#no more degrees of separation.

[solrites]

@vitalphenomena, stolas said: do you remember me?

HAS ANYONE EVER SEEN SOLVEIG T. BATTEY UNCOMFORTABLE, AND ATTEMPT TO LIE, LIKE, EVER? first time for everything. jaw set, and she's gripping her pen so hard it might burst. her poor glitter pen. that's what she gets for having a sense of whimsy. "no. why would i. i'm engaged. leave me alone."

[hauntoblogical]

I have seen three different "how much of this site is queer" polls this evening poking fun at staff's 1/4 assertion and not a single indication any of them understand statistics. One someone even replied "This might have some sampling bias" what do you mean might what do you mean SOME

[hoofpeet]

This girl has so much problems

[hoaxghost]

Some File Recovery demon lore! Feat a rather unfortunate example

Angels outnumbered The Fallen by a great deal so many demons resorted to splitting themselves off to boost numbers. Many also took this root to essentially end their conscious, a thing that is rarely ever allowed for immortal beings such as them.

Splits are essentially their own people, the more simpler way I could prob describe this method is 'Reverse 2048'

Also a fun lil fact but Stolforns and Sezzi are of the same Split tree, with the latter often calling the other his brother.

[gaytobymeres]

I like that Benoit Blanc is in many ways a homage to previous fictional detectives, but he himself is not the central character. I think that’s what makes it fresh - the films focus on Marta and Helen, not his ability to detect and deduce which is something you can get in pretty much any detective story.

[moderndaypandora]

jenny moves to london* and gets to find out how fucking expensive it is, even with the insurance from her butcher shop blowing up. she lands a job as a bartender in a pub because she does have customer service experience, and her willingness to intimidate belligerent drunks with a meat cleaver makes up for her generally abrasive personality.

"i thought americans are supposed to be smiley?" you thought wrong, motherfuckers, now order or leave.

she gets away with it because the pub owner seems to find her funny and said he has a soft spot for socially inept goths, they remind him of his boyfriend. pub owner's only his side gig, anyway. he's a professor or something at a local university. he's nice enough to drink with sometimes, and he's the most average guy she's ever met, outside of his name. what the fuck kind of nickname is hob, anyway? whatever. all that matters to jenny is he has zero contact with the paranormal at all, he's not interested in her romantically, and she can pay for her life in london**.

*with what visa? doesn't matter. that's a problem for show writers to actually solve or conveniently ignore in season 2. for the sake of excusing it in my own brain, she qualifies for a uk ancestry visa due to a single grandparent coming from the uk (gi bride in wwii?) and birthing one of her parents in a commonwealth country (canada) before the entire family emigrated to port townsend. **mostly. crystal's parents are unknowingly funding a 2-bedroom flat in north london only a 10 minute bus ride from the finsbury park station on the picadilly line. jenny would love to pretend she's too proud to let an infant pay her rent, but she doesn't lie to herself and london is almost unaffordable.

[unmerrymagdalene]

I cannot for the life of me find the post, but it was a screenshot of the Sex Tape scene in Science class. And Sirris says something like “I want you (guys) to know what sex really looks like. Humans are animals, after all.”

And I think it made something very obvious click for me?

Of course Sirris is like that when it comes to sex/sex education. They’re either taking it from a scientific perspective, where showing live examples of animals mating is understandable for educational purposes. Or even just from a “You’ll only really learn by experiencing/seeing it for yourself” way. It’s very blunt and “realistic.”

But it also made me realize that Sirris definitely does not talk about the emotional aspects of sex? I know that sounds fucking bonkers to mention considering the game, but they focus more on the act than like…the possible mindset/thoughts surrounding it? I feel like that’d be an equally important thing to explore, if they were discussing sex from a human being perspective.

But I guess humans are just animals after all

[imogenkol]

KINCADE PACK 🐺 (original works) — “The name goes back centuries, and all Miranda cares about is making sure it lasts for many more”

[template by @tommyarashikage]

tag list (ask to be added or removed!): @adelaidedrubman @florbelles @simonxriley @voidika @kyberinfinitygems @voidbuggg @inafieldofdaisies @statichvm @socially-awkward-skeleton @aceghosts @carlosoliveiraa @risingsh0t @unholymilf @thedeadthree @cassietrn @jackiesarch @a-treides @shellibisshe @loriane-elmuerto @katsigian @captastra @simplegenius042 @theelderhazelnut @g0dspeeed @leviiackrman @strangefable @jacobseed

[abyranss]

I read a Hound Ruby fic recently called I can almost hear the Hounds that I really enjoyed and it got me thinking about these two again.

Something that's been on my mind since I last drew them was that I wanted to find ways to distinguish Penny's look more from her usual appearance; she has the red lights and the twisted ahoge and she was scraped up a bit but I wanted to go further.

So I'm leaning more into the cyberpunk nightmare that is Penny's existence. While with Salem she probably looks as I drew her previously but once they leave they lack the resources to keep her in top shape in the absence of Watts' or military funding.

So wear and tear take its toll and they end up needing to use less than optimal parts as replacements; maybe they can scavenge parts from the Atlesian Knights on occasion too. The result is: she ends up looking more obviously mechanical.

[ofmdee]

part 31 is edited and i am starting on the pics!!!!!!!

wanna catch up?

