#new light theater project

[walks-the-ages]

OP deactivated, and some of the links were broken/marked unsafe by Firefox, so here's a new compilation post of Leslie Feinburg's (She/her, ze/hir) novels and essays on being transgender:

Stone Butch Blues official free source directly from Author's website:

Stone Butch Blues, backup on the webarchive:

Transgender Liberation: A movement whose time has come, on the web archive:

Transgender Warriors: Making History from Joan of Arc to Dennis Rodman, on the web archive:

Lavender and Red, PDF essay collection:

Drag King Dreams, on the web archive:

(Also, if anyone ever tells you that the protagonist of Stone Butch Blues ""ends up with a man""........ they're transmisogynistic jackass TERFs who are straight up lying)

Please also check out your local public libraries for these books and see if they carry them, to help support public libraries! If you have a library card already you can checkout Libby and Overdrive to see if your public library carries it as an ebook that you can checkout :)

EDIT: another not included on the orignal masterpost-- Trans Liberation: Beyond Pink or blue !

annnnnd in light of the web archive losing it's court case, here's a backup of both PDFs and generated epubs a friend made:

5/26/2023: hello! I am adding on yet another book of queer history, this time the autobiography of Karl Baer, a Jewish, intersex trans man who was born in 1884! Please signal boost this version, and remember to check the notes whenever this crosses your dash for any new updates :)

6/24/2023:

Two links to share!

Someone made an Epub version of Memoirs of a Man's Maiden Years, which you can find Here , as a more accessible version than a pdf of a scanned book if you're like me and need larger text size for reading--

And from another post I reblogged earlier today, I discovered the existence of "TransSisters: the Journal of Transsexual Feminism", which has 10 issues from 1993-1995, and includes multiple interviews with Leslie Feinburg and other queer feminists / activists of the 90s!

Here's a link to all 10 issues of TransSisters, plus a 1996 "look back at" by one of the writers after the journal ended, you can find all 10 issues on the Internet Archive Here !

------

8/28/2023:

"Bi Any Other Name: Bisexual People Speak Out", can be found on the web archive Here, for the 25th Anniversary Edition from 2015,

and also Here, for the original 1991 version.

Each of the above can be borrowed for one hour at a time as long as a copy is available :D

This is a living post that receives sporadic updates on the original, if you are seeing this on your dash, click Here to see the latest version of the post to make sure you're reblogging the most up to date one :)

------------

October, 25th 2023:

"I began to dawdle over breakfast during shift changes, asking both waitresses questions. After weeks of inquiries, they invited me to a demonstration, outside Kleinhan's Music Hall, protesting the Israeli war against Egypt and Syria. I was particularly interested in that protest. The state of Israel had been declared shortly before my birth. In Hebrew school I was taught "Palestine was a land without peo-ple, for a people without a land." That phrase haunted me as a child. I pictured ears with no one in them, and movies projected on screens in empty theaters. When I checked a map of that region of the Middle East in my school geography textbook, it was labeled Palestine, not Israel. Yet when I asked my grandmother who the Palestinians were, she told me there were no such people. The puzzle had been solved for me in my adolescence. I developed a strong friendship with a Lebanese teenager, who explained to me that the Palestinian people had been driven off their land by Zionist settlers, like the Native peoples in the United States. I studied and thought a great deal about all she told me. From that point on I staunchly opposed Zionist ideology and the occupation of Palestine. So I wanted to go to the protest. However, I feared the demonstration, no matter how justified, would be tainted by anti-Semitism. But I was so angered by the actions of the Israeli government and military, that I went to the event to check it out for myself. That evening, I arrived at Kleinhan's before the protest began. Cops in uniforms and plainclothes surrounded the music hall. I waited impatiently for the protesters to arrive. Suddenly, all the media swarmed down the street. I ran after them. Coming over the hill was a long column of people moving toward Kleinhan's. The woman who led the march and spoke to reporters proudly told them she was Jewish! Others held signs and banners aloft that read: "Arab Land for Arab People!" and "Smash Anti-Semitism!" Now those were two slogans I could get behind! I wanted to know who these people were and where they had been all my life! Hours later I followed the group back to their headquarters. Orange banners tacked up on the walls expressed solidarity with the Attica prisoners and the Vietnamese. One banner particularly haunted me. It read: Stop the War Against Black America, which made me realize that it wasn't just distant wars that needed opposing. Yet although I worked with two members of this organization, I felt nervous that night. These people were communists, Marxists! Yet I found it easy to get into discussions with them. I met waitresses, factory workers, secretaries, and truck drivers. And I decided they were some of the most principled people I had ever met..." Transgender Warriors (1996) Leslie Feinberg

[pearlprincess02]

academia sign as 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞 𝔞𝔢𝔰𝔱𝔥𝔢𝔱𝔦𝔠𝔰

academia (829)

𝔠𝔥𝔞𝔬𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

aries / 1st house academia: aries in academia approaches learning with enthusiasm and a pioneering spirit. they thrive in competitive environments, enjoying subjects that allow them to take the lead, such as sports science, entrepreneurship, or anything requiring bold, innovative thinking. their learning style is hands-on and action-oriented, preferring to dive into projects rather than sit through lectures. quick to grasp new concepts, aries students excel in fast-paced, dynamic settings where they can showcase their initiative and drive. they are natural leaders in group work, often inspiring others with their energy and passion.

chaotic academia vibes: red bull, coffee, late-night study sessions, messy desk, sticky notes everywhere, highlighters galore, backpack overflowing, headphones tangled, running late, cramming, competitive studying, impulsive learning, last-minute cramming, energetic study sessions, motivational posters, pomodoro technique, study groups, mind maps, flash cards, music playlists

major & minor in college: history, english, psychology, theater, business, creative writing, philosophy, computer science, art history, sociology

𝔡𝔞𝔯𝔨 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

taurus / 2nd house academia: taurus in academia is methodical and steady, approaching learning with patience and determination. they excel in subjects that involve tangible results or a connection to nature, such as agriculture, culinary arts, or finance. taurus students prefer a structured learning environment, where they can take their time to absorb information deeply and thoroughly. they have a strong memory and excel in retaining facts, often mastering subjects through repetition and consistent effort. their learning style is practical and grounded, focusing on real-world applications and long-term value.

dark academia vibes: leather-bound notebooks, vintage fountain pen, cozy sweater, warm coffee, comfortable armchair, candles, classical music, antique bookshelves, quiet library, natural light, slow & steady approach, consistent studying, structured routine, mindful studying, note-taking, reading extensively, researching deeply, essay writing, critical thinking, patience & perseverance,

major & minor in college: literature, history, art history, philosophy, classical studies, music, latin, greek, anthropology, environmental studies,

scorpio / 8th house academia: scorpio in academia is intensely focused and driven, diving deep into subjects that fascinate them, especially those involving psychology, criminology, or anything that uncovers hidden truths. they are natural researchers, drawn to mysteries and complexities, excelling in environments that require investigative skills and critical thinking. scorpio students prefer to study in private, where they can immerse themselves fully without distractions. they have a talent for uncovering details that others might overlook, and their determination to master a subject is unmatched. passionate and resilient, scorpio learners often emerge as experts in their chosen fields.

dark academia vibes: black coffee, leather jacket, intricate jewelry, vintage records, haunted library, gothic architecture, mysterious aura, intense gaze, quiet solitude, deep thoughts, intense focus, deep research, analytical thinking, critical analysis, debating, persuasive writing, problem-solving, independent study, night owl, passionate learning,

major & minor in college: psychology, philosophy, criminal justice, history, political science, sociology, anthropology, mythology, astronomy, creative writing,

𝔱𝔥𝔢𝔞𝔱𝔯𝔢 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

gemini / 3rd house academia: gemini in academia is curious and versatile, thriving in environments where they can explore a wide range of subjects. they are natural communicators, excelling in fields like journalism, linguistics, or social sciences, where their quick wit and love for information can shine. gemini students prefer a dynamic, interactive learning environment, enjoying discussions, debates, and collaborative projects. their learning style is fast-paced and adaptable, allowing them to pick up new concepts with ease and shift focus between topics effortlessly. always eager to learn something new, gemini keeps their mind sharp by continuously seeking knowledge in various fields.

theatre academia vibes: script book, makeup bag, costumes, props, rehearsal space, stage lights, backstage passes, playbills, acting classes, impromptu performances, versatility, adaptability, improvisation, memorization, public speaking, character analysis, script analysis, ensemble work, storytelling, critical thinking

major & minor in college: theater, english, creative writing, communication studies, film studies, music, dance, history, psychology, sociology,

𝔠𝔬𝔷𝔶 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

cancer / 4th house academia: cancer in academia is intuitive and emotionally connected to their studies, often drawn to subjects that resonate with their personal experiences, such as history, literature, or psychology. they excel in environments that feel nurturing and supportive, preferring to learn in a space where they feel safe and comfortable. cancer students have a strong memory, especially for details that evoke an emotional response, and they often approach learning with empathy and care. their learning style is reflective and deep, focusing on understanding the emotional and human aspects of any subject. sensitive to the needs of others, cancer can also be a compassionate and supportive peer in group settings.

cozy academia vibes: knitting needles, teacup, soft blanket, candles, cozy armchair, bookshelf filled with sentimental books, family photos, journal, soft music, homemade snacks, emotional intelligence, empathy, nurturing oneself, creating a comfortable study space, mindful studying, journaling, connecting with others, supporting others, patience & perseverance, emotional regulation

major & minor in college: english, history, psychology, sociology, social work, counseling, child development, family studies, art history, creative writing

𝔯𝔬𝔶𝔞𝔩 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

leo / 5th house academia: leo in academia is confident and expressive, thriving in subjects where they can showcase their creativity and leadership, such as performing arts, literature, or leadership studies. they enjoy being at the center of discussions and excel in environments where their ideas and talents are recognized. leo students are passionate learners who bring enthusiasm to their studies, often inspiring others with their energy and charisma. their learning style is dynamic and interactive, preferring presentations and group projects where they can shine. with a natural flair for storytelling and self-expression, leo often excels in areas that allow them to be both creative and influential.

royal academia vibes: crown-shaped stationery, velvet robes, gold jewelry, vintage fountain pen, grand library, ornate furniture, elegant calligraphy, classical music, high-quality textbooks, personalized study supplies, confidence, leadership, public speaking, motivation, goal setting, networking, presentation skills, time management, creativity, passion

major & minor in college: history, political science, business, theater, art history, music, philosophy, classical studies, public relations, creative writing

𝔟𝔬𝔱𝔞𝔫𝔦𝔠𝔞𝔩 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

virgo / 6th house academia: virgo in academia is analytical and detail-oriented, excelling in subjects that require precision and critical thinking, such as mathematics, science, or technical writing. they have a strong work ethic and prefer structured learning environments where they can methodically work through complex problems. virgo students are diligent researchers, often going above and beyond to ensure they fully understand a topic, and they have a knack for organizing information logically. their learning style is meticulous and focused, thriving on clear instructions and practical applications. with a keen eye for detail, virgo often excels in areas that demand accuracy and thoroughness.

botanical academia vibes: herbarium, plant journal, botanical prints, terrarium, gardening tools, natural light, plant-based stationery, herbal tea, nature-inspired décor, organized study space, organization, planning, time management, detail-oriented approach, note-taking, researching, problem-solving, critical thinking, patience, perseverance

major & minor in college: biology, environmental science, botany, horticulture, chemistry, agriculture, nutrition, health sciences, art history, creative writing

𝔯𝔬𝔪𝔞𝔫𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

libra / 7th house academia: libra in academia is balanced and diplomatic, drawn to subjects that involve relationships, aesthetics, and justice, such as law, art, or social sciences. they excel in collaborative learning environments, enjoying discussions and group projects where they can exchange ideas and mediate differing opinions. libra students have a natural talent for seeing multiple perspectives, which makes them excellent at analyzing complex issues and finding harmonious solutions. their learning style is interactive and social, thriving in settings that allow for cooperation and mutual respect. with a strong sense of fairness and a love for beauty, libra often excels in areas that combine intellectual rigor with creativity.

romantic academia vibes: love letters, poetry collection, vintage jewelry, soft/pastel colors, romantic novels, flower arrangements, classical music, art galleries, beautiful stationery, cozy cafes, collaboration, harmony, diplomacy, balance, aesthetic appreciation, empathy, persuasion, critical thinking, creativity, open-mindedness

major & minor in college: english, history, art history, philosophy, psychology, sociology, communication studies, music, creative writing, design

𝔞𝔡𝔳𝔢𝔫𝔱𝔲𝔯𝔬𝔲𝔰 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

sagittarius / 9th house academia: sagittarius in academia is adventurous and curious, drawn to subjects that expand their horizons, such as philosophy, travel, or global studies. they thrive in environments that offer freedom and exploration, preferring to learn through experience, travel, and broad, open-ended discussions. sagittarius students have a natural enthusiasm for big ideas and are often inspired by the pursuit of knowledge that challenges conventional thinking. their learning style is spontaneous and wide-ranging, excelling in areas where they can explore different cultures, beliefs, and philosophies. with an innate love for wisdom and truth, sagittarius often excels in fields that encourage lifelong learning and intellectual growth.

adventurous academia vibes: travel journal, global map, adventure novels, passport, backpack, camping gear, telescope, world atlas, foreign language textbooks, wanderlust-themed stationery, curiosity, open-mindedness, exploration, adaptability, risk-taking, global perspective, intercultural communication, problem-solving, independent study, passion for learning

major & minor in college: history, geography, anthropology, philosophy, foreign languages, international studies, environmental science, economics, creative writing, journalism

𝔴𝔦𝔫𝔱𝔢𝔯 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

capricorn / 10th house academia: capricorn in academia is disciplined and strategic, favoring subjects that offer practical applications and long-term value, such as business, engineering, or finance. they excel in structured, goal-oriented environments where they can set clear objectives and work methodically towards achieving them. capricorn students have a strong work ethic and are adept at managing their time efficiently, often thriving on detailed planning and rigorous analysis. their learning style is focused and persistent, with a preference for mastering foundational concepts before advancing. with a keen sense of responsibility and determination, capricorn often excels in areas that require patience and sustained effort.

winter academia vibes: thick coat, scarf, warm coffee, cozy sweater, planner, bookshelf filled with textbooks, quiet study space, pen & paper, minimalist décor, structured routine, discipline, time management, goal setting, planning, persistence, problem-solving, critical thinking, researching, note-taking, long-term planning

major & minor in college: business, economics, law, political science, accounting, engineering, computer science, mathematics, history, philosophy

𝔣𝔲𝔱𝔲𝔯𝔦𝔰𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

aquarius / 11th house academia: aquarius in academia is innovative and independent, gravitating towards subjects that involve technology, future trends, or social change, such as engineering, environmental science, or sociology. they thrive in learning environments that encourage original thinking and unconventional approaches, often preferring to explore new ideas and challenge established norms. aquarius students are skilled at grasping complex, abstract concepts and enjoy engaging in collaborative projects that push boundaries and promote collective progress. their learning style is progressive and exploratory, with a strong inclination towards experimenting with novel methods and solutions. with a keen interest in improving the world, aquarius often excels in fields that foster creativity and forward-thinking.

futuristic academia vibes: smartwatch, laptop, tech gadgets, futuristic eyewear, minimalist design, neon lights, sci-fi novels, futuristic architecture, virtual reality headset, sustainable products, innovation, problem-solving, critical thinking, future-oriented thinking, collaboration, interdisciplinary learning, ethical considerations, lifelong learning, adaptability, social consciousness

major & minor in college: computer science, engineering, physics, astronomy, artificial intelligence, environmental science, sociology, political science, psychology, philosophy

𝔬𝔠𝔢𝔞𝔫 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

pisces / 12th house academia: pisces in academia is imaginative and intuitive, drawn to subjects that explore the arts, spirituality, or the human psyche, such as creative writing, music, or psychology. they excel in environments that allow for introspection and creative expression, often thriving in less structured settings that encourage personal interpretation and emotional depth. pisces students have a unique ability to grasp abstract concepts and connect disparate ideas, making them skilled at synthesizing information in innovative ways. their learning style is fluid and adaptable, with a preference for exploring topics through personal experiences and intuitive insights. with a deep sense of empathy and creativity, pisces often excels in fields that involve understanding and expressing the complexities of the human experience.

ocean academia vibes: seashells, aquarium, ocean-themed stationery, beach towel, nautical decor, marine biology books, beach reads, ocean-inspired jewelry, dreamcatcher, calming music, intuition, empathy, creativity, imagination, meditation, mindfulness, visualization, dream journaling, connection with nature, emotional intelligence

major & minor in college: marine biology, oceanography, environmental science, psychology, art history, creative writing, music, philosophy, sociology, religious studies,

all observations belong to @pearlprincess02

[likearhinestonecowgirl]

Jason Todd Headcanons

Jason who will move you- whether it be placing a big hand on the small of your back to usher you through a busy crowd, or you're in his way, maybe in the kitchen rambling about something you saw on the news. He will wordlessly pick you up, tired and lethargic with bruised knuckles from the night before, and sit you on the counter. He mumbles something, makes a grunt to let you know to keep talking while one hand smooths up and down the inside of your thigh and the other opens the drawer you were blocking.

