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Requirements to Prove You No Longer Need to Be Under a Guardianship
When someone can no longer care for themselves in terms of making sound decisions for their well-being, a court may assign that person a legal guardian. This assignment requires the guardian to act in the best interest of the person being guarded, and these responsibilities are often financial in nature.
While guardianship can be a serious help to someone in need, a guardianship assignment isn’t necessarily a permanent assignment. In cases where circumstances have changed, and a person can now make sound decisions for themselves, the court that assigned guardianship may need to review the case to terminate the guardianship assignment.
Work With an Attorney
In all cases involving legal guardianship, it pays to have an attorney on your side. Your situation is unique to you, and a guardianship lawyer will need to review the facts and history of your case. Your guardianship lawyer can then help you file a petition with the court to have the guardianship assignment revoked.
Proving You No Longer Require Guardianship
Once you and your attorney have filed a petition, you will need to present evidence that demonstrates you no longer require the assistance of a legal guardian. This can be done in several ways, and your attorney will offer counsel for your situation.
For instance, you may need to get your physician or medical team to testify as to your mental fitness, and financial records may also be required to show a history of good financial decisions with any money you have been allowed to manage while under guardianship. Additionally, character witnesses may need to be called into court to testify on your behalf.
Revoking Guardianship of a Minor Child
It can be more difficult to completely revoke guardianship in cases involving minor children. In such cases, the state may assign a guardian if the current guardianship is reversed. A minor child becomes an adult when they reach the age of 18 in the United States. Until that time, a guardian will likely need to be assigned until permanent care can be established if a child’s parents are unavailable to provide such care.
Disclaimer: The above is for informational purposes only. Consult with an attorney to discuss the specifics of your unique case.
Read a similar article about wrongful death lawsuit here at this page.
#inheritance and divorce#real estate lawyer new york city#durable power of attorney new york#guardianship lawyer
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I love your art! Your au is really interesting to me, can you perhaps tell me more about it? :)
Thank you! There are a lot of things I want to say but the 50s AU but some things I think are better explained with illustrations coming your way. I can share a few notes.
Alastor's and Vaughn's (Vox) friendship lasted for years before they broke up. I'm thinking 1954-early 1960s. They had a couple of years of radio silence between the two of them before they talked to each other again.
Alastor radio show is hosted by a local New Orleans station but that will both fortunately and unfortunately change.
Alastor’s killing sprees go up and down activity over the years. The 20-30s were his most active. Lots of reason why they’ve slowed down. (One of the reasons, that he won’t admit, is because of his body pains and stiffness related to aging, serving both wars, and killing people for years are not easy on the body.)
Vaughn has real estate in both CA, Hollywood, and NY, New York City. Oh right, and now in LA, New Orleans.
Vaughn is in a weird place where he’s moving towards television than film as there’s been a decline in the box offices post WW2.
Marian (still working on her full name), wears a lot of different hats in the film production scene in Hollywood. She has experiences with editing, production management, and screenwriting. She’d married Vaughn early 1940s, definitely before WW2 ended so Vaughn could get out of getting drafted to the war. She’s more focus in film than television but she’ll step in as production manager in Vaughn’s projects if he needs the extra help.
(And yes, she does know about Vaughn’s attraction to men and definitely knows about his feelings towards Alastor. Maybe more aware than he does.)
Morningstar family are consider royalty in the entertainment history with a heavy background law and business from Lucifer’s (his name might change for this AU) side of the family. But Lilith is the true lawyer of Charlie’s immediate family. And handles most of the businesses under the Morningstar’s name. Consider them kinda like the Kardashians in this AU.
Thanks for @random-emerald-thoughts for giving a lot of inspiration and ideas for this AU! I will explore these notes more with visuals and they may change! So nothing is concrete. Thank you again for the asks!
#hazbin hotel#hazbin hotel vox#radiostatic#staticradio#hazbin hotel alastor#ocs#hazbin hotel au#asks#50s AU#60s Au#cant decide on the name for this Au#lucifer morningstar#charlie morningstar#lilith morningstar#morningstar family#one sided radiostatic
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More Nixon family stuff....
I think Biggest Brother got another name wrong or this was a form of witness protection. (I think it's just wrong as many of the spelling errors from the Ambrose transcripts also made it into this book).
Anyhow, Blanche Blaine-- Stanhope's former mistress, now personal secretary, now Dick Winter's friend. Except there is no Blanche Blaine in 1940s Middlesex County NJ, there is however an Olive S. Blaine. A widower, the Nixon Nitration Works Treasurer for 29 years, the Secretary for Stanhope Nixon's real estate company Old Mill Stream Co., and ALSO the other witness to Lewis Nixon's marriage to Irene Nixon. Olive Blaine went to New York City with Lew, Irene and Dick Winters to partake in Lewis's second marriage. So, who made her name Blanche? Alexander or Dick because naming Stanhope's lover after his daughter is weird.

Biggest Brother excerpt above. And below are a Deed with Olive acting as secretary/notary to Charles Shuster's Vice President of Old Mill Stream Co; Lewis's Nixon's marriage paperwork (the signature is correct the typewritten name is not) and an obituary with follow up legal notification and deed paperwork.
Olive passed away in 1949 leaving her estate to care for her mother and her sister Florence as a executrix. In 1951 Old Mill Stream Co President Stanhope Nixon is signing over a house in Highland Park, NJ to Florence. Sam Hoffman, fiend and lawyer of Stanhope, is also in most of these transaction on both sides.
Under the cut for those of you interested in the documentation:
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Part 4, Chapter 3
Summary: After the events of S3, Matt Murdock is trying to once again balance life as a lawyer and a vigilante. But he’s been scarred by loss and betrayal - will a mysterious new neighbour help him heal? Or will her secrets drag him back into the darkness? Notes: This is a slow burn romance with an original female character, told in 4 parts. There is mystery, intrigue, action/violence and angst - all the good stuff!
Also available on AO3 and Wattpad
Masterlist
Reference pics
————–
PART 4
Chapter 3
Several days later…
The streets were quiet. Again.
Matt perched on the rooftop of one of the new residential buildings on West 49th street, and took the pulse of the city spread out below him.
It was quiet. Eerily so.
The drug pushers that usually worked the streets near the convention centre were gone. The network of muggers and pickpockets around the bus terminal had been disbanded. The smugglers and traffickers who ruled the docks were out of business.
Matt had spent the the last week intercepting the odd car jacker and petty thief, but the organised crime gangs that used to keep him busy on patrol were just…gone. According to Karen, a mysterious figure named Ronin had cleaned up the neighbourhood - and the rest of New York - soon after ‘The Vanishing’. He’d been so effective in his methods that no one had dared rekindle any sort of criminal enterprise in the years since.
Which meant Ronin had done in 6 months what Matt had failed to do in 3 years: make Hell’s Kitchen safe.
Unfortunately, he’d done it through a whole lot of brutal slaughter and intimidation. And no matter the end result, Matt could never condone those sorts of means.
Besides, he knew it wouldn’t last. Not now that all of the career criminals and would-be underworld rulers who’d disappeared five years ago were back. Once they figured out the lay of this new land, they’d start trying to claim their piece of it. They’d fill the voids left by those before them, undeterred by urban myths about a hooded samurai. Criminals would once again infect this city, and Matt would be there, ready to stop them.
Including Landon Cross.
All the money and influence in the world hadn’t stopped him from falling victim to the random fate of Thanos’ snap. He’d disappeared five years ago, upending the entire timeline of his grand plan of revenge against his family. The criminal empire he’d been building had tumbled down without him at the helm…but he’d be back too. Once he licked his wounds and found his new footing, he’d be back. Men like him - entitled, narcissistic sociopaths - didn’t have the capacity to admit defeat and slink off into the night.
