#new jersey tiny house festival

[tinyhouseexpedition]

Tiny House Festival Season is Here AGAIN: 2017 Edition

Not that long ago, experiencing a tiny house in-person was a rare occurrence. Today is flourishing era for the movement, brimming with small grass-roots, regional and national event opportunities. The next six months are jam-packed with tiny home festivals, and they are popping up all over the United States and Canada. For the most die-hard tiny fans, a giant road trip might just be in-order. Now's the time to start planning!

Here's your roadmap to these must-see events...

June:

New Jersey Tiny House Festival

The festival wizards over at United Tiny House Association are at it again, with a brand-new event. These are the same people behind the hugely successful 60,000+ attendee 2016 Florida Tiny House Festival, and the popular annual Georgia Tiny House Festival.

The new New Jersey Tiny House Festival event is going to be HUGE! Oodles of tiny homes, high-quality entertainment, top speakers, workshops and even a Senator.

Unique feature:

Enjoy an aerial view of the tiny houses from a Ferris Wheel or whiz by overhead on a zip line!

Feel-good, fun fact:

The United Tiny House Association donates proceeds of their festivals to charities, non-profits and the local community.

  Ticket discounts: 

Active/retired military, law enforcement and first-responders (firefighters/EMT's) get in FREE with valid ID. Individuals 60 years and older get 50% discount at the gate.

AND Fridays are always free for students, their teachers and immediate family who pre-register on the Festival website. These are same special offers for all UTHA events.

New York Tiny House Freedom Fest

The is a three-day celebration of tiny homes, sustainable living, and green technology in New York’s Hudson Valley. 

The festival will kick off Friday with fireworks, live music, local food trucks, and a tiny house preview, free and open to the public, hosted by the Town of New Paltz. Saturday and Sunday will be a ticketed event, and will include tiny house speakers, workshops, renewable energy exhibitors from the region, local craft vendors, and food trucks.

Special deal:

Save on a weekend pass using code: TINYLOVE. Plus with each purchase you'll be entered to win: an all-inclusive Monhonk Mountain House getaway for two, two kayaks + paddles, four free passes to Rail Explorers USA

July:

YIMBY Tiny House Festival

There's a growing movement in Vancouver and spreading across Canada called, Park your Tiny House: Make it Legit! It began with advocacy-based Meetup group that is working to create a tiny house community on co-shared land on the Sunshine Coast of British Columbia. They just announced a Tiny House Festival in Vancouver that will bring together tiny home supporters to raise awareness and normalization of tiny homes. Think tiny house tours and community round table discussions. Tentative date: July 8th

Special feature:

Tiny House Expedition's tiny home showcased on Granville Island in the heart of downtown Vancouver.

More event details to come soon!

Special Mention: NW SolarFest Sustainable Living Fair

The regions longest running grassroots organized renewable energy and sustainability fair, that combines exhibits, vendors, interactive activities and outdoor fun to help us apply more sustainable habits in our daily living. Located just outside of Seattle.

This year's event will feature the creators of The Big Adventures of Tiny House, Susan Bernardo and Courtenay Fletcher, and the tiny house that inspired the book, Tiny House Expedition's DIY tiny home. Plus, the event will include a screening of the documentary, Living Tiny Legally Part 2.

August:

Festival Des Mini-Manisons

Canada's first tiny house festival is back! Building on the success of its first two editions of Lantier, the festival is moving and joining forces with the Montréal Ecosphere Fair.  

This event is sponsored by Habitat Multi Generations, a non-profit developing a tiny home community called the  Lantier Sustainable Development Project (P3

September:

The 2017 Tiny House Fest Vermont is reimagining human spaces with a community-focused advocacy and educational event in Brattleboro, VT. This is daylong downtown festival and academy featuring a tiny house village.

Meet tiny house designers, builders and dwellers.

Learn about innovations from experts and initiatives from our state officials.

Equip yourself with knowledge so you can build your own attainable and sustainable house.

Bonus day:

Brattleboro Tiny House Tours

Tennessee Tiny House Festival

Another new festival from the United Tiny House Association in beautiful Chattanooga, TN. Master of ceremonies, John Kernohan is working a spectacular aerial treat... view the tiny homes from a hot air balloon!

3rd Annual BIG Tiny House Festival

New England’s largest tiny house festival is back and this time it’s in Stoughton! This dynamic grassroots event was started by Miranda's Hearth, a creative community organization. This year the main attraction is tiny house village exhibit in the middle of town.

The local community is pumped! 

"I’m so excited that I have goose bumps. I’ve always thought that living with conservation in mind is the best way for us and our children. Go Tiny Houses! Can’t wait to explore everything in miniature!"  -- Beth McNeill, local resident

Special Mention: the Tiny House Roadshow

This is a traveling trade show, featuring industry leaders & exhibitors from across the nation showcasing the latest in tiny home construction and technology.

Next show:

September 15-17 in Indianapolis, ID

Tiny Midwest Fest

Finally the Midwest is getting some tiny house love! This brand-new festival is the brain child of Renee McLaughlin of Tiny On. As she explains this, "a home & garden show, farmer's market and outdoor music festival all rolled into one. Now, add tiny houses that you get to explore and POW! -- There you have it... TinyFest Midwest!" 

Rock star special guest:

Jay Shafer, former Iowan and pioneer of the modern tiny house movement

Special Mention: Tiny House Summer Camp

This legendary camp/workshop/party is back again! Hosted by the one and only Derek "Deek" Diedricksen the YouTube extraordinaire, former host of HGTV's Tiny House Builders and author of Microshelters and Humble Homes, Simple Shacks. This is a three-day camp out/ hands-on tiny house design and build workshop

Decatur Tiny House Festival

Tiny House Atlanta's annual festival is hosted in partnership with the City of Decatur. This advocacy-based event focuses on how micro-housing can benefit individuals and communities in Georgia, specifically the metro Atlanta area.

The weekend event will feature many high quality tiny houses (20+), related vendors and speakers covering the following topics  sustainability, minimalism, urban planning, zoning and codes, and downsizing. 

Special bonus event:

Friday night VIP Tiny Soiree

October:

National Tiny House & Simple Living Jamboree

As most of you have probably learned, the National Tiny House Jamboree is moving and evolving in a big way. That's why Texas is so fitting. Everything really is bigger there, including the tiny house movement. It's the home to multiple tiny home communities, major legal progress and countless tiny house dwellers. Texas native and tiny house pioneer, BA Norrgard is heading up the educational programming and community outreach for the event.  

What else is new:

More education,     more vendors AND more houses including DIYers!

Fun fact:

Tiny House Expedition was the only completed, lived-in tiny house at the first Jam.

November:

 2nd Annual Florida Tiny House Festival

The most epic United Tiny House Association festival coming back November 17-19! Last year's event featured 97 tiny houses and over 60,000 people. The UTHA promises an even more colossal festival experience. 

My question:

What aerial delight will this UTHA Festival feature?? I'm on pins and needles...

Happy festival-going!

See our event calendar for even MORE events!

[floralfloyd]

Merry Christmas (War is Over)

Pairing - Robert Leckie x Reader

Word Count: 1.898

Notes: This is my HBO War Secret Santa entry for @embersjanuary. I do hope you enjoy it!

Plot Line: Christmas 1945, war is finally over and while looking after Y/N’s niece, Robert starts to have dreams of his own family. What does this mean? Is it too soon?

Robert Leckie had always planned to get a home of his own as soon as he returned from The Pacific, living with his parents was slowly beginning to ware away at his tether. It was even more laid in concrete when on the ship ride home, the blue eyed sweet talking private managed to capture the heart of a Navy Nurse by the name of Y/F/N Y/L/N. Her presence was like the sunshine after a storm, always taking time to spend with him when she was off duty. Private Leckie truly was so smitten that he invited the Y/H/C girl to live with him once they got back to the states. As his mother always liked to remind him that a home wasn’t a home without a woman’s touch.

Christmas was slowly approaching, houses and streets clothed with bright lights and decorations. Small children with gleeful smiles as they clung to their mothers’ hands and a giant lollipop in the other. It would be the first Christmas after the end of the war, something Y/N was looking forward to.

Doris, Y/N older sister had booked the weekend away with her husband and in turn asked her younger sister to babysit, she had already talked it over with Bob who was happy to have Little Catherine over for a few days.

At first, it was a totally new experience for the two. Being the youngest of his siblings, Robert had never had experience of looking after a child and Y/N was in a similar boat. The first time the blue-eyed sportswriter changed diaper, he managed to put it on backwards which made his girlfriend laugh. It was a learning experience for sure, even if it wasn’t their own child.

It was a Sunday, the New Jersey winter outside was a harsh and cold contrast to the warmth inside the Leckie household. Festive season was here once again, and the massive open fire crackled away as it burned the wooden logs that piled high inside its casing. The glow and warmth making a homey feel to the small house that sat at the end of the street.

Soft sounds of music floated through the room from the wireless that sat in the corner, its dulcet tones seemed to soothe the small infant that found solace in the young girl’s arms.

Robert had been out at baseball game no doubt to gather content for his column in the Associate Press. That left the two girls to relax at home after a busy day before filled with decorating the house for Christmas and a sleepless night had by Catherine.

It wasn’t long before the peace and tranquillity was interrupted by soft cries. Y/N’s Y/E/C opened from their forty winks as Catherine made it known she was upset. The young infant had already been fed and changed; hunger wasn’t the cause of her disturbance. It seemed some problem solving would have to be put into play.

As Y/N stood up, she began to rock the young girl in a gentle manner. Her voice as soft as cotton candy and as wispy as clouds on a warm summer’s day. It was a song her own mother would sing to her when she was a babe.

“Sleep my baby on my bosom

 Catherine’s tiny hand wrapped around Y/N’s pinkie as she gazed up in wonder. There was no doubt that the young infant was Doris’s spitting image. As she sang and rocked the baby to calm her cries, Y/N began to imagine what life would be like if her and Bob had a child of their own, piercing blue eyes courtesy of their father, a feature of Robert’s that made Y/N’s heart swoon each time she looked into them. Robert reading his sport columns as a small baby falls asleep on his chest…

Round thee mother’s arms are folding

In her heart a mother’s love

There shall no one come to harm thee

Naught shall ever break thy rest

Sleep my darling babe in quiet

Sleep on mother’s gentle breast.

Sleep serenely, baby, slumber

Lovely baby, gently sleep;

Tell me wherefore art thou smiling

Smiling sweetly in thy sleep?

Do the angels smile in heaven

When thy happy smile they see?

Dost thou on them smile while slumb’ring

On my bosom peacefully.”

 She was in so much of a daze that she didn’t realise that Robert had arrived back home. The male knew better than to call out like he normally would when Catherine wasn’t there in case, she was having a nap in her bassinet but what he didn’t expect to see was the heart melting sight of his love rocking a tiny infant as she sang.

 Leaning gently against the door frame to the living room, Bob stood quietly as he watched on with a grin on his face. There was just something about the way Y/N reacted around Catherine, as if she was a natural at playing the mother figure even when the young darling would be stubborn about not having a bath. The youngest Leckie had never heard her sing either, it was like she had a hidden talent, too bashful to reveal.

 Soon the whimpering cries began to settle into a sleep filled silence, Cathy had fallen back to sleep, giving Y/N the chance to lay her in her bassinet and make a start on that evening’s dinner.

 As she turned around, her Y/E/C coloured eyes caught the leaning figure by the door. Her cheeks turned a dark shade of crimson. She had been unaware that he’d been there watching her.

Warm and cozy will it prove

 “How long have you been standing there?” she asked softly, her hands on her hips for a second before she moved forward to greet him with a kiss.

 Robert kissed her cheek back before he answered her, his blue eyes rushed with love and a newfound appreciation for the girl in front of him. “Long enough to see how perfect you are with her, it’s as if you’re a natural”

 “As if, I am a natural and you are too, despite putting a diaper on back to front” her arms wrapped around his torso, the two looked like a pair of penguins trying to keep warm in the cold. She wasn’t lying, it seemed that Robert had taken to looking after Catherine like a duck to water.