Jason who is obviously a theater kid- but if this is living with Bruce, moonlighting as Robin Jason, he'd be discrete. He'd say he needs the class as his obligatory elective and didn't take pottery because he doesn't like getting his hands dirty (lie). He'd sit near the back of the theater, but he'd listen intently, and every poetry assignment he'd turn in would be a work of fucking god. Every project, the teacher would ask him to perform instead of doing the alternative (some paper or poem) and maybe, just maybe, he'll say yes if he's comfortable enough.

Jason who hides food around his apartment and safehouses. Non-perishable, like trail mix, granola bars, little ziplocks of cereal. Dick had cut that habit, made Jason comfortable enough to understand he'll never have to worry, he'll never have to fend for himself by himself. Rising from the lazarus pit as an animated corpse turned everything on its head. The neurotic habits came back. If you're close enough, if he spends enough time at your place, it's likely you'll eventually find a baggie of chex mix sitting on top of your fridge.

Jason who is a barb. I'm not explaining this one, he just is. An honorary member of gag city 🫡

Jason who always has a pack of Marlboro menthols on him. Alternatively, when his lungs are feeling extra gross and he decides he wants to quit, he'll start on zyns again (cool mint ofc). There's usually a zyn tower on his bedside table, teetering right beside the glock 47 he most definitely should put in his gun safe but never will, no matter how many times you tell him

"Jason, what if someone comes in and grabs it?"

"No one-"

"What if it falls and goes off?"

"That won't happen."

Before you can get another word his, large hands turn you to face him, practically suffocated you against his chest, one hand on the back of your head while the other dips low and follows the curve of your spine.

"No one in the world is safer than you right now."

Jason who is extremely invested in TLC (specifically 1,000 pound sisters) and never wastes a chance to tell you how shocked and proud he is of Tammy for finally losing weight- even if she's still a bitch

Jason who loves to buy you things. Usually not too crazy, more like stupid little keychains and stuffed animals to build the militia in your room. But he thinks of you all the time and he can picture the look on your face when he comes back with another stupid surprise. Next thing he knows he's got a turtle or dragon or cat stuffed safely in the inside pocket of his jacket while he threatens a few men with his fists.

"They just gave it to me for free." He shrugs, holding a loving grin as he watches you beam over the fuzzy thing in your hands.

But when your face contorts in something accusatory, he holds his breath.

"What?"

"Were you wearing that?" You look over his costume, the Red Hood, the guns hardly concealed on his sides.

"Yea, why?"

"Dude, you robbed them."

Jason who loves to buy you things, who hardly goes out of his way to hide when he comes into some money (obviously by violent means- but who cares when he's gunning down men who sell drugs to kids. Minor casualty). He'd show up with a purse that's ten times your rent, a bracelet the blinds you when it's under direct light, a dress that he knows you have no place fancy enough to wear it to. If you start to ask questions, he'll distract by any means necessary, like standing behind you to slowly untie your sweatpants or unbutton your jeans, inch off your clothing and let his fingertips dip low so you can really feel the old callouses and scars he knows you love so much, before carefully dressing you in whatever nice thing he'd bought.

******i hardly proofread this sos sorry for the typos if they're there lol lmk if i should make more

[teapartyprincess4two]

Omgg can u do some matt x actress!reader hc?? Love you xx

Actress- M. Sturniolo

pairing: Actress!reader x Boyfriend!Matt

classification: SFW & NSFW head cannons

warnings: some 18+ content, use of y/n, established relationship, slight cursing

summary: head cannons of Matt with an actress girlfriend!

—

☆SFW

Matt thought he knew everything there was to know about fame; the screaming fans, the off guard photos, and the rumors. When he started dating you, though, he was shocked at the intensity of your life.

☆ Every time you’re out in public, you get recognized by a fan or paparazzi, without fail.

☆ You’re waiting in line for your coffee, holding Matt’s hand as you engage in meaningless, light conversation with him.

☆ A loud gasp interrupts you mid sentence, causing you to look in the direction of the noise.

☆ A fan stands there with a hand covering their mouth, eyes blown open in pure shock. “Oh my God! Y/n?! Can I have a picture please?”

☆ You never turn a fan down and soon, when other people realize who you are, it’ll become like a little meet and greet, and Matt becomes the photographer.

☆ When the paparazzi recognizes you, though, you’re not as quick to pose for a picture.

☆ “Matt, don’t look,” you warn, eyes darting between him and the paparazzi snapping pictures of you through the restaurant window.

☆ Matt never listens, he immediately cranes his neck to see what you’re talking about. “I said don’t look!” you squeak, trying to pull his attention back towards you.

☆ “Fuck off,” Matt groans, throwing the paparazzi a middle finger and returning to his meal with you.

☆ Matt is always excited about your newest project, whether you’re playing a main, side, or background character.

☆ You’re getting ready for the premiere of your newest film, Burn It.

☆ “Matt what are you wearing?” you laugh.

☆ “Just supporting my girl,” he replies. He does a small twirl, showing off his outfit. He’s wearing a shirt with the movie poster printed on the front, your face right smack in the middle and the title in bold letters right above it.

☆ “It’s the premiere, you gotta dress up,” you laugh, secretly enjoying the sillyness of it all.

☆ “Fine. But I’m wearing this under my suit,” he replies, exiting the room. After a while, you start hearing the trailer to the movie playing from your room.

☆ He’s equally as supportive of your small roles.

☆ “Hey guys! So Chris, Nick, Y/n, and I are at the movie theater and we’re about to watch Y/n’s new movie The Escape,” Matt says, introducing the theme of their YouTube video.

☆ “Babe, I literally played cashier #3,” you chuckle from behind the camera, holding a big bucket of popcorn.

☆ “I’d watch it if you played a piece of grass,” he replies seriously.

☆ Whenever a new movie of yours releases, you’re usually booked and busy with press tours and interviews.

☆ During these interviews, the initial questions are usually about the movie, but as the interview progresses they become more personal.

☆ “So, Y/n, have you found Mr.Right?” the interviewer asks, fidgeting with the cue cards in front of her.

☆ The question is corny, and you’ve been asked it millions of times before, but you always answer truthfully because you’ve never hidden your relationship status.

☆ “Yup and his name is Matthew Sturniolo,” you reply cheekily, sending the camera a wink. When Matt watches the interview, he feels like a fan who just got a shoutout.

☆ There have been roles that require you to kiss your costars and Matt is never a fan of those.

☆ “Beautiful take!” the director exclaims, clapping his hands loudly in approval. “But let’s get it one more time! Add a little more fire! More passion,” he instructs, snapping his fingers.

☆ Matt joined you on set today, and quite frankly he wishes he didn’t. He hates seeing you kiss another man, even if it is just for show.

☆ Once the director gets the perfect shot, you’re all sent to lunch. “Hi baby,” you hum, walking over to Matt and wrapping your arms around his waist.

☆ You go in for a kiss and he quickly leans in, wanting to claim you in front of everyone.

☆ You are no stranger to rumors and speculations, especially not when a male costar is involved.

☆ “Actress, Y/n trades in her YouTuber for a REAL celebrity,” “Y/n found a new boo?,” “What happened to Matthew Sturniolo and who is the new guy in Y/n’s life?”

☆ Matt can’t stop reading the gossip newsletters and blogs, and even if he knows they’re just rumors he finds himself becoming sad.

☆ “Matt! Where are you?” you shout through the house. You find him on his bed, scrolling relentlessly on his laptop.

☆ “Whatcha doing? Wanna play Mario Kart?” you ask, crawling into bed next to him. Your eyes blow open in shock when you see his screen.

☆ “Matt stop reading that shit!” you exclaim. “I can’t help it,” he groans, running his hands down his face.

☆ You snatch the laptop and drag him out of bed for a night full of Mario Kart and cuddling on the couch.

☆ With a schedule as busy as yours, it can become difficult for you to make time for your personal life.

☆ “I miss you,” Matt whispers through the phone. You’re on a press tour for your newest film and your side of the bed has been empty for 2 months now.

☆ “I miss you too, baby,” you murmur. It hurt to know that you still had another month of this tour left.

☆ “When you come back I’m never letting you go,” his voice is sad, but he knows 3 months isn’t forever.

☆ “I can’t wait,” you giggle, eyes falling on the digital clock across the room. It’s getting late and you have an early interview tomorrow.

☆ “I have to go baby, but I’ll call you tomorrow, okay?” Matt’s sad to let you go, it feels like he rarely hears your voice nowadays if it isn’t playing from his TV.

☆ “Okay, beautiful.”

☆ When you’re invited to events or award shows, Matt always joins as your plus one.

☆ “And the nominees are…” the announcer says, listing the names as she reads them from the teleprompter.

☆ Matt squeezes your hand when your name is said, a huge smile spreading across his face.

☆ “The winner for best actress in a leading role is…” the suspense is killing you, but you feel the victory in your soul.

☆ “Y/n!” The entire crowd cheers at the mention of your name and you can’t help but shoot up from your seat in excitement.

☆ “Oh my God, Matt! I won!” You exclaim, pulling him in for a kiss.

☆ You scurry on stage, nervous hands taking your award and preparing for an improvised speech. You end the speech with a special thanks to your friends and family, making sure to specifically thank Matt as you blow him kisses from the stage.

☆ He watches with teary eyes and a huge, dopey smile.

☆NSFW

Matt loves joining you on set and sometimes things can become a little heated between you two.

☆ You hated photo shoots, especially when it involved lingerie and/ or bikinis. Matt, on the other hand, loved photo shoots and he was always quick to join you for them.

☆ “I’m so cold,” you shiver, plopping onto the couch next to Matt. You’re wearing a lingerie set so small that you might as well be naked.

☆ “I know of a few ways to warm you up,” Matt replies, only half joking. He wiggles his eyebrows suggestively, earning an excited giggle from you.

☆ “Oh yeah?” you tease, pulling him in for a kiss.

☆ Before you know it, he’s pushed your panties to the side and is fucking you so hard the couch is moving with each thrust.

☆ Although Matt knows your relationship with your male costars is purely professional, he can’t help but become jealous.

☆ “How was work today?” Matt asks, pressing a gentle kiss to your forehead.

☆ “Eh same old same old. We’re stuck on the same scene,” you reply, hoping he won’t ask any further questions.

☆ “Hmm that sucks,” he hums. “What scene is it?”

☆ You gulp nervously, knowing how much Matt is going to hate your answer. “The bathroom sex scene.”

☆ You feel his body stiffen immediately. “It’s just because the set is small and the angles are awkward,” you continue.

☆ “Mhm,” is all he says.

☆ Later, when you’re getting ready for bed and doing your nighttime routine, he pins you against the bathroom counter and fucks you dumb.

☆ “This pussy is mine,” he grunts into your ear, earning a whimper from you.

☆ When you’ve been gone for long press tours, he becomes needy and you two have to resort to phone sex.

☆ “I miss you, baby,” he murmurs. “I miss you too, so much,” you reply.

☆ “No, like, I miss you,” he reiterates, allowing his hand to travel below the waistband of his sweats.

☆ “Touch yourself,” you instruct. “Pretend it’s me.”

☆ You continue to talk him through it, not stopping until you hear his beautiful, breathy moans.

☆ “You did so good,” you praise and he swears his dick gets hard again.

☆ When you finally do return from your long trips, Matt is extremely needy.

☆ He’s waiting for you impatiently at the airport, ready to engulf you in his arms as soon as he sees you.

☆ When you get home, he attacks you with a bunch of kisses until they become more needy and passionate.

☆ His hands wander all over your body, massaging and kneading at your skin like it’s the first time.

☆ You push him back into the bed and straddle his lap, bouncing on his cock until he’s satisfied.

☆ “Oh my God!— Fuck! I love you,” he moans, bucking his hips into you as he climaxes.

☆ “Holy fuck. Maybe I should go on tour more often,” you giggle, peppering kisses along Matt’s face. “Please no,” he mumbles.

—

MASTERLIST

a/n: 📸📸📸 working on Arranged Ch.2, a Johnnie fic & another Matt headcannon!

Also ily2 thank u for the request! xoxox - L.A.M.B👼🏻💗

—

taglist: @nicksmainbitch @sturniololovers @raysmayhem-72 @worldlxvlys @gnxosblog @meg-sturniolo @creamoncreamoncream2 @mattnchrisworld @sanyi5 @lustfulslxt @whicked-hazlatwhore @tworosesblackthorn @mxqdii @fawned01 @junnniiieee07 @sturniolololover @missriddle03 @k-l-a-w-s @maryx2xx @biggesthat3r @herxyzblog @getosuckers @sturnioloarchive @tillies33ssss @fratbrochrisgf @aurizp @riasturns @sturnikitty @sturnrc @sturtriple16 @sillyfreakfanparty @imwetforyourmom @mattslovelygf @stingerayyy2 @cartiiwannagotoplutoo @mimi-luvzyu @somegirlfromasgard @l0vergrlll @pepsicolapussy333 @unbruisable

note: if you want to be tagged in my fanfic related posts, you can access my TAGLIST and comment 💐 if your user is striked through, I wasn’t able to tag you :(

[blueiscoool]

Breathtaking New Frescoes Found at Pompeii

Stunning Roman frescoes have been uncovered by archeologists in Pompeii, the ancient city destroyed by an eruption of the volcano Mount Vesuvius in the year 79 AD. Experts say the newly discovered frescoes are among the finest ever to emerge at the renowned archeological site.

The works of art line the high walls of what was once a large banquet hall. The walls themselves were painted mostly black, and the figures on the frescoes appear to emerge from the shadows. Site director Dr. Gabriel Zuchtriegel told CBS News partner network BBC News that the dark color was likely used to hide stains from the lamps that lit the hall after the sun went down.

"In the shimmering light, the paintings would have almost come to life," Zuchtriegel said.

Two pieces dominate the hall; one depicts the Greek god Apollo trying to seduce the priestess Cassandra. The second piece shows Prince Paris meeting Helen of Troy.

About a third of the "lost city" of Pompeii remains obscured by volcanic debris from the eruption almost two millennia ago. As scientists make new finds, they quickly move them to a storeroom to protect them from the elements.

The newly discovered frescoes, however, cannot be moved, so they have been protected with temporary roofing. Plaster glue is also being injected into the walls behind the artwork to stop them from falling down.

"We have a passion and a deep love for what we're doing, because what we're uncovering and protecting is for the joy also of the generations that come after us," chief restorer Dr. Roberta Prisco told the BBC, adding that the work was very stressful.

The dig site is much bigger than just the banquet hall.

Another fresco recovered from what was once one of Pompeii's grand properties had been on a ceiling, but it was smashed by the eruption that destroyed the city. Archeologists were able to lay out the pieces like a puzzle and recreate landscapes, theatrical masks, and Egyptian characters.

"This is my favorite discovery in this excavation because it is complex and rare," Dr. Alessandro Russo, co-lead archeologist on the dig, told the BBC. "It is high-quality, for a high-status individual."

In a bakery next to the grand property, the skeletons of two adults and a child were discovered.

Archeologists believe they may have been slaves who were trapped and couldn't flee the eruption, and were killed by falling stones.

"When we excavate, we wonder what we're looking at," co-lead archeologist Dr. Gennaro Iovino told the BBC. "Much like a theater stage, you have the scenery, the backdrop, and the culprit, which is Mount Vesuvius. The archeologist has to be good at filling in the gaps — telling the story of the missing cast, the families and children, the people who are not there anymore."

The team's discovery was just one of a number of recent revelations from the site, after they found other mythological-themed frescoes in early March and then, just weeks later, a construction site that was being worked on right up until the eruption.

The archeologists said near the end of March that they'd found a home construction project that was frozen in time by the eruption, with materials such as bricks and tools still piled up in the reception area of the home.

By Haley Ott.

[neon-kazoo]

Villains I dont see very often; mute. Mute villains are the best, nothing can convince me otherwise.

