be very similar what he did back in the Heian—taking in an abandoned child and looking after them. What makes this choice slightly different this time around is that the class system that oppressed him no longer exists in the modern era. Yes, he’ll absolutely face discrimination for being deformed, but the complete denial of his humanity at every turn for his appearance is gone. He won’t be treated as untouchable and inherently evil. Legally speaking, he has drastically more rights. Violence won’t be his only option moving up in the world.

I will always loathe that Sukuna had to die to obtain this. And that the “reformed” modern Jujutsu Society refuses to acknowledge the systemic failures of their institution. Kusakabe makes it very clear he still believes the immediate extermination of anything deemed “evil” is a valid way to go about things, even if it means the death of a child…as long as he doesn’t have to do it. (Hence him blaming Gojo for it, just like the higher ups.) After the fight, everyone passes blame around, absolves themselves of any wrongdoing, and decides no one is really at fault.

There were people at fault for this. There are institutions at fault for this. But their failure to confront those things directly is probably why Sukuna rejected Yuji’s offer so viciously. Instead of trying to understand Sukuna on his own terms, Yuji showed him the value of a simple life he was never allowed to have, then told him to die or go back into the cage.

Yuji offered Sukuna pity but no autonomy, which is exactly the way Hinin were treated by the religious institutions of old.

"However, Hosokawa argues that even in veneration of hinin as representations of Manjusri, Buddhist monks continue to discriminate against this outcast group and further perpetuate their low position in society. Hosokawa explains that although activity involved in charitable works towards hinin, Eison cared little about the salvation of hinin because he saw outcasts as divine only within the context of the ritual of assembly. Therefore, all charitable works directed at hinin were merely ceremonial. Hosokawa advocates the view that Eison believed hinin lacked ‘nature,’ meaning they were unable to study or practice Buddhism. Essentially, without nature, they had no ability to escape the cycle of re-birth through the study of Buddhism."

Sukuna even thinks of modern sorcerers like the ones of old. Why would he ever want to return to that?

His goals are simple; eat, play, and pass time until his dies. That’s not really evil now is it? But the people attacking him don’t know that. None of them ever stopped to asked because they assume him existing freely will bring evil.

But what does Sukuna do when he’s given a month-long truce a body he completely controls? He does what every minority group does when they are no longer being actively oppresed—he rests. He doesn’t go around killing or tormenting for fun. With his newfound freedom he secludes himself and lounges.

The fight in Shinjuku is essentially a group of well-meaning people from a corrupt institution beating an outcast that was ostracized by it into submission. Albeit for very good reasons.

Why did this fight change his mind?

If Sukuna is basically reliving past trauma via the Shinjuku fight, why did he decide this group of sorcerers was worth listening to? The simple answer of course is he lost to them. Sukuna believes the strong impose their will and the weak follow suit.

I don’t think that’s quite right. Sukuna used to be weak too. He was a child once. He used to controlled by others stronger than him. By his own logic he should’ve stayed like that, but he trained to get stronger and eventually rebelled.

Since Sukuna is a known liar and hides his feelings under several layers of repression, I’m inclined to believe this statement is also smokescreen. And after reading the Uraume Epilogue I am certain of this. But for now let’s revisit the Shinjuku fight, starting from the battle that made me realize Sukuna is indeed a pathetic sopping wet cat underneath it all—Sukuna vs Gojo.

Sukuna vs Gojo

Something fans picked up on during this fight was how Gojo dogwalked Sukuna when it came to Hand to Hand (H2H) combat. During their fight, Sukuna fails to land a single punch on Gojo’s face. It takes Yuta possessing Gojo’s body and fumbling around in it for Sukuna to finally punch that face. But it’s not just Gojo he sucks at with H2H combat. It’s everyone. Here is a compilation of Sukuna getting hit in the head or face.

This seems to conflict with Sukuna’s ability to learn anything visually. He sees someone do something and he can copy it immediately. This contradiction can be explained by him being Hinin.

Sukuna was considered an untouchable. Educated people were of a higher class and believed unclean things like him were to be avoided at all costs. This means that whatever education Sukuna obtained for himself was always at a distance. Aka watch and copy. And since H2H is mostly taught through body to body contact, Sukuna wasn’t allowed a proper sparing partner outside of the attempts to kill him.

In Part 2, I go over Sukuna’s fraud allegations for his copying of Gojo in particular. This is what lead me to realize that Sukuna spent 6 months plotting to kill a guy he met for 10 seconds. This insane level of pre-planning is also shaped by him being Hinin.

We know for a fact that Sukuna hunts deer/elk and that it’s safe to assume he driven to this because of his Hinin status. If you know anything about hunting, it’s that most of it is playing psychological mind games with creatures that are somehow complete geniuses despite having 2 brain cells. You don’t chase after a deer with a gun, you become obsessed with them. You study every little habit of theirs; when they hunger, what they eat, and where they defecate. Using this information, you set up the bait and wait in hiding for the perfect opportunity to kill them.

This is pretty much what Sukuna does to Gojo. He’s got a hunter’s obsession with him. In Part 4, I explain how this obsession might actually be unhinged courtship, but I don’t lay out why Gojo of all people seemingly means this much to Sukuna. This too can be explained by him being Hinin.

I’ve said it over and over, Gojo and Sukuna are twin flames. They are the strongest, isolated, dehumanized, exploited, self-taught, and really bad at showing affection. Part of this obsession is driven by Sukuna seeing himself in Gojo. He's being ordered around by others weaker than him in the same way Sukuna used to be.