He’d be back. And in the meantime, Matt would wait. And use the time to re-familiarise himself with his home.
His first venture out as Daredevil had been disorientating. He was used to New York real estate changing - it was constantly in flux, with buildings being demolished and new skyscrapers being erected all the time - but those changes were slow and gradual. Easy to adapt to.
They didn’t usually happen in the blink of an eye.
Right now, Hell’s Kitchen felt like a stranger. The streets he’d grown up on, lived on, worked on, walked on…they were all alien to him now. Storefronts were boarded up. Dozens of new businesses had replaced the ones he’d frequented his whole life. The silhouette of the skyline had drastically changed, as if someone had picked up buildings like they were lego blocks and shifted them around.
Earlier tonight, Matt had ventured beyond the streets of his neighbourhood, too ‘see’ for himself how much New York had altered. Citi Field - once home of the Mets - was now weather-beaten and crumbling, with hundreds of rusted cars abandoned in the parking lot around the vacant stadium. The harbour around Ellis Island was filled with boats, their waterlogged cabins sloshing with the tide, and the rotted wood of their hulls creaking. The normally manicured gardens of Central Park were overgrown jungles. Times Square - normally buzzing with tourists and the sounds of thousands of neon lights - was vacant. Silent.
Everywhere he turned, there was decay and neglect. As if life hadn’t moved on at all after 2018.
As if the whole world had ended, instead of just half of it.
Matt found it all depressing as hell. This wasn’t the resilient, irrepressible city he knew.
Where was the fight? Where was the tenacious spirit? The unbeaten strength?
Had everyone really just…given up…five years ago?
———
There was one bright spot among the grey and lifeless remains. A small beacon of vitality and warmth that had escaped the apathetic, subdued and defeated air that seemed to permeate the rest of the city. It was the house that Karen shared with her daughter, Izzy, in a quiet residential area just north of Brooklyn.
Matt visited for the first time just over a week after his return. He stood on the porch, gift in hand, shifting on his feet as he waited for Karen to answer the door. He touched the paper in his pocket, smoothing his thumb over the now barely perceptible ink as if needing to take strength from the words. And he did need a bit of strength - he felt nervous as hell.
Which was ridiculous. Karen was one of his closest friends. They’d had dinner numerous times over the years. And when she’d called him up yesterday to invite him over for a home-cooked meal, the offer had been a casual one.
But he was still nervous. Because he wasn’t just having dinner with Karen - he was meeting her daughter for the first time. And, for some reason, it felt vitally important that the almost 2-year-old girl living in this house liked him.
The door opened before he could psych himself out any further.
“Hi! Welcome!” Karen’s happy greeting sounded a little too forced, her voice pitched a touch higher than normal. To his relief, Matt realised she was just as nervous as he was.
“Hey, Karen.” Matt stepped closer and brushed his lips against her cheek. “Thank you for having me over,” he replied.
Karen frowned. Then she covered her face with her hand and laughed. “This is weird, isn't it? We’ve had dinner so many times, and we’ve been in each others’ apartments loads other times, but suddenly we’re acting all formal with each other.”
Matt shrugged as she ushered him inside. “This isn’t like before. Not really.”
“I guess. But I want it to be. I don’t want there to be any weirdness between us. I want us to be friends again.”
“Hey,” he said, placing a hand on her shoulder. “We’ll always be friends.”
“I know. I didn’t really mean it like that. I just…I feel like we need to re-learn our rhythm. To get back to how we used to be.” She shook her head. “Sorry, I’m not explaining myself very well.”
“No, you are. I get it.”
He did get it. And ‘re-learning the rhythm’ was a good way to put it. It described the way Matt felt about the whole world these days - like he was slightly out of step with everything around him.
Off kilter, and out of place.
Dancing to a beat that hadn’t been heard in five years.
He touched the note in his pocket again, knowing it was part of the reason he felt so disoriented by this new reality. One of the other reasons - the literal personification of the changes that had taken place in his absence - chose that moment to make her presence known. “Momma?”
Karen looked up as the small voice called out to her. She smiled. “Someone’s awake from her nap.”
Matt swallowed, the nerves returning. He’d faced off against gangs of thugs and an army of ninjas. He’d taken down a cabal of immortal tyrants, and a Kingpin who’d terrorised the city. And yet he was scared to meet one little girl. “I’ll wait down here while you see to her,” he said.
“Don’t be silly,” Karen replied, grabbing his arm. “Come on.”
She led him up the stairs to the small nursery at the front of the house. She pushed open the door, and an excited squeal sounded from inside. Matt could sense a crib up against the wall and a tiny figure gripping the bars, bouncing up and down on her little legs. “Momma!”
“Hi, Izzy-Bizzy,” Karen murmured lifting the little girl into her arms. “Oof, you’re getting so big.”
“Big!” Izzy repeated.
“Soon you’ll be able to climb out of this thing yourself, and then what will I do?” She nuzzled into the toddler’s neck and Izzy laughed. The two of them seemed lost in their own little world, a world of coconut-scented hair, and stuffed bears, and the stars that spun on a mobile above the crib.
Matt felt so out of place, a lumbering shadow in the corner of the room. He tried to edge towards the door, but Karen noticed before he could escape. She turned around and brought her daughter closer. “Izzy, this is a friend of mine. He’s called Matt. Can you say ‘hello’?”
Matt expected the little girl to shy away. To bury herself in Karen’s arms, safe from the dark figure looming over her. But she was as fearless as her mom. She reached out one arm and waved at him. “Hello! Hi!,” she greeted him, not a hint of fear in her piping little voice.
Matt smiled and touched the tip of his finger to her outstretched palm. “Hi.”
She grabbed his finger and wiggled it up and down. Karen laughed. “She just learned about shaking hands,” she explained.
“Oh, in that case” - Matt arranged their hands until they were clasped together properly, his large hand swallowing her fragile little fingers, and gently shook up and down - “It’s a pleasure to meet you, Miss Isabelle.”
The little girl burst into giggles, and Karen joined her laughter, pressing a kiss to her sleep-tussled curls. Karen shook her head at Matt, and smiled. “Another female charmed by Matt Murdock.”
Matt smiled, knowing he was the one who was thoroughly charmed.
———
The charm offensive continued throughout dinner, and afterwards when they all retreated to the cosy living room. As evening bled into night, and as Matt reclined in one of the softly-cushioned sofas, comfortably full from Karen’s cooking, Izzy toddled over to him. “Read?” she asked, thrusting a large book at him.
Before he could respond, she scrambled up onto sofa and wriggled into the space beside him, getting comfortable for what must be her nightly routine.
Matt smiled ruefully as he turned the book in his hands. “I can’t read this to you, I’m afraid.”
“Why?”
Karen saved him from having to try to explain the concept of blindness to a toddler. She entered the room, coffees in hand, and noticed his predicament. “Oh honey, Matt can’t read books like that. His eyes don’t work like yours and mine do.”
Matt could sense Izzy looking up at him. Then she clambered into his lap, reached up and removed his dark glasses. Pudgy little fingers pressed against his face as she tilted it one way and another, inspecting the eyes in question.
“Izzy!” Karen admonished. “Sorry, Matt, she hasn’t grasped the concept of personal space yet. Let me get her off you.”
