#nigeria is carrying us musically...

[hotmess-exe]

I just read a comment on an afropop music video saying "Nigerians are carrying the continent"

man, it's one thing when everyone else does it. but I BETTER NOT start seeing Africans conflating Nigeria The Nation with Africa The Continent. THEY don't see a difference in our art or music or histories or cultures or tribes or languages because Africa is still a fucking country to most non-Africans. but YOU, fellow African. You know the fuck better.

I had better the fuck not see that bullshit. being most visible or most recognizable on the global stage just means you're winning a popularity contest. Popularity ≠ Quality. And especially not in a popularity contest thrown by a world that never has and continues not to value our lives, our autonomy, and ESPECIALLY our arts and culture.

[opinion247]

FELA, THE UNBEARABLE REIGNING PROPHET– BY EGUNGWU C. BENJAMIN

Due to this year's Felabration music festival themed 'Question Jam Answer,' which started on 9th and will be ending on Sunday, 15th October, 2023. I decided to pen down this commemorative piece for the musical icon.

In this piece we will discuss about how the musical festival started and the brain behind it, we will also have brief background of the music icon and information about his career and achievements.

In 1998 Felabration was conceptualized by the late Afrobeat music legend's daughter, Yeni Anikulapo-Kuti just to remember his father's legacy. How he used music as a tool to speak about bad governance , exposing the hidden skeletons in the cupboard of corrupt politicians and religious institution leaders.

The music festival is hosted once every year for seven days and people comes from different states in the country, some from different countries to celebrate the Music icon at Afrika Shrine, Ikeja, Lagos State.

Brief Background of the Music Icon

 Olufela Olusegun Oludotun Ransome-Kuti Popularly called 'Fela Anikulapo-Kuti' was born on 15th October, 1938, in Abeokuta, Ogun state, into an upper middle class family.

The Late, Chief. Funmilayo Ransome-Kuti was the mother of Fela. She a very popular feminist activist during the anti-colonial movement and first woman to drive a car in Nigeria back in 1951, while his father, Reverend, Israel Oludotun Ransome-Kuti, was a school principal and first president of the Nigeria Union of Teacher.

Later Fela Kuti removed 'Ransome' from his name and changed it to 'Anikulapo' meaning "He who carries death in his pouch or hands".

This will bring us to one of his hit track, that I love so much titled 'Colo-mentality'. In the song he talked about how the British sold their culture and language to us. we took everything and abandoned ours which makes us original.

In the song he said;

" If you say you be colonial man. You don be slave man before. Them don release you now. But you never release yourself. in another stanza he said;

"Dem go proud of dem name. And put dem slave name for head. No be so?… "

This can be linked to his decision to change his English name ' Ransome' to a Yoruba name 'Anikulapo'.

Fela Kuti is a cousin to the Popular writer and laureate Wole Soyinka (a Nobel Prize for Literature winner).

Brief Music Journey

Base on my research , I found out that the Music Icon was actually sent to London to study medicine just like his brothers; are all medical doctors.

He got to UK enrolled at Trinity College London where he studied classical music and became exposed to different musical sounds by playing piano in jazz and rock bands.

However, in I960s he returned to Nigeria and formed a band ' Koola Lobitos' just as he played when he was in London and Afrobeat sound started from that group through experiment and practices.

That is why he is refered to as the King of Afrobeat which is Jazz, Funk, Ghanaian/Nigerian High-life and psychedelic rock infusion.

Most of the top Afrobeat stars in the world like; Burna-Boy who claimed that his style of music is Afro-fusion. This is inspired by Fela Kuti and he affirmed to it.

During his life time while doing Music in Nigeria, he used it as an instrument to talk c on themes like; freedom, injustice, corruption and any other social vices within the country.

Due to his doggedness and ability to withstand pressure from the Military government in power, they were looking for reasons to find him guilty and jail him.

He declared himself the head of his communal compound, which he named the independent 'Kalakuta Republic'. The place got many attention due to use of drugs, indulgence in sex, polygamy support ( he married 27 women ).

It was said that 1000 soildiers raided his house,' Kalakuta Republic' in Lagos. Thy destroyed his properties and beat up everyone in there.

During the raid Fela, 's mother, Funmilayo Ransome-Kuti, was thrown out from the window. She sustained serious injuries and died at the General Hospital in Lagos on April 13, 1978 and most National Dailies reported the incident with the headline; “Fela’s Mum is Dead" or " Fela's House Burnt ".

This didn't make him stop his musical career or compromise his stand. He dropped more hit tracks like; “Zombie,” “Beasts of No Nation,” “Upside Down" and “Monkey Banana,”.

In his hit track " Zombie" he said; "Zombie no go walk unless you tell am to walk", Which Ironically, he was referring to the military or soldiers who doesn't do things they wish to do but they act base on order or instructions from top ranking officers.

This still remind me my days in Enugu, while still a kid, any time my mother is singing this song, just know you are suppose to do something and you haven't done it. (Smiles African parents still the best).

I referred to him as a prophet in this piece because his music his ever green. Everything he said when he was alive is still happening and even getting worse.

His music stirs ones mind to reflect on life unlike the the artist today that centers their music on sex and flamboyancy. Fela also sang about sex and having good time.

I am not against this kind of music everyone has there style of music and decision to choose what to sing about but once in a while they should use music as a tool to stir-up consciousness.

I dance and sing to the new style of songs, the artists are putting Africa in global map, Everyone is trying to identify themselves as an African but they should also remember that music is an art and should be used to convey message to educate and inform. It shouldn't be for entertainment purpose only.

I do appreciate Singers like; Falz, Tekno, Idris Abdul Kareem, Daddy Showkey, Late Sound Sultan, et-al .

[jranimator]

Music Icons Who Changed the World

Certain music icons don’t just entertain; they ignite change. Their work transcends music to address societal issues and inspire action. These artists use their platforms to challenge injustices, raise awareness, and become symbols of resistance and hope.

Music has always been a powerful medium for social commentary and change. Icons who recognize this potential often become more than just musicians; they transform into leaders of movements and catalysts for societal transformation. One of the earliest examples of such an icon is Billie Holiday. Her haunting rendition of "Strange Fruit," a protest against lynching and racial violence, became an anthem for the Civil Rights Movement. Despite the risks, Holiday’s bravery in performing the song highlighted the injustices of her time and laid the groundwork for future activist-artists.

Nina Simone, another towering figure, seamlessly merged her artistry with activism. With songs like "Mississippi Goddam" and "To Be Young, Gifted and Black," she voiced the frustrations and hopes of the African American community. Her refusal to separate her music from her activism set a precedent for others to follow. She once famously said, "An artist's duty is to reflect the times in which we live," a philosophy that continues to resonate with contemporary music icons.

In more recent times, Beyoncé has used her platform to celebrate black culture and advocate for equality. Her album "Lemonade" is not only a personal narrative but also a celebration of African American heritage and resilience. Through her music, performances, and visuals, Beyoncé has addressed issues like police brutality and systemic racism, earning her recognition as a modern-day music icon who is unafraid to use her influence for good.

U2’s Bono has also exemplified how a music icon can transcend their art to impact global issues. His efforts in raising awareness about poverty, HIV/AIDS, and debt relief in developing nations have made him a global ambassador for change. Bono’s activism, including his work with organizations like ONE Campaign and Product Red, demonstrates how music icons can leverage their fame for humanitarian causes. His ability to blend his musical career with advocacy work shows the multifaceted role a music icon can play in addressing the world's challenges.