But take note of this “I owe you a debt.” It’s easy to assume he means payback for punching him in the face. However…Gojo did actually do Sukuna a massive favor. He suspended his execution, even if it was primarily to save Yuji.

As I discussed before, Kegare was infectious. You touch something unclean and you become unclean yourself. By laws of Jujutsu Society and by social stigma around Kegare, Sukuna made Yuji equally as impure as himself. And Gojo went screw that, I’m going to look after you. He gave Yuji direct lessons, made sure all his basic needs were met, and treated him like a human. Behind everyone’s backs he hid the final finger, intending to let Yuji live for the duration of his natural life.

To Sukuna, Gojo is someone who would have taken him in and advocated for his humanity under different circumstances. Gojo is someone Sukuna would’ve loved to have as a teacher. And so he copies him. He learns and improves his own sorcery as if Gojo had intentionally taught him.

Through the Shinjuku fight, his experiences within Yuji, and Megumi’s memories, Sukuna gets a taste of what could’ve been. With Megumi in particular, he also gets to see what it’s like to be raised by someone who actually cares. Though not intentional, this is how Gojo teaches Sukuna love. This is why when Sukuna looks at Gojo, he thinks about love.

Sukuna choosing to go with Uraume is him copying Gojo one last time. After seeing that even if you’re isolated, exploited, and miserable, there’s still fulfillment in using your power to make sure someone else doesn’t go through what you did. It may not remove all that pain, but it makes it easier.

And bringing back Kegare’s opposite Hare (晴れ). The kanji used are in the Appare Da (天晴れだ) when Sukuna tells Gojo, “You cleared my skies.” (The Da at the end of this statement means it was pretty heartfelt too.) With this additional context, I think it can be taken to also mean that Gojo made Sukuna feel like he wasn’t impure.

Sukuna vs Yuji

Yuji and Megumi are the ones who ultimately make Sukuna realize that it's worth pursing guardianship regardless of marital status or blood relation. They are the two of Gojo’s students/children that are directly compared to Uraume.

Yuji who is also the same as Sukuna, fills the role of Gojo when he first chooses to look after Megumi. When he prevents Megumi from being sold by his father. Sukuna has seen both versions of this memory.

Since Sukuna is a twin to Wasuke and they are also the same, JJK 265 is Yuji showing Sukuna an entire alternate universe of the normal life he could've lived if he had been seen as human.

And even if he can’t ever be seen as human or live normally, Megumi tells him it’s ok to be improper and cherish someone anyways.

None of these 3 realize how greatly they’ve affected Sukuna. He barely admits to it even in death. But Sukuna had secretly wanted this from the start. The cracks started showing when he first tried to teach Megumi in his special little tsundere shark way.

There's also something to be said about Uraume making it to adulthood in a time where famine was rampant and parents would sell their children into slavery just to eat. Their cursed technique manifested around the age of 6, just like Megumi. The fact they survived means Sukuna was already doing a pretty good job as their guardian.

Other Things this Changes

I'm also looking at Sukuna's fondness towards Jogo in a whole new light. I thought that Jogo wanting nothing of him was the main reason he was favored. But there's more to it that that. It’s that he regards Sukuna’s life as inherently valuable. Jogo believes in a world where Sukuna has the right to exist as he is and how he wants. No one will try to control him or condemn him for something he had no say in.

He also stands out in his devotion to curses of any background. Mahito basically looks like a human, Choso and his brothers are half human, Sukuna is fully human, and Jogo accepts them all no questions asked. He’s willing to fight for people who exist differently than himself.

There's also that added “wanting to be seen as human” element. Jogo’s world is one where Sukuna would finally be seen as human. It’s the same logic that drove Choso to side with the Disaster Curses. He knew how difficult human society would make the lives of his brothers (both of which have 2 faces like conjoined twins), so he chose to fight for a world where that kind of discrimination no longer existed. (Which is why it's really sad he died and no one mourned him properly.)

And yes we can condemn the mass slaughter of humans as the wrong way to go about this. But the core problem is that Jujutsu Society branded them as taboo and in need of extermination or containment. They were driven into a corner and believed violence was the only way out. The only reason Choso was able to change was other sorcerers giving him a chance despite the hurt he caused. Something Sukuna didn't get outside of the offer to be caged.

Am I being too lenient with Sukuna here?

Absolutely. I am extremely biased.

To me at least, the type of "evil" Sukuna is has a lot nuance. It is very significant that someone as strong as him, who could basically do whatever he wanted (theoretically), took one willing servant in a time where slavery was widely practiced. (If you read the linked document, it's kind of up for debate how legal slavery was at the time.) It's also significant that the Heian crimes he was accused of were limited to cannibalism and murder. He's clearly got rules about his evilness and I really like that about him. I wanted to find the logic driving them and I think I've finally struck gold.

This didn't fit anywhere nicely. But consider the following:

"Earthly sins, on the other hand, were those that only affected individuals or forbidden actions, such as rape or cutting living flesh."

Sukuna's CT cuts living flesh. His very CT was considered impure in the Heian. The flames however, are more aligned with purification. It's just a neat little thing that shows Sukuna's duality imo.

He's also really good at archery. And though this is likely because his flame CT is a bow, he probably got good at it to hunt deer/elk on top of temple duties. (Just another way he enjoys corrupting the divine.)

