#no scans in this one

[kalinara]

So I had a thought about Scott/Jean vs. Logan/Jean ship dynamics, in the 616 universe and I felt the need to share it. (Without scans for once because I am not at my primary computer. Alas.)

Disclaimer: I am a Scott/Jean fan (I'm sure anyone who's been to my blog is shocked) and I've never really seen the appeal of Logan/Jean outside of a throuple context. That bias will likely come through in this thought.

But anyway, something I find really interesting is how Scott/Jean and Logan/Jean kind of reverse a very common YA fantasy love triangle dynamic.

I mean, reverse is kind of a funny thing to say here, because I think both ships long predate the kind of YA fiction trends that I'm talking about, but it's still kind of funny.

Anyway, this is the trend that I'm thinking about: in many YA fantasy books, there is a female protagonist that is somehow caught in two worlds. Maybe she's secretly a faerie raised by humans. Or she's half elf, half human. But raised human. Basically, the idea is that the female character is an ordinary human girl until something happens that reveals that she has this whole other magical life and potential.

And in many of these books, there is something resembling a love triangle. The girl's got a boyfriend who is an ordinary human. He's in love with her as a human and helps her keep connected to her human side. He's usually conventional and a bit boring. Then there's the bad boy magic guy. He's the one who encourages her to embrace her elf/faerie/whatever magic side. Go wild with your sparkly chaotic magic.

Inevitably the boring dude loses out to the bad boy, because really, there's no competition.

But that's why Scott/Jean and Logan/Jean are kind of funny from that perspective. Because in this badly imagined comparison, Jean is of course, that ordinary girl. Now, she IS a mutant, so she's already not completely baseline ordinary. But we could look at the Phoenix as kind of her whole magical other self.

Scott, of course, is the conventional bland original love interest whose known her since her youth. Logan, of course, is the bad boy, wild guy she meets as an adult.

But the actual dynamics of the relationship are the OPPOSITE of the YA cliches.

Because Logan, for all his wildness, is a pretty conventional romantic. Oh, he's got the dramatic self-loathing and pining, but generally, he's a "bring flowers to the lady" kind of guy. At least with her. She's "Jeannie". She's normal and kind and sweet and she brings out the best in him and makes him want to be a better guy.

I don't know if we ever really get a clear idea of Logan's feelings about Jean AS the Phoenix in 616. Probably because back during the Phoenix/Dark Phoenix Saga, Jean/Logan wasn't really a thing. He liked her, but she seemed primarily disgusted by him. (This got retroactively remedied in some of the X-Men classic stories that rewrote a few of those scenes to add some pining and reciprocity. But that's after the fact.) Basically, during the time when we were supposed to see Jean and the Phoenix as essentially aspects of the same person, Logan wasn't a romantic factor at all.

By the time Jean/Logan was a thing, the Phoenix was narratively a separate entity, and Logan's never particularly been in favor of it. He is, however, very into Jean as the girl next door. The human side of her.

But Scott, on the other hand, has always been MASSIVELY into Jean as the Phoenix. He never really seemed that put off by the Dark Phoenix. He was happy to propose marriage just before the Shi'ar decided to poke their heads in and make everything more difficult, and that was AFTER the woman nearly killed them all and ate a star.

There's at least one point in an X-Factor issue, when Scott's admittedly running very hot and cold (mostly due to the Maddie issue), where Jean outright accuses him of loving the Phoenix more than he loves her.

Claremont's had that moment of connection at the orphanage, and we've had at least a couple of Phoenix comes back stories that involved her directly coming for him (Endsong was my favorite. Scott gets her to back down by having Kitty's hand phased through his chest. Such a stupid fucking plan, Scott).