 He chuckled softly as he swayed them both together along to the song on the wireless. Robert knew that what he was going to say next could either be taken the way he wanted it to, or she could react badly to it.

 “Well, I was thinking…” he began as he looked down into her Y/E/C eyes.

 “Oh, no, this could be dangerous” the female joked as she light heartedly tickled his sides, laughing as she watched him squirm a little under her touch.

 “Careful, don’t make me tickle you like I did that time you laughed till you cried” he smirked knowing she hated being tickled. “As I was saying…I was thinking…I know we haven’t been dating long and have rushed into living together, not to mention it’s not the traditional way of things but if war ever taught me anything, it’s to grab life by both hands and live each day as if its your last…” He began to ramble on.

 She moved her hand down to interlock with his. “Bob, you’re rambling again” It was really confusing her at what he was getting at until the shilling dropped but she stayed quiet, waiting to see if what she was thinking was really what he was getting at.

 Bashfully looking down, the brunette composed himself before giving her hand a squeeze. “What I was going to say was I think we should try for our own” his voice was hopeful as he watched for her reaction.

 Y/N was a little stunned into silence, sure she had thought about being married first but the past few days with little Cathy was truly opening her eyes to being a mother. She watched as her silence began to make Robert think that he had taken a step to far.

 “Sweetheart, you don’t know how much this means to me” she spoke as both her hands move to his cheeks, gently caressing them as small tears beaded at her eyes. “I’ve found myself drifting into this daydream of what life would be like with a baby Leckie around here, might make this little ol’ house homier. My thoughts wander to days of family picnics in the park, you falling asleep with an infant on your chest, Hoosier and the boys visiting their niece and summer BBQ’s”

 Y/N had never seen Robert so emotional as he was standing there before her. She knew he had seen a lot with his time out in The Pacific but to see how emotional he was getting with the talk of starting a family was truly melting her heart. She knew he was the one, they had both survived the war and now wanted to bring a life into the world.

 In one swift movement, Robert had picked Y/N off her feet and twirled her around happily. The two being careful not to make too much noise that they woke Catherine from her sleep in the adjacent room.

 “Bob!” she squeaked softly as she held onto him and laughed happily. “You do realise that we need to delay when we start until Doris picks Cath later, wouldn’t want to ruin her innocence this early on because we both know if she meets Lew or Bill, that it’ll be game over for her”

 The male placed her back down on her feet again as he couldn’t help but chuckle again. “You’d be surprised, Hoosier is pretty good at watching his mouth around kids. Heard him and Victoria had a run in at her mothers with some neighbourhood kids.”

Y/N raised her eyebrow a little at his words, she had to remind herself that she really needed to invite the couple down for a weekend. Y/N had met Victoria through Robert, she was a corpsman who served with H Company, the only one in out of Bob’s tightly knit friend group who had managed to get to Okinawa before being sent home. Something the girl held tremendous respect for.

 “Didn’t stop him watching his mouth around Chuckler, did it? He’s pretty much a child” she joked as she leaned up to kiss his cheek. “As much as I like starving, I think that I’m going to make us some dinner”

 Y/N spent her time in the kitchen preparing dinner while Robert spent time in the living room watching over the sleeping angel. The smell of lasagne soon filled the small home, a recipe that she had learned from countless lessons from her mother.

 Table set and heap filled plates sat on the table as the Y/H/C moved through the house to tell Robert that his dinner was ready but as her slippered feet met the soft carpet of the living room, it was Y/N turn to have her heart melted; asleep on the couch lay Robert sound asleep with an equally sound asleep Catherine on his chest. Y/N removed the blanket from over the back of the armchair before draping it lightly over the two and returning to the kitchen to eat her own dinner.

[itsmoonphobic]

Dream SMP characters and my interpretation of them:

-Techno: The smell of Dirt and soil,blood,wine and old books. Silk pillowcases,golden jewelry,mosaics,stained fingertips, grand staircases,scented candles,storyteller,lazy smiles, secretive,slow dancing,sad resting face,elegant language,cold weather,confident,doubts himself,philosophy, messy braids,glowdust flakes, poetry,graceful movements,neat and cursive handwriting, greek mythology, oriental music,pale skin,libraries,sarcasm, long-lasting friendships,quotes,frosted windows,layering clothes, know-it-all,rude but endearing,pile of papers,cherry blossoms,muted colors,overthinks everything,devotion,logical thinking,insomniac,scattered mind,castle walls,laid back,tired eyes,long debates,show over tell,lingering touches,rulebreaker, dirty palms,old movies freezing feet,old habits,late nights studying,early riser,skips meals,eye bags,tea with milk,velvet jackets,dimly lit by streetlights,ancient wood floors,flowy curtains,art museums, gravely morning voice,echos in the middle of nowhere,sleepy whispers,nostalgia everywhere,red lipstick stains,loves animal more than people,calm and quiet, healing stones,parked car conversations,sharp jaw,obsessed with memes,violins,doves, doves,floats instead of walks,unbroken promises,twisting and winding hair around fingers,nail biting, repeating phrases,mist secret scars,rumors,always wearing earphones,metaphorical, emotions fragile as a flower, speaks with his eyes,fluttery eyelashes,dog lover,forehead kisses,calligraphy,pretty knives,cares too much,lopsided grins,messy desks,talks for hours no,rolling his eyes all the time,powerful strides,wants to conquer the world,slender hands,good grades, dusty book covers,wax stamped envelopes,vintage mirrors

-Phil: The smell of cold air,pine trees and sandalwood.Dead birds and mothballs,stops on the sidewalk to make sure nobody is left behind,morning person,herbal teas,crows,eats breakfast outside,constellations,family portraits on walls, chirping and whistling,crime documentaries,cool father figure, graveyards,weeping angels,meteor shower,many friends but only a single close one,contagious laugh,fragile teacups,fog, early mornings,fuzzy blankets,springs of thyme,bare feet, empty streets,rosemary stems,flickering lanterns,burnt wood bowls,feather collector,antique silverware,a sky full of stars, skylights,torn pages,overstuffed bookshelves,makes you feel comfortable whenever you talk to him,organized,full of ideas, believes in magic,gives the best advice,lost in his own way, warm hugs,scrapbooks and bullet journals,old cars,soft features,daydreaming,bright eyes,getting lost in the woods,moonlight,self knitted sweaters, stargazing on tailgates,the universe,hand in hand with wandering hearts, garage sales,questioning life but feeling at peace,attic bedrooms and haylofts,pursuing science and desiring art, photo albums,hopeless romantic,dark chocolate,open windows and quirky morning rituals,actually knows what brunch is, succulents,a kind-hearted loner,free-spirit,plaid button-ups, always ready to let you rant,abandons projects quickly, complicated past,bold moves,goes with the flow,aims for things that seem unachievable,lives in extremes,knowing smiles,constantly busy with something new,soft touches,love at first sight,naps alot,subsequent tea stains,sparkly eyes, abandoned barns,handwritten notes,feather quills,fascination with the sky,whispering secrets to the wind,great with kids, takes a backpack everywhere,hugs trees,big winter coats,road trips,knows tons of medical info,bites his nails,comforting presence,lost souls,city lights from a high rise

-Wilbur: The smell of fire,smoke,caramel and coffee. Stands up for people who can't for themselves,emotional wreck,loves his family too much but still yells at them,soft turtlenecks,sits in different spots every time he eats dinner,chipped nailpolish, songwriter,probably depressed,wakes up in the middle of the night to write down random thoughts,heartbroken teenager songs,dark psychology and deep meanings,globes and maps, wants to travel and make lots of memories,curls of steam, earbuds in,spattered ink,good singer,keeps to himself,old music and dusty vinyl,the type of person that you could stare at for hours,loud laugh,ride or die,dreams about his future, believes in fresh starts and new beginnings, messy and tangled hair,summer nights,soft features,deep thinker and dimples, having crushes,musicals and theater, half finished diaries and laptop stickers,mixtapes,quirky love notes, secretly kinda insane,always ready for coffee,thrift shops, beachy waves, bonfires,probably drives too fast,cutoff jeans, cream and sugar,nude colors,always creating new problems for himself, fights for equality,long debates and tired eyes, tapping a rhythm and humming quietly,spends all his time on social media,beanie galore,trench coats,foggy glasses,cozy sweaters, dancing around his room to the Beatles,looking out the window when the sun is setting,birkenstocks,guitar strumming on a warm summer evening,bells and chimes,subtle sadness, the feeling of diving into a deep pool,perfect proportions,too many playlists,holding hands,pretty boy,sew on patches and bomber jackets,candid photos,warm sun on bare skin,dancing silhouettes on the sunsets,beach walks at midnight,messy but cozy room,different mood every minute,singing his favorite song at the top of his lungs,sharp grins,haunted houses, paranormal stuff,late night snack runs with friends,explores creeks and lakes,double checks everything he does,walking through hot sand,backyard campfires,acoustic songs,photo booths,train platforms at night,s'mores,sun bleached arbors

-Tommy: The smell of plastic,fresh cut grass and musk. Does the bare minimum at School,unless genuinely interested in a topic,doodles on the side of his paper,movie marathons,empty coca cola bottles everywhere,rope swings,glossy nailpolish,lots of energy,life of the party, kidcore ,can always make you laugh,loves photography,eyestrain and bright colors,bruised knees and untied shoelaces,paperballs in class,brand new red converse,denim jackets,pins and clips,chalk drawings in the middle of the road,every text contains emojis, garden sprinklers,graffiti,wreck this journal,vibrant dyed hair, scribbles and highlighter pens,carnivals,involed in many things, watermelon flavored anything,loves to climb trees,screaming on playgrounds,oversized t-shirts,stained glass windows, anklets,skateboards and hula hoops,milkshakes on the front porch,social butterfly,always in a hurry,pinkie promises,tangled headphones,melted crayons and gummy bears,bean bags and hummingbirds,spinning around till he gets dizzy,chaotic and crazy yet so fun to be around,rushing into things too quickly, roller coasters and derbies,doesn't get knocked back by criticism,cans of fizzy drinks and neon lights,skips school,tye dye shirts and nitendo games,impulse and class clown,sticks stickers on stranger's things,pickpockets his close friends,has to carry a walkie-talkie around with him at all times,sleepovers and sneaking out through windows,pockets full of change and random buttons,stands out in crowds and makes friends easily, pretends to be fearless but is scared of the littlest things,trips and rips his jeans daily,uno cards,social butterfly,music discs, fights with his family but would actually kill for them,broken handwriting,flannels and jerseys around his waist

-Tubbo: The smell of honey,fresh bread and citrus. Lowkey soft, hugging a teddy bear,pressed flowers,eats alot of bread,big hoodies,fairy lights and blanket forts,prank calls while holding in your laughter,beeswax candles,sidewalk dandelions,gentle cuddles on the couch,pastel yellow and cute doodles,flower crowns and diasy chains,plays the ukulele,fascinated by bees and supports local coffee shops,outdoorsy sunshine addict, sparklers and iced lemonade,festivals with fireworks and fireflies in mason jars,homework done as soon as its assigned, watercolor paintings,giggling uncontrollably,long hugs and lazy cartoon afternoons,park dates and forehead kisses,cutting pants into shorts,messy wild hair and pear lollipops,has tiny random braids decorated with golden yarn,hearing the crinkle of leaves underfoot,suprise piggy back rides,adult swim shows and lip gloss stains,being goofy without meaning to,bounces in his step and stops to pet stray animals,baked bread and washi tape bracelets,bike rides and summer picnics,rolling down a hill in the spring and bringing home grass stains on his jeans, waving at someone across a crowded room,spontaneous hang outs and self made clay rings,sitting in the warm sunlit grass on early spring mornings,rock painting and hiding them for other people to find,picking apples from trees but needing to be held up in order to reach one