[skiddlecat]

in phase 1 of loop's fight they don't use rock paper or scissors craft but instead some secret fourth craft that looks like a four-pointed star. given that four-pointed stars are usually associated with the forgotten country and by extension wishes, does this imply that loop somehow figured out how to weaponize wish craft. aaaand post

[deus-ex-mona]

something something guys who think of the backs of the girls they love

and girls who pinch the cheeks of the guys they love

[sergle]

I’m still not over how funny it is about the absolute level of Delusional Terf Sensitivity that makes them get upset about  (checks my notes) ... a cis woman getting a breast reduction?

[dxxtruction]

Part of me feels like if you enjoy and/or are involved in the fandom of IWTV, knowing how a rather significant part of the show is set in Dubai (a part of the UAE), you should be aware of, and taking action about what's going on in Sudan.

To explain: the UAE has been exploiting Sudan for its resources in gold (mostly), and in many ways actively fueling the war there to get it. Making the UAE a responsible party for the multiple humanitarian crisis happening there; over 6 million displaced peoples, genocidal massacres, extreme sexual violence, etc. - just look into it.

There's been a demand not to travel to the UAE/Dubai for this reason. Luckily, from what I gather they don't film those scenes on location, except for the aerial driving sequence in Season 1 episode 1. This would've also been before the war started in Sudan where this such demand wasn't in place (as far as I'm aware). Which is good for fans as it means enjoyment can just be critical and not reason to turn it off.

Anyway, just something to very much consider.

[commsroom]

i think there's something to be said about what exactly it means to be "non-human" in a story that is as much about humanity as wolf 359 is, where even the dear listeners are defined less by their own perspective and more by what they fail to understand and therefore reflect about the human perspective - to the point that they don't even have their own voices or faces or identities that aren't either given to them or taken from humans. they speak to humanity as a mirror.

even pryce and cutter are "very much humans" - pryce defined by her resentment of and desire to transcend its limitations, and cutter by his aspirations to redefine and create a "better" type of human - and find the idea that they might not be human laughable. it's interesting that they have distinctly transhumanist aspirations when their goal is the narrative opposite of common science fiction fears: that we will expand the definition of humanity so much that we'll lose whatever it is that makes us human. pryce and cutter's transhumanism narrows the definition of humanity to the worthy and the useful, as defined by them; "there will still be a humanity; it'll just be our humanity."

in direct opposition to that, i think it's meaningful that the show instead expands the definition of humanity in ways that include lovelace and hera, who in another show with different themes might be considered (in the descriptive, non-moralistic sense) non-human. i will always make a point of saying that personhood and humanity are two often-related but meaningfully distinct concepts, especially when talking about sci-fi and fantasy. i am talking about humanity.

the question of how hera identifies, and what social pressures influence that, is a complicated one. i've talked about it before and i will talk about again. what's important for the purposes of this post is that i think the show considers her fundamentally human. think about her role in shut up and listen - consider jacobi's lion example and the concept of different paradigms - that even things that are close to humans, comparatively speaking, understand the world in different ways. whatever differences hera may have from the others, it's primarily in experience, not fundamental understanding. she shares their emotions, their concerns, their values, their thought patterns. she has an appreciation for music, which the show considers a hallmark of humanity. she fits within the framework of humanity as the show defines and is, in her own words, left feeling "uneasy" about how difficult it might be to communicate with beings who don't. and it's significant that this takes place in shut up and listen, of all episodes, specifically because the way she is clearly and unambiguously included in the show's understanding of what it means to be human highlights the ways she and lovelace are othered by eiffel's careless comments that suggest otherwise.

(i don't want to get too into these details for this particular post, but it's worth noting that hera will refer to 'humans' as a category, often when she is upset and feeling isolated, but has never said that she 'isn't human' - she has never been upset that people are treating her 'too' human. i've seen it said about the line "you need to get it through your heads that what goes for you doesn't always go for me", but that's a frustration related to ability and safety, not identity. far more often, she will refer to herself in 'human' terms - referring idiomatically to experiences or body parts etc. that she doesn't literally have - and is upset primarily with comments referring to her status as an AI. it does not diminish how being an AI influences her perspective and experience, but again, so much of that is in terms of ability that it feels almost inseparable from a discussion about disability.)

lovelace's humanity and hera's humanity are so interlinked and directly paralleled in the text that i think it's impossible to really argue one of them is "not" human without making implications about the other. in desperate measures, lovelace tells kepler he's "not human" and he responds "you're hilarious. on a multitude of levels." later, defending lovelace against kepler's repeated dehumanization, hera very pointedly uses the phrase "that woman." in out of the loop, hera says she's never met anyone who "worked so hard at being inhuman" as jacobi, who says "what do you know about being human?" hera very emphatically responds, "i know plenty." later, defending hera against jacobi's repeated dehumanization, minkowski pointedly uses the phrase "that woman." with the care taken towards language and the way scenes and turns of phrase will parallel each other, that's not a coincidence. it might seem strange to have the "non-human" characters be the ones to express criticisms based on perceived "humanity" (something hera will do in other contexts as well - "we don't have funerals for animals" etc.) but in the broader context of the show, i think it's the point.

so, whether hera would ever call herself human, or be comfortable with that, is a complicated question for another time and depends on a lot of other factors. but wolf 359 is a show about humanity, it includes her within its definition of what it means to be human, and i wouldn't be comfortable definitively saying she's not human because of that. it can't be a neutral statement within the particular context of this show.

[coffee-cait]

✨Howdy howdy!✨

@/_skycompass (on twitter) and I will be in the Premium table section of Otakuthon's Artist Alley this year at

" Golden Ratio - Table #1323 "!!

We sure did have our table named that because we in deep about... them. LMAO 🗿🦚

Catalogue coming soon!