#no i mean prayer's good i like the vibe of it a lot

[crehador]

now this one is easy. brother crab's number one ending of summer 2024:

there is absolutely noooooo contest. if i had to rank ops and eds together, man. i dunno. kamakura style might be able to take on the demons op (but idk it'd be really close)

this is just such a good track. i feel like it's only a matter of time before botchiboromaru gets yoinked to make a track for hpmi (manifesting)

2. unchain x unchain (tasogare outfocus)

no one is more surprised than me that i'm ranking this one so high (above demons ed) but it is honestly just. holy shit

first of all the fact that the yaoi of the season has yuri in the official mv of its ed is just so blessed to me. love and peace on planet earth

secondly this guy's voice is insane. i thought he was a girl named amber and was like "oooooh gender" when i first watched the mv, then i read about the band and was like "oh shit?!" then right back to "oooooh gender"

banging song, banging lyrics. linking the mv because it's just that worth watching

3. zezezezettai seiiki (dead dead demons dededede destruction)

and of course one of the demons eds does at least make the top 3

honestly both of the demons eds could be on this list but i'll limit myself to one. linking the full mv again because it's just so perfect. ano and lilas ikuta is a duo for the ages fr

[pileofmush]

blue raspberry, red sun ୧ ‧₊˚

ft. monkey d. luffy

hello! this is an entry for the lovely @threadbaresweater's summertime (and the livin' is easy) event! haven't written for luffy in a while but i missed him, so.

details ➸ tags: modern au, tooth-rotting fluff, no plot just vibes // cw: gn!reader, mc is implied to have cleavage // wc: 1.3k // ao3

“how can you fuck up eating a popsicle that bad?” you ask, eyes wide at the straight-up murder scene before you. your own ice cream cone sits pristine in your hands—vanilla with a waffle cone. cute, contained, simple. 

you’re sitting on a curb in the middle of who knows where. the sun is particularly vengeful today: bright, hot, loud. it chases away all the shadows and beams down on you like you called it’s mother a whore. sweat pools between your thighs; concrete digs into your ass. you’re afraid that when you stand up there’ll be a sweat-stained print on the sidewalk, free for everyone to see.

your boyfriend shrugs, messy raven hair falling over his tan, toned shoulders. “dunno,” luffy says blandly. he licks his hand in one long stripe like a heathen and hums. “it’s good—wanna taste?”

you balk at the suggestion. “no, don’t—!”

too late.

���� .・゜-: ✧ :-

you can catalogue the days spent with luffy during a week by the amount of damage done to your closet. 

the pretty pale pink blouse you thrifted a few months ago—the one with the lace trim that shows off the perfect amount of cleavage—tossed in the hamper with thoughts and prayers thanks to the gigantic-ass stain luffy blessed you with last wednesday. 

(you should’ve seen it coming, really, neon blue sludge dripping from his sun-speckled fingers with reckless abandon near moments before he grabbed you by the waist to bring you in for a sloppy, tart kiss. it was quick and bright, an explosion of blue raspberry, before he pulled away as quickly as he initiated the kiss. he wiped his mouth with a lazy flick of his hand, then grinned a proud, dopey grin, teeth glinting in the sunlight. 

you remember feeling dizzy and warm, baked in the sun and your love and the sheer aura your boyfriend possessed.

“tastes good, right?” he asked. 

your eyes caught his flash of tongue as he spoke, tongue stained blue. 

“yeah,” you agreed quietly, reverently. “tastes good.”)

then there was the trip to the beach a few days ago that luffy suggested, which… alright, maybe you can’t blame him for getting sand all over you at the beach.

(and really, it was a nice trip. you and the straw-hats all packed into franky’s van like a baby soccer team getting driven to their first game. windows down, luffy happily chewing on a sandwich you packed him, nami rattling off directions like it’s her day job, brook belting 2000’s pop. and then, the lot of you spilling out and ambling to the beach. sunscreen slathered on every inch of your skin. the feel of hot wind and sand in between your toes, the salty tang of the sea on your tongue, and your hand in luffy’s, always, as he drags you across the beach with glee.) 

but still. luffy brought home a slimy strand of seaweed to prank you with, and it somehow found its way into your underwear drawer. 'no, he did not put it there', let him tell it. you had to resist beating him with a slipper. gosh, he’s such a dork.

so, yeah. dating luffy definitely means more frequent loads of laundry, but it’s fine. it really is. s’not like you didn’t know what you were getting into. s’not like you mind any traces of luffy you can get. 

luffy seems the type to be born in the summer.

he’s not- he wasn’t. a spring baby through and through, to your initial surprise. and sure, there’s probably something poetic you could say about blossoms and rebirth and fresh starts, but really, luffy reminds you of the hot, everlasting summer. he’s practically the sun incarnate. could’ve been a sun god in another life, for all you know, because his touch is so hot, hot, hot, and his laugh is crude and bright, and he is the only person you know to not wilt under the full force of the sun. instead, he feeds off of it. it gives him life, vigor, sustenance. 

you used to dread the summertime. now, it’s your favorite season.

so when luffy pops over with a blanket and a basket, you don’t need to think too hard to throw in a couple of (okay, several) sandwiches and some leftover fruit.

you decide on a quaint spot at a nearby park. the two of you walk side by side underneath the orange light of the dying sun. it’s a cooler evening. the grass next to your feet bristle; trees dance in the gentle breeze. the endless drone of the cicadas meshes with luffy’s rambling about his latest outing with ace and sabo—apparently, it ended in a fire—and you sneak a few glances at him. luffy’s skin is a rich, warm gold. underneath the last few embers of day, the sky soaked in warm oranges, pinks, and a devastating purple, you find traces of its colors reflected on his skin. 

and luffy is loud, loud, loud, but he is also quiet. and underneath the weight of the sky, you feel incredibly lucky to be a part of his life. 

his hand, looped lazily around your free wrist, snakes down to intertwine with your fingers. 

“what is it?” he interrupts his spiel with a sudden question. 

your teeth sink into the plush of your bottom lip as you consider your response. “it’s nothing.” you pause. parse through your emotions and will them to become coherent thoughts. “i guess i just missed you.”

slowly, he drags the two of you to a stop. he tugs on your hand, a reminder, even as he blinks in confusion. 

“i’m right here,” he says, solemn.

“i know.”

a beat.

“you don’t have to miss me. i’m already yours.”

and, he’s right. like a sun rising above the horizon after a night plunged in the dark, he returns to you, again and again. 