One idea thats been on my mind is a mute villain confessing to the hero, either through sign language, or a perfectly executed scheme. You’re choice :))

Not sure if this counts, but I ran with it. Might try this again after I gather some ASL knowledge. Hope you enjoy :)

A Silent Movie

It wasn’t exactly easy to get Hero sat in front of the cinema screen. In fact, the planning for this trap had taken over sixth months. Not to mention the money it took to buy this building off foreclosure, and the multitude of investments into Hero-proofing the location.

It was even harder to get said hero to stop yelling long enough to pay attention to the image being projected from the back of the room. Not that their sense of hearing was needed for this experience, but Villain imagined Hero would appreciate the lack of noise-based distractions, including sounds they themselves were making.

The theater was notably large, probably the most expensive showing room of its day. That is to say, the upholstery was a little outdated. The popcorn had been swept off the floor, the swirling carpet surprisingly clean. The velvet of the seats did not appear stained, and the cupholders were absent of any discarded snacks or tickets.

The glow of the emergency exit lights were the only thing illuminating the room, and they revealed a dim image of the hero situated in the center of the third row, which was optimal seating in the villain’s opinion.

Clearly, Hero did not agree, considering how hard they were pulling at the restraints to try and exit their carefully selected theater chair.

It was futile, of course, and the hero finally stopped straining when the villain appeared a row below them, quiet as a mouse, standing with a finger pressed to their lips.

Villain retreated when the hero quieted, letting their attention shift to the screen and this special showing. Images flicked past, and Hero became engrossed in the story unfolding on the screen.

Shown was a news reel Hero recognized as the time Villain had crashed their Election Day speech. A zoomed out map of the city, marking City Hall with a red square. Grainy footage of two figures dancing around next to a dumpster. Once again the map appeared, now with two squares pasted on top. The pattern continued, and Hero was amazed.

It was an agglomeration of every moment they had spent together, every public battle, every nighttime-shady-alley encounter.

There was only one reason to collect these momentos, these reminders. It had all meant something to the villain.

The complete lack of kernels on the carpet certainly pointed to a level of dedication and commitment to this scheme.

Maybe, they were hoping it meant something to the hero, too.

Another scene zoomed out a final time, revealing all the markers spread across the city. Only, now, Hero noticed, a rather distinct pattern had formed.

Villain moved like a phantom, appearing again, this time at the hero’s side. The ropes at their wrists fell away like magic while Hero gazed at the awkwardly hovering villain. They presented the hero with a glittering object hung from a chain held loose around their fingers. It was a large ruby gem, expertly cut into the shape of a 3-D heart.

Stolen, no doubt, Hero suspected possibly from the large jewelry exhibition that had just entered town.

The screen flashed bright, and lit up the hero’s face as it contorted in surprise. They processed the scene as fast as they could.

A heart of red markers, a heart of ruby, a heart fluttering in their chest, a heart laid open in front of them.

“Oh,” Hero breathed, “Oh.”

Villain sucked in a breath.

This was it, this was the moment they got rejected because they couldn’t-

“I had no idea.”

Of course they didn’t know, it’s not like Villain had ever spoken about it.

Preparing automatically for the rejection, Villain started to withdraw their hand, cold-as-steel demeanor returning to them with all the familiarity of a security blanket.

It was so stupid of them to think that they deserved any kind of reciprocation, so stupid to think that the hero could possibly-

The hero snatched the charm from their fingers before they fully withdrew.

“I didn’t say no,” they spoke softly, and the villain’s heart skipped a beat.

They reached out their other hand, wrapping their fingers over the still-outstretched hand of the villain. Instead of elaborating, Hero pulled the frozen criminal closer, connecting their lips in a gentle proclamation.

Actions spoke louder than words anyway.

[choerypetal]

Little Bird / Coriolanus Snow

summary: Being the Capitol's favorites subject has consequences. Consequences that subject to be paired with the most influential man in Panem entirely.

notes **reader is an idol/singer in Capitol's first attempt into making a group for each annual Hunger Games. but with snow's obsession into making you entirely his and with his job as mentoring lucy gray, he tries his very best, but fails miserably.

ps ; english isn't my first language so i apologize in advance for some minor errors and please do not copy my work without credit thank you!

Your connection with Snow encompassed diverse facets. At times, he exuded an irresistible charm, drawing you in effortlessly. Yet, in the next moment, his piercing blue eyes locked onto yours with audacious intent, as if daring anyone to approach and touch even the slightest expanse of your skin – a challenge few would ever contemplate. 

Being the Capitol's favorite came with its own set of challenges. Compliments on your skills or charisma were either sincere or fueled by envy, making it doubly difficult for those striving to surpass their yearly earnings. This aspect of Panem's functioning was something Coriolanus exploited way too much. The artificiality of the stage, adorned with makeup to project an illusion of wealth, highlighted what he found enduring. The ease with which one could become the favorite by merely speaking or moving to the latest musical rhythm was something Coriolanus himself could not keep his eyes away from. And that person was you. 

He despised witnessing other men vying for your attention, their eyes lighting up as soon as you entered the Capitol's theater. There was no denying that you were the favorite member among your group. However, during your debut, the spotlight only found you officially when it was announced that the Capitol's new favorite group would be welcoming a new member. Given your position at the Academy, your choices were limited – either mentoring a tribute and risk bringing shame to your family if they lost. Or become part of Panem's newest favored diversion. It wasn’t until the very next day, that many became obsessed with you. And as much as Coriolanus tried to oblige on that single though, he was afraid to admit that he too became a little too obsessed over you. 

To compound Coriolanus's discomfort, he had to endure the ceaseless styling rituals accompanying each new album or song released to the public. This entailed donning short skirts and crops, transforming your body into a specific attire as a statue to be admired for hours on end. For the hapless Coriolanus, sitting there was challenging enough, watching you perform with a self-assured smirk, reveling in every bit of skin. How the skirt would flare up and brush against your skin, how he wanted to feel such fantasy. From each moments of your act, while beads of sweat glistened across every inch of your body. He couldn't help but fantasize scenarios from scenarios that you would be his, envisioning the two most influential figures of the Capitol as the perfect pair. And that was only during the ceremony of the 10th Hunger Games. 

Post the 10th Hunger Games, a significant shift occurred. Lucy Gray's presence lingered in Coriolanus's thoughts, causing him to perceive you in a completely new light. You were constantly in his mind. Although you though, with hearing the constant rumors of a possible relationship between him and his tribute. While you continued to excel in your performances, earning the success both you and your group rightfully deserved, you were aware of Coriolanus's altered fate.

Once he had been sent back to District 12 after his victor, Lucy Gray, who was also a performer. He remembered occasionally, after the victory ceremony, how you had the opportunity to chat with Lucy Gray. Discovering that your old classmate may have developed feelings for her. As Coriolanus Snow’s proud smirk upon seeing the people he seemingly cared for interacting with each other. Only to be so blind by the fact that you had expressed prior feelings for him, but instead confidently expressed his plan to join forces and visit her in her District wasn’t what you had intended to hear. 

While you refrained from expressing any objections, your suspicions regarding the burgeoning emotions between the two of them proved well-founded. Little did you know, Coriolanus engaged in those actions merely to divert his thoughts from you, acknowledging he wouldn't have a chance with you. Lucy Gray became his chosen distraction. Simultaneously, he caught wind of a potential rumor suggesting you were seen intimately with another man. The revelation that this man wasn't him intensified his already pronounced obsession with you. However, this time, Lucy Gray played a role in assisting him.

The revelation of his truth dawned on him only upon his return to Panem. The snake bite's impact intensified, with only your silhouette haunting his thoughts. In this return, he presented a wholly transformed appearance – his hair slightly longer, adorned in his father's old crimson jacket, albeit somewhat intoxicated, attempting to erase all memory of you. What Snow remained oblivious to was your patient anticipation during his absence in District 12. It was Tigris who knocked on your door that very evening, sparing you from the surprise of his return. 

However, Snow chose to make his entrance at the stroke of midnight, reminiscent of the times when both of you would clandestinely navigate the Academy. In those intimate moments, he patiently bided his time for the Capitol streets to empty, stealthily entering through your bedroom window. Hours were spent in each other's arms, reveling in discussions about new projects, with his assurances that everything would be alright.

This time, however, an inebriated Snow had a different agenda beyond comforting cuddles for sleepless nights. His primary goal was to solidify your relationship officially. "If you don’t tell her, I will." Echoed Tigris’s voice in his mind upon seeing her cousin return from duty as a Peacekeeper. She was among the few who truly knew about the budding romantic connection between Coriolanus and you. She pleaded with her cousin to go ahead, noting. "She hasn't touched a man since the last time you spoke, you know." That last statement served as a testament to your unwavering fidelity towards him. It was only a matter of time before he knocked on your door that very night.

On the contrary, you took it upon yourself to tidy up the entire apartment. Anticipating Coriolanus's return, you were determined not to leave a single mess, mindful of both his and your own peace of mind. Despite the fact that chaos often defined your shared living space, when in each other's arms, you both found solace in tidiness and tranquility. However, as dinner passed and bedtime approached, you couldn't help but notice Coriolanus's absence. Was he running late, or was he entangled in some trouble that you would only learn about the next morning? Various questions raced through your mind as you attempted to drift off helplessly on the living room couch, with the TV's echo serving as a backdrop.

Coriolanus stood there silently, observing from a distance outside your apartment window. Anyone observing from afar would catch a glimpse of you nibbling at your cuticles – a habit he had learned you indulged in when he wasn't around, a realization that would later make him feel remorseful upon witnessing the marks it left on your fingers. In response, he would tenderly peck each bruise, a silent acknowledgment of your thoughts mirroring his own. However, this time, he chose to forgo surprising you with the cliché bouquet of flowers or any conventional gesture. After indulging in the contents of a second wine bottle before making his way to you, he had no plans of raiding the florist shop either. Knocking on your door with determination, he felt an unusual hesitation, a departure from his past boldness of entering and showering you with kisses. Contemplating the prospect of declaring you entirely as his, especially in his inebriated state, he wasn't entirely certain if you would fully trust his words. 

Luckily, you had left the door ajar for him, a gesture he expected. Upon entering, he was met with the familiar background echo of the TV, confirming his assumption that you were already asleep. Nostalgia washed over him as he recalled the mornings spent lounging in bed with you or embarking on early runs for coffee. Despite his aspirations to bring about change in Panem and restore his family's reputation by aspiring to become President, he understood that true fulfillment wouldn't come until he had you by his side entirely. Limping slightly due to the effects of his drunkenness, he made his way into the living room and began to softly whisper your name, until his gaze met your sleeping figure. "Y/N... My sweet bird."

His breath carried warmth that gently brushed against your cold skin. Despite the lingering scent of alcohol, indicating Snow had been drinking before his arrival, your eyes responded to the touch of his finger delicately tracing your cheek. "Coryo…" you murmured his name with a loving tone, reveling in the vulnerability of calling out to him. "Shh… I am here," he reassured you, prompting a soft smile to grace your lips at the sound of his comforting voice. A voice you had missed dearly, compelling you to slowly rise from the much-needed slumber after a demanding day. However, lately, without Snow's presence in your arms, the nights became sleepless and challenging to endure alone. Despite acknowledging this truth, there was a conflicting sensation, a twinge of discomfort knowing that Coriolanus relished the fact that without him, you felt incomplete. It was this dynamic that rendered the two of you an unforgettable pair, seemingly inseparable. 

“How I missed you so much.” He continued to say, with seeing your face arousing from your slumber, how he had missed kissing your soft lips each night before going to sleep. If it wasn’t for being a Peacekeeper back in District 12, he’d say he was damn for letting himself kiss Lucy Gray while thinking of you the entire time. “I missed you more, Coryo. Everytime, during performances and even in my relentless dreams.” 

A subtle smile played on his features as his fingers traced down your body, an unspoken desire evident in his every touch. His lips yearned to kiss every inch, a longing to finally claim you as his own. He envisioned proudly holding your hand in public, marking you as his and sending a clear message to other men about your ownership. "You want to know something?" The amusement in his voice prompted a soft giggle from you, appreciating his seemingly all-knowing manner of sharing information, despite the evident effects of his earlier drinking. "What, drunk boy?" You playfully teased, noting the light pink hue that adorned his cheeks—a clear sign of his inebriation. 

He vehemently denied it with a pout, his lips subtly mimicking a desire for a kiss. Coryo was just touch starved. "You know, I haven't been properly fed with love lately. Coryo has been away from his bird for far too long..." His voice deepened, the intensity of his gaze barely allowing for a blink, making it abundantly clear who he desired: you. An intensifying blush crept on your features this time. Of course you knew your history with him, a caring gentleman who made sure to take care of the one he loved most. But this Coriolanus, objected something in you that you enjoyed seeing probably a little more. To be completely under his control. To bow to his command. 

"And as much as I hate to admit..." Your voice took on a gentle tone, a stark contrast to the confidence you exuded in the public eye. Sensing his fingers trailing down your body, from your hips to your lips, he couldn't help but notice their softness, prepared to be pampered at his command. However, he had to restrain his temptations for a moment, feeling his teeth sink into the bottom of his lip. You continued. "I might have been a naughty bird, moaning your name during sleepless nights, hoping you'd come save me from my little cage. You have no idea how eagerly I waited for you to come back." 

Honestly, Coriolanus found himself just as taken aback by your confession, despite the obvious history between the two of you. The mere thought of you in bed, adorned in barely anything, accentuating your beautiful form, fingers exploring sensually. The vivid image of you pleasuring yourself, uttering his name amidst a chorus of enticing sounds, drove him to instant madness. Tonight, he was determined to lavish you with everything he could muster—to claim you as his own, leaving marks on your body that not even the most skilled makeup artist could conceal come morning. Without explicitly professing love in the conventional sense, it was evident that Coriolanus and you were destined to be together. In times of need or distraction, both of you instinctively knew where to find solace in each other's presence. 

"I want you, Coryo..." you pleaded, your fingers clutching his shirt, the skirt from today's performance riding up slightly. Upon arriving from work, you had removed your underwear just for him—his eyes alone to witness, taste, and appreciate. His hands gripped firmly on your arse, and it was his turn to shift positions, settling onto the couch with you atop him. Your blouse, with a revealing cleavage, owed its allure to Tigris, your stylist. You couldn't help but wonder if the same effect would have been achieved without her touch. Extricating yourself from his grasp, you observed his lips curling into a mischievous smirk. It was a smirk that served as a reminder, and in that instant, you knew that tonight, you were unequivocally his—his and his alone, his cherished little bird.

"I can't wait to finally show my little bird what I can do."

Coriolanus spoke those words with genuine anticipation. It was undeniably the most memorable night, and he intended to recreate it repeatedly. After all, you were his little bird—his to cherish, tourmate, and play with as he pleased.

[babysukiii]

fallingforyou (3)

// lottie matthew’s does not like you. you’re annoying, preppy, and way too nice. lottie doesn’t fail to show you time after time just how much she hates you. you finally get the message and steer clear of her, until senior year, when you both get paired up for a science project. //

warnings: asshole!lottie, sweet!reader, pining, mutual pining, oblivious!reader, hints of underage drinking, lowkey jealous lottie if you squint, lottie is an idiot

(this is part 3, you can read part 2 here, and part 1 here)

on this night and in this light (i think i’m falling)

“don’t you think we should be, i don’t know, actually working?” lottie questions sardonically, and you turn your head to scowl at her from where you’re laying on the rug in your room. a new episode of sabrina the teenage witch was playing and you were excitedly watching it. “shut up! sabrina is talking!” you hiss warningly, causing the yellowjackets sweeper to roll her eyes in annoyance, while you turn your gaze back to the tv. “why didn’t you tell me you were going to be doing this the whole time? i would’ve just gone home.” it’s a blatant lie, but you don’t know that, and lottie doesn’t want to tell you otherwise.

you scoff, “yeah, sure. after the way you acted when i cancelled yesterday? you’re stuck here now.” the comment is supposed to annoy lottie, but it doesn’t. it doesn’t annoy her at all, the thought of being stuck here with you. lottie blinks rapidly, trying to shove that thought so far away, she’ll never have to deal with it again. “you don’t like sabrina?” you ask, gesturing to the tv, and lottie shakes her head. “i don’t really watch tv.” she mutters her response, making you furrow your brows and laugh lightly. “seriously? aren’t your parents loaded? i thought you’d have a huge theater where you watch all your favorite shows and movies.” you tease her, causing her to glower in your direction.