-Ranboo: The smell of peppermint tea,denim and rain. Is there for everyone but never themselves,regrets things they said but can never find the nerves to apologize,clumps of mascara and winged eyeliner,writes down every tiny thing in notebooks, loves children and their friends,forgetting that they already grabbed a waterbottle,drawing on condensation windows,rainy days and puddles,always on the edge of a breakdown,elevator music and long limbs,old tape recordings and cassettes,moss covered ruins and greenhouses,wanting to be in multiple places at the same time,different colored socks,long hugs and head pats,reading under the covers,collages and spray paint,record players and walks alone through the woods,loves playing by creeks and collecting stones,always wondering and worrying about things they shouldn't,vivid dreams and leather jackets, silver necklaces and piercings,snoozing their alarm clock, seeing the moon in the early morning,blurry photographs and windswept hair,downpours and comfortable silence,wrapping gifts and handing them over with shaking hands,sitting on a rooftop and spontaneous plans,lofi sounds and long train roads,deja vu moments,randomly dissapears and sipping tea, cold concrete and city parks,tickets and brochures from places they visited,dusty parchment and desperately trying to be a good person,wikipedia articles and lace-up boots,often loses track of time while talking to people they love,sings to the radio and avoids conflict if possible,can't sit still for five minutes, perpetually in an emo phase and knows more than they let on, hawaiian shirts,henna tattoos and sparkling water,sleeping in complete darkness and the relief of falling into bed,midnight thunderstorms and anticipation for the coming day,lucky charms and the sound of rain hitting the windows

-Dream: The smell of apples,eucalyptus,vanilla and green tea. Freckles and smiley faces,glow sticks and wrinkled linen, probably a really good singer,wild laughter and jellyfish, popular,tanned skin and cruising with the top down,doesn't take shit from anyone,analytical and self assured,beachy waves and dreamy sunsets,running barefoot,likes being active and on the go at all times,sassy and dramatic as fuck,dream catchers and hammocks,glow in the dark stickers on his phonecase, feisty and a sense of danger,brought home stray cats when he was a child,falling in love with strangers,waking up early and continue laying on the bed,golden hours and 4pm naps,soft aching hands burried in messy hair,center of attention,static and heavy breathing,old percy jackson books under the bed, throwing pebbles at the closed windows of his friends' room, retro diners at 2am,adrenaline junkie and nighttime thriver,will go insane if cooped up indoors for too long,deadlines till last minute,oversleeping and coming home past midnight,naturally a really good surfer,hugs from behind and neck kisses,checking the fridge at 1am,ice cream in bed and cat cuddles,always picks up over facetime

Might make more parts for some of the other guys :)

[mynameischalie]

Day 6: What band or musician is the most important to you?

For me I would have to say The Gaslight Anthem because I was there in the beginning and watched them become a total success story throughout the years.

First time I saw them was in a tiny basement known as the First Unitarian Church in 2008 with The Loved Ones, The Ergs, and Amateur Party. They were still supporting Sink Or Swim.They were complete upstarts but I was right up front singing along to every word. At that time you could literally walk up to them and strike up conversation at the merch table which my brother and I did. Very humble guys who were always grateful. 

They started moving on to bigger opening slots in 2008 as they were opening for Rise Against, Alkaline Trio, and Thrice on big package tours.

I saw them two more times in 2009 at the Trocadero Theater. Both sold out shows supporting the 59 Sound still. One of those two times was when the Phillies were in the 2009 NLCS against the Dodgers. That night in October was simply magicial. The supporting cast were Murder By Death, The Loved Ones, and Broadway Calls. The Phillies won Game 3 11-0 and the Gaslight Anthem put on a spectular show.

By the time American Slang came out they were huge and started playing Festival Pier here in Philly. Festival Pier is a huge outdoor venue here in Philly. I was happy for Brian Fallon and the guys. The last time I got to see this wonderful band before they disbanded was 2012 at the House of Blues Atlantic City, New Jersey. This was right before Handwritten came out. They were touring with Cage The Elephant. That show was another winner!

After that I started seeing Brian Fallon solo when the Revival tour came around with Chuck Ragan, Dan Andriano, Tom Gabel (now Laura Jane Grace) and Dave Hause. What a stacked lineup, huh? 

I can’t even wrap my head around all these memories but in 2018 the band decided to reform and play 59 Sound shows for the 10th anniversary. The shows sold out IMMEDIATELY. I had to buy a ticket on Stubhub for the Philly show. 

For me I had fun at that 10 year anniversary show but TGA played the songs slower. You can certainly tell or at least I could cause I was there way back then as an 21 year old when those songs were played fast.

Anyways, I have tickets in 2022 to see Brian Fallon play his solo stuff and I’m looking forward to it. They are one of those bands that when I hear their songs I immediately think back to some amazing times in my life.

[alcalavicci]

1988 interview with Dean. This is a really good one and helps bring more of his life into perspective. Note: the newspaper originally censored his swearing, but I’ve put it back.

Guthman, Edward. "Dean Stockwell: Third Time's a Charm." The San Francisco Examiner (San Francisco, California), August 14, 1988.

“Six years ago, Dean Stockwell's acting career had turned to dust. Reduced to playing parts in unreleasable, made-in-Mexico movies that now make him cringe, Stockwell decided to chuck it all and get out of Hollywood.

“Along with his second wife, Joy, Stockwell moved to Santa Fe, settled down under the wide New Mexico sky and applied for a real estate license. He even placed an ad in Daily Variety to announce his exile: 'Dean Stockwell will help you with all your real estate needs in the new center of creative energy.'

“Stockwell never sold a house; he didn't need to. Instead, almost as soon as he'd relocated, things started happening to the former 1940s child star. It began with a small part in David Lynch's 'Dune,' and escalated with an important supporting role in Wim Wenders' highly regarded 'Paris, Texas.'

“Moving back to California to cash in on his fortune, Stockwell acted in 'Beverly Hills Cop II,' 'Gardens of Stone,' and 'To Live and Die in L.A.' He also played a cameo role, as Howard Hughes, in the newly released 'Tucker: The Man and His Dream.' And in 'Blue Velvet,' David Lynch's American nightmare, he delivered a chilling cameo as Ben, a waxlike, sexually ambiguous drug dealer.

“And now, at 52, Stockwell says he's found 'the favorite role I've had, by far.'

“The picture is 'Married to the Mob,' a dark, romantic comedy by Jonathan Demme ('Melvin and Howard,' 'Stop Making Sense') and Stockwell plays Mafia don Tony 'the Tiger' Russo. Wearing an Al Capone fedora and full-length vicuna coat, Tony is a rich, sardonic, larger-than-life character -- the kind Stockwell has never had a chance to play until now.

“Opening Friday at the Galaxy and UA the Movies, 'Married to the Mob' has been touted as Demme's first shot at a genuine box-office winner. Set in Long Island, New Jersey and Florida, it stars Michelle Pfeiffer as Angela DeMarco, a young Mafia wife who tries to start a new life when her husband, Frankie 'the Cucumber' DeMarco, is pumped full of lead during a hot-tub tryst at the Fantasia Motel.

“When Stockwell's character isn't ordering hits, drug deals and the dumping of toxic waste, he's lusting assiduously after the gorgeous widow. Meanwhile, bumbling FBI agent Mike Downey (played by Matthew Modine) is jumping through hoops trying to shadow Angela and 'catch Tony with his pants down.' Instead, he falls in love with Angela.

“During a recent luncheon interview, not far from his central California home, Stockwell spoke about the film, about his new happiness as the father of two children and about the bizarre trajectory of his long career. Dressed in a long-sleeved shirt and slacks, wearing a Panama hat and drawing first on a cigaret, later on a cigar, Stockwell emanates prosperity and calm.

“'I don't know why I was unemployed so long,' he says, reflecting on a fallow period that started in the '60s and lasted the better part of two decades. 'The only thing I can figure out in my own mind is that, for some reason or another, I was being made to wait until a certain time in my life when my talent would reach its full maturity and fruition.'

“Ironically, he says, he felt just as equipped 10 years ago to do the work he's doing now -- 'only I couldn't get fucking arrested.'

“Today, Stockwell sees harmony in the fact that his new success coincides with the arrival of two children. His son, Austin, will be 5 in November, and his daughter, Sophia, turns 3 this month. Inordinately proud and protective, he refuses to allow his children to be photographed, and also requests that the town in which he and his family reside not be named. (There were no children from his first marriage, to Millie Perkins, which lasted from 1960 to 1962.)

“'I want to make a lot of money and I want to put it away for my children,' he says. To that end, Stockwell has been snapping up job offers. 'A lot of people ask me, "How have you been able to choose these wonderful things you're doing? Have you been very selective?" And I have to tell them, "I haven't been choosing what I'm doing." Things have been coming and I've been accepting virtually anything that's come.'

“Stockwell's ambition is so great that, for the first time in his life, he actively pursues aspects of his career that he once shunned- interviews, for example.

“'My entire motivation in life is my family,' he says. 'I don't need to get an award. I don't need recognition. I've had that already. What I need is to provide. The best way I can provide is to be successful, and the best way I can be successful is to take advantage of all the things at my disposal to achieve that, one of which certainly is press.'

“Take a look at the young Stockwell, specifically the version that emerges from old magazine and newspaper interviews, and you meet another person altogether.

“Robbed of a normal childhood, Stockwell had made 22 films by the time he was 15 -- including 'The Boy with Green Hair,' 'Kim,' 'Anchors Aweigh,' and the Oscar-winning 'Gentleman's Agreement.' Working nonstop, he had a privileged life that millions of children probably envied, but he loathed it nonetheless.

“The son of show-business parents -- his father, Harry Stockwell, was the voice of the Prince in 'Snow White and the Seven Dwarfs,' and his mother, Betty Veronica, was a former stage dancer -- Stockwell made his professional debut at 7. It all happened by a fluke: when Stockwell accompanied his older brother, Guy, on a Broadway audition, the casting director took a liking to both boys, and cast each one. The play, aptly enough, was called 'Innocent Voyage,' and it led to an MGM contract for curly-haired Dean.

“From the beginning, the pressure on young Stockwell was intense. His parents had divorced when he was 6, and when his father defaulted on child-support payments, Dean reluctantly became the family provider. Over a six-year period, he averaged three to four films per year.

“At home, he says, 'There was a lot of friction... I was getting all the attention, but I hated it. [Guy] couldn't appreciate that, because he wasn't getting the attention. He had all these friends, his peer group, that he took for granted. I had none and I resented him for being able to live that way. I was fucking lonely.'

“When he was 13, chained to a seven-year contract, Stockwell was described by one magazine as 'a young rebel who despises acting and resents every moment it takes from his fleeting boyhood.' Many years later, Stockwell told columnist Hedda Hopper, 'Child actors exist in a sort of limbo between childhood and maturity and belong to neither. Adults take them too seriously and other children are either awed or hostile. A child actor can find friends in neither group.'

“Finally, Stockwell fled Hollywood when he was 16. He cut off his curly locks, started using his real name, Robert Stockwell, and for the next five years roamed the country, working menial jobs and disavowing his true identity. 'People that might have known me from seeing my films knew me as a young child,' he remembers. 'Now I was 17 and I wasn't that recognizable.'

“Around the time of his 21st birthday, Stockwell was pushing papers as mail boy to a Manhattan plumbing firm. 'Of all the jobs that I'd had in those intervening years,' he remembers. 'I think I hated that worse than anything. I came to the realization I had no training at anything. My primary education was very skimpy, very poor, and happened under the worst type of conditions. I was literally at the mercy of the world.'

“Most of Stockwell's childhood earnings were squandered by crooked accountants, he says, and he knew that the tiny sum being held in a trust wouldn't last forever. 'So I thought, "What am I gonna do? Well, let's go back and attack this [acting career] again, and see if I can do it a little more on my terms."'

“What followed for Stockwell was a brief but impressive 'second career.' He starred in the 1959 film 'Compulsion,' based on the Leopold-Loeb case of the '20s, and won a joint acting award with Orson Welles and Bradford Dillman at the Cannes Film Festival. He played the lead in the 1960 film of D. H. Lawrence's 'Sons and Lovers,' and in 1962 scored the plum role of Edmund Tyrone in Sidney Lumet's film version of 'Long Day's Journey Into Night,' holding his own alongside Katharine Hepburn, Ralph Richardson and Jason Robards.