“i know that.” in a stroke of luffy-branded honesty, you admit to him with a shrug, “but i don’t think i’ll ever stop missing you.”  

it is not a bad thing. not a bad thing at all. just another way to say i love you. perhaps the only way you can say it, right now.

luffy stares at you for a while and then releases an uncharacteristic sigh. he takes the picnic basket out of your hands and lets it drop in the grass, along with the blanket he was carrying. then, without warning, your boyfriend tackles you to the ground.

you barely even register it, he breaks your fall so gently, and then he’s clambering over you, long arms pressing you into the soil, long tendrils of grass tickling your skin, and you’re thinking about the dirt undoubtedly ruining yet another shirt of yours as he clumsily lowers his mouth to yours. he smells like grass and sunscreen and maybe a little bit of sweat, and tastes a bit like koolaid. but all you can register is him, the ever-present heat radiating off his body, the nimble fingers digging into your skin almost brutally, the clink of his teeth against yours. hot and sloppy and luffy, luffy, luffy.

you kiss until you can’t breathe, until you breathe fire, until your head is spinning and you can think no more.

then, he rolls off of you. the two of you pant: you, content to remain a puddle on the ground, him, leaning back on his arms. still close, though. still above you, dark eyes roaming over your form intently, tracking your every flutter. 

it’s quiet, save for the cicadas. soundtrack of the summer. 

you sit up and try to pat yourself off. it’s probably useless. you know there’ll be nasty grass stains on your back when you get back home. ah, well. can't be helped.

“i get it,” luffy says, eventually. after you’ve both caught your breath. he runs a finger down your leg, tracing inexplicable patterns into your skin. “i miss you too.” 

oh, how silly it is, to be in love.

“i know,” you say, cheekily. 

he relaxes. “good.” luffy reaches up to pat your head. 

you bat his hand away.

he tosses you a toothy smile.

you catch it.

this was v fun to write. hope u liked reading it <3

[roll-for-gaslight]

I'm not sure exactly how to put my thoughts into words so pardon my rambling but I'm thinking about how Kristen, Adaine, and Fig's character growth all stems from growing into a person they always could have been in a better situation. Also, it's interesting the way the bad kids seem to bring out these parts of each other because they're healing!

Like I know it was a kind of jokey moment but Adaine's little "Fabian hit me!!!!!" versus her insistence on being independent to the point of endangering her mental and physical wellbeing! She grew up so independent, unable to ask for help because of the risk of being ridiculed. She never asks for help and holds herself to an incredibly high standard. But that's not how her childhood should have ideally gone! She was supposed to have a big sister to tattle on and fight with, she was supposed to be taken care of! The BKs make her feel safe and cared for in a way her family never did, so her character development very much means slipping into the "little sister" position she was always supposed to occupy.

Fig pushed down her natural and newly-forming personality when the very foundation of her identity changed. She threw herself so wholly and entirely into her new aesthetic and vibe and vehemently denied the version of her that came before. Now she's growing to accept herself at all stages of her life, to a version of herself that brings in the parts of both her childhood and post-tiefling personalities that she likes and forms something new that makes her comfortable.

For Kristen, losing her religion made her lose a sense of identity. Without her parents to take care of her or her brothers for her to take care of, she was suddenly accountable to absolutely no one. She has Jawbone and Sandralynn, technically, but from what we've seen neither of them actually parent her a lot. So, she leaned hard into doing whatever she wanted, living wildly, engaging in all the things she never got to before, living a life as far away from her childhood as possible, and that's reflected in her clerical work. She loves Cassandra and wants her to thrive, but hates that what that means has a lot of overlap with what it meant to be Helio's Chosen. Like the daily prayer, the proselytizing, it reminds her too much of the things she was raised to do for Helio, and the fact that Cassandra needs Kristen to take care of her makes her accountable to someone in a way that she really wasn't for a while. Now that she's in the back half of her character arc, trying to bring Cassandra back and working hard for it, she's growing a little more responsible. There have been a lot of good moments this season where she's tried to help other people outside of combat-necessary healing, such as giving Lydia Barkrock the help action and the way she reacts after Fabian attacks Adaine (which I know is technically "combat-necessary healing" but how it happened came across as very Big Sister, like pulling the crayon out of her brother's nose in the first episode, especially with how it was immediately followed not with a bit like everyone else but with "oh no fabian got possessed I hope he's okay!!!! poor fabian!!!!!"

[foli-vora]

hello boys...

^not my gif.

New house, new shit, new fucking vibes. It's great. But enough of that crap, let's get to the shit I know you want to hear about, starting with the most asked about and requested fic...

!'RUN TO YOU' WILL BE RETURNING JULY 28TH! I know it's still a while away but I'm just tweaking some last minute things in upcoming chapters like sentences that make my eye twitch and throwing in more italics for ✨drama✨ because you know I love that shit. I also decided to delete and re-do a bunch of scenes because apparently taking a break means coming back to your WIPS and going "ew wtf is this trash". Also I'm still finishing up the last couple of chapters. It will be updated weekly on Sundays.

'One Step at a Time' will also be returning... ...after a whooping fucking 15 month wait. Fuck me, I'm so sorry. Time is baffling - I swear it doesn't feel that long to me. I hope the story that's coming is worth that wait because holy christ on a bike. I swear you're in for a good time. Unlike RTY. Updates on IDK what day. Once RTY returns, I'll pick a day of the week for Tovar. Tovar Tuesdays, maybe?

Other shit. We know I've got a lot of other shit in that docs folder lmao. Look, I'm just going with vibes. The stories I feel still have something there, I'll continue and finish. The others, I'll just say sorrows, prayers and delete the thing coz it's 2024 and we're getting our shit together this year. 'My Only Wish' will be finished before I miss Christmas in July, and 'Hold Me Down' will definitely be addressed along the line. There'll also be some things I've not mentioned before, either because I didn't want to or because it came during my depressed bean absent period. Sooo... wait and see, I guess?

Alright, so that's that I guess. Actually shit scared of coming back tbh LMAO, but let's see how we go. I am very sorry for the delays with everything though! Honestly wasn't expecting everything to take this long, but now that it's all sorted, I'll just jump back on the wagon and pray I don't fall off.

K, that's enough from me. Sorry for the rambles lmao. Thank you for the love and support while I've been away 💖

[thetoaddaddy]

thinkin about an au i was building but didn’t want to bore people with a really detailed au that they would have to read in order to understand it just for smut for my fic series that was mostly short one shots so let me drop it here

a longish explanation underneath. Cut it so you don’t gotta scroll through a big post

it be a deity au. In which the sannin and other prominent figures were well deities. Heavy influence was from japanese folklore and some games. You know how the god and goddess lists are pretty huge so it’s not totally out of reason to kinda make ur own sort of tree using the same kind of logic? Sorta like that.

But the basic rules of the universe was that gods were actual beings. And the more prayer, followers, renown, and general admiration the stronger they were. They can do what their intended tasks are. Like rain or good luck. They can roam beyond their shrine(to which they’re bound to almost like that was their real body. So if it falls into ruin so do they)

And my idea with this was basically both oro and tsuna had devout followers. And thus were pretty powerful and free roaming. Oro had more sinister vibes, a god of war and trickery. Tsuna was a goddess of healing, wisdom and prosperity. And thus they also had a lot of prayers to answer. So it was more of a mutual expectation of gods to their followers. If that makes sense. Like a balance of devotion so long as the prayers were answered. Almost like genshin? But not as complicated lmao. (And i thought of this before i played the funny anime game so dont @ me)

But in this instance jir was more of a forgotten god. Bound to his shrine up on a lonely mountain, his memory and consciousness barely in tact. With no one to feed him with basically attention and belief he’s sorta stuck in a limbo. Basically circling the drain. He doesn’t even remember what his role is like oro or tsuna do(not that it’s hard to guess lol). The only thing really keeping him from fully dying are some rather cute kitsune (sunshine boi and his parents) who at this point make sure he doesn’t accidentally fall off a cliff.

idk. I know it could be a little indulgent. Especially if all he gets is one or two people who just sorta stumble upon him. Which means he slowly remembers who he is and if ya nasty fall in love.

