#no right to be so underrepresented!
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MAJEL BARRETT as Ruth Donaldson in The Lieutenant, “In the Highest Tradition” (1964)
I never bet on a sure thing. It takes all the fun out of it.
The Lieutenant was Gene Roddenberry’s first, short-lived television show.
#majel barrett#majel barrett roddenberry#gene roddenberry#the lieutenant#1960s#tvgifs#vintage#retro#tvedit#classic television#leonard nimoy#a gorgeous woman in search of the right hairstyle...#she's stunning! but her hair is all over the place (in terms of being awful vs. flattering)!!!#and unlike Trek you can't even blame the bad wigs.......#anyway young!Majel is massively underrepresented on tumblr dot com and she was so delightful in this episode that i had to gif her too ♥#plus her character and Nimoy's character are DEFINITELY lovers ;)#smoking cw
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So, I've been a bit open about my mental health on here since it affects how I experience and interact with judaism, but I'm wondering how you all balance it? I've found that antisemitism does not specifically cause the recent episode/s I have been having, but it makes them worse, and I find that it makes it even harder to engage with judaism, so I'm currently in a Sisyphean spiral. I guess for me, my brain has been so high-alert about this stuff that it completely shuts down, but not engaging with my jewish community is just as detrimental to my health as antisemitism is. Plus, I'm just angry at the thought that something like antisemitism would prevent me from being with my community.
#jumblr#jewish politics#antisemitism tw#personal thoughts tag#i'm going to shabbos services tomorrow since i miss my community so much#i am very protective over my community. i've reached papa bear levels of being protective about them. so it does hurt when i can't be there#bonus points to those of you with bipolar/PTSD/schizophrenia/anything i might be missing#just because i find those to be underrepresented in general. and also because it might help me out personally.....#to be clear i don't mind if anyone with any condition (or perhaps even none) contribute respectfully! this isn't an Exclusive Conversation#i don't even know how i am going to explain to them why i missed so much. i feel so behind right now#i emailed my rabbi so hopefully we can schedule a meetup and i can pour my soul out about it haha#it sucks talking about this but i really don't have mentally ill jews to talk to offline (as far as i know)#but i am open with my offline community about my issues so i don't think this will surprise them#i'm trying to work through my toxic masculinity surrounding shame about how my mental health presents so i'm pushing myself to be more open#though i will say that if someone is reading this and thinks they can trigger psychosis or whatever: it's not going to work like that
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i see the comphet lesbian imogen idea (not for me but if that’s what makes you happy go for it!!!) i respect it i appreciate how it makes people feel but i raise you: bi/pan demi imogen.
i’m not demi myself so i can’t speak to the experience, but from my understanding it make sense that her three canonical* crushes (nick, ben, and sahar) were all long-term friends of hers. also, that she only had feelings for sahar (that she realised or that reappeared) *after* they had become closer again.
from my understanding, it is possible for someone who’s demisexual to stop experiencing attraction when the emotional bond is broken. the anecdotes quora showed me said that only happened for them in extreme cases, and i don’t know if that applies to bens treatment of her, but if it does it could explain her not being able to answer elle as to why she even likes him.
besides that, maybe for imogen the “we’ve been friends for a long time” explanation isn’t just comphet, but is the best way for her to understand her feelings.
also as i’ve mentioned i’m not demi myself, so if anyone is please let me know if i’ve gotten anything wrong so i can edit the post!!!
#heartstopper#imogen heaney#imogen heartstopper#again. if comphet lesbian imogen is right for you because of your own experiences or how you read the show you rock it!!!#i just enjoy bi/pan imogen and making someone who does experience romantic attraction aspec#not because i am but because it’s underrepresented#am i making sense? i hope so!#again please let me know if i’ve gotten something wrong so i can fix it!! i would really appreciate it:)
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tags from @twlvie : EXAAAAAAACTLY. People need to move beyond writing/portraying Tuvok as just 'Stock Vulcan' or 'Janeway's Long Suffering Friend' because he actually has several things deeply wrong with him that perfectly compliment the several things deeply wrong with her and analyzing their relationship is very fun. Alot of the time I see him portrayed as just 'Vulcan Who is Wise'/'Janeway's Long Suffering Friend' in fandom but his actual personality means so much to me because Janeway DOES like him very much and he DOES return those feelings to the point that he calls her his friend several times [despite claiming that Vulcans don't have friends], calls her 'irreplaceable', allows her to touch him but rarely touches her back. Janeway says she's never minded the distance between her and her crew before the delta quadrant. All of these things are interesting. They have such a strange and specific combination of intimacy and distance in their relationship due to their near consummate professionalism and commitment to rules, regulations, what they should and should not do interpersonally which they both stick to like a code of honor regardless of their own personal desires. Tuvok must behave a certain way as he is Vulcan and Janeway must behave a certain way as she is Captain. They're both sort of looking to one another for reassurance but that gaze has become corrupted wherein Tuvok agrees with her because she's the captain [this comforts him, if it's an order from the captain it's 'right' to carry it out] and Janeway takes his agreement as a moral thumbs up [this comforts her, if the approval comes from Tuvok it must be the right thing to do] even though he's stated and demonstrated to others that he'd follow her orders regardless. Tuvok never thinks of himself as suffering beside a silly reckless human - it's implied that this may have been the case when they first met but they are decades past that point now. Now they are going to kill that goddamn whale together if it's the last thing they do. "If it's you, I can do anything" they think, looking at each other, and a finger on the monkey's paw begins to curl.
People honestly portray Tuvok as far too "rolling his eyes, reluctantly going along with Janeway's silly little shenanigans" - he's literally so serious about being right there with her on every decision she makes. Janeway's like "I'm going to stay behind if the ship blows up" and Tuvok's like "I'm staying with you." Janeway's like "I'm going to deliver every member of the Equinox crew into the jaws of death via an alien revenge massacre" and Tuvok protests a grand total of one time before being fully on the bridge assisting her. He was the only one with her when she made the decision to honor the caretaker's wishes and save the Ocampa, dooming them all. He was willing to get court marshalled in order to fulfill a wish she couldn't grant by her own hand: Get them home [no matter what happens to me] <- wherein 'me' is Tuvok. This was the same wish that spurred him forward when he had to leave her on that planet and everyone left thought him cold for trying to fulfill it without her when in his mind it was akin to a dying wish, the last thing she'd ever express to him: Get them home [no matter what happens to me.] <- wherein 'me' is Janeway. He told Seven that the golden rule to follow is that the captain is "ALWAYS RIGHT" <- (His ACTUAL words) and when Seven asks if the captain should be followed even if someone KNOWS she's wrong he says "Perhaps." This man is perhaps the most ride or die dude in the universe about Janeway. Despite her labeling him her 'moral compass' he is by NO means impartial or unbiased. He'd defend her to his last breath. He canonically makes detailed psychological observations about her and has for years. He accounts for her luck when calculating the success of certain plans. It's implied in 'Twisted' that Janeway typically listens to Tuvok's suggestions and follows them nearly without fail - to the point that he's surprised and obviously irritated when Chakotay doesn't. Despite this they've been inside one another's quarters so infrequently that Tuvok can remember each instance. They call each other "Captain" and "Mr. Tuvok" even though they've known each other for twenty years. There's something wrong with them.
#Tuvok/Janeway#Tuvok#Kathryn Janeway#who's DOING it like THEM???? NO ONE!!! <3#'he WANTS to be there' <- EXAAACTLY!!!! he was literally jealous of Chakotay for being her right hand instead of him#Also Janeway is not a silly little reckless woman stumbling around who the boys shake their heads at - it must be said#<- the other dimension of how wrong this interpretation of their relationship is#He respects her a great deal and that respect is returned in full. He wouldn't follow her if he thought she was silly. When he meets people#he thinks are silly he gets so irritated - this is SERIOUS to him#He says [in an incident completely separate to the psychological observations one] that he's been 'observing her behavior' since#Voyager got stuck in the delta quadrant [the psych obsv were happening pre-delta quad]. WHy is he doing this????#I know [general you] are gonna say like 'security reasons' but I KNOOOWW he's just doing this with Janeway I know in my HEART this is true#Tuvok says Janeway can be reckless and stubborn and unorthodox but he also seems to respect those traits#calling them both her greatest strengths and weaknesses as a leader. aaagh imsorry I just love them so much#They're so INTERESTING and it's so BORING to portray them as like: Bumbling Woman Is Reckless and Wise Man Shake His Head#would [general you] delve deeper into whatever weird shit's going on with Tuvok & Janeway if she was a man or he was white?#I simply MUST ask#I loved these tags they hit the nail on the head so beautifully. They're gonna catch that WHALE!!!!#Also please don't take this as me saying they don't do stupid reckless shit together - they absolutely one million percent do#<3 But to me more than Janeway being 'reckless' she has a 'ruthless' - ness to her that is very compelling#a double edged sword <3 she's GONNNAAA kill that WHALE and Tuvok's gonna be there every step of the way#fandom underrepresents how serious Janeway is#both she and Tuvok have that weird 'too close but too distant' thing going on that's so difficult to describe and I love it <3#chara analysis
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Just in case Trump wins:
right after Trump was elected in 2016, suicidality skyrocketed. If you’re considering suicide in the wake of the election this year, at least wait until after it’s absolutely certain that he’s won - after every vote has been counted, every state certified, and maybe even after he’s been sworn in (IF he wins), just to make sure he doesn’t go to prison instead. Watch the results come in live here, but don’t obsess or let them sway your vote. (To be clear, I don’t want a single person to commit suicide over the election results, no matter what. But I know from experience that “don’t do it” is thoroughly unhelpful, so instead I’m saying at least wait.)
