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#no i don't know how to explain myself.
anonymouspuzzler · 1 year
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the buck armstrong vocal moodboard has gained a very confusing new addition
[Image ID: Three photos in a row of Douglas Cartland from Silent Hill 3, Ron Swanson from Parks & Recreation, and Robbie Rotten from Lazytown. End ID.]
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kettlefire · 1 month
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As Good as Good Gets (DP X DC Snippet)
Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.
No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.
No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.
Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.
Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.
His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.
All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.
The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.
One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.
It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.
The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.
That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.
It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.
Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.
Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.
Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.
Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.
He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.
In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.
The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.
It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.
That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.
It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.
The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.
It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.
The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.
Lazarus pit green.
It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.
As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.
Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.
He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.
That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.
Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.
Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.
Give him the chance that Bruce had given him all those years ago.
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faeriefully · 9 months
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girls really do be raging a war in their own head whilst sitting silent in their living room
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seaweedraindraws · 8 months
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Sir Pentious I love you but I think all of Heaven only knows you for how hard you fumbled
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inkly-heart · 4 months
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please don’t be sad little sprout, you are loved 🌱 🖤
🌱
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kalashnikovlobotomy · 1 month
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uuh can i get the rusame apology special to go? yes the one with no "sorry" pronounced, that's right. and fries.
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lavernius · 3 months
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Locus as a metaphor for colorism/racism
Some people were interested in this take so I'm going to go over it really quick. I am brown, a lot of the experiences I talk about here are lived (and a lot of them I experienced from this fandom, ironically enough). Warnings for discussion of racism and colorism + abuse.
Don't be weird, keep it civil! I'm not telling you what to think I'm just giving my two cents as a person who has experienced all of this.
Note: I don't think RT intentionally did any of this because they couldn't even treat their real life employees of color well so I don’t trust them with a character of color LMAO. “Colorism” is specified here because being brown affects every part of life in a way that's difficult to explain if you haven't experienced it firsthand.
Locus experiences very true aspects of real-world racial profiling: he's a big, dark-skinned, reserved brown man who is heavily demonized—both by the narrative/show AND in-universe. The fact that the “scary” merc of the duo is the one who was confirmed brown in 14 is likely colorism on RT's part, yes, but it doesn't change that Locus is painted as an aggressive monster canonically (a common stereotype of brown men, and a cause for code-switching in many POC). He's a monster, a dog, a weapon, a machine—all words that are used to describe him in the show, some he even uses on himself. Obviously not words you should be applying to a brown person good lord!
Locus’s apathy isn't inherently part of him. Maybe he wasn't always kind or gentle, but he was forced into a violent situation and TRIED to stay empathetic, wanting to spare his enemies at times, before he was forced out of the mindset—something that still bothers him to this day, even if he's repressed it! Brown people commonly have mental health issues and trauma that doesn't get addressed because of cultural expectations and medical racism, to the point where a lot of our cultures normalize very unhealthy behaviors. More of a stretch, maybe, but it reads like racial trauma if I ever saw it (and I have). Specifically because:
Felix sees him starting to lose his empathy, which is VERY BAD for Locus’s mental health, and takes advantage of it to use Locus as something of a “guard dog”. Erm, white people benefiting from racism and colorism? White people forcing stigma on brown people to gain power over them? What a surprise!
On the note of Felix: while Santa’s reveal that Felix is afraid of Locus can have several meanings, a lot of them can still lead down a road of (abusive) racism. He's scared of Locus because he's a “merciless killer”, isn't the same person he used to be? Who caused that, I wonder? Scared because if Locus found out he was being manipulated he’d immediately abandon Felix? Yeah, because he's being manipulated and abused, of course he’d leave… if I found out I was being manipulated by a white man I'd be uncomfortable too! Victim blaming is EXTREMELY common with racist white people because there is POWER in being white and blaming the brown man.
I like to see Locus’s divorce from his given name and visage as a symbol of cultural isolation. POC are so frequently made victims of identity crises because we’re expected to conform to a white world, whether we try to be white people or try to be what white people expect us to be. The latter in Locus’s case—they want a violent brown man, they have one. It keeps him alive at the cost of taking his sense of self away. He's safer as Locus, the armor, than he is as Ortez, the person.