But please remember, the only reason I've done all of this is because of Umineko's...

Without love, it cannot be seen.

[the-100-days-of-junkan]

Day 100

One hundred fuckin’ days. God. Actually happened. 

I spent 3/4ths of the year drawing more Junkan art than I think anyone else on the internet ever has. Which might be presumptuous of me, maybe i’m just looking in the wrong places y’know? I’m a solid second place bare minimum.

And like, that’s still pretty funny right? This whole event is something I’m gonna cherish forever, the memories, the art itself, the friends I made because of it. But like, c’mon. I drew 100 fucking pieces, learned new skills like digital painting, animation, all that shit, for a ship that I used to hate, and a ship that for the longest time I thought was gonna get me fuckin banished to the deepest depths of the internet just for drawing a poor sketch of them kissing. This ship has become more deeply entwined into who I am as a person that it’s passed up Tokomaru, the ship that literally made me realize I’m a woman.

It’s gotta be at least a little funny, right?

Ah but enough of that, I can talk more on that subject a bit later. For now I reckon I should focus on our art piece for today! Wouldn’t you agree?

Yeah it’s the Wedding. I’d say even before Day 60 I decided the final pic of the Project would be The Wedding, even before I decided to draw a comic of the proposal. Because like, c’mon, it’s basic but how the fuck else was I supposed to end of the project? With something that ISN’T a wedding????

And very shocking to hear after this entire project has gone by, but I did in fact scale back this pic massively. You wanna know what the original idea was?? 22 images, each one depicting different parts of the wedding and afterparty, including the kiss at the end. And the kiss at the end? I was gonna feature every character from the 3 main classes + Ruruka, Seiko, and Yasuke. Fucking why??? Because Excess is all I know people ITS ALL I KNOW.

However I had decided that I wanted this project finished and ready before October, because I wanted to do the Vampire Fic to coincide with Day 30. And again, say it with me here, “Jem was severely burnt out on the project!” 

So it went from 22 images, to “However many I can get done in time + the big group shot” and then that became “Just the big group shot,” and then finally, i cracked and just drew The Kiss. 

Speaking of which before I divulge some more info about the original plan, i’ll get all the fun things about the actual art I did go through with.

As you can tell I shaded this differently from anything in the project. I normally have two different ways of shading art, I don’t think these are the proper words but I call them Soft Shading and Hard Shading. If you need immediate examples, Day 95 was Soft Shaded, and Day 94 was Hard Shaded. Generally speaking I prefer to do Hard Shading, as I think it works better with the rest of my style, and also just looks better in general. Soft Shading is what I do for pics with like, a very specific tone and energy to them that I can’t really put to words. It’s also significantly easier to do compared to Hard Shading. 

A few months back for a commission of Kaede and Marceline from Adventure Time hanging out (yes this is relevant) I was trying to capture a very specific aesthetic that I’m obsessed with called Frutiger Aero. This mostly was in the background, however when lighting the pic I needed a very specific aesthetic that I didn’t know how to capture with just one of my shading styles. So . . . I fuckin did both. And in my opinion (which is crazy because this requires I compliment myself) it looked fuckin great. That said it was significantly harder.

I think I’ve done it only one other time after this, but I don’t remember what the pic was if it exists at all. But obviously as you can see, I decided that to really commemorate the occasion I’d go all out and do both shading styles again. It was very worth it, but fun fact! Doing this style on Roses is a fucking pain in the ass and if I ever have to do it again I will fucking SCREAM!

Anyway, the pic was definitely a lot harder to work on because of that stylistic choice, but the end result makes up for it by a massive margin. 

Hope ya’ll like the dresses because they were the hardest part of this! Fun fact, Val (She’s back!) did a chapter for her legendary Year of Love and Despair fic where the gals are in wedding dresses. And the designs she came up with are amazing! I still really wanna draw em when I get a chance! However! I woulda felt bad if I just yoinked em for this, so I had to do everything in my power to come up with completely different designs. And given that I am a perfectionist, that was significantly more difficult than it probably shoulda been. But I did it! I really like how Mikan’s dress turned out specifically, I thought giving her a fit that covered up more skin than a normal wedding dress would be fitting for her. Also I really like drawing Mikan’s hair in a bun, I never had a chance to say that so I’mma say that now. 

Wow fuck I just realized there’s probably a lot of random details or thought processes I have on this ship that I just never got an opportunity to talk about, either because I had a different topic to cover on previous posts, or I just forgot, or I just didn’t have a good segway! Crazy right? 

Also yes! Shading Junko’s hair was heavenly~

Okay i’ve run out of words on the art. Time to tell you about everything I cut! Now I’m sad to say but no, I didn’t actually cut 22 planned images. I never got far enough to actually figure out each individual pic. Only a small handful, which I almost speedily sketched out for this post, but I don’t have it in me, especially on my current schedule. So i’ll just do my best to describe what I had in mind!

First piece would have been Mukuro being on Security for the Wedding, because of course. She would have also enlisted the help of Mondo and his entire gang, because that combination in this context sounds funny. Don’t worry though they were well behaved.

Ruruka was gonna handle the Wedding Cake, with Teruteru on the rest of the food. Either Ruruka or Mukuro would have been giving him a death glare during the process of course.