I like thinking outside the box when it comes to aus for our muses. And this is a bit of a mashup of various lores from various sources and our own mentally ill mind.

But I’ve always wanted to do something with it. Especially with muses who tap into the japanese folklore. Its one of those worlds where it’s not just the gods its demons too. Onis, ghosts, weird sentient hair combs with a vendetta, goblins, ghouls. All that cool interesting stuff that makes japanese folklore so cool. I see it as the classic setting, more feudal fantasy than anything modern.

[dropintomanga]

I Saw the Live-Action Blue Period Movie

This past weekend at Japan Society NYC, I got a chance to see the live-action adaptation of Tsubasa Yamaguchi's critically-acclaimed manga, Blue Period, a month before Japanese theaters are showing it. As someone who hasn't read the manga beforehand, but knew the premise, I wanted to see why this series is beloved by a lot of fans, especially those who have been through art school.

The movie captures the 1st major arc (Volumes 1-6) of the series. I was impressed with the portrayal of the main character, Yatora Yaguchi. He totally gave off the vibe of someone who's just going along with the flow until the world of art comes into his life. Ryuji Ayukawa left an impression on me as well. I thought his relationship with Yatora was fascinating as both have different personalities on how they view life. Yotasuke Takahashi was great in the film. He had a lot of audience reactions from the crowd at certain moments because he's quite a bit of a tsundere. I don't have much of an opinion on Maru Mori, despite her being a prominent influence on Yatora. However, one of her paintings that involved prayers looked fantastic on screen.

I did read all of Volumes 1-6 afterwards to compare and contrast. A lot of the information about art styles and techniques was cut off from the movie, so the story became even more of an emotional story. I love how grounded the movie is and while there were some CG effects in the movie, they were minimal. I liked how the movie made the process of getting into a top-tier art university intense as hell. It helps that Yatora's inner monologues about himself and the process are so well-portrayed by Gordon Maeda, the actor who plays him. The scenes where you see the actual art process during the manga's important art moments are impressive as well.

Even though some character plots and portrayals were put on the back seat, Blue Period was a fun movie to watch. I did almost tear up at certain moments because I have at times wanted to just follow the expectations of others to feel safe. But I felt life became exciting and full of meaning once I decided to choose how I wanted to live. Sure, I may not be rich and life is sometimes hard as hell, but I feel like I'm living a life I'm okay with. Plus, even though it may not be contemporary art, manga art has had quite the influence on my life. Manga art has compelled me to think a lot about life and the relationships that definite it. Although I never wanted to draw, I realized how much I wanted to talk about the medium's stories to a lot of people I know. I also understood why former art school students love Blue Period so much.

I know a good amount of live-action adaptations are hit or miss, but I can tell you this one is a hit due to how real the story and themes are. If you're a fan of the manga and the movie comes out in your area, this is worth a watch.

[lululawrence]

Why is hell breaking loose tomorrow?

Oh it’s for me personally, not like fandom wise or anything lololol

See, just over a week ago my dad fell down the stairs and dislocated his knee which then meant he has been in a brace for over a week and needs surgery. All of this meant he couldn’t take the trip across the country with my mom for my niece’s birthday and baptism that he was meant to leave for 36 hours after his fall, so my daughter took the ticket to see her cousins. That said, it’s left me as the caretaker for my dad and I’ve needed to get him to all his appointments and help him prep for surgery and get everything taken care of for his post surgery care as well all while dealing with my youngest two children and all that life already usually throws at us for the past ten days.

But that’s the calm before the storm, see. Cause tomorrow is the surgery. It’s outpatient, which means all post-op care is up to us and my mom is still across the country. So I’m the one who has to get him to the hospital, be there during surgery, etc etc etc as well as his immediate post op care once we are home. Thankfully my husband got the day off so he could be with the boys while I’m at the hospital and busy with all of that.

However. A lot a lot a lot of appointments and other regularly scheduled life things that are required for my kids’ various needs had been put on hold since I had anticipated not having the additional assistance with child care while my parents were out of town, so things have been fairly chill on that end the last week and a half, but see my mom and daughter fly home tomorrow and that means alllllllll those appointments that had been building up plus the additional before school starts appointments and sessions and sports practices and shopping for school supplies and everything will all be kicking off basically now too AND!!! What time does the flight arrive thus requiring me at the airport? 1:10 am. So after a day at the hospital and caring for my dad, I’ll be picking up my mom and daughter in the middle of the night from the airport.

If that was all I would chalk it up to a crazy 24 hours, but I’m not even gonna break down the way we have at least four conflicting schedule issues on Thursday and Friday alone with appointments and therapies that cannot be rescheduled due to time constraints and other issues, and my mom will probably be jet lagged and exhausted and of no help plus my husband will be back at work and my dad will still be recovering and needing care post op…….

Oh and wordplay sign ups open tomorrow morning. And the one day a week I’ve worked VERY. VERY. VERY HARD to get for myself so I gave some sense of sanity and doing something for myself was supposed to be tomorrow night and that… is no longer happening. And I need to get to the grocery store and finish laundry so the travelers can use the wash for all of their clothes when they return and the house is a disaster and I haven’t meal planned past today and the garden is practically overgrown with weeds and….

So yeah. All hell breaks loose for me tomorrow. As far as I know for everyone else it’ll be just another Wednesday. 😂

Anyway. If yall would like to send us prayers and good vibes tomorrow so my dad’s surgery goes as well as possible, I sure would appreciate it. And sorry for kinda ranting at you in response when you likely did not need to know any of this 😂😂😂

[girlfriendsofthegalaxy]

tuesday again 1/16/2024

did not commit fratricide this week but it got a little close there

listening

spotify tried to rec me some electro remix of this Eartha Kitt song i did NOT care for but i did enjoy the original Mink Schmink (YouTube). very similar to last year’s favorite Peel Me A Grape by Anita O’Day. this is a particular kind of oldies #girlboss song that i am super weak to

i also have an entire album to rec! spotify recced me a movie soundtrack by this artist and i went to check out their latest work. a very pleasant outer space themed saxophone-forward experience to enjoy while trying out a very slow video game! the opening track Chaldene will let you know pretty fast if you’ll like the whole album. bouncy, in the ways that saxophones are. very cowboy bebop soundtrack adjacent? i have a data entry playlist with many instrumental albums of long pieces for when i need really consistent vibes or vibes that change very slowly and this is going to be such a good addition

reading

feeling a little bit grim about the state of the world and long-tail reporting/continuity of knowledge, partially bc some friends got fired from the games industry and are throwing in the towel (do not blame them at ALL, also now this means i don't know anyone in the industry with more than three years of experience under their belt) and partially feeling a little bit grim bc i read an article FOREVER ago from the old motherboard team at VICE about how locations were being harvested from various religious and health apps, and FINALLY that data broker is starting to see some real consequences. the ONLY reason this reporter is still following this story/is still a reporter is bc after VICE summarily fired like half the site last year, he went off and started his own site.