There's not like, canonical evidence I can point to, but Locus feels like a catch-22 of “I want to be angry that people see me as a monster for being brown, but if I’m angry they’ll see me as a monster because I am brown”. It's a cycle that's hard to escape because when you ARE a righteous brown person who wants to be angry because the world has hurt you, it's so easy to paint you as an animal.
Um the fandom is extremely racist to him in ways I don't think they're even aware of. He's got it all! Fandom whitewashing and stereotyping and sexualizing and demonizing, people shipping him with a white person who hurt him (because a brown person cannot be hurt by a white person without SOMEONE wanting to forgive the white perpetrator for it LMFAO, many such cases where it’s done for the sake of shipping too), performative diversity and a lack of actual depth in his culture bar the fact that he speaks Spanish and has a Hispanic name…I don’t even think the guy who MADE him gives a shit that he’s brown (past it giving him brownie points) and how it affects him. Yeah who’s surprised. (EDIT: did not know Miles was mixed, but POC are still capable of colorism, etc. I still think Miles, as a lighter skinned person, doesn't fully comprehend how Locus being dark plays into the dynamic/Locus's character as a whole. Still, entirely my mistake.)
So basically: brown guy gets dehumanized, white guy takes advantage of it, systemic colorism and stigma helps white guy get away with it, brown guy is alienated from himself as a result and thinks he genuinely is a monster because everyone treats him like one. I see myself in him as a brown person who has experienced colorism for having low empathy and not connecting with society. It's awesome.
He is a textbook traumatized brown guy. He's got internalized racism/colorism. He's going to meet other brown people and unlearn it. He’s going to connect with his culture again. He’s going to realize he never owed the white man power over him just because he was convenient to control. He's going to be okay!
No thanks to RT because they couldn’t write a good brown guy if they tried + it falls on us brown people to give coincidences this kind of personal meaning. LOL
Next week (not really) I get into how Lopez is an incredible accidental portrayal of alienated brown people who have pride in themselves and want justice for being mistreated all the time.
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pocketramblr · 5 months
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The thing about my students is I love them, but every time I think "oh I should work on my graduation speech", within five minutes I'm so mad at them I have to put it down because I have to be nice in it
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quaranmine · 22 days
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On Wednesday before I gave my presentation I confessed to a new employee that I was worried it would be too long and she brightly told me her life hack was to just let AI rewrite things for her. She said I should put in all my talking points and ask ChatGPT to give me a five minute exactly presentation. I was like....how is the most polite possible way (since this is a new colleague I shouldn't get off on the wrong foot with) that I can express that I will Not be taking this advice. Ever. I told her that I didn't think we were allowed to use ChatGPT at this job (we most certainly are not, it is a nightmare for any type of protected information) and also that I prefer to write all of my own work. Despite my best efforts the last part of that was still passive aggressive, lol.
Something about being a writer makes it so that it's almost offensive to me for someone to suggest I use AI to do my work instead? Like, the day I reach the point where I let AI write something for me is the day y'all need to be checking me for brain damage because clearly I'm losing it
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Am I annoying? /gen /srs
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renrapp · 1 year
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PIERRE GASLY post-practice at the 2023 Miami GP
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silverwhittlingknife · 3 months
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can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)
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i'm sure it'll be fine. :D
i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3
#tim: he WON'T show up okay?? and if he did i'd be FINE. dick thinks i'm gonna fall on my face if i do anything on my own ever#dick: that is not true!! that is NOT what i said stop putting words in my mouth#tim: i literally watched this entire city by myself for FOUR YEARS and don't say bruce was here because lots of the time he wasn't#dick: listen i am JUST SAYING that last year you almost DIED A HORRIBLE DEATH a lot#dick: and i personally rescued you from near-death experiences & you were not exactly helpful or forthcoming#dick: so sue me if i'd just like to clarify that i will at least get a PHONE CALL if something goes wrong#dick: as opposed to OH I DON'T KNOW you go off to fight jason or ra's al-ghul behind my back and then you almost DIE#dick: and i have to go chasing after you AFTER THE FACT because you didn't bother to explain to me the stupid thing that you were gonna do#tim: that was NOT stupid and -- i KNEW you were still mad at me about that --#dick (unconvincingly): i'm not mad at you (more convinced) YOU'RE still mad at ME --#tim (unconvincingly): no i'm not. (more convinced) look i get it you obviously think that i suck which fine WHATEVER --#dick: i never said that and i'm just asking for the basic professional courtesy of a heads-up!! the city's my responsibility so -#tim: i know you're on a power trip about this but gotham is actually MY city too so --#dick: excuse me i am NOT on a power trip. i'm BATMAN which means that --#tim: you sure are#dick: oh don't even go there - let me point out that ONE of us is being an uncommunicative jerk and it ISN'T ME --#tim: you are literally trying to micromanage how i do a milk run that i could do backwards with my eyes blindfolded --#dick: i'm not micromanaging!! nightclubs can be -- i have a NORMAL degree of CONCERN okay so --#tim: -- so either you're lying to me or you think i suck; how exactly am i supposed to tell you stuff if you don't trust me -#dick: what?! i trust you!!! i just --#tim: you just DON'T trust me??#dick (trapped): i trust you. i'm just saying. if for example the joker -#tim (defensive): who i could handle#dick: or jason -#tim: who i could also handle!!! try to be a little less condescending maybe#dick: oh come ON. look you're obviously kinda testy about me going out of town which fine whatever but i'm just trying to -#tim (testily): i'm not testy. what does that even mean 'testy'
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i-ate-the-rats · 1 year
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WOOOAAAH omg your art is so so cool it's crazy i love it so much. like oh my god.... ITS NUTS! IT'S AMAZING! can i ask what brush you used in the hobie + noir glasses comic? much love i hope you have a great day!!!!
clip studio brushes!!
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I'm REALLY bored, okay?
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goldenshrikecomic · 11 months
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Hello! GS is one of my favorite comics right now and a huge inspiration in my own journey of working on a comic. One of the things I find the most impressive is your paneling. Visually each of them are laid out in a way that gives this great flow, it feels really natural to imagine the pages in motion.
Would it be okay to ask what your thought process is on panelling, or just general advice/thoughts on setting up/laying out pages? I hope this makes sense
When I think about page layout, my number one question is what kind of panel I want the page to end with. It shouldn't cut the conversation or motion awkwardly, and ideally it should be something that acts like a hook that makes you want to click to the next page, like here:
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It's all about getting from part A to part B. Part A, you're here. Where's the part B? The cutting point, the point where the page ends, where the chapter ends, and ultimately where the story ends.
What kind of story you want to make?
What kind of plot points you want to cover in your chapter?
How much content there is in this one page, does it forward the plot, relationships, or just show a side of someone you want seen?
You can go even smaller. Is this panel important? Does it need a full background? Could these three small panels of characters talking be one big panel? It'll save you time and look nicer.
You'll get it with practice! The old first pages of my comic wasted a lot of space, sometimes they still do. Don't stuff it full but don't get too loose! Don't be afraid of small panels, reserve big ones for big moments, like mother saying goodbye to her kid, or a yellow deer meeting a god. I see many starting comicers use very few panels per page, but this is a LOT of unnecessary work that builds up versus you including more panels per page. It's all about the bubbles. Bubbles lead everything. It's the silent pages that are the hardest.
Again, this is just how I do it. I bet there's tons of different approaches that work for the right people. Hope you find what works the best for you, best of luck with your project!
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I'm never going to financially recover from this.
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But seriously. A vet visit for two sick cats, totaling $671, and my pet insurance reimbursed...$35. I pay $25 a month for this!!! What is the point???
Anyway, I truly hate to ask, but if anyone would like to help me pay this off, I would be eternally grateful. I'll even write you a little fic of your choosing as a thank-you. Just message me and ask <3
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yes-asil · 5 months
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Love your DetCo au. Its so cute!!! Honestly, it would be really funny to me if some random person saw Shinichi and Conan together and told Shinichi he's "such a good parent". Anyways, what I really came to ask was, how are The Detective Boys going to done in your au? Are they going to be the same or is Conan being an actual seven year old going to cause a difference?
Siblings that have ten+ years on their younger sibling are the strongest warriors, I know many. The defeat on their face is hilarious every single time however, I'm sorry.
As for the question, nothing really changes drastically; Conan and Ai just get to be children without all the drama.
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