“She’s okay,” he replied, submitting to the little girl’s scrutiny. He didn’t mind the weight of her on his lap, or the none-too-gentle exploring fingers. Warmth radiated from her skin and her breath smelled like the tinned peaches she’d had for dessert, and he had the sudden urge to take her in his arms and cuddle her close.
He’d never seriously thought about having children. Growing up, it had seemed like too far-off a possibility to contemplate. Then, when he reached the age of contemplation, his lifestyle had been too dangerous and chaotic for children. And when he discovered Calina couldn’t have kids, he’d put any and all thoughts of fatherhood away.
But sitting here, with this bundle of energy and sweetly mischievous innocence in his lap, he finally understood the impulse. She was a little miracle. He could sense fragments of Karen’s character within her, but she was her own little person, bravely exploring the world around her.
Having finished her exploration of his ‘different’ eyes, the little miracle grabbed the book from his hands, and turned around to face Karen. “Momma?”
“You want me to read instead?”
Izzy nodded.
“Do you want to come sit with me?”
She shook her head, and flopped back against Matt, settling into the crook of his arm.
“Okay then,” Karen smiled. She sat back in her own chair and started reading the tale of Kevin the Koala. Her voice took on a soft, slow, lilting tone - one which had a dramatically soporific effect on the little girl in Matt’s arms. Within minutes, her eyes fluttered closed. Her little breaths got deeper and her negligible weight got a little more tangible as she drifted off to sleep.
“Is it always this quick?” Matt whispered. The only thing he knew about babies and sleep was that it was usually a struggle.
“Not always. But she had a swimming lesson this afternoon and that tends to wear her out.” Karen’s voice was shaky as she replied. A little broken. As if she was holding back tears.
“Are you okay?”
She laughed quietly. “Just a little overwhelmed, I guess. Seeing you two together, it’s kind of surreal. I thought about this so much when I was pregnant, and when Izzy was a baby. Of how you and Foggy would be with her…I just never thought I’d get a chance to find out.”
Matt smiled sadly, the spectre of those missing five years raising its head again. It was impossible to escape, even for a moment. Everything around him was a haunting reminder of the time he’d lost. From this house, and the journey here earlier tonight - down streets he didn’t recognise - to the toddler asleep on his lap, and the note burning a hole in his pocket…
“How are you adjusting?” Karen asked, as if sensing the direction of his thoughts. “We haven’t had a chance to really talk about that - Izzy takes up a lot of the air in the room.”
“In a good way,” Matt smiled.
“In a very good way - it’s hard to be depressed or worried when she’s around. But I want to know how you’re doing.”
Matt huffed out a laugh. “I’m still waiting to wake up, if I’m honest. It doesn’t seem real.”
“It’s a lot to take in. But it’s only been eight days - it’ll get easier.”
Matt wasn’t so sure. He felt like there was only one thing that would make this easier, and it wasn’t time.
“Have you heard from Calina?” Karen asked, reading his mind again.
Matt sighed and fished the note from his pocket, careful not to wake Izzy. He held it up to show Karen.
“What is that? Braille?”
Matt nodded. “I found it shoved under my apartment door a couple of nights ago.” He rubbed his thumb over the raised dots on the piece of paper. He knew the pattern of those dots - and the short message they conveyed - by heart now. “‘Calina is alive and safe. She’ll be with you in a couple of weeks’,” he recited.
“Why does that sound like a badly written ransom note?”
Matt laughed. “I’m hoping it was written by one of the more…socially inept…Widows, and it wasn’t meant to come across so-”
“Vaguely threatening?”
“Yeah.”
“But its good news, though. Calina’s alive. She’s safe.”
That had been his first thought too, when he’d discovered the note in his hallway after returning from a night of patrolling. He’d collapsed to his knees with relief, his head bowed as he fought back tears. The confirmation that she was still out there, still breathing, her beautiful heart still beating…it was all he’d been praying for after returning to this strange world to find her gone.
But over the next few days, as he carried the note in his pocket - his fingers constantly drawn to it like a talisman - he realised the message carried with it far more questions than answers.
“If she’s so safe, why didn’t she contact me herself?” he asked Karen, voicing one of those questions.
“She could be on a classified mission, way off the grid. That wouldn’t be unusual for her.”
Matt nodded. It was one of the possibilities he’d considered. Although the idea of it just served to remind him how different her life was now. She’d been on missions - dangerous ones - multiple times over the past five years. She’d risked her life God-knows how many times.
And she was still off somewhere unknown, instead of here with him.
“What was she like, after it happened?” he forced himself to ask, not sure he wanted the answer.
Karen sighed. Then she was silent for several long moments, as if trying to order her thoughts - which made Matt even more hesitant to hear the truth.
“She struggled at first. A lot,” Karen finally replied. “I worried about her those first couple of years. She tried to hide how much she was hurting, but not very well. Then…”
“Then what?”
“Something changed. She seemed to get better. Stronger.”
Something in Karen’s voice worried Matt. “What aren’t you saying?”
“She became…not cold, exactly. But…more reserved. More remote. She was still kind and caring - you should see her with Izzy, the two of them adore each other - but a large part of her seemed walled off. I think she took all her pain and grief and buried it so far down inside that that she ended up burying some of her heart along with it.” Karen winced at what she must have seen on his face. “I’m sorry. I’m not saying this to hurt you-”
“I know.”
“But I think…when you do see her again, you need to be prepared for the change in her.”
“I don’t care how much she’s changed. I just want to see her. Talk to her. I need to. I miss her so much, Karen.” He felt like he was floundering in this new world. Adrift without his anchor. He could put on a good act when he needed to - like tonight - laughing and talking as if he was adjusting to this upheaval. But in reality, it felt like only his body had returned a week ago…
His heart and soul were still missing.
————–
Chapter 4
Tag list: @hollandorks @stilldreaming666 @sio-ina-bottle @tearoseart-blog @acharliecoxedfan @freckledbabyyy @chezagnes
If you’d like to be added - let me know!
#daredevil#daredevil fic#daredevil fanfic#tabula rasa#daredevil fanfiction#daredevil x original female character#matt murdock#marvel's daredevil#matt murdock fanfic#matt murdock x oc#daredevil fandom
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So glad that reddit had her back and helped her see the signs of a hobosexual. This is also a good example of how the myths that have grown up around certain rich men downplay if not erase their privileged beginnings. If your not born into money or connections success will likely entail lots of hard work, not spending time and money on Dungeons and Dragons.



Bill Gates was born rich and connected.
Bill Gates' father, William Henry Gates II, was a wealthy lawyer. He was the founder of the law firm Shidler McBroom & Gates (which later merged to become the firm K&L Gates).
Bill Gates' mother, Mary Ann Maxwell Gates, was a member of the Board of Directors for United Way in the 1980s. United Way is an international network of over 1,800 local nonprofit fundraising affiliates.
Bill Gates attended Lakeside School, a private school in Seattle. In an interview, he told his school friends that many students drove Porsches to school. Given that he attended this school, do you think Bill Gates was the son of a janitor?
Elon Musks parents may not have been wealthy when he was born but they were well connected.
The Musk family includes Maye Musk, a model and author; Errol Musk, a mine-owner, businessman and politician; ....... Maye's father Joshua N. Haldeman was a notable chiropractor, aviator, and politician who was a well known proponent of technocracy.
And Donald Trump? He started by working for his dad who worked for the business his parents started
Frederick Christ Trump Sr. (October 11, 1905 – June 25, 1999) was an American real-estate developer and businessman. He was the father of the 45th and 47th U.S. president, Donald Trump.