if you’re considering suicide because you fear worsening material conditions, you might think a hotline can’t help with that. and it’s true that they can’t change legislation or promise you’ll be safe. but it’s worth double checking whether what you’re actually hurting from is in fact unfixable. right now, just getting through the emotions can help you regain a more objective view of the situation, and then you can work on surviving it. plus, when something bad happens, we tend to vastly overestimate how bad it will seem in the future, no matter how bad it actually is.
In my experience, it might take a few tries before you find a hotline that picks up, either because they’re so busy, or they’re closed at that time, or they simply don’t serve your location or demographic, so under the thingy I’ve listed more than just the same handful that tend to show up on other websites. Even if you’re not actively suicidal, you can talk to them about your hard feelings, ask for material resources, or just vent to a compassionate listener.
FIND HELP
HopeLine - call/text: 877-235-4525
National Suicide Prevention Lifeline - call/text: 988 | chat
Crisis Text Line - text HOME to 741741 | chat
help getting out of the military
for underrepresented adults:
Thrive Lifeline - text THRIVE to 313-662-8209
for pre-teens, teens, and young adults:
Your Life Your Voice - call: 800-488-3000 | text VOICE to 20121 | email
for teens (limited hours):
Teen Line - call: 800-852-8336 | text TEEN to 839863 | email
for trans and questioning people:
Trans Lifeline - call: 1-877-565-8860
for people with substance dependency:
Never Use Alone Overdose Prevention Hotline - call: 877-696-1996
for BIPOC (“with an LGBTQ+ Black Femme Lens”):
BlackLine - call: 1-800-604-5841
for college students of colour:
The Steve Fund Crisis Text Line - text STEVE to 741741
for LGBTQ+ young people:
The Trevor Project - call: 1-866-488-7386 | text START to 678678 | chat
for homeless or runaway youth:
National Runaway Safeline - call/text: 1-800-786-2929 | (has chat and email, but I think the link includes tracking)
for Muslim youth (limited hours):
Naseeha Youth Hotline - call: 1-866-627-3342
Amala Hopeline - call: 1-855-952-6252
for Jewish queer youth (warmline, may take up to 24 hours to reply):
JQY Warmline - call/text: 551-579-4673
for veterans:
Veterans Crisis Line - call: 988, option 1 | text: 838255 | chat
for veterans and their families:
Lifeline for Vets - call: 888-777-4443
for pregnant people:
Crisis Pregnancy Hotline - call: 888-628-3353 | text: 714-448-8323
for parents unsure of their ability to care for a newborn:
National Safe Haven Alliance - call: 888-510-2229 | text SAFEHAVEN to 313131
International Council for Helplines Member Organisations
Warmlines - for emotional support, if you just need to talk; a lower level of support than crisis hotlines
NAMI Helpline directory
Key warmline directory (unclear if 317-550-0060 might also be a warmline, I haven’t tried it)
Wildflower Alliance Peer Support Line (limited hours) - call: 888-407-4515
#us politics#us elections#tw sui ideation#suicideprevention#mental health#crisis hotline#resources#info
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Sometimes I see random people in the reader tags ask for things and mentally I just add it to my list. But specifically gay stuff.
#it’s pride month#i don’t know what anyone else expects from me#i have 3 fics on this blog right now#and they are all gay in some way#and i’m here because we need more gay#everyone deserves to see themself#especially when they are underrepresented#so here we are#i will not specify what i have picked up from the tags yet#but just know they are on my list#i am prioritizing actual requests given to me though#and some stuff for dc#my first two dc fics were also gay in some way#reed rambles
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Disabilities that You Should Consider Representing in Your Writing More… part 1
[large text: Disabilities that You Should Consider Representing in Your Writing More… part 1]
While all disabilities are underrepresented in basically all sorts of media, it’s hard to not notice the trend in what disabilities make up the majority of representation. It’s especially visible when having a blog like this, where we can see what disabilities writers even consider including in their writing, and which ones never come up.
One in four people are disabled. With eight billion people alive it means there’s a lot of disabled people, and a lot of reasons why they are disabled in the first place - but this diversity is rarely represented, even on this blog, and anyone who has been following for a while has probably noticed that fact.
To be blunt: there are disabilities other than “amputee” and “invisibly disabled mobility aid user”. Does that mean that it’s wrong to write either of those? No, and we don’t want to imply that it is. Does it mean that either of these have a lot of good representation? Absolutely not, half of all the amputee characters out there are written by people who don't seem to be even aware they're writing a disabled character. Does it mean that when you are deciding on what to give your character, you should think beyond (or along! people can be, and often are, multiply disabled!) just those two? Absolutely. Disability is a spectrum with thousands of things in it.
This is, simply, a list of common disabilities. This is just a few of them, as this is part one of presumably many (or, at least three as of right now). By “common” we rather arbitrarily decided on “~1% or more” - so at least 1 in 100 people has the disabilities below, which is a lot. Featuring!: links that you should click, sources of the % that are mostly just medical reports and might be hard to read, and quick, very non-exhaustive explanations to give you a basic idea of what these are.
Intellectual disability (about 1.5%) Intellectual disability is a condition we have written about at length before. It’s a developmental disability that affects things such as conceptualization, language, problem-solving, or social and self-care skills. ID can exist on its own or be a part of another condition, like Down Syndrome, Congenital Iodine Deficiency, or Fetal Alcohol Spectrum Disorders. This post covers a lot of basic information that you might need. We have an intellectual disability tag that you can look through!
Cancer survivors (5.4% in the US, about 0.55% worldwide) A cancer survivor is a pretty self-explanatory term. There is a lot of types of cancer and some of them are very common while others are very rare, which makes this a very diverse category. Cancers also have different survival rates. While not every survivor will have disabling symptoms, they definitely happen. Most of the long-term side effects are related to chemotherapy, radiation, and other medication, especially if they happened in children. They can include all sorts of organ damage, osteoporosis, cognitive problems, sensory disabilities, infertility, and increased rate of other cancers. Other effects include removal of the affected area, such as an eye, a spleen, breasts, or the thyroid gland, each of which will have different outcomes. Cancer, and cancer treatments, can also result in PTSD.
Diabetes (about 8.5%, ~95% of that are type 2) Diabetes is a group of endocrine conditions that cause hyperglycemia (high blood sugar) for various reasons depending on the type. The vast majority of people have type 2 diabetes, which can cause fatigue, poor healing, or feeling thirsty or hungry. A diabetic person will use insulin when needed to help manage their blood sugar levels. There are many complications related to diabetes, from neuropathy, to retinopathy, and chronic kidney disease, and there's a lot of disabilities that coexist with diabetes in general! You might want to check out the #how to write type 1 diabetes tag by @type1diabetesinfandom!
Disabling vision loss (about 7.5%) Blindness and low vision are a spectrum, ranging from total blindness (around 10% of legally blind people) to mild visual impairment. Blindness can be caused by countless things, but cataracts, refractive errors, and glaucoma are the most common. While cataracts cause the person to have a clouded pupil (not the whole eye!) blind eyes usually look average, with strabismus or nystagmus being exceptions to that fairly often (but not always). Trauma isn't a common cause of blindness, and accidents are overrepresented in fiction. A blind person can use a white cane, a guide dog or horse, or both. Assistive solutions are important here, such as Braille, screenreaders, or magnifying glasses. We have a blindness tag that you can look through, and you might want to check out @blindbeta and @mimzy-writing-online.
Psoriasis (about 2-4%) Psoriasis is a chronic skin condition with multiple subtypes; it can cause intense itching, pain, and general discomfort, and often carries social stigma. It’s an autoimmune and non-contagious disability that affects the skin cells, resulting in raised patches of flaky skin covered with scales. It often (30%) leads to a related condition, psoriatic arthritis, which causes joint pain, tenderness, and fatigue, among other things.