And there was a scene that, back when it came out, got Scott a fair bit of criticism. In New X-Men, to Emma, he vents something about Jean's wardrobe, the mom sweaters verses the Black Queen's corset. Now this was Scott at his most traumatized and self-destructive/self-loathing. I don't think he was literally saying that he preferred her when she was being mentally influenced (especially since she almost killed him at the time). I THINK it was more of an indicator of the out of control way he was feeling, and how her attempt to project normalcy and repress the wilder/more passionate/more powerful aspects of herself were something that he felt very alienated from..

(There were a lot of interesting Jean-and-Phoenix elements going on in that run, alongside Scott's trauma, and Emma's...many issues. It's worth a reread, though not all of it is a comfortable reread..)

There's a reason that the "psychic affair" started with Emma wearing the guise of the Phoenix.

And of course, the more powerful Jean is, the more Scott seems to be into it. This is the man who has, more than once, used "my wife could kick your ass" to win a confrontation. He's clearly turned on when she ignites a star.

It's not that Scott is ONLY into the Phoenix though. He loves Jean too, and we've seen that 100 times over in the 90s and in Krakoa and how they interact on a day to day basis. But to him, her power is an important part of her. And it's hot when she embraces it.

I feel like this may be the fundamental reason that Jean/Logan never really took off as a pairing, even when there was ample opportunity (except in the context of polyamory). Because for all that Logan has that bad boy sex appeal, he doesn't really work as a power fantasy. Not every girl is into civilizing the wild man, after all. Some really want to cut loose with them instead.

And well, when that's not an option, a quiet conventional man who'll happily hold your flower while YOU cut loose, that's got its appeal too.

[xamitras]

For many of years I had this tradition of drawing Wirt and the beast once a year to see how much I have improved, then depression hit in 2023 and couldn't continue, but it left so really amazing art in the process

[yeoldenews]

A selection of strange and cryptic personal ads from The New York Herald, 1860s to 1890s. 14/?

[illusioncanthurtme--art]

She got em 😔

This is very old. But life has been repeatedly kicking me while I'm down, and I want to share something because sharing these stupid drawings and seeing how people react brings me some joy :')

I'll admit I did plan on finishing this at some point, but it's gotten too old to the point where... it's just too old. I don't want to touch it.

Also YES dib is catfishing zim 1000000000000%

[isbergillustration]

Tearful Choir

[faunandfloraas]

Seungmin for DICON [scans]

[wizardhex]

From "I Spy Christmas: A Book of Picture Riddles", Walter Wick

[strawberryteabunny]

transparent version of the art in this post 🖤 by mitsukazu mihara from the Gothic and Lolita Bible

[yutaan]

Papercraft Princess Tutu! 🦢

Tutu was the very first papercraft I ever made, years ago (so many years that I've lost my scan of that first papercraft, which breaks my heart a little ;o;), so all the Tutus I make have a special place in my heart. It always feels a little nostalgic to make her, as well as exciting to see the changes in how I approach the project. This time, I tried adding a lace border to resemble a stage curtain!

[softinvasions]

DIRECTOR'S NOTE • Nov. 2023

You can't go home. This play has a particular care for and interest in its victims. The resident

inciting event is endless. tragedy is much more concerned with footnotes than it is with gods.

well acquainted with what happens afterward, storytellers claim they can't diverge from what's

written: resist. rage against what must be. tell a story about war without talking

about love. survive its aftermath. fail to find resolution. make this suffering

a home. There's no breaking this chain— fate, as always, gets its way.

Poetry assembled from the program of an Oresteia production. Nov. 2023.

[punch-love]

he's showing him a tiktok

[paunchsalazar]

free to be you and me

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[morganbritton132]

Eddie, postjng to his socials: This is how every conversation with my husband has went for the past two weeks

Eddie, as Eddie: Do you want to do something fun?

Eddie, as Steve: We can’t. We have to go get experimented on by the government.

Eddie, as Eddie: Ughhhh

Steve, as Steve:

Steve, as Steve: They’re going to euthanize you this year. Don’t post that anywhere

Eddie, as Eddie: *posts everywhere*

[ceelibeans]

(Just attack.)

[salamispots]