“Stockwell was winning the best parts, but found his attention drifting elsewhere. What was happening, he says, were the first signs of the '60s youth revolution. 'It captured my imagination as much as anybody's. And it represented to me -- I can see this in retrospect -- something in childhood that I had missed: the freedom and loving being alive, without responsibilities and work and having to report to the studio every day, and deal with fans and interviews and shit that I hated when I was a kid.'

“So Stockwell called his agent, said, 'I'm not workin',' and dropped out once again. When he tried to come back three years later, though, 'I found it very difficult, 'cause I'd been out-of-sight, out-of-mind.' What followed was a long period of marginal employment: He found some TV work, took parts in low-budget trash ('The Dunwich Horror') and occasional oddities (Dennis Hopper's 'The Last Movie') and co-directed a film with musician Neil Young ('Human Highway') but often just didn't work at all. At one point, he went 18 months without a job.

“Today, along with his buddy Hopper, Stockwell is enjoying a major career renaissance. And with his starring role in 'Married to the Mob,' he says, he's never felt more confident.

“'I knew before I started the film that this character was going to work in spades,' he says, adding that Demme, as director, deserves credit for taking a risk with such offbeat casting. Instead of picking Peter Falk, Vincent Gardenia or another ethnically identified actor to play the Mafia don, he went with Stockwell (who is actually half-Italian on his mother's side).

“Demme's inspiration occurred on a flight from Los Angeles to New York, when he opened a copy of the Hollywood Reporter. Stockwell had just changed agents, and in order to announce the fact, had taken out a full-page ad. Demme saw the picture, and instantly recognized his Tony.

“Weirdly enough, Stockwell made another film immediately prior to 'Married to the Mob': a Canadian feature called 'Palais Royale,' due for an October release, in which he plays a character almost identical to Tony Russo.

“'It's very curious,' he says. 'For all my years I'd never had a role like this come my way, and here it was twice. The Mafia don in New York, the Mafia don in Toronto, both of them colorful and charming and also threatening. And I just thought, "What am I gonna do? It's the same character." So I decided to do the same character in both those movies.'

“To take the coincidence 'one nauseating step further,' Stockwell says he's also got a part in the recently completed 'Backtrack,' Hopper's next film. This time he plays a corrupt mob lawyer, dropping the Italian accent for a generalized East Coast sound.

“It would be difficult to find a film actor who's busier than Stockwell at this moment. And it would be difficult to find anyone whose job history better illustrates the vicissitudes, serendipities and insecurity of a Hollywood career.

“Looking back on his misfortunes -- at the career that he was forced to accept as a child, and the humiliation he felt when he couldn't maintain it as an adult -- Stockwell says he's not bitter. 'When you reach your maturity, I think it behooves you to accept the fact that it's absolutely futile and fruitless even to speculate on changing anything in your life. All you can do is get embittered. So I accept everything that's happened as part of my life, and try to push it in a positive direction from the moment right now.'”

[coeurdastronaute]

Essays in Existentialism: Rivals II

Previously on Rivals

There really wasn’t anything to be nervous about. Why should she be nervous when she’d already spent two nights in the same bed as a complete stranger and player for the opposite team. That was weird, but going on a date was incredibly normal. It was the most normal part of the timeline of their entire flirtation, and yet, Clarke was slightly antsy. 

The nerves might have stemmed from the lying. 

It wasn’t really mentioned when her friends asked her what her plans were for the weekend. Vaguely, she insisted that there was some family stuff she had to do and kept out of the conversations about meeting up, much to the dismay of a few voices. But the lies were made easier by the proximity to winter break. If she told them what she was really doing, she’d never hear the end of it from Octavia, and that was a fight she didn’t want to have. She’d never get over Bellamy’s sad eyes. She’d have to listen to Raven rail about this and that, and why not avoid it if she could?

In the end, lying felt right and easy and when everyone gave up trying to figure out when she’d be able to do something, instead chalking it up to a complete family weekend, she relaxed. 

Maybe her nerves stemmed from the intensive dive into Lexa’s scant social media presence, strictly for science. 

The very night she got home from the state championship trip, she laid in her bed and did the only normal thing she could think of doing-- looking into a certain Lexa Woods, all while texting the star kicker deep into the night. 

And though she didn’t find much, she did see that Lexa was too cute and it was going to be a problem. Candids taken by friends of her in weird positions, reading. With glasses. Adorable glasses. Pictures hiking with her family. Camping with her little brother. Volunteering at the Special Olympics. Record shopping. Camping. Running. Biking. Studying film. Dressed up for a family wedding. 

It spanned her entire high school life, and Clarke learned that she was an outdoorsy person who seemed too good to be true. She had a crush on a stranger she slept with-- twice. 

Yes, that was where her nerves came from, Clarke decided as she heard the doorbell chime downstairs before she gave herself a once over in the mirror while taking a deep breath. There was nothing to be nervous about, she chanted. 

Except it’d been two weeks of almost non-stop texting and Lexa was funny and nice and sweet and a nagging part of her brain couldn’t let Clarke believe that this girl was real. 

“I’m coming!” Clarke yelled down the steps as she hurried to the bathroom and quickly sprayed a dash of perfume from the tiny, expensive bottle her dad got her for her birthday. 

She heard the rumble of voices downstairs and tried not to think of how embarrassing her father could possibly be. In record time she snagged her coat and phone, pocketing and tugging on as she hustled down the steps. 

But handling it well enough, Lexa stood there, in Clarke’s house, in the flesh, real, alive, and in-person. Red letterman jacket folded over her arm, she stood there and listened intently to Jake Griffin talk about something before catching her date’s eye and smiling. 

“I will have to check that movie out, Mr. Griffin,” Lexa nodded, tearing herself away from Clarke. “Thank you for the suggestion.” 

“Okay, we’re heading out, Dad,” Clarke interrupted before he could start talking about something else. “I’ll be home later.” 

“Not giving me much time to embarrass you, honey,” he chided as she leaned up to kiss his cheek. “I got distracted talking about movies.” 

“An easy way to avert him. Nice work, Twelve.”

Lexa smiled quickly as Clarke came to stand beside her. 

“I do want to hear some embarrassing things though. I’m sure we have ti--”

“Okay, we’re off,” she cut off the thought. 

“It was nice to meet you, Mr. Griffin,” Lexa stuck out her hand and shook Jake’s. “I’ll let you know what I think of that film. I’m always looking for new favorites.” 

“You won’t be disappoint,” he smiled, surprised by the action as she shook her hand. “Home by twelve at the latest.” 

“What about one?” Clarke tried. 

“Actually, I have to be home by eleven,” Lexa offered. “So unless you plan on bailing…” 

“You know, eleven sounds so much better to me,” Jake grinned and looked at his daughter expectantly. 

With a shake of her head and sigh, Clarke moved toward the door, Lexa trailing behind her and shrugging on her coat as the moved out into the cold. The patriarch of the small family stood behind the glass and watched them hurry to hop into the still-running car in the driveway. It wasn’t that he truly trusted anyone that took his daughter out on a date, but something about Lexa seemed okay enough for him to not worry as much, which was surprising for someone with a letterman jacket. 

But he waved as they pulled out into the street and he smiled, the faint remnant of the perfume he bought for his daughter for her last birthday still lingering on the stairs. 

XXXXXXXXXX

As much as she told herself that she wasn’t nervous, that it was pointless to worry about it, that Clarke obviously liked her enough to make out with her in a hotel bed, twice, Lexa still felt a little nervous about their first official date. She did a valiant job in pretending though. 

But then she saw Clarke and she relaxed, despite the fact that her heartbeat picked up by about half. It was baffling and she wasn’t sure what it meant, but she didn’t waste any time thinking about it too hard. 

“I can’t believe I’ve never been here before,” Lexa smiled as they pulled up to the museum parking lot. “My brother has a thing for museums.” 

“Now I get to spoil it for you so when he drags you here eventually, it’ll be old news.” 

“You know, you haven’t insulted me once since I picked you up.” 

“Can’t let them go to your head,” Clarke grinned and waited, sticking her hand out for her date to grab so she could lead her into one of her favorite places in town. “Your ego is already monstrous after winning a championship.” 

“Did you know I get a ring and everything? The lunch lady gave me an extra cookie the other day, too.” 

“What a life you lead. And here I am, taking up your time when you could be basking in the glow of being the city’s golden child.” 

“Not this town,” she murmured, feeling slightly out of place in her jacket. 

“Don’t sweat it. You’re with me, Woods.” 

It was a baseless sentence and in no way did Lexa imagine that Clarke ran her town, but there was something to her confidence and ease that made her want to believe it without question. Clarke was easy that way-- just constantly moving and pushing and remaining undaunted, it felt like. Through their late night chats, she’d learned that Clarke really figured out that she didn’t like a lot of who she was over the past few years, and was restarting, with purpose. 

Lexa wasn’t sure what it all meant, just that Clarke was honest and fun, she was unpredictable and passionate, and most importantly, she was fiercely independent.

Somewhere between the paintings of the boats and the ones that were just lines, Lexa felt Clarke’s chin on her shoulder and the proximity of their bodies as they walked through the massive rooms, perusing and joking, appreciating and debating, predominantly disappearing into themselves without a care for anyone else in the place. 

Somewhere between the busts and the installation art, Lexa kissed Clarke’s cheek and held her hand a little tighter, occasionally pulling her own behind her back to pull Clarke closer to her side. 

And at the end of the night, after dropping Clarke off and getting a kiss for her troubles, Lexa smiled and replayed the entire date in her head on the drive home. 

XXXXXXXXXX

Despite the normal festivities of the holiday season combined with winning a championship and having many more friend obligations to attend with, Lexa ignored what she could and spent her most of her break driving back and forth to the rival town to see a certain cheerleader who like to kiss her and sometimes slip her hand up her shirt. And she liked returning the favor, hence the driving and hosting. 

But between the family and the girl and break homework, Lexa was sure to spend time preparing for her soccer season. That was a point she made because she sure as hell wasn’t going to only get scholarship options for one season in a sport she didn’t truly love. 

There was a schedule and Clarke fit into it all, much to Lexa’s relief. 

“You have to head home soon,” Clarke whispered, though her lips moved to capture the kicker’s once again. 

“I can push my luck a little bit. Your dad likes me.” 

The scoff was cut off by a low moan as Lexa let her hands get a little more brazen than they’d been before. She was fueled by the fact that they were busy and school was starting again and she wouldn’t know how long until she’d see Clarke again. That and the delectable little noises coming from beneath her. 

“You should leave, before I make you stay.” 

Lexa smiled against Clarke’s neck and bit there before pushing her thigh harder into her center, earning a shift of hips. Fingertips dug into her neck and she sighed at the sensation. She wanted more time. She wanted to pause everything. 

“You feel so good,” Lexa whispered. 

“We should see each other again.” 

“I’d like that.” 

“You’ll let me know when you get your schedule for soccer?” 

“You’ll be the first to know. I’d like my own cheerleader,” Lexa smiled, kissing toward chest. “And as my girlfriend, you get the perks of wearing my jacket and old jersey whenever you’d like.” 

“Girlfriend, eh?” Clarke adjusted so that Lexa hovered over her. She cocked her head and smiled before pushing hair away from her eyes. She loved Lexa’s green, and how deep and expressive they were if you were smart enough to pay attention. 

“Yeah, well. If the letterman fits.” 

“I do look cute in it,” she shrugged, smiling enough with a dimple and all. 

“Much better than me.” 

“I can’t go wearing it at school. That’d be the end of me.” 

“I suppose we should talk about being star-crossed and such, since we’re heading back to the real world.” 

Clarke groaned a complaint and hugged Lexa toward her tighter. 

“What is there to talk about? My girlfriend goes to a different school.” 

“It’s adorable how you think it’ll be easy.”

“You’d be amazing at how good I am t being difficult.” 

Despite herself, Lexa chuckled and shook her head before kissing Clarke’s cheek and jaw and nose. She finally pushed herself away. 

XXXXXXXXX

The fall out was… biblical, in a way that Clarke never fully expected. It seemed insanely trivial for her to develop a crush on a person that could develop so much ire from her entire world, but she bore the brunt of it with a flippant disregard to such ridiculous stigmas. 