Behind the scenes Mikan would be getting prepped for the Wedding. And by prepped I mean Seiko, Ibuki, and Sayaka would be trying very hard to keep Mikan from crying as a result of how happy and overwhelmed she is (Ruining her makeup). Seiko trying to blow air into her eyes to keep them dry while Sayaka and Ibuki desperately try to find an outlet to plug in a hairdryer in because that would be significantly more efficient.

On the reverse, Junko would be doing all of the work on prepping herself for the wedding, with Ruruka, Yasuke and Tsumugi standing in the background, questioning why they’re even there. Junko would yell at them that they’re morale support in this instance. 

Warriors of Hope would of course be there being scamps of course, Kotoko would be the Flower Girl because I play favorites. Toko and Komaru would probably be there trying to keep them in line.

I didn’t have anything in mind with the afterparty but I more than likely would have drawn the drunkest Junko I possibly could. Maybe even Mikan too!

For the Bouquet Throwing I was gonna have Syo jumping at it like a feral animal, and thinking about it now I’d probably also have Tenko jumping for it with killing intent in her eyes.  

And I think that’s it for ideas I had prior to cutting them. Which means it’s time for me to get sappy about the fact that the project is finally ending! Fuck! Usually when I write these I try to have a decent idea ahead of time of what I’m gonna fucking say, this time however I’m just gonna talk, and i’m gonna keep talking until I’m either struck down by nature or I run out of things to say. Sorry! 

This is going to get silly, sappy, and maybe even a little venty, jump in at your own risk. 

If you told me at the beginning of 2024 that I was going to draw 100 days worth of Junkan related art, including a gif and a music video, 2 comics, and also get back into writing to make gay fanfic, I’d be so god damn confused. Because what the fuck right? And that’s not even counting everything I drew AFTER I fuckin finished! Like hold on a minute i’m gonna count up how many times i’ve drawn these two, including the individual comic pages from the three i’ve made.

204.

Fucking, I. I didn’t even know we passed 200 by this point. 

And that’s not counting the sketches I’ve drawn on paper in my sketchbook. It’s also not counting unfinished pics. It ain’t counting the art I might draw WHILE writing this! It’s not counting the stuff I probably forgot about while searching my files cause I suck at naming the aforementioned files!

AND I’M STILL NOT BURNED OUT EITHER?

I got burned out on the project sure but the moment I had the freedom to do whatever I wanted I fucking IMMEDIATELY drew a Junkan pic for Halloween. And then I kept going, and then I didn’t fucking stop, and I don’t think I CAN stop! I don’t even WANT to stop but you’d think by now I’d be like “Well I don’t have any ideas right now-” NO I HAVE TOO FUCKING MANY IDEAS! I KEEP FUCKING THINKING OF MORE IDEAS, AND THEN I COME UP WITH AN AU AND THAT COULD HAVE LIKE 10,000 MORE IDEAS. JUNKAN IS A MENTAL HYDRA YOU DRAW ONE PIC 2 MORE POP UP IN ITS PLACE!

I can draw these pieces in like a few hours if not shorter, because I don’t have to fucking sketch them properly anymore. I feel like I shouldn’t be able to do that! This ship has done unspeakable things to both my mind and body! And i’ve said it before but i’m not trying to complain here, as you’ll see when I start talking about this ship like it saved me from falling into the grand canyon. But it’s just, so, absurd???

Danganronpa is only like my third favorite piece of media behind Bo-bobo and Fairy Tail and yet I’ve drawn more art of JUST THIS SHIP than I have of just general art of those series! That’s not even counting all the other ship art I’ve done! Like Tokomaru! Remember Tokomaru? The ship that is responsible for me being a woman and being able to find the happiness of being my true self? I think i’ve drawn that and Syomaru a combined like, 20 times across my entire life as a DR fan. ALL OF THIS JUNKAN ART SAY FOR LIKE, 5 OF THEM WERE IN ONE YEAR. 

And bare minimum for 2025, assuming I don’t make ANYTHING ELSE OF THEM (Which I will. You know I will.) I’m gonna draw 21 pics for Junkan Week, because you know I’m gonna just draw EVERY prompt from all three lists. And then 30 more for the Month of Junkan (Will try to have that prompt list up soon btw!). So that’s 51 I’m going to do. That’s over half of what I realistically was supposed to do bare minimum for this project. That’s so fucking much, and I’m gonna do it, because I love this ship, and also it sounds REALLY funny if I did that. 

I think genuinely the only other ships I could fucking do this for are like, Toko/Syomaru or Flarelu. Maybe Togachako if I did a reread of MHA to get me back in the spirit for that series. And even then i’m not sure I physically have it in me to go that distance even for those ships. I certainly want to draw a lot of them, especially Flarelu because that’s a ship so rare that it makes Soft Junkan (before I fucking flooded the tag on tumblr) look like a bustling city.

Speaking of tags, I still think about sometimes how like, the Junkan Tag maybe got like, a post like, a few times every month. The normal amount for a ship of this general Rarity. And now it’s like, for so many pages, just half of it is me. Because I was asked to bring something to eat to the function for the buffet table and I fucking crashed a Food Truck through the wall. I feel bad about it sometimes, sometimes. I’m imagining the scenario in my head where someone who likes Junkan but didn’t check the tag super often because it wasn’t like, a super commonly updated one, and then pressing it for the first time in a year and being like “What the fuck happened here?” You know what still shocks me? Not once have I gotten hate for any of this. I was so fucking scared for like half of this projects creation that I was going to get bombarded with people angry at me for shipping this, and NOTHING. I’m not complaining I’m just confused. I have to at least have had a few people block me right? It’s just so eerily quiet. And it’d be one thing if it’s just a thing of like “Why would people who hate Junkan check the Junkan tag” because yeah, that makes sense. But also I’ve been putting at least one Junkan pic in both characters tags every day for 3 fucking months, there had to be at least one Mikan super fan who is eternally fed up with my antics. Like, awesome that I didn’t get harassed over a ship, that actually gives me a little hope that nature is healing, just. Crazy right???

