#no i will Not shut up about the COLOURS

[brutermonger]

It's El WooWoo Wednesday my dudes on this V-day 🐺💖✝️

A gorgeous WW art by WILXOR

[itsallaboutbl]

Let me help.

[4o4notf0und]

JAMES DOUGLASS & EVERETT BLAKELY Masters of The Air — part 9

[gothwizardmagic]

Me with the floorshow Kickin' with your torso Boys getting high And the girls even more so Wave your hands if you're not with the man Can I kick it (yes you can)

ROCK DJ - BETTER MAN

[theunholyvirginemilyprentiss]

SOMEONE DID IT!!!

Omg I posted begging for someone to do this and I finally found it on TikTok today, I’m crying 🙏

“JJ likes boys but she knows I’d hit it”

[hauntingofhouses]

Taigen x Mizu mentioned in the The Making of Netflix’s “Blue Eye Samurai”

Taken from the livestream organised by Gnomon

Jane Wu:

Next slide, Taigen...

Brian Kesinger:

Everyone's favourite samurai, uh, Taigen. Uh, so, he was designed a bit over the top. The, the, peak of male samurai, even down to the quite prodigious hair bun, which he doesn't have on screen for much. Uh, but, um, he is the visual opposite of Mizu, right, so it was fun to kinda let her design dictate what his design should be, and, you know, I think that, you know, especially for all you Taigen x Mizu fans out there, I think that might be one of the reasons why he's attracted to her. Um, or in my brain, he's attracted to her, uh, is because she is who she wants to be, and doesn't have to put on airs. Uh, and that's a lesson that he has to learn and he literally, I mean, it's on the nose but, he lets his hair down. And that's the start of his journey of discovery, um, which he needs to go. He's, he's got a lot of growing still left to do. Um—

Jane Wu:

I also think he has a, has a talent—he has like a... sword crush on her right, he has like a martial arts crush on her, yeah. Talent crush, yeah.

Brian Kesinger:

Right, yeah. Talent crush. Yes. Yes, for sure.

---

For context, Jane Wu is Blue Eye Samurai's supervising director and Producer, while Brian Kesinger is the lead character designer. Others presenting for this livestream were production designer Toby Wilson and art director Emil Mitev.

[sheetzking]

anyone else like this guy ??

[o-hora-o]

Ara ara (｡•̀ᴗ-)✧

[garrothromeave]

ok LET it be an insane rambling. but gang people who give early-mid s1 garroth with a blue cape instead of red. guys guys listen. the red is significant. because its an okhasis uniform and we see that their uniforms have red on them (at least in s1 idr s2 lol) and garroths still under his lil ol helmet and hes still tied to his past and that red. it binds him. hes still under the thumb of okhasis. hes still influenced by them no matter how much he tries to separate himself. and just as garroth is SEPERATING from them and growing as a person and finding HIS place in this world and is getting confident in where hes supposed to be he finally gets his new gear dawning his pretty pretty blue cape. no more red! and what else? helmet off. hes ready to embrace HIM. blue is him ok. red is okhasis (ignore dante and sks in this very specific context) ITS FOR GARROTH SPECIFICALLY. this is important i swear guys trust m

[fwuffcat]

will make pretty later, but tribbie graphic/widget (there's a transparent one and one with a backing depending on what your using it for lol)

[butchprophecy]

[nandermoenthusiast]

Re: the latest helluva boss short, i REFUSE to believe that blitzø is bad in the sack. i just refuse that notion all together. i do believe he has zero technique whatsoever though, because he relies heavily on confidence and on his excellent capability of reading people.

See, thats all you need to be a sex god imo. If youre skilled enough at reading peoples reactions properly, you dont need technique because you dont need generalisation, you figure out what that SPECIFIC person likes. and that makes you invaluable to their eyes. i do believe two things, one is that blitzø enjoys cracking open that mistery and exploring what makes someone tick, two is that he is extremely observant and good at reading people/situations (exes and oohs is a great example of this, both in how he clocked the drugged drink right away and how he slept with chaz to get info), aside from also being quite versatile, handy and extremely adaptable.

Third thing i believe is that blitz is also DEFINITELY all over the place, so sometimes he may also be bad at sex because he can also be selfish and self centered, so he may not care enough to pay attention to the other person at times. But he has the capability to be great in bed is all im saying.

So what i believe happens in the short is, first of all as other people have said he has some complicated feelings about this crystal. Because of course. So maybe he doesnt even feel like pleasuring a stupid crystal when he should be pleasuring stolas, thank you very much!! And also the crystal is an inanimate thing, he cant really gauge a reaction from it so he would have to rely solely on technique, which he lacks 😋

[cannotandwillnotrest]

It is mildly concerning how desperately I want to be able to pull off Abed's sense of style. Like graphic tee (sometimes plain) with a random cardigan slash flannel slash zip up hoodie and pants that I honestly cannot identify the material of? Sign me up

[glitchy-haha]

Listen know the year just started like a day ago and I said that I would try to not rant as much this year but I hope everyone who even remotely uses the terms "Fandom police/Fanpol/Fancop" and "Acab includes fandom police" unironically in 2025 and beyond that please fuck off and block this account one time because I have a lot to say to you bitches and I would personally rather not embrace rage this year

[g0nta-g0kuhara]

I really wish we got to see Komaeda interacting with more people who aren't Ultimates other than Hajime, because I always forget that he's like, extremely elitist when it comes to Ultimates vs normal people and I want to study his interactions with the average person under a microscope

[hauntingofhouses]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.