#no good time to be a robby fan

[starkrebellion]

"It's better than always coming in second" but Robby isn't going to win

"It would be nice to stand on that podium, and side by side for the entire world to see" but Robby isn't going to win

"Your male captain, Robby Keene" but Robby isn't going to win

"I wanna see you on that podium next to me, just like we said" but Robby isn't going to win

"He doesn't have what you have. He's not going to college. Sekai Taikai is the biggest thing he's got going for him" but Robby isn't going to win

"You earned that spot" but Robby isn't going to win

[rodrickstudios]

My Potential Projects 2: “Teens” (Concept Art Included!)

In Gravity Falls, Oregon, there live six ordinary teenagers: Wendy, Lee, Nate, Thompson, Tambry and Robbie. During their summer break, this group of friends deals with, in a nutshell, firsts. First jobs, first crushes and a first taste of freedom... Of course, not every new experience is a positive one. Phone-addicted and gothic Tambry, for instance, despises the fact that she is obligated to have a perpetually smiley attitude and wear a very hot owl costume when working at Hoo-Ha Owl’s Pizzamatronic Jamboree. Wendy, on the other hand, bores out working as a cashier in the tourist trap “The Mystery Shack” and as a lifeguard in the community pool. Still, she doesn’t hesitate to rebel against the rules set by her bosses Mr. Pines and Mr. Poolcheck along with her working peers, which, by the way, include a nerdy tween boy named Dipper that has his eyes set on her. Robbie, the emo of the team, may tolerate his job at the burger stand of the Gravity Falls mall, but is completely obsesse with Wendy and really wants her to be his girlfriend. Now, although there’s a considerable ammount of negative experiences, coward Thompson loves his position as the Royal Ragtime Theater manager. That way, he can switch the tables with ushers Lee and Nate by using his authority to force them to clean the toilets and seats. His off-the-clock status as the group’s living “Kick Me” sign really tires him out in secret!

These friends may live a generic teenage live, but the supernatural always lurks in the shadows ready to surprise them when they least expect it. As Gravity Falls is a town where this stuff is common, the group helping Lee practice for his upcoming driving test can become a wild escapade from a ferocious monster! Similarly, things like haunted convenience stores and gravity mishaps aren’t left out! 

However, no matter what happens to them and in the town, the gang attempts to make the good times last on one of their very few summers left. It’s a constant balance between minimum wages and maximum scares!

SAMPLE EPISODE 1: Wendy wants to watch a movie. However, Thompson bans her from the local theater because she entered with food. Wendy thinks that, of course, he realizes this mean war! She’ll try various ways to enter the theater avoiding his iron-fist. The clock is ticking in this battle of wits and trickery!

SAMPLE EPISODE 2: The whole gang, along with Wendy’s working peers Dipper and Mabel, explore an abandoned convenience store. They have usual teenage fun in there, which may or may not end up with them in one ghost of an unexciting adventure.

SE3: Tambry, so as to catch a break from all the Hoo-Ha hubbub, babysits the town-famous L’il Gideon. She soon realizes it may not have been a good idea to do so, because things with that little boy will definitely not be down to earth!

SE4: Tambry holds a Summerween party at her house while her parents are out. Her five friends, along with the rest of the Gravity Falls High School students, join in, not knowing a simple bottle-spinning game can unleash an evil entity that will force them into eating cursed lollipop sticks.

SE5: Lee has trouble practicing for his upcoming driving test, so he calls upon the rest of the gang for help. They all hop aboard the Thompson family van and let Lee at the wheel in order to guide him on a drive through the forest. Soon, however, a horde of gnomes starts chasing them, and only Lee’s parallel parking skills can save the day!

SE6: The Gravity Falls Community Pool is looking for a new assistant lifeguard. Still, Wendy is fed up with having to stay in the community pool after her usual shift in order to try out people. Thus, when Dipper suggests he can be the lifeguard, Wendy admits him on the spot. The two have fun breaking the rules, but Mr. Poolcheck has other ideas regarding fun...

SE7: Robbie decides to record a song dedicated to Wendy so as to make her fall in love with him. To do so, he’ll have to get help from some unusual creatures.

SE8: Robbie convinces Thompson to join him in summoning an evil triangle that, at least according to the former, can grant three wishes. However, the shock they’re in for, to say the least, is to die for.

SE9: Tambry and Robbie start dating without any warning, which surprises the rest of the teens...for worse.

SE10: It’s another usual day at the town, until suddenly (and literally) gravity starts falling. The gang must do all they can in order to survive all the floating!

SE11: Inspired by Jack Kerouac’s classic “On the Road”, Wendy convinces the gang, along with her working peers, to do some hitch hike. She, secretly, wants to stay away from her father after a fight they got into. But then, a mysterious truck driver captures the group and takes them to a haunted diner in order to keep them prisoners.

SE12: Both Wendy’s stress towards life in general and Tambry’s “monthly pain” get the best of them. So much so that Wendy gains weather powers and Tambry turns into an overreacting ugly creature that runs loose! The boys must team up with Wendy’s working peers in order to stop the situation.

SE13 (pre-series finale): School is right around the corner, for registration at Gravity Falls High has just started. The whole gang is devasted at this, but their devastation turns into panic as strange creatures invade the town and things become much, much weirder than usual.

SE14 (SERIES FINALE): The Weirdmageddon has been stopped by Robbie, Wendy and the Mystery Shack gang. However, before Dipper and Mabel leave Gravity Falls, Wendy decides to prepare a surprise that will require her and the teenage gang to move all through the town in one last summer adventure together.

https://6teen.fandom.com/wiki/The_Mall

https://twitter.com/michaelrianda/status/1380602233788633088

https://wendip-week.tumblr.com/post/179577046282/wendip-bits-from-the-gf-complete-series

[livwritesstuff]

There is a rule in the Harrington household that Eddie is only allowed to take one (1) of his and Steve’s three daughters with him to Target. Eddie going to Target by himself is dangerous enough.

For example:

Steve: Why did you buy three bags of cat food?

Eddie: Because if you spent $15 on pet supplies you got a $5 gift card

Steve:

Steve: How is this good for us?

Eddie: It’s free money!

Steve: No – it’s literally not. It cost $15 worth of shit we have no use for.

Steve: And now Hazel’s gonna think we’re getting her a cat.

The thing is, Eddie breaks the one child per Target trip rule constantly, enough times that he and the girls have developed a whole system to sneak their inevitable cache of Target junk into the house so Steve doesn’t find out. The system involves using their youngest, Hazel, as a pawn, which Steve wouldn’t be a fan of, but…it’s Hazel. It works.

“Hi Papa,” she says, setting the carton of eggs that had warranted a trip to Target on the counter.

“Hey,” he replies, looking up from where he was tying his running shoes, “Thanks for getting the eggs.”

“Are you going on a run?” Hazel asks nonchalantly.

“Yep. I’ll be back in a couple hours though, and then we can make those brownies.”

Once he leaves, Hazel returns to the garage where Eddie, Moe, and Robbie are still in hiding.

Hazel: He’s gone.

Eddie: Okay, you know the drill.

Eddie: Pop doesn’t hear a word about this.

Eddie: No fashion shows, no hauls. If he asks, you’ve had this shit your entire lives.

Eddie: Got it?

At the end of the month, Steve is going over all their card statements like he always does when he sees the charge.

Steve: Ed – Jesus Christ.

Steve: What the fuck could you possibly have spent five hundred dollars on at Target?

[jawz]

oasis fans on instagram: Hey Madferits! Here’s my new tattoo of the lyrics to Supersonic 😎 I named my daughter Lyla as I’m a lifelong fan. Will never forget Glasto 95. Hope everyone’s having a good day #LIVEFOREVER

oasis fans on twitter: Liam Gallagher is the most misunderstood pop princess of the 1990s.

oasis fans on tumblr: in 1991 noel finished work on his infamous torture tunnels. for years, anyone who crossed him was kept in the tunnels for undisclosed amounts of time. liam was held here for several years while a clone worked in his place, after liam upset noel by cavorting with robbie williams. some witnesses say liam was trafficked while traveling the tunnels and was never the same after being released. (source: oasis “memoir” written by a childhood acquaintance who barely knew them and hates noel)

[dietpitt]

[ My AO3 ] [ My Writing Tag ]

key: ❤️= smut/suggestive 💗= personal favorite

Stan Pines x Reader

disco_date.discard('robbie'): ❤️💗(AO3 Link) (tumblr post coming soon)

Swooning Over Stans: What if Robbie hadn't interrupted your final date?

Green Is Definitely Your Color ❤️💗

[Read on AO3]

In which body paint and Stan's mouth save Halloween (but ruin a perfectly good costume).

Keep It Cool ❤️ [Read on AO3]

A broken A/C and some Stan belly appreciation

Fall Into Me, And Then... 💗 [Read on AO3]

Childhood Best Friends to Lovers with a clueless Teen!Stan

Summer Lovin’ ❤️ Some summer fun with Teen!Stan and friends

Wait ❤️ Teasing Young!Stan during his tour at the Murder Hut

Patience ❤️ [Part 2 of Wait] Your actions on the tour have consequences

Soft Cotton ❤️💗 An intimate moment; playing with Young!Stan's white t-shirt

Found In a moment when you're down and crying, a stranger comforts you.