grim! grim article, grim context, grim all around.

watching

i would love for my best friend's son to become obsessed with a different movie than pixar's elemental. but if this is the price of having an only semi-interrupted conversation with his mom then so be it.

playing

“sail forth” by developer Quantum Astrophysicists Guild and published by Festive Vector (pair of really killer names there) is the free epic game this week. i spent a reasonably okay hour with it but do not plan to continue further. the opening area has some problems that do not interest me in whatever this game does in the next area. tldr: the actual sailing part is fun, which is good bc it's a sailing game, but there isn't enough to Do in this adventure/exploration game and it's all really far apart.

it has a particular sensibility married with its art style that makes me say “cozy game” (derogatory). your main character is named captain toot. everyone has funky sentence structure liberally sprinkled with nautical terms that come off vaguely nonsensical instead of piratical. there are a lot of almost-kennings like “deepblue” “moontiders” “fishfolk”. things of this nature. while i do love a kenning i don’t have a lot of patience for this. which is unfortunate bc this game tested my patience in several ways.

the actual Sailing part is the best part of the game. there's some very fun weather-- i have seen light and heavy fog, light and heavy rain, and a full on thunderstorm. the fact that sailing is the best part of the game would be good except everything is VERY far apart, and while the call of a blank horizon is super important in an oceangoing game (i think) when it becomes more fun to just fast travel everywhere instead of sailing the long way, i think that’s where you have to refine some things in your game. this is less of an open world and more little pockets of things in between a truly ridiculous amount of empty space. i cannot imagine this runs in an acceptable manner on switch.

the good parts of sailing are the thoughtful controls: the compass, the wind on the compass, and the little sail trim bar. you should also keep an eye on wave direction bc that will really impact your top speed. you CAN tack back and forth directly into the wind but this game will make you fucking work for it, which i do like. i also liked sailing with the camera zoomed all the way in, it felt very fast and dangerous on the very long wait to get to the next island. and then it was no longer fun on the very long sail to get to the next island. i am almost confident these islands are procgen, it’s possible i got a weirdly big seed but i don’t care enough to fire up a new save.

the general pace of the game/this first area feels a little underbaked or weirdly optimized. i got enough wood in the first hour to upgrade to the best available one-mast sloop, i fought a pirate which required a lot of precision seamanship with my one lonely bow gun, i did a race, i declined a target practice course, i poked my head into eight different map locations. despite this variety, it all felt very samey. generally the map locations have one or two things to do plus one resource (the precision seamanship required to collect resources is fun for the first two islands but then stops being interesting) or one collectible. no one island is particularly memorable. i really loved Sunless Sea, a game that also features a large map and very slow travel, but there’s a WAY more resource management and random events, and shit is simply closer together in that game.

if i was looking for a very slow podcast game and was 20% cutesier as a person this would be ideal, but for who i am right now? not for me.

making

my siblings visited! we did not kill each other, nobody had food poisoning, and nobody died! that's all i can really ask for. here's me and my sister looking at a big quilt at the 1940 Air Terminal Museum

phil went to the emergency vet sunday afternoon bc her spay site was looking Gnarly. she either has an infection or a reaction to her sutures but the treatment is the same either way. the emergency vet said we could probably skip our normal vet visit on friday but, given that we discover a new problem every time we go to the vet, we will be keeping that appointment. all recent pics of her are smushed up on my lap at a goofy angle. have a pic of mackaroni and beans

[longeyelashedtragedy]

I don't quite understand why Man City having 115 charges against them has everyone up in arms other than the fact it's taking far too long to come to some conclusion.

Are they not the best team because they've won the premiership 3 or is it 4 times straight?

How does it make them better or should I say why are other teams not as good/worse.

What is the difference between them and Arsenal in terms of how the team gels and play ball?

I only ask because has Man City bought greatness from somewhere and if so where can you buy it from. Why don't other teams buy greatness too.

I'm not trying to be rude I really don't understand what the charges have to do with how well they play and the teams they beat along the way.

Of course, you are free to ignore this.

The "115 charges" phrase is a stand in for what people see as extreme financial corruption that has yet to go punished or even explored. I understand that "115 charges" might take longer to set a date for, or whatever, than whatever happened with Everton and Forest, but it leaves a bad taste in people's mouths. I think at this point people are less annoyed by the actual amount of charges than what they feel it represents.

The alleged corruption doesn't change their style of play or Pep's abilities, no. I genuinely don't enjoy how they play or their vibes on the pitch. That's a personal preference. I don't see them gelling on the pitch and loving each other the way Arsenal does. That's subjective, sure.

Where I think it does give them an advantage is the more money you have, the more quality players you can acquire. Then the more you keep winning because of the quality of players, the more it will attract the top names or big up-and-coming players (our Joško for example) to join the team. I think there are so many teams that play more engaging football than City--again, subjective. Arsenal had some dreamy and exhilarating games in 2024. So where the money causes the problem is squad depth. We see Arsenal as having a big squad depth issue. It was marginally better than like, two seasons ago or even last season where we had virtually NO defense left so if one of the starting back 4 had to go off we were playing a 16 year old, Cedric, and a prayer back there. But look even at today--it could have gone so much worse than it did. We were without one of our best and most reliable players, Bukayo Saka, and then lost Big Gabi in defense. Gabinelli and Leo were struggling to score, thank god Kai stepped up in the end, but once we lost those key players the bench had very limited options. For reliable backup goal scorers, it's even worse, and I love these guys who got subbed on, truly I mean no disrespect for them, Reiss, Emile, Gabby etc just have not been having the most solid season. It happens. But for City, I feel like they just have a robust bench. They can rotate, make confident subs. That plays such a massive role especially toward the end of the season when players are tired mentally and physically, when players are injured.

And it's really hard to declare that City are the "best" team when Arsenal ended two points behind them. You know? If we'd just won one of our 5 lost games...And aside from our peculiar Villa loss in April, which you know, sometimes there's a bad luck one-off, we showed such a winning and strong mentality by fixing whatever problem was causing our wretched streak at Christmas. Before this season I always doubted our ability to come back from crushing losses, but this year's team has shown differently.

I guess other teams don't have as much money to buy greatness--that's again where the "115 charges" comes in. Also, for Arsenal we seem weirdly bad at selling our players for lots of $$$$. People also believe that a nation rich in oil has "unlimited" money as opposed to a regular old millionaire. Idk how true that is or how true that'll be forever but this idea makes people nervous about competing in the market.

I understand where you're coming from with your questions. I think we'd be bitter enough if City just, kept winning, but the fact that there is enough evidence of extreme financial corruption to have 115 charges--even if it's just alleged, even if it's somehow...not true in the end idk, that makes the "success" tainted for many of us, and is more frustrating, because it feels like other teams don't have the same kind of chances.

[tempenensis]

Good luck in your games! I don't tend to have much luck with the pulls haha, so I'm sending you all good vibes to get some nice event items ^^.