Stroke survivors (0.5-1%) A stroke survivor is a person who has survived any kind of stroke (ischemic, hemorrhagic, etc.). While the specific symptoms often depend on the exact location on where the stroke happened, signs such as hemiplegia, slurred speech, vision problems, and cognitive changes are common in most survivors to some degree. When someone has a stroke as a baby, or before they are born, it can result in cerebral palsy, epilepsy, and other disabilities. We have a brain injury tag that you can look through!
Noonan Syndrome (about 0.1-1% - mild is 1%, severe 0.1%) Noonan Syndrome is a disability that is almost never mentioned in any context, but certainly not around the topic of writing disabled characters. It’s a congenital condition that can cause cardiomyopathy, chronic joint pain, hypermobility, short stature, facial differences such as ptosis, autism, and various lymphatic problems among other things. Some people with Noonan Syndrome might use mobility aids to help with their joint pain.
Hyperthyroidism (about 1.2%) Hyperthyroidism is a condition of the endocrine system caused by hormone overproduction that affects metabolism. It often results in irritability, weight loss, heat intolerance, tremors, mood swings, or insomnia. Undertreated hyperthyroidism has a rare, but extremely dangerous side effect associated with it called a thyroid storm, which can be fatal if untreated.
Hypothyroidism (>5%) Hypothyroidism is an endocrine condition just as hyperthyroidism is, and it causes somewhat opposite symptoms. Due to not producing enough thyroid hormones, it often causes fatigue, depression, hair loss, weight gain, and a frequent feeling of being cold. It’s often comorbid with other autoimmune disabilities, e.g. vitiligo, chronic autoimmune gastritis, and rheumatoid arthritis. Extreme hypothyroidism can also be potentially fatal because of a condition known as Myxedema coma (or “crisis”), which is also rare.
Deafblindness (about 0.2-2%) Being DeafBlind is often considered to be an extremely rare disability, but that’s not really the case. DeafBlindness on its own isn’t a diagnosis - it can be caused by a wide range of things, with CHARGE syndrome (congenital), Usher syndrome (born deaf, becomes blind later in life), congenital rubella, and age-related deafness and blindness being some of the most common reasons. DeafBlindness is a wide spectrum, the vast majority of DeafBlind people aren’t fully blind and deaf, and they can use various ways of communication. Some of these could be sign language (tactile or not), protactile, the deafblind manual, oral speech (aided by hearing aids or not), the Lorm alphabet, and more. You can learn more about assistive devices here! Despite what various media like to tell you, being DeafBlind isn’t a death sentence, and the DeafBlind community and culture are alive and thriving - especially since the start of the protactile movement. We have a DeafBlindness tag that you can look through!
It’s probably worth mentioning that we have received little to no asks in general for almost all the disabilities above, and it’s certainly not due to what mods answer for. Our best guess is that writers don’t realize how many options they have and just end up going for the same things over and over.
Only representing “cool” disabilities that are “not too much while having a particular look/aura/drama associated” isn’t what you should aim for. Disabled people just exist, and all of us deserve to be represented, including those whose disabilities aren’t your typical “cool design” or “character inspo”, and literally all of us deserve to have good, informed representation. Sometimes we are just regular people, with disabilities that are “boring” or “too much”, and don’t make for useful plot points.
mod Sasza (with huge thank you to mod Sparrow, Rot, and Virus for their contributions with research)
#mod sasza#disabled character ideas#writing guide#writing resources#writing help#writing advice#writeblr
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I think there are some takeaways here, if we want to learn from this.
First: third-party voters were irrelevant. In no swing state did left-leaning third-party voters add up to enough to push Harris over.
Second: many progressive policies and politicians outperformed Harris.
Third: appealing to Republicans did not work.
It has never worked, in the US or in Europe, we've seen time and again that giving ground to right wing policies only legitimizes them and voters then prefer the original. For example, if you worry about immigration, and both sides are saying it's a problem, who do you trust more to handle it?
Fourth: polls were pretty accurate. There were months, years, really, of debate about polling being broken, which demographics were underrepresented, which were overrepresented, herding, hopes that they were overcorrecting for the last two misses on Trump, but they ended up closer than anybody wanted. Which also means that Biden would have lost by even worse.
Fifth: on the one hand, people should hopefully see this graphic and realize there's no minority to scapegoat:
On the other hand, I'm seeing a lot of people take it as a sign the country has simply shifted to the right in a huge, undeniable way that's depressing and ominous and feels hopeless. After all, Trump will win the popular vote by a lot, the first time a Republican has in decades.
However, this should be taken in conjunction with these numbers:
Now THIS is something that's open to further analysis and that can be worked with.
Why did so many Democrat voters not show up?
Here are some potential reasons for this, the truth most likely being a combination of at least several of them:
She's a Black-Indian woman. There's no denying the racism and misogyny among the US electorate, but given earlier polls where she was leading, I don't think this was the main or certainly only reason.
She was seen as too progressive/leftist. Again, by virtue of our racist, misogynistic electorate and our billionaire-owned media, Harris was seen as too extreme left by a lot of people, not just because of policies, but because inherently, her identity itself is extreme left to them. I personally don't think this was a crucial factor because, again, she had been leading when she was going stronger on the progressive messaging, other progressive policies and politicians outperformed her, and a lot of the people who think she's too extreme are Republicans who'd never vote for her. I just don't think it's a good enough reason for the millions of Democrats who didn't show.
Palestine. There's a coalition of pro-Palestine people, not just Muslims and Arab Americans but leftists and other POC too, but numerically, their vote for third parties made no difference. Did enough shift to Trump or not show up at all? Certainly in Michigan they swung to the right, but would that have made a difference? Did they matter in other less tangible ways, e.g., a lot of the same active progressives who'd have been out campaigning simply voted quietly for Harris and left it at that? How much of a distraction was this for Dems, having to constantly address Gaza as opposed to putting forth their own policies, and did it contribute to the overall perception of them being incompetent and weak and bringing chaos when people were tired of it? I think Palestine did have an effect, but enough to swing it overall...?
Not being progressive enough. A lot of people will point to Palestine and immigration, the decision to campaign with Liz Cheney and Mark Cuban and court Republican moderates, stifling Walz, and various other shifts that abandoned the left for the center and then the left didn't show up while the center went for Republicans as they always do, but the left isn't that large. I think, if this one point is a factor, it's more that it was simply difficult for normal voters to show up when they didn't really know what the candidate stood for, aside from "more of the same" and "not Trump".
Biden. When you have a ton of people unhappy with where the country is going, including their biggest priority, the economy, being tied to an unpopular incumbent was going to be tough, especially when, as a Black-Indian woman, she would be judged as disloyal if she broke too much from him. Nevertheless... People were unhappy with him and his administration.
Ultimately, I think there's a lot to learn and I hope Dems will.
I think we're in for a tough time and we're going to need community and solidarity, not fighting among ourselves.
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jayvik x transman bf reader :3? maybe like dysphoria comfort ((maybe with a little smut if you feel like it..,,.)) anyways BLUSHES i love viktor hes the loml ^_^ (i couldnt tell if you write male reader,, sweat drop)
hi i am SO sorry this took so long!! its been a hell of a week lol but i didnt forget about i promise!! and yes ofc i write male reader, esp transmasc reader, we’re so underrepresented in the jayvik fandom frfr. i wasn’t really feeling like nsfw for this one im sorry but i have some softness and happiness instead :3
jayvik x transmasc!reader — dysphoria days (sfw) (1400)
It’s nearly midnight when you hear the apartment door creak open, and you perk up just a bit, the day’s sorrows temporarily forgotten. The sound of Jayce’s laughter hits you first. “V, you’re a menace, I’m telling you. One of these days you’ll burn the whole Academy to the ground.”
He seems surprisingly energetic considering how late it is—his gaze lights up when he sees you waiting on the couch. Viktor follows him, shoulders drooping with exhaustion, but he gives you the smallest of smiles, the corners of his eyes crinkling.
Viktor’s chuckle is scathing, but it makes your heart flutter anyway. “And you enable my behavior, so if they throw me into Stillwater you’re coming right along with me.”
Jayce clearly sees it pointless to argue, so he turns his attention to you. “Hey there, sweetheart.” You nearly fly into the air as he flops onto the cushion next to you, but a strong arm around your shoulders keeps you still. When he places an eager kiss against your temple, you feel your face burn. “How was work?”
“We missed you,” Viktor says quietly, settling down much more gently on your other side, leaning his crutch against the coffee table. “We made wonderful progress. Do you remember that equation I was telling you about—the one Jayce couldn’t solve for the life of him?”
Jayce shoots a halfhearted glare across the couch. “You fell asleep at the workbench during three separate experiments today. You’re one to talk about my work habits.”