Friandise 💗 [Read on AO3]

Stan gives you more to feast on than just Stancakes in bed

<1k Words

The Derby Blues 💗- You accompany "Stan" to the Kentucky Derby

Rasberries for Breakfast - Stan blows raspberries on your tummy

It Hits the Fan - Stan's past catches up to the both of you

Apartment Hunt - A mini heist with Stan in a stranger's apartment

<500 Words

Dip & Tow 💗- You join Stan in his bed one night on the Stan O' War II

“Are You Still Awake?” - Stan has trouble sleeping; you comfort him

The Usual ❤️- An intimate, stolen moment in The Shack's gift shop

Lucky? - Stan's thoughts about you, wearing his jacket while out on a date

A Bar by the Bay - Sharing shots with a handsome older sailor

Happy - For the first time in maybe ever... you're happy

Stan x OC

"Red" ❤️- Post-Swooning Over Stans, Bri meets back up with Stan [Read on AO3]

Orange, Pink Stan helps Em celebrate their birthday in style

Ford Pines x Reader

Galaxy Ford - Ford helps you study for an exam [Read on AO3]

“You Can’t Keep Doing This” 💗 - A stolen moment in Ford's lab (and lap)

“My Hand’s Getting Awful Lonely...” - Ford works out a pickup line

A Casual Chat ❤️- A video call with Modern!College!Ford gets a bit out of hand

Musings

Stan vs Ford: Bringing You Gifts/Treasures

Stan vs Ford: Foreplay ❤️

Stan vs Ford: Falling Asleep

Stan as a cop (he'd never be a fucking cop lol)

Stan x Reader x Ford - You have a date night in and fall asleep on the couch

graphics by @saradika-graphics

[sleepyicon]

cobra kai rant incoming!!

i deleted one of my posts a few hours ago bc honestly, i feel like im spreading too much negativity related to cobra kai. and im tired of my cobra kai posts always being criticism when i love the show.

for the most part, part 2 is really good. that last episode is prob the best episode of cobra kai out there. that brawl and how it ended was such a plot twist and it made the school fight look like child’s play.

my prediction about devon supporting tory right away was true, but i wasn’t expecting the rest of the miyagi dos to understand right away so im happy about that. ALSO LOVED TO SEE KENNY! AND EVERYTHING HE DID!! tho i do admit i wish the binary bros apologized for how they treated him at first.

keenry, my babies, pls end up together in the end.

the sekai taikai was so enjoyable, the barcelona feels were so enjoyable, terry silver being back was so enjoyable (we all saw that coming lol) and lowkey thinking he used to crush on kreese.

im not a huge fan of miguel, but i hated him for a long time and its kinda tiring. he’s not that bad, the writers just don’t allow him to take accountability for his actions.

team miyagi do was so wholesome, particularly in episode 9, and i love how they hyped up robby as captain in the end.

rlly enjoyed kim x chozen, hoping they end up together in the end.

KWON DYING WAS SUCH A GOOD PLOT TWIST NOBODY SAW THAT COMING EVEN KREESE AND SILVER SHOWED SOME EMOTION!! THEIR BULLSHIT CAUSED A KID TO DIE!! COBRA KAI DIED BUT NOT IN THE WAY WE WOULDA THOUGHT!!

rlly enjoyed part 2 👍🏽

[spyeriasecret]

and now it's time to play WOULD GRAVITY FALLS CHARACTERS RESPECT YOUR PRONOUNS (pre-weirdmageddon) (non gravity falls fans take this as a sign.)

DIPPER PINES - not sure he'd understand the concept immediately, but would catch on quick because he understands what it's like not being called something you want to be called

MABEL PINES - YES. no question about it. there's so many things i could say here. she'd correct herself for THINKING the wrong pronouns.

STANLEY PINES - understands and correctly genders you for all the wrong, crime-related reasons! bro is the king of preferred names. you say "hey i'm actually exam/ple" and he'll be like "AH. I GET IT. WINK. DO YOU ALSO WANT TO BE NOTIFIED WHEN THE COPS ARE IN TOWN" like i cant overstate this. if you say hey i want to change my identity he will pull out a stack of fake IDs and have you pick one. he's a little confused but he got the spirit!

STANFORD PINES - if you ever need a guy to not grasp a modern-day concept, call this guy! he'd do his best, but only because he wants to be nice. he does Not understand. give him a little bit of systematic exposure and he'll get it! he will take a scientific approach! but he'll get it! somebody get this man 2024ccs of woke liberalism stat

SOOS RAMIREZ - calls you dude and bro. does not call you anything but dude and bro. he knows what you are and he respects that! but let's be real honest here.

WENDY CORDUROY - incredibly supportive and super chill. if you were still in the closet, she'd do the mouth zip motion thing. you get it. she's so awesome about you

WADDLES - oink?

GIDEON GLEEFUL - yes to your face! no behind closed doors. he'd probably call you "that queer" while villain monologuing in his room . i can hear it in his voice

BUD GLEEFUL - THE gravity falls homophobic youth pastor let's be for real he'd say "it's not too late to turn to God" as a christian trans person i'm pretty sure God thinks about lgbtq+ kids and fraudulent capitalists on two separate ends of a very long line

SHERIFF BLUBS & DEPUTY DURLAND - do i even have to say it. i'm gonna say it. solid top and DEAD SERIOUS bottom. they ARE the loud and proud gravity falls lgbtq+ community. if they're transphobic i'll eat my socks.

CANDY CHIU - i know what you guys are thinking . "oh candy's so sweet of course she'd respect your pronouns!" CANDY MOTHERFUCKING CHIU WILL NOT ONLY RESPECT YOUR PRONOUNS, BUT SHE WILL GO OUT OF HER WAY TO USE THEM AT ANY POSSIBLE MOMENT. if she sees somewhere to say your pronouns, she will DO it. because she LOVES YOU. and also she'd fight anyone who gets it wrong!

GRENDA GRENDINATOR - trans. she loves you. will help candy fight anybody who gets your pronouns wrong.

FIDDLEFORD MCGUCKET - honestly this is a hard one. he could ACKNOWLEDGE! your pronouns! but other than that i'm not sure. pre-memory wipe, i think he'd feel a little weird about it, but it would become nothing to him eventually

PACIFICA NORTHWEST - "ew. what the fuck." and then suddenly she's asking you how you figured that out. For No Reason

ROBBIE VALENTINO - calls you a faggot. is it because he is homophobic? because he is one? because he hates you specifically? the world will never know

BLENDIN BLANDIN - he lives in the year 207̃012. i find it hard to believe they haven't made respecting pronouns mandatory yet.

AGENTS POWERS & TRIGGER - are the pronouns on your legal documents????? it's not funny stop laughign

TYLER CUTEBIKER - gay. his pronouns are get/it. he will respect you (in his own ways)

LAZY SUSAN - forgets you had the wrong pronouns in the first place. she respects you by default

TIME BABY - does not refer to you

BILL CIPHER - he would call you your preferred pronouns but DON'T get it twisted. he does not respect you as a living thing. it isn't bigoted (that would be ironic considering that whole sixer thing) he just doesn't. maybe he'd make HEAVY fun of you for good measure but he's got to dig at somebody somehow. also were pronouns even real in his dimension anything could happen man ????

SHMEBULOCK - shmebulock

(did i forget anybody? let me know)

[daisyblog]

I Think I'm In Love

Our Story Masterlist Summary: Fans meet YN at LOT Wembley N4.

Based on this request. Also a big thank you to @onlyangle1 for helping me.

Molly and Ava, two best friends who shared their love and obsession for Harry Styles. The pair had waited for what felt like years for this day. The day they finally got to use their Harry Styles Love On Tour tickets.

They had tickets for the front area of the standing pitch. Despite not being at the barricade and having an up close view of the man himself, they were content in being at the concert and having a large space around them, to be able to dance and jump around in later on.

The two girls had just sat down on the ground, as Wet Leg had left the stage. “What do you think he’ll wear?”.

Ava thought as she played with the boa around her neck. “If we see hitties, I’m gonna faint.”.

“Oh please, that would literally make my night if he does!”. Molly got herself excited at the thought.

The two friends, took some photos together, wanting to remember this night and of course to post on their social media’s to let everyone they knew that they had seen Harry Styles.

The sound of the stadium singing Angels by Robbie Williams filled their ears, but what caught their eyes was YN, stood to the side of them, recording as she sadly smiled.

“Fuck, is that YN?” Ava nudged her friend.

“It is, I think I’m going to have a panic attack!” Molly spoke as she repeated to herself how much she needed to remain calm.

“She looks sad.” Ava observed. “Do you think we should ask her if she’s alright?”.

Molly managed to calm her nerves and get the attention of YN, who smiled at the sound of the girls calling her name.

“Hi!” YN gave the girls a genuine smile as she walked over to where they were now stood.

Ava took the lead, not trusting Molly to hold it together. “We’re sorry to bother you, we just wanted to check you were alright?”.

“You looked a little sad.” Molly added.

YN placed her phone in her pocket. “Yeah I’m alright.” YN hesitated. “That song reminds me of me Mum and sister.”.

“Awww.” Molly felt herself get emotional. “C’mere, have a hug.”. She wrapped her arms around YN, who gladly took it.

“Thank you!” YN rubbed a stray tear away from her cheek.

Ava couldn’t help but notice the band that now laid on YN’s finger. Wanting to change the subject as she could see YN wiping away her tear. “Congratulations on your engagement!”.

“Oh my…yeah…congratulations…I literally fucking screamed when I saw your post last night!” Molly spoke, excitement evident in her voice.

YN laughed at the girls outburst. “Aww thank you!” Blush creeping up onto her check. “It still hasn’t sunk in.”.

"It's such a beautiful ring." Ava complimented, the gold band that sat upon YN's finger.

"The boy did good!' Ava nudged Molly for her comment, but YN let out a loud chuckle, finding the comment funny.

YN nodded in agreement. "He did...I'm very lucky.".