So like. Fuck.

I guess I’ll get to the sappy shit now?? I think I ran out of things to be confused about in terms of what I did this year because of this ship. So I guess I’ll just start talking about how much it means to me, both the ship, and this project. 

(trigger warning, mentions of abuse, nothing super graphic in my opinion but could be mildly uncomfortable. Either skim ahead or stop here)

2024 kinda, fuckin sucked for me to be honest?? I have like 2 good things I can speak for it in terms of major positive points (Obviously I had other good experiences but if I just said “Oh I read a I Love Amy and it was one of the greatest things ever” it lacks the same impact). Not counting getting this project to like, work, obviously.

I finished the 5 chapters of my webcomic that I wanted prepped so I could actually make a website and start posting (ignore how I didn’t make the fuckin website yet). And I started dating my darling Yves and Rivette. Who I cherish deeply. I made other friends this year, a lot of them in part cause of this ship. And I went through a lot of emotional change. 

But to get that change it required I unpack a lot. And by a lot, I mean one bag that was filled to the brim. Gonna try real hard not to like, talk about this in excessive detail or turn this post into some woe is me bullshit, but I feel like I should at least make mention of it.

At the beginning of the year, I asked Yves (who I wasn’t dating yet) about my previous romantic relationship. And she confirmed to me that, based on everything I had told her about it overtime, that yes, it was abusive.

During 2021-2022 I was in a relationship with a girl I won’t name here, you wouldn’t know her of course, it was a completely different community. It started out as friends, I got a crush, jumped at it because I was still inexperienced with feelings, and it didn’t work out. And that’s the simple way of putting it, and that’s how I viewed it till Yves opened my eyes.

From the getgo it wasn’t healthy. She was manipulative, constantly had outbursts towards me, and yanked me around emotionally constantly. I would later find out that she had a previous history of just, generally being an awful person. Even after we broke up we still stuck around each other, mostly because I felt guilty for breaking up with her, and was also just generally terrified of her. The abuse was all mental of course, it was long distance so she couldn’t hurt me physically at all. 

I of course, didn’t process any of that as me being abused, I even viewed myself as being at fault for a lot of it. The experience was so bad that I identified as Aromantic because just convinced I wasn’t able to feel proper romantic feelings for someone. It wasn’t till much later when I got another crush that I realized that I’m Panromantic, and me being Aro (and very briefly Aegoromantic) was basically just a coping mechanism to write off my trauma. I still feel guilty about that since it feels like I devalued the importance of people who do identify on the Aro spectrum, but that isn’t relevant here.

Point is, a lot of bad shit happened to me because of that woman, and even after a year and a half of us not talking because we both mutually decided it would be better for us to not stay in contact, she still found ways to worm her way back into my life. One conversation we had just by chance, to catch up, that’s all it took and I was thinking of her again. I never talked to her after that, and I have her blocked now, but I didn’t need to for shit to hit the fan.

So I asked Yves that question, she answered, and I now suddenly had to deal with the fact that I was abused, and that I was traumatized as a result. And like, I never really viewed myself as a traumatized person up till that point, I viewed myself as someone who wasn’t very smart but tried her best to do good by people who didn’t have too much baggage beyond some sucky school memories.

When I had to unpack what happened that kind of spiraled into severe Self Confidence Issues and even more Self Hate. I struggled to accept even the slightest compliment if it wasn’t directed at my art. The reason I even quit weed is because I used it almost exclusively to suppress all of the negative emotions I felt. 

I’m in a somewhat better place now, I’m trying to give myself more breaks from artwork, rather than overworking myself constantly just to feel something (and being fully open, I realized near the end of december that I pretty much used Overworking as a form of self harm). I’m gonna really try this year to like, actually let people be nice to me, and in turn try to be nicer to myself. And I have goals to work towards for this year. But I wouldn’t have gotten to this point without two things. One, my girlfriend Yves, who even before we started dating helped me through multiple breakdowns and has helped/allowed me to grow into a (I hope) better, healthier person. And even after I got over most of my feelings related to my Ex, has continued to help me cope with my self hatred. I cherish every moment we share and wouldn’t trade her for anything.

And the other thing, which I know will sound silly right after I talked about my girlfriend, is well. Junkan.

Let me say this, I didn’t get into Junkan to cope with my abuse. I have toyed with the notion in my head before and the idea of it pisses me off to a quite frankly irrational degree. I was into Junkan before I realized my issues. If you want my coping mechanism it’s Alex from Minecraft and no I’m not explaining that right now.

That said, it, like all the yuri ships I like, was a source of comfort for me. Originally I read stuff like Tokomaru fics just to help me reduce stress, back when I dealt with really severe anger issues due to the online spaces I occupied. And to this day reading a nice, fluff fic can calm me down a bit. But now they can serve a much deeper sense of comfort, away from all the bullshit, and obviously, gave me a way to distract/calm myself from the storm of negative emotions and memories that filled the brain.