The worst of it was Octavia, fiercely loyal to her team and her school and most importantly, her brother. The news worked its way through the friend group, debated and marvelled over for a few days before it became old news. It was a novelty and for a while Clarke fielded their questions and took their taunting well enough. 

It wasn’t until spring that Clarke finally blew up, lashing out at Bellamy, Octavia, Murphy, and a few others who were still bitter about their lost. It ended with her scolding their pitiful performance and childish behavior. It didn’t really help, but she certainly felt better. 

“Good job! Nice kick!” Clarke cheered from the bleachers amidst the large crowd in the waning evening light. 

“Oh now you’re a cheerleader,” Octavia rolled her eyes and scoffed from a few rows away. 

Clarke grit her teeth and shook her head before focusing back on the pitch as number twelve streaked down the field, maneuvering quickly through defenders. She shoved her hands into the pockets of the jacket for the opposing team and smelled a hint of Lexa on the collar still, vowing to give it back to her for a few days to get more of it back. 

Unsure of if the booing spurred her or the fact that her girlfriend was watching, but Lexa and her team won by a wide margin, which was gratifying to the singular fan in the audience. 

“Hey, Twelve, you looked good out there.” 

“Oh thanks. Just showing off a bit for you,” Lexa grinned, hanging on the railing of the bleachers as she watched her red jacket walk towards her. “Thanks for coming.” 

“Couldn’t miss it. Hottest seat in town.” 

“I have to get on the bus in a few…” 

“Can’t waste time then,” Clarke grinned, jumping off the final step and wrapping her arms around the sweaty soccer players neck. 

In a second, she was kissing her girlfriend and smiling, content with the glares she knew she’d be getting from the peanut gallery. 

“You should come over this weekend. There’s a great movie playing at the Local, and I could be persuaded to take you for dinner.” 

“Persuaded, huh?” 

“Mmhm,” she nodded, setting her girlfriend down.

“Do you want to meet my friends?” 

“I think I’ve met some of them,” Lexa looked at the gaggle that followed. “Hi.” 

“Guys, this is Lexa,” Clarke offered as she turned around and found the rest of the group. “Lex, this is Bellamy, his sister, Octavia, Raven, Murphy, Monty, and Madi.”

A small chorus of hellos greeted her as she lifted her hand awkwardly. 

“Sorry about making that field goal. I can honestly say I didn’t mean to, and it just kind of happened.”

The crowd relaxed slightly and mingled about with some small talk before the coach called and Lexa looked over her shoulder, realizing it was time to leave. 

“I’ll see you Saturday, if that’s okay?” Clarke asked, walking with Lexa toward the bus. 

“Did I do well enough with the friends to earn a date?” 

“You did. I do have to spend Friday with them though to make up for it, but yeah, I’d say you’re okay.” 

“Am I going to have to see them more?” 

“Definitely.” 

“Whatever works.”

“Here,” Clarke shrugged off the coat. “I need you to break this in again for me. I lost your smell.” 

“Can’t have it not smell like Ireland looks, I guess.” 

“Shut up.” 

With a shove and a kiss, Clarke pushed Lexa toward the bus.

[tabloidtoc]

Entertainment Weekly, February

Cover 1 of 2: Daniel Kaluuya of Judas and the Black Messiah 

Page 1: Contents, second cover featuring LaKeith Stanfield

Page 2: EW insider 

Page 3: Sound Bites 

Page 8: The Must List -- Colin Firth and Stanley Tucci on Supernova 

Page 10: Keegan-Michael Key on The History of Sketch Comedy 

Page 11: All American, Jersey Shore: Family Vacation 

Page 12: Lana Condor on To All the Boys: Always and Forever 

Page 15: Fake Accounts by Lauren Oyler, Jeopardy! 

Page 16: Nancy Johnson on her debut novel The Kindest Lie 

Page 17: The Black Church: This Is Our Story This Is Our Song, Foo Fighters -- Medicine at Midnight 

Page 18: My Must List -- Lionel Richie 

Page 21: First Take -- Zack Snyder and Dave Bautista on Army of the Dead 

Page 23: Dennis Quaid on Reagan 

Page 24: Cover Story -- Moment of Truth -- two of the most talented stars of their generation Daniel Kaluuya and LaKeith Stanfield reach stunning new heights in the epic and Oscar-bound Judas and the Black Messiah 

Page 28: A King’s Journey -- how director Shaka King went from oddball comedy to the powerhouse drama of Judas and the Black Messiah 

Page 35: The Happy List -- for a sweeter 2021 come enjoy our catalog of tiny pleasures 

Page 46: Mad Love -- how Zendaya and John David Washington quarantined together to make the red-hot romance Malcolm and Marie while Hollywood was on lockdown 

Page 50: Breaking Big -- 10 rising stars poised to make waves in 2021 

Page 51: Paul Mescal 

Page 52: Taylour Paige 

Page 53: Mateo Askaripour, Brandee Evans 

Page 54: Haskiri Velazquez, Omar Apollo 

Page 55: Simu Liu 

Page 56: Emma Corrin 

Page 57: Jasmine Cephas Jones, Reid Miller 

Page 58: The Missing Star Spangled Girl -- on the cusp of breaking out in Hollywood the 27-year-old dancer, model and actress Jean Elizabeth Spangler vanished October 7, 1949 leaving behind a purse and a mysterious note and a young daughter; inside the chilling still-open case 

Page 64: Name Calling for Fun and Profit -- after launching in 2017 as a Hollywood-adjacent curiosity Cameo the site that lets fans buy personalized video messages from celebrities of all strata is booming in the pandemic era 

Page 68: News + Reviews -- with the release of 12 never-before-collected essays in Let Me Tell You What I Mean Joan Didion reminds readers that she’s been right about everything all along 

Page 72: Movies -- Here Comes the Sun -- the 2021 Sundance Film Festival is going virtual but these movies prove it’s as exciting as ever and will kick off Hollywood’s comeback year 

Page 73: Performance Spotlight -- Ruth Negga -- in the period piece Passing the Oscar-nominated actress delivers her most devastating turn yet 

Page 74: Yuh-Jung Youn -- the supporting star who stole the festival breakout Minari may be new to most American audiences but she’s ready for her close-up 

Page 75: 3 Questions with Viggo Mortensen

Page 76: Role Call -- Regina Hall -- the Hollywood chameleon’s eclectic career reaches wild new heights in the bonkers crime comedy Breaking News in Yuba County; Hall looks back on the parts that brought her here 

Page 77: My Dark Vanessa -- she’s already made her mark as an ingenue and now with two buzzy new indies Vanessa Kirby seems prepared to take the lead 

Page 80: Parental Guidance -- welcome to your new crib sheet on the best entertainment for kids from toddlers to tweens -- Q&A with Alyson Hannigan -- in Flora & Ulysses Alyson plays a romance novelist whose daughter teams up with a superhero squirrel when life starts to get nutty 

Page 82: TV -- Batwoman Beyond -- as Batwoman’s new leading lady Javicia Leslie brings a fresh attitude to Gotham 

Page 84: The Great North 

Page 85: Big Trouble Ahead -- after its shocking fall premiere and a recent escape new hit series Big Sky ramps up, Q+A with Jared Padalecki -- after 15 years of playing Supernatural’s Sam Winchester, Jared is donning a new hat for Walker 

Page 86: Drama Queen -- Queen Latifah balances the scales of justice on the reboot of The Equalizer 

Page 87: New Friends on the Block -- nothing fuels all the feels like authentic female friendship on TV especially for residents of Firefly Lane 

Page 88: Ted Danson on The Mayor 

Page 89: What to Watch 

Page 96: Music -- Q+A with Brittany Howard -- the rocker is no stranger to Grammy glory but the nominations for Jaime, Howard’s solo album named after her late sister, represent something new 

Page 97: 3 Things to Know About Chika -- the Alabama rapper and Best New Artist nominee on her city and her music and her competition 

Page 99: Hear Jhene Heal -- the R&B singer’s therapeutic approach to her 2020 album Chilombo netted multiple Grammy nods and a new sense of self 

Page 101: Q&A with Gwen Stefani -- The Voice coach and No Doubt frontwoman’s new single and music video Let Me Reintroduce Myself is a celebration of all things Gwen 

Page 102: Barry Gibb goes country -- on Greenfields the legendary Bee Gee recruited Dolly Parton and Keith Urban and more for twangy takes on his trio’s disco classics; saddle up as Gibb details his favorite moments 

Page 104: Books -- 15 books we can’t wait to read in 2021 -- literary heavyweights, YA blockbusters and a flurry of family sagas -- this year is going to be a page-turner 

Page 105: Author Spotlight -- Firekeeper’s Daughter by Angeline Boulley, Critic’s Pick -- How the One-Armed Sister Sweeps Her House by Cherie Jones 

Page 106: Books of My Life -- Samantha Power -- the U.N. Ambassador under President Obama publishes her lauded memoir The Education of an Idealist 

Page 107: Working Guy -- in his biography of the late great Mike Nichols journalist Mark Harris explores the life of the decorated director who seduced us all 

Page 108: Come As You Are -- acclaimed novelists R.O. Kwon and Garth Greenwell coeditors of the new erotic anthology Kink discuss sensuality, shame, and the changing face of desire in literature 

Page 112: The Bullseye

[blackkudos]

Lionel Hampton

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and was awarded the National Medal of Arts in 1996.

Biography

Early life

Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised Roman Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.

Early career

Lionel Hampton began his career playing drums for the Chicago Defender Newsboys' Band (led by Major N. Clark Smith) while still a teenager in Chicago. He moved to California in 1927 or 1928, playing drums for the Dixieland Blues-Blowers. He made his recording debut with The Quality Serenaders led by Paul Howard, then left for Culver City and drummed for the Les Hite band at Sebastian's Cotton Club. One of his trademarks as a drummer was his ability to do stunts with multiple pairs of sticks such as twirling and juggling without missing a beat. During this period he began practicing on the vibraphone. In 1930 Louis Armstrong came to California and hired the Les Hite band, asking Hampton if he would play vibes on two songs. So began his career as a vibraphonist, popularizing the use of the instrument in the process. Invented ten years earlier, the vibraphone is essentially a xylophone with metal bars, a sustain pedal, and resonators equipped with electric-powered fans that add tremolo.

While working with the Les Hite band, Hampton also occasionally did some performing with Nat Shilkret and his orchestra. During the early 1930s, he studied music at the University of Southern California. In 1934 he led his own orchestra, and then appeared in the Bing Crosby film Pennies From Heaven (1936) alongside Louis Armstrong (wearing a mask in a scene while playing drums).

With Benny Goodman

Also in November 1936, the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. When John Hammond brought Goodman to see Hampton perform, Goodman invited him to join his trio, which soon became the Benny Goodman Quartet with Teddy Wilson and Gene Krupa completing the lineup. The Trio and Quartet were among the first racially integrated jazz groups to perform before audiences, and were a leading small-group of the day.

Lionel Hampton Orchestra

While Hampton worked for Goodman in New York, he recorded with several different small groups known as the Lionel Hampton Orchestra, as well as assorted small groups within the Goodman band. In 1940 Hampton left the Goodman organization under amicable circumstances to form his own big band.

Hampton's orchestra developed a high-profile during the 1940s and early 1950s. His third recording with them in 1942 produced the version of "Flying Home", featuring a solo by Illinois Jacquet that anticipated rhythm & blues. Although Hampton first recorded "Flying Home" under his own name with a small group in 1940 for Victor, the best known version is the big band version recorded for Decca on May 26, 1942, in a new arrangement by Hampton's pianist Milt Buckner. The 78pm disc became successful enough for Hampton to record "Flyin' Home #2" in 1944, this time a feature for Arnett Cobb. The song went on to become the theme song for all three men. Guitarist Billy Mackel first joined Hampton in 1944, and would perform and record with him almost continuously through to the late 1970s. In 1947, Hamp performed "Stardust" at a "Just Jazz" concert for producer Gene Norman, also featuring Charlie Shavers and Slam Stewart; the recording was issued by Decca. Later, Norman's GNP Crescendo label issued the remaining tracks from the concert.