The sound of Bohemian Rhapsody beginning, got the crowd excited knowing that Harry would be on stage soon. Ava and Molly joined in with the singing stadium.

Mama, life had just begun But now I've gone and thrown it all away Mama, ooh, didn't mean to make you cry If I'm not back again this time tomorrow Carry on, carry on as if nothing really matters

The two friends, expected YN to have disappeared now that Harry was due to come on stage any moment. But they were pleasantly surprised to see YN still stood to the side of them but this time with Brad by her side.

As the intro video played, Ava and Molly were on edge waiting for the first glance of Harry. As Daydreaming began, and Harry appeared wearing his signature overalls but for the last night at Wembley decided to be shirtless, showing off his butterfly tattoo. Ava and Molly held onto each other as they jumped up and down at the sight of Harry and his lack of t-shirt.

But what set the two girls and the other fans around them into laughter was when YN could be heard shouting. "THE HITTIES ARE OUT! WOOOOO!".

Livin' in a daydream She said, "Love me like you paid me" You know I'll be gone for so long So give me all of your love, give me something to dream about

Ooh-ooh

Stay until the morning 'Cause, baby, loving you's the real thing It just feels right When you give me all of your love, give me something to dream about So give me all of your love, give me something to dream about

Ava and Molly were jumping around, just like the other fans in the stadium. Dancing, singing and having a blast..completely in awe of the man on the stage. YN and Brad were still near by also enjoying themselves, singing and dancing along.

The sound of Golden began and Harry was instructed the fans to get low. "Are you ready to have some fun with us tonight, Wembley?".

Molly turned to Ava, completely forgetting who was standing behind them. "I think I'm in love!". The girl shouted, as she was still in denial that they were watching Harry Styles perform.

Bringing the girls back into reality was YN's accent from behind them. "He has that affect on you!". Most girlfriends, in YN's case fiancée, wouldn't have liked that comment being said. But YN understood, she really did because Harry did have that affect on others. He was infectious!

As Adore You came to an end, Harry made his way down the platform to wave to the fans who stood towards the back of the stadium. Ava, Molly and the fans near by were quick to cheer and wave to the man himself.

After Harry's little speech thanking the opening acts and explaining how he had burnt his tongue on some soup, he sang Keep Driving. It was no secret that fans loved singing along to a particular part so Molly and Ava were preparing themselves to belt out the famous line.

Passports in footwells Kiss her and don't tells Wine glass, puff pass, tea with cyborgs Riot America, science and edibles Life hacks going viral in the bathroom

But making Brad, the girls and fans around them explode with laughter was YN's version as she sang behind them. "Cocaine, side boob, choke ME with a sea view!".

Toothache, bad move Just act normal Moka pot Monday, it's all good Hey, you Should we just keep driving?

One Direction fans loved Stockholm Syndrome so it was no surprise the stadium went crazy as they showed their love for the song written and performed by their favourite band. YN also joining in with the fans around her.

The sound of Sweet Creature beginning to play, caused the stadium to become a calm atmosphere, almost like everyone was enjoying the moment as Harry hadn’t sung it live for a few years. YN could see the two friends, holding onto each other whilst listening to Harry sing, wanting to capture the moment she snapped a quick photo from behind the two girls and took a short video as they had their arms wrapped around eachothers shoulders. Hoping she could try and send it to them later.

Still standing at the front of the stage, Harry peered out at the crowd looking from one side to the other. “Uh speaking of Sweet Creature…I wanna say before we go any further a massive massive thank you to you and the people of London for all the support you have given me over the last thirteen or so years of my life. This... city has blessed me with a home, and certainly the most important people in my life who have supported me over the years and I would not be here without them, thank you so much, and to all who have made it tonight. The first time I ever came to London was thirteen years ago, it was just across the street, for the boot-camp stages of X-Factor I’d never been here before, it was quite scary coming to London; but making that journey meant I got to meet my special person…the better half of me and Wembley will always be our special place for us so I’d like to play a song for her tonight, this is for you YN…this is Love Of My Life”.

During Satellite a large group of fans created a circle and YN couldn’t help but join in. They waited for Harry to sing “Spinning out, waiting for ya to pull me in” before they all ran into the circle and then dance around in crowd.

YN loved the TPWK dance that the fans had created and she spent hours learning the steps when it first went viral. So when Harry began to sing the lyrics, she couldn’t help but fill with excitement of joining the fans around her. “Maybe we can…find a place to feel good…and we can treat people with kindness…find a place to feel good”.

Whenever Harry surprised the fans by singing Medicine, her heart filled with joy over the fans screaming with happiness as the music to the saucy song began. She would admit though that Harry singing the unrealised song and moving his hips in certain ways made her feel a certain way too, one that would have to wait for the end of the show and they were alone in their hotel room. “You got that something, I got me an appetite, now I can taste it…we're getting dizzy, oh, we're getting dizzy, oh…la-la-da-da, da”.

Knowing the set list by heart now, YN knew it was her queue to leave when Harry finished singing As It Was. Wanting to thank the two girls for being so kind and friendly, she quickly gave them a cuddle and promised to follow them back on instagram later on.

Molly and Ava watched as YN left the pit and quickly made her way backstage to meet the main man himself. “I can’t believe that just happened”.

Ava felt like she was in a dream and she was going to be woken up to reality any minute. “Pinch me…but did we just spend the entire concert with YN Tomlinson?!”.

“She worked her way through a cheap pack of cigarettes”.

---

molly_x

liked by avaflorence, yntomlinson on and 463 others

molly_x Ava and I’s reaction after watching Harry Styles with YN!!✨❤️🫶🏼 🪩 View all 46 comments tagged: avaflorence harrystyles yntomlinson

avaflorence Amazing night✌🏼I want to do it again! YN made our night so much better x ⌞molly_x She’s such a beautiful soul🩷

friend2 So lucky 😩

yntomlinson Thank you girlies for letting me join you at the show🫶🏼I had the best night and have told Harry about two of his biggest fans!❤️ ⌞harryfan6 your so lucky yn commented and liked your post!! ⌞molly_x Sorry I just needed to calm myself because I can’t believe you’ve actually commented and liked my photo (fangirl moment 😱). Thank you for being so lovely to us…and taking that photo and video of us, we are so grateful!❤️❤️❤️

harryfan9 Is YN starting a new trend of being in the pit with the fans????

harryfan7 Things like this never happen at my shows😢😢😢

Tag List:

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[ervotica]

I need rockstar Robin Buckley SO BAD. Like as in 70s-80s type rockstar and reader is this really pretty groupie and Robin can't fucking help but fuck her EVERY. SINGLE. NIGHT. She makes reader go boneless and dumb over her fingers and edges her before putting on the fuckign strap !!!

Anyway can you tell I'm on my period and I'm recklessly horny

my pussy just exploded.

18+ smut, wlw, rockstar!robin (she's a warning), cunnilingus, use of a strap, edging

No bc imagine.. Robin's band is on tour and generally she's not a big fan of the groupies. They all have the same lovesick, starstruck look in their eyes as they compete and vie for the rockstars' attention.

But you. You're different. A little more reserved but so obvious in your beauty. That effortless sort of beauty that exudes from your every pore; you're infectious to be around and, frankly, Robin can't get enough of you.

Sure, you've admired her from afar: her lithe arms and her mussed hair, wild where it's cropped to her chin. Her thin, long fingers that you'd know would feel so amazing inside of you. Her smudged black eyeliner and faded lipstick, worn away by kisses. Good luck kisses, she calls them, planting one on you every time she has something important and rockstarish to run off and do. Departing with a cheeky grin and a wink as she croons "Gotta have my good luck charm, babe."

She can't help it. It's your own fault for being so damn pretty. So gorgeous in the way you fall apart on her fingers and her mouth and her pretty plastic cock. It's not like you put up a fight, either. Obediently following after her as she beckons you to her hotel room late at night, as she pushes you down onto the grimy bedsheets and eats you out until you cry. Until you're trembling and sobbing and begging her to give you a break.

And she does; she brings you to the precipice over and over but never gives you that last push, that last little stretch you need to fall off the edge and into the void of bliss. She'll only let you cum if you beg her for it, all pretty, eyes red rimmed and glassy and lower lip pushed out, pouting until Robin can't help but lean down to kiss your sad face away.

That's when you've finally earned the strap- she lines herself up and watches in absolute awe as your cunt parts and flares and swallows her whole. With the sounds she makes, you'd almost think she could feel it as if the strap is a real, living extension of her own body.

And then you moan her name. A weak little "Robbie," as you beg and plead with her to let you cum over and over until your voice is hoarse and croaking; well, she can't deny you when you're that cute.

By the time she's through, she's fucked you so dumb she's not sure you even remember your own name. You're boneless and still and limp against her as you doze, plush lips parted as you breathe, fingers still loosely interlinked with her own. You know you'll be sore in the morning but it's worth it, and you'll be ready to do it all over tomorrow night.

[damelancelot-darling]

Gotham Inception Fic

Aka: a Gothamite writes fanfiction about the Batfam and the Wayne family like step-families.

All inspired by @jasontoddiefor's post here:

Obviously fans are going to wildly mischaracterize everyone, especially the BatFam so I'm seperating each person's character traits into their civilain ID and their persona. Some of these are grossly incorrect in any kind of canon or fanon but this is from the perspective of a Gothamite.

Dick (Richy):

Everyone gave up on using Dick as his name because it kept getting flagged everytime so they decided on Richy. He confirmed in an interview that he prefers Dick because English wasn't his parent's first language and when they gave him a white name, they didn't know what dick meant until they had already been using it too long.

Way stereotyped. Both as Romani and as a former circus performer.

Goofy, smiley, more of a puppy than anything.

Doting on his family.