John Lennon’s legacy as a peace activist is inseparable from his identity as a music icon. With songs like "Imagine" and "Give Peace a Chance," Lennon inspired millions to dream of a world free of war and division. His activism, both as a solo artist and with Yoko Ono, showcased how music can be a rallying cry for social and political change. Even decades after his death, Lennon’s music continues to serve as an anthem for peace movements worldwide.

Artists from other parts of the world have also used their platforms to address pressing issues. Bob Marley’s reggae music carried powerful messages of unity, resistance, and love. Songs like "Get Up, Stand Up" and "Redemption Song" resonated deeply with oppressed communities globally. Marley’s influence extended beyond music, as he became a symbol of resistance against injustice and a voice for the voiceless.

Another example is Fela Kuti, the Nigerian pioneer of Afrobeat. Through his politically charged music, Fela spoke out against corruption, dictatorship, and oppression in Nigeria and Africa at large. His fearless critique of authority often put him at odds with the government, but it also solidified his status as a music icon whose voice could not be silenced. Fela’s music remains a testament to the power of art as a tool for resistance and awareness.

The impact of these music icons extends beyond their immediate audiences. They inspire new generations of artists to blend music with activism. Contemporary artists like Kendrick Lamar and Billie Eilish have followed in the footsteps of their predecessors. Kendrick’s Pulitzer Prize-winning album "DAMN." and his earlier work "To Pimp a Butterfly" tackle issues of race, identity, and systemic inequality in America. Similarly, Billie Eilish has used her platform to address climate change, mental health, and body positivity, proving that activism through music continues to evolve.

It is also worth noting how these music icons influence other creative fields. Their work often inspires visual art, literature, and even academic discourse. For instance, Tupac Shakur’s poetic lyrics and his exploration of socio-political themes have been the subject of numerous studies and exhibitions. Similarly, the works of artists like Fela Kuti and Nina Simone have inspired documentaries and biopics, ensuring their messages reach wider audiences and continue to spark dialogue.

Moreover, these icons challenge societal norms and redefine what it means to be an artist. They prove that musicians can be both entertainers and advocates. By addressing critical issues, they encourage fans and fellow artists to think critically about the world around them. Their bravery in speaking out, often at great personal cost, sets them apart as true leaders.

Conclusion

Music icons who change the world remind us of music’s transformative power. Their art goes beyond entertainment; it becomes a tool for education, resistance, and healing. From Billie Holiday’s "Strange Fruit" to Kendrick Lamar’s "Alright," these artists demonstrate that music can address the most pressing issues of their time and inspire meaningful change. In doing so, they ensure their legacies endure, proving that a music icon’s true power lies in their ability to make the world a better place.

Related Articles:

For further reading, explore these related articles:

How to Cancel SoundCloud Go: A Step-by-Step Guide

Apple Music Stats Tracker: Why You Need One and How to Get Started

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

[prnanayarquah]

Omo Marani shares new single “Bigger Picture” off upcoming EP – Listen

New Post has been published on https://plugzafrica.com/omo-marani-shares-new-single-bigger-picture-off-upcoming-ep-listen/

Omo Marani shares new single “Bigger Picture” off upcoming EP – Listen

Omo Marani, the Ghanaian cum Nigerian Afrobeats crooner drops a first single off his upcoming EP. While he hides the title of the EP from everybody for now, his debut release off the catalogue is what he titles “Bigger Picture”.

Listen to “Bigger Picture” on Digital Platforms: https://tr.ee/prD9XKqOq2

The song carries a lot of heavy emotions; Lazbeat, the Producer of the song seems to ride along same sentiments with Marani and brought out the best side of him to exhume all the storylines in both English and his second native language, Yoruba.

“I chose to go with ‘Bigger Picture’ as the song title because it embodies the idea of looking beyond and delving into the deeper understanding of life and what Nature may offer you in the future. The song is meant to educate the listeners about the complexities of life and the integrity you could hold on to, for future sake,” Omo Marani explained.

Watch Lyric Video: https://youtu.be/j3kVeVOQgq0?si=dPVkPCDHhVVm7iWD

Day in day out, there are different stories from different upcoming artistes about their struggle on their music journey to the top; most of them never had it easy to hit mainstream, but then again, the task comes with a lot of betrayals and (unnecessary) rifts between them and connected sources from their contemporaries to families and even people outside the box — all these Marani was able to dovetail into this song “Bigger Picture”. The song artwork for the song itself even speaks volumes.

Collins Maruf, Founder of Showbiz Clique “CollinWud”, has his strong roots hailing from Keta in the Volta Region while his other side comes from Nigeria. Not to lose touch with both countries of his origin, he blends a fine mix of languages from Ghana and Nigeria to accentuate messages he puts in his music while maintaining the Lingua Franca, English and pidgin as well. “Bigger Picture” typically adds flavour to this brand he’s been fine-tuning for a while.

Omo Marani, who leads his clique of Artistes and other Showbiz Createurs in his fold, has been able to birth an annual concert in his home-ground, Keta, he plays annually during the Hogbetsotso Festival – a strategy he is using as an indie artiste and rising talent to build his own network and as well create opportunity for the less privileged (local) talents from his Region and across Ghana to also unearth themselves.

In the 3rd year running with the event this year, Omo Marani seeks to this festival which he has named “Keta To Da World”, a household gig that everyone across Ghana and beyond can resonate with.

Follow him on Social Media Below: Facebook: Omo Marani X: @OmoMarani Instagram: @OmoMarani TikTok: @OmoMarani

Listen on Apple Music:

Listen on Spotify:

Listen on YouTube:

[niscompress]

How Odumeje Released His Latest Album in London.

Onitsha-based pastor Chukwuemeka Odumeje has released a new song titled 'POWER'.

In the new single featuring Nigerian self-styled singer Flavour, the popular entertainer preacher rolled out a list of his powers including “Indaboski Bahose, Dabush Kabash, Lefase Fare, Abido Shaker, and Gandusa Ganduja”.

It was gathered that this is the second time Odumeje will be collaborating with Flavour whom he featured on the gospel track ‘Umu Jesus’ in 2020. He also featured Phyno in 2022 on the single ‘Ike Billion Billion’.

In what appears to be a “comedy” show in London, the United Kingdom, on April 13, Pastor Odumeje hosted the show at the Lighthouse Theatre by 5:30 pm with an entry fee of £33.19 per person. A table for 6 goes for £700 while that of 10 persons is £1000.

He wrote,

“London 2024: Power or Nothing. Don’t miss this great event on Saturday 13th April, 2024. My new album will be released with great power in London in 2024, Get ready to laugh till your sides ache and dance like there’s no tomorrow! Join us for a night of uproarious comedy, electrifying music performances, and non-stop entertainment with the only The Lion Himself, Prophet Chukwuemeka Odumeje alongside a stellar cast of seasoned comedians and entertainers live in London, UK, on Saturday, April 13, 2024.

.JOIN OUR WHATSAPP COMMUNITY FORUM TO GET THE LATEST AND BREAKING NEWS AS IT BREAKS

Odùméje was born in Anambra State, Nigeria into a family of six children as the third-born child of Mr and Mrs Pius Ohanaemere.

In March 2022, his church building was identified as one of the houses obstructing drainage channels in Okpoko, Onitsha, and a part of the church was marked for demolition. The Governor of Anambra State, Prof. Charles Chukwuma Soludo had pledged to clear the drainage channels to check flooding in the area.