Hampton was a featured artist at numerous Cavalcade of Jazz concerts held at Wrigley Field in Los Angeles and produced by Leon Hefflin Sr. His first performance was at the second Cavalcade of Jazz concert held on October 12, 1946 and also featured Jack McVea, Slim Gaillard, T-Bone Walker, the Honeydrippers and Louis Armstrong. The fifth Cavalcade of Jazz concert was held in two locations, Wrigley Field in Los Angeles and Lane Field in San Diego, July 10, 1949 and September 3, 1949 respectively. Betty Carter, Jimmy Witherspoon, Buddy Banks, Smiley Turner and Big Jay McNeely also played with Hampton. It was at the sixth Cavalcade of Jazz, June 25, 1950 that precipitated the closest thing to a riot in the show’s eventful history. Lionel and his band paraded around the ball park’s infield playing ‘Flying High’.  The huge crowd, around 14,000 went berserk, tossed cushions, coats, hats, programs, and just about anything else they could lay hands on and swarmed on the field. Dinah Washington, Roy Milton, PeeWee Crayton, Lillie Greenwood, Tiny Davis an Her Hell Divers were also featured. His final Cavalcade of Jazz concert held on July 24, 1955 (Eleventh) also featured Big Jay McNeely, The Medallions, The Penguins and James Moody and his Orchestra.

From the mid-1940s until the early 1950s, Hampton led a lively rhythm & blues band whose Decca Records recordings included numerous young performers who later had significant careers. They included bassist Charles Mingus, saxophonist Johnny Griffin, guitarist Wes Montgomery, and vocalist Dinah Washington. Other noteworthy band members were trumpeters Dizzy Gillespie, Cat Anderson, Kenny Dorham, and Snooky Young; trombonist Jimmy Cleveland, and saxophonists Jerome Richardson and Curtis Lowe.

The Hampton orchestra that toured Europe in 1953 included Clifford Brown, Gigi Gryce, Anthony Ortega, Monk Montgomery, George Wallington, Art Farmer, Quincy Jones, and singer Annie Ross. Hampton continued to record with small groups and jam sessions during the 1940s and 1950s, with Oscar Peterson, Buddy DeFranco, and others. In 1955, while in California working on The Benny Goodman Story he recorded with Stan Getz and made two albums with Art Tatum for Norman Granz as well as with his own big band.

Hampton performed with Louis Armstrong and Italian singer Lara Saint Paul at the 1968 Sanremo Music Festival in Italy. The performance created a sensation with Italian audiences, as it broke into a real jazz session. That same year, Hampton received a Papal Medal from Pope Paul VI.

Later career

During the 1960s, Hampton's groups were in decline; he was still performing what had succeeded for him earlier in his career. He did not fare much better in the 1970s, though he recorded actively for his Who's Who in Jazz record label, which he founded in 1977/1978.

Beginning in February 1984, Hampton and his band played at the University of Idaho's annual jazz festival, which was renamed the Lionel Hampton Jazz Festival the following year. In 1987 the UI's school of music was renamed for Hampton, the first university music school named for a jazz musician.

Hampton remained active until a stroke in Paris in 1991 led to a collapse on stage. That incident, combined with years of chronic arthritis, forced him to cut back drastically on performances. However, he did play at the Smithsonian National Museum of American History in 2001 shortly before his death.

Hampton died from congestive heart failure at Mount Sinai Hospital, New York City, on August 31, 2002. He was interred at the Woodlawn Cemetery, Bronx, New York. His funeral was held on September 7, 2002, and featured a performance by Wynton Marsalis and David Ostwald's Gully Low Jazz Band at Riverside Church in Manhattan; the procession began at The Cotton Club in Harlem.

Personal life

On November 11, 1936, in Yuma, Arizona, Lionel Hampton married Gladys Riddle (1913–1971). Gladys was Lionel's business manager throughout much of his career. Many musicians recall that Lionel ran the music and Gladys ran the business.

During the 1950s he had a strong interest in Judaism and raised money for Israel. In 1953 he composed a King David suite and performed it in Israel with the Boston Pops Orchestra. Later in life Hampton became a Christian Scientist. Hampton was also a Thirty-third degree Prince Hall freemason. In January 1997, his apartment caught fire and destroyed his awards and belongings; Hampton escaped uninjured.

On June 25, 2019, The New York Times Magazine listed Lionel Hampton among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Charity

Hampton was deeply involved in the construction of various public housing projects, and founded the Lionel Hampton Development Corporation. Construction began with the Lionel Hampton Houses in Harlem, New York in the 1960s, with the help of then Republican governor Nelson Rockefeller. Hampton's wife, Gladys Hampton, also was involved in construction of a housing project in her name, the Gladys Hampton Houses. Gladys died in 1971. In the 1980s, Hampton built another housing project called Hampton Hills in Newark, New Jersey.

Hampton was a staunch Republican and served as a delegate to several Republican National Conventions. He served as Vice-Chairman of the New York Republican County Committee for some years and also was a member of the New York City Human Rights Commission. Hampton donated almost $300,000 to Republican campaigns and committees throughout his lifetime.

Awards

2001 – Harlem Jazz and Music Festival's Legend Award

1996 – International Jazz Hall of Fame Induction and Award (performed "Flying Home" with Illinois Jacquet and the Count Basie Orchestra)

1996 – National Medal of Arts presented by President Bill Clinton

1995 – Honorary Commissioner of Civil Rights by George Pataki

1995 – Honorary Doctorate from the New England Conservatory of Music

1993 – Honorary Doctorate from the University of Maryland Eastern Shore

1992 – Inducted into the Alabama Jazz Hall of Fame

1992 - "Contributions To The Cultural Life of the Nation" award from John F. Kennedy Center for the Performing Arts

1988 – The National Endowment for the Arts Jazz Masters Fellowship

1988 – The National Association of Jazz Educators Hall of Fame Award

1987 – Honorary Doctorate of Humanities from the University of Idaho – UI's School of Music renamed "Lionel Hampton School of Music."

1987 – The Roy Wilkins Memorial Award from the NAACP

1986 – The "One of a Kind" Award from Broadcast Music, Inc.

1984 – Jazz Hall of Fame Award from the Institute of Jazz Studies

1984 – Honorary Doctorate of Music from USC

1983 – The International Film and Television Festival of New York City Award

1983 – Honorary Doctorate of Humane Letters from the State University of New York

1982 – Hollywood Walk of Fame Star

1981 – Honorary Doctorate of Humanities from Glassboro State College

1979 – Honorary Doctorate of Music from Howard University

1978 – Bronze Medallion from New York City

1976 – Honorary Doctorate of Humanities from Daniel Hale Williams University

1975 – Honorary Doctorate of Music from Xavier University of Louisiana

1974 – Honorary Doctorate of Fine Arts from Pepperdine University

1968 – Papal Medal from Pope Paul VI

1966 – Handel Medallion

1957 – American Goodwill Ambassador by President Dwight D. Eisenhower

1954 – Israel's Statehood Award

Discography

Compilations of noteThe Chronological ... Classics series

note: every recording by Lionel Hampton & His Orchestra is included in this 12 volume series from the CLASSICS reissue label ...

The Chronological Lionel Hampton & His Orchestra 1937–1938 (#524) - RCA Victor recordings

The Chronological Lionel Hampton & His Orchestra 1938–1939 (#534) - RCA Victor recordings

The Chronological Lionel Hampton & His Orchestra 1939–1940 (#562) - RCA Victor recordings

The Chronological Lionel Hampton & His Orchestra 1940–1941 (#624) - RCA Victor recordings; first Decca session

The Chronological Lionel Hampton & His Orchestra 1942–1944 (#803) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1945–1946 (#922) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1946 (#946) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1947 (#994) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1949–1950 (#1161) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1950 (#1193) - Decca recordings

The Chronological Lionel Hampton & His Orchestra 1950–1951 (#1262) - last two Decca sessions; MGM recordings

The Chronological Lionel Hampton & His Orchestra 1951–1953 (#1429) - includes Hamp's first Norman Granz-produced quartet session (September 2, 1953) with Oscar Peterson, Ray Brown, and Buddy Rich.

Glad-Hamp Records

GHLP-1001 (1961) The Many Sides Of Hamp

GHLP-3050 (1962) All That Twist'n Jazz

GHLP-1003 (1962) The Exciting Hamp In Europe

GHLP-1004 (1963) Bossa Nova Jazz

GHLP-1005 (1963) Recorded Live On Tour

GHLP-1006 (1964) Hamp In Japan/Live

GHLP-1007 (1965) East Meets West (Introducing Miyoko Hoshino)

GHLP-1009 (1965) A Taste Of Hamp

GHS-1011 (1967) Hamp Stamps [includes "Greasy Greens"]

GHS-1012 (1966) Hamp's Portrait Of A Woman

GHS-1020 (1979) Hamp's Big Band Live!

GHS-1021 (1980) Chameleon

GHS-1022 (1982) Outrageous

GHS-1023 (1983) Live In Japan

GHS-1024 (1984) Ambassador At Large

GHS-1025 (1985) Sentimental Journey (Featuring Sylvia Bennett)

GHS-1026 (1988) One Of A Kind

GHS-1027 (1987) Midnight Blues - with Dexter Gordon

GHCD-1028 (1990) Cookin' In The Kitchen

As sidemanWith Frank Sinatra

L.A. Is My Lady (Qwest/Warner Bros., 1984)

Filmography

Hampton appeared as himself in the films listed below.

[swisscgny]

MEET NEIL ENGGIST

We recently interviewed Swiss-American painter Neil Enggist to talk about his life, work and how he is coping with self-isolation. Neil’s exhibition The Practice of the Wild was supposed to open at the Consulate General of Switzerland in New York last month as the 8th edition of Art@The Consulate but was postponed due to COVID-19. 

Hi Neil, thank you for taking the time to talk to us. Where are you right now? It is my pleasure. I’m in New Jersey. I have a backyard studio near Princeton, in the old house where I grew up. I’m staying put as much as I can.

Tell us about yourself, where did you grow up? My mother is from Taiwan and my father was born and raised in Luzern, both coming for graduate studies in 1969 to Buffalo. I was born and raised in Princeton Junction in an old stone house near a small forest and the train station. My father was teaching in the Bronx and Connecticut, then trying his hand at importing Swiss Chocolate, but at some point in the 1970s, he turned to stained glass. I remember him cutting, wrapping, and soldering in the backyard. My mother worked for the state of NJ, and drew from the model in her spare time. I drew dinosaurs like a maniac, not very well I may add, but at some point around age 7, my father asked me to draw a dinosaur that he made into a stained glass panel. As a family we traveled to Luzern about every 2 years, and I still remember the smell of Birenwecken and lightning over the Vierwaldstättersee. I drew all the time but wasn’t precocious, as a youth, I was shy, quiet, hot tempered, diligent with school, perfectionist, and mostly played soccer and saxophone and you know, did my math homework.

When did you know you wanted to become an artist? I went to art school at Washington University in 2000, but it wasn’t until studying abroad in Florence in 02 that I had the feel of becoming an artist. There is a laminated portrait from first grade, age 6, where I put into writing that I wanted to be an ‘Artist.’ But in Florence my life felt like it shifted from art student to artist, 3 dear friends and I shared an apartment on Piazza Independenza, learning photography, printmaking, illustration, bookmaking, Italian and art history at a tiny art school called Santa Reparata. My future Love lived up the street and sometimes the cheap red wine would flow. Behind every door were Renaissance frescos, leaping off the walls were Donatellos, and it was the beginning of my explorations as a painter. I would paint plein-air small landscapes and cityscapes with oils, but by the end my ambition grew into a very large Kandinskyesque abstract rendition of Michelangelo’s Final Judgment fresco from the Sistine wall. A year later, back in St. Louis I declared painting as my major, and in the words of Joe Campbell, began ‘following my bliss.’