Nightwing ():

Human thristtrap.

Oversexualized and flirty af.

Gets very angry easily (stemming from his early Robin days)

Overprotective (of family, of his partner, of Y/N, etc.)

Cool in a way that teenagers think is cool.

Richi taught him acrobatics.

Jason:

Dead lol

Still legally dead and out of the view of the public.

Everyone writes angst about his death.

Made out to be this sweet little uwu baby.

They do guess correctly that if he was brought back, he'd be pissed he was "replaced".

Red Hood (Liam):

Woobified

His "real" name came from him quoting Shakespeare in public and so got called William which turned into Liam because Will was not a cool enough name for him.

Daddy issues af

A lot less violent that in reality.

Brucie has guilty resentment about him coming back but not Jason.

Only shows up to work with Batman on cases that involve his terf.

Hates Brucie with a burning passion and doesn't explain why.

Tim:

More uptight. Kinda like Damian's fanon calling everyone "peasants" thing but less outspoken.

Secretly thinks he should be the only son of Wayne but when Wayne Enterprises was given to him, it quelled most of the jealously.

Kind of the "bad guy" and/or the pessimist in most fanfics.

Basically a semi-spoiled rich kid who inherited his daddy's company.

It's debated whether he's actually a compitant boss or if he's more like Brucie was and everyone else does his work for him.

A small group of fans insist that he's stereotped into being the bad guy and he isn't actually that bad in real life. (Most of these are the Batfam trying to raise Tim's spirits.)

Red Robin (Rhett Robbie):

Yes his name is a reference to his vigilantie name.

Nerd

I can't really think of more for him rn

Damian:

More shy than snobby.

Overwhelmed with suddenly having a large family.

Covers up his negative feelings with either anger or coldness.

Doesn't speak much.

More affectionate than irl.

Snow White (ie: someone found out about the zoo he keeps at the manor and everyone thinks it's cute.

Robin (Taj):

I will murder you with a smile.

Has to be kept on a BatLeash (patent pending) at all times so he doesn't kill all of the criminals.

Complete Middle Eastern/ninja stereotype

They do get his desire to be the only BatKid because he's "actually" Batman's son.

According to the internet (which is exactly where a fan writer would go for name inspiration) Malik means crown in Arabic.

Bruce (Brucie):

Still very much a himbo.

Mischaracterized as "the wife" when shipped with Batman

Some people insist that Damian got his animal adoption problem from Brucie's child adoption problem.

All of his one night stands after parties are fake b/c he'd never cheat on Batman.

A little too dependant on hard liqour when left alone because Jason is dead/he's worried about Batman dying on patrol/etc.

Secretly depressed.

Would 100% kill a villain if they were after his kids (batkids included) and he had an opportunity.

Was taught in-depth selfdefense before Batman even considered a first date.

Batman (???):

I can't think of a good name for Batman. If you can think of something better, please add it.

His Batman persona sticks around even when the cowl is off.

Usually a redhead with green eyes because they suspect he's BatGirl's bio dad.

"Do the butts match?"

Loves his kids and Brucie's kids but is emotionally consipated and doesn't show it well.

Has a tragic backstory.

Childhood friends with Brucie.

He doesn't use guns because they're a huge trigger for Brucie.

I am absolutely not the authority of this kind of AU. If anyone has Corrections or additions they want to add please do. If there's enough additions and Corrections on this post, I will eventually I will make another post with everything added and corrected. 

Yes I know I need to add Duke, Cass, Stephanie, Barbara, Alfred, maybe Clark Kent, etc. I will make a sequel post with them in it or I will just include them when I make the masterpost.

[purpleheartskies]

About the framing and marketing of the traumas in Robby's story including the SA

TW/SA

This situation with the SA in Robby's story feels like post-s5 all over again. Robby experienced something(s) traumatic, but the audience is not supposed to consider it traumatic for Robby because of the framing and marketing, and many fans go along with it---though in this case, many fans are opposed to ignoring the SA.

Hayden's comment about the SA seems to indicate that the writers don't see the SA for what it is and won't address it in part 3. However, Jon (privately) 1000% agreed with a fan that consent can't be given while drunk, that he was very upset with Hayden's tweet, and that he himself wouldn't have answered that question in that way. Hayden is a known troll, and given how he has always approached answering questions, his comment may have been a tone-deaf statement that pushed the narrative framing. For example, Hayden had also responded to someone in that q&a that Miguel always sees the best in people. This is not true, looking at the context throughout the story. Miguel definitely thinks the worst of Robby and acts on it whenever Miguel feels like it. These and other points I will talk about in this post make me wonder if the SA may still possibly be addressed in some way as SA.

Although there are definitely flaws in the writing, such as in the pacing, I don't think the skills of the writers can be completely ignored. Their character and relationship writing in particular are quite good (as in consistent and realistic) compared to a lot that I've seen across a variety of stories. I also think that, while many view SA as an egregious trauma that sets it apart from other traumas (hence the more resonant backlash about it), these writers are treating the SA as just another trauma in Robby's story. After all, they've handled Robby's other traumas with a similar writing, execution, framing, and marketing approach. For example, the same day that Netflix posted the ig reel marketing the SA as "Can Tory catch a break?", which matches the narrative framing, Variety put out that interview of Billy glorifying Johnny's relationship with Miguel and claiming that Johnny "needed the boy [Miguel] who needed him", which also matches the narrative framing. As I pointed out in another post, the framing and marketing of both situations treat Robby as inconsequential, although both are extremely traumatic for him. 

The storytelling style in the show is very interesting. There's a lot the consistency and patterns throughout the story, especially when it comes to the characters behaviors. For example, my pre-s6 analyses of Miguel's envy of Robby being Johnny's son, Johnny using Miguel to feel better about himself for screwing up with Robby, and the blended "family" not being written genuinely (especially Robby's inclusion in it) are inline with what was depicted once more in s6e8. In fact, the occurrence of Robby experiencing a trauma (the SA) while Johnny was off tending to the Diazs is in line with the consistency of how the writers approach Johnny and Robby's story: Johnny's relationship with the Diazs is narratively in opposition to Johnny's relationship with Robby. It is an either/or situation; it always has been. 

In this case, Robby was left out of the family situation and was, overall, feeling so unsupported (because he is, despite Johnny's words to Miguel) that his abandonment/rejection trauma and low self-worth were at their peaks, with him believing that Tory had abandoned and replaced him too, so he drank for the first time. In fact, the writers reminded us through Sam that Robby doesn't drink. They wanted us to be clear on the fact that he was drinking for the first time, and the rum and coke doubles he was downing would impair him. Robby telling Sam about his intention to drink seemed to be his counterdependence peaking through: he had wanted her to stop him. (In fairness to Sam, no character has understood Robby's counterdependent tendencies. Though, it would have been good of her, as a friend, to stick around after he told her that he was thinking of drinking. I'm not blaming Sam, though, for Robby's decision to drink. It was Robby's decision to do so. I may do a proper s6 part 2 Robby analysis soon.) It's within the context of Robby getting drunk for the first time and being alone and vulnerable that Zara took advantage of him. This was all juxtaposed with Miguel showing his envy once again about Robby being Johnny's son and Johnny once again committing himself to Miguel in comparison to Robby. In the hospital scenes, Robby's absence was felt including Carmen speaking about the baby having her big "brother" win, as if she has only one brother competing in the tournament.

Looking at how the writers have written scenes throughout the story, the SA is written as what it is: SA.

First off, there's no narrative "show" of Robby consenting or intentionally getting together with Zara. They don't show him noticing her, getting friendly with her, or drinking with her. They're only shown to have two interactions: (1) the conversation outside of her hotel room the next morning, and (2) during the brawl. In both these interactions, Zara acted entitled to Robby, his body and him, while Robby showed no interest in her whatsoever. Wrt to the SA itself, Robby was clearly shown to be getting drunk and losing his faculties (he couldn't focus enough to talk back to Kwon) before Zara even approached him. The next morning, his hungover state and his statement that he can barely remember anything also prove that he hadn't been in any condition to consent. He was barely responsive when she kissed, and he looked disturbed/shell-shocked as he walked away. In turn, she was shown watching and approaching him at the bar with intent. The next morning, her bold response "Well, good thing I do" to him saying that he barely remembers, her indifference about his unwell state, and her stealing a kiss from him as if she's entitled to show that she was sober and didn't care if he could consent or not. She had been interested in him, and she'd taken from him what she'd wanted. 

The framing and marketing that we should feel sorry for Tory wrt this doesn't match the nuance of what is shown, only the framing of it. Tory seeing them is written as a coincidence. The framing that Robby had cheated and made a "mistake" is set up by Robby's words: "Tory broke up with me. She hooked up with Kwon. I got drunk and I did something stupid". Some fans claim that Robby "cheated" to get revenge, but there is no narrative proof of this. Robby didn't try to throw it in Tory's face and was shocked that she'd found out. Then, his defensive argument with Tory---that she was upset that he'd gotten with someone even though she'd gotten with Kwon---added to the framing. However, Robby is already established as a character with exaggerated self-blame, who blames himself for his traumas when he isn't at fault at all or isn't 100% at fault. In this case, he can barely remember what happened. He knows that he got drunk because he was upset, thinking that Tory had hooked up with Kwon. But, he essentially doesn't know the details of the "mistake" that he is blaming himself for. He was also already blaming himself when he and Tory got into their argument about it, so he was defensive about it.

Overall, the whole situation had contexts of Robby's underlying traumas. He drank for the first time to deal with his abandonment/rejection trauma and low self-worth. He took this step, despite his goal not to become like Johnny. This is also likely a type of situation that his mother may have experienced in the past, given what had been shown about her in earlier seasons. He blamed himself for it, although he essentially doesn't even know details about what he's blaming himself for. He just believes it's his fault. Robby being SA'd the first time he drank and got drunk seems to be a dark irony in light of all this.