Born in the Bronx in New York City to German immigrant parents, Trump began working in home construction and sales in the 1920s before heading the real-estate business started by his parents (later known as the Trump Organization).[a] His company rose to success, building and managing single-family houses in Queens, apartments for war workers on the East Coast during World War II, and more than 27,000 apartments in New York overall. Trump was investigated for profiteering by a U.S. Senate committee in 1954 and again by New York State in 1966. Donald Trump became the president of his father's real-estate business in 1971. Two years later, they were sued by the U.S. Justice Department's Civil Rights Division for racial discrimination against black people.
Contradicting Donald Trump's claim that he built a multibillion-dollar company using "a small loan of a million dollars" from his father, in 2018 The New York Times reported that Fred and his wife, Mary Trump, provided over $1 billion (in 2018 currency) to their children overall, avoiding over $500 million in gift taxes. In 1992, Fred and Donald set up a subsidiary which was used to funnel Fred's finances to his surviving children; shortly before his death, Fred transferred the ownership of most of his apartment buildings to his children, who several years later sold them for over 16 times their previously declared worth.
#Reddit#Aita#Men spending money on gaming instead of saving for rent#Men thinking they will be the next self made millionaire with minimal effort#His business didn't take off yet and he invested in gaming merchandise instead of a business class#Hobosexual men#His parents didn't kick him out because he didn't succeed on his first business venture#They kicked him out because they saw he wasn't putting the effort into his business and not getting a real job or more hours
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⸻ megan fox, 38, cis female, she/her // in the ARROWCREEK neighborhood of Reno, you’ll find CHERISA LAURENT who’s lived there for TWO YEARS and they spend their days working as the OWNER OF MEDUSA RESTAURANT and A GALLERY OWNER. They’ve been described as CLEVER, PASSIONATE, IMMORAL, and HEDONISTIC by the people that know them. This is her story.
Triggers: murder mention, cocaine mention, heart condition mention
'Jury finds Cherisa Laurent NOT GUILTY in the death of her late husband!'
That was the headline that eventually drove Cherisa Laurent out of Portland somewhere around a year after the verdict had set her free. It wasn't as though she ran back into the arms of her hometown of Reno, she merely walked, wanting to put the past behind her and start over without the stigma of her ordeal trailing her everywhere she went around town. The place she had been raised had always been peaceful, a camera wasn't about to jump out of the bushes nor would people look at her suspiciously.
The road to Portland had started in Nevada. Cherisa's parents had made emigrated for work in Reno and found they couldn't afford the city life, so a smaller and quieter town just east of Reno, like Sparks, was chosen instead. The Laurent's were known to be friendly and warm, open to sharing their French culture with any curious neighbors. She'd grown up disciplined yet with a fine balance that allowed her the freedom to learn things on her own along the way. Doing well in school and being on a dance team made her parents proud, though more importantly it had gained her entry into a fine university in California.
In dance, Cherisa loved it because of the way she got to move her body, but her real passion was art. In university she was allowed to study art history and restoration, even found a love for archival process. It was the time of her life and tough to leave behind when after graduation she was pushed to marry a man that her family strongly approved of. He was vastly wealthy and Cherry was certain her family only saw dollar signs when it came to him. Of course he was just as charming as any other good looking, wealthy man. And of course behind closed doors he was also like any other man that was used to power and always getting his way.
The thing was, Cherisa knew how to play the game and wasn't afraid of a long one. It took two years before she finally tied the knot with him and another before she'd leave Nevada with him altogether. Portland was an okay place, the art scene was something special, but over all it didn't really do anything for her. Over the years she never bat an eyelash over her husband's antics, let him carry on with his philandering ways and make headlines with scalding remarks on his competitors in the business world. Cherisa always appeared to stand by him unwaveringly until the biggest media circus to hit Portland in quite some time rocked the city.
Every day she showed up looking perfect in court, her lawyer proclaiming her innocence and even spoke about how she was the actual victim in the marriage. Her husband had a heart condition and had been found with cocaine in his system, and she was the only one home with him when the police had arrived. Throughout the trial she was calm, cool, collected and never seemed to show much emotion. Somehow she was still alluring, mysterious as she sat there awaiting her fate. Cherry never took the stand, never told her side of the story, her lawyer was incredibly passionate for her.
Once the jury had found her innocent of the murder charge she'd been facing, Cherisa had done her best to keep going in Portland. It had never been her city, though. With the millions she'd received in her late husband's will she left the hoopla behind and disappeared from the never ending whispers of her being a vicious black widow. In Reno, most hadn't heard the news or followed the story, or so she'd hoped. A gallery was opened in New York and Los Angeles, an estate bought in Arrowcreek, and crystalline eyes hold the secrets and truth of what had actually happened.
There's a book that had been released about the trial, detailed about her marriage and who she really is. Now there's also a movie on the way.
Victim or villain? It may never be known.
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If we're going for the definition of Christmas being "Movies that happen around Christmas where that setting frames some of what's happening in the broader narrative," then I have 3 gay Holiday movies to check out.
Directly Holiday Movies:
Bros (2020):
Romcom, 115 minutes
Bobby Lieber is a successful New York City queer history podcaster, failed children's book writer, and rejected screenwriter, who's just won a community award for Best White Cis Gay Man. He announced he will be the first curator of a new national LGBTQ+ history museum in Manhattan.
His new coworkers are deeply passionate about the work but also squabble over everything, escalating it with intra-community discourse squabbling about who's the most oppressed and therefore should be the person that gets what they want. As someone in Very Online queer communities I can't emphasis enough how accurate and real this is and is very well-handled as an affectionate joke from within the community. The subtext is that they aren't wrong and what they're experiencing is real and needs to be factored in, but also they're stopping anything at all from actually happening that could materially help their community because they're too caught up trying to perfect the details.
He prefers Grindr hookups to romantic relationships. He regularly hate-watches Hallheart movies while secretly longing to be truly loved in more than just passing.
Bobby goes to the launch party for his friend's new queer dating app. There he meets Aaron Shepard, a hot but boring estate lawyer and they hit it off and kiss. They ultimately meet up again and the romcom unfolds in unconventional ways.
Bros both play into the romcom genre and resist it, especially how it erases what queer relationships are really like even when the characters are the same gender. It's a queer movie really made for the queer community and not the straight gaze. It's our jokes for us. It has some of the funniest sex scenes I've ever seen. The ending is absolute perfection. Overall extremely funny and intelligent movie.
Holiday connection: Bobby and Aaron celebrate Hanukkah and Christmas together at one point.
Spoiler Alert (2020)
Medical Death Memoir, 112 minutes
Based on the memoir 2017 Spoiler Alert: The Hero Dies by Michael Ausiello about his partner Kit Cowan dying of cancer after being together 14 years. (The movie tells you this is the end at the beginning.) It's basically in 3 acts.
Act 1, is a romcom about how Michael and Kit met at a gay club, and instantly connect. It's about the comedy of trying to integrate into each other's lives, insecurities, and weirdness. Like Michael's secret all-consuming fandom. This is the first long-term relationship either of them have had.
Act 2, the relationship 12 years into it and where they are now.
Act 3, Kit is diagnosed with cancer and they reconcile with mortality and running out of time.
This is a very poignant film about love, lost, and how relationships are never as perfect as movies and TV make them seem. One way or another they all end, and you have to reconcile what all those feelings mean. It's about the string of platonic and familial relationships that come along with romantic ones and how important that love is, too. How our networks hold us together. It's about forgiveness and making sure you really talk to the people you care about while you can.