Neil Enggist, Sea on Earth, acrylic and stain on wood, 2011

How would you describe your style? Has it changed over the years? I would say it’s an Organic Abstract Expressionism, or Nature Action Painting. Over nearly 20 years, YES it has changed! Like a photon going from point A, painting the Ponte Vecchio, to B, dancing on a piece of steel with turmeric and ocean water, taking every single possible path! To say it’s moved linearly would be wrong, but there is a sequence of transformations or leaps, in the Ozarks, Mysticism, Heartbreak, Dylan, New Mexico, Traveling Europe, The Mir, snow painting, India, Brooklyn, Voice and Veil, Gardening, going cross county, yoga, India again, the dance, steel, the tides, The Tao and the Yellow Mountains, devotion. I’m very interested how Dylan’s work has transformed and shifted, beyond expectation, without calculation, yet somehow almost always in line with his poetic essence. My paintings have changed like dinosaurs and birds, from a common source, many branches, some seemingly from different worlds, some becoming bones and fossils, some soaring through the sky.

Tell us about your artistic practice, where do you paint, what inspires you? Well we can start with Highway 61.. music of the American vernacular, jazz, blues, country, rock, folk, hip hop.. from Louis Armstrong, Strange Fruit, Charlie Parker, to the early Bluesmen of the Mississippi Delta, Robert Johnson, folksingers like Woody Guthrie, onwards and outwards to Wutang and Nas. Basquiat inspires me. Ana Medieta, DeKooning, Paul Klee, David Hammons, Polke, Mel Chin, James Turrell, Richard Long, Kerry James, Doig, Ofili, Wangechi Mutu, John Akomfrah, Bonnard, Matisse, Puryear too. Gary Snyder's brilliant collection of essays 'The Practice of the Wild,' from where the title of the exhibition comes, has helped me attune to the wild systems at play in nature and within, and continues to evolve my way of thinking, seeing, and creative being. Taking a journey into nature, not just a dip into nature, but really feeling the connections, the web that runs through the forest and is woven into your own nature. The Redwoods, the Swiss Alps, the Coast of California.. I lose and become myself here. In my practice, nature is welcomed into the process of artistic creation. The imagined line between artistic intention and the creative functioning of wilderness is blurred, or more accurately, these spheres merge into a unified moment. It’s a spiritual practice, a kind of Taoist exercise, merging with the changes of the natural world, not holding, not fixing, listening to what the painting wants to become, and finding the color to enable the beholding. I paint outside and on the road, sometimes inside.. anywhere..

Neil Enggist, Odyssey III, acrylic, dye and turmeric on canvas, 2020

What role does Switzerland play in your life/art? My family has a house in Luzern, with a balcony opening to a view of Mount Pilatus that I would call perfect.. at least on the days where it’s not obscured by Nebel! Since 2012, I’ve been spending many springs / summers living there, in the bohemian remodeling of our chalet attic called the Macolette. I have painted and drawn our view of Pilatus so many times, it is ingrained in my mind’s eye. I’ve explored and hiked the mountains surrounding the Vierwaldstättersee, Grindelwald, Engadin, and Zermatt, finding places on and off the path to paint. When I am in the mountains, alone with my pack, in the quietude and breathtaking beauty, I feel something akin to being home, being one with myself, being on my true path. This feeling is fleeting and eternal. Also, during many of the summers, I have worked with my great friend and mentor, garden designer, Andre Ammann, constructing and maintaining gardens around Luzern. Working with him has taught me in so many ways, to notice the minute changes of spring, to work with contrasts of nature and culture, to understand placement of boulders and trees, how to create a riverscape, to dissolve into the consciousness of the river. When we are done with the work, all cleaned, raked, and hosed down, Andre and I look at our work, and he’ll say, ‘Now, the garden starts, try to see how this will look in 10 years, in 50 years..’ This has been a major influence in my own ‘Practice of the Wild’ and painting. It has also taught me how to shovel!

You have traveled all over the world, how has the nomad life shaped your art? As a traveler, painting becomes the act of experiencing and processing place; the painting becomes an archive of experience. Traveling serves to connect the painter with the uncomfortable and uncalculated, which forces a spontaneity and body-memory response. I aim to paint as one would do battle and dance and play jazz at once. In traveling, the painter becomes the abstraction, inhabiting transient and visionary territory. Materials from places of special significance, white gypsum sand from New Mexico, pigment from the Holi festival of India, black sand from Kanyakumari, gravel from Highway 61, layer into the topography, giving the painting a personal geographic context, while opening formal and textural possibilities. On the road, I explore the spiritual territory of color, and natural occurrences of unearthly blues.

With the COVID-19 pandemic, travel is no longer possible, in what ways has the pandemic shaped your practice / life? I just drove from California to NY in 5 days to install the Consulate show, just before the Covid situation hit the fan. I am supposed to be in India right now, doing a residency in the Himalayas! I’ve had a number of shows postponed and it just really doesn’t seem like people are buying many paintings right now.. But, really compared to people who are sick, caring for loved ones, and risking their lives to care for others, my sacrifices are minuscule. And I can most surely still paint! But I’m trying to use this time to do things I would have done in ‘normal’ times, but there are no normal times anymore. I’ve been making sculptures out of half rotten wood using an ax and a handsaw. I’ve been learning some Tai Chi from my Ma. I’ve started reading the Mahabharata. I’ve been texting whole a lot of hearts to California and writing love songs, and staying out of the bar.. 

Neil Enggist, That Great Mysterious Storm, acrylic, ink, oil and sand on canvas, 2010  

What important lessons do you think we can learn from the impact of the pandemic? Well, first and foremost gratitude for life, health, and for the things that we used to take for granted. To be grateful for the people who are dear to us. This may sound cliché, but the pandemic has shown us how connected we are, for better and for worse. We are interdependent, and what affects one region affects the global community. I hope that people can stop and reassess their personal and collective relationship with the planet.  In a profound and dire way, humans and our socio-economic systems have entered an unbalanced, virus-like relationship with this Earth. Humans seem to need wake up calls to affect changes, I hope this pandemic serves as a paradigm shift for enough of us. We are in this together. Yes when this is over, it will be great to go to a yoga class, an Indian restaurant, and to toast with friends, but we each need to use this time to reaffirm our commitments to each other and to all beings of this planet, and not go back to business as usual.  

What advice do you have for people stuck at home? Can you recommend something to read, listen or watch? Well I’m a Liverpool fan, and we were just about to WIN the premier league, so I’ve had to go back and watch Liverpool highlights to cope. There’s a lovely interview with the legendary skipper Steven Gerrard in conversation with Gary Neville on youtube. I’m a very lazy television watcher, meaning I don’t really watch new things, so it’s The Sopranos, and very little else. Peaky Blinders is good, violent, but solid. Kurosawa’s ‘Dreams’ is a ravishing movie.  I just saw ‘Purple Rain’ again, EPIC. When I drove across country I listened to Toni Morrison’s own reading of her novel ‘A Mercy,’ and it took my breath away, literally every sentence .. I don’t know how I even made it!  She’s a true master in telling a harrowing story in pure poetry. Also reading ‘An Indigenous People’s History of the United States’ and Leonard Peltier’s ‘Prison Writings.’  Musically I needed a lil rock, so I went back to the Black Keys ‘Brothers’, Brittany Howard’s solo ‘Jaime’ is good, JS Ondara, Black Pumas, Valerie June’s ‘Love Told a Lie,’ AM!R’s ‘Parachute, ‘ and the syrupy ‘Cigarettes after Sex.’ I’ve been listening as well to Gann Brewer’s most recent ‘Absolution.’ I made the video for his ‘River Song.’ Tracy Chapman’s first album is incredible. Springsteen’s ‘The River’ is like his White Album and sometimes I need to hear the Boss sing ‘Heart and Soul’ over and over.. and hear that ‘Drive All Night’ sax solo by the late great Clarence Clemons. I am from Jersey, don’t forget. Listening to a lot of John Prine too, and with his recent passing, his music shines like a diamond ring. ‘Christmas in Prison’ is one of my favorites of many. Oh and Bob Dylan just released a 17 minute song about the assassination of JFK, and it’s .. indescribable.

Thank you Neil! 

To find out more about Neil Enggist go to www.neilenggist.com, contact Neil at suisse17@gmail.com and follow him @neilenggist 

Scroll down for more information about the exhibition The Practice of the Wild which will open to the public as soon as it is safe to do so. Please note that all paintings depicted in this article are featured in the exhibition. 

NEIL ENGGIST

THE PRACTICE OF THE WILD 

8TH EDITION OF ART@THE CONSULATE 

THE PRACTICE OF THE WILD by Swiss-American painter Neil Enggist is comprised of a series of abstract mixed media Nature Action Paintings, a method by which nature performs an integral part in the artistic process. 

Neil Enggist, The Storm Ends, acrylic, ink, dye and sand on canvas, 2019

“My work seeks to embody the random precision through which life and spirit intersect. Within a liminal environment, I present set of conditions where the form can be born through an unfolding of natural currents. The nature of water, marks of evaporation, melting, freezing, burning, gravity, animal tracks, traces of dance, time, storms, tides and all manner of seasonal and emotional weather coincide to transform the canvas into a terrain in flux. Whether I am dripping ink into a melting tuft of snow, pouring the ocean on burning ink, or slashing the surface with a fallen pine branch, each action is composed within a system of nature. The result is a site of becoming where oceanic, emotive, and mystical stories interplay” 

Raised in Princeton, New Jersey, Neil Enggist studied fine arts at Washington University in St. Louis and Santa Reparata in Florence. He earned his MFA at San Francisco Art Institute in 2016 where he made paintings on steel in the tidal zones of the Bay Area, searching for a language between art and nature, incorporating ideas of performance and sculpture imbedded in the earth art movement. Enggist has participated in a number of art residencies including the Lucid Art Foundation in Point Reyes, CA, and most recently journeyed to the land of his grandmother to paint the City of Shanghai and the Yellow Mountains of China. Through his extensive travels in Europe, the Americas, and Asia he developed a body of painting and poetry shown in New York, Milan, Mumbai, Luzern, and Paris. Enggist lives and works between New York and Luzern, Switzerland.

Neil Enggist, The Schreckhorn, acrylic, ink, pigment and oil on canvas, 2007 

THE PRACTICE OF THE WILD is the eighth edition of Art @ The Consulate, a curatorial initiative by the Consulate General of Switzerland in New York to showcase the work of Swiss artists living in the United States. Follow Art @ The Consulate on Social media #SwissArtNYC

Neil Enggist, A Candle Burns at Night,  Acrylic and ink on canvas, 2008

[x0401x]

Yuukei Roadshow Reports and Highlights

Compilation of info found on Twitter and Privatter. Many thanks to ayara-resara for indicating them all!

Translations Index || Next Show >>

@taro4oto2:

Me: Jin-san, in your mind, what kind of adult will Kisaragi Shintarou become in the future...? Jin: Ah~! Kisaragi Shintarou, huh; he is who he is~. I’m thinking of writing songs concerning him from now on too. I’m currently 28, and if I think about him at around this age... I guess he’d probably be a teacher or something like it.

@BlueD01:

“Jin-san, what do you think Momo-chan will be in the future?” Jin-san: Let’s see... *thinks a little* An actress, I guess. “‘An actress’?” *thought process stops* Jin-san: She might also go... overseas. (Memory is faint here.) “Ooh.” Jin-san: I want to write these stories about the future next time. (At last.) “Thank you very much!”

@920ms:

My hands were shaking during Jin-san’s autograph session. Hella.

Although it was a commemorative autograph section for the release of MekaRelo, I’d wanted to tell him no matter what that I get strength from listening to Otsukimi Recital when I have to lighten up... So, I told him this, but I accidentally ended up babbling that Hibiya and Momo’s interactions were the most interesting to me and that I liked them a lot. And then Jin-san said, “I like them too! What will happen to them from now on?? I’m really curious!” as if to dig into it.

Of course I knew that he liked Hibiya and Momo’s combo, but the “What will happen to them from now on?” has been echoing in my brain the entire time... I had a bunch of other things to say, like, “The songs of Momo’s friends are also the best” and, “I’d been listening to Mekakucity Days/Records/Reload a~~ll the time coming the way here”, but my attention was drawn too hard by Jin’s words, so I couldn’t do it...