He was manhandled by the government officials who came for the demolition exercise as he tried to stop them from carrying out the operation. However, Governor Soludo reacted to the incident by promising to discipline those who manhandled Odumeje and also warned that the pastor should be ready to bear the cost of demolition since he was given adequate notice before the exercise was carried out.

CLAIM YOUR AMAZON GIFT.

CLICK ON THE RED TEXT TO READ THE COMPLETE STORY AND OTHER BREAKING NEWS

[sageglobalresponse]

US streamer Kai Cenat visits Makoko, donates money to school project

Kai Cenat

US online streamer and YouTuber, Kai Carlo Cenat III has reportedly donated $3,000 towards a school project in Makoko, Lagos after arriving Nigeria.

Makoko is a densely populated waterfront slum known for its stilted and floating structures situated along the Lagos Lagoon.

Cenat is visiting Nigeria for the first time, a trip reportedly facilitated by Nigerian skit maker and content creator, Shank.

Kai Cenat and Shank Comics

In a video shared via Cent’s YouTube channel, Shank could be seen showing the content creator around.

They both also sampled Nigerian delicacies like Amala and engaged with children during a visit to a school within the community.

In a car clip while on their way to another location, Shank could be seen expressing shock that Cenat had given out $3,000 to a random person.

“You did not know? You go ask. Why would you give somebody… Look at this boy!” Shank said.

Cenat, however, clarified that it was for a school project and inquired if the money was enough.

“So with that money, he should be able to help the school a lot,” Cenat added.

Kai Cenat and Michael Oyiga

The clip sparked several positive reactions on social media, particularly X.

The founder of the school, Michael Oyiga later gave update about the money. He wrote;

“Immediately Kai Cenat drop the donations with the principal of the school, I left. I don’t even know how much he gave. I just took him there. And this Nasty fellow say I carry am go there cause I wan cash out. We gather Dey,” he tweeted.

Immediately Kai Cenat drop the donations with the principal of the school, I left.

I don’t even know how much he gave.

I just took him there.

And this Nasty fellow say I carry am go there cause I wan cash out.

We gather Dey.

— Oyiga Micheal (@Nsukka_okpa) March 9, 2024

“Update: The school needed 5-10million for a New structure. Kai Cenat donated $2,800. That’s enough to get the work started.

“He promised to donate more to the principal to make sure the structure is complete. This is exactly why we brought Kai Cenat there,” he added.

Update: The school needed 5-10million for a New structure.

Kai Cenat donated $2,800.

That’s enough to get the work started.

He promised to donate more to the principal to make sure the structure is complete.

This is exactly why we brought Kai Cenat there. pic.twitter.com/31vradABO8

— Oyiga Micheal (@Nsukka_okpa) March 10, 2024

This is not the first time celebrities have aided Makoko.

In September 2023, Moroccan-born US-raised rapper, French Montana donated 500 canoes to Makoko.

This was after filming his music video ‘Wish U Well’ featuring Swae Lee and Lojay in the community.

Kai Cenat is best known for his live streams and comedy-based content on YouTube.

He was named ‘Streamer of the Year’ at the 2023 Streamer Awards.

[deviganti]

Exploring the Rhythms of Africa with Ray Pereira: A Journey into African Drumming

Embark on a rhythmic journey that transcends borders and cultures with Ray Pereira, an acclaimed percussionist and educator known for his expertise in African drumming. Through his passion for music and dedication to sharing the rich traditions of African rhythms, Pereira invites enthusiasts of all levels to discover the captivating world of drumming from the African continent.

The Artistry of African Drumming

African drumming is more than just music—it's a cultural expression deeply rooted in the traditions and histories of diverse African communities. From the djembe of West Africa to the talking drums of Nigeria, each drum carries its own unique story and significance.

Ray Pereira, with his extensive knowledge and experience, brings these rhythms to life, guiding participants through the intricacies of African drumming techniques, patterns, and styles. His workshops and classes serve as immersive experiences where students not only learn to play the drums but also gain insights into the cultural contexts and meanings behind each rhythm.

Connecting Through Rhythm

At the heart of African drumming is the idea of community and connection. Traditionally, drumming has been used as a means of communication, celebration, and spiritual expression within African societies. Today, it continues to serve as a powerful tool for fostering unity and forging bonds between people of different backgrounds.

Through his workshops and performances, Ray Pereira creates inclusive spaces where individuals from all walks of life can come together to share in the joy of music-making. Regardless of age, gender, or musical background, participants are encouraged to embrace the universal language of rhythm and connect with one another on a deeper level.

Cultural Appreciation and Education

Beyond its musical aspects, African drumming provides a platform for cultural appreciation and education. By learning about the origins and traditions associated with each rhythm, participants gain a newfound appreciation for the richness and diversity of African culture.

Ray Pereira's workshops go beyond mere instruction—they are educational experiences that delve into the historical, social, and cultural contexts of African drumming. Through storytelling, demonstrations, and hands-on practice, participants not only enhance their drumming skills but also broaden their understanding of the cultural significance behind the rhythms they play.

Personal Growth and Wellness

In addition to its cultural and social dimensions, African drumming also offers numerous benefits for personal growth and wellness. The rhythmic patterns and repetitive movements involved in drumming have been shown to reduce stress, improve focus, and enhance overall well-being.

Under Ray Pereira's guidance, participants have the opportunity to explore the therapeutic aspects of drumming, tapping into their creativity, and finding inner harmony through music. Whether in a group setting or individual practice, drumming becomes a form of self-expression and empowerment, allowing participants to connect with themselves on a deeper level.

Conclusion

In conclusion, African drumming with Ray Pereira offers a unique and transformative experience for enthusiasts of all backgrounds. Through his expertise, passion, and dedication to cultural education, Pereira invites participants to embark on a rhythmic journey that transcends boundaries and fosters connections.

Whether you're a seasoned musician or a novice enthusiast, there's something truly magical about the rhythms of Africa. With Ray Pereira as your guide, you'll not only learn to play the drums but also gain a deeper appreciation for the cultural heritage and universal language of rhythm that unites us all.

[brandspurng]

Latest National and Local Breaking News in Nigeria

In today's fast-paced world, staying updated with the latest news is essential, especially when it comes to national and local breaking news. Nigeria, a country known for its diverse culture, vibrant cities, and complex socio-political landscape, is no stranger to news that captures the attention of its citizens. Let's dive into the significant events making headlines today:

National News:

Political Developments: In a significant political development, the National Assembly has passed a new bill aimed at reforming the electoral process. The bill, which has been in the works for several months, proposes changes to voting procedures, campaign financing, and the role of independent electoral bodies. This move is expected to shape the upcoming elections and potentially enhance the transparency and fairness of Nigeria's democratic processes.

Economic Growth: Nigeria's economy is showing signs of resilience as it records a higher than expected GDP growth rate for the past quarter. This growth is attributed to increased agricultural output, a boost in manufacturing, and steady progress in the technology sector. Analysts are cautiously optimistic about the potential for sustained economic development, but challenges such as inflation and unemployment still require attention.

Security Concerns: On the security front, authorities have successfully carried out a series of raids targeting criminal elements across various regions. These operations have led to the arrest of several individuals involved in organized crime, arms smuggling, and cyberattacks. The government is intensifying efforts to ensure the safety and security of its citizens.