“you thought wrong.” she retorts, but there’s something in her tone that you can’t quite place. you can sense the shift in demeanor, but you don’t press the subject. lottie is like an animal you’re trying to tame. she could snap at any moment for any reason. you know lottie is like this for a reason; you can’t help but wonder if maybe her mother is just as angry as her. or perhaps her father has a temper. “well, either way… it’s been kind of nice having you over.” you start cautiously, and lottie looks over at you; her tenebrous gaze meeting yours.

“i just mean, i get lonely sometimes even though i’m here with my siblings all the time. it’s nice to have someone to spend time with.” you ramble, and lottie’s eyes seem to soften in a way you’ve never seen before. “i like being here with you too.” lottie says before she can think twice, taking not only herself by surprise, but you as well. a faint blush creeps onto your face, and lottie takes in how pretty you are. before either of you can say anything else, your older sister barges through your bedroom door, causing you to jump.

lottie looks annoyed at the intrusion, and she sends a scowl the older girls way. elise stares at you for a moment, furrowing her brows as she notices how flushed your cheeks are. she can nearly feel the tension in the room. “mom said dinners ready. she served your friend a plate.” the eighteen year old comments, flashing you a knowing look. you nod, “okay! be there in a minute.” you aimlessly respond, trying to keep your eyes away from your sisters. you do everything to stop blushing but it doesn’t seem to work. elise reluctantly leaves without saying anything else, and lottie clears her throat.

“i feel bad your mom has been setting an extra plate for me. i didn’t even ask if it was okay…” lottie trails off, insecurity laced throughout her tone. you shake your head quickly in protest, “my mom likes you! she thinks your nice, and she doesn’t mind.” you assure her, “besides, my dad always works super late so he never eats with us. there’s always an extra seat.” you ramble a bit, and lottie feels a bunch of mini starbursts in her chest; going off rapidly one by one. she swallows thickly, “thanks.” she doesn’t know what else to say and internally cringes at her response. you get up, flashing her a little grin that causes her belly to flip in an uncomfortable way.

“come on, matthew’s, before my mom gets pissed.” you taunt, waiting for her to get up from her seat on your bed. she follows you out of your room, chuckling slightly, “i can’t imagine your mom angry. she’s so tiny.” lottie makes you giggle, “trust me, she can be terrifying. have you ever heard that shorter people are more likely be evil because they’re close to hell?” your retort sounds serious, which makes it even more hilarious, and lottie can’t help but burst out laughing. you giggle as well, and you don’t even realize elise and your mother are staring at you both with inscrutable looks.

you and lottie aimlessly take a seat beside each other, and lottie smiles at your mother. “thank you, mrs. l/n. this smells delicious.” she says politely, and your mom offers her a smile. “you’re welcome, sweetheart. it’s carne asada, beans, and rice, y/n’s favorite.” she admits, and elise snickers, “basics just like her.” the older girl chimes in, and sabrina giggles while you flush. lottie looks at you, and she can’t stop thinking about how pretty you look when you blush. surely she’s notice how pretty you were before, but she can’t remember ever thinking about it. elise is the only one who is aware of the way lottie is looking at you.

“so mom… maria invited me to a get together at her sorority house. can i go after dinner?” elise asks hopefully, and your mom gets this skeptical look on her face. “a get together? at a sorority house?” she questions uncertainly, obviously not buying it. “yeah! it’s just a few of the girls! please mom?” the oldest teen asks, putting on her best puppy eyes. lisa quirks a brow challengingly, “then you wouldn’t mind taking y/n with you?” she asks, smiling in a condescending way. she obviously seems to know elise will refuse to bring you along. your eyes widen at the same time elise’s do.

“me!?”

“her!?”

you both respond to your mother at the same time, and lisa nods simply. “if it’s a get together, then you should have no problem with taking your sister. besides, when was the last time you two did anything together?” the older woman asks, and a glower etches itself onto elise’s features. “why can’t i go too!?” sabrina asks, pouting and clearly upset. “because you’re failing english, and need to study.” lisa pointedly responds, and elise huffs. “fine. i’ll take her, but she’s gonna be complaining the whole time!”

your eyebrows nearly meet your hairline, and you protest quickly. “i don’t wanna go! it’s friday night, and the last thing i wanna do is spend it with elise and a bunch of her weird friends!” you flash your mom a pair of begging eyes, “please don’t make me go.” lottie commends your mother for having the willpower to go against those eyes because damn, she feels her resolve slipping and the peculiar need to step in and protect you kicks in. “i can go with you guys. just so you’re not stuck there alone.” lottie offers, and your head turns to gaze at her.

you blink a few times, clearly confused as to why lottie matthew’s would want to spend a friday night with you. “but didn’t you get invited to becky martin’s bonfire?” you inquire, and lottie shrugs, “i wasn’t gonna go to that anyways.” she lies, but you seem to believe her because you flash her a grateful expression, “i mean if you really wanna be stuck with elise’s friends all night, then sure.” you half joke, making your older sister scoff. “my friends aren’t that bad! i mean at least i have more than three, unlike you!” she hisses, and you roll your eyes.

“ever heard of quality over quantity?” you sardonically retort, making lottie chuckle. elise narrows her eyes at you, “you’re so lucky moms forcing me to bring you.” she mutters, as she continues eating.

after dinner you and lottie head back to your room, and you’re a bit quieter than usual. “you don’t have to go just for my expense, you know? i know you were planning on being at that bonfire tonight.” you say softly, and lottie tenses up as you call her out. there’s no malice or anger in your tone, but lottie frowns. “if i wanted to go to that bonfire i would. i’m hanging with you tonight.” she responds adamantly, and the way you smile washes all of her doubts away.

“okay then, i guess i’ll start getting ready. you already look pretty, but we can stop by your house if you want to change?” you suggest and lottie shrugs, trying to ignore the sensations inside of her that she gets when you call her pretty. “i’ll just go like this. i mean, it’s just a bunch of elise’s lame friends. they’re probably just gonna talk about books and stuff.” she jokes, and you giggle, making her stomach get all knotted up again. god, she really hates that feeling.

throughout the entire way to the sorority house, lottie can’t help but occasionally steal a few glances at you. you had decided to wear a pair of tight black flare jeans, and a cropped fur coat that apparently belongs to elise. lottie wasn’t used to seeing you outside of your usual school clothes. you’d mostly wear jeans and sweaters; hiding every part of yourself. though tonight lottie had a hard time keeping her eyes off you. as soon as elise pulls into the parking lot of the campus, you can hear loud music in the distance.

your confusion only seems to grow as the music gets louder, the closer to the sorority house you all get. finally, your steps begin to falter when you realize you’re approaching a house with a few drunk students outside. someone was laying on the grass, and another person was holding her friends hair while she threw up in a bush. “elise this is not a get together! this is a frat party!” you exclaim angrily, as a large guy drunkenly stumbles past you guys. elise actually looks guilty for a moment, but the expression is quickly replaced by an angry one. “that’s why i didn’t want you to come! god, mom treats me like i’m a fucking kid! i’m eighteen; i should be allowed to have some fun.” she snaps, and you sigh.

“you should’ve just been honest with me. or snuck out like a normal person your age! now i’m stuck here!” you begin to argue with the older girl, who huffs in response. “yeah, cause being at a college frat party is every seventeen year olds worst nightmare. seriously, y/n, when was the last time you were even invited to a party?” elise sardonically asks, and you frown. “i’ve been to parties!” you internally cringe at how stupid you sound, and even lottie knows you’re lying. she’s only ever seen you at one party before, and even then you had left early.

elise shakes her head in dismay, “i bet you wouldn’t even know what to do at a place like this.” she challenges, and lottie frowns when she sees the determination on your features. “well, why don’t you put your money where your mouth is?” you provoke her back, suddenly thinking about those new shoes you’ve been wanting for a month. elise lights up, and lottie thinks it’s the first time she’s ever seen her look so excited as she talks to you. “fine. if you can get a guy or two to dance with you, and actually let loose… i’ll buy you anything you want from the mall. under a hundred and twenty bucks.” she says and you nod in agreement. “deal.” you confirm, holding your hand out for your sister to shake.

lottie gets a strange feeling in the pit of her stomach as the three of you walk into the sorority house. immediately lottie is alert and aware of how many people there are in here; how crowded and dim-lit the house is. losing you here would be easy, and it’d take lottie forever to find you. elise ditches you as soon as she sees her friends, and lottie hates that she’s thinking about what it’d be like if she didn’t come. you’d be stuck here, alone.

“at least they’re playing good music.” you comment, noticing an upbeat spanish song was playing. lottie’s cheeks turn a shade of crimson red as she flushes timidly. “i failed spanish class last year… i think i’m doing really bad in french too this year.” she reveals and you let out this tinkling laugh that causes her to stare at you. she takes in how you look under this lighting; your hair was clipped back in a half updo, but it was still curled in this carefree way that made lottie think you looked absolutely beautiful. she glances away, trying to think of anything but that.

“it’s okay, i suck at french. i only passed spanish class because it was my first language.” you tell her, and she smiles at the admission, “i don’t think i’ll ever be able to learn another language, it’s like my head just can’t grasp anything other than english. spanish is sexy though.” lottie blurts out, and you raises your eyebrows in a bit of amusement as her cheeks burn in humiliation. she has no idea why she just said that.

“here you go pretty ladies. you two look like you needed a drink.” a deep voice intervenes, as you look to see a tall frat boy handing you both cups. lottie speaks before you can even think about it, grabbing your hand, and grasping it firmly. her grip sends a jolt of electricity down your body, and you lose all train of thought as soon as she touches you. “we’re good, thanks though.” she says in that usual not-so-kind voice before pulling you away. “hey! i’m supposed to be getting guys like that to dance with me if i want to win the bet!” you argue, pouting as lottie begins to look for the drink station. she rolls her eyes, making a face of clear disdain at the fact that you’re actually going through with elise’s stupid challenge.

“you’re not seriously going to try and win that stupid bet, are you?” lottie gives you the third degree as she questions you, and you frown at her tone. you aren’t really sure why she sounds so upset. “well, yeah, i mean i want some new shoes and it’s an easy win. how hard can it be to get a few college dudes to dance with me?” you ask uncertainly, and lottie only seems more and more annoyed as you explain yourself. “these guys don’t just wanna dance with you, y/n. they’re all here looking to get laid.” she states, the contemptuousness in her voice causes something inside of your abdomen to tingle.

“obviously i’m not going to let them do that, matthew’s.” you respond as you both come to a stop at the drink station. lottie scoffs as she begins to make your drinks, refusing to answer you anymore. you frown, “you’re such an ass.” you mutter, only adding to her annoyance. she shoots daggers at you with her eyes, “me?? because i don’t want some gross college guy trying anything with you?” she sounds serious, and you can’t help but let your frustration wash away as you realize she’s just worried about you.

“if i didn’t know any better i’d think you’re actually starting to care about me.” you say carefully, as lottie hands you a cup of cranberry vodka. “yeah well, good thing you know better.” she murmurs, and before you can get another word out, an older guy approaches you both. “hey, i’m chris.” he introduces himself, flashing you a shy smile. “y/n.” you respond back, and lottie tries to hide the obvious distaste towards him while he eats you up with his eyes. “do you maybe wanna dance, y/n?” he asks hopefully and you’re about to say yes, when you remember lottie’s obvious indifference towards the bet.

“no, i’m okay. i’m here with someone else.” you simply respond, and the look of disappointment and humiliation etches itself onto his face. “oh, yeah. cool. i’m sorry. i’ll see you around then.” he quickly apologizes before rushing away in the opposite direction. lottie looks at you, visibly befuddled as to why you would turn him down. you shrug at her reaction, taking a sip of your drink, “i can always just blackmail elise into getting me the shoes. she’s not even supposed to be here, let alone have me here. moms gonna flip.” you laugh lightly and suddenly a sense of relief courses throughout the raven haired girl.

she isn’t sure why she was upset at the thought of you dancing with some other guy. the mere thought of some seedy dudes hands on you made her blood boil for reasons she didn’t understand.

it isn’t until lottie is laying in bed later that night; the image of your pretty smile and eyes are the only thing that she can see when she closes her eyes, that she realizes what this is. lottie matthew’s isn’t stupid; she’s aware of what’s happening… she just doesn’t want to admit it. because just last month lottie hated you; now she couldn’t get you out of her head. she was falling fast and she wasn’t sure if she could stop.

[onlydylanobrien]

Live from New York, It’s Dylan O’Brien!

The 33-year-old plays Dan Aykroyd in Jason Reitman’s Saturday Night, and he’s not sure he hit it out of the park. But he’s okay with that.

DYLAN O’BRIEN HAS led movies that grossed hundreds of millions of dollars at the box office. He’s shared the screen in a thriller with Michael Keaton (2017’s American Assassin), exchanged jokes with Vince Vaughn and Owen Wilson (in 2013’s The Internship), been a long-running MTV teen heartthrob (in 92 episodes of Teen Wolf), voiced a Transformer (in 2018’s Bumblebee), and, hell, went toe to toe with Larry David while playing himself on Curb Your Enthusiasm. At 33, he’s accomplished a hell of a lot.

By the time we meet at Men’s Health’s New York City offices to chat on an early September Friday, I’ve already seen a lot of his work. I’ve always liked the way his relaxed demeanor on-screen fits with an undeniable movie-star look—and that holds true in his latest project, Saturday Night (in select theaters now and out nationwide on October 11), in which he stars as comedy legend and original Saturday Night Live cast member Dan Aykroyd; the movie is a depiction of the chaotic 90 minutes before the very first episode of SNL. But I wasn’t sold on his sheer determination—the pure conviction in his character—until I learned that, like myself, he’s a long-suffering fan of the New York Jets.

“I get psyched for the Jets,” he tells me, rocking a full beard, a T-shirt, and a pair of comfortable lacrosse shorts. As he finishes his thought, his eyes light up, but they maintain the slightest sense of eternal frustration behind them. “Even though it’s always like, Jesus Christ.”

Misfortunes of past football seasons aside, O’Brien is as hyped as he’s ever been for the season to come—he’s already done all of his fantasy drafts, though he feels better about some than others—but right now he has one potential problem: He’s going to be in Toronto, for the Toronto International Film Festival, on the night of the Jets season opener. But don’t worry, he’s got it figured out. Saturday Night’s premiere is on Tuesday, and his press schedule on Monday (when the Jets are set to play the San Francisco 49ers) concludes at 5:30 p.m.

“I’m like, I’m going to a pub. I’m getting out of the area, and I’m just going to sit and have some beer and watch the Jets on Monday night all by myself,” he says with a huge smile on his face. “It’s going to be awesome.”

It’s a relatable feeling—for most Jets fans, there’s no happier time than before the season starts, before the annual feelings of dread and doom start to set in. (The Jets would wind up losing to the 49ers, 32-19, in their Week 1 MNF matchup.) But, as Jets fans have learned so well to do over the years, we move on.

O’Brien has a long career behind him, but a long career ahead of him, too. In addition to his upcoming role in Saturday Night (which has earned strong reviews in the early goings), he’s also got the M. Night Shyamalan-produced Caddo Lake premiering on Max this month, and Anniversary, in which he stars alongside Diane Lane and Kyle Chandler, coming at some point in the near future. (It doesn’t currently have a release date.) O’Brien is the kind of actor who elevates the project he’s in, even when the project is already really, really good—but if there’s anything being a Jets fan says about someone, it’s that they know how to adjust, adapt, and bounce back. And in an industry as fickle as show business—which is put on full display in Saturday Night—that’s about as important a quality as any to have in your back pocket.

Ahead of the release of several of the biggest and most exciting projects of his career, O’Brien sat down with Men’s Health to discuss how he keeps himself sane and centered, prepping to play a comedy icon, and some of those casting rumors about him out there on the Internet.

MEN’S HEALTH: What kind of routines do you maintain for your mental and physical health?

DYLAN O’BRIEN: I don’t go to the gym. I’m not a gym guy, but that doesn’t mean I don’t exercise or train or anything. I would say I go in and out of that. I’m usually the type who’s either on a pretty consistent routine and trying to hit it hard and take care of myself for a period of time, and then I’ll let it go for a little bit. Some of that’s influenced by my schedule, too. When you go to work, it’s hard to keep up some kind of regimen. But when I’m home and I’m in between jobs, I’ve become a very domesticated individual. I love grocery shopping and cooking my own meals.

MH: What’s your favorite thing to make?

DOB: If I had to pick one thing, I love, to the soul, making a soup. It’s literally the first thing I’ll do when I go anywhere to settle in. Just a homemade chicken soup, with a chicken carcass, and get creative with the veggies.