Another thing that stuck out is that Tory cut Robby off when he tried to explain what had happened with Zara. This was after Cobra Kai had lost, and Robby had approached Tory in the hotel lobby. Robby not being able to tell his side of the story or details of his side of the story being obscured is pretty consistent with his story so far. When it comes to the school fight, for example, Miguel's wrongdoings against Robby have been obscured, and only Robby's wrongdoing in it have been explored and addressed. In s3e2, Robby clearly told Daniel that he had kicked Miguel (which is a true statement), while he also told Daniel that it was a mistake trying to help him because he can't change (which is his exaggerated self-blame; it had been an accident and there is so much context to consider for that fight). This is similar to "I got drunk" (true statement) and "I did something stupid" (exaggerated self-blame; he couldn't consent and barely even knows what happened).

In s3e2, Robby wasn't able to say more to Daniel because the cops had shown up. Robby stopped trusting Daniel, was put into juvie, and their relationship dissolved. Robby also stopped talking about his side of the story. Even when Kreese (s3e5) and Tory (s3e8) showed him empathy about it, Robby didn't respond. He finally talked about it in s4e4 when he tried to defend himself to Johnny, but Johnny dismissed what he said. Then, in s5e5, after the abusive apartment fight, he explained to Miguel what had happened at the end of the school fight, in response to Miguel gaslighting him about the school fight. Miguel's question implied that Robby had had no reason to not hold back that day in school, which shows how entitled and lacking in empathy and self-awareness Miguel is as the person who had attacked Robby brutally that day. (Robby having a "fight" response at the end of the fight was quite natural, given the circumstances.)

Robby has been scapegoated for their school fight and is still being scapegoated for it, as depicted in the college essay scene in s6e2. The SA being written how it was---as SA---and Robby being scapegoated for it is in line with how he has been scapegoated narratively before. Again, I think people view SA on a different level than these other traumas and situations, but it is a type of trauma and it is being treated as his other traumas have been treated. The SA was also perpetrated by a new character, who isn't endeared to fans in general, so she is being more rightfully called out and given less of a benefit of a doubt. Those who defend her or make gross comments about the SA mainly do so because she's a young, hot female.

Wrt the SA, a question remains about how and if Zara would have flaunted it in Tory's face had Tory not seen them. Zara also later taunted Tory about it on Zara's livestream because Tory was standing nearby. (Maybe Zara saw Tory alone and purposely went and stood close by. We don't know.) By this point, Zara is depicted as an opportunist. She had taken advantage of Robby while he was drunk, alone and vulnerable, and she was taking shots at Tory whenever the opportunity arose. Zara SA'd Robby because she'd wanted him. Tory coincidentally finding out had been a bonus for Zara, which she used to piss off Tory more.

In fact, Zara isn't depicted to have any positive personality traits at all. She started a rivalry with Tory because she saw Robby and immediately became interested in him, but noticed that Robby and Tory have something and didn't like that. She got in Tory's face after she noticed people talking about Tory, instead of her, as a badass fighter. Then, she threw having been with Robby in Tory's face because Tory coincidentally saw her kissing Robby. Then, just to piss Tory off, she purposely commented on her livestream that she plays hard all night. Tory snatched her phone and told Zara's followers that Zara doesn't care about her karate sisters and steals their boyfriends. She started losing sponsors so that pissed her off at Tory more. During the brawl, when Tory tried to get to Robby, Zara stopped Tory, said that she's hers, and started beating on her. After Robby threw her off of Tory, she was shocked that he'd choose Tory over her. She then attacked Robby. (This Zara-Tory rivalry is pretty one-sided and doesn't parallel the Tory-Sam rivalry which was already two-sided before Miguel became an issue between them.) 

Zara is depicted as vain, egocentric, envious, entitled, lacking in accountability, violent, and opportunistic. She preys on and assaults guys without a care and flaunts having been with them, and she actually thought that that one night and whatever she did to Robby would make him choose her over Tory, who she knows Robby has a history with. She didn't treat Robby as a person at all, but as something that she is entitled to.

As I mentioned, this isn't the first time that Robby has been subjected to an abuse/assault/trauma that has been obscured with framing and marketing. Robby's story is actually quite dark if the framing and marketing around it is removed. I actually feel that the writers were trying to top the abuses from s5 with the SA, as in what other trauma could they give Robby. As the series has gone on, Robby has experienced the most traumas out of all the kids, almost all of which are not his fault at all or not completely his fault, and are still unaddressed. (Out of all the kids, Robby is also the only one to have gone to juvie, although some of the others should have gone too.) Just like I mentioned above, Robby blames himself for almost all of these traumas, regardless of how much fault he bears... as many trauma victims would. Wrt the SA, Robby is 1000% not at fault for what Zara did to him.

Looking back to s5, consider the Mexico trip in s5e1/2. Johnny subjected Robby to emotional and psychological abuse while Johnny did what he could to find Miguel and told Carmen to stay safely at home. Robby ended up staying to help Johnny after Johnny tried to abandon him again. Now, one could claim that Robby wanted to stay. After all, Robby told Johnny, after saving him, that Johnny's trying to fix things and Robby wants to help. But, as I pointed out after s5, this is a people-pleasing statement. Robby was putting Johnny's needs above his own. Johnny had tried to abandon Robby again after kidnapping him to Mexico under the guise of a father-son trip. Johnny had also psychologically and emotionally manipulated Robby with gaslighting and guilting. Robby also repeated what Johnny had said earlier, that they could make stories together, another emotional manipulation. Robby changed himself to stay with Johnny. Robby even did a chili eating contest to fix one of Johnny's screw ups. And of course that whole trip ended with a big heartfelt "father-son" hug between Johnny and Miguel as Robby watched from the background, a blatant callback to the s1e5 scene that was a trauma trigger for Robby. This time Robby had to swallow his trauma given the situation he was in. The trauma and abuse Robby suffered on this trip was framed and marketed as Johnny needing to find the boy who needed him (Miguel), Robby wanting to stay and help Johnny, and the two of them making stories together. This trauma and abuse are still unaddressed.

There is a follow up though, that shows that Robby wasn't okay with the trip. His conversation with Tory in s5e4 showed that he didn't enjoy the trip and he clearly stated that he and Johnny still have some issues that are too big to solve (Robby looked at Miguel when Robby said this). Those issues have not been solved, but have been tucked away because of the news that came later. In s5e3, Johnny told the opposite to Carmen that he and Robby are good now. s5e4 is the last time that Robby spoke about his issues with Johnny. There have also been NO proper one-on-one scenes or interactions between Johnny and Robby since the Mexico trip. Although many love Johnny and Robby's "father-son bonding" on the trip, the context of that trip shouldn't be ignored (but it is by many). The Mexico trip was never used to establish a foundation for them to start (re)building a relationship. In fact, the trip added to the continued narrative thread of Johnny's relationship with the Diazs being in opposition to his relationship with Robby, while Robby experienced more trauma. The trip also set up Robby completely adopting people-pleasing after he would later hear the baby news.

Now, take the apartment fight and baby news in s5e5. Robby had made his boundaries clear to Johnny. Robby didn't want to be Miguel's friend. Robby was also willing to be okay with Johnny's relationship with Miguel. But, Johnny cornered Robby with Miguel and with the psychologically and physically abusive, "Johnny classic"/Cobra Kai solution to "fight it out". Robby noticeably didn't want to fight and hesitated before and after saying yes to the fight, which he only said yes to to posture after Miguel said yes to the fight. Robby, especially, started out fighting hesitantly. Johnny egged them on, and it was after Miguel drew blood that Robby stopped hesitating.

As they fought, the boys ended up on the second floor balcony. Miguel gained the upper hand, and Robby stopped fighting back. Robby looked on in fear but Miguel suddenly stopped fighting, which is stated in the script as "showing mercy"---a callback to how their school fight had ended. The end moments of this fight were juxtaposed with flashbacks of Miguel's side of the school fight, a "tell" that framed Robby as the bad guy/aggressor in that fight. Robby then asked Miguel why he held back, and Miguel gaslit him about not learning karate to hurt people but to be badass and learn balance. This is not completely true. Miguel had just said yes to this fight so that he could hurt Robby with his karate, as Miguel has done a few times before. Also, Cobra Kai, which Miguel had learned first, doesn't teach finding balance. After this statement, Miguel asked Robby why he didn't hold back in school. As I described earlier, this is another gaslighting statement. As Robby explained his actions at the end of the school fight, Robby acknowledged that that was the worst moment of both of their lives. Both of them had also just relived the trauma of the school fight with this apartment fight. Johnny asked if they were good now, and Robby hesitated but then nodded yes. For both fights, Miguel got resolutions completely in his favor and is no longer dealing with repercussions from the fights, while Robby got no resolutions on his side and is still dealing with repercussions. This apartment fight was marketed as a "therapy session" for both boys and the video for it showcased the younger cast minus Tanner (who was filming a movie at the time) watching the middle to end of the fight, the latter of which frames the narrative in Miguel's favor using flashbacks as "tell". Again, Robby's side of the school and apartment fights and his lack of resolutions were obscured in the framing and the marketing.