“And I told you I’ll rest. There are two of you and only one of me, and I know how you both get when you think I’ve been up for too long, hmm?” His head lands on your shoulder, and his hand finds yours, long, thin fingers trailing across the back. You know what he’s about to say before he says it, but you find yourself burning anyway: “Solnyshko, you are so quiet. Something’s bothering you.” It’s a statement, not a question: he’s always been perceptive. And he certainly doesn’t like being lied to.
You can’t find yourself in it to try. “It’s been a rough day, I guess,” you provide by way of an excuse.
That’s all it takes for both of your boyfriends to zero their attention on you. Viktor’s quiet determination sharpens, and his grip on your hand becomes infinitesimally stronger. Jayce seems surprised to learn there’s anything wrong at all, but he’s threading his hand through your hair before you can blink, his golden eyes wide with concern.
“Sweetheart,” Jayce breathes. “What happened?”
“Nothing, I just—nothing out of the ordinary.” You feel a bit silly now, bringing up something that has always been a thorn in your side (or a hundred or so gigantic thorns in your heart, if you want to be accurate) but it’s a bit too late to back down. “I’d… been out to get the groceries. I was so excited at first, since I knew you’d both be home tonight and we could finally spend a night in and just be together, but when I went to check out, I made the grave mistake of speaking.” You laugh humorlessly. Viktor’s brows knit with sympathy; Jayce places a reassuring kiss against the shell of your ear. “And you know what happens when I speak.”
The cashier’s cheery tone rings in your ears again: have a wonderful rest of your day, ma’am! It’s the saccharine sweetness with which the word is always said it really gets to you, because it’s never malicious. It would hurt less if it was… but all it is is a reminder that in their eyes, you are something else entirely. The world sees a lie.
One word is usually all it takes for a steady wave of agony to follow. Your voice gave you away—but was that it? It was hard to avoid self consciously tugging at your shirt, changing your gait, squaring your shoulders. All these little things you did wrong. All these little things that made the rest of the world see something that didn’t even exist. Sometimes, you feel more like an illusion than a person, floating from person to person and watching them take in your fractured reflection.
Until you get home.
You don’t realize your breath has quickened until Jayce’s strong hand cups your jaw and forces you to look right at him. “Hey,” he says. “I get it, sweet boy. I really do. I’m so sorry you had to deal with that.”
“And you are more of a man than anyone who cannot see you for who you truly are,” Viktor butts in bluntly. “You are the handsomest and most beautiful person I’ve ever had the privilege to love—don’t start, Jayce, you know what I mean.” Jayce grins, biting off his joking retort. “And loving you is such a privilege,” Viktor continues. “My wonderful boyfriends… you are my greatest joys. I don’t know who else would drag me out of that godforsaken lab in the middle of the night.”
Jayce peppers kisses from the line of your jaw up to the corner of your eye, drawing giggles out of you all the while. “I could go on and on about what makes you so wonderful. Those people don’t see you the way we do. Would they ever stop to notice how your eyes change when the light hits them? Or how your whole face goes soft when you get complimented?”
“Pretty boy,” Viktor adds, just to test this hypothesis.
“You fluster so easily,” whispers Jayce. He runs his hand through your hair, twirling a few strands around his fingers, while Viktor trails a feather-light touch up your arm. Viktor stops at your shoulder before leaning forward to press a kiss against the hollow of your throat. You can’t help but draw in a shuddering breath as your skin lights up with electricity. You’re sure you must be glowing as brightly as the hextech contraptions in their lab.
“See?” he whispers. “Beautiful. Look at you.”
You want to protest, but with all the attention being leveled at you, you find you don’t have the strength. You can only relax further as Viktor takes your hand and presses five chaste kisses against your knuckles, and as Jayce leans closer to whisper in your ear. “You know, we could spend hours showing you everything we love about you, but I think we have dinner to make, don’t we?”
You manage a short laugh. “I’m not feeling well and you two just take the opportunity to tease me?”
“Teasing you is just a bonus,” Viktor huffs. “We actually just want to make sure you eat. I know you’d get on me about not having dinner.”
You narrow your eyes at him. “Vitenka. You did have lunch, right?”
He makes a little ehh noise that forces a snort out of you. Predictable as ever.
“Yeah, I even brought something up from the cafeteria,” Jayce says. “It didn’t work. How about this. I’ll do the cooking tonight, and my poor malnourished darlings can stay here and relax, hm?”
“I’d like to argue, but I don’t think tonight’s the night,” Viktor says. Tucking his head into the crook of your neck, he draws patterns against the back of your hand, humming to himself. “I am terribly in love with you,” he mutters. “It’s honestly a little surprising. The both of you hit me like an airship hits a bird in the sky.”
“That sounds gruesome,” Jayce says. He kisses your forehead once, then Viktor’s and heaves himself off the couch. “Alright. Dinnertime. V, I’ll add extra spices just for you, and…” His gaze softens as it lands on you. “I love you so much, okay? No matter what.”
His perfect golden-boy smile makes your heart melt. “I love you too.”
He gives your shoulder one last squeeze before disappearing into the kitchen. For a moment, the living room is silent, but soon Viktor clears his throat. “The world is wrong about you. I know who you are. You are so precious to us, no matter what anyone else sees when they look at you. Everything you are,” he murmurs, “and everything you will ever be, I love you, crasafchek.”
You press your cheek to his hair, grinning like a lovestruck fool, a little grateful he can’t see. The sound of clattering pots and pans echoes from the kitchen—the domesticity of it all wraps you in a quiet peace, and you may or may not drift off with Viktor in your arms before dinner is even done.
#viktor x reader#viktor x you#jayce x reader#jayce x you#jayvik x reader#arcane x reader#arcane x male reader#stingwriting
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idk how to tell you but 1 depression is a very common thing in schizoids and treating it is more complicated bc its different from usual depression signs and feelings and no one gives a shit abt us and we usually dont give a shit abt therapy (and that is if you even find a competent specialist) and like. not judging mentally ill people or telling them to ✨just get yourself together✨ or similar bullshit ESPECIALLY using such words as 'whiny' and assuming they arent trying is mental illness 101. 2 my dude its not just exclusively internal reasons. like it or not we have to exist in society and we are OPPRESSED there like any other neurodivergent group and cant possibly fucking control it. i WISH i could vibe, im HAPPY i have szpd because its oh so much easier than what other normal and not so people have going on and i am vibing when all on my own, BUT THAT IS IMPOSSIBLE TO MAINTAIN FOREVER AND GENERALLY NOT A COMMON EXPERIENCE DUE TO LIVING IN SOCIETY TM SINCE YOU ALWAYS END UP BEING REMINDED OF THE FACT THAT MOST OF THEM HATE YOU AND OTHER PEOPLE LIKE YOU. when you are out, people will ruin it for you and act like ur the problem. invalidating, telling you youre broken or fucked or otherwise bad because of how you are and need to fix yourself or go, translating this point to you your whole life in various ways. the pressure is always there, ALL OF WHICH DIRECTLY CONTRIBUTES TO DEPRESSIVE TENDENCIES, FEELING OF POINTLESSNESS AND HATING YOURSELF (or people, righteously btw) AND UR DIAGNOSIS PARTICULARLY. yeah i wonder why everyone is 'whiny' jesus fucking christ
i think what holds me back from interacting more with whatever attempts at schizoid "communities" exist in different pockets of the internet is that, frankly, y'all are so so so whiny. so fucking whiny. everything is negative, everything is meaningless, look how much it sucks for me, look how pointless it all is, look at me being apathetic and finding no enjoyment in anything, i dont even try, misanthropy etc etc.
i get it, szpd sure sucks sometimes, you wish you weren't constructed like this. and i get that a large part of it is the fact that people in general tend to focus on and remember negative things, but good lord. did you know szpd is the only personality disorder that doesn't require clinical distress? you can live your own solitary life, doing your own thing, making your own habits, creating your own meaning, connecting in the ways you feel comfortable and isolating yourself to the extent you need, and be absolutely fine with it. happy even, dare i say vibing. getting there takes work from you, requires you to take a good hard look at yourself from time to time, but nothing in this disorder implies that healthy coping is some fucking pie in the sky or whatever. you can be fine.
it sounds harsh, but someone has to say it: presuming you're mature enough to do so, you need to accept the cards you've been given and make the most of it to the best of your ability. learn what your limits are, try to expand them if possible, bear the burden of your own personal growth. that is your responsibility. yours.
#szpd#and that is not considering pwszpd who like. try to connect with others or aint aroace. the experience probably is so hard and painful#or at least trying to find the right therapist. ygh i gave up on all these years ago#besides. negative is fine. negative is what we tried to shut down all those years ago ending up shutting down everything.#and in some part of the cases it happened after we were told as children we were whiny or annoying or needy or worse than just told :)#n i sort of get it. i ended up also seeing any display of feelings as annoying in others. but that is SO not the thing you tell pwszpd.#like tf do you suggest. stfu about your negative experience and feelings? shove it all up your ass until you get 'better'?#yeah sure gon work nicely for already extremely self-repressed and underrepresented individuals.