MH: Do you have a mental health routine?

DOB: That’s typically what drives the eating and the exercising. I always feel best when I’m in a nice routine and taking care of myself. As I’ve gotten into my 30s, sleep is so important, and periods of laying off alcohol are so important. Just treating your body right and getting rest. I like to do a cold plunge session, and that’s very meditative for me. I’ll follow the simple program of “exhaust the body, relax the mind” when I’m going right.

“I was self-conscious that I DIDN’T LOOK LIKE HIM, that I DIDN’T SOUND LIKE HIM, that I thought people wouldn’t think me—Dan Aykroyd.”

MH: I totally understand the concept of using whatever levels us as therapy. Sometimes after work I just need to put the Yankees on and do absolutely nothing in order to fully detox and feel right.

DOB: That’s my soul. The Mets… obviously, baseball is a nearly every day thing. And even when the Mets are not going well, what’s soothed me since I was closely following them when I was a kid is [broadcasters Gary Cohen, Keith Hernandez, and Ron Darling]. Literally, even just throwing the game on in the background while I’m getting dinner ready and just listening to those guys talk baseball—that settles me to my core. I’m totally with you on that.

MH: Is watching sports your main way of decompressing at the end of a long day?

DOB: If it’s baseball season, yeah, nightly Mets is nice. If I’m working, I’ve been known to be on jobs and randomly be bingeing some reality show while I’m on it. It’s such a decompressor at the end of the day. I love reality TV.

MH: What’s your favorite?

DOB: Of all time?

MH: Yeah.

DOB: Well, it’s between Jersey Shore and Vanderpump Rules as far as the all-timers. I’ve been a longtime OG Vanderpump fan, pre-Scandoval, and I just think that show’s a masterpiece. And Jersey Shore is a masterpiece, too. I did a film, Ponyboi, that’s very Jersey-centric, and so I drilled all of the first four seasons of Jersey Shore. My whole routine for that movie, when I needed to decompress, was just working out and watching reality TV. I lost a lot of weight, too, for that movie, and I was just trying to make my little chicken breast, and eat my salad, and work out, and watch Jersey Shore.

MH: Let’s talk about Saturday Night. How would you describe your version of Dan Aykroyd?

DOB: It might be the thing most open to interpretation I’ve ever done. By that, I mean it really was just leaping out of the nest. I’m playing this real person, but [director Jason Reitman] had no intention of just copying the person coming in. He really wanted everyone to have their own spin on the person, which, if you’re overthinking it, can be tough to do because it can be very easy to do. If you’re like, I’m just going to watch my guy’s interviews and sketches, then you can kind of fall into imitation. As far as I know, I was just doing what I thought he was like. But I don’t fucking know. That instinct was that Jason was always telling me what to run with. He was big on not overpreparing, not overwatching things, and not impersonating. I’m curious to hear people’s take, because I don’t really know. I just went with my gut.

MH: Was there one signature quality of Dan you wanted to capture?

DOB: A very earnest intelligence—he’s so quick, it was exhausting. I would always say how exhausted I was, because I’m playing someone who’s way quicker than I am, and so I’m constantly operating at a speed I can’t operate at, because he’s so sharp and fast and he never fumbles and he never curses. He never bides time. You know what I mean?

MH: Absolutely.

DOB: He’s so precise with his improvisation and his comedic skills. I came away with such a larger appreciation than I even had for his genius. And he was so young—he was a kid. He was 23 on that first season of SNL. I never processed him as being too worried about too much, which was a funny contrasting energy to the very tense atmosphere of the film in the hour and a half before showtime. He’s so loose.

MH: It’s interesting you say that, because it’s something I totally clocked, too—Dan is kind of the calm part of a storm that includes people like Chevy Chase (Cory Michael Smith) and John Belushi (Matt Wood). How did you maintain that presence as the movie’s level head?

DOB: My way of achieving that, with permission from Jason, was to embrace this quality in myself that I didn’t originally associate to Dan—that I only then did after Jason pointed it out to me—which was to have an aloofness on set. I feel very relaxed in that space. In a way, I wasn’t too worried. But that comes with the caveat that I entered this process thinking I was so wrong for the part.

MH: Why did you think that?

DOB: I don’t know. I was self-conscious that I didn’t look like him, that I didn’t sound like him, that I thought people wouldn’t think me—Dan Aykroyd. And I guess it was an insecurity that I would be skewered for being miscast or something. But even with that insecurity, again, I’m still so happy to be there and, like, whatever, fuck it. I don’t care if that’s the response. I’m boned, but whatever. It’s great to be here and get to do this, and what a blast of a thing to get to be a part of. So, weirdly enough, that type of aloofness amidst other people having to handle some really tense stuff was what Jason was telling me to embrace.

MH: Have you met Dan?

DOB: No. Not yet. I’m supposed to meet him at TIFF. And apparently that will be both of our first times seeing the movie.

MH: That will be great.

DOB: There was a moment early on, when you go into something like this, you’re playing someone, you imagine that they might want to speak to you. They might be hell-bent on speaking to you, they might be crazy about getting their hands in it, or they might be totally hands off. And to hear that he was so not worried about it, if anything, was the first moment I was like, Oh, maybe we’re right. Because I would’ve met with him, too, but I also didn’t need it. I would have if he insisted. I’d be like, Of course—I’ve got to do that. But I vibe with the fact that he was like, no, let the kid go do it. That’s how I feel like I would react.

MH: What’s your favorite movie of his?

DOB: I was a big Blues Brothers kid. I did the Blues Brothers for my talent show in third grade. I was also a big Tommy Boy kid.

MH: I’ve loved a lot of the comedic stuff that you’ve gotten to do, including your Curb Your Enthusiasm guest appearance. What was working with Larry like?

DOB: Oh, it’s just a blast. He’s a Jets fan, too—I remember that was our first conversation we had. It was like I was just talking to a buddy, at [the popular TriBeCa bar] Walker’s, or something about the Jets. I’ve worked with a lot of comedians, and that space can be weird. The energy can be very overstimulating, and those personalities can tend to be really loud and competing. It can be a very odd atmosphere sometimes. Going to work with a guy like that… I was like, Who knows, he could be a fucking total narcissist tycoon, and he wasn’t. He couldn’t have been more generous, couldn’t have been quicker to laugh at someone else and let someone else have the spotlight. I couldn’t think more of the guy. He’s amazing.

MH: It’s been almost a decade since your accident on the Maze Runner set. When you look back at your recovery, how has that experience most impacted your life?

DOB: It was a life-changing incident. I’ve approached everything differently, you could say, particularly with regards to standing my ground on set. It’s very commonplace in the culture for young actors to be controlled, and the way they strive to do that is by always being like, Oh, don’t become difficult. Don’t be a pain in the ass. Or Are you complaining, are you being difficult? Things like that. I learned after the accident to not conflate taking care of yourself and looking after yourself. Don’t let them manipulate you into thinking that is being difficult, because I can look at that day and know I was a 24-year-old kid who was raising concerns about how we were approaching things, and they were not listened to, they were not respected. And then what happened happened. And by all accounts, it was all pretty gotten away with, I would say, as well. It’s taught me that, at the end of the day, in these spaces, you have your own back, and that’s the most you can rely on. I just turned 33. I’ve been doing this for 15 years. I know the person I am, and the character I bring to set, and the way I treat people and the way that I treat a workspace, and I know I’m not difficult. I know I’m not an asshole. I know I was trying to protect myself that day, and so I’ve just never forgotten that. That’s always rung true as being the thing to hold with me.

“It’s taught me that, at the end of the day, in these spaces, you HAVE YOUR OWN BACK, and that’s the MOST YOU CAN RELY ON.”

MH: And this is something that’s always in the back of your mind, just knowing that you’ve had this experience and it’s shaped where you are now.

DOB: It helps me. It’s a shame. It’s a shame that it had to be that for me. To build this armor for myself of just being like, No, man, I’m going to look after myself, I’m going to take care of myself, and there’s nothing wrong with that. There’s nothing wrong with asking questions. There’s nothing wrong with bringing ideas, even if we’re talking creatively. It’s our job to bring ideas. There’s nothing wrong with raising concerns. There’s nothing wrong with being like, “I think we could do this better, I think we could do this differently.” You know what I mean? That’s the process. It’s a collaborative process. It’s a creative process, but also you’re dealing with big dangerous shit sometimes, too.

MH: Throughout the years, you’ve been rumored to become the Flash and Spider-Man. Is there any truth to the rumors?

DOB: No, never.

MH: Nothing?

DOB: No, none of it. Yeah.

MH: Is that of interest if an opportunity ever came up? Are you a comic book person?

DOB: I never have been. But I wouldn’t rule out anything. Certainly, it’s not of interest to me as of now. Maybe when I was 20 and they were rebooting Spider-Man—I was excited about that. But I didn’t even get past the casting pre-call or anything. No, none of those rumors have ever been true. I didn’t even know there were rumors. I just thought they were people just putting it out there.

MH: People put a bunch of stuff out there and then places pick it up and then stuff snowballs.

DOB: None of anything I’ve ever read about myself is true. So, if you want to use that template, that’s my experience.

MH: So what is of interest to you? What’s your dream?

DOB: There are obviously filmmakers I’ve loved since I was a kid who I would love to work with. I always want to challenge myself, and I always want to go with my gut and trust when I respond to something, I’m responding to it for a reason. Trust that when I’m scared of something, maybe that’s a good thing I should lean into. Try to find the new filmmakers, and try to champion them, and be a part of the early parts of the careers of our new wave of filmmakers. Try to champion original things as much as I can, too. I feel like that’s obviously trending so much further and further away, and towards extinction, that I just feel like it’s important to lend yourself to those things when you can, as much as you can.

This interview has been edited for content and clarity.

Source: menshealth.com

[a-d-nox]

wyrd web: what to gift a person based these three numbers

this is just a theory of mine because these bubbles of the matrix should represent earthly desires. this is not to say that you can't enjoy things not listed in your category / under your energetic number. this is simply what i believe people with these numbers would enjoy receiving as a gift.

2 - the high priestess

things that support their spiritual practices, things that support feminine health (hum women's probiotics bundle, honey pot oral vaginal care probiotic, etc), bake goods / baking gear, barbecue sauce sampler / grilling gear (for the dads pt 2), bar in a jar (for those of drinking age) or really any beverage tester kit, bath/spa kit, beach vacation, boat, cruise, careof for brain support, truly nice melons boob butter, candles (it doesn't have to be yankee candle either - bent candles, spiced votive candle, etc) or candle making kit, imported cheeses, clothing staples (blue jeans, black turtleneck, etc), juice cleanse or other things that support digestive health, cooking classes or meal kits (hellofresh, homechef, etc), a tarot/astrology/mediumship reading, or outdoor cameras or other home security tools

3 - the empress

pillows, stuffed animals, rose quartz, personal celebrity cameo, clothing, tickets for an art museum tour, ballet tickets or classes, art supplies, makeup pallets and/or brushes, flowers, jewelry, candy/sweets, money, bells / wind chimes, clothing, designer pieces, cosmetics, dolls, a trip to a fancy restaurant, fruit basket / dried fruits, gardening supplies, jewelry, concert/orchestra tickets, poetry book, tickets to a play, a purse, lingerie (if y'all are close like that), trip to a vineyard (for those of drinking age), couples' dancing classes, or a wallet

4 - the emperor

skincare, rock climbing voucher or some other physical activity they enjoy, an adrenaline rush activity (skydiving, bungee jumping, etc), careof for brain support, crafted wooden objects (cutting boards, tables, etc), coffee trials/samplers, sunglasses, blue light glasses, hair care products/supplies, scalp treatments/care, oral health care (thera breath, whitening products, etc), meditation app subscriptions / in person sessions for meditation, or a planner

5 - the hierophant

moss agate (don't question how random that sounds this is some intuitive stuff), artwork, an architectural tour, beauty products/supplies, historically significant objects, pastries or sweets/candies, earrings, sour dough starter kit, jewelry in general, piano/organ lessons, singing lessons, a wallet, or any classes where they can learn something fun and new to them

6 - the lovers

car stuff (seat covers, cup holder coasters, etc), bicycle or bicycle accessories/gear, books (the more educational the better), briefcase / work tote, bus tickets for a day trip, gym membership or soulcycle classes, crystals, a standing desk / cute office supplies (for the work girlies both those who work in office and from home), hand & foot message, manicure voucher, newspaper subscription (i am a fan of new york times, washington post, and the new yorker), language classes or rosetta stone subscription, magazines subscription, merchandise from their favorite singer / group / tv show / movie, train trip, or we're not really strangers card packs

7 - the chariot

gardening supplies, hermit crab, baked goods, bath products / beauty products, boat, cruise, car stuff (seat covers, cup holder coasters, etc), truly nice melons boob butter, juice cleanse, gut health thrive market kit, glassware / blown glass, stuff they need / need for their home (security system, chest freezer, etc), hotel or bed & breakfast stay, kitchenware, lake trip, pearls, real estate / land, restaurant voucher / gift card, silver jewelry, shopping gift cards, a trip, or intention journal

8 - strength

amusement park tickets, supplies for their passion projects, ballroom dancing classes, tea sampler, games (video games or board games), movie theater gift card, personal celebrity cameo, flower garden supplies/seeds, stuff for their pet, or a belt

9 - the hermit

pet related gifts (if they have a pet that is), bookshelves (they probably need one), juice cleanse, gut health thrive market kit, a cat, clothing, oral health products (thera breath, whitening products, etc), stationary, emergency preparedness (ready to eat meals, fire blanket, etc), cook books, dining ware (new plates/bowls, cups / glassware, silverware, etc), food subscriptions (home chef, hello fresh, pickle of the month club, bokksu japanese snack box, etc), careof subscription, gloves, herb garden kit, a one way ticket to anywhere, or a hiking trip

10 - wheel of fortune

incense, cleansing herbs, bow and arrow, sapling, land, dried berries, budget book, gym/exercise membership, religious/spiritual/philosophical books, poker set, cloth (if they like sowing), wool (if they like weaving, crocheting, and/or knitting), wool clothing, a coat, trip to a country or place they have never been, oral health products (thera breath, whitening products, etc), etiquette classes/books (this is great for the traveler because they are often interested in learning customs before going on their trip), figs, fruit basket (like edible arrangements), honey sampler / royal jelly, horseback riding lessons, lottery tickets, merchandise from their favorite singer / group/ tv show / movie, shoes, really any game, any subscription they have not tried, things that support their spiritual practices, or book on positive mindset

11 - justice

personal celebrity cameo, tickets to a ballet or to an art gallery, air purifier, portable heating pad, spa voucher, cosmetics, lingerie (if y'all are close), closet organizational items (space saving hangers, linen bins, accessory hanger, etc), pastries and sweets, diamonds (perhaps propose to your lover), a dress, tickets to a fashion show or exhibit, flowers, a luxury chair, jewelry, concert tickets, poetry books, any quartz pieces, chocolates dipped strawberries, hair extensions, logic puzzles, a voucher for an escape room, or a kitchen/baking scale

12 - the hanged man

bar in a jar (if they are of drinking age), a book on angel numbers, a book on natural medical remedies, ballet classes or tickets to see a ballet, bath bombs and other bath goodies (salt, bath table, candles, sugar scrub, bath teas, etc), beach vacation, tea or coffee sampler, butterfly farm kit with caterpillars, disposable camera or a camera they would like (polaroid, filming, etc), scientific kits (geode kit, grow your own crystals, etc), cigars (for the dads in your life), unsolved mysteries or crime kit, dance classes, smutty/romance/fantasy books, fairy garden, a tarot/astrology/mediumship reading, budget book, makeup palettes or other cosmetic they enjoy, concert tickets, paint, poetry books, clue the board game, a pass to an indoor pool, a book on poppet making, meditation membership or a voucher for in-person sessions, or something to support their curiosity for new spiritual insight

13 - death

hermit crab, a jumping spider, a reptile, homeopathic books for natural cures and remedies, operation the game, butcherbox subscription, a book on how to cook and trim meats, beginners chemistry kit, a colon cleanse, sea monkeys, unsolved mysteries or crime kit, philosophy of death books, books on magic, magic the gathering the card game, period products (portable heating pad, the diva cup, etc), poisonous plants (belladonna, foxglove, lily of the valley, etc), a frog pond, a scorpion, a snake, a burr/boo basket (these people love seasonal stuff), or marie kondo's life changing magic of tidying up

14 - temperance

a hunting trip, bow and arrows, books on religion or philosophy, book of devotions, book on dream meanings (hello, freud haha), a certification course or college class, horseback riding lessons (for the newbie or a younger sibling or your child/niece/nephew), horse drawn carriage ride (for the couples *smirk*), logic puzzles, things that support their goals, or a book of angel number meanings

15 - the devil

a fan or air conditioning unit, if you have the land for it a cow/horse/goat, kinetic tape, arnicare bruise cream (this is a joke... unless...), coal or a diamond (this is also a joke... unless...), a clock or a watch, cuticle trimmer (and other nail care things), room darkening curtains, a happy lamp, lotion/cream, hat/scarf/gloves, hair products (extensions, shampoo subscription, etc), leather fashion-ware, gardening supplies, ice maker, or a juice cleanse

16 - the tower

tiger balm or other pain relieving ointment, acrobatic/gymnastic classes, homeopathic books for natural cures and remedies, first-aid kit, baking kits, barbecue sauce sampler, barbecue sauce sampler / grilling gear (for the dads), gift card for haircut, dollar shave club (for the dads pt 2), metal works (spoon handle rings, metal roses, etc), boxing lessons, boxing match tickets or monster truck tickets, butcherbox subscription, a book on how to cook and trim meats, crafted wooden objects (cutting boards, tables, etc), cactus plant, beginners chemistry kit, cookbook, pocket knife or leatherman/multitool, tool kit, jenga, emergency kit, food, first aid kit, merchandise for their favorite superhero(es), electric lighter, liqour or bar in a jar (if they are of drinking age), rock music (a vinyl or concert tickets), pepper plant, pipe for smoking (if they like to smoke that is - my grandfather had a collection), lego kit, or lincoln logs

17 - the star

friendship bracelets, a fan / ac unit, model airplane, flight lessons, compression stockings/socks, architectural tour, astrology reading, car stuff (seat covers, cup holder coasters, etc), club memberships (golf, racket ball, sam's, etc), electronic devices (a new phone, amazon fire stick, solar portable charger, etc), movie on blue-ray or dvd, movie gift card, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, shadow work journal, aesthetically pleasing bluetooth retro radio, streaming service subscription, a book on health or mental health, or a book on positivity

18 - the moon

abstract art, bar in a jar (if they are of legal age), a fish, a fish tank, tickets to an aquarium, cocktail book (if they are of legal age), a fishing trip (for the dads), book of conspiracy theories, the conspiracy theory map, a crystal ball, unsolved mysteries or crime kit, a jellyfish, a tarot/astrology/mediumship reading, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, poetry book, hydroponic starter system, games that involve bluffing (clue, poker, herd mentality, etc), shoes, sleeping eye mask, silk pillow cases, new bed sheets, bonnet, socks, a computer keyboard, typewriter, a book on shadow work, a puppy, or a book on dream meanings

19 - the sun

maine coon, autobiographical books, ballroom dancing lessons, poker set, oral health products (thera breath, whitening products, etc), card games, personal celebrity cameo, circus fruit basket, chocolate gold coins, classes that encourage creativity (create it and break it sessions, pottery classes, etc), jewelry or an engagement ring (if it's been more than 2 years y'all should know what you are doing at this point), flowers, indoor herb garden, tickets to race of some sort (cars, horse, sporting events, etc), sporting equipment, ivy plant, a pottery painting voucher / gift certificate, or something for their passion project / hobby

20 - judgment

a reptile, ant farm, a guide on astral projection, operation the game, the chameleon game, clue game, unsolved case files game, grand theft auto video game, assassins creed video game, dungeons and dragons the game, yahtzee, emergency preparedness kit, magician kit, poisonous plants (belladonna, foxglove, lily of the valley, etc), the divine comedy, puzzles, a rodent of some sort, or lingerie (if y'all are close)

21 - the world

gardening supplies, acoustic guitar, air conditioning or fan, architectural tour, teddy bear, snow globe, boots, calendar or planner, supergoop (sun protectant) products, wooden objects (cutting board, chest, box, etc), carpet, clay (air drying or via kiln), a clock or watch, compression stockings/socks, collectible coins, pain patches or kinetic tape, crystals, budget book, lotions for dry skin, dried fruits, gloves/mittens, hair care products, ice machine or ice making trays, ice cream subscription, pottery classes, rain coat, real estate or land, zen sand garden, sculpture, or snake

22 - the fool

flight lessons, model airplane, a flight to anywhere, car stuff (seat covers, cup holder coasters, etc), an astrology reading, bath products, biking gear, movie theatre gift card, clock or watch, club memberships (golf, racket ball, sam's, etc), mood lighting or strip lights, a train ride, fun magnets, motorcycle accessories/training, microphone (maybe they are filming or recording something), patterns for cross stitch / knitting / crocheting, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, stuff for the tv (surround sound, sound bar, streaming subscription, etc), or classes for one of their interests

like what you read? leave a tip and state what post it is for! please use my "suggest a post topic" button if you want to see a specific pac/pile next. if you'd like my input on how i read a specific card or what i like to ask my deck, feel free to use the ask button for that as well.

click here for the masterlist

click here for more web of wyrd related posts

want a personal reading? click here to check out my reading options and prices.

© a-d-nox 2023 all rights reserved

[pochiperpe90]

[ENG] PARDO - Interview with Luca Marinelli

“Luca Marinelli is a true phenomenon!” This is how Paolo Virzì, who directed him in Tutti i santi giorni in 2012, defined the actor a few years ago. He was absolutely right. Throwing himself body and soul into each of his roles, Luca Marinelli does not limit himself to playing a part, but manages to transform himself completely, creating intense, charismatic, unique characters. From the young introverted mathematician in La solitudine dei numeri primi (2010) by Saverio Costanzo, to Roberta in L’ultimo terrestre (2011) by Gipi; from the criminal in Non essere cattivo (2015) by Claudio Caligari to the cult character of the Zingaro in Lo chiamavano Jeeg Robot (2015) by Gabriele Mainetti; from the proletarian intellectual in Martin Eden (2019) by Pietro Marcello, to the King of Terror in Diabolik (2021) by Manetti Bros; from Nicky, the immortal warrior, in The Old Guard (2020) by Gina Prince-Bythewood, to Pietro, a fervent mountain enthusiast in Le otto montagne (2022) by Felix Van Groeningen and Charlotte Vandermeersch; Luca Marinelli has been able to give life, thanks to his prodigious versatility, to an extraordinary range of characters who all bear the unmistakable sign of his talent.

Maria Giovanna Vagenas: In your current career as an actor there are two important works coming out soon: the television series M. Son of the Century by Joe Wright and The Old Guard 2, by Victoria Mahoney. While waiting to be able to see them, I would like to start by addressing a perhaps less well-known but equally essential side of your work: your debut as a theater director in 2023 with Kafka's Una relazione per un’accademia, for the Festival dei Due Mondi of Spoleto. How did this project, on which you collaborated with the German actor Fabian Jung, come about?

Luca Marinelli: The first idea for this project dates back to ten years ago when I saw Fabian at his graduation performance at the Ernst Busch Academy of Dramatic Art in Berlin. I found it extraordinary, and on that occasion I had already told him: "In my opinion you should recite this text!" Then there was a ten year gap. Towards the end of the pandemic, I proposed to him that we work together on Una relazione per un’accademia. At the beginning we had to be both on stage a bit, later I understood that it would have been more sensible to mount this piece with just one actor and I asked him if he would like to be directed by me.

MGV: What was your approach as a director? 

LM: At the beginning of this project I was more of a kind of acting coach - Fabian acts in Italian, even though he doesn't speak it - then I began to understand what it meant to be a director, to take responsibility for everything the public will come to see, to make many decisions and to take care of an entire team. In this context, the exchange of ideas with Fabiana Piccioli, who deals with the light design of the show, was essential: the theatrical piece is in fact a kind of dialogue between the actor and the light, the space and the audience. Being a theater director is also a question of trust. In the cinema the director is very present until the end of the production process, but in the theater you get up to a certain point and then that's it, because the real work, evening after evening, falls to the actors and technicians, that is, to those who are in the scene and around it. The director is no longer part of the performance, he’s almost the first spectator of his own work. It was a very beautiful experience for me, because being "outside", that is, not being on the scene but in front of it, is truly something completely different! In February-March 2025, we will take this show on tour around Italy.

MGV: Do you plan to continue along this path in the future? Is it an experience that has opened up new perspectives for you?

LM: It's a road I'd like to explore, that of theater. I would like to return to the stage as an actor-director, a bit like a master, let's say. I feel that theater is much more accessible to me, while I know very little about the technical side of cinema and for which I have great respect, so for now I don't feel like it.

MGV: You come from a family close to the world of entertainment. It seems that as a kid you watched a lot of movies with your grandmother. I would be curious to know how your desire to become an actor was born in this context. 

LM: My father is first and foremost an actor who is also dedicated to dubbing and my grandmother, as you said - a great cinephile. I owe a lot to every member of my family, whether they work in the arts or not. However, I cannot tell you where this desire comes from, each of us has a drive within us, and is attracted by something. Indeed, I grew up watching many films and, thanks to my father, I happened to know this work in various forms. But when you are very young it is difficult to say: I want to do this! I felt very attracted by the world of theater and cinema, by the idea of ​​expressing myself in a way that went beyond words, which approached images, sounds, the body. I wasn't fully aware of it from the beginning, but now I feel that it's exactly this: I love observing an interpreter's body, listening to their voice. I love seeing a group working together and I love teamwork. The profession of actor contained within itself a bit of everything that nourished my curiosity. This desire has been growing more and more. My family has always been very supportive and has never hindered me in anything. Rather, I was the one who hindered myself, until, at a certain moment, I gave myself permission to approach this profession and entered the Silvio D'Amico National Academy of Dramatic Art. They were three wonderful years during which I gave free rein to all my curiosity and desire for expression. The relationship with my class was fundamental and magical. From there, little by little, I moved forward. Almost immediately, cinema arrived with Saverio Costanzo who hired me for La solitudine dei numeri primi together with Alba Rohrwacher. I auditioned while I was still at the Academy and was acting in the final recital Dream of a Summer Night directed by Carlo Cecchi. I finished the Academy and immediately went on set for the first time.

MGV: You found Carlo Cecchi again as an actor on the set of Martin Eden (2019) by Pietro Marcello many years later. 

LM: Of course, and it was wonderful to meet again! I consider Carlo my teacher, he is the first who truly made me understand the importance and urgency of this profession. 2012 was the last time I was on the boards of a stage and was with him. Carlo Cecchi had become very fond of us all and with this graduation essay he managed to take us on tour. Basically we did two theater seasons from 2010 until February 2012.

MGV: Are there other directors, among all those you have collaborated with, that you consider to be your teachers?

LM: I met some great directors during my journey, each had their own vision of art, so it's as if I had many different teachers along a single professional journey. I would practically name them all, but I would also name the actors I simply observed in films.

MGV: Between the actors who inspired and influenced you, who would you quote?

LM: For the sake of equality, I only mention the actors of the past. There are many who have struck me but I always evoke Anna Magnani, Silvana Mangano, Marlon Brando and Massimo Troisi. These are the first huge names that come to mind. When I 'met' them on the screen I immediately realized I was faced with something unique and great. I like to mention these four names also because they belong to a moment in my life in which I still didn't know what I would do, but I was drawn towards them.

MGV: Non essere cattivo (2015) was Claudio Caligari's last, poignant and wonderful film, released posthumously. What are your memories of him?

LM: Claudio Caligari was a gigantic meeting for me, from him I learned how important expression and communication, sharing and respect are. I understood how much this profession is life and how much life can be put into it. I witnessed enormous courage and a great knowledge of filmmaking. I also learned the dedication and immense respect that one must have for the public, for what is proposed, for how one interacts with those who come to see a film, without ever putting oneself on a pedestal but being all together. Caligari taught me to never judge myself, nor others, nor the stories one tells nor the characters one plays but that one must stay with them, inhabit them. These are the few things, fundamental for me, that come to mind. Beyond this, every single memory is a source of inspiration and guidance for me. And then the certainty that love and passion are the only things that really keep us here and now, alive.

MGV: In 2019 you played the complex character of Martin Eden in the film of the same name directed by Pietro Marcello, and you won the Volpi Cup at the Venice Film Festival. What did this role mean to you? And what was it like working with Pietro Marcello? 

LM: The collaboration with Pietro arose from a secular prayer which has been fulfilled over the years. I was a great observer of his work and his art and finally being able to work together was a great gift, a true exchange based on trust. We all found ourselves in a moment of grace, in a state that allowed us to work with great concentration and dedication together. As for the role, I think Martin Eden is one of the most beautiful male characters of the last century, in one of the most powerful novels ever written. I owe a lot to this character, not only a very prestigious award, but also important artistic and personal growth.

MGV: You have played an extremely wide range of roles, spanning from one film genre to another. Beyond your exuberant talent and the extreme versatility of your performances, what is striking about your acting is the generosity with which you embrace each character, offering your all. How do you prepare your roles? 

LM: It's like a kind of love at first sight; I fall in love with the story, with the character and from that moment on I begin to see everything in that direction. It is an almost routine behavior that I have never schematised. If someone were to ask me, "How do you approach a character?" I would answer that I have no idea, but every time I do it more or less in the same way. There is certainly a certain affinity with the director and an involvement in the script and the character. Little by little I'm starting to eat all the information I can find. I am often offered films to watch, and then I discuss them with the director. I love working with imagination and thinking about every element of the character. I like being with the costume designer, working on the costume and then creating the look of my character with makeup and hair. I'm very happy when I can have my say too. As I said before, I fall in love with the character and I begin to see everything in that light. My wife always tells me: "You've already started!" I don't notice but she does! "You've already started!" it means that everything has started to take on that colour, but I don't do it on purpose, I believe that there is a more intelligent, unconscious part inside me that organizes my work. It's a bit like this!

MGV: A few years ago Paolo Virzì, who directed you in Tutti i santi giorni, said of you: "Luca is a phenomenon, he's intelligent, witty, but at the same time he's crazy, he becomes what he's doing. All the great actors have a kind of lack, a defect, they know who they are and therefore they are enthusiastic about becoming the one who proposes to them!" What do you think? 

LM: I agree with him, all this is said with deep love and therefore I accept everything he says about me. I love Paolo so much and I think he understood me more than I understood myself. In fact I think none of us really have a clear focus on who we are and what we can be. Of course this is an interview from a few years ago, perhaps now I know slightly more - but only slightly [laughs] - who I am because I am closing, so to speak, the first act of my life, given that this year I will be turning 40!

MGV: Being an actor is a collective profession. Over the course of your career, a very significant bond has been created between you and Alessandro Borghi, with whom you collaborated for the first time in Non essere cattivo and who you met again on the set of Le otto montagne of Felix Van Groeningen and Charlotte Vandermeersch, Jury Prize at Cannes. Could you tell me about your working relationship and your friendship?

LM: I'll start from the beginning of what you said; for me this isn’t a job we do by ourselves. This art doesn’t exist without the other. Even a monologue is not done alone but with the audience. Acting is always a way of expressing oneself and communicating. I adore, as I said before, teamwork, over the years I have happened to work with many wonderful colleagues who have become important friends and then there was this magnificent meeting with Alessandro during Non essere cattivo, a film that carries within itself something sacred due to how it was approached, and due to the strength of the great Claudio Caligari who created it. The two of us found ourselves actors in this extraordinary work which united us so much, creating a deep bond between us which at that moment was needed, let's say, for the film but which the film then gave us for life. Since then this friendship has continued and gone forward, without interruption. After Non essere cattivo for six years we were no longer able to work together, then suddenly another wonderful film arrived, full of love: Le otto montagne and thanks to two fantastic directors, Felix and Charlotte, we managed to make this friendship coincide again on the screen too. Alessandro and I are good together. At work, to put it in a football metaphor, for me it's like I always know where the other guy is so I can make a cross almost with my eyes closed because I know he gets the ball, stops it and shoots it towards goal! We have great chemistry and on set, we don't need to worry too much. I hope we can work together again soon. I happened to see an interview where we said that we promised ourselves not to wait another seven years to do it, but now it's been almost three years already so we have to hurry!

MGV: For a few years now you have also started an important international career by participating in important productions such as The Old Guard by Gina Prince-Bythewood with Charlize Theron which was a huge success on Netflix, the series Trust (2018) by Danny Boyle, written by Simon Beaufoy and starring, among others, Donald Sutherland, and a production for German television: Die Pfeiler der Macht (A Dangerous Fortune, 2016), by Christian Schwochow. How did you experience dealing with all these new production realities?