@BrainBurnShout:

Started with an explosive crossfade.

The host was the woman in charge of KADOKAWA’s Mekakucity Talkers (she’s a beauty).

Jin entered the stage slurping the Shissou Word-themed drink like, “I’d wanted to eat the pancakes but they sold out before I got to it.”

He had his first impression of VOCALOID with “Melt”.

The origin of his conceptualization of “stories told through music” stemmed from Kinniku Shoujo Tai and The Who.

He had planned on the narrative even before Jinzou Enemy, and while gathering up the pattern usage of “a story that ~ the eyes”, the first one he came up with was the one that “locks the eyes”.

One sentence of the initial concept that remained in his PC was: “Medusa does not come out of her house.” (original text)

KagePro is a “curse from his 19-year-old self” because his period of training was long.

He struggles with the consistency of the plot, like, “This and that don’t connect!” and, “That’s my old self~”.

During the innitialization of his PC, he interpreted the “name registration” wrong and accidentally named his PC “Frederica”.

*PC falls down the stairs during moving* Jin: FREDERICAAAAAA!!!!!

He had the ending of the story decided from the beginning.

Due to this, he couldn’t introduce new characters even though he’d always wanted to.

He’s been writing the sequel while thinking that if it turns out impossible to publish, then so be it.

Host: Are you going to make them reincarnate in a parallel world? Jin: That would be a spin-off... like, “Kagerou Quest” or something.

What hides beneath Ayano’s gentleness was something he’d come up with since the initial stages. (He didn’t mention it on Twitter or the like, though.)

[In regards of a question about “becoming an adult”] Jin: Until joining (Edword) Records, I had been in the position of Big Bro, but now I’m a full-fledged Uncle.

Since he’s an adult, he has to pay taxes. He’s been somehow making ends meet with the money that everyone bought the CD with.

[In regards of a question by an Asahiner from the audience about My Funny Weekend] The cheerful verses like the one that goes, “move forward” were said by Hiyori.

The Asahiner who had been waiting all this time for a Hiyori song is overcome with emotion.

The reason why there wasn’t a Hiyori song from the start is that, “If I had included her, everyone’s worries would have been relatively...”

Jin-san: Hiyori-sama.

He has the image of the adult Mekakushi-dan.

It seems Kido will be a caretaker in an orphanage.

When he talked about that image to Sidu-san, the MV’s adult!Kido was suddenly brought up. Jin: Did you turn her into an adult already? Sidu: Should I not have done that?

Hibiya will be an archeologist, and since the Medusa is said to have her roots abroad, he might do a research on that.

Even in Jin-san’s own mind, there are many interpretations: “So and so will get married”, “No, it’ll be so and so”. “The one Shintarou will marry is Haruka!” *audience acclaims*

Jin-san will write the interpretation of the winner of his peerless inner fight.

Haruka is main heroine.

Rather than saying that the albums go from 1st and 2nd to the 3rd, it’s more like the 1st and 2nd are an omnimbus and the 3rd is a backside.

What he depicted with Imaginary Reload was the strength of Mary, who isn’t there just to be protected.

The top was reached by drawing out the 274BPM Konoha~

Remind Blue has parts of Summer Time Record that he hadn’t been able to write about.

It was supposed to be Shintarou’s song, but the lyrics turned out as something that applies to everyone. (Seto has his own Remind Blue and it might be that Kano thinks the same things.)

As a result of Jin-san’s definition of friends, which is “we think alike even without saying anything”, it ended up becoming a song about the whole Mekakushi-dan.

From Jin-san’s childhood experiences, fireworks = summer’s end (an element also used in the novels).

Therefore, the English version of “Wasurete Shimatta Natsu no Owari ni” is “Fireworks in the Summer End”.

@ndfakvnico:

Shissou Word “She’s bad with words, and I’m the same as her, so I made that into a song.”

Additional Memory A song about regret. Jin-san’s grandfather passed away, and for a while upon coming to Tokyo, he hadn’t been able to see him at all. After the funeral, Jin-san found a file with cutouts of himself from magazines that his grandfather had kindly gathered up. He regretted not having been able to convey anything to him.

Lost Day Hour A song about friends. There was a time during middle school in which he found himself unable to go to school. “If you don’t go once, you become less and less able to.” Back then, he encountered wonderful music. A-kun (provisory nickname), who told him that he also liked said music, came around and the two of them formed a band together. Jin became able to attend high school. He didn’t know what a friend was until then, but he thought, “I guess he’s my friend”.

Wasurete Shimatta Natsu no Owari ni A song with the image of summertime fireworks. “Tokachi District holds the second largest fireworks festival of the country. I wonder what being second place is like. Just what are they fighting on this? (laughs)” It’s like the scenery of Gin no Saji; a place with that kind of feeling to it.

Remind Blue “Summer is hot and I don’t like it, but it has its charm. I wonder if I was properly able to make that end of summer into a song.”

As always, he drank a lot of water. Actually, in addition to the four bottles that were put there, he also brought a lot of water with him.

As he talked about each song, he would play them with his accoustic guitar.

“Such an honestly pretty library. So many books. It’s my first time singing in a place like this, so I’d been wondering if I wouldn’t get chased out if someone like me suddenly showed up and started singing. (laugh)”

By the way, he was indeed wearing a jersey... lol.

He was super cool when he was singing, but during the time of exiting the stage, he made his way out unsteadily while bowing, so he gave off a feeling of ordinary Nii-chan and it was heartwarming.

He’s good at singing. (my childish reaction)

His manner of speech was extremely gentle, and though I really enjoy the excitement of live concerts and the like, that calm atmosphere and his kind way of performing and talking had me going, “Aah, this totally goes well with Jin-san. It totally goes super well with him. Play-and-talk live concerts are the best...”

There were 100 people with regular tickets, lots of others were standing behind them, the costumers of the nearby Starbucks were all looking too, and many people also stood watching in rows at the second floor’s corridors.

The venue was a Jin World.

I’d been reflecting on the meaning of him doing a library live, and I think it’s something amazing. At the end of it, a staff member asked something by requesting people to raise their hands, and turns out that there were mostly middle and high scholars attending. It felt like there were also grade scholars and college students. Is there any other rock musician who would open an event at a middle school or a public library? Well, there might be, but that’s still incredible...

We were told that we couldn’t enter the venue unless we had a regular ticket, that it was okay to enter because it was a public space, that we couldn’t get autographs, that we actually could get them even without the ticket, and, hum, get your information... together... (tiny voice)

He talked a lot more about the songs, but it’s not coming to me... aah.

In one sentence, it was awesome.

@kugamiryou

The moderator this time was the editor of Mekakucity Talkers, and her hairstyle was kind of similar to Azami-san’s.The song order of the rendition was “Shissou Word”, “Additional Memory”, “Lost Day Hour”, “My Funny Weekend” and “Wasurete Shimatta Natsu no Owari ni”... but! Guess what: Jin-san said, “I wanna play them after all” and additionally performed the first part of “Imaginary Reload” and all of “Remind Blue”!! Jin-san’s hopping as he played was cute.

The general course of events was that a teaser movie soon played, then the host came on-stage and called Jin-san over, Jin-san showed up slurping a Shissou Word drink, choked while drinking it, and then performed Shissou Word. After that, it was announced that there would be a lottery and some of the prizes were Jin-san’s personal belongings.

The first corner was “Jin-san Talks About Kagerou Project”. It was a talk about why he started making KagePro. With the trigger being that the band he had in high school broke up, he decided to make stuff on his own, and he started creating a story first from the fact that “There are many depictions of ‘eyes that do ￮￮’, huh!” or something of the sort.

“Locking eyes” ➡ “Medusa” ➡ “This is it!!” ➡ “A Medusa who doesn’t want to lock eyes with anyone won’t come out of her house!” - with this trend, it seems the first thing he planned out was Kuusou Forest.

Apparently, the stories of the novel and manga progressed with him deciding their ending first, and he indeed wants to write the next novel. If he ends up unable to publish it, he’ll write it like, “whatever” and turn it into a book anyway, and he talked about writing something like “Kagerou Quest”, lol.

After he finished performing Additional Memory, he stated that he “couldn’t mention it on Twitter”, but he had wanted to say that “Ayano isn’t just a gentle girl”. From then on, we had a questions-and-answers corner.

Q.: What was the moment in which you thought, “I’ve become an adult”? A.: That’s a theme I want to write about in the next novel. I thought, “I’ve turned into an adult, huh” when I was making Lost Day Hour and suddenly felt like calling my friends. Also, when I started paying taxes.

From someone who’s been an Asahiner for 7 years: I want to know the reason why you made My Funny Weekend. A.: I’d wanted to use Hiyori, but I couldn’t until now. Hiyori is strong, so if I’d used her before, she would make everyone else’s worries dim. It feels like Hiyori made me write the parts that go, “being greedier is just fine”. I’m not the one who came up with them.

From a person who used to stan Shintarou and started stanning Ayano after Additional Memory: Please tell us the reason why you gave Ayano that moment in AddiMemo. A.: It’s the one song in MekaRelo in which someone is dying alone. Sorry for going, “I’m sorry” right after singing, “It’ll surely be an even better day!”. This is actually a story that I wished I had included in the manga.

Q.: I would like to know about the Mekakushi-dan of the early stages. A.: There are parts of the way the loops work that I haven’t written yet. There’s a possibility that, epending on the loop, the characters of the first Mekakushi-dan might show up (like the female Konoha).

Q.: I would like to know about the Mekakushi-dan of the early stages. A.: There are parts of the way the loops work that I haven’t written yet. There’s a possibility that, epending on the loop, the characters of the first Mekakushi-dan might show up (like the female Konoha).

Q.: Will you write the story of the characters turning into adults? A.: I’ve already thought out what kind of jobs each will have and who will be married to who. There are many stories in the minds of everyone, but I want to write something like, “This kind of future also exists”. For example, Kido taking over the orphanage and Hibiya becoming an archeologist to investigate the Medusa abroad. But whenever I try to make so and so get married, another side of me cuts it off like, “Wait a minute... the one who will marry Shintarou is Haruka, right?”, so whoever wins this unique armed struggle tournament inside my brain will be the one to write.

~About MekaRelo~

He had wanted to make songs regarding what he couldn’t write in the novel.

Imaginary Reload: it’s about the girl who had been waiting to be rescued in Kuusou Forest going off to fight on her own will, and doesn’t just wait to be saved. It’s 274 BPM, so it’s the fastest song?

Shissou Word: it’s based on the fear that Jin-san experienced when he was a child from continuously being asked, “Why can’t you do such a normal thing?” and from wondering, “What is ‘normal’ even?”

My Funny Weekend: it’s the song that feels the most final episode-like to him.

Additional Memory: a song that he thought he “had to write”. It’s the saddest one.

Lost Day Hour: the song that had him thinking, “I have to make this” back when he was writing volume 6.

Remind Blue: a song that made him think, “This is the last summer song”. It’s a song packed with the things he didn’t manage to write about in SumReco. It has the image of Shintarou, but there are parts about Haruka, about Seto and about Kano, so it’s kind of a song with no definite protagonist. Makes one think about not forgetting summer.

Wasurete Shimatta Natsu no Owari ni: since the fireworks festival that he once watched in his hometown is his image of the end of summer, so he had wanted to make a story that ended with people watching fireworks, but he was indecisive, because “the last battle happens in the basement of a school, what do I do~” (said originally with a northern accent). He didn’t want to let summer end, but if it didn’t end, it would be weird and unpleasant.

After this talk, Jin-san was about to play My Funny Weekend, but realized that the Shissou Word drink he was having had disappeared without him noticing and was like, “Where’s my Never-Lost Word!?”. He drank water instead, sulking.

“I might make a mistake, sorry!” ➡ *makes a mistake during the hook* ➡ “There were no mistakes, right!?”

Then, we had the big lottery. Sadly, although I had a number in hands, I wasn’t able to get Medusa, the amplifier that Jin-san used when making Imaginary Reload. Sad.

And so, we had the last song, Wasurete Shimatta Natsu no Owari ni. Jin-san played while saying, “I wