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#no but seriously what is the theme
muppetfreak · 6 months
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Mr. Riordan, it is truly a pleasure getting to experience your second draft.
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poorly-drawn-mdzs · 8 months
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Having the Pool Dream again, handsome?
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Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery
alright sit the fuck down. we're gonna talk about THEMES
I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3
Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.
Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.
Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.
This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.
This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?
Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)
This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.
These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.
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Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.
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Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.
Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.
They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."
Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.
Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3
And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.
There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!
Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you
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archervale · 1 year
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this is a theme on chrome HELLO???
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puppyeared · 24 days
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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sassyresacon1990 · 8 months
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Shout out to One Piece: Strong World for showing us once again that zosan are perfectly in sync and would be quite literally unbeatable if they pulled their heads out of their asses long enough to realise it.
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pandorem · 7 days
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Me every time I check out the dead boy detectives tag: *rolls up sleeves* welp. Looks like it’s time for another Crystal Palace defence post
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kimio7 · 10 months
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the sacrificial lamb
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not-an-anagram · 8 months
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lucy-ghoul · 9 months
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still baffled that one popular anti-dany argument pre s8 was that since she was wearing black she leaning toward the Dark Side™...... as if in the same series another unambigously heroic protagonist didn't enlist into the night's guard where everyone must wear black, and the series' author wasn't explicitly against this kind of stereotypical tropes lmao
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counting-stars-gayly · 6 months
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Lord, give me strength. The PJO discourse has begun, and no one starting it has read the books in the last five years.
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oceanwithouthermoon · 5 months
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tbh i hate when people are like "idk how anyone makes angst or gets serious topics out of saiki k when its literally just a gag manga🤓" when the akechi arc, the cattank arc, the volcano arc, and literally every episode where he feels guilty about hiding his powers all exist????
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tommyarashikage · 2 months
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tell me this is real, it's been hard to feel alive for a while it seems
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ganondoodle · 1 year
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since i cant stop thinking about things i care about and also i cant shut up ever im gonna say my bit about the "well of COURSE they destroyed everything shiekah after botw bc it nearly killed the entire country DUH do you not understand basic worldbuilding??" type of comment i had directed at me (mostly on twitter to no ones surprise and almost exactly worded like this)
--how would you even destroy it, the only thing you can actually damage with anything are guardians and nano-guardians, anything else cant even get scratched, hell you cant even climb the darn things, are you seriously trying to tell me they somehow completely pulverized not just the shrines but titans (divine beasts), the shrine of life and the pillars holding the guardians in storage around hyrule castle and the dome beneath it (whereever that went lol) when it was built to and DID last over 10 000 years ... and if you did somehow find a way to dismantle literally all of it why would you not ... use its parts for something else and also research it (lets be real here, purahs new towers are just the sheikah towers but more impractical and would by all means not need all of the material from all the missing stuff and the purahpad is just ... literally the shiekah stone but looking more like the switch and also worse bc its got almost none of the functions the shiekah stone had) they were so integrated into botws landscape removing them and their chambers would have been so much effort better spent in other places and just so unnecessary (think of the shrines at the twin mountains, removing all of that would be so dangerous and difficult to do), removing the pillars and the dome under the castle would endanger it collapsing no? there also would have needed to be a giant mechanism down there to make the pillars rise up, why would you go and try to destroy that instead of focusing on rebuilding the most important infrastrucutre
(on a sidenote, yes there are holes to the underground in the place of some shrines but its by far not all of them .. .even so there at the very least should be some rubble of them lying about at the bottom plus in most of their places its just plain earth, or sometimes even a cave locked by some puzzle which is.... so weird)
really the only explanation would be that it all just ... disappeared after zelda sealed ganon, which wouldnt only be hella unsatisfying as an answer but also again pose the problem that i would have caused the castle to collapse considering how shiekah tech was so integrated into it... unless it turned to earth somehow ... which would explain that but still be as satisfying of an explanation as 'it was all just a dream uwu' additionally, the zonau stuff under the castle wasnt even that far down so it must have intersected with the shiekah stuff, like the pillars or the dome?? but no its all just zonau ruins now wahoo
if literally all traces were gone and totk was a paralel to botw but with zonau instead of shiekah OK, they still called it a sequel tho, they still talk about the events of botw but in a way that sounds like it was just another lost legend, the tapestry exists as well, and there are a few old guardian parts on top of the hateno institute (still feels like an oversight considering how cleanly everything else was wiped off the map), plus purahs towers and the purahpad are clearly based off of it, so it cant really be some time fuckery either, some things still remain; it just doesnt add up and its frustrating as hell .. ... especially if you were like me completely thrilled and intrigued to learn more about the ancient shiekah, what WAS that dome under the castle for?? what WAS ancient energy really and why was it found in these specific places only?? did they know about ganondorf?? if they built stuff down there shouldnt they have inevitably come across the old tunnels?? the monks literally talk to link in botw why would they withhold that info, what reason could they have?