LM: In every latitude there is a slightly different type of approach but essentially the work is always the same. The thing that always excites me is that, ultimately, we all find ourselves in the common language of acting, of art. I was lucky enough to work with some wonderful international casts, not only every single actor but also the technical departments and directors were wonderful people. Ultimately, the place changes geographically, but the work remains the same.

MGV: As a member of the Jury of the International Competition, what will your evaluation criteria be?

LM: I was just looking at the list of films in competition and judging by the images that accompany them I already like them all, so maybe I'm off to a bad start! [laughs] I don't actually have any specific parameters. I certainly won't judge only the performers, but I will look at the film as a whole. However, for me it is essential to start from the assumption of great respect for the film itself, because every film is a work that requires great efforts from many people and for this reason must be evaluated with consideration. Having said that, I would like to have a good dialogue with the film, an intelligent dialogue on an intellectual and emotional level. In short, I hope that a film leaves me with a thought, a sensation, an emotion.

As usual, sorry for any mistake and my English

[jtl07]

a college theater au that's been in the back of my mind and just gonna let free for shenanigans because why not

"Bea can do it!"

silence drops suddenly, swiftly, completely throughout the black box. Beatrice doesn't know if she's ever felt the theater be this still as she herself freezes, half-kneeling in the midst of the cables she was arranging, carefully not looking at neither Shannon -one of her oldest friends and the director and the one who can and will see everything on her face- nor at Ava -her best friend, her (supposedly not so, according to Shannon) secret crush- who plows forward with her trademark fervor and lack of grace.

"she’s been helping me with all my lines -"

"helping is a strong word," Bea mutters to herself.

"- and she already knows all the blocking-"

"because that's my job"

"and the audience is gonna love her even more than they love me. Shannon, think of how good it could be!"

Beatrice can feel Shannon wavering but final project or not, Beatrice has to protest. "Ava, i can’t possibly stage manage and act at the same time.”

"it's not impossible," Shannon says thoughtfully, "and it's just for one of the plays."

"we can all help out," Mary chimes in, not even looking up from her screen as she continues programming the lighting. the others are already nodding and smiling encouragingly and for once in her life, Beatrice wants to curse: this production for bringing together her most favorite and the most supportive of people; JC for being a kind-hearted son who'd dropped everything -including this production- to take care of his suddenly ill mother; and Ava for her logic and that pout and that look in her eyes -

breathe, her mind commands, and she does, sharply, deeply. goes over the facts: opening night is 2 weeks away; it's one play in a half-dozen collection of 1-act plays; the production is worth 40% of Shannon's final grade; no one else can help. in her mind, Beatrice tries to argue the last point - tries to suggest one of the other actors but she knows that both Camila and Lilith have their hands full with their roles for the other short plays; tries to suggest finding someone else but how could they possibly audition and rehearse with someone completely new in the time they have left?

then she makes a mistake, a classic one: she catches Ava's eye. finds in Ava's gaze hope and encouragement wrapped up in that warm regard that makes Beatrice do stupid things - like trying every ice cream store within a 10 mile radius of campus and having to deal with Ava's inevitable stomachache; like staying up until 2am watching Beatrice's favorite documentaries because had Ava insisted, because Ava'd said she was interested; like letting herself start to believe - that maybe, just maybe Ava could feel the same way too.

like saying: "fine." sighs for good measure "fine."

Ava cheers and Beatrice doesn't miss the relief that moves through everyone else -she ignores Shannon's swiftly hidden grin- then stands still when Ava bounds towards her and kisses her on the cheek.

"there's more where that came from," Ava giggles, waggling her eyebrows as she shimmies away and Beatrice freezes for a second time that day.

because she forgot.

the kiss.

fuck, Beatrice thinks - knows the only one she curse for this is herself.

[rjjameshiii]

I saw a local production of CATS and I fucking loved it.

I saw a production of CATS at a local theater in my hometown. The costumes were amazing, and I could tell that all of the cast were having so much fun doing the show.

The overture was off to a good start cuz they did this amazing projection of the full moon slowly rising in the sky, and the full moon stayed on the background of the set and slowly got lower and lower as the show went on, as if the night was passing. It was very very cool.

Munkustrap was giving me vibes that he was a lot younger than most productions seem to make him. He seemed like he being an adult and the tribe's protector was still new to him; many times he started to mess around with the kittens before snapping back to being serious whenever Old Deuteronomy or Jennyanydots was looking. He even got into Tugger's dance number for a bit, and was one of Tugger's "boys" during the flirty dance with the girls during the Jellicle Ball dance number. And I definitely got the impression that Deuteronomy and Grizabella were DEFINITELY his parents but I'll expand on that later. This Munkustrap was still a commanding storyteller so I loved him!!

Poor Victoria almost fell over during her solo when she was doing the leg lift, but she recovered quickly and nailed the rest of the dance.

Victoria and Mistoffelees also pretty much stopped interacting with each other after the Invitation. And even though Victoria definitely did the mating dance with Plato, she actually spent most of the show cuddling up to Alonzo. Alonzo didn't appear to be Munkustrap's second-in-command either. Munkustrap didn't really HAVE a second-in-command actually, he was pretty much doing everything solo. Alonzo was also the one who scratches Grizabella during her entrance, so this Alonzo was definitely on the immature side. Still loved his dancing though.

I also noticed Coricopat and Tantomile were both female, and I'm pretty sure they were played by actual twins! It was super cool!

Jennyanydots was hilarious. She was kind of a mix between Susie McKenna's motherly portrayal and Rebel Wilson's "hey everyone look at me I'm so great" portrayal, which actually worked out. Plus she had some good tap dancing!

Now on to Tugger.

One quick cool thing was that Tugger didn't leave the stage after the opening song. He kinda stayed off to the side and watched everything with indifference, then after Jenny's number when they were all clapping for her, he suddenly jumped up and stole the spotlight. It was very funny, and the actor definitely had Tugger's swag down. He was super egotistical but also respectful to Old Deuteronomy and Bustopher and Gus, and kind of gave off more of a movie star who knows he's hot vibes instead of a rock star. However, there was just one issue I couldn't overlook.

The actor could. Not. SING.

Like he REALLY could not sing. His notes and pitch was non-existent. I couldn't stand listening to him because he was super flat and quiet and barely kept up with the music. Great acting as Tugger, horrible singing.

Having said that, I could forgive him that for the fact that this show had the GAYEST Tugger and Mistoffelees I have ever seen. I think they were just straight up a couple. The "terrible bore" line was SO flirty, and Tugger just smirked and stroked Misto's chin after he said it, and Misto strutted away and shook his ass at Tugger. During Moments of Happiness, Misto was straight up SITTING ON TUGGER'S LAP. And then when Tugger walked by Misto during Misto's big number, Mistoffelees SMACKED TUGGER'S ASS.

THEY WERE SO GAY AND I ADORED IT.

Mistoffelees was also really good, they gave him a lot more solo lines and presence that I'm used to seeing, and he even nailed the conjuring turns for about 10 turns, which I found super impressive for a small theater production! Although it was a little disappointing that the most they could do for his "magic" was lights going crazy when he waved his arms. Normally I'd excuse it or being a small theater production, but they were able to pull off the flying tire and the staircase to the Heaviside Layer, so I think they could have spruced up Misto's magic a bit.

Another funny bit was that they did Mistoffelees posing before Jenny's number, but in this one none of the other Cats seemed to notice, and Mistoffelees sunk down onto the floor with a look of mortification on his face. It was great.

Demeter and Bombalurina were also great, they were pretty much together for the whole show and had a lot of great dance moments. And their Macavity was super sexy, they got legit wolf whistles from the audience. Demeter and Munkustrap were paired up, although one thing I loved was that Demeter wasn't as skittish as she usually is in this production. She does act scared of Macavity, but she also is actually into Tugger during his number. There's an amazing moment where Demeter starts dancing for Tugger during his song, and Munkustrap runs up to her like "DEME, WHAT THE HECK???" and Demeter goes "Oops sorry babe". And Bombalurina did a freaking POLE DANCE during the Macavity number. It was like 5 seconds long but it HAPPENED.

Bustopher Jones was also pretty boring to be honest. The actor didn't really do much during his number? Just kinda walked around waving to the other cats. He was a very good singer though.

Exotica was in this production and looked almost exactly like the 1998 video version. She was also one of the kittens. She, Electra, and Etcetera had a little kitten trio during the whole show. It was so cute, and it makes so much sense to make the three princesses with E names to be the besties.

Cassandra literally never interacted with the other cats, the sole exception being joining in on Skimbleshanks' dance number and being Mistoffelees' volunteer at the end of the show. She was a regal aloof queen who was better than everyone. Fabulous.

Mungojerrie and Rumpleteazer were probably the best part of the whole show - but what else is new? The actors had amazing chemistry, and they killed the humor and fun of the number. They were super flexible and did some amazing acrobatic moves during their number, and they NAILED the double cartwheel! I totally expected them to cut the double cartwheel but they DID IT and it ROCKED. They also basically tormented the audience with pranks during the intermission which I thought was PERFECT.

In fact, the cats basically spent the entire intermission running around the audience. Bill Bailey climbed up onto the top of the wall and laid out like a king, Electra kept going up to audience members and rubbing her head on their legs, Plato and Alonzo were showing off for female audience members. The actors must have had SO MUCH FUN.

Old Deuteronomy was like a silly grandpa and I loved the portrayal. His actor had an amazing voice too. During Skimbleshanks' number he's running around dancing and having a grand time. It was cute as hell.

Plus he and Grizabella are definitely ex-mates in this production. Will once again expand on that when I talk about Memory.

The Jellicle Ball dance number was amazing, I thought the entire cast killed it.

Grizabella only came on stage three times - her entrance, the end of Act 1, and then Memory. But I think the actress did a good job, even if her voice was a little quiet. She had a lot of emotion though, and unlike a lot of productions I've seen, this Grizabella both wanted forgiveness but was also VERY bitter about her life. Not sad and depressed, but PISSED OFF that her life had taken such a strong downhill spiral. I also kind of got the vibes that this version of Grizabella was dying? Her face had visible bruises and cuts, she had a limp, and she kept grabbing at her stomach in pain. I interpreted this as that Grizabella got like hit by a car or something, realized she was dying and wanted a new life, and dragged herself to the Jellicle Ball to get that new life no matter what it takes. It made Memory more intense and emotional to be honest!

End of Act 1 also had something unique, and that was Sillabub sneaking back onto the stage to watch Grizabella sing her first version of Memory. I think it sets up Sillabub's big moment in Act 2 super well! Sillabub looked so sad as she watched Grizabella walk off, but Old Deuteronomy didn't reach for Grizabella which I thought was a let down.

Moments of Happiness was very good, and Coricopat and Tantomile did this cool little dance before they took Sillabub's hand so she could sing. Then Gus and Jellylorum came onstage, and let me just say it. BEST PART OF THE SHOW. Gus' actor was age appropriate and he was incredible. Legit brought me to tears with his acting and singing. Jellylorum was very young in this show, I think she gave off granddaughter vibes when she was with Gus.

Then something weird happened. Gus started singing about playing the Rumpus Cat, so I expected them to do Battle of the Pekes and the Pollicles.

And then they just…didn't. Gus just did a short dance, bowed, and left. It was awkward.

THEN IT WAS SKIMBLESHANKS SONG AND MY LORD DID HE EAT. HE KILLED. HE SLAYED.

Skimbleshanks was like the best little guy. He was so good. He jumped so good. He did cute little movements. He was so dramatic when acting out train activities. Skimbleshanks is my new Lord and Savior. And he also got the longest applause from the audience so I think everyone agreed. Skimbleshanks was so super adorable and amazing and AHHHH I LOVED SKIMBLESHANKS SO MUCH.

Then Macavity showed up and honestly it was super weird because he's just standing on top of a pile of trash and the other cats hiss at him for a solid minute while literally not noticing Dueteronomy getting kidnapped two feet away until Macavity leaves.

But then the Macavity number ROCKED OUT. All of the female cats were involved in the number, even Jennyanydots, and the ladies killed it. And then Macavity didn't even bother trying to pretend he was giving Deuteronomy back, he just showed up in disguise and I thought it was awesome. Then the Macavity fight happened and I got my mind blown because Munkustrap isn't the only one who fights him. He actually fights him for like half the fight, then the second half of the fight is Alonzo, Bill Bailey, Skimbleshanks, Mungojerrie, Rumpleteazer, Demeter, and Bombalurina all taking turns fighting Macavity before he runs off and makes the lights go crazy. Honestly might be my favorite Macavity fight because all of the cool moments!

Mistoffelees' number was really good. They also had Mistoffelees sing the second verse instead of Tugger, and Tugger spent the whole song hyping him up it was cute. Tugger your a good boyfriend hehe. Then Mistoffelees did an impressive disappearing act to end the number which I loved.

Then Memory happened, and HOO BOY. LET ME TELL YOU ALL ABOUT WHAT THEY DID WITH "MEMORY".

So Grizabella comes in as the cats are all cozying up to Deuteronomy about the Jellicle Choice. However, the cats all see Grizabella approaching Deuteronomy herself, and I think they all realize she wants the Choice. And the entire tribe BLOCKS HER FROM DEUTERONOMY. They actively TRY TO STOP GRIZABELLA FROM GETTING THE CHOICE. Deuteronomy calms them all down and they all sit down in front of him, not letting Grizabella near. So Grizabella starts singing, and as the song goes on all the cats faces turn from angry to sad to forgiving.

BUT MUNKUSTRAP.

Halfway through Grizabella's first part of the song, Munkustrap just gets this FURIOUS look on his face and he actually tries to charge at Grizabella, but Deuteronomy stops him and they have a little argument before Deuteronomy makes Munkustrap sit down and listen to Grizabella sing. Eventually Munkustrap looks sad too and he and Deuteronomy give each other a nuzzle.

To me? That SCREAMS that Munkustrap has anger towards Grizabella, his mother, for leaving the tribe. It's so INCREDIBLY WELL ACTED TOO.

Grizabella eventually collapses and Sillabub suddenly appears at the top of the trash pile. She sings and Grizabella stands back up to finish the song. She doesn't look back at the Jellicles before beginning to walk off, and she actually doesn't stop hobbling away when Victoria gets near. Victoria has to grab her paw to stop her, and Grizabella visibly startles before looking at Victoria, who nuzzles her. Then the entire tribe gets up and nuzzles Grizabella one by one, and Munkustrap takes her hands and leads her to Deuteronomy.

And Grizabella and Deuteronomy NUZZLE AND KISS EACH OTHER.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH.

Then Grizabella is given the Choice and I was shocked to see the tire rise up into the air, and a staircase into a bright light appeared on the left side of the stage. I repeat, this is a LOCAL theater with about 200 seats. SO AMAZING.

I am so proud of this cast and this production!! It was everything a CATS nerd like me LOVES!

[blueiscoool]

Vatican Museums Opens Ancient Roman Necropolis to the Public

The site was previously only accessible to scholars and specialists.

The Vatican Museums has newly opened to the public an ancient necropolis stocked with carved marble sarcophagi and bone-filled open graves of everyday ancient Romans.

The word necropolis comes from the Greek expression for “city of the dead.” These “cities” grew up alongside roads outside the urban center due to laws forbidding cremation and burial of the dead inside city limits. Funerary practices and rites are preserved especially clearly in the necropolis that extends along the Via Triumphalis (a Roman road now known as the Via Trionfale), with burial sites accompanied by eye-popping Roman frescoes and mosaics.

Previously, the necropolis was accessible only to certain groups of scholars and specialists. It is now open to the public via the new Saint Rose Gate entrance, inaugurated with the exhibition “Life and Death in the Rome of the Caesars.”

How extensive is the archaeological area?

It extends nearly 11,000 square feet. The size of the necropolis is not as extensive as some other Roman burial sites, but its importance lies in its proximity to one of the most significant religious sites in Christianity.

What is known about particular people who are buried there?

According to archaeologists, no less than the tomb of St. Peter himself is located in the Vatican Necropolis.

But in general, “Here, we have represented the lower middle class of Rome’s population,” said Leonardo Di Blasi, an archaeologist with the Vatican Museums, in a video on Euro News. “They are essentially slaves, freedmen, artisans of the city of Rome.” Some were the property of the emperor, and are indicated to have been the “servant of Nero.”

One of them was a man named Alcimus, who was the set director for the downtown Theater of Pompeii, the most important theater of the period. Another was a horse trainer who worked at the chariot races.

One young boy is interred there, according to the Catholic News Service, marked by a sculpture of a boy’s head accompanied by an inscription reading “Vixit Anni IIII Menses IIII Dies X,” Latin for “He lived four years, four months, and 10 days.”