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For Ghost Beauty Standards
While having Danny be wary of Red Robin being around his Tim and vice versa is hilarious, I want our boys to get Defensive when their respective ... Stalkers? Old Men who can't Understand No? Shows up.
Since Bruce recognizes Danny's courtship as LoA adjacent, is Ra's doing something? I don't read the comics and almost everything I know of DC is through osmosis. So I don't know All of Ra's Concerning Behavior towards Tim but I know he Wants him. In whatever way.
So Ra's shows up for his "Bother the Detective" Time and (if this is pre-reveal) approaches Tim, not RR, and Danny sees this.
There is an Undead trying something with his Tim! Right in front of him! Not taking No for an answer! He's getting Vlad flashbacks!
Ra's doesn't start shit since he approached Tim's college since he heard Tim has a suitor (and he's Upset about it). He's trapped Tim with Social Rules!
My knowledge and imagination isn't good enough for writing Ra's. But he Rapidly Learns that Tim is now Off Limits. Red Robin? Maybe not ~
Then Danny makes a comment about how he was getting Vlad flashbacks and Tim has a Halfa to End!
Okay, this is a bit complex. Ra's al ghul is obsessed with Red Robin but in the same way he's obsessed with Batman. He desires Tim to father one of his heirs.
Warning: SA attempt
Al ghul's half-sister Maat Shadid tried to rape him while he was chained to a wall. That was until Cassandra arrived. Although underrepresented she's just as bad as Ras's. (SA is a hard line for me)
But since Danny doesn't know Tim's Red Robin persona and Ra's doesn't know who Red Robin's civilian persona there is no conflict. Danny layed claim to Tim so even if he didn't like Ra's he had no right to fight for RR.
Danny however would still fucking hate Ra's guts for just being close to Tim no questions asked. Ghosts are still territorial.
If Ra's got too close to Tim Danny's liable show everyone a side that even his phantom half's corporal form will distort.
Remember Danny doesn't have to look human.
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Make it so
I'm with Patrick. That's the reason I'm so annoyingly vocal. Too many underrepresented groups (lookin' at you, white women!) are complacent or even complicit in their own marginalization, putting not just their own but their children's hard won rights in danger, so those of them with enough spine to stand up for themselves are more easily ignored. So I add my voice to the chorus, as an ally, hoping I can help them be heard. Make it so.
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Junko: How patriarchy, time, and perception influence ( female ) friendships:
Junko is without a doubt a rather polarising figure within the Nana fandom. While some are inclined to view her as the epitome of a terrible friend, others find that there are aspects of her character that are not completely unreasonable. Some even argue that she is fully justified in her actions, interpreting them as a weary response to Nana Komatsu (Hachi’s) dependent and at times childish behaviour.
I personally find her to be an extremely intriguing case study on female friendships - it is rare to find a depiction of female friendships that deviates from the endlessly supportive, forgiving, and nurturing portrayals of female relationships. Often times women are not as forgiving and sweet to each other as is often idealised in popular media, with dynamics often being fraught with internalised misogyny, societal perceptions, past experiences, and unhealthy attachment - so it is refreshing to see such a realistic, unorthodox, and complex portrayal of relationships dynamics between women—an topic that is often underrepresented and undervalued, yet crucial in order for people of any age to reflect on their own friendships and the factors that shape their beliefs and behaviours within them.
Firstly, I think that there is no point in disputing that Junko, in her own, often unconventional way, cares about Hachi. Throughout the early episodes and chapters of Nana, Junko frequently steps in to protect and comfort Hachi when she thinks the situation calls for it. This can be seen when she immediately leaps into action when Hachi breaks down in tears, drunk and distraught over memories of Asano in Episode 2, calming her down. This concern is seen again when Junko berates Shoji for hurting Hachi’s feelings and leaving Hachi alone in an unfamiliar place before rushing out to go find her. When Junko learns that Hachi plans to move in with Nana Osaki, who was practically a stranger at the time, she tries to convince (scare) Hachi into reconsidering the decision, concerned with how Hachi would manage and what kind of person Nana would turn out to be. Accepting defeat when Hachi stayed steadfast in her decision, she challenged (Hachi’s words) Yasu, trying to support Hachi by passive aggressively asserting Hachi’s right to the apartment when Hachi failed to do so to her standards.
Infantilisation and stifling growth
However, Junko’s protectiveness often crosses the line into infantilisation, an action which is a mixture of both care for Hachi and an unconscious subscription to societal perceptions of ‘femininity’, which ends up doing more harm than good.
Ai Yazawa makes a point of emphasising that Junko has known Hachi for a long time - she is familiar with her romantic struggles and emotionally dependent tendencies. But Yazawa also shows us from the start as well that Junko is immalleable. She is a character that does not bend to displays of emotion or whims - a foil to Hachi’s very passionate and dreamy personality. It becomes apparent from their interactions that Junko, after having been around Hachi a long time, internalised how Hachi behaves and acts to the point where she sees these traits as innate to Hachi as opposed to behaviours that have developed and formed over time. This strongly held perception of Hachi becomes a problem, as instead of encouraging growth ( which is what every healthy friendship accepts and promotes), Junko reinforces these observed traits, often treating Hachi as if she were a younger sibling or even a child. She seems “relieved” when someone else is there to “take care” of Hachi and even makes decisions on her behalf, such as revealing Hachi’s crush on Shoji despite Hachi making a conscious decision to not be romantically involved in anyone, assuming that Hachi does not have the scope to actually achieve the emotional goals she sets for herself.
This dynamic consequently stifles and hinders Hachi’s ability to grow as an independent person throughout the anime, as Junko continues to see her through the lens of their shared past rather than as a peer. Even when Junko chastises Hachi for her lack of independence, she paradoxically expresses relief when someone else can ‘step in’ to care for her. This cycle of infantilisation keeps Hachi trapped in a dependent role within her friendships, and Junko’s inability to adjust her perception only reinforces these traits in Hachi. How people around you perceive and treat you influence how you subconsciously view yourself, and in Hachi’s case, she would see herself through Junko’s eyes as exasperating and hopelessly dependent. While Junko could very well believe her treatment stems from a deep and intimate understanding of Hachi, she in fact implies, most likely unintentionally, that Hachi is not capable of better. Junko's habit of infantilising Hachi repeatedly yet chastising her for the very thing Junko validates puts her in an endless pattern of being enabled, but not giving the genuine support when she does attempt to break the cycle.
Internalised misogyny and and complicity to the status quo
At the root of Junko’s behaviour there is a subtle form of internalised misogyny that permeates throughout her interactions with Hachi. Hachi’s personality is characterised by dreaminess, emotionality, and dependence, and aligns with traditionally "feminine" traits that patriarchal societies often devalue. She is romantic, frivolous and dependent, and Junko, in contrast, is portrayed to be and see herself as more pragmatic and career-oriented, which she is shown to be aware of and even proud of in the anime and manga. She firmly corrects Hachi when Hachi hopes she will give up on her dreams of art school in Tokyo, and pursues her passions and career with dedication throughout the anime. Her more modern lifestyle ( living unmarried with her boyfriend and striving for her dream career) contrast heavily with her more conservative mindset with gender - through interactions between Hachi and Junko, we can see that she seems to have adopted a more ‘masculine’ role between the two of them, acting as the voice of reason and logic, traits which are stereotypically associated with masculinity ( haha). You can see that this patriarchal compartmentalisation of personality traits is something that Junko had internalised growing up through her interactions with Hachi, perceiving Hachi as hopeless and in need due to her personality, when in actuality we find out later that Hachi is perfectly capable of making decisions herself, and managing difficulty by herself (with more resilience that others can muster). While she surely does not always make the best options, she is able to adapt and persevere - not exactly the actions of a hopelessly dependent person.
This is a greatly nuanced decision on Yazawa’s front, as she perfectly depicts how growing up in a patriarchal society does not only influence male and female relations, but all - due to Junko growing up in a patriarchal society where women with ‘feminine’ traits are simultaneously taken care of and condescended, she too mimics and appropriates such beliefs and actions. The status quo in such societies ( like Japan in the time the manga is set) are rigidly upheld yet at the same time result in the mocking and contempt of women who adhere to or fit the mould shaped and maintained by the same people who patronise them - and often times women are complicit in upholding harmful patriarchal ideals. I think this is a refreshing (and depressingly realistic) depiction of relationships between women, as it perfectly captures the delicate and painful cognitive dissonance between caring for someone and not doing what is in their best interest due to internalised misogyny.