When you have time, I was wondering if you had hints for translation on Gojo's incantation! I loved it a lot, but don't know if it means anything in particular.

As far as I can tell the words are sort of showing the things that surround a space? Kyū tsuna (the translators i've seen either say nine points or ropes) makes me think of the ropes tied at temples, and temples can be both boundary and gateway but I don't have much context for this one...

Henkō I've seen as "polarized light" which seems to reference the blue+red requirements of purple maybe? But also is this image of a wave pulling in two directions, the word making it both divided and still referring to both possible "directions" at once, so it's a concept like his technique rather than a decision of direction.

The crow and shomyo could refer to the voice/message from heaven and the chant to heaven, which is another "conceptual" gap. Also Gojo is sort of answering a prayer while performing a chant, so he is both the messenger and supplicant maybe?

I don't really get "表裏の間" at all. I've seen it translated as "head and tail" "gap between within and without" and "chasm of front and back", google just says "front and back" but the last character translates to something like "interval". It evokes the concept of the end and the beginning being both as far apart from one another as possible, but also as close to on another as possible which seems close to the concept of purple but it feels like reading into it too much...

Either way, I hope that you rest well this weekend anyways!

raindrop anon

Lol, thank you, raindrop anon. I actually pulled FGO's newest servant, who coincidentally shares the same seiyuu as Nobara QuQd. Now I only need to somehow get Enojun into fgo lol

This is the original panel of Gojou's chanting, btw

九綱 (kukou) means "nine ropes". Nine is sort of sacred number here, might be taken from nine virtues of Shakyamuni (whom Gojou have a lot of reference to). And the ropes, just like you said, act as a boundary like in temple to mark sacred place. It could also refer to the state of intertwining as he does to Red and Blue to create Purple 偏光 (henkou), means "light polarization". I agree with your idea here, that it's most likely referring to Red and Blue and the joining of two techniques. 烏と声明 (karasu to shoumyou). means "crow and shoumyou". In opposite to their reputation in the west, crow in Japanese lore is actually thought as the harbinger of good omen. So messenger is right. The 声明 though, it'll read generally as seimei and does mean message. But here, it's read as shoumyou, which actually refer to a style of chanting in Buddhism. It is a style of chanting Buddhist scripture with music. So not ordinary message, but rather special one?? 表裏の間 (hyouri no hazama), translated literally would be "between the front and back". This could be taken literally but also could refer to one's face shown in public and private. So it might means the space between reality and imaginary, as his technique realizes "infinity" from imaginary concept

Hope this helps! Also, sending much luck to you too!

[khaire-traveler]

Help! recently, i was overwhelmed by a feeling of presence and overwhelming euphoria, with a revalation about a god/godess/godex? It wont specify, but feels femmine? (but also refers to itself as father,mother,parent, etc all three) Ive only felt it twice, but each time has been bliss, like full on amazing. It sort of gave me an idea of its worship: Pleasure is the ultimate goal for life, and that can mean anything you take pleasure in (ex art,music, friends, sex, yada yada). The only rule is that your pleasure dosnt ruin others. (which seems like a pretty chill one.) It feels very connected to the physical body and the experience of life, but im not sure.When i tried to comprehend too much of it, id get confused, and loose the connection. It feels almost otherworldly, like i cant fully understand its form. Are there any gods similar to this, or is this something new and personel to me? -@solarbeamz (please tag me so i can see the reply)

Hey there, @solarbeamz , thanks for the ask!

I cannot speak for any deities, and my guess is solely a suggestion. This reminds me a lot of Dionysus. I'd say that the description gives me strong Dionysian vibes in general, so it could even be a nymph or satyr that accompanies him. It also reminds me a bit of Aphrodite, especially with the emphasis on mother/father/parent and pleasure. Maybe you're dealing with two deities, or a deity from another pantheon that I'm unfamiliar with. I'd highly recommend that you try to research different gods of pleasure, ecstasy, and euphoria; see if you can come up with anything different that resonates with you. When you feel you've found the deity, I'd recommend confirming with divination or the like.

I would suggest you communicate with the deity however you feel most comfortable (meditation, prayer, automatic writing, tarot, etc.). Maybe they can give you more information about their identity. It's also possible that, like you suggested, this is an experience personal to you. I've heard of people worshipping unrecorded deities before, so maybe that's the case here.

Whatever you decide to do, trust your own judgement and intuition. Communicating with the deity again would likely be helpful in trying to discover who it is, in my experience. I hope this helped in some way, and have a good day/night. 🧡

[flanpucci]

An ASD oriented analysis of the character of Enrico Pucci

Okay guys after letting this draft cook in my notes for months, here it is!!!

I have decided to embark on the journey of listing the reasons why I think Pucci is autistic coded and if he isn’t, he’s written with a pretty good idea of what an autistic person is! Since I'm pinning this, the analysis will be under the cut ↓

I can’t guarantee that my analysis won’t come with a whole lot of general delusion or projecting on my side, so don't hesitate to tell me if you feel some type of way about this. I understand that many of the traits or behaviors i’m gonna talk about are mostly explained by the events happening in canon, but they give him a general super autistic vibe. Disclaimer that I’ve also decided to ignore most acts of murder type violence for this analysis as I think those are more relevant in the context of the story than the character building.

Although not on purpose this analysis is organized almost like diagnosis criteria, so we're going to look into repetitive behavior and interests, communication, aversion to unpredictability and sensory processing etc...! Before we start, I'd like to say once more that I am autistic, my analysis is mine and reflects my opinion only, it's my headcanon and comes with a lot of projecting, so proceed with caution.

Anxiety and counting prime numbers, Repetitive behavior

Counting numbers is a well known technique to stop panic attacks. The reason is that when you panic, your brain’s logical part doesn’t activate. Counting numbers will help you get the logical part of your brain back ‘on’. Simply counting numbers in order or in a simple pattern is too natural, and may not work, so some people will count numbers backwards from 100, count numbers in a non-patterned, random way, or even count prime numbers.

In Pucci’s case he counts primes because they can’t be divided other than by 1 or themselves and are “lonely numbers”. The prime numbers remind him of his own loneliness against adversity, and give him courage. I don’t think a lot of neurotypical people feel personal closeness to something unemotional like a mathematical concept, but I might be wrong. I think what’s interesting to note is that prime numbers are a fixed series of numbers, never changing, offering a great deal of familiarity in repeating them (and also by doing so out loud, in the sound of repeating them). He has also memorized them up to the hundreds, (maybe even thousands iirc?), which shows he has an amazing memory skill, but also that he’s probably counted them a LOT. (Funny anecdote, Oliver Sacks mentions in one of his psychology books a pair of autistic twins that would figure out prime numbers together, and use it as means of communicating and bonding. They were able to produce huge prime numbers without a table!)

It is just something I wanted to point out, but I think it’s funny that a priest wouldn’t recite prayers as a calming mantra, but something very cartesian like mathematics. This furthers the idea that he has a lot of interest and finds a peculiar comfort and understanding of the world in science.