I see myself in Mikan more than I’d like to personally admit, obviously not to the extreme, but in aspects. So it’s just, nice to see a better timeline for her with Junko, ones where she gets to be happy and maybe even heal as well. It just so happens that I also think there’s a lot of genuinely good potential for the ship from either a canon or non-canon perspective, and Junko’s just a really enjoyable character. 

Working on this project helped too. It gave me a way to dive deeper into my love for this ship, and gave me a sense of purpose and validation that helped me work through the rough. Whether it was the really bad mental health days, or just a shit streak of commission work that tore away at me because my job even if I love drawing can be a real drag at times, and i’m unfortunately a workaholic (Trying to work on it though).

I think i’ve said it before but even something simple as Val showing her excitement over the art pieces I was prepping could genuinely brighten my day even while I was at my lowest.

And then when I really started pursuing this as a project, rather than just a secret stash to satiate myself and one other person minimum, I realized I could do something good here. For the people like me who loved this ship but might have been too nervous about expressing it, the people who were just really craving it, and the people who had already made all of the fics and art that sent me into this spiral of obsessive passion in the first place! A gift to all of them, to make ya’ll happy. 

In hindsight, may not like, the healthiest mindset for setting off this whole project. But hey it all kinda circled around into eventually helping my mental health recover. So like, win?

And i’ve already spoken on how Day 60 allowed me to feel a lot more emotionally free as an artist even if I still have my struggle days. I’ve gotten better just in general as an artist as I improve more at stuff like expressions, posing, linework, etc. And I’ve even managed to make friends with some of the people I used to look up to as idols and can finally just view em as normal people now. (Even if I might still be a bit excessive in my praise, I swear I’m normal about ya’ll besties I just don’t have like, a middleground for showing my appreciation and affection for my friends. It’s maxed out unless I’m tired as shit) 

I find myself comedically terrified of how this ship has affected me over the course of 2024, and how it will likely continue to affect me through 2025 even as I try to move onto other projects not related to Junkan. I wanna show off my love for Fairy Tail on my main blog, and I really think that with a full years time and the first five chapters done I really can get my comic off the ground and focus on that for the foreseeable future.

But hey, 2025 at least we got two whole Junkan Events. And with Junkan Week I’d like to keep that going for as long as I can, unless someone else takes the reins way down the line. So this ol’ blog’ll keep going for a good while I imagine, even if it’s a lot smaller. Maybe I’ll find other ways to keep this place active, I’ve considered just making it a one stop shop for all things Junkan though I don’t think I’m really suited to manage that. Maybe someone’ll read this and try there hand at it down the line, maybe someone’ll do their own 100 Days of Junkan! 

Oh hey did I ever tell ya’ll I was gonna make a comedic video just making a guideline for how one could make their own 100 Days Project. It was gonna be like, pretty obvious points just framed in a very exaggerated and comedic tone. 

Alright anything else I should cover? Fun facts? Deep personal anecdotes? Sappy stuff?

Lemme check my files, maybe i got another dumb joke image- 

. . . 

Oh . . . Well there’s somethin.

Alright, don’t get to excited ya’ll, but just for a bit of fun, how about one last day in the project. I know 101 days doesn’t roll of the tongue as well, but I think this is vaguely interesting enough to make up for that! Tune in tomorrow. Same time, same place. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[alevolpe]

Hello! I plan on doing a Sailor Moon rewrite later on next year (bc i have a lot of shit to do in the entirety of my 3rd year of university) and I'd like to know what issues you have with each season of sailor moon. You don't have to name all of them, just name the biggest problem(s) you have with each season!! I hope I am not troubling you :3

Hi! You're no trouble at all! Thank you for asking, I'm humbled you're interested in hearing my opinion.

Ok, let's see. Before I start I wanna say, these are MY opinions based on also how I'm doing my own rewrite AU thingy, so don't take it personally if I don't want to include elements or characters you love. (Most fo the time it doesn't even mean I don't like those characters in canon, I just don't think they'd fit with the specific narrative I have in my mind)

I'll say for Season 1, my biggest issue is the amount of time it takes to get everyone in the cast. By the time we get Mina it's like what, over 3/4ths of the season in? I like that the show takes its time introducing everyone and giving the girls some organic bonding time in the filler, but there's better ways to do it imo. That's why I have Usagi be the last to awaken and meet an already tranformed Ami and Rei, so we don't totally break from Usagi being the center at first. We can use her as a vessel to get to know these new people and this crazy new identity at the same time she does, letting us know more about her too in the process, while not slowing the pace of the story to a crawl. As we get to know more, you can introduce the rest of the girls and break from the main group to catch glimpses of Mako and Mina, to later unite them. But that's my fix, there's other ways to fix the slow introductions, just.. don't maybe go manga style and spend only one ep per girl and immediately move on to the next, give them time to breathe.

My main issue with Season 2 is the time travel. The show does NOT know its own rules and that is a recipe for disaster, once you introduce an ally that is able to time travel, you got a LOT in your hands. Everything in the show could be solved with one travel through time, but they never do. Why? Cause otherwise the show wouldn’t exist. It leaves too many possibilities and questions that is not ready to answer. Idk how one could fix it, I'm sure there's many ways you could, I just have 0 interest in incorporating time travel in sm.