A large aspect of internalised misogyny is putting male approval and attention on a pedestal, and Junko depicts such influences as well when she compares her love life to Hachi’s. She flaunts her alleged ability to form platonic male friendships without becoming romantically involved, ironically right before quickly entering into a relationship with Kyosuke. Junko then feels the need to justify her own quick decision of sleeping with and getting with Kyosuke to Hachi, showing a unconscious adherence to the notion that as a woman, getting with or attached to a relatively unknown man simply because of a desire to is a disdainful trait, and one that Junko makes a conscious effort to differentiate herself from - and not for Hachi. Hachi did not judge or even understand why Junko made such a fuss explaining; Junko’s attempts were more a form of self reassurance that she is not like the ‘others’ who are deemed undesirable and whorish ( a belief she holds due to her close interaction with patriarchy growing up). Junko is in fact not so different from Hachi, from what we can see from her actions in the anime and manga. We are told by her she does not attach herself romantically to men quickly, yet in the first instance possible we see otherwise. We see her look down on Hachi’s air-headed desire for a stereotypical, domestic relationship with a reliable man, while staying with Kyosuke throughout all the anime and manga, using him as a mode of support and guidance as well as a romantic and seemingly life partner. Her contempt of Hachi at times seems to be a reflection of her own insecurities with the aspects of her personality that do not fit the mould she wants - the aspects of her personality she was raised to see as less valuable and worthy and therefore grew up and internalised.
Junko’s internalised misogyny is also apparent in her loyalty to the men in her life, particularly in her defence of Shoji after he cheats on Hachi. Instead of holding Shoji accountable, Junko places the blame on Hachi, telling her that it was her fault for being too dependent, too self absorbed - too absent ( the very traits she was telling Hachi to adopt). This reaction reflects Junko’s struggle to justify her friendship with Shoji through her own internalised belief that women are responsible for men’s behaviour ( a common belief in patriarchal societies to take accountability away from men, instead vindicating and blaming the women involved). This scene serves to reveal Junko’s desire to preserve her own relationships and avoid conflict with male peers - by justifying Shoji’s actions, she maintains the comfort and security of her social circle, which includes her boyfriend Kyosuke, who is also Shoji’s best friend ( again rather similar to Hachi and her want of companionship) - she puts her male centred relationships on a pedestal at the expense of her female friendships and Hachi’s wellbeing.
Junko’s character serves as a window into the nuanced ways internalised misogyny, perception, and shared history can influence female friendships. Her dynamic with Hachi is shaped by her rigid perception of Hachi’s weaknesses and her own internalised biases about what traits are "acceptable" in women. While Junko is portrayed as a capable, independent woman—someone Hachi and other women can in some ways even looks up to—her patronising attitude ultimately undermines the potential of their relationship. Junko’s failure to see Hachi as an evolving, autonomous person perpetuates a cycle of dependence, preventing both women from growing as individuals and as friends, with Junko feeling equally responsible and burdened by Hachi but not allowing the relationship to develop beyond how it was in the past.
By portraying Junko, one of Hachi’s closest friends, as such a complex, multidimensional character, Ai Yazawa offers a compelling critique of the ways in which societal norms and internalised beliefs can distort relationships between women, and bring attention to topic that is often neglected yet experienced and lived by women universally. Junko’s story illustrates that it is not only overt sexism that influences women’s lives but also the more subtle, internalised forms of misogyny that shape how women perceive themselves and each other, and the pitfalls of relationships that remain stagnant in the past instead of allowing both parties to grow and flourish.
#nana osaki#manga nana#nana komatsu#nana anime#nana#nana and hachi#anime analysis#anime#anime and manga#manga analysis#manga#nana manga#nana hachi#hachi#hachiko#ai yazawa#ren honjo#takumi#junko saotome#media analysis#media literacy#character analysis#anime gif
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The tax sharks are back and they’re coming for your home
I'm touring my new, nationally bestselling novel The Bezzle! Catch me TODAY (Apr 27) in MARIN COUNTY, then Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!
One of my weirder and more rewarding hobbies is collecting definitions of "conservativism," and one of the jewels of that collection comes from Corey Robin's must-read book The Reactionary Mind:
https://en.wikipedia.org/wiki/The_Reactionary_Mind
Robin's definition of conservativism has enormous explanatory power and I'm always finding fresh ways in which it clarifies my understand of events in the world: a conservative is someone who believes that a minority of people were born to rule, and that everyone else was born to follow their rules, and that the world is in harmony when the born rulers are in charge.
This definition unifies the otherwise very odd grab-bag of ideologies that we identify with conservativism: a Christian Dominionist believes in the rule of Christians over others; a "men's rights advocate" thinks men should rule over women; a US imperialist thinks America should rule over the world; a white nationalist thinks white people should rule over racialized people; a libertarian believes in bosses dominating workers and a Hindu nationalist believes in Hindu domination over Muslims.
These people all disagree about who should be in charge, but they all agree that some people are ordained to rule, and that any "artificial" attempt to overturn the "natural" order throws society into chaos. This is the entire basis of the panic over DEI, and the brainless reflex to blame the Francis Scott Key bridge disaster on the possibility that someone had been unjustly promoted to ship's captain due to their membership in a disfavored racial group or gender.
This definition is also useful because it cleanly cleaves progressives from conservatives. If conservatives think there's a natural order in which the few dominate the many, progressivism is a belief in pluralism and inclusion, the idea that disparate perspectives and experiences all have something to contribute to society. Progressives see a world in which only a small number of people rise to public life, rarified professions, and cultural prominence and assume that this is terrible waste of the talents and contributions of people whose accidents of birth keep them from participating in the same way.
This is why progressives are committed to class mobility, broad access to education, and active programs to bring traditionally underrepresented groups into arenas that once excluded them. The "some are born to rule, and most to be ruled over" conservative credo rejects this as not just wrong, but dangerous, the kind of thing that leads to bridges being demolished by cargo ships.
The progressive reforms from the New Deal until the Reagan revolution were a series of efforts to broaden participation in every part of society by successively broader groups of people. A movement that started with inclusive housing and education for white men and votes for white women grew to encompass universal suffrage, racial struggles for equality, workplace protections for a widening group of people, rights for people with disabilities, truth and reconciliation with indigenous people and so on.
The conservative project of the past 40 years has been to reverse this: to return the great majority of us to the status of desperate, forelock-tugging plebs who know our places. Hence the return of child labor, the tradwife movement, and of course the attacks on labor unions and voting rights:
https://pluralistic.net/2022/11/06/the-end-of-the-road-to-serfdom/
Arguably the most potent symbol of this struggle is the fight over homes. The New Deal offered (some) working people a twofold path to prosperity: subsidized home-ownership and strong labor protections. This insulated (mostly white) workers from the two most potent threats to working peoples' lives and wellbeing: the cruel boss and the greedy landlord.
But the neoliberal era dispensed with labor rights, leaving the descendants of those lucky workers with just one tool for securing their American dream: home-ownership. As wages stagnated, your home – so essential to your ability to simply live – became your most important asset first, and a home second. So long as property values rose – and property taxes didn't – your home could be the backstop for debt-fueled consumption that filled the gap left by stagnating wages. Liquidating your family home might someday provide for your retirement, your kids' college loans and your emergency medical bills.
For conservatives who want to restore Gilded Age class rule, this was a very canny move. It pitted lucky workers with homes against their unlucky brethren – the more housing supply there was, the less your house was worth. The more protections tenants had, the less your house was worth. The more equitably municipal services (like schools) were distributed, the less your house was worth:
https://pluralistic.net/2021/06/06/the-rents-too-damned-high/
And now that the long game is over, they're coming for your house. It started with the foreclosure epidemic after the 2008 financial crisis, first under GW Bush, but then in earnest under Obama, who accepted the advice of his Treasury Secretary Timothy Geithner, who insisted that homeowners should be liquidated to "foam the runways" for the crashing banks:
https://pluralistic.net/2023/03/06/personnel-are-policy/#janice-eberly
Then there are scams like "We Buy Ugly Houses," a nationwide mass-fraud outfit that steals houses out from under elderly, vulnerable and desperate people:
https://pluralistic.net/2023/05/11/ugly-houses-ugly-truth/#homevestor
The more we lose our houses, the more single-family homes Wall Street gets to snap up and convert into slum properties, aslosh with a toxic stew of black mold, junk fees and eviction threats:
https://pluralistic.net/2022/02/08/wall-street-landlords/#the-new-slumlords
Now there's a new way for finance barons the steal our houses out from under us – or rather, a very old way that had lain dormant since the last time child labor was legal – "tax lien investing."