Oh and I think resetting the entire universe for everyone to gain precognition of events COULD be considered as a liking for repetitive things… ! /j

His interests and the random trivia at unexpected times

Pucci seems to be a man of many interests but primarily these are science (especially biology, animals, maths/geometry and physics), Dio’s plan/heaven, christianism, art (paintings). At least that’s what I got from the manga. There aren’t a lot of characters for which you can easily lay out the interests in that manner. The reason for that is that he talks about those all the time! And he always uses metaphors related to what he knows about to explain the world, his intentions, or situations.

• The corridor scene where he meets Jolyne, it’s not like it’s random or out of the blue, but it feels a bit peculiar to bring up this subject in this manner, and Jolyne seems dumbfounded at what he said to her.

• When handcuffed to Jolyne, he starts explaining about the swallows that are prone to accidents to make a parallel between the birds and her own situation.

• References both a politician’s use of subliminal sex and a painting (the “Domine Quo Vadis”) in a dramatic moment where he’s literally ending his brother’s life.

• Seems to be particularly interested in art as shown by the book he was reading when he met Dio (about Fra Filippo Lippi, a painter) and the conversations he has with Dio (once again using art as a metaphor to understand other concepts such as stands, and souls.).

• Of course bringing up the subject of the man eating a mushroom for the first time at the most unstable point of the battle against Jolyne, feels very out of the blue, (but not out of context.)

• When talking to Miraschon, he does a whole bunch of inappropriated stuff lol, doesn’t pay attention to what she says, and starts talking about his own interests/ideas.

This happens again when talking to Donatello Versace, where he's bouncing off questions, not acknowledging the answer right away and coming back to it a little bit later. His train of thought seems to come first, and his communication is not centered around making the other feel like they've been listened to.

Overall he often makes a great point, but sometimes it feels like the context is lacking, like he has had many thoughts before saying the things he says, but we don’t get to hear them, so the conversation topics are a bit unnatural. Plus he generally has a very self-important way to talk and explain things.

Other than that I think his exceptional focus on the same goal and obsessive idea of fate, from childhood and up into late adulthood can be the sign of a truly one track mind, which can be often found in ASD. Could also be noted that a lot of his behavior and actions is copied/referencing Dio, which could be because of Dio’s literal influence (being absorbed by green baby), or an overall tendency to use direct references in speech/behavior.

Self importance and the desire of previsibility

As I just mentioned a little while ago, the Miraschon scene is a scene where he’s info dumping her for at least three pages, on two different subjects, but also not paying attention at what she’s saying. This is not very nice behavior, but it’s very frequent in autistic people too. Being centered on one’s self, and unable to put yourself in another person’s shoes is very characteristic of ASD.

Pucci’s motivation and his ideal of heaven makes a lot of sense from an autistic viewpoint for a number of reasons. The first one being the discomfort caused by the unknown, or at least the fact that he thinks the world would be a better place without unknown events. The desire to know everything in advance and be able to have the time to be prepared for it will resonate with a lot of autistic people, because our brains have so much trouble adjusting to unknown outcomes and situations. I can’t explain it much better, it’s just wiring.

Second reason is Pucci’s overall sense of self importance throughout the part. There are many situations in which he will put himself first, expecting better treatment, straight up explaining that he’s different than other people.

The frog scene is interesting because he tries to weigh logically why his situation is objectively worse than the guard’s, without acknowledging the slightest the guard’s panic when assessing such a stressful situation.

(Pucci thinks the guard takes decision based on logic and not panic, gets frustrated that the guard isn't calm and rational.)

His inability to see things from outside his viewpoint is ultimately what will lead him to try to push his own ideal onto the whole world, always sure inside himself that he’s doing that out of altruism and for the greater good. Of course I think there is a slight disconnect from his inner emotions about what has led him to this point. But for me, this is the truest sign of being unable to understand that other people might see things any other way than he does, but he’s just sure that people don’t understand that it’s for their own good. In a way, his self-centeredness is mostly intellectual and not of intentions. This is something that is often present in people with ASD, because of a lack of (or misplaced/altered) cognitive empathy. People with ASD can have trouble mentalizing other people’s emotions or point of view. It doesn’t mean that they don’t care, don’t respect it, or can’t show support, but they just can’t really understand that another person has another mental space.

Cognitive empathy is described as such :

Identifying and labeling the emotions, connecting feeling to cause, and reading the thoughts and perspective of others. Ability to read nonverbal communication and social context. Ability to read the mental experiences of others.

Pucci will often justify his lack of mind theory by « you just can’t understand it. » : from his view point, being opposed by other people is not due to divergence of opinion (which would mean to accept that other people understand the situation but are in a different mindset), but due to lack of intellectual comprehension. This is why even though very intelligent, it can seem like he’s confused.

Young Pucci and the scenes with Dio

An important thing to note about young Pucci is his inability to break the rule that priests can’t talk about what has been said in confession. He’s not even a priest at that time and the confession was forced on him. These are perfectly good excuses to break the rule, or at least bend it a little, to confront the Weather and then Weather/Perla situation. Hesitation or inability to break the rules, irreasonable attachment to morals and taking irrational decisions because of those despite having great intelligence is a trait that can be found in a lot of autistic people. However, we see that he’s flexible enough to permit that Dio stays in the church basement until the sun sets. In my opinion, he’s quick to give his trust to such a suspicious person as Dio, even when Dio hints that he might be lying. This could be the sign of a little bit of naivety but it's still pretty much normal at a young age.

In the chapters with Dio, we can extract quite a lot of information on Pucci’s communication because it’s the almost only scenes where he’s not in scheming mode, in a pinch, or fighting. Pucci has a very different reaction to meeting Dio, even at a young age, compared to how Avdol or the hunchmen describe their reaction to Dio for example. He’s not shocked or in awe, but not hostile either, which is unusual. Even when he talks about Dio in narration, he has a detached way of calling him beautiful and mysterious, which shows it’s obviously how he feels even though he stays calm at all times in front of Dio, even in dangerous situations.

Dio makes numerous observations about Pucci’s behavior, expression and communication. He seems relaxed and expressive, very different from the rest of what we see of him.

(Pucci 'making a face.')

Another important thing to note is the unusual way he communicates his love to Dio, using very profound words, with a lot of sincerity, without flinching. This genuine confession of a difficult emotion to confess even sets Dio aback.

(Probably having the most fun he’s had in his life here, and is that a smile!?)

Also, parallel play!! They’re shown having bonded profoundly, at the point of hanging out in bed together, but apart from chatting, they don’t really do things together like for example Hermes and Jolyne throw the ball with F.F., they’re doing stuff next to each other (Pucci watches Dio build his boat, and they read lying next to each other.).

(generally also seems kinda bad at picking up subtext)

Two words on sensory perception

(Pucci wondering about how pretty the green baby is, he really wants to know if it's not ugly fr.)

About sensory perception, it’s actually one of the first things I noted when watching the anime especially, he’s very curious about the green baby, and talks to F.F. about it, but as he says himself, he can’t get the “feeling” from a memory disc, and he wants to know how the green baby feels in a sensory kind of way. (Is it soft? is it beautiful?). Of course the many scenes where he purposely mutilates himself without even flinching could indicate that he has a very low perception of physical pain. Both these traits would indicate a very peculiar kind of sensory relationship to the world.

In this scene with Donatello he does state that he has an acute sense of taste, in response to Donatello describing with great precision ingredients in a dish.

(Having a little solo party and dropping trivia again.)

He also seems to feel the music strongly, even though the scene is meant to be comedic, he’s really into it and seems to have some sensory associations (visual/auditory) (also trivia dumping).

Although not directly a sign, the way he asks Dona to test his food because of allergy may also remind of many autistic people who have food allergies and aversions and get people to test food for them before eating.

Body language and facial expression

Pucci has a very specific kind of body posture, especially in the wrists, they’re always limp or twisted in some kind of way, similar to what autistic people might call “T-rex arms”. Araki is very talented at showing detail about characters in the strictly visual part of his drawings, so I think that’s important to note. In terms of facial expression, apart from with Dio, he seems pretty stoic and stern in most situations where he’s not under a lot of stress, almost never laughs or smiles, even in power high situations where other villains usually at least evil laugh for a couple seconds .

(Cute snapped wrist picture collection.)

End note about Weather Report

I just wanted to add a quick word on Weather. Weather Report without his memory disc is also extremely autistic coded. Walking on tip toes, talking in a very low volume not respecting personal space, when he is introduced, he seems super autistic. The reason is the lack of memory disc and consequences of being hung, but I personally think this adds to the overall neurodivergent feel of the manga. I’m also not sure of how much of his backstory was planned at first, and if or not Araki had planned his behavior because of his backstory or not at the point of his introduction scene :3

And there we have it!! I tried not to be too lengthy so I hope you understand my point. I don't think I've seen him being analyzed/hc as autistic a lot, especially compared to characters like Jotaro, but I think he shares some similarities with Kakyoin who is very ND coded too! I would also like to point out that I don't think Araki purposely created a character that reads as autistic, but that he has a very realistic vision of personalities and identities that can lead to this kind of analysis. Also, fun note, Pucci is often typed as INFJ/INTJ and these are prominent personality types in autistic people :3. Anyways, hope you enjoyed, feel free to share your reactions, I'd be glad to hear your thoughts.

NB:

I felt like adding a few to this post so here it is. I would like to say that I think overall Pucci is the most multifaceted, complex character in the series, he has often been described as such, and that’s what makes him the exceptional last boss of the first Jojo era. Many people have had trouble understanding him and Made in Heaven, as can be seen by the numerous amounts of questions on the internet « what did Pucci want to do? » « what is Made in Heaven? » etc. Araki himself said it was very tiring writing such a nuanced villain. I think many of Pucci’s actions and behavior can be attributed to elements in the story narrative, his almost impossible circumstances, and I don’t want to oversimplify, or kick him into a box that might not have been intended at all by Araki. I would also like to add that ASD is a spectrum and one may or may not relate with every trait exposed here, or may find others that I haven’t listed. And it’s always a bit hard categorizing villains as ND because of their reprehensible actions. However I think he is nuanced enough to be considered good rep anyway. But maybe that’s just me fangirling a little too much. In any case, I hope you enjoyed.

Flan, out!!

[lychee-angelica]

pushya nakshatra ♡｡🥛˖⁺｡˚⋆˙

planets in pushya .. ‘the flowering star’

vedic degrees (3.20° - 16.40° cancer) 

western degrees (27.11° - 10.31° cancer - leo)

♡｡🥛˖⁺｡˚⋆˙

ruling deity: brhaspati (god of prayer) .. ruling planet: saturn .. symbol: lotus & cow udder .. quality: light & swift

karakas 〰 significant ‘things’ this star has dominion over

breasts, milk, prayer, religious or spiritual practice, flowers, lotus, home environment, kitchens, restaurants, moon, nursing, mothers, food & cooking, celebrations & parties, friends & family, teaching or guiding, meditation

♡｡🥛˖⁺｡˚⋆˙

ascendant nakshatra 〰 or 1st house lord in pushya

feminine, beautiful, nourished or fleshy body, breasts may be prominent, spiritual or wise person, friendly & inviting person, ethereal appearance & presence, *may* be tall, elegant

love 〰 moon or venus in pushya

when it comes to moon in pushya, these people are wholesome, beautiful, feminine & emotionally intimate. they may give off motherly vibes due to them being such well intentioned, moral & selfless individuals. may love food & cooking. may have a submissive streak. venus in pushya makes one a devoted lover but may also be submissive in relationships. they are intimate & feminine with a beautiful appearance. i believe that others may view these men or women as marriage material. women with this placement may have  beautiful breasts (moon or jupiter may make their breasts large) .. or the individual may just be attracted to breasts in particular

divinity 〰 moon, mercury, jupiter or saturn in pushya

moon in pushya may lead one to be quite religious or spitiual. they may be quite in tune to their faith & divinity. routine spiritual practice or prayer is auspicious for these individuals especially in connection to the moon cycle or goddess worship. nourishment through spiritual practice. when it comes to mercury in pushya, one has potential to have powerful communication or connection with divinity. they may possess a lot of spiritual knowledge that is worth sharing with the world. jupiter is exalted in cancer, therefore this placement allows jupiter to reach it’s most favourable heights. for these people may be spiritual or religious, highly wise people, natural teachers. ability to reach spiritual heights of enlightenment. saturn in pushya may make one turn to spirituality or religion for solicit in life. ability to lessen attachment to sensual life & is especially good for practices that require patience like meditation 

prosperity 〰 sun, mars or jupiter in pushya

sun in pushya allows one to be successful & prosperous. although sun is uncomfy here in such a soft & feminine star, when one chooses positivity, morality & to be self aware the native is blessed with the success & can reach great heights. reduction of egoistic tendencies is always auspicious for these people. mars is debilitated in cancer, meaning mars is the most uncomfy here. these people may innately struggle to be assertive although they still possess great potential for success & prosperity in their life. similar to sun, these individuals become blessed when they are selfless, moral & openhearted. jupiter in pushya makes one highly moral & positive which allows great success & prosperity to naturally flow into their life

additional notes 〰

some pushya people may become workaholics & neglect the home life, especially when masculine planets are placed here

pushya natives are usually really good with children especially mercury

really good at cooking & baking aaaahhh

meditation is really good for these people

most feminine nakshatra as it is symbolised milk, flowers & breasts

pushya borders punavarsu & ashlesha nakshatra (cat nakshatras) ~ this is why people say feeding cats milk is auspicious for pushya natives

may have a large family & friends may feel like family to these natives

auspicious to pass on or teach spiritual knowledge

pushya relates heavily to the heart & crown chakras

sun in pushya is challenging but one usually still is channeling pushya traits personally e.g. femininity , beauty & elegance

[the-tea-always-spills]

I’m having surgery next week to correct a four year long battle with chronic pain that was brought upon by a medical malpractice procedure. I’m nervous — but hopeful — this will allow me to get back to a pain free (or manageable) lifestyle. I can’t even remember what life was life without intense daily pain.

I can’t wait to run, dance, swim, work out, travel and even fucking frolic again. Your thoughts, prayers and healing good vibes would mean the world to me.