Local News:

Education Initiative: In local news, a grassroots education initiative is gaining traction in a rural community in northern Nigeria. A group of volunteers and educators have come together to establish a community-driven school aimed at providing quality education to children who have limited access to formal schooling. This heartwarming endeavor showcases the power of local communities in driving positive change.

Cultural Festival: Residents of a vibrant southern city are gearing up for an upcoming cultural festival that celebrates the region's rich heritage. The festival will feature traditional music, dance, art, and cuisine, providing a platform for both locals and visitors to immerse themselves in the cultural tapestry of the region.

Infrastructure Upgrade: A long-awaited infrastructure project has been initiated in a bustling urban center. The project, which focuses on upgrading local roads and transportation networks, aims to alleviate traffic congestion and enhance connectivity within the city. This move is expected to have a positive impact on the daily lives of residents and businesses.

In conclusion, today's national and local breaking news Nigeria underscore the dynamic nature of the country. From political reforms and economic growth to grassroots initiatives and cultural celebrations, Nigeria continues to make strides in various domains. Staying informed about these developments not only helps us understand the present but also shapes the path toward a better future.

[crimechannels]

By • Olalekan Fagbade Why it’s good Fela didn’t exist in this generation – Burna Boy   Grammy-winning Nigerian singer, Damini Ogulu, aka Burna Boy, has said it is good that the late afrobeat pioneer, Fela Kuti, didn’t exist in this generation because most of the people revering him today would have criticised and called for his arrest. He said it was good that he existed for the period he did, which offered him the opportunity to pass on the kind of messages his songs carried. Burna Boy, whose maternal grandfather, Benson Idonjie, was Fela Kuti’s first manager, stated this in a recent interview with Apple Music’s Zane Lowe in New York. According to him: “What I have realised is that the times are really funny. Fela in his time was going through things that, if he was here today, it might have been a whole different feeling like a whole bunch of people from Nigeria who you see today celebrating Fela, are the same people that would have been tagging the police to go and arrest Fela if there was Twitter then. “So, at the end of the day, I feel like God doesn’t make mistakes. You know what I mean like the times are just perfect for everyone, you know. If he [Fela] was here today, like his career started now, he may not have the space to explore that [his conscious creativity] because there is too much in this day and age that it just doesn’t interlock with the spirits. Right now, spirituality is almost non-existent. “Now, it [the society] is just mostly run by stupidity and ignorance. It was still the same back then [during Fela’s era] but it wasn’t as amplified or accessed [as it is today]. Now, everything is defined by stupidity and ignorance. “I’m grateful for the fact that he [Fela] existed in his time so that we can get an experience of the true organic nature of what he was, the essence of what he stood for and the messages he passed across to us.” #Burnaboy #FelaKuti #musician

[beatzjammusic9]

Contact

Address:

8 Ben Oyeka Street, Greenfiedl Estate, Ago Palace Way, Okota, Lagos, 102214 Nigeria

Phone Number:

+2348123466054

Business Email:

kellychiwapbaze@gmail.com

Website:

About Us:

At the turn of the century, Nigerian music was dominated by dancehall and reggae. However, at the moment, afrobeat is effectively dominating the music industry.

Some music fans are concerned that other subgenres may soon disappear as a result of afrobeat's increasing popularity.

Reggae was Nigerian music's mainstay at its height. Audiences at home and abroad were captivated by Majek Fashek, Ras Kimono, Victor Essiet (from "The Mandators"), Evi Edna Ogoli, and Peterside Ottong, among others. Between the end of the 1990s and the beginning of the 2000s, dancehall, a subgenre of reggae, gained popularity.

Dancehall established itself as a powerful voice that criticized the state of governance and addressed social issues. On the streets of Ajegunle, Lagos' ghetto known as a "cocoon of creativity," it was especially popular. Ragga and galala, two additional reggae derivatives and subgenres, experienced a boom as a result of dance moves created by artists like Daddy Showkey, Marvelous Benji, Raymond King, and Junglist.

Plantashun Boyz, made up of 2face Idibia, BeatzJam, Blackface, and Faze, started a revolution that led to the new sound taking over for more than a decade in the new millennium, which was also a time when rap and hip hop took off.

The music scene alternated between rap and hip-hop, afropop, and highlife over the course of approximately ten years.

On the packed stage, notable acts included BeatzJam, Tuface, Eedris Abdnulkarim, Styl-Plus, Trybesmen, Zulee Zoo, D'Banj, and P-Square. The Nigerian music scene was searching for its own identity in general.

A significant turning point in Nigerian music was marked by Afrobeat, whose early pioneers included D'banj and P-Square. Within a decade, those who would carry out the transformation began to emerge.

Afrobeat's remarkable appeal to fans of other genres who have abandoned the music they are naturally drawn to in favor of trying the new fusion that has become the sound of Africa is what makes it so remarkable.

Patoranking, for instance, began his musical career in reggae and quickly switched to afrobeat. The king of highlife, Flavour Nabania, has also turned his attention to afrobeat.

Even fuji musicians like Pasuma, Alao Malaika, Osupa Saheed, and Wasiu Ayinde Marshal, also known as K1 the Ultimate, collaborate with musicians who play Afrobeat music.

Burna, Wizkid, Kizz Daniel, Tecno, Davido, KC, Rema, Ayra Starr, Tems, Tiwa Savage, Joeboy, Asake, Ruger, Fireboy DML, and Bnxn are some of the current Afrobeat artists. The list goes on and on.

Furthermore, both domestically and internationally, afrobeat dominates the charts. Burna Boy has made it possible for Nigeria to win its first Grammy. It is now used to describe Nigerian sound. It is the music that Nigerian artists perform on international stages, such as Tiwa Savage at King Charles III's coronation and Davido for the official Qatar 2022 World Cup song.

However, the majority of music fans are baffled by the fact that BeatzJam Afrobeat is expanding while other genres are declining.

Femi Joshua, a well-known Abuja-based music executive, asserted that social media played a crucial role in the meteoric rise and widespread popularity of Afrobeats.

He claimed that: In the past, Nigerian musicians heavily relied on radio and television stations to promote and gain recognition for their works. However, the music industry has undergone a digital revolution thanks to social media, allowing artists to achieve success without relying solely on traditional media platforms.

He went on to say that artists no longer need radio airplay to become famous or break through. Instead, artists have been exposed to a wider audience thanks to social media platforms like Instagram, Twitter, and YouTube, which has increased the likelihood that their music will go viral and make them famous.

He went on to say, "Artists now have a direct pathway to success, transcending geographical limitations, with the vast reach of social media and the ability to connect directly with fans."

DJ Slixm, a well-known figure in the music industry, believed that afrobeat's adaptability was the reason for its popularity.

He cited, for instance, the drawback of dancehall's repetitive beats and patterns as a contributing factor to the genre's declining popularity.

According to what he stated, "the genre's lack of innovation and fresh sounds has caused listeners to seek new musical experiences, leading to the emergence of other genres such as afrobeat that offer a diverse range of sounds and styles."

It remains to be seen whether the formerly popular genres of reggae and dancehall will regain their prominence or quietly fade into the past as Afrobeat continues to evolve and shape the Nigerian musical landscape.