With Season 3 I'd say it's the introduction of the whole Pharaoh 90 or Mistress 9 thing. I don’t know, I know they are the main baddies, but like.. just make Saturn the main threat, she already basically is. That's my problem with it, I'm sure a ton of people disagree, but I'd rather the season just focus more on Saturn, Haruka, Michiru and Pluto, I don't need another "queen Nehellenia" type villain that gets introduced 2 seconds before the end. And I lovee Eudial and Mimete, but we don't need 5 of them. I'd just make those 2 Tomoe's assistants and that's that. Too many villains, especially if you're not going to do a motw format.

With Season 4.. uff where do I even begin. Tbh I scratch the whole season and do a ground up rebuilding project, but if I HAVE to stick with the canon structure I'll say make Nehellenia more present. She's THE BEST part of SuperS, make her more present and more threatening. Give her that mirror power from the get go, make her appear in mirrors, reflections, show her subtly , in the background, give the season a subtle but palpable atmosphere of unease, make her scary. I WANT TO BE SCARED of her! Also unrelated, but get RID of the S*A metaphor with the 3 eyes.

With Stars the whole pacing the season is a mess. The start is way too slow and the end is rushed as fuck. Introduce Galaxia as a present threat earlier, again idk how you'd do that exactly while keeping the episodic tempo of the show, but my solution is. Don't! Lol

[meglosthegreat]

So... everyone pretty much hated Veilguard's "secret ending", right? Beyond speculation about the Executors themselves, I haven't exactly seen anyone excited about its presence, and for that matter, haven't seen many people talking about it at all.

The closest way I can describe my initial reaction to it was an immediate, visceral disgust. I think I remember uttering at my screen something along the lines of "Fuck off! What the fuck?! Are you fucking kidding me???" and ever since then I've wanted to put into words exactly why it made me feel that way.

For the 88% of you (according to Steam achievement statistics) who didn't see this ending due to not picking up three very specific codex entries by complete chance, you can watch it here. In short, the clip depicts a mysterious voice who sounds suspiciously like Matt Mercer talking about how a group of shadowy figures has "balanced, guided, and whispered" over scenes of villains from the previous DA games, implying that these shadowy figures have been at least partially responsible for all of the bad things happening in Thedas, towards some unknown nefarious purpose.

Now obviously, this sucks. This is hamfisted, unimaginative writing that simultaneously retcons and re-contextualizes elements from DA's past that absolutely no one thought needed further explanation, as well as being exactly the kind of irritating sequel-bait tactics that people have largely grown tired of these days. But why does it suck so much? Why did I feel such palpable distaste for this scene?

For starters, it simply reeks of entitlement, and a lack of respect towards Bioware's own past games. Remember those villains you loved and thought were compelling? Well, their own personal, very complex and thought-out motivations were really just the Executors whispering in their ears the whole time! Loghain making a difficult and calculated decision at great personal cost for a greater good he truly believed in? Executors. Bartrand succumbing to his own greed to the point that he betrays his only family and devolves into a tragic husk of himself? Executors. Corypheus and the Magisters breaching the Golden fucking City??? Executors.

Ignore the infuriating lore ramifications for a second and consider: what do all of these things have in common? They're all instances of complex character motivation; of people in this world doing things for their own reasons that ended up having massive ramifications. In short, they're not events that can be explained easily in terms of black and white morality. And from what we've seen in Veilguard, the current dev team has a serious inability to work with any story elements that do not have absolute moral clarity: the Venatori and the Antaam are Evil. The Shadow Dragons and the Crows are Good. Any nuance; any potential questioning of this duality is quickly explained away or snuffed out.

And that's exactly what they're trying to do, retroactively, with the rest of the series. Having a hard time deciding whether Loghain was right or wrong? Well, worry not, the Executors are Evil and if they were guiding him the whole time, then what he did must have been Evil too! Grappling with how the plot of DA2 was about the inevitable tragedy of a series of oppressive systems reaching their natural breaking point? Well, wrestle no further, for if the Executors were involved then Meredith and Bartrand must've been Evil, no question! What the Magisters did was definitely Not Great, and what do you know, there were consequences for it that they and the whole world very much did pay for. But if the Executors were behind it all, then it was someone else's fault, some Evil power reaching in and making them do what they did, rather than their actions being the result of a horrific series of power abuses done by actual people.

Which leads me to where my initial disgust comes in. Because in a world which has always had core themes of power and its many abuses, actions that have consequences, and the idea that there are no true higher beings; every horrible thing that has ever been done was done by people, the simple act of putting shadowy figures behind key moments in history completely debases and neuters all of those themes. The whole point of Dragon Age as a series up until this point has been to illustrate the complex relationships people and societies have with power, choice, and morality. To remove that link - to place an external force between those characters and their choices - is to rob the series of any meaning whatsoever.

There is a staggering difference between the messaging of a game that tells you ordinary people are to blame for society's wrongs and a game that tells you a secret shadowy faction of evil forces are to blame for them. The former invites thought about one's own society; it has the potential to be uncomfortable and difficult to reconcile with. The latter assures its audience of the fantasy it is couched in. It gives the audience a boogeyman to be angry at, and in so doing deflects any potential for introspection. And that, I think, is the real point of the scene in question.