It will be a month long recovery so any recommendations on movies, tv or general self care I can practice would be greatly appreciated. Also, I’ll be on here a LOT. I would love asks (as a distraction) and I’ll likely be high as a kite on pain killers so you’ll probably get some really wild and honest answers. Let’s make this fun!

Thanks fam! xx

[running-with-the-feels]

Fujin also outright admits that no one really helps poor outworlders in an intro with skarlet. Like sir what do you mean😟

I get the sense, and this is just me reading into it, that this isn't entirely willing on Fujin's part

Like, I don't think he's being forced to turn a blind eye per se BUT I do think that he tried to help once, he answered prayers and provided aid and he tried. Then Raiden and the elder gods found out and kept stopping him and through punishment and manipulation got him to give up on the task entirely.

And I think that there's a part of him that feels guilty for it, even though he ignores that part of him, and that's why he latched onto Kung Lao and tried to "protect" him, as piss poor a job as he did of that.

He has the potential for a really interesting redemption arc bc it's clear that he doesn't agree with Raiden's actions and doesn't want to support them, but he won't stop him and I think that's bc he's afraid. If it were simply about family loyalty, I think he'd argue with Raiden more about it, we'd have intro dialogues where they reference how many times Fujin has tried to stop him or change his mind even if he won't openly stand against him.

But we don't get that. We just get Fujin being defensive whenever the subject is brought up (@mysticcrownwolf has a really good post on Fujin's interactions with Kotal and Skarlet)

@jocelynhealy said it really well in a reply to another post that Fujin is as much a victim of Raiden as everyone else and I definitely think that's true.

I think Fujin is afraid of what Raiden will do to him if he doesn't go along and while that doesn't really absolve him of the the harm his inaction has caused, it does make him a lot more sympathetic in my eyes.

idk, I just, I'm getting some Vibes off him, yknow?

[asexualwitch]

My GTFO Powder. Spell?

Eh. Either way, every now and then, something mean comes into my home - mean, rude, leering, giving me Uncomfy Vibes, ya'll know what I mean.

Not necessarily evil. But not really nice, either.

And entirely unwelcome.

So, I grab a bowl. Or those coffee filters, the white papery things that are shaped like a bowl or a cup.

Then I raid the kitchen's spice rack.

I say, follow your heart. Pick out the spicy ones (like cayenne), the pungent ones (like dill powder), and/or sweet ones (like sugar).

Whatever feels right, babe.

What I usually grab are: black pepper, salt, cinnamon, mugwort, cayenne, ghost pepper, sugar, cloves, sage, brown sugar, the burnt bread crumbs in the toaster, coffee grounds, catnip, and if any of the smokers in my life have visited recently - and I'm particularly uneasy - I also throw in cigarette ash.

I won't make this into an EVEN LONGER post by listing out all of the magical properties of these herbs and spices. Take it as encouragement to do independent research!

But the most important thing is that it feels right, you know? And as it turns out, most if not all household spices and herbs CAN BE USED for protection and positive energy.

Once you've got your shit together, start putting in as much of the ingredients as YOU want into the container of your choice.

Follow your heart. Don't overthink it.

When you're done, mix it together.

FRIENDLY REMINDER: If you end up using your bare hands/fingers to mix it all up (like me, the local barbarian), don't forget to thoroughly wash your hands. And for the love of FUCK, do not rub your eyes with your dirty, spiced up hands! (also like me, the local idiot)

Anyway. You picked out ingredients that vibe with you, that feel right and you know will suit your purpose: chasing off this disembodied energy spirit asshole intruder.

You've mixed it up.

You washed your hands. And probably sneezed a lot, because you're dealing with powders that can tickle your nose hairs.

Congratulations!

You've made your own GTFO Powder.

Or repellent. Whatever you wanna call it.

Now start throwing it around your house; your windows, doorways (but leave the front door alone for now). Every corner of every room, from the attic to the basement - don't overlook any space, and give special attention to areas that creep you out.

If you need support, bring in whoever you need to back you up. Ohana, bitch!

Or your bros. Nakama. Doesn't matter.

If you can't do this alone, then DON'T and go fetch your trusted people. Sailor Moon taught us the power of love and friendship, you know this shit.

Returning to the subject -

As you're doing this, say whatever you need to say: pick a song, a poem, prayer, or just bitch at the entity for disturbing your peace and to leave you and yours alone.

Yes. I am the last option. There's a lot of swearing and gamer-level trash talk, because I'm not a classy witch.

As my previous therapist said: "You're a mess, girl!"

I'm getting sidetracked: at this point, you've hunted down every last scrap of Bad, Awful, No-Good energy. You've chased it all around your house, and made your displeasure known (in the way that suits you, that feels right).

You could also (safely!!) burn it, if your smoke alarm won't scream at you. I've had the smoke cause a bad spirit to gag, which was a wild experience, lemme tell you.

Anyway: you did the thing.

Now, backtrack.

Go your front door, say: "Get out, and don't come back!" or whatever pleases you.

And open the door.

Give slight pause, enough for someone to bolt outside (those with psychic sight might see a shadow running out, don't be spooked), and then douse your front door with the powder.

If you have a yard, and want to be through, buckle in:

Because you could stop here.

Lots of folks do, it's normal.

But I like to make sure I can go outside and touch grass without being jumped, you know? Because I have a yard, unlike the cool people with their fancy (or shoebox) apartments.

So.

From your front door, step outside and continue. Do as you did inside: throw the GTFO Powder around your porch, and start sprinkling it outside your house's walls.

Maybe rub the powder into the brick or wood, and on the windows trace protective symbols on the glass.

If you have the time, do this three times.

Then expand the protected space:

You're going to establish three rings (or boxes) from the immediate outside structure of your house; to the middle, and finally the outer layer - if you have a fence, use it as the final "wall" of protection.

If you have a gate, again: leave it for last.

For all three parts/circles/boxes that ripple outwards from your house, I strongly recommend doing each part three times, as I previously explained. Make the "lines" thick.

Again, use music, prayer, whatever you want. Whatever gives you strength.

Once you've finished each of the three parts: the house's immediate outside, the middle, and the outer layer/fence.

Then go to the gate, bid the spirit to "leave my goddamn yard, ya creep" (or as YOU want), open the gate for 'em, and then powder up your gate.

Finally, finally, face outside the gate and say a third farewell to the spirit, and close your gate.

If you don't live in a house, you can stop at the front door:

Just say goodbye as needed (two more times, if I'm keeping track) (or three times) (remember, do what feels right),

throw a bit of powder in it's "face" if you wanna be spiteful (like me) and close&lock the door.

Done. Complete. You did it.

Go rest, eat, hydrate. Chill. You used a lot of energy by being a badass witch.

Every now and then, refresh the protections.

Like. Every 3-6 months. Or as needed.

You have my permission to take this bit of magic and make it yours. Add in charms, rattles, your pets, bells, knot magic, candles, plushies, and even rename it - it's barely named as is, to be frank.

But could you let me know? I'd love to see how it evolves over time, and how it changes to suit the witch using it.

Have fun. Go terrorize your unwanted "houseguest".

Bye.