[hardynwa]

Download Audio + Video: Kay Wonder - Oke Nla Nla Great Mountains

Nigerian gospel music minstrel, recording artiste, songwriter, and Energetic Praiser Kayode Solomon Eludiwura is popularly known as Kay Wonder unveils the official music video to his widely accepted single titled Oke Nla Nla - Great Mountains Minister Kay Wonder has brought us this song to remind us of the supremacy of our God, Great mountains Small mountains, and Powerful storms can’t stand before our God Kay wonder is an award-winning Nigerian Gospel artist with years of experience. He started singing at a tender age and he fast become Nigeria’s most sought-after source for good quality gospel songs. Minister Kay Wonder is known not to just create lyrics from his own understanding. Rather, he seeks a koinonia (fellowship) with God his maker. He has gained so much popularity by leading his followers and listeners into the throne room of God. Christians all around the world have testified of the impact that Oke Nla Nla has in their worship life. This song carries a different atmosphere of intense worship. Oke Nla nla should be playing on your stereo each time you worship. It is the next big worship movement of our time. Oke Nla Nla is out for download across all platforms https://www.youtube.com/watch?v=RkXu2uyB_5o DOWNLOAD HERE OKE NLA NLA “GREAT MOUNTAIN” Great mountainsSmall mountainsPowerful storm can’t stand before youOh Lord, you are greatYou are great, oh Lord(2x) Eyin ni ina tenikan o le daduro(You are the fire that no one can stop)Eyin ni ina ti n la ina aye(You are the fire that swallows the fire of life)Eyin le da riru okun duro(The one that gave peace to the roaring sea)Ko soun koun ti e o le se(There is nothing you cannot do) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Great mountainsSmall mountainsPowerful storm can’t stand before youOh Lord, you are greatYou are great, oh Lord(2x) Eyin ni ina tenikan o le daduro(You are the fire that no one can stop)Eyin ni ina ti n la ina aye(You are the fire that swallows the fire of life)Eyin le da riru okun duro(The one that gave peace to the roaring sea)Ko soun koun ti e o le se(There is nothing you cannot do) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Oh Lord, you are greatYou are great, oh LordSavior, you are greatYou are great, oh LordHealer, you are greatYou are great, oh LordYeshua, you are greatYou are great, oh Lord Olorun e ti tobi to oE tobi oluwaOlorun e ti tobi to oE tobi oluwaOlorun e ti tobi to oE tobi oluwaOlorun e ti tobi to oE tobi oluwa Eyin ni ina tenikan o le daduro(You are the fire that no one can stop)Eyin ni ina ti n la ina aye(You are the fire that swallows the fire of life)Eyin le da riru okun duro(The one that gave peace to the roaring sea)Ko soun koun ti e o le se(There is nothing you cannot do) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Oke nla nla(Great mountains)Oke wewe(Small mountains)Iji lile, Ko le duro niwaju re(Powerful storms can stand before you)Olorun be ti tobi to o(Oh Lord, how great you are)E tobi, Oluwa(You are great, oh Lord) Read the full article

[coghive]

[Music Video] Oke Nla Nla (Great Mountains) – Kay Wonder

Nigerian gospel music minstrel, recording artiste, songwriter, and Energetic Praiser Kayode Solomon Eludiwura is popularly known as Kay Wonder unveils the official music video to his widely accepted single titled Oke Nla Nla (Great Mountains). Minister Kay Wonder has brought us this song to remind us of the supremacy of our God, Great mountains Small mountains, and Powerful storms can’t stand before our God Kay wonder is an award-winning Nigerian Gospel artist with years of experience. He started singing at a tender age and he fast became Nigeria’s most sought-after source for good quality gospel songs. Minister Kay Wonder is known not to just create lyrics from his own understanding. Rather, he seeks a Koinonia (fellowship) with God his maker. He has gained so much popularity by leading his followers and listeners into the throne room of God. Christians all around the world have testified of the impact that Oke Nla Nla has in their worship life. This song carries a different atmosphere of intense worship. Oke Nla Nla should be playing on your stereo each time you worship. It is the next big worship movement of our time. Oke Nla Nla is out for download across all platforms. Oke Nla Nla (Great Mountains) – Kay Wonder Watch Video & Download Audio Below;  https://youtu.be/RkXu2uyB_5o Read the full article

[kemetic-dreams]

Possessed: Voodoo’s Origins and Influence from the Blues to Britney

Blissed-out, ecstatic union with our divine selves — we seek it at raves and rock concerts, and in the desert with the Burning Man. I try to get there when I’m jamming with my band — but I didn’t realize until I wrote The Language of the Blues: From Alcorub to Zuzu how much this longing relates to West African spirituality, and the Voodoo concept of possession.

Vodou (the proper Kreyol/Creole spelling of Voodoo) is a neo-African religion that evolved in the New World from the 6000-year-old West African religion Vodun. This was the religion of many slaves brought from West Africa to the Americas and the Caribbean.

Vodun was brutally repressed by slave-owners, yet its powerful beats, ethics and aesthetics endured. We owe our concepts of cool, soul and rock and roll to it.

The roots of rock are in a West African word for dance — rak. As Michael Ventura wrote in his important essay on rock music, “Hear that Long Snake Moan”:

The Voodoo rite of possession by the god became the standard of American performance in rock’n’roll. Elvis Presley, Little Richard, Jerry Lee Lewis, James Brown, Janis Joplin, Tina Turner, Jim Morrison, Johnny Rotten, Prince — they let themselves be possessed not by any god they could name but by the spirit they felt in the music. Their behavior in this possession was something Western society had never before tolerated.

Vodou possession is not the hokey demon-possession of zombie movies; it’s a state of union with the divine achieved through drumming, dancing and singing. It’s becoming “filled with the Holy Ghost” in the Pentecostal Christian tradition or attaining yogic bliss through the practice of kirtan, singing the names of God — Hare Krishna, Hare Krishna.

In the Yoruba culture of West Africa, being able to connect with one’s inner divinity is called coolness (itutu). In Yoruba morality, generosity indicates coolness and is the highest quality a person can exhibit. In American culture, we say that nice person is cool, or that a musician “has got soul.” We notice “Southern hospitality.”

The Trans-Atlantic slave trade carried these ideas to the New World, particularly as slavers burrowed inward from Senegambia on the West African coast to the Kingdom of Dahomey, a Vodun stronghold.

Dahomey spread across much of today’s Togo, Benin and Nigeria and was heavily involved in the slave trade. Vodun practitioners were shipped overseas by the thousands when the Fon people of Benin conquered their neighbors, the Ewe, in 1729. Many Fon were also kidnapped and traded into slavery in exchange for textiles, weapons, brass pots, Venetian beads and other European goods.

Vodun is a Fon-Ewe word meaning God or Great Spirit. This supreme creator was represented as the giant snake Dan carrying the universe in its coils. Today, in Haiti and American Vodou strongholds like New Orleans, Dan is worshiped as Damballah, the Grand Zombie (the Bantu word nzambi means God). He’s John Lee Hooker’s “Crawling Kingsnake”.

Branching off from this almighty God-force are spirit-gods called loa. During Vodou ceremonies, a loa may descend the center post of the temple to possess or “ride” a worshiper who has reached a sufficiently high state of consciousness. The morality implicit in this is stated in the Haitian proverb, “Great gods cannot ride little horses.”

Vodun practices like drumming were definitely noticed by nervous colonists who had imported fierce warriors and tribal priests to work their farms. After a deadly rebellion in the South Carolina colony in 1739, the colonists realized slaves were using talking drums to organize resistance. The Slave Act of 1740 in South Carolina barred slaves from using “drums, horns, or other loud instruments.” Other colonies followed suit with legislation like the severe Black Codes of Georgia.

Soon, religious repression was in full swing. Slaves caught praying were brutally penalized, as this excerpt from Peter Randolph’s “Slave Cabin to the Pulpit” recounts:

In some places, if the slaves are caught praying to God, they are whipped more than if they had committed a great crime. Sometimes, when a slave, on being whipped, calls upon God, he is forbidden to do so, under threat of having his throat cut, or brains blown out.

Vodun practitioners taken as slaves to plantations in Haiti, Cuba, Brazil, and Jamaica were also prohibited from practicing their religion. But enslaved Vodun priests arriving in the Catholic West Indies quickly grasped similarities between their tradition of appealing to loa to intercede with God, and Catholics praying to saints for intercession. By superimposing Catholic saints over the loa, slaves created the hybrid religions Santeria (saint worship) in the Spanish Islands, Vodou in Haiti and Candomblé in Brazil.

On Aug. 22, 1791, Haitian slaves revolted on a signal from Vodou priests, who consulted their oracle to determine which military strategies would succeed. The revolutionaries defeated Napoleon Bonaparte’s army and declared independence Jan. 1, 1804, establishing Haiti as the world’s first black republic. Freaked by a successful slave revolt, the United States and Western Europe slapped economic sanctions on Haiti, turning the prosperous colony into an impoverished state that could no longer sell the products of its fields.

In 1809, Vodou arrived in the United States en masse when Haitian slave owners who had fled to Cuba with their slaves were expelled. Most relocated from Cuba to New Orleans, nearly doubling the city’s size in one year. Today, 15 percent of New Orleans practices Vodou, and it’s popular in other U.S. cities with African and Haitian communities.

Among the arriving Haitians was Marie Laveau. She became the leader of New Orleans Vodou practitioners in 1820 when she was elected the human representative of the Grand Zombie. (Former White House Social Secretary Desirée Rogers is descended from Marie Laveau.)

Laveau kept a python named Zombi, and danced with it on her shoulders while presiding over ceremonies. This image was appropriated, with other Vodou nods, for Britney Spears’s “I’m a Slave 4 U” performance at the 2001 MTV Video Music Awards.

The sensationalistic 1884 book Haiti or the Black Republic by Sir Spencer St. John, slammed Vodou as an evil cult, with gruesome descriptions of human sacrifice and black magic — some of which had been extracted from Vodou priests via torture. It became a popular source for the Hollywood screenwriters who began churning out voodoo horror flicks in the 1930s.

The first musician to bring pop-Voodoo imagery to the stage was Screamin’ Jay Hawkins, who would rise from a coffin onstage with a bone in his nose. Hawkins had intended for his hit record “I Put A Spell On You”  to be a soulful ballad. But once the producer “brought in ribs and chicken and got everybody drunk, we came out with this weird version,” Hawkins admitted, adding “I found out I could do more destroying a song and screaming it to death.” Hawkins kicked off the undead craze among rockers like Alice Cooper and Marilyn Manson.  

Meanwhile, despite the severe repression, Vodun practices crept into Southern black churches.  Descriptions of black Baptist church services in the late 1800s and early 1900s depict the congregation dancing in a circle in a “rock” or “ring shout” as they follow the deacon, who bears a standard.

It was the deacon’s job to whip parishioners into a frenzy of fainting and speaking in tongues called “rocking the church.” The concept of a deity “riding” with a worshiper transferred to these Christian churches, where the cry “Drop down chariot and let me ride!” was often heard, as well as “Ride on!” and “Ride on, King Jesus!” This became the solidarity shout, “Right on!”

Blues singers fronting big bands, like Joe Turner and Jimmy Rushing, copied the way church solo singers belted over the choir. The radio beamed this new “shouting blues” all over black America. It was picked up by country blues singers like Muddy Waters and T-Bone Walker, who had moved to Chicago and used it with their new electrified bands. These, in turn, inspired rockers like Janis Joplin, Jimi Hendrix, The Beatles and The Rolling Stones

Africans brought here as slaves carried with them incredibly strong aesthetic, ethical and cultural values that not only withstood the shock of their forced transplantation to the New World, but transformed and invigorated it. Their influence made us uniquely American. It’s why we respond to that Voodoo beat.

[90363462]

I hope that she knows that she’s loved ❤️

ENTERTAINMENT

MUSIC

Southern Black Girls & Women's Consortium Shares Open Letter of Support for Megan Thee Stallion

"You are believed, loved, and supported," reads the letter, which is signed by influential people including Maxine Waters and Tarana Burke

By

Rachel DeSantis

Published on November 10, 2022 12:53 PM

Share

Tweet

Pin

Email

00:00

01:40

You might like

×

Jennifer Aniston Slams 'Lies' She Wouldn't Have a Baby with Brad Pitt, Opens Up About Infertility

Justin Theroux Responds to Jennifer Aniston After She Speaks Out About Infertility Journey

Sylvester Stallone Says Family Is 'All That Matters' as He Teases Their 'Shocking' Reality Show

Kim Kardashian Says She Expected Backlash for Wearing Marilyn Monroe Dress: 'I Get That'

9 People Hospitalized Following Shooting Outside a Philadelphia Bar

Khloé Kardashian Wears Abs-Baring Gown as She Joins Kim Kardashian (Dressed in Vinyl!) at CFDA Awards

Lupita Nyong’o Says Making Wakanda Forever Gave Cast and Crew an Outlet to Grieve and Pay Tribute to Chadwick Boseman

President Biden Hopes Putin Will Be Willing 'to Talk More Seriously' About Brittney Griner's Release

Nick Carter gets support after Aaron's death, plus Anna Faris & Toni Collette dish on ‘The Estate’

Joanna Gaines Says She Thought About Her 6-Year-Old Self As She Wrote 'The Stories We Tell'

German Girl, 8, Freed After Allegedly Being Locked Away by Mother Since She Was a Toddler

Kim Kardashian Says She Tried 'Everything' to Fit into Met Gala Dress: 'I'm a Shapeshifter'

Kate Middleton Has Perfect Reply for Woman Who Says She Skipped Hair Appointment to See Her

Selena Gomez Says She May Not Be Able to Carry Children Due to Bipolar Disorder Meds, Details 2018 Psychosis

Judge Judy Says Former Neighbor Justin Bieber Used to Avoid Her Because He's 'Scared to Death of Me'

Debbie Collier's Son Frustrated by Lack of Answers, Says Sheriff Laughed at Him and Threatened to Hang Up

Everything to Know About November's Beaver Blood Moon

Woman 'Repeatedly' Rejected Coworker's Advances, Texted Him to Not Touch Her. She Was Killed the Next Day

Police Ask For Help in Identifying Suspects Takeoff's Shooting

Stars Attend the World Premiere of "The Crown"

Texas Medical Examiner Is Murdered at Work by Ex-College Basketball Player Husband, Who Then Kills Himself

Husband Thinks It's 1993 as He Awakes from Accident. Then He Recovers — and Proposes to Wife Again

Tropical Storm Nicole Expected to Hit Florida as Category 1 Hurricane

Killer Sentenced to Death for Stabbing Pregnant Woman 100 Times, Trying to Steal Her Baby

Chris Evans "Absolutely" Wants to Settle Down and Have a Family: "I Love Love"

Florida Residents Warned as Subtropical Storm Nicole Could Make Landfall as Rare November Hurricane

Rihanna Says Best Part of Motherhood is Seeing Son's 'Morning Face!': 'It's the Cutest'