In a time where our media has become inundated with bland, unchallenging liberal politics, the idea of "cozy" stories have become a growing trend. These types of stories often sport a broad rejection of complicated themes, painful emotions, and nuance, preferring instead to provide a "safe" place to escape to. And with that "safe" space comes a directive not to engage in critical thinking about a work, and not to draw any message from that work and apply it to the real world. Yet this is exactly where Bioware seems to be heading nowadays.

Veilguard has already been faced with heavy criticism about playing things overly safe; removing anything that might be potentially uncomfortable for the player. And the end credits scene is no different. Don't think about things too hard, it whispers to you seductively, in Matt Mercer's soothingly Evil voice. See? The Bad Guys were behind everything, all along.

[cursedtrans]

Stars in Lobotomy Corporation and Libary of Ruina

Spoilers for Lobotomy Corporation and Library of Ruina

Stars in Project Moon are a incredibly eldritch and horrific concept, and they have massive implications for the story of Limbus and Project Moon as a whole.

Let's start with the origin point of the Project Moon universe, Lobotomy Corporation, and the references to Stars and the Galaxy as a whole there.

Note: While many Lobotomy Corporation abnormalities are based on mere trauma or city lore (such as W Corp inspiring Dimension Shredder or the Head inspiring the Bird Trio), I believe there is extremely important info thanks to several real characters and events having references to the Cosmic Trio's events in their logs.

There's three specific abnormalities that call out the concept of Outer Space and everything it contains. In my opinion this is very notable, as other groups like the Wizard of Oz, Magical Girls, and Bird Trio are all highly important abnormality groups that take up multiple abnormality slots.

First off is the TETH level abnormality Fragment of the Universe.

They're the lowest risk rating of their outer space related brethren, but subsequently have some of the least cosmic horror. While their cry is enough to damage both the mind and body, and is incomprehensible to mortals, it's not that relatively dangerous compared to other concepts.

Likewise, it's by far the most innocent of it's kindred. It's a mere part of outer space that is trying to 'sing' to mortals to convey it's love to them, and it's entire physical form is created by it's connection with a small child. (it wanted to make the child happy, and thus took on the form it uses now)

It doesn't seem to understand the damage it's doing, but it seems to have a permanent effect on certain individual's in it's lobotomy corp logs. All of them seem to be repeating the phrase "coming, coming, still coming" and other incomprehensible noises, and staring into the sky.

Second off, Child of the Galaxy, HE Level.

Child of the Galaxy is a very interesting abnormality that never breaches, but does get extremely violent when someone they care about seems to forget them by instantly killing them. While not uncommon in Lobotomy Corporation, it is a significant thing for them to have the instant kill at any range and no limit on their number of targets.

Additionally, it seems aware of what it's doing. It's extremely possessive in it's log and seems to know that it's very presence and pebble is haunting the person writing the log. Of note is his final two logs, which will show some themes that repeat over and over. I can't take it anymore. I can't escape him. I thought I was in charge, but the truth is I was just a pebble in his hands the whole time. Whatever I do, wherever I go, I hear his whispers. (I have to end it, but I’m not even sure if I can.) -- "...I came from afar. I'm so glad to meet you. Become a pebble, and let's walk the galaxy together..." I hear his whispers and breath. Pitch black darkness follows... just like the night I met him."

Finally, Blue Star, the Aleph level.

Blue Star is an extremely potent abnormality that seems to break out if the person working it is not competent enough, and is capable of massive areas of sanity damage. Even moreso, when they do finally wear down someone's sanity, they absorb them into themselves.

Their abnormality log details some very important details, including the rising of a cult that is infected with certain thoughts, that want to willingly throw themselves into the center of certain abnormalities (read:blue star). Additionally, one of these infected members writes a letter detailing some very important info.

"We are all sinners, and our Blue Star is the only sanctuary that accepts us. We will be cleansed of our sins there. We all go back to that place someday. This is an instinct. You thought Emily died when she threw herself into the Star, but she simply returned to her rightful place. She's a martyr. She has become an eternal star. The rise of a star is a brand new beginning. Don't you hear the everlasting sound of the trumpet? When you stand close to the Star, you can hear the welcoming cheers and singing. If every employee returns to that place, only Blue Star will remain here. Let us meet again as stars."

This begins some of the themes of Stars and Outer Space as a whole in Project Moon, and one of the key ones is rebirth. The employee writing a log ends up being requested to become another pebble by the Child, and each of the cultists of Blue Star firmly believe that they will be reborn as stars when they end up in Blue Star.

Ruina compounds on these cultists by showing us them and their idol in tandem. Notably, Blue Star is not fought, a trait shared solely by Apocalypse Bird (a symbol of the omnipresent and invincible head that rules over the City) and WhiteNight (a symbol of the omnipresent ghost over the City that distorts people into monsters) The only way Blue Star is beaten is by destroying it's Shrine, which ends the fight immediately. Additionally, Blue Star's only action in this is to emit a simple sound through it's Shrine. It does not slam the floor like Apocalypse Bird or emit circles of hell like WhiteNight. It's so far out of our reality that all it can do is show itself and sing through it's statue. Blue Star is also arguably even more important in Limbus, because of the host of connections it has to both the Blue Man Group and several different Star related abnormalities, but that's a post for a different day.

All that is to say for now is, don't be afraid of the stars in Project Moon. All they want is a new life for you...

(as usual thanks to @lu-is-not-ok for inspiring posts and getting me to think about the unregistered abnormalities in Limbus, and sending me down a Star rabbit hole)