This abusive and traumatic experience for Robby also ended with tonal shifts, like the SA scene does. Johnny let slip about the baby news. As Johnny and Miguel became excited over it, Robby is visibly shown to be processing the news and only acted overly excited after Johnny pointed to Miguel and said to act that excited. Suddenly, Robby exclaimed that that is awesome, and they all hugged and all was good between them, with a guitar riff score playing. The SA scene also ended with tonal shifts. As the elevator opened, the ominous music that had been playing intensified, shifting the focus of the scene from Robby to Tory. The scene visually focused on Robby as he walked away. Then, Zara spotted Tory, the music shifted once more. This time from ominous to upbeat/playful, and Zara blew Tory a kiss. In both cases, the scenes became about the other characters' feelings and dynamic, while Robby's traumatic experience in both these situations was visually shown, it was dismissed and later framed as him being in the wrong. In s5e8, Robby talked to Kenny about the rivalry as if Robby's hate had been the problem, and once he let that go, all was good. This of course is not true, as Miguel clearly is the one who had started and maintains the rivalry with Robby as Miguel feels entitled to. This is shown again in part 2, with Miguel acting like a jealous ass to Robby until Johnny promised to give Miguel preferential treatment again, compared to Robby. Miguel later gave Robby the pep talk to help them win. In s6e9, Robby took the same approach of putting the blame of what Zara did to him onto himself, despite barely remembering what had happened and Zara clearly remembering. Zara however is the one who is clearly at fault for whatever she did to him. She acted entitled to him and took advantage of him. Her expectation that he choose her over Tory after that night also shows her entitlement.

In s5e5, at dinner after the apartment fight, Robby was now miraculously happy with both Johnny and Miguel. After Carmen came home, Robby kindly asked if he could stay for dinner. After she paused and said yes, Robby cautiously watched her as she walked away. Robby's place in the family is clearly unstable, and this is still indicated in s6, including in s6e8. When Carmen asked about the boys' bruises, Johnny told her that the boys beat each other into submission. This is not true. Miguel had beaten Robby into submission. Johnny's claim is meant to frame the resolution as fair for both boys, just like the marketing attempts to, but this doesn't match what was shown in the actual fight and resolution. s5e5 also added to the continued narrative thread of Johnny's relationship with the Diazs being in opposition to his relationship with Robby, while Robby experienced more trauma.

Robby's story has gotten darker as the story has gone on, though the context and tone of his story remain obscured using framing and marketing that minimizes/removes how dark and traumatic these experiences are for Robby. At the same time, Robby still lacks a stable support system and his mental health is shown to be worsening. After s5, many claimed that Robby had found balance. So far, s6 is showing that Robby never found balance. In fact, his mental health has gotten so bad that he eventually chose to drink to cope with his poor mental health, just like Johnny does, although Robby's goal is to not become like Johnny. 

The SA narratively fits as another traumatic experience that Robby has had and that he blames himself for. The SA is framed and marketed as something that only affects Tory. The narrative thread of Johnny's relationship with the Diazs being in opposition to his relationship with Robby, while Robby experiences another trauma also continued. The SA has been dealt with in the narrative and in the marketing the same way as Robby's other traumatic experiences have been. Throughout the story, the writers have been "telling" the audience to ignore all of the abuse and trauma Robby has been "shown" to experience. The SA isn't a unique circumstance. I've said before that this story is full of irony:

"Irony introduces depth, nuance, and multi-layered meaning. Its ability to present contradictions and incongruities between appearance and reality, or between expectation and actuality, demands critical thinking from the audience to uncover the intended deeper significance. Rather than passive acceptance of face value, irony prompts an analysis of context and subtext — engaging viewers or readers in a richer interpretive experience."

If the SA were the only trauma dealt with in this way, I wouldn't be writing this post. But Robby's other traumas have also been dealt with this way. We have been "shown" what Robby has experienced throughout the story, but the "tell" obscures so much of it, and he and the other characters have yet to understand what he's experienced and how it all affects him.

Since part 2 came out, it's been good to see that people have been calling out the SA by calling out the nuances of the scenes involved---body language, dialogue, and context. I've also seen people say that they recognize Robby blaming himself for it as a trauma victim would, and as Robby specifically would. After s5, it was so hard to talk about Robby's abusive/traumatic experiences during the Mexico trip, apartment fight, baby news and the family dinner scenes. People would dismiss all these storytelling nuances that were clearly portrayed as Johnny used and abused Robby to find Miguel and later abused Robby to force his submission into Johnny's new family. Johnny forcing Robby to be friends/family with these people, especially in such a violent way, is a violation of Robby's boundaries. Zara SAing Robby is also a violation of his boundaries. The storytelling nuances have also always been present and ignored by many the whole time as Johnny and Miguel's relationship has been built at Robby's expense, with the persistent layers of Johnny using Miguel to feel better about himself and Miguel feeling entitled to Johnny over Robby and being jealous that Robby is Johnny's son. These nuances and layers are still there in s6, and especially in s6e8. 

After part 2 came out and especially after Hayden's comment, many said that they needed female writers because of how the SA has been handled. But, two women wrote s6e8 and a woman directed it. In fact, the woman who directed it also directed s5e5, which had the apartment fight, baby news, and dinner scenes. That episode has so much nuance that people choose to ignore. I still remember how some people would openly dismiss Robby's body language in those s5e5 scenes that I've described above. I also remember a lot of people claimed after s5 that the writers didn't remember Robby's traumas and mental health issues anymore. Now I'm seeing some of those same people talk about Robby's mental health being the reason he drank. 

Despite many going along with the framing and marketing of Robby's other traumas, it's a relief overall to see that many still hold the view that this is SA and haven't been swayed to believe otherwise. (Although, I have seen that some have shrugged their shoulders and have adopted the view that Robby "cheated" or had "casual sex", which is not supported narratively with "show" but is framed and marketed as such using "tell".)

I really hope that people keep the conversations going in the fandom about the SA, as well as about Robby's other traumas and all of the nuances in his story.

[starshideurfics]

Thirsty Thursday - Stevie’s Garage

steddie, omegaverse, 1960s, omegas entering the workforce, single parents, cw: vague references to suicide

Steve liked working with his hands. As a child that meant playing with lincoln logs and tinker toys, after he presented it meant baking a sewing. Then his no-good, two-timing alpha left him for his secretary, with two pups, Danny (6) and Jenny (7 1/2). Steve won full custody in the divorce, and at least his ex pays his alimony on time.

But it isn’t enough to live on, not with the mortgage and the kids. Fortunately, he doesn’t have to worry about the house falling apart; he’s been doing home repairs the entire time, learned to change his own oil in his car, can fix a flat tire with ease.

More and more omegas are driving now, and Steve figures they would appreciate service from someone who won’t talk down to them. He gets a loan from his aunt, a maiden omega who invested well, and opens his own automobile service station: Stevie’s Garage.

Robin helps him get set up: painting the sign, ordering supplies, answering phone calls, while Steve gets under the hoods and gets his hands dirty.

He does well enough that after the first month he puts an ad in the paper to hire a second mechanic. He figures it will take a while to find an alpha (or even a beta) who can stand working for an omega.

Much to his surprise, a man with dark curls and a shy smile comes by later that week asking if the job is still available. Steve has Eddie check the car on the lift, and he finds the loose fan belt in a couple minutes, changes it out.

Steve hires him on the spot.

It turns out Eddie’s got a pup, too. Carrie’s in Danny’s class at school, and all Eddie will say is that her mother isn’t around anymore. Steve doesn’t pry. It means the three pups ride the bus to the garage after school and play together there until the workday is done. Jenny’s bossy, a bit feral, and loyal to a fault. The first day Carrie gets off the bus with them, she asks why she isn’t going home to her mom, all childish bluntness.

“Mama died in the bathtub when I was really little, then I went to live with Daddy,” Carrie answers, just a statement of fact.

Steve’s glad he didn’t pry.

After that, Jenny is as protective of Carrie as she is of her brother.

Three months after he hired Eddie, Steve admits to himself that he likes the alpha. More than likes him. Eddie smells nice, and he’s gentle with the pups, never raises his voice in anger—only in excitement or fear—he tells jokes and stories to pass the time, sings along with the radio. But mostly, he looks at Steve like a starving man looks at bread when he thinks the omega isn’t looking.

Steve wants to feed him.

They both have engine grease under their fingernails, are covered in heavy-duty cotton, Steve’s hair is under a kerchief; there is nothing particular sexy about the moment. But Steve can’t wait any longer, and he presses up against Eddie, pins him in place and kisses his mouth.

“I’m dead, yeah? The lift fell and I was crushed by Mrs. Wheeler’s Bel Air, and I’m dead,” Eddie babbles when their lips part.

“Not dead,” Steve replies with a grin. “I’ve been wanting to do that for a while.”

“Yeah?”

“Yeah.” Steve leans in for another kiss, one that Eddie deepens, his tongue slipping easily between parted lips. “I’ll need to get Robin to babysit.”

“Oh?”

“Yeah, Munson. You’re taking me out dancing.”

✨✨✨

Steve answers the door with his housecoat still on, crouching down to say hello to Carrie first, the pup throwing her arms around his neck. “Head into the living room, honey, the kids are doing a puzzle with Robbie,” he says, watching her scamper past him into the house. He turns to Eddie with a soft smile, “Just give me a couple minutes and I’ll be ready to go.”

“Yeah, sure,” Eddie agrees, smile just as soft.

Steve disappears to his bedroom, and Eddie waits awkwardly in the doorway. He hears laughter from deeper in the house, followed by Robin saying, “Hey there, Care-Bear, come sit by me.”

He’s ruminating on how nice it is to have people who adore his kid as much as he does around, to give her that big family feeling, at least a little bit. Then Steve comes down the hallway wearing a proper dress, and Eddie quite literally stops breathing.

Dressed to the nines, Steve is a revelation, but he simply takes Eddie’s hand and says, “So, where are you taking me?”