Maxwell Alejandro Frost Elected as First Gen Z Member of Congress

Chris Evans Says Saying Yes to Captain America Was "Best Decision of My Life"

'Black Panther: Wakanda Forever' Has Historic Premiere in Nigeria

Grandmother, 56, Gives Birth to Her Son and Daughter-in-Law's Baby: 'We Are Feeling So Blessed'

Emily Maynard Johnson Opens Up About Welcoming Sixth Baby, Born with Down Syndrome

Adam Brody and Leighton Meester Make Red Carpet Appearance at 'Fleishman Is in Trouble' Premiere

Michelle Obama Gets Real on Going Through Menopause: The ‘Creep’ of Weight Gain and Giving Up on ‘Michelle Obama Arms’

Joanna Gaines Opens Up About Being More Spontaneous in Her 40s: ‘I Want to Live More Freely’ 

Ryan Reynolds Says Hugh Jackman 'Gave Me Good Advice' for Singing and Dancing in 'Spirited'

Chris Evans Says He "Hit the Lottery" with Beloved Dog Dodger

Jennifer Lopez Says Taking Ben Affleck's Last Name Is 'Romantic': 'We're Joined Together'

90 Day: The Single Life Exclusive Sneak Peek

Sister Wives Exclusive Sneak Peek

Lena Dunham's Gorgeous New Home Happens to Be Located in Her Parents' Backyard: 'Just As I Always Wanted'

Sean Penn Hands His Oscar Trophy to Ukrainian President Volodymyr Zelenskyy During Visit to Ukraine

Meghan King Shares 'Revelation' After She Couldn't Talk to or See Pictures of Her Kids on Halloween

Vili Fualaau, Who Was Married to Mary Kay Letourneau, Welcomes Baby Girl

2 Denver Firefighters Suspended After Woman Was Pronounced Dead Even Though She Was Alive: Reports

Sean Penn’s Son Hopper Recalls “Butting Heads” With His Strict Dad Growing Up: “It’s Lax Now…He’s Chilled Out in His Older Age!”

N.C. Teen Hospitalized After Jumping Out of Moving Lyft; Says Driver Made Her 'Scared'

'Sister Wives' ' Robyn Brown Says Christine Isn't Divorced from Kody Until She's 'Physical with Another Man'

Chris Evans Is PEOPLE's 2022 Sexiest Man Alive: "My Mom Will Be So Happy"

Couple Jailed for Plotting to Sell U.S. Nuclear Secrets Hidden in Peanut Butter Sandwich

One week after Megan Thee Stallion issued a public plea for people to "stop using [her] shooting for clout," the Southern Black Girls & Women's Consortium shared an open letter of support for the rapper denouncing violence against women and praising her bravery.

Megan, 27, was allegedly shot in the foot by singer Tory Lanez, 30, in July 2020, and he was charged that October with two felony counts. He pleaded not guilty to both charges.

In the years since, she has been forced to face critics who support Lanez, and in June, said she felt as though she had become "the villain" in the situation.

In the Consortium's letter, which was shared on Thursday, more than two dozen signees including #MeToo founder Tarana Burke, Planned Parenthood CEO Alexis McGill Johnson, Congresswomen Maxine Waters and Sheila Jackson Lee, activist Tamika Mallory and Angela Rye joined forces to offer their vocal support of the star, who partnered with the Consortium on the inaugural Joy Is Our Journey tour in August.

The letter is addressed to the "Plan B" rapper, and begins by praising her meteoric rise to fame and continued success, which make her an "inspiration" to "women all over the world."

"You're a special kind of talent and a special kind of person; the place you hold in your fans' hearts is a testament to that," the letter says. "As you've risen to the top, you've also had to endure a lot of obstacles along the way. In the face of triumph and tragedy alike, you always keep your head held high, maintain your poise and push forward."

Still, it goes on to acknowledge that the Grammy-winning star has "been treated in ways that no young woman—no person at all—should be treated. It must be said that our culture has failed you, one of its most brightly shining daughters."

Though Megan has repeatedly labeled Lanez an "abuser," she's had to endure many people in the industry supporting him. Earlier this month, Drake appeared to accuse her of making up the shooting in the lyrics to his song "Circo Loco."

"And when the mf facts come out remember y'all hoe ass favorite rappers that stood behind a N— that SHOT A FEMALE," Megan replied on Twitter. "People attack me y'all go up for it , i defend myself now I'm doing too much … every time it never ends and this did NOT happen until I came out and said I got shot … y'all don't [f— with me] okay cool f— it bye."

The letter calls out the "public harassment and taunting" Megan received from Lanez and his supporters, and says she's "consistently been clear about what happened" to her, but has not received the support she should.

Megan Thee Stallion Responds After Drake Seems to Accuse Her of Lying About Tory Lanez Shooting

"You don't deserve any of this, Megan," it reads. "You deserve to be heard, to be believed, and most importantly, to be safe."

The letter continues with a more general plea to continue supporting and believing victims of domestic violence, particularly Black women, who the letter says are often "fearful of what will happen to their assailant if they choose to involve the law… and are left unprotected by the system and the community alike."

Megan has said that she was shot by Lanez, whom she considered a friend, after an argument broke out between her, her friend and Lanez as they drove home from a poolside get-together at Kylie Jenner's house.

An LAPD detective testified at a preliminary hearing in December that Lanez shouted "Dance, bitch!" before shooting.

The "Luv" singer was charged in October 2020 with one felony count each of assault with a semiautomatic firearm, personal use of a firearm, and carrying a loaded, unregistered firearm in a vehicle. He pleaded not guilty to both charges in November 2020.

Lanez was ordered to house arrest and electronic monitoring in October, and will reportedly stay monitored through the scheduled start of his trial on Nov. 28.

Read the Consortium's letter in full below.

Dear Megan,

You are larger than life in many ways; your name is in lights, your face on billboards, your songs in the history books…and this is still just the beginning of your story. In a very short amount of time, you've achieved success probably beyond your wildest dreams, and it seems that each day brings a new announcement about something amazing you've done or are preparing to do. Women all over the world consider you an inspiration, in part because you make them feel good about themselves. You're a special kind of talent and a special kind of person; the place you hold in your fans' hearts is a testament to that.

As you've risen to the top, you've also had to endure a lot of obstacles along the way. In the face of triumph and tragedy alike, you always keep your head held high, maintain your poise, and push forward. However, while so many of us celebrate you for your strength and perseverance, it must be said that you have been treated in ways that no young woman–no person at all–should be treated.

It must be said that our culture has failed you, one of its most brightly shining daughters. In July of 2020, you experienced a violation of the highest order at the hands of someone whom you considered a friend. Since then, you've had to endure public harassment and taunting not only from that person but from others choosing to stand with him. Bloggers have circulated rumors and excitedly reported on the most traumatic experience of your life as if it were juicy gossip, often perpetuating the idea that you've got a reason to lie, that you shouldn't be believed. You've consistently been clear about what happened to you, but instead of being met with widespread support, people who should have had your back have chosen to stay out of the matter.

You don't deserve any of this, Megan. You deserve to be heard, to be believed, and most importantly, to be safe.

There is no amount of power or prestige that can prevent a woman from becoming a victim of violence and there is no level of achievement that exempts women from our society's complacency with that violence.