Respect if you can't handle another film about queer medical death. But it's nice to have one that's not about AIDS. It's also a really good study of the reality of cancer for anyone. I found it to be a really powerful film that made me come away wanting to actually live my life.
Holiday connection: Christmas is Michael's favorite holiday that fills him with magic and wonder and the passage of time is marked by Christmases.
Holiday Movie Adjacent:
Big Eden (2000)
Romcom, 117 minutes
One of the first gay romcoms ever, and hugely influential. This isn't a holiday movie, but it's directly engaging with most of the tropes of Hallmark movies, so I think it deserves to be here.
New York City gay artist Henry Hart suddenly leaves his home and career to go to the remote mountain town of Big Eden Montana to care for his ailing grandfather Sam after a stroke.
Through the church gossip he hears his high school crush Dean Stewart has moved back to town with his boys after getting a divorce, and Henry realizes he still has feelings about him.
The widow Thayer offers to help cook for Henry and Sam. The meals are delivered by shy Native American general store owner Pike Dexter, who's been harboring a crush on Henry since high school. He's been ordering Henry's fine paints for him. The general store has a flock of old men who spend the whole day gossiping there.
Widow Theyer's cooking is dreadful 1950s white bread Americana stuff. Pike decides he wants to make things nice for Henry, so he teaches himself gourmet cooking and makes increasingly elaborate meals. Then more romcom stuff happens.
One thing I love about it is that Henry, Dean, and Pike are closeted. Henry and Dean both express fear about coming out. But everyone in the town is friendly with the open hardware store lesbians. As their being queer becomes more obvious, it's shown that everyone around them would actually love and respect them and would appreciate being let into their inner lives. It's outside societal conditioning and outdated assumptions that's made them scared. In 2000 this message was a big deal. Everything else we had was tragedies about how society hates us. This resisted all of that.
This movie leans into a lot of tropes with so much love and sincerity, but also interrogates them and makes them queer and really has something very intelligent to say about how we deserve to be viewed in stories. Gay Hallmark films attempt to recreate stories like this on the surface, but lack any depth or real queerness and just end up being a warped straight parody. Seeing the real deal makes you really see what absolute garbage lesser films are.
#queer media#queer films#bros movie#Bros 2022#Spoiler Alert movie#Spoiler Alert 2022#Big Eden#Big Eden 2000#movie reviews#holiday movies#christmas movies#hanukkah movies
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"For the first hour of the film, Stan’s Trump is, deliberately, not the man we know today: his voice has a slight Queens bray, but he avoids all the caricaturist’s tics, murmurs softly and almost tenderly at times, even when describing his ambitious. Stan plays him as he’s written, nervous and unformed and frankly sympathetic"
Little White Lies (click for article)
Mark Asch
The Apprentice – first-look review
Ali Abbasi's attempted takedown of America's previous (and perhaps next) President of the United States, charting his early years under the mentorship of Roy Cohn, lacks the killer instinct.
Did you know Donald Trump is in Paris Is Burning? No, really: in Jennie Livingston’s seismic documentary on New York’s queer ballroom scene, an independent film about people at the margins, there’s an insert shot of a Forbes magazine cover: “What I Learned in the 80s” is the cover feature, and right underneath it, back row center in an illustration of various one-percenters luminaries, there he is, in between check-ins with Willi Ninja and Venus Xtravaganza.
When Trump was elected President of the United States in 2016, so much of American culture became retrospectively seeded with Easter eggs foreshadowing his eventual ascent to the seat of power; future generations, unlike mine, will have no trouble imagining how this could possibly have happened. For so long Trump was present within discourses on business, crime, race, and politics; he was in Home Alone 2 and had a show on NBC; he was a late-night talk-show punchline and appeared at Wrestlemania. He was so ubiquitous, for so long — how could he not have become President?
The point I want to make here is that there is very little we don’t know about Donald Trump; his rise to the White House was accompanied and indeed fueled by wall-to-wall coverage across all forms of media, which during his (first) term as President enjoyed a boom in readership and revenues — there was always another article breaking another new scandal, or unearthing another embarrassing episode from his past that had been hiding in plain sight all along.
It is, then, very difficult to make a movie that has something new to say about Donald Trump, that tells a new story or shows a new side of the most famous person — probably — you’re not supposed to say this — but they’re saying — many people are saying — he’s the most famous person, frankly, that we’ve ever seen, and we’re seeing him more and more. The task before The Apprentice — a biopic telling the story of Trump’s rise in the New York real estate world in the 70s and 80s, abetted by the notorious fixer Roy Cohn — is therefore a formidable one, and it’s not a task to which director Ali Abbasi and screenwriter Gabriel Sherman prove remotely equal.
The film begins in New York City, in the 70s, at an exclusive members’ club where Trump (Sebastian Stan), the twentysomething son of outerboro slumlord Fred (an unrecognizable Martin Donovan), restlessly narrates the power players in the room to his bored date; Trump is an outsider, a striver, palpably uncomfortable — but there, through a doorway, doing the Kubrick Stare, is Roy Cohn, former Joe McCarthy aide during the the Red Scare of the 1950s and infamous lawyer for mobsters and other power players, publicly revealed after his death from AIDS to be a closeted gay man. Cohn takes an interest in Trump, and smooths the wheels for his first big deal, the overhaul of the old Commodore on Manhattan’s then-decrepit 42nd Street.
Trump’s relationship with Cohn was widely reported on during his presidency, so much so that Cohn — a figure notorious enough to have been played by James Woods in a TV movie in the 1990s, and Al Pacino in the HBO miniseries of the Pulitzer-winning Angels in America — has been retconned as primarily Trump’s mentor; a feature-length documentary about him is titled Where’s My Roy Cohn?, after an Oval Office lament. So it’s not exactly newsworthy that the film credits Cohn with teaching Trump to affect a brashness and flair and to learn to attack, deny, and dominate the narrative — nor are these particular novel insights into Trump.
For the first hour of the film, Stan’s Trump is, deliberately, not the man we know today: his voice has a slight Queens bray, but he avoids all the caricaturist’s tics, murmurs softly and almost tenderly at times, even when describing his ambitious. Stan plays him as he’s written, nervous and unformed and frankly sympathetic, genuinely drawn to Ivana (Maria Bakalova) for her ambitions, a finicky and unschooled naïf wandering around Cohn’s decadent parties avoiding the drugs and gay sex. He’s a would-be shark so doughy and vague as to be almost sympathetic, like the budding young Nazi collaborator of Louis Malle’s Lacombe, Lucien.
The almost sympathetic cast of the film’s first hour is, I suppose, a fresh perspective, but equally an offensive and shallow one, driven less by any particular insight into the perverse incentives of American society — the film is remarkably insular, shot largely on soundstage recreations of the Trump home in Jamaica Estates, the penthouse in Trump Tower, the backs of various limos and the offices of various power brokers — than by the dictates of a character arc in which Cohn and Fred are obviously posited as polar opposite father figures, demanding and competitive men after whom Donald models himself and whose approval he seeks.
A number of things change at the film’s halfway mark. The film switches from a celluloid to a digital look — throughout, Abassi and cinematographer Kasper Tuxen ape the period of the action, from seamy red-tinted narrow-gauge for the gritty 70s to a bleary pixelated look that improves throughout the 80s—a gesture that would give the film an appealing momentum and raw texture were the narrative not so wedded to the historical record, with cutesy cameos from Warhol and Rupert Murdoch, and knowing references to the Trump Tower elevators, MAGA, and other future features of American life. Stock-footage montages exposit the eras’ historical context via potted histories of New York City, with an unclear point of view on the cycle of urban decline and rebirth in the postwar era: though lightly in quotation marks, they also seem objective accounts of a general historical record that gives credence to the narrative of White Flight–era NYC as “Fear City” (an image of lawlessness Trump long exploited, first as a developer and then as a demagogue), and of the go-go Reagan 80s, the decade in which Trump applied all of what he learned in the 70s, and of which he became an avatar.
At this point in the film, Stan’s dialogue takes on the familiar turns of phrase, the verbal and physical mannerisms: the diet pill— the pursed lips, the overenunciation and theatrical hand gestures, the addled mile-a-minute grandiose rants and flippant dismissals and breathtaking glibness and oddly matronly cattiness. It’s funny, but hardly virgin territory the years we’ve spent enjoying the work of comedians like James Austin Johnson and that one friend of yours who sends you voice memos in the Trump voice talking about the discourses of the day, impersonators who reshape the news by pushing the man’s implicit grotesquery and absurdity to the fore.
This Trump gets more flagrantly cruel to Ivana, delusional, thin-skinned and aggressive. It’s the kind of charismatic antihero’s journey that might fly in a Scorsese film — arguably the ultimate Trump film is The Wolf of Wall Street — but Abassi and Sherman’s take on the material is largely dutiful. The soundtrack aspires to an incongruously feel-good high-energy looseness that the film doesn’t back up. I’ve never been unhappier to hear Suicide, Pet Shop Boys or New Order, and the smash cut and needle drop that takes us out of after Trump’s rape of Ivana (a scene from her divorce deposition, staged as literally and luridly as you’d expect from the director of Holy Spider) is especially egregious.
Maybe there’s supposed to be a larger point about Trump’s political movement in the way that he’s shown to abandon Cohn as his former mentor’s legal aides and health woes pile up, but Cohn recedes from the narrative in the second half of the film, which is much less grounded in their relationship; though as Cohn weakens from a virus he steadfastly denied, the second hour is his turn to be portrayed more sympathetically than he deserves.
Strong has the same problem in his performance as Stan, in that Cohn is almost as media-saturated a figure as Trump. Strong gives Cohn a low, aggressive voice, slightly nasal and rounded, with casual and cruel inflections tossed out at a Succession-trained tempo; he bobs his neck up and down like a turtle on each syllable, but holds it forward tentatively as if the muscles are atrophying, as Cohn becomes frailer. It’s a credible performance, not remotely campy, but not really anything — there’s nothing here like the perspective on the role as interpreted by, say, the underground theater legend Ron Vawter in his performance piece Roy Cohn/Jack Smith, in which he gave Cohn a shrill, mincing Jewish voice, flaunting the traits most concealed and loathed by his recently deceased subject.
Recognizable figures are a fun challenge for actors, as well as for the hair, makeup, and wardrobe departments tasked with recreating iconic looks that everyone remembers from recent history. This year, election season is also Oscar-movie season, and you can expect some attention from the crafts teams on The Apprentice and maybe Strong or Sherman (one of the many glossy-magazine journalists to enjoy an elevated profile since the Trump years). I’m sure their acceptance speeches will be full of righteous anger directed at the new administration.
PUBLISHED 21 MAY 2024
#the apprentice#the apprentice movie#the apprentice review#sebastian stan#donald trump#jeremy strong#roy cohn#maria bakalova#ali abbasi
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Rachel Zane and Beyond - Paralegal Portrayals in 'Suits' and Real Life
As the popular legal drama series 'Suits' makes a comeback to the spotlight, fans are once again immersed in the fast-paced world of high-stakes litigation and corporate intrigue. One of the show's central figures, Rachel Zane, portrayed by Meghan Markle, brought attention to the role of paralegals in law firms. Today, we will explore the portrayal of paralegals in 'Suits' and compare it to the responsibilities of paralegals in real-life legal settings.
The Glamour of 'Suits'
'Suits' captivated audiences with its glamorous portrayal of New York City's top law firm, Pearson Hardman (later Pearson Specter). The character of Rachel Zane, a paralegal with aspirations of becoming a lawyer, added depth to the show's ensemble cast and characters. Meghan Markle's portrayal of Rachel not only showcased her acting talent but also brought attention to the pivotal role of paralegals in the legal profession. In 'Suits,' Rachel Zane is depicted as a highly competent and resourceful paralegal who plays an important and integral role in the firm's success. Her responsibilities include legal research, document preparation, and case management, as well as helping the other lawyers as needed. Rachel's keen attention to detail and ability to think on her feet make her an indispensable asset to the firm's attorneys. As the series progresses, her ambition leads her to pursue law school and eventually become an attorney, highlighting the career trajectory that many paralegals aspire to achieve in the real world.
Real-Life Paralegal Responsibilities
While 'Suits' offers a stylized portrayal of the legal world, it also reflects certain aspects of real-life legal settings. Paralegals play a crucial role in law firms, providing support to attorneys and assisting with various tasks such as drafting legal documents and liaising with clients. Additionally, paralegals may specialize in areas such as litigation, corporate law, or real estate, depending on the firm's focus. Paralegals serve as invaluable members of legal teams, helping to streamline workflow and manage caseloads to ensure that deadlines are met. Their expertise and attention to detail contribute to the efficiency and effectiveness of legal proceedings, making them indispensable assets to organizations.
Conclusion
As 'Suits' returns to the spotlight and fans reminisce about Meghan Markle's portrayal of Rachel Zane, it's essential to recognize the significance of paralegals in both fictional and real-life legal settings. While the show may glamorize certain aspects of the legal profession, it also sheds light on the hard work and dedication of paralegals behind the scenes. Whether in the fictional world of Pearson Specter or the real-world law firms, paralegals play a vital role in supporting attorneys and ensuring that justice is served.
Parleen Kaur | Writer POP-COOLEDTURED SPECIALIST cooledtured.com | GROW YOUR COLLECTION
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I just said this in the tags of that other post but I want to elaborate. New York City limiting Airbnb to properties with the owner on the premises is fucking fantastic. The point of this service is to provide a place that feels like home, where you have someone nearby to help you feel more comfortable, and to stay in a place with limited hotel options. It also allows people to make money on the side by renting out basements or spare rooms or granny houses.
This is not an inherently harmful concept. It makes digital nomadding way more financially achievable, takes some power away from the massive corporate hotel chains, and allows people who can't go out and work to still make some cash by hosting.
But this system has been grossly abused. It's become a shortcut to getting into real estate development when it was just supposed to be oddball places and casual homey stays. Those corporate-y, Superhost places are consistently the priciest ones online and the only people renting them are like, nepo babies and rich tech people. We're talking $15k a night being a common figure for some of this shit. These are the people buying nice properties in downtown places like NYC, where hotels are totally an option and apartments are limited, and causing all kinds of problems.
There's a lot of ways to cut down this problem without completely killing the service and I think requiring hosts to live in their rental property is probably the simplest. I'm sure these fuckers will have big time lawyers helping them find loopholes but it's a start. In the meantime I just want people to know that Airbnb as a service is NOT 100% absolutely evil with no right to exist or anything. Many (if not most) of the rentals actually available are just regular people making some side cash by having someone crash in their basement. This rule is good because it leaves them out of it.
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🔪comics
Iron Fist is so lame. I was reading Ed Brubaker and Matt Fraction's "Immortal Iron Fist" which had great illustrations and interesting fantasy concepts but it's totally undermined by Danny Rand being the most boring character ever devised. like Iron Man at least has a personality even if it's a loathsome one, and his billionaire status actually ties into the recurring themes of his comics (futurism, surveillance, warfare). Batman, for all his faults, has an emotional core and a setting and supporting cast with a lot of potential for stories. There is no reason for this random billionaire to be the person involved in Iron Fist stories (and actually the coolest parts of the series are "historical Iron Fists" like a 16th-century Chinese pirate queen), and half the time his setting is just New York.