“Enzo’s,” Eddie answers, no longer worried that it’s too much. Steve deserves the nicest restaurant in town for their first date. Steve deserves the best of everything.

Not that either of them has fancy tastes, not knowing what half the things on the menu are. Eddie gets spaghetti and meatballs, and Steve gets a chicken dish with some kind of red sauce. They talk and trade bites of food, both careful as they eat—Steve due to a lifetime of practice, Eddie because he realized as soon as the waiter took their order that he’d made a mistake and that leaving without marinara on his shirt would be a miracle.

After, he tells Steve to order dessert, and they split a tiramisu. Eddie pays the bill without really looking at it, having kept a tally in his head of the prices by habit, leaves a nice tip, and helps Steve up from his seat. “Ready for that dance?”

Steve smiles and nods, following Eddie to the dance floor. Enzo’s has a live band on the weekends; “Unforgettable” by Nat King Cole starts just as Steve steps onto the parquet dance floor, his arms settling easily around Eddie’s neck. “I love this song,” he murmurs as they start to sway.

“Makes sense,” Eddie murmurs, “You’re certainly unforgettable, Steve.” They’re silent after that, moving to the music, bodies pressed close. A new song starts, and they keep swaying, dancing merely an excuse to hold each other in public, to trade small kisses.

“Robin’s planning to spend the night at my place,” Steve says once they are safely back in Eddie’s car.

“Oh?”

“We still have plenty of time…”

“Steve?”

“Take me back to your place, Eddie.”

He doesn’t need to be told twice, driving on autopilot, as Steve rubs his hand up and down Eddie’s thigh.

Steve pounces on him as soon as they get through Eddie’s front door, kissing him hard and reaching for his belt. They shed clothes down the hallway, until they reach Eddie’s bedroom, leaving the lights off, everything illuminated well enough by the nearly full moon.

Eddie stops breathing again. Steve is a vision in only his slip, white satin and lace showing off so much more of his skin than Eddie’s ever seen. Carefully, he reaches out, suddenly nervous—a crass, unworthy man standing before the loveliest omega on earth—and pinches a bit of fabric at Steve’s waist, afraid to touch more.

“Hey,” Steve whispers, placing a hand over Eddie’s, “It’s okay. I’m still just me. Not gonna break, Ed.”

Everything after that is slow and sweet. Perfect.

Eddie cries tears of pleasure as he sinks into Steve’s wet heat. Steve mewls at being properly knotted for the first time in years. They fall asleep tangled together, the most relaxed either of them have felt, possibly ever.

Steve wakes early, before the sun is up. Eddie stirs beside him as soon as he moves, and Steve is happy to take a couple minutes to kiss.

There’s plenty of time to get home before the pups wake.

✨✨✨

Big thanks to @itcanbepalped for sharing the inspo with me and then riffing for a bit! Love you, Mads!!!

[milkyboybluewriter]

The Disappointing Case of Wendy Corduroy

Wendy Corduroy has a lot of potential, but too often is pushed to the side by a lot of fans, and even by her creator.  But not for lack of trying, or an interest in the character.  In fact, Alex’s idealised view of Wendy may have been her greatest obstacle in receiving a story of her own.  Dipper isn’t the only one who seems to consider her ‘the coolest person he knows.’

Wendy was inspired by the first girl who ever spoke to Alex Hirsch, as well as several people the creative team thought were cooler than them. These were likely special memories or people in order to base a fictional character on them.  But that puts her on a pedestal.  And when someone puts you up there, it’s hard for them to take you back down.  Either for fear of ruining you or concern that, when others look closer, they’ll be disappointed in what they see.

He wanted her to be a main character (in the same way Soos is, if not Stan, Dipper, or Mabel) but in many ways Wendy feels like a side character.  She never receives her own episode, and lacks the character arc that even some side characters like Pacifica and Robbie received.

Her family, her friends inside the Shack and out, her physical abilities and survival skills, the drama of being a teenager, not to mention being a resident of the weirdest place on Earth.  All of these can lead to a hundred stories across the spectrum.  So why do people not write more stories about her?

Maybe it’s because she wasn’t given the opportunity that others had.  

As a cool, older redhead, Wendy’s main role in the show was being Dipper’s crush.  Which already puts her at a disadvantage because it means they designed her purpose first, character second. In fact, this is probably why she changed so drastically from her vegan-hippie prototype seen in the Gravity Falls bible.  Everything from her boots to her hat has changed since then, save the way she makes Dipper’s heart go faster.  

Most of her appearances in season one featured this one-sided romance and Dipper’s attempts to impress her, which usually resulted in a morality lesson about being yourself and not doing dumb stuff to impress others.  Pretty standard cartoon crush territory.  But between the episodes, a real friendship bloomed. 

In The Time Traveller's Pig, she gives an indifferent shrug as she casually agrees to go to the fair with Dipper, yet before her injury - and in the timeline where she avoids it altogether - she’s shown to genuinely enjoy his company.  A couple of episodes later and she’s outright excited at the prospect of working alongside Dipper at the pool.  They have regular movie nights.  They crack jokes and tease the Shack’s customers.  Climb trees and play at the arcade.  Wendy spends more time with Dipper than any other character.  Which means she must care about him more than she does the rest.

The crush might be one-sided but the affection is not.

But in the DVD commentary of Into The Bunker, Alex Hirsch, Matt Chapman, and Rob Renzetti mention that fan feedback convinced them to end Dipper’s crush sooner rather than later, even supposedly having ‘KILL THE CRUSH’ as one of their main story goals for season 2.  Understandable.  The crush episodes weren’t always the best, and if it was always intended as an unrequited attraction then better to get it over with rather than draw it out.  And it’s a good lesson to have a young boy learn, especially around twelve.  Love and puberty are relatable, but no less frustrating for it.

Into the Bunker is my favourite episode for multiple reasons, not least for Wendy’s presence in it.  She shows off her friendship with Dipper in the cold open, reveals her lumberjack and fighting skills later, and shows she would be an excellent adventurer.  I see it as a prime example of What Could Have Been.  I especially adore the ending, where she lets Dipper down so gently, it’s a beautiful scene.  As sad as Dipper feels, he’s also been told by someone very special to him that he’s very special to her too.  Maybe not in the way he wants, but perhaps in an even more important way.  

I had high hopes after that episode.  I remember thinking this meant she would develop beyond just being his crush, especially now we’d seen her hold her own against the weirdness and danger.  I really wanted to see more of this adventurous, sensitive Wendy we’d missed in season one, and wanted her to be a regular companion and friend to the twins.

Wendy appears in 16 episodes in the first season, and 15 episodes in the second if you don’t split Weirdmageddon 3 into two.  In season one she appeared in but didn’t participate in the adventure of key episodes like Dreamscaperers or Gideon rises.  In season two, she joins the adventure in Society of the Blind Eye, The Last Mabelcorn, and the Weirdmageddon trilogy, but has limited interaction or story impact in most episodes, save Love God.   She only has what amounts to cameo appearances in Not What He Seems and Tale of Two Stans, two of if not the most important episodes of the series.  

Including each of the Weirdmageddon trilogy, she’s referenced via Dipper’s lingering crush six times, including episodes she doesn’t even appear in.  So, after Into The Bunker, Wendy goes from being Dipper’s crush to…his crush that appears less.  

Wow, they really failed that Kill the Crush mission, didn’t they?

Perhaps the biggest issue is that she is so keenly tied to Dipper.  I love the Dipper and Wendy relationship, I could write a massive essay on that alone.  But it is such an incredible waste that she didn’t get a chance to interact with the others nearly so often. Every other main character has relationships with others.  Soos has a father-son bond with Stan as well as a friendship with the twins.  Ford was introduced later in season 2 and still interacts with Soos and Fiddleford as well as his family.  It’s a hindrance to her character that most of her interactions were for Dipper’s arc, yet she received nothing of her own.  

Wendy spends some time with Mabel, trying to help her with boy trouble (not the best person to get dating advice from, Mabel) in Hand That Rocks the Mabel and Society of the Blind Eye, then goes along with the girls to keep them safe in Last Mabelcorn.  This lets us see her affection and big sister vibes don’t end with Dipper, and should have been explored far more.  Her interactions with Soos and Stan are also limited, mainly to the workplace.  Her only dialogue with Ford is one line in Journal 3.  

Yet we also never see her be by herself.  We never see her home life, or how she entertains herself away from her friends or work. She's always interacting with a main character or her group of friends.  No alone time or personal interests are seen beyond pranks and reading magazines to avoid work.

We even get to see Robbie Valentino’s home life and musical hobbies, but not hers.

This lack of independent material has even continued in the Book of Bill where two of her very limited mentions is in regards to Dipper being stuck on a tree and another is his search history.  Even her own dream is made into a joke at Dipper's expense.  Ten years later, and so much of her is tied to Dipper, specifically to mock his feelings for her.  I don’t know if that’s more insulting to Dipper or Wendy at this point.

Speaking of dreams, let’s get to another issue: her mother.  Who we know nothing about.  In a show so heavily focussed on mysteries, the fate of Mrs Corduroy is a question that’s been left hanging since season one and we have come no closer to an answer of any kind.  Even a direct question from fans on both the Alex Hirsch and Bill Cipher AMAs were answered so vaguely they told us nothing.  She’s no longer with her?  A Fountains of Wayne reference?  Even the Book of Bill’s reveal that Wendy dreams about her most nights says nothing.  Are these good dreams?  Nightmares?  Memories?  The implication is that she’s dead, yet not even that has been confirmed.  For all we know, Mrs Corduroy could be dead, missing, abandoned her family, or could be working on an oil rig for the summer.  Your guess is as good as anyone’s by this point. 

We know she’s Manly Dan’s oldest and his only daughter, but we didn’t even learn her brother’s names until a paste up sheet was released in 2017.  She barely shares a scene with any of them, and when it happens it’s in the background.  The only exception I can think of is their group hug in the Fearamid.  A tender moment which would have been so much better if we’d actually seen her engage with them beforehand.  Her lack of interaction is especially jarring considering her confession in Society of the Blind Eye:  "Okay, I'm not actually laid back. I'm stressed, like, 24/7. Have you met my family?"

Not really, no.  And for a show that’s about family as much as it is about mystery, it’s a shame that Wendy is let down in both areas.  

Even side characters like Robbie, Pacifica, and Grenda receive more character development, despite their limited importance or screen time.  In fact, it was recently pointed out to me that Archibald Corduroy, Wendy’s ancestor, is more integral to Pacifica than his own descendant.  Once again, Wendy’s interactions come up short, including from her own family.  

With the release of the Book of Bill, some people were hopeful that she might finally get some attention.  I wasn’t.  Personally, I think Bill simply has a low opinion of Wendy anyway since he called her a pushover in his AMA, so it can be fitting he doesn’t mention her often.  But it’s also the context of these mentions, and those on the website.  On Thisisnotawebsite.com she’s referred to twice - Her one contribution is a simple note where she pranks the reader.  Then she’s mentioned in Stan’s list of embarrassing moments.  

Ten years later and not only are her contributions incredibly minor, but they’re as much to do with other people as herself, if not more so.  She’s supposed to be a main character but she might as well be a cameo.

Her lack of representation is so bad, that I realised my friends were celebrating her being mentioned in The Book of Bill.  That’s how desperate we’ve become for Wendy material.  And I’m sick of it.   At this point, I’m anticipating a Wendy story as much as I am Winds of Winter.

Last month I was discussing some of my writing ideas with my father.  And he gave me a very hard truth: it doesn’t matter how good your ideas are, if you don’t act on them, they’re only ideas.  And he was absolutely right.  It doesn’t matter how great these ideas are in my head, if they’re only in my head then what good are they? 

Hirsch has been saying for years he’s wanted to do more with Wendy, but he hasn’t. Not in the show, the comics, or the other material.  Intentions, like ideas, are useless if you don’t do something about them.

I honestly hate how harsh this sounds.  I love Gravity Falls.  And I love Wendy.  And I believe Alex Hirsch does too, he just…doesn’t know what to do with her.  As he says in the Inconveniencing commentary: “We wanted to honour her so much that we couldn’t figure out the right episode with her because we didn’t want to mess her up.”  He’s put her on a pedestal just like Dipper did.  And I think she needs to come down so we can see how awesome she really is.

So, what can be done to fix this?  Well, when creators don’t have the time, interest, or ability to do something for a series, that leaves the fans to fill in the gap.  

I urge other Gravity Falls enthusiasts to try and give her the attention and character development she sorely deserves, especially now there’s a resurgence of activity and interest.  Draw or write her if you can, have her interact with other characters, not just be a crush, explore her depths.  And if you can’t, seek out those who have or can and ask their advice, or thank them for their work, offer encouragement.  For Wendy if not for them.

I want to leave this on a happier note and say that I’m going to follow this up soon with another essay, this time offering advice on writing Wendy.  Even talented writers I admire have surprised me by saying they struggle to write her, yet I’ve found it pretty easy.  So hopefully I can encourage other people to write her too.   

But if I could summarise what I want to see and what I think will help people write Wendy, it would be this: She’s not just Dipper’s crush, and she’s not just the cool girl.  She’s bigger than that.

She’s Wendy Flippin’ Corduroy and she deserves so much more.

Cheers, Milky Boy Blue

[livwritesstuff]

i was writing a totally different thing and then all of a sudden it was thundering so here have this

Steve had always loved a good thunderstorm. There’s something sort of magic about them, he thinks, about the greenish, unnatural darkness and the way lightning turns the sky a kind of purple and how the air is both cool and warm at the same time.

Back when he was a teenager, when he was stuck by himself the mausoleum his parents called home, he’d sometimes sit by the patio door and watch the storm, watch the clouds opened up and beat rain down on the pool water, and Steve would feel more alive than he had in ages – even if it felt like he was living vicariously through…something. Maybe through how nature gets to storm and rage in a way Steve never will.

But he tries not to psychoanalyze himself. He’s got his own therapist for that.

Twenty-five years later, here he is still watching thunderstorms. He might not have a pool, but he does have a porch which, in his old age of forty-two, he’s learning might be even better.

He’s sitting on the porch with his husband by his side, and Eddie’s got their youngest daughter sitting in his lap while the older two dance in and out of the rain.

Eddie doesn’t like thunderstorms the way Steve does. It had sort of surprised Steve actually, when he first found out years and years ago because…it’s Eddie. Eddie is like a thunderstorm personified in the best way – all sharp smiles and dark eyes and wild hair and loud, reckless rebellion. Sure, Eddie isn’t bothered by the noise of thunderstorms, but over their years together, Eddie has shared some things — things about his dad and what he’d been able to get away with during a dark, loud storm that maybe he couldn’t otherwise.

So Steve gets it if Eddie still isn’t quite himself during thunderstorms.

Their youngest, Hazel, isn’t a fan of them either. She’s just a few months shy of her second birthday, so this really is the first summer she’s had her own opinions about these kinds of things. The verdict – not a fan of the thunderstorms, though she’s been a trooper about this one.

"Hazy, come play!" Robbie exclaims from the porch steps, but Hazel just shrinks further back against Eddie.

"She's a little afraid of the noise, Beans," Steve tells her, and he watches Robbie's face take on an expression of protective (albeit a little confused) concern.

“How come?” she asks as comes up the steps.

“It can be scary if it’s brand new.”

As if to illustrate Steve’s point, lightning flashes above the trees, and Hazel makes a whimpery kind of whine as thunder follows only a few moments later.

“It’s not scary, Hazel,” Robbie tells her, “Because you always know when thunder’s coming because lightning comes first. And it’s only loud when the storm is close.”

Steve raises his eyebrows, reminding himself that one of these days he’s gotta stop being so impressed by how damn smart his kids are.

Another flash of lighting lights up the dark sky, and Robbie covers Hazel's ears with her hands as she looks out into the rain, "And now there's gonna be the thunder."

A few moments later, thunder rumbled around them, maybe a little bit quieter than the last one because the storm is definitely moving away from them now. Still, Hazel reaches up to grip at Robbie’s wrists, her eyes wide and fixated on the stormy sky.

“See?”

Hazel manages a nod.

“Come play!” Robbie urges her again, “I’ll cover your ears before the thunder comes.”

And this time, Robbie actually succeeds in dislodging Hazel from Eddie’s lap, and together they head for the front yard where Moe is still running around in the rain, wet bangs plastered to her forehead.

“Steve,” Eddie mutters in disbelief as Robbie patiently waits for Hazel’s slow descent of the porch stairs, breaking his and Steve’s subconscious agreement to keep their traps shut while that glorious scene was unfolding, “Oh my god, Steve. What the fuck was that? Are we actually doing a good job raising these kids?”

“I guess so, Jesus Christ.” 

[joydoesathing]

Albertine and Silvester fight becouse they dont want their slibling be a couple?

It's not that they don't want to see their siblings dating each other/being a couple, but it's more albertine and sylvestre are suspicious about why their siblings are dating in the first place (it's mostly albertine tho who's feeling really iffy about it, so for this post, this is mostly me narrating out albertine's view)

albertine doesn't mind if robertine wants to date someone, as long as she (robby) really likes them and they're a good person. but she just finds it way too suspicious that someone as reputable and up there like eloïs would want to date someone like robertine.

she couldn't help but be skeptical that a famous actor/model, who has a large amount of female fans coming for him left, right and center, has the reputation for having a playboy personality and has other very attractive and well-known ladies and actresses nearby to choose from, would suddenly declare that he has caught feelings for a simple shoemaker.

is it because he wanted to have some casual fling then go off once things are done? albertine would never, ever let something like that to happen to her sister. her sister's been made a fool way too many times in the past.

and even if that was really the case, if it's made known to the public that eloïs is trying to woo robertine, albertine is aware of what kind of reactions that might cause. but she was mostly worried that robertine would definitely would get harassed and ridiculed nonstop by fans of his.

so, that's the reason why albertine is on high guard and even borderline unwelcoming to the eloïs when he made his intention of dating robby clear for the first time.

of course eloïs doesn't want to be on bad terms with his crush's sister as he tries to woo her, so he asked sylvestre for some help to smoothen things out with albertine by having a chat with her.

although sylvestre isn't really for it, he cares a lot for his brother, so he decides to talk with albertine. the what was supposedly a diplomatic conversation devolved into an argument with a lot of misunderstandings

and from there, they're dislike for each other formed

[youcouldmakealife]

I love Georgie's irrational animosity toward Ted. Literally the only person he hates other than himself.

Georgie: Nobody is good enough for Robbie.

Georgie: ...including me.

Georgie: But also including that fucker.

My favourite part of that is Georgie is fully, explicitly aware that it's irrational and Ted has done nothing to deserve his ire and by all accounts is a good guy and he's still like 'oh well, sucks for Ted. Not that I care. The fucker'.

It's one of the very few times Georgie a) fully confronts the truth of a situation/his feelings rather than pushing it down and pretending he never saw it and b) does nothing to twist the action to pretend he's doing the right or logical thing. He just hates the guy.

(He wasn't poor Francis' biggest fan either.)

My other favourite thing is that Robbie irrationally hated Finn for years for reasons he would never admit were similar.