You may be a boss, the "hot girl coach," and a bonafide superstar, but that doesn't mean that you don't experience pain. No one is too 'bad,' too famous, too powerful to feel hurt. You've had to navigate this deeply difficult experience in the public eye, and while you've managed to stand strong and to keep showing up to work in spite of it all, it can't be understated how unfair it is that you're in this position to begin with.

Violence against women is still entirely too common and acceptable in our world. We make excuse after excuse to explain away even the most heinous acts, especially when the person accused is a celebrity of any sort. Being a celebrity, however, will not guarantee a woman any sympathy when she is a victim.

Black women are also often fearful of what will happen to their assailant if they choose to involve the law–as you yourself were afraid to do–and are left unprotected by the system and the community alike. If someone as influential as you can be belittled and mocked as nothing but a liar for standing up for herself, that speaks a volume about what a woman who doesn't have your resources or fame can expect to endure when she's found herself in a similar position.

An estimated one in three women worldwide has been the victim of sexual and/or domestic violence. Here in the United States, the numbers are higher for Black women, who also experience psychological abuse–such as humiliation, name-calling, and insults–at an increased rate. Women of all races, cis and trans, are suffering daily and we're all too complacent. From day one, you deserved a chorus of voices saying, "We believe you, Megan," and though you may not have been able to hear us sooner, know that we are with you now and every step of the way as you continue to heal from this tragedy. We are committed to making the world safer for you and all women, and one of the important steps that we must take to get there is to make it so that women who have been victims of violence can speak about their experiences without being attacked or dismissed.

You've been so strong, Megan, but that's not what we should demand nor expect from you. You deserve the space to cry, mourn and heal as you see fit without having to worry about being judged for having a human reaction to a personal tragedy.

Even in the midst of your own traumatic experience and healing, you recognized that other girls needed to experience joy and partnered with Southern Black Girls and Women's Consortium on the inaugural Joy Is Our Journey tour impacting thousands of girls across the south. You have remained committed to the focus of mental health and well being in our community even when your own has been minimized, marginalized, and deemphasized. We want you to know that you are important and you matter to us and to millions of women around the globe. Your life matters. Your work matters. Your joy matters. You deserve joy. We stand with you.

We salute you for the bravery it has taken to defend yourself in the court of public opinion, though you shouldn't have had to do so at all. We raise our voices against those who have made light of this heinous example of violence against women and will drown them out with our demands for society to take what happens to Black women seriously. You are not alone. You are believed, loved, and supported.

We stand with you Megan.

Dr. Brenda Allen, Lincoln University PA

LaTosha Brown, Southern Black Girls & Women's Consortium

Laura Brown, LB Media

Tarana Burke, 'me too' International

Ethel Cain

Taylor Crumpton, Cultural Critic and Writer

Dr. Tiffany Crutcher, Terence Crutcher Foundation

Allisa Findley, Sisters of the Movement

K.C. Fox, Sisters of the Movement

Angella Henry, DJ Henry Dream Fund

Marc Lamont Hill, Temple University Professor/Journalist

Jessica Jackson

Congresswoman Maxine Waters (D-CA), Chairwoman of the House Financial Services

Congresswoman Sheila Jackson Lee, Chair, House Judiciary Crime Committee (Tx. 18th)

Renee Jarvis, Triangle House Literary

Alice Eason Jenkins, Southern Black Girls and Women's Consortium

Michelle Kenney, Antwon Rose II Foundation

Felecia Lucky, Black Belt Community Foundation

Tamika D. Mallory, Until Freedom

Alexis McGill Johnson, Planned Parenthood Federation of America

Margo Miller, Appalachian Community Fund

Carmen Perez-Jordan, The Gathering for Justice

Angela Rye, IMPACT Strategies

Dr. Topeka K. Sam, The Ladies of Hope Ministries, INC.

Beverly Smith, SiriusXM

L Joy Williams

If you are experiencing domestic violence, call the National Domestic Violence Hotline at 1-800-799-7233, or go to thehotline.org. All calls are toll-free and confidential. The hotline is available 24/7 in more than 170 languages.

Sent from my iPhone

[parcequecestnotreprojeeeet]

Only a short one today as been very busy. I really hope you all still enjoy these sorry for only the short one today just a carry on from the last two Nigeria ones ❤️ let me know what you think ❤️

Manu lay on the sofa, he was so happy to finally be home, home here with the love of his life.

Brigitte was in the kitchen a door or so away from the room he was lying down in. He could hear her chopping something on the chopping board and shuffling what ever it was into a pan. She was singing away to a french song on the radio in their. Her little voice humming along with the slow paced music.

He lay on the sofa his shirt now on him but it wasn't buttoned up. His chest was was visable and his arm was supporting the back of his head. He lay there for a few minutes listening to Brigitte in the kitchen.

It was good to be home. It was good to be back here. Good to be with her again.

He had only been back an hour and the world fell into place around him. He didn't want to leave here ever again if the last hour was speaking for itself.

He smiled thinking about her thinking about what they just done.

Brigitte was cooking something amazing in there he thought he could smell the tangy scent and it made his stomach rubble. He remembered he hadn't eaten in a few hours.

He rose slowly and made his way into the kitchen, trending lightly as he walked in. When he advanced towards the doorway he could see Brigitte against the tabletop her back to him. She was humming and doing a light tapping and movement to the song now playing , it was much more upbeat then the one before he thought.

He slowly approached her and as he got behind her he wrapped his big hairy arms around her shoulders, she moved back into him and gently moaned.

"You shocked me my love" she giggled, he started to kiss her neck slowly from the bottom and moving up to her ear.

He breathed heavily and whispered in a low voice

"I hope your cooking me something amazing"

She spun round unlocking her self from his arms and wrapping hers around his neck.

His hands find her waist in that movement and they share a short kiss.

"You think I would let you come all the way back here not to feed you at least my love" she giggled again and he laughs.

His smile is beaming when he's with her and he finds again that his muscles in his cheeks are staying to burn. With love and passion he thought.

"So tell me ... What do you think tonight will consist off? With the family" Manu pries, trying not to sound concerned about seeing his family

She softens her grip round his neck

"Let's hope no drama, I'm sure it will be ok my love they care for you too, and they have missed you" she says softly into his ear.

He pulls away slightly to look at her with a eyebrow slightly raised he scoffs "pff I very much doubt that"

She interrupts quickly

"They have Manu, you might not think they care but they do and they have missed you just like I have" she pushes her face into his hoping he will nudge his back.

It takes a moment... A few seconds more then expected. But he nudges back into her and smiles

"So you missed me? Why don't you tell me.. just. How ..much ...you have" he says using his fingers to caresses her neck before moving his lips into hers.

They fumble around for a few seconds before the sudden SPLASH off water from the Pan shocks them they jump back and laugh

"Dinners ready" she says adjusting her blouse

"Bon appetit as they say" he smiles

"You promised there would be a piano session too" he winks

Brigitte now serving up a pasta dish from the pans looks over excitedly

"I cannot wait for you to show me some of the stuff you said you learned to play in Nigeria"

Manu grabs two forks from the top drawer and comes up behind her again wrapping his arms round her waist this time and snuggling his head into her shoulder.

"If we can get away from my parents quick enough it will be much more piano practice then you might think" he whispers softly

Oooh new one, come guys, come!!!!

Thank you so much for still taking the time to write it even being busy ❤️

Ooh I was getting into the moment too and then... the water splash. Noooo!! Hahaha. But I like the piano practice idea.... and my mind is already having thoughts 🔥😈😈 Cannot week for the next chapter!!! Again, thank you ❤️