Across the country, counties and cities have programs that allow investment funds to buy up overdue tax-bills from homeowners in financial hardship. These "investors" are entitled to be paid the missing property taxes, and if the homeowner can't afford to make that payment, the "investor" gets to kick them out of their homes and take possession of them, for a tiny fraction of their value.
As Andrew Kahrl writes for The American Prospect, tax lien investing was common in the 19th century, until the fundamental ugliness of the business made it unattractive even to the robber barons of the day:
https://prospect.org/economy/2024-04-26-investing-in-distress-tax-liens/
The "tax sharks" of Chicago and New York were deemed "too merciless" by their peers. One exec who got out of the business compared it to "picking pennies off a dead man’s eyes." The very idea of outsourcing municipal tax collection to merciless debt-hounds fell aroused public ire.
Today – as the conservative project to restore the "natural" order of the ruled and the ruled-over builds momentum – tax lien investing is attracting some of America's most rapacious investors – and they're making a killing. In Chicago, Alden Capital just spent a measly $1.75m to acquire the tax liens on 600 family homes in Cook County. They now get to charge escalating fees and penalties and usurious interest to those unlucky homeowners. Any homeowner that can't pay loses their home.
The first targets for tax-lien investing are the people who were the last people to benefit from the New Deal and its successors: Black and Latino families, elderly and disabled people and others who got the smallest share of America's experiment in shared prosperity are the first to lose the small slice of the American dream that they were grudgingly given.
This is the very definition of "structural racism." Redlining meant that families of color were shut out of the federal loan guarantees that benefited white workers. Rather than building intergenerational wealth, these families were forced to rent (building some other family's intergenerational wealth), and had a harder time saving for downpayments. That meant that they went into homeownership with "nontraditional" or "nonconforming" mortgages with higher interest rates and penalties, which made them more vulnerable to economic volatility, and thus more likely to fall behind on their taxes. Now that they're delinquent on their property taxes, they're in hock to a private equity fund that's charging them even more to live in their family home, and the second they fail to pay, they'll be evicted, rendered homeless and dispossessed of all the equity they built in their (former) home.
It's very on-brand for Alden Capital to be destroying the lives of Chicagoans. Alden is most notorious for buying up and destroying America's most beloved newspapers. It was Alden who bought up the Chicago Tribune, gutted its workforce, sold off its iconic downtown tower, and moved its few remaining reporters to an outer suburban, windowless brick building "the size of a Chipotle":
https://pluralistic.net/2021/10/16/sociopathic-monsters/#all-the-news-thats-fit-to-print
Before the ghastly hotel baroness Leona Helmsley went to prison for tax evasion, she famously said, "We don't pay taxes; only the little people pay taxes." Helmsley wasn't wrong – she was just a little ahead of schedule. As Propublica's IRS Files taught us, America's 400 richest people pay less tax than you do:
https://pluralistic.net/2022/04/13/for-the-little-people/#leona-helmsley-2022
When billionaires don't pay their taxes, they get to buy sports franchises. When poor people don't pay their taxes, billionaires get to steal their houses after paying the local government an insultingly small amount of money.
It's all going according to plan. We weren't meant to have houses, or job security, or retirement funds. We weren't meant to go to university, or even high school, and our kids were always supposed to be in harness at a local meat-packer or fast food kitchen, not wasting time with their high school chess club or sports team. They don't need high school: that's for the people who were born to rule. They – we – were meant to be ruled over.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/04/26/taxes-are-for-the-little-people/#alden-capital
#pluralistic#chicago#illinois#alden capital#the rents too damned high#debt#immiseration#chicago tribune#private equity#vulture capital#cook county#liens#tax evasion#taxes are for the little people#tax lien certificates#tax sharks#race#racial capitalism#predatory lending
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I unfortunately saw something I didn't want to see and that was my last straw. I'm fucking doing this.
Let's establish this first. Alastor is stated in the show to be asexual that is not up to discussion. He is also very heavily implied in the same conversation to be aromatic. 'An Ace in the hole' being used in context of him being with Charlie is also implying his aromanticism.
VIDEO
If that's not enough then here is Viv speaking about his romantic orientation. It's pretty clear despite the fact that afterwards she said it's okay to headcanon whatever (it's not but I will get o that later) that he is written purely as an aro ace character.
On top of that going by Alastor's interaction with Angel from the pilot and the first episode it is clear that he is sex repulsed. Not only that but on the fandom website he is stated to be touch averse with two sources which you can check out on the website.
Hazbin hotel wiki, Alastor page
Now we established that Alastor is canonically Asexual, Aromantic, Sex Repulsed and Touch Averse
As I also am all of the above I'll try to explain everything to the best of my ability as simply as I can.
Aromanticism and Asexuality.
I'm probably targeting the audience that knows those terms but regardless I will explain it anyway.
Aromantic - people that experience little to no romantic attraction towards any gender
Asexual - people that experience little to no sexual attraction towards any gender.
Little to no
Asexuality and aromanticism are spectrums in which people can feel certain attractions towards people but those attractions are less occurring or are defined by personal connection.
Diagram from AVEN website
However some people are at the end of the spectrum, they never felt attraction and that's valid. Alastor was stated to be aroace he wasn't written as demi or as gray he was written as aroace as in the end of the spectrum. His repulsion and not giving shit about romance or sex speaks for itself.
Representation
I do understand that everyone wants to be represented but it's so important to understand that aroace people are one of the most underrepresented queer groups in the media.
And I'm not here to scream about how I want my fav character to be just like me I don't care for it I'm way too confident in my orientation to rely on that however I'm tired of explaining to people what asexuality and aromanticism is just to receive 'are you sure' or 'you'll change your mind' or 'its not real' or the community favourite 'you'll find the right person' no I won't I'm not looking thank you very much (I just smile and nod to be polite and I'm sick of it).
'Harmless' buts like: 'He might be on the spectrum', 'AroAce people can still feel attraction' hurt the final outcome for all the people on the spectrum not only strictly aroaces because it allows people to write one shots with 'Demi Alastor' that falls in love in 2000 words because he is 'demi' (spoiler alert: they don't understand what that label means). It's just a cover, an opening, sneaky way to disregard his orientation, feel good about themselves and move on. Newsflash there is no moving on for aroace people it's our life.
Shipping
Shipping is just harmless fun right? Usually yes but not in this case. In the same way its not okay to ship gay characters with genders they are not attracted to.
It's erasure and since there is much less people identifying on aro/ace spectrums then there is gay or bi people our voices are being silenced. Not to mention that gay people received support from entire LGBTQIA+ community over the years in contrast to aro/ace specs who to this day are told that we are 'not queer enough' or 'not oppressed enough' often by other queer people.
And finally... FINALLY we get cannon Aro/Ace character that is clearly not interested in romance and sex. Character that beats stereotypes of boring and timid aro/ace people and what's the first people do? They ship him. Alastor's storyline provides so many points to be explored like 'what is his backstory', ' what's about his deal', ' how does he fit in in the found family trope' , 'does he care about hotel guests' yet people choose to write about the only thing that he is not interested in. As a heavily repulsed person that used to be horrified about the fact that I'll have to fall in love with somebody at some point before I found out what aro/ace is I find it repulsive and trust me he would too.
But Viv said it's okay!
Its the same point once again. What if Viv said that it's okay to ship gay Angel with woman. She doesn't have authority to say shit like that.
Queerplatonic relationships
I can't tell you not to do it I don't think he would be necessary interested in it but for fuck sake do your research and try to understand what queerplatonic means before you use it as a cover to shamelessly ship him. Respect the fact that he is sex repulsed and touch averse and you're fine.
Why can't you just avoid it?
First of all I shouldn't have to. Alastor's orientation should be respected in the fandom like any other orientation is. Second of all I've tried. I tried to only look up AroAce Alastor tag I've blocked over 80 people on tumblr alone (I just counted) to avoid to see anything that could trigger me and I'm not talking about slightly shippy posts or fanarts I'm talking about full blown disregard towards his orientation. Guess what it didn't work!
Archive of our own where do I start. I've used this website for over a decade and I could probably count days I didn't go there on my fingers. I'm fluent in AO3 I know which tags I should block. I know how to skim thorough the summary and tags to see if I'm interested. I've seen shit I'm a shipper I've been on ao3 for ten years but never had to mentally prepare myself to face queerphobia as I click on the tab.
Just use aro/ace Alastor tag.
I do and let me tell you people can't tag for shit or they just pretend to be clueless at this point. Besides see this?
there is more ff with Alastor/reader (disgusting) than there is Alastor with his canon orientation and to play the devils advocate for arophobic people there is more Angel/Alastor then his stated in the show sexuality. I understand that fandom goes back before the show was aired but Viv confirmed his orientation back then too.
Summary
I could go on and on bout different issues and maybe I will in the future but I'm not wasting anymore of this weekend on it. I'm ready to answer any questions as long as they are respectful.
I'm aware that he is a fictional character, it doesn't affect him in any way whatsoever but it does affect aromantic and asexual people keep it in mind.
If there are any mistakes grammar related I'm not sorry I'm fluent in English (not my first language) but I took 3h nap in between and I'm sleep deprived.
Have a nice day.
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Things I Think RTC Did Well In Disability Rep (in 2016-2018 scripts)
exactly what it says in the title. i'm not touching on the pre-2016 scripts because i dont know enough about them and i'm not talking about the 2022 script changes for obvious reasons.
disclaimer, this is all my own opinion as one disabled person, other people may feel differently and that's fine.
Ricky's disability in general
Ricky is a young person who uses mobility aids. He can't talk, implicitly due to dysarthria. He has a degenerative disease, specifically a rare disease which is heavily implied to be neuromuscular. And it's stated outright that his disease is lifespan-limiting and that he's dealt with his own mortality in life.
And all of these things are very underrepresented!
I'm not going to claim that all of these things were explained perfectly or explored in detail in the canon. But just having them on-stage, in my opinion, is a big deal in itself. And it's also a big deal that Ricky is a main character, who has the same character depth as the abled characters, when so many characters like him are reduced to ableist props for other characters' story arcs.
I understand there's been some confusion about the specifics of ricky's disability, in the fandom. And I know part of the confusion comes from the fact that the script didn't explain everything, and glossed over most of the details. But honestly? The fact that so many RTC fans didn't initially understand parts of his disability - such as the fact that it's likely neuromuscular, or the fact that his inability to speak is implied to have a physical cause - just makes it more important that these things were represented on-stage in the first place. They're so underrepresented, little-known, and poorly-understood that many people don't pick up on them even when they are represented!
Just showing these underrepresented disabled experiences on-stage has potential to help a lot of disabled people feel seen, which matters.
Ricky as a victim of ableism
Okay, this one might be controversial, but i'm speaking from the heart here.
Ableism is a huge part of Ricky's backstory and character - the whole Zolar thing is stated to be a coping method to deal with isolation & cruelty. Throughout the musical Ocean infantilizes him in dialogue, and in her song she argues point-blank that he has no reason to be alive due to his disability. The rest of the choir aren't perfect either - sure, nobody else says anything ableist, but they're all bystanders to Ocean's overt ableism, nobody really holds her accountable or acknowledges that what she's saying is fucked up. On top of that, Ricky says after his song that nobody listened to him while he was alive which, combined with the whole choir being shocked upon learning about his deeper thoughts, pretty clearly implies that they all ignored him previously.
And it's so fucking realistic.
Look. I'm not saying that Ocean's ableism was ever handled perfectly in canon. I am saying that when I saw a post-2022 production with the able-bodied Ricky script, I got a sinking feeling in my gut when we got to *that* part of WTWN and I realized the ableist lines had been removed/replaced. Because facing ableism is a huge part of my disabled experience that I barely ever see even acknowledged in media, let alone represented accurately, and the more I face ableism in real life the more I feel I can relate to Ricky, and that is so important to me.
Depicting bigotry in fiction is always difficult to do right - it's a rough balance between "this is not okay and we should not imply that it is" and "many people believe this is okay, wrongly, and that needs to be shown accurately". Sure, you can make it so the antagonist character is overtly ableist and every sympathetic character explicitly says "I do not agree with your ableist views!" and that way it's 100% clear that the ableist actions are wrong. But real ableism isn't just like that. Sometimes real-world ableism is a group of perfectly nice people who just never think about the disabled kid, or how he's doing or whether someone should talk to him, because they've been taught to ignore him. And sometimes it's a girl who swears to God that she's a good person, who considers herself an ally, whose voice stays sweet and kind as she switches between talking to her disabled classmate like he's 5 years old and claiming he doesn't deserve to live.
I think the brutal honesty of ableism in RTC is important. Yeah, it's pretty fucked-up when you think about it - Ocean openly sings about why Ricky shouldn't live, every ableist character is presented sympathetically, nobody is ever actually held accountable for ableism on-stage - and that's just like real life. I'd like to think that it could act as a wake-up call to some abled fans, who are similar to Ocean (+ others) and who could learn to understand the flaws in their worldview when they realize you're not supposed to agree with what she says in WTWN. But even more importantly than that... it makes me feel seen, in a way that I couldn't feel if Ricky's experiences with ableism weren't shown so realistically.
SABM, like, all of it
Do I even need to explain this? Disabled person has a whole furry-themed musical number. That's cool as fuck. God I wish that were me.
Okay, seriously. I think SABM is wonderful and important for a number of reasons. Like all of the character songs, it's important for expanding Ricky's character - not only is it a main glimpse into his interests, but it sets up for us to learn more about his personality and the selflessness that would later lead to the touching Savannah scene. It shows us his deep internal thoughts - it confirms that he has deep internal thoughts - and explains how he's been coping with the ableism he faces.
SABM is weird. I like that. I like that Ricky gets to have weird interests and a weird self-insert fantasy, while being disabled - I like that being disabled isn't treated as his "weird" trait, such that giving him weird interests as well would be "too much". Because that happens a lot! Disabled people are expected to be completely average in every other way to "make up" for our disability. And, yeah, SABM is kind of horny - and that makes sense! Ricky is a teenager, he's in his final year of high school, most people his age do have sexual fantasies. Other characters also reference sex in various ways so it makes sense that Ricky would. And I think it makes sense for SABM to be weird because part of Ricky's backstory is being ignored and isolated due to his disability - that's the sort of thing that, long-term, can leave people without a clear reference point for 'weird' and 'normal', or just leave them having no reason to care about being 'weird' because they're ignored anyway.
But also, if I may get analytical for a moment. Throughout the musical until SABM, Ricky faces a lot of ableism from Ocean, which isn't really commented on - she infantilizes him, both by assuming he's incapable of deeper thought/understanding and by being shocked at the idea that he might talk about porn or sex, and she also argues that he doesn't have a reason to live with his disability. Ocean is a flawed character and an unreliable narrator, but for the first half of the musical, you could be forgiven for thinking maybe you're supposed to agree with her and view Ricky as some pitiable child.
And then in comes Ricky's introduction, followed by SABM. And clearly Ricky isn't mentally a child, in any way - he's developed a whole complex story with deep worldbuilding so that he can imagine himself having sex with alien catgirls. But it also makes it clear that Ricky does have valuable ideas to contribute and, heck, just things he enjoys - which feels significant to me when a few songs ago it was being argued that there's no reason he should be alive.
As I said earlier, the ableism Ricky faces is extremely realistic and relatable to me. And SABM makes it clear that Ocean's ableist views about him are untrue and harmful, without breaking the realism for her to turn directly to the audience and say "By the way, you aren't supposed to agree with most of what I say about Ricky - I'm an unreliable narrator speaking due to my own biases!"
Basically - SABM is a subtle deconstruction of all the ableist things said to/about Ricky throughout the musical. It's an incredibly important part of the musical and an important way to represent a disabled character. And it's also a fucking bop.
Why this is important
Representation matters. That's a concept that has been explained a lot, by people who can articulate it better than I can - I won't fully explain here, just google "why does representation matter".
Look - over the years, many aspects of RTC's disability rep have been criticised in various ways. And a lot of that criticism is completely justified. Many topics were handled confusingly, not fully explained, and not properly explored like they could have been; erasure was pretty much baked into the script, with Ricky becoming able-bodied in the afterlife, and while some productions have tried to alleviate this by retaining his mobility aids nobody has found a workaround for his inability to speak in a genre where it's important for him to sing; and in recent years his disability has been entirely erased from the script, in an incredibly ableist way.
I'm not saying RTC is perfect; far from it. But if I thought there was no value in RTC's disability rep, and Ricky was just some offensive caricature, I wouldn't be in the fandom.
In fact, it's because I love Ricky and see him as valuable disability rep that I think it's important to criticise the parts of the musical that aren't handled well & the issues with disability erasure. RTC had good disability rep - that's why I think it should be improved, why it can be improved, and why i think we should fight against erasure. That's a big part of why I hate the 2022 script changes! Because they erased something that was important to me!
A lot of the things I loved about RTC in the first place are things that I frequently see glossed over, or downright erased, in fanworks. I think sometimes people don't realize the significance of these details, so I wanted to share why I think it's important! Some of these details really need more exploration and more love!
Overall, I think it's important to understand that media can't always be sorted neatly into "good representation" or "bad representation". And that talking about the good things and criticising the flaws can both be important. I really wanted to share my perspective on this topic. Thanks for reading!
#ride the cyclone#rtc fandom#rtc#ricky ride the cyclone#ricky potts#ricky potts rtc#ricky potts ride the cyclone#ricky rtc#harper explains
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