There's also this really stupid bit in the first arc where he's like "well I can't fly or web-swing so I just bought up a bunch of real estate so I can travel quickly across the city by way of the buildings I own." bitch what? Daredevil exists and he just runs around on roofs willy-nilly without worrying about that - and that dude's a lawyer!!
I know they recently replaced Danny with Lin Lie and I haven't read his comics yet (so jury's out on if he's using the character concept better), but I kinda got the impression that was purely done in response to the backlash that Danny gets for being the racist "white guy who is the peak of martial arts" archetype.
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Rob Rogers, http://TinyView.com :: @Rob_Rogers
* * * *
LETTERS FROM AN AMERICAN
October 2, 2023
HEATHER COX RICHARDSON
The trial of former president Trump, his oldest sons, two associates, and the Trump Organization began today in Manhattan. Jose Pagliery, political investigations reporter for The Daily Beast, noted that the presiding judge, New York Supreme Court Justice Arthur Engoron, started with a reference to Friday’s rainstorm that flooded New York City, saying: "Weeks ago, I said we would start today 'come hell or high water.’ Meteorologically speaking, we’ve had the high water."
New York Attorney General Letitia James launched the investigation in 2019 after Trump fixer Michael Cohen testified before Congress that Trump had been engaging in fraud by inflating the value of his property. Last week, Justice Engoron issued a partial decision establishing that the organization and its executives committed fraud. Engoron canceled the licenses under which the organization’s New York businesses operated, provided for those businesses to be dissolved, and provided for an independent monitor to oversee the company.
With that major point already established, the trial that began today will establish how much of the ill-gotten money must be given up, or “disgorged,” by the defendants and whether they falsified records or engaged in insurance fraud in the process of committing fraud. James has asked for a minimum of $250 million in disgorgement, along with a ruling permanently prohibiting Trump and his older sons from doing business in New York, and a five-year ban on commercial real estate transactions for Trump and the organization.
Trump is attending the trial in person, likely because, as Pagliery noted, he cited this trial as the reason he couldn’t show up for two days of depositions in his federal case against Michael Cohen. If he didn’t show up, he would be in contempt of court. So he is there, but his goal in all his legal cases seems to be to play to the public, where his displays of victimization and dominance have always served him.
He has already said it is “unfair” that he isn’t getting a jury trial in New York, but his lawyers explicitly said they did not want one, possibly because a bench trial gives Trump a single judge to attack rather than a jury. Today, his lawyer Alina Habba, who along with her law firm and Trump has been fined close to $1 million by a federal judge for filing a frivolous lawsuit, gave a fiery opening statement aimed at “the American people” rather than the judge. When the court broke for lunch, Trump went straight to reporters to rail at the prosecutors holding him to account.
Historian Lawrence Glickman noted that the press is emphasizing Trump’s anger at the proceedings as if a defendant’s anger matters, but it is starting to feel as if bullying and bluster to get away with breaking the rules is not as effective as it used to be. Legal analyst Lisa Rubin notes that this case is a form of “corporate death penalty” that strikes at his wealth and image, both of which are central to his identity and to his political power.
And it is not just Trump; another case announced on Friday suggests the era of real estate crime is ending. The Department of Justice announced that a California real estate executive had pleaded guilty the previous day to a multi-year scheme that looked a lot like the one Trump’s organization is charged with: fraudulently inflating the value of real estate holdings of a Michigan company in order to defraud lenders.
“My office will not hesitate to prosecute those who lie in order to engage in financial crimes, regardless of the titles they may have,” said U.S. Attorney for the Eastern District of Michigan Dawn N. Ison.
The drive for the impartial application of the rule of law is showing up among the Democrats, as they seek to illustrate the difference between them and the Republicans. New Jersey Democratic senator Bob Menendez is insisting that the federal indictment against him and his wife for bribery, fraud, and extortion in exchange for helping Egypt is a political smear campaign, but more than half of Democratic senators have called on him to resign.
Trump is increasingly being held to account by former staff, as well. In the wake of his attacks on former chairman of the Joint Chiefs of Staff General Mark Milley, Trump’s former chief of staff Marine Corps General John Kelly went on the record today with Jake Tapper of CNN, confirming a number of the damning stories that emerged during Trump’s presidency about his denigration of wounded, captured, or killed military personnel as “suckers” and “losers,” with whom he didn’t want to be seen.
Kelly called Trump: “A person that has no idea what America stands for and has no idea what America is all about. A person who cavalierly suggests that a selfless warrior who has served his country for 40 years in peacetime and war should lose his life for treason—in expectation that someone will take action. A person who admires autocrats and murderous dictators. A person that has nothing but contempt for our democratic institutions, our Constitution, and the rule of law…. There is nothing more that can be said,” he added. “God help us.”
The confirmation of Trump’s attacks on wounded or killed military personnel will not help his political support. After reading Kelly’s remarks, retired Army Major General Paul Eaton, a key advocate for veteran voting, released a video he recorded more than two years ago when he first heard the stories about Trump’s attack on the military. “Who could vote for this traitor Trump?” he asked on social media. In the video, Eaton urges veterans to “vote Democratic,” because “our country’s honor depends on it.”
That Trump is concerned about his ebbing popularity showed tonight when his campaign released a statement demanding that the Republican National Committee cancel all future debates and focus on Trump’s evidence-free allegations that the Democrats are going to steal the 2024 election. If it refuses, the statement says, it will just show that national Republicans are “more concerned about helping Joe Biden than ensuring a safe and secure election.”
Popular pressure against the extremism of the Republican Party showed up today when Supreme Court Justice Clarence Thomas recused himself from participating in a case related to the January 6, 2021, attack on the U.S. Capitol. Thomas’s wife, Ginni, was a staunch supporter of Trump’s attempt to overturn the results of the 2020 election, and in the past, Thomas had voted on related cases nonetheless. Today’s case involved John Eastman, formerly one of Thomas’s law clerks.
There were interesting signs today that the tide seems to be turning against the MAGA Republicans elsewhere, too. In an op-ed in the New York Times, former South Carolina representative Bob Inglis told his “Fellow Republicans: It’s Time to Grow Up.” He expressed regret for his votes in 1995 to shut down the government and in 1998 to impeach President Bill Clinton, and for his opposition to addressing climate change on the grounds that if Al Gore was for it, Republicans should be against it.
But he had come to realize that “the fight wasn’t against Al Gore; it was against climate change. Just as the challenge of funding the government isn’t a referendum on Speaker McCarthy; it’s a challenge of making one out of many—E pluribus unum—and of bringing the country together to do basic things.” He called on Republicans to remember that we must face the huge challenges in our future together: language that echoes President Joe Biden, who has been making that pitch since he took office.
The fight over funding the government has contributed to growing pressure on the extremists. The chaos in the Republican Party as the factions fought each other with no plan to fund the government until McCarthy finally had to rely on the Democrats for help passing a continuing resolution was a sign that the extremists’ power is at risk.
Today, there was much chafing over the threats of Representative Matt Gaetz (R-FL) to challenge Speaker Kevin McCarthy of California, and he actually did it this evening, although it is not clear that he has the votes either to remove McCarthy or to prevent his reelection as speaker. What is clear is that Gaetz is forcing a showdown between the extremists and the rest of the party, and while such a showdown is sure to garner media attention, it is unlikely to leave the extremists in a stronger position.
