#no spoilers but still upset by the end

[thou-babbling-brook]

Basim Ibn Is’haq 🦅💙💛

Happy Thanksgiving to my fellow American followers! At the time when I started working on this, character sheets were winning the poll I posted, so I decided to combine my fixation on Mirage with one of the most selected options! This was such a blast to work on, and it was amazing to see how I’ve grown in just a year and a half. Please enjoy!

[hinamie]

in spite of everything, I had fun <3

[cozymochi]

Literally just a re-upload of an animatic I already posted on my youtube channel 4 months ago, so it’s been seen enough. HOWEVER! This version has HD audio (that I only realized had stashed away priornot long after my initial upload but it’s too late to fix it now), and slightly better timing by a whole half a second. So it’s kind of for my own sanity that I’m re-posting this.

Also shoutout to Book 7 Chapter 5 finally dropping on the server I and two other people read in. 🗡️🐉 Source: Maleficent (2014)

ko-fi (maybe)

[myfairstarlight]

Alright, let's talk about Colin's entrapment line and why Penelope offering an annulment was significant, shall we? Arguably the most controversial part of this season, isn't it?

I'm not going to delve too long on the entrapment line again actually, but to summarise, Colin has been traumatised by a similar situation before, and right now, he's hurt. And the thing about being angry with your best friend is that you know what to say to hurt them the most. We see it in Eloise's and Penelope's fight, as they threw each other's insecurities in the other's faces. Colin, two episodes ago, was defending Penelope against Portia, who was accusing her of entrapping him, so yes, his mind will jump to that first. But also note that the whole time he refuses to look at her, because he knows his words are cutting and will hurt and he knows his resolve would break if he looked at her, which is contrasted by Penelope directly looking at him to tell him she loves him and did not mean for this to happen like this. He does not look because he knows she loves him, this is not Marina's situation exactly who only wanted a way out and did not see him as much else than a means to an end, and that's why it's so much more difficult to deal with for him. Penelope loves him.

And he's already almost lost her once, as angry and hurt as he is, he cannot fathom the idea of letting her go, when he remembers how empty he felt without her letters, or at the idea of her with Debling. So he's still here, determined to marry her.

So now we get to e8. The marriage was not technically consummated, and the Lady Whistledown business is finally settled. So Penelope offers the annulment, to set him, and his family, free from her mess.

They never directly address Colin's entrapment comment again, but with Penelope offering the annulment, it is now implied she's been thinking about this the whole time. It is a very real possibility that by that point, Penelope already knew she was pregnant, and it's been speculated if she told Colin in that scene after Francesca's wedding or not (I personally don't think she did, to not add to his guilt at that moment, and perhaps to not influence his decision, knowing she would be offering the annulment soon) and it parallels Marina's situation again, except in this case, Penelope does not wish to trap Colin with a baby, even if it is his. She knows how much Marina impacted Colin, and does not wish to do the same thing she had prevented Marina to do. The best part about this though? Colin is stunned (Edit: I changed the adjective here as someone rightfully pointed out I was exaggerating by saying "flabbergasted" when his reaction is more on the subtle side the English language is the bane of my existence). Frankly, he probably forgot he even said that, the same way he forgot about his "I would never dream of courting Penelope Featherington" comment - those were words said in the heat of the moment he never actually believed. Not once has Colin thought of either breaking the engagement, or get an annulment even after the betrayal.

He could have still eloped with Marina even after learning the truth, but he didn't because she was not honest with him from the start. He learns Penelope has been living a double life this whole time, and yet he stays.

It is significant that Penelope listened and acknowledged Colin's point of view, the same way she asked him to simply stand by her side and support her. Also note that she never says "our family", she says "you or your family".

Despite already being married, this whole time, it did not feel like they were, and she knew that as long as there was still this barrier between them, she could never truly be part of that family, but it's alright, she could live with that, she has mended things with her own after all, and she can support herself. Whatever the outcome, she'll be alright, she believes.

Fortunately for her, she does not get to find out what that future would entail because Colin absolutely hates the idea of letting her go.

Because after all, she's a mess, but she's his mess.

[fanofflames]

Why isn't Pops demanding better prison conditions for Chisaki? It's clear, Pops believes he's responsible for Chisaki, to the extend of wanting to scowl him until one of them dies. Yet, he's willing to turn a blind eye to Chisaki's mental and physical state? Where's Pops' so-called humanity?

Chisaki's mental state has deteriorated greatly since his arrest. He had his arms ripped off within the first hours in hero custody. He lost his arms, his quirk, and what he believed, was any chance to revive Pops, all at once. At no point, did any of the heroes think to send Chisaki to therapy to overcome the trauma, or even fit him with prothestics? Chisaki is unable to function without daily assistance now.

Yes, Chisaki is a villain—but where's Pops demanding to the guards that Kai get prothestics, all while scowling Chisaki about straying away from humanity? I'd expect Pops to be negotiating Chisaki's prison sentence, probably Kurono's too, reminding the heroes about the incident with the League and using whatever influence he has left to sway them.

At this point, Kai isn't capable of becoming Overhaul again, he's completely broken. Yet, Pops, and Izuku, are content with seeing Chisaki like this? What happened to saving the crying child or villain redemption?

[kakooshi]

My Hero Academia is ending in 5 chapters so that there will be a sequel where Bakudeku are married and they start a hero agency with Shouto as their sexy secretary. And they all fall in love while trying to navigate post-war society and make it a better one for both heroes and villains. It's true, HORI TOLD ME.

[sunsetzer]

Good morning everyone I'm currently thinking about how Orion was the first person Megatron killed and crying into my cereal :')

[maybevarric]

it kind of feels like a new studio has bought the rights to dragon age and has made a game by using all the right character and place names, but they've not paid attention to what actually makes the series special

[batterycows]

Go Beyond

[river-of-wine]

Now it don’t feel right? I could have told you that.

[eriexplosion]

If they ever did actually bring Tech back I'm sure he would be somewhere completely different, but I think that they should still bring him back as CX-2 needing to be unbrainwashed because. I would almost forgive them for jerking us around for over a year if they did something as funny as death faking the man twice.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[unfortunatelyilikebnha]

Bnha makes me so mad because it could’ve been good. It had a lot of good aspects. But in the end none of them were satisfyingly resolved so it just feels bad.

[r0semultiverse]

Kawaki Homophobia Moments

[thorinlandscaping]

waaaaa they took away my male lead in the Only Straights Show from 2-3 seasons from now and made him a girl for some sort of WOKE AGENDA they're changing my badly written misogynist book series woe is me we need more straight rep!!! this is because i like their story not for any other reason!!! i'm bi as well!!! more straight romance!!!! no nonconformity!!!! the books!!!!!!!

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.