How did this ancient burial ground come to light?

The Vatican burial grounds were first explored in the 1940s at the request of then Pope Pius X, who wanted to be buried near the grave of Peter the Apostle. The dig revealed numerous mausoleums and tombs.

The newest part of the burial ground was revealed through an infrastructure project in 2003, as the Vatican excavated for a new multilevel employee parking garage.

What happened when the Vatican discovered these newest burial grounds?

The department of the Vatican that was overseeing construction of the parking garage, intent on meeting its deadline, was accused of trying to conceal the find, Giandomenico Spinola, an archaeologist and deputy artistic-scientific director of the museums, told the Catholic News Service. It was only when journalists publicized the discovery that he and his colleagues were invited in to advise.

When were the bodies there buried? How have the tombs been so well preserved?

Bodies were interred in this burial ground between the first century B.C.E and the fourth century C.E., and organic remains have vanished. A number of the graves, including their tombs and decorations, including frescoes, mosaic floors, and marble-carved inscriptions, were fortuitously preserved by a series of mudslides in the area.

[woso-fan13]

It’s Fantastic

Most of the team is hanging out in the common room, everyone doing their own thing. The silence of the room is interrupted when you look up from your phone, calling everyone’s attention. 

“Hey guys? Do we have any plans tomorrow night?” 

The question is clearly directed towards one of the older players, as you and the younger players have made it clear that you would not be memorizing schedules. 

Alex scrolls through something in her phone for a few seconds before looking up and responding. 

“Practice until 6, dinner at 7. After that, we have the rest of the night off. Why?”

“That’s literally perfect! There’s a movie theater not too far from here, can we please, please, please all go see the new Barbie movie?!?” you’re not ashamed to admit that you may be begging slightly. 

The others chuckle at your enthusiasm, but all exchange glances. There really wasn’t a good reason that they couldn’t see the move. And judging by the looks on everyone’s face, you weren’t the only one who wanted to go see it.

“Tell you what, Y/N,” Pinoe levels you with a look, “if you can convince Vlatko to let us all go, we’re in.”

“Easy,” you say with full (false) confidence. “He can’t say no to me. Plus, I already rented out a theater.”

—-

It turns out, Vlatko has no problem saying no to you. But, again, you’re not above begging. You beg and plead, until he finally gives in. Honestly, it’s probably so he doesn’t have to listen to you anymore. 

Your team was in, Coach had approved it, now you just needed to make it exciting.

—-

“It’s Lucy and Kiera, and Georgia and Le-“ you sing, skipping into the England common room. “Hmmm, I guess that song doesn’t really work anymore. And I didn’t even get to the bridge about Beth and Vivi.”

The England team is somewhat startled by the American who came singing an obnoxious theme song. You had made the song up almost four years ago, after you had signed for Arsenal. At freshly 14, in a new country and away from your family, some of the Arsenal girls had taken you in. 

When they realized that going to camp meant leaving you behind, Leah worked some magic and managed to sort it out so that you could go and practice with the team. You clicked with the team instantly, becoming the annoying little sister that they couldn’t help but love. 

“Anyway, mates,” you start. Leaning over to Georgia, you whisper to ask, “did I use that right?”

At her nod, you continue, “as I was saying, anyway, mates, I’ve come to extend an invitation for a once in a lifetime opportunity. It’s been called bigger than the World Cup. Who wants to go see the Barbie movie tomorrow night?”

You’re bouncing on your feet slightly as you speak, clearly excited. 

Lucy lets out a small chuckle, “good luck convincing Sarina to let us skip recovery to watch a movie.”

You squint slightly at Lucy, somewhat questioning, “you seem to forget who convinced Sarina to let us have a Colin cake for dinner more than once. It’s on.”

“Meet in the US lobby at 7:45, and don’t forget to wear pink,” you shout over your shoulder as you rush out the door. 

—-

Sarina agreed with very little convincing. You assured her that all of the girls were okay with starting recovery earlier so that they could go to the movie, and she couldn’t deny that team bonding is always a good idea. 

She only had one stipulation, which you easily agreed to. After helping her pick out the appropriate pink outfit for her to wear the next night, you move on to your next project. 

—-

You knock cheerily on the door a few times before swinging it open. Your face lights up as you see the two people you were looking for, and you rush towards them. 

Rue and Katie pulled you in, hugging you tight. You hadn’t seen them in a long time, and you had missed the women who had watched out for you for so many years. Rue pressed kisses all over your face as Katie ruffled your hair. You pull away from them, giggling. 

“Guys, I love you and I missed you like crazy, but that’s not why I’m here,” now, you turn to address the majority of the Ireland team that’s in the room. “I’m here to invite you all to come to a very exclusive cinema screening tomorrow evening. Meet at 7:45 in the US lobby and wear something pink. Don’t be late!”

You shout a quick bye to the two women before leaving the room, now onto your hopefully last task. 

—-

“Oh, Sammy,” you say happily, trotting into the room where you found most of the Australian team. 

You knew Sam from playing against her in London, but you had become even closer when she started dating Kristie. If she could be your possible future sister-in-law who’s not actually related to you in any way, you had to be best friends. If you asked Sam, though, she may say that she mainly tolerates you. 

“Hi Ali, hi Sammy, hi rest of the team,” you rush out, “tomorrow night, 7:45, US lobby, wear pink, please come.”

You nod once, turning and waking out the door. The team sits in confusion for a second, scanning the others’ faces to see if anyone knows what you said. 

—-

When dinner started at 7, you ate about two bites before trying to get out of your chair and clear your plate. You get about a dozen glares and a hand catches your wrist before you leave the table. 

“I’m full, promise, I just gotta go. It’s almost time,” you protest. 

The glares don’t lessen, though, so you slump back in your seat. You pout as you push the food around your plate, the others trying not to laugh as you through what is basically a temper tantrum. 

“Y/N.”

Your full first name gets you looking sheepishly up at Alex. 

“You don’t have to finish your whole dinner, but you do need to finish your vegetables. Then you can go get ready.”

You still squirm slightly, too excited to sit completely still. But you don’t make any move to bring your fork up to your mouth. 

“You know,” Kelley starts in a way that makes it clear that you don’t actually know, “I bet Pressy and Tobs would love a call to hear about how the ‘golden child’ isn’t listening. I don’t think they’ll be asleep yet, how about we give them a call now?”

You stay silent, finally managing to still your body. 

“It’s funny, I bet Tobin still has all the numbers of the Arsenal players. And I would also bet that she would not hesitate to call them and tell them the plans are off because someone couldn’t behave.”

She pulls her phone out, then hesitates, “that takes care of England and Ireland, but I’m not sure about Australia. I could have Kristie call Sam, or I could have Chris call Ali. Y/N, do you have any preference?” Kelley fixes you with a look. 

Finally, you break, showing a bite of your dinner in your mouth. After chewing and swallowing, you look up. 

“I’m sorry, please don’t cancel. I wasn’t trying to be bad, I’m just excited.”

The rest of dinner passes quickly, and soon it’s 7:30. You’re basically vibrating in the lobby, waiting for everyone to arrive. Soon enough, everyone’s arrived and the lobby is a sea of hot pink. With a giant smile on your face, you start leading everyone out of the hotel and over a couple of blocks to the movie theater. 

“Was this planned?” Sam leans over to ask Kristie, “how did she have that outfit?” 

You were wearing a fully pink outfit that would have made Barbie herself jealous. Meanwhile, the England girls were doling out their pink warm up gear after you insisted that you wouldn’t let anyone not wearing pink into the movie. 

Kristie laughs, “no, that’s just how she dresses. Pink nails, pink dresses, sparkles, the whole deal. It’s easier not to question it.”

You were at the front of the group, talking to players you used to play with, players you currently play with, players you could only dream of playing with. There weren’t different countries, there weren’t rivals, there weren’t competitors. There were simply people following a girl dressed in far too much pink. 

[jbaileyfansite]

Interview with the Los Angeles Times (2024)

“This is where all the cruising happened.”

Jonathan Bailey and I are standing in Pershing Square on a bright, blustery spring afternoon, nearing the end of a homemade queer history tour of downtown L.A.: One Magazine, Cooper Do-Nuts/Nancy Valverde Square, the Dover bathhouse, the Biltmore Hotel and this, the city’s former Central Park, a haven, since before World War I, for “fairies” and “sissy boys,” servicemen on leave and beatniks on the road.

“Is it still happening now?” he asks.

“Probably not as much,” I venture.

“Well, you let me know if it’s happening,” he teases, a mischievous smile lighting up his face.

Bailey understands the uses of the charm offensive. As Sam, the handsome Lothario of Phoebe Waller-Bridge’s delightful pre-”Fleabag” curio, “Crashing”; Anthony, the romantic hero of “Bridgerton’s” second season; and John, the jerk of a protagonist in Mike Bartlett’s love triangle play “Cock,” the English actor, 36, has swaggered up to the precipice of superstardom. With roles in such studio tentpoles as “Wicked” and “Jurassic World” on the horizon, he may just break through. Yet he delivers career-best work in Showtime’s queer melodrama “Fellow Travelers,” as anti-Communist crusader-turned-gay rights activist Tim Laughlin, by leaving behind the self-assured rakes and tapping a new wellspring: soft power.

Tim may be, as Bailey puts it, “an open nerve,” but as it turns out, the devout Catholic and political naïf — who falls for suave State Department operative Hawkins “Hawk” Fuller (Matt Bomer) just as Sen. Joseph McCarthy tries to purge the federal government of LGBTQ people — is formidable indeed.

Stretching from the Lavender Scare to the depths of the AIDS crisis, in scenes of tenderness, cruelty and toe-curling sex, Bailey’s performance communicates that little-spoken truth of relationships: It takes more strength to submit than it does to control. The former demands discipline, courage, trust; the latter requires only force.

“In ‘Bridgerton,’ [Bailey] is like a Hawkins Fuller character — he is very sexy and has lots of power, has that kind of confident charisma that absolutely is not Tim at all,” says “Fellow Travelers” creator Ron Nyswaner.

But any doubt about Bailey’s ability to mesh with Bomer, who boarded the project early in development, was put to bed with the actors’ virtual rehearsal of a meeting on a park bench in the pilot. “‘Well, that’s a first,’” Nyswaner recalls an executive texting him. “I cried in a chemistry read.”

‘Am I inviting people in?’

Bailey grew up in a musical family in the Oxfordshire countryside outside London, and this, coupled with an appreciation for the morning prayers, choir practice and Mass he attended as a scholarship student at the local Catholic school, fed his precocious talents. (“I loved the performance of it,” he laughs. “Not to diminish the celebration of religious process, but I did love the idea of wearing a gown.”) By age 10, he’d appeared in the West End, playing Gavroche in a production of “Les Misérables,” an experience he now recognizes as an encounter with a queer found family — albeit one shadowed by the toll of the AIDS crisis, which peaked in the U.K. in the mid-1990s.

“When I’m asked about my childhood, there’s so much I don’t remember, and I think that’s true of anyone who’s been in fight or flight for 20 years,” he says. “I would have been in a cast of people whose friends would have died in the last seven years. I think of where I was seven years ago. I had all my gay friends then. It’s only retrospectively that I can retrofit a real gay community around me [in the theater], that I just wasn’t aware of [then].”

During the late 1990s and early 2000s, American and British culture presented queer adolescents with a bewildering array of mixed signals. As beloved celebrities came out in growing numbers, and the battle for marriage equality became a central locus of LGBTQ political organizing, the media continued to propagate harmful stereotypes of gay men as miserable, lonely, perverted or worse — and, Bailey remembers, callously turned George Michael, arrested on suspicion of cruising in a Beverly Hills restroom in 1998, and Irish pop star Stephen Gately, who revealed his sexuality in 1999, fearful he was about to be outed, into tabloid spectacles.

No wonder Bailey, like many LGBTQ people of his generation, should feel the “chemical” thrill of “validation and acceptance” during London Pride at age 18, then embark on a two-year relationship with a woman in his 20s.

“Dangerously, if you’re not exposed to people who can show you other examples of happiness, you think that’s the easiest way to live,” Bailey says. “It’s funny. You look back and you can tell the story in one way, which is that I always knew who I was and my sexuality and my identity within that. But obviously at times, it was really tough. I compromised my own happiness, for sure. And compromised other people’s happiness.”

Disclosures about his personal life have become particularly thorny for the actor since the premiere of “Bridgerton,” the blockbuster bodice-ripper from executive producer Shonda Rhimes.

“The Netflix effect does knock you off center completely,” he says, recalling the experience of finding a paparazzo waiting outside his new flat before he’d even moved in. “Suddenly, you do start having nightmares about people climbing in your windows... Even now, talking about it makes me feel like, ‘Am I inviting people in?’”

He is also critical of the media for churning out headlines about the smallest details of celebrities’ private lives, often detached from their original context. In an interview with the London Evening Standard published in December, Bailey described a harrowing encounter in a Washington, D.C., coffee shop in which a man threatened his life for being queer — and, in recounting the experience, offhandedly mentioned the “lovely man” he’d called, shaken, after it happened. Although Bailey acknowledges that the original story handled the subject with aplomb, he felt dismayed that more attention wasn’t paid to the intended warning about rising anti-LGBTQ sentiment: “The only thing that got syndicated from that story was that I had a boyfriend, and it wasn’t true,” he sighs. “It was kind of depressing, if I’m honest.”

Still, Bailey, who once turned down a role in a queer-themed TV series because it would have required him to speed along revelations about his personal life he wasn’t ready to make, is prepared to embrace the power of vulnerability when it feeds the work. Although a member of his inner circle expressed doubts about “Fellow Travelers’” steamy sex scenes, for instance, the actor intuited that they were what made the project worth doing: “I was like, ‘I’m telling you, they are the reason why this is going to be brilliant.’”

‘He’s changed my trajectory in my own life’

To those who would complain about the state of sex in film and TV, “Fellow Travelers” is the perfect riposte. All of it matters, from Tim’s first flirtation with Hawk to the finale’s closing minutes, because the series, at its core, is about the importance of soft power: the strength required to bend, but not break; to adapt, but not abandon oneself; to survive without shrinking to nothing in the process.And depicting that through sex, specifically gay sex, makes “Fellow Travelers” radical indeed.

Bailey understands that baring so much comes with certain risks. When I tell him that research for the story has filled my algorithmic “For You” feed on X (formerly Twitter) with speculation that his onscreen relationship with Bomer has a real-life element, he notes that “shipping” fictional couples and costars alike has long been part of Hollywood fantasy. But he bristles at the implication that he and Bomer are anything but skilled actors at work.

“I would love for people to know that the success of our chemistry isn’t based on us f—. It’s actually about us leaning into the craft,” he says. “It’s a vulnerable situation to be in, talking about it on record. I don’t want to rob people of their thoughts. But I do have a set of values, and as an artist, you don’t need to be f— to tell that love story.”

Underlying that craft, Bailey adds, is the confidence to speak up, as with one scene in “Fellow Travelers” that was adjusted because he said, “I don’t want to be naked today.” He learned to use his voice the hard way: In his early 20s, he recalls, he was once “bullied” on set when “someone was threatened” by him and vowed to himself, “I’m never going to do that to someone. I’m never going to allow that to happen.”

This impulse to direct his influence in support of others has blossomed further with “Fellow Travelers.” On the day of our interview, Bailey enthuses about an upcoming meeting with legendary gay rights activist Cleve Jones and shares his idea for a docuseries recording the stories of elders in the LGBTQ+ community while they are still here to tell them. He describes lying in a hospital bed on set on World AIDS Day, in character as Tim, surrounded by gay men who had lost friends and lovers during the crisis, and finding himself thinking, “What do I want to leave behind?”

“I think he’s changed my trajectory in my own life,” Bailey says.

This is, perhaps, the most common reaction I know to diving deep into queer history — the understanding that we, like our forerunners, are responsible for shaping the queer future, whether in politics, society or art. No one is going to do it on our behalf.

As we stand on the nondescript corner now named for her, I relate the story of the late queer activist Nancy Valverde, who was arrested repeatedly while a barber school student in the 1950s on suspicion of “masquerading” because of her preference for short hair and men’s clothing, and later successfully challenged her harassment by the police in court.

“What a hero!” Bailey exclaims, wondering at Valverde’s bravery. “The thing that’s so interesting with power battles is, ultimately, identity is the thing that gives you the most strength and power in your life, isn’t it?

“Because that’s one thing people can’t take away from you: who you are and how you express yourself.”

Source