Indeed, when he left the floor after making the motion to vacate the chair, some Democrats laughed.
—
LETTERS FROM AN AMERICAN
HEATHER COX RICHARDSON
#Letters From An American#Heather Cox Richardson#TFG on trial#Trump trials#fraud#McCarthy#House Republicans#Republican Party chaos#Marine Corps General John Kelly
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A dark, satiric sensibility is a basic qualification for anyone in the Russian opposition. Those leaders I knew in Moscow, before I left Russia in 2022, liked to crack jokes during interviews with journalists and to judges at court hearings.
Boris Nemtsov, though he had been arrested many times and knew he should worry for his life, would laugh at President Vladimir Putin’s Russia as the “gangster state of absurdity.” He told the story of the time pro-Putin activists had sent a prostitute to his vacation hotel in a bungled attempt to fabricate kompromat.
In 2015, Nemtsov was shot in his back as he strolled across a bridge near the Kremlin. Some of his associates thought that it was, in the end, his mockery of Putin that had marked him out as a target for assassination. (Nemtsov and I shared a name, but we were not related.)
When I learned of Alexei Navalny’s death in prison on Friday, I posted on social media a picture of him with Nemtsov: both with big, radiant smiles, standing shoulder to shoulder in front of a banner that advertised an opposition rally in that spring of 2015. “How beautiful these men are, unlike that miserable little greedy coward,” one Russian follower commented.
Beautiful, perhaps. Brave, certainly. When I think of the two of them, I will always remember the words written on a piece of paper that Navalny held at one of his court hearings: “I am not afraid and you should not be afraid.” Navalny was still smiling and laughing on the eve of his death, as a video of his appearance at a court hearing on Thursday attests. The next day, he reportedly fell ill and collapsed after a walk in the compound of the former Soviet Gulag prison in the Arctic Circle where he was sent last year.
“Make no mistake: Putin is responsible for Navalny’s death,” President Joe Biden said at a White House news conference on Friday. Human-rights defenders who know Russia’s prison system agree. “Of course, he was murdered by a chain of actions ordered by Putin or by his men,” Sergei Davidis, the head of the political prisoners support program at the Memorial Human Rights Center, told me. “They were killing Navalny for a long time: First they poisoned him with Novichok, then arrested him illegally, then put him in solitary confinement for 300 days.”
Navalny was always angry at the corrupt and stupid public officials who, as he saw it, were robbing the Russian people. In one of several interviews I recorded with him, he referred to the Kremlin elite as an “idiotic regime.” But he was also critical of the “Western enablers,” the bankers, lawyers, and accountants who launder the oligarchs’ money abroad through real-estate deals in London, New York, and elsewhere.
Russia holds more than 500 political prisoners, according to the most recent tallies by Davidis’s group and U.S. officials. Deaths in prison are common. “Our group is monitoring the health of political prisoners; we are worried about at least four people who are in a critical condition,” he told me. Many wonder why Navalny returned to Russia from Germany, in 2021, after already suffering so much and in such open defiance of the opponent he called “Putin the thief.” “Navalny’s sacrifice will always be remembered,” Davidis said.
“I understand why Navalny returned to Russia, why Nemtsov came back,” Boris Vishnevsky, a member of the St. Petersburg city council, told me on Friday. He was mourning Navalny’s death, despite political differences they had had in the past. Vishnevsky’s opposition party, Yabloko, had previously criticized Navalny for participating in ultranationalist rallies. But Vishnevsky had since taken Navalny’s side. “As soon as Alexei returned to Russia and ended up behind bars, I immediately spoke against his arrest,” he said.
He understood the actions of Nemtsov and Navalny as very deliberate. “If you are a politician or an independent journalist in Russia today, you have to overcome fear,” he told me. “They made a decision to become martyrs.”
I remember a call I made to Nemtsov in September 2014, a few months before his death. I was reporting from a village in Dagestan with a sad name: Vremenny, or “temporary.” Russian security forces were demolishing houses there to punish the families of people accused of terrorism. I remember seeing the remains of children’s toys sticking up from the ground after the bulldozers had been through.
This was the year of Putin’s military intervention in the Donbas region of Ukraine, and of his annexation of Crimea. Nobody was paying much attention to human rights in a remote part of the North Caucasus. When I told Nemtsov something about my assignment in one of “the ’stans,” he laughed. When I explained where, he commented, “Dagestan will be always hot.” And then he said, “Listen, if I don’t joke, I will go nuts in our reality.” I spoke with him again, some weeks later, at his house in central Moscow. He told me that some of his friends were advising him to get out. “Why should I run?” he said. “Let Putin and his thugs run.”
That was my last interview with Nemtsov. When someone dies, you try to remember the last conversation you had with them. In 2020, I interviewed Navalny on camera for a documentary. I recall that he expressed a firm belief that, in 10 years’ time, we would speak again—and he would explain exactly how he’d won the war against corruption and for political freedom in Russia.
He was smiling. But this time, perhaps, he wasn’t joking.
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Good for the Czechs! 🇨🇿 All Russian state property and assets held by pro-Putin oligarchs around the world should be impounded and given to Ukraine.
The Czech government said on Wednesday it froze Russian state-owned properties in the Czech Republic, expanding a sanctions list set up in retaliation for Moscow's invasion of Ukraine. The government press office said the EU country widened its national sanctions list to include a Russian company, which is controlled by the Russian presidential administration, and is in charge of managing Russian assets abroad. It did not name the company in the statement. "Its income from operations serves directly for financing of the Putin regime," the government said in a statement. "The company's commercial activities are as of today illegal, as well as circumventing and violating this sanction, and its entire assets in the Czech Republic have been frozen," it said. In the Czech Republic, the Russian company manages a number of real estate properties, the Czech government said.
Of course that's not the only recent Ukraine news item. Ukraine has arrested a crony of Rudy Giuliani with ties to Russia.
Ukraine charges Rudy Giuliani’s top local ally with Moscow-linked treason
A Ukrainian MP who in 2019 helped former U.S. President Donald Trump’s lawyer Rudy Giuliani in his search for dirt on Joe and Hunter Biden has been charged with treason. Oleksandr Dubinsky, together with ex-Ukrainian lawmaker Andriy Derkach and ex-prosecutor Kostyantyn Kulyk, had joined an organization formed by chiefs of Russia’s Military Intelligence (GRU), Ukraine’s Security Service (SBU) said in a statement on Monday. Although SBU did not name the MP in the statement, the photos and video materials attached to it identify Dubinsky, whose alias, “Buratino,” was taken from a 1930s Soviet “Pinocchio” knockoff.
It seems appropriate that somebody linked to the Trump crime family would have a code name related to Pinocchio – a mythological liar. 😆
Dubinsky met Giuliani during his visit to Kyiv in December 2019 while the former New York City mayor and failed U.S. presidential candidate was filming a documentary aimed at discrediting an impeachment probe into Trump. [ ... ] According to SBU, Dubinsky, guided by GRU, spread fake news about Ukraine’s military and political leadership, including claims that high-ranking Ukrainian officials were interfering in U.S. presidential elections. SBU said the Ukraine group was run by GRU deputy head Vladimir Alekseyev and his deputy Oleksiy Savin. If found guilty, Dubinsky faces up to 15 years in prison and forfeiture of his assets, SBU added.
This clearly smacks of Putin. He wanted to boost the chances of his stooge Donald "Pee Tapes" Trump while trying to undermine Ukraine – something he had actively been doing since 2004.
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