--by far my biggest annoyance with that excuse is that ... if you are so afraid of tech you dont fully understand being taken over by the bad guy again to the point you destroy not just the titans you basically worshipped as divine protectors but also immovable shrines that literally couldnt do shit to harm you even if they were pumped up to the brim with malice/miasma after they have already become non threatening/non functional anyway... HOW could you just go and fully trust and personally play around with new tech that LITERALLY rained from the sky out of nowhere, from a group of people no one knows shit about (like at least the shiekah were still existing and had a small part of recorded history) and never cared either until now that they are suddendly everywhere, even if it cant get corrupted somehow (kinda disproven by the spirit temple) how the hell would anyone know that?? if anything this would be a reason to be MORE afraid of it
even the ancient king that persecuted the shiekah bc he was afraid of their tech when they invented it didnt order them to destroy it, just bury it, despite them of all people knowing the best of how to completely destroy it??? and zelda doesnt seem like the type that would order old history and relics to be destroyed liek that??
it would have been such a golden opportunity to show that hey, the ancient shiekah based their tech on that of the zonau, they found the mines and tech and reasearched it to built their own from it, strucutres that show they were down here building the shrines from underground, titan prototypes, you cant do anything with it, its old and broken, but its there, environmental storytelling and all that
the shrine of life especially pisses me off bc thats like .. ok it was kinda not the best maybe but it still saved links goddamn life, even if it all became useless for some reason at least leave it there as a sign of respect, if there needs to be a cave have it be half collapsed after the cataclysm or something wheres the problem
(also idk if im the only one with that but in botws true ending when zelda says that vah ruta, i think, has stopped working it seemed like a good setup for more? and that she wanted to investigate that in the sense of ah shoot i want it to keep working tho and not in the sense of hell yeah lets smash it to pieces i know this is theory territory now but it seemed like it somewhat confirmed that the titans need a pilots strong spirit to work since they are not connected to the ancient energy network and the spirits of the champions passed on at the end ... the idea that ancient energy was spirit energy either gained from luminous stones or directly spirits is so neat, and i loved that idea of hey the reason why all of the energy went out all of the sudden is bc ganondorf is breaking free after having been kept in a stasis to use either his malice or his strong spirit to fuel it all has never left my mind since i first read about it bc its such a good setup for intrigue, like oh heck the ancient shiekah werent so coolio and 100% perfectly good either, maybe they knew about gans 'future' or history and hey why not trick him or sth into being sealed against his will so that problem is out the way and whoop hes pretty much an infinite source of energy nice lets use that for our research and not tell anyone oh no we created a monster (calamity gan) l guess we are gonna use the tech we fuel with his own life against him lol, OR you could have connceted it to the zonau maybe doing the sealing first and the shiekah discovering him later and being like oh neat an endlessly rich powersource we arent gonan tell anyone about weehoo
it would have tied into the ancient shiekah stuff, explained why it doesnt work well anymore, give a reason to explore the underground and discover it all, give a reason to why it was kept a secret bc no one wanted to admit yeah we made this monster ourselves whoops, give ganondorf a reason to be this angry and make it all more nuanced bc yeah ok maybe the zonau knew about gan and in their effort to prevent it caused it instead by sealing him before he became a problem and it all started a domino effect of disasters leading into all this mess that now poor zelda and link gotta solve
im not saiyng this is the better version or that i am better but again you can literally do so much with the setup for it all and what totk ended up doing with it feels so ... not even underused but straight up backwards treading you had it right on front of you INFINITE POTENTIAL AAARGH)
theres only so much fun gameplay and fantastic music can save and man can you imagine what could have been if the story got the same polish as the gameplay and music ;__;
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apuff · 2 months
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mcr5 is like the second coming but for emos
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triple-pupil · 3 months
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Giving up to peer pressure (and by that I mean @tomasitaoficial 's)
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My personal interpretation of
King Asmodeus
Prince of Lust, Lord of sex demons, Nephillim, Amaymon's protégé, unofficial representation of Wrath and Sloth.
Each head expresses the extreme version of his current state of mind;
The Bull is wrath, desperation, impotence and other similar emotions. It tends to express the King's honest and brutal opinion on things and is the most comfrontational. It's mouth is hot as lava and can even spit fire.
The Ram is depression, hopelesness, compliance and nihilism. This head shows Asmodeus' more grounded, although pessimistic, views. It tends to defuse conflict, even through self destructing ways to lower tensions. Of course, it's also a big yes-man. It's mouth is ice cold like a corpse.
The human head is mostly a mystery, it has been dormant for a long time. It used to be awake in Ozzie's youth, but at some point after being caged in Hell, it's consciousness seemed to fade away. Ozzie's top clients say it's mouth is barely warm but soft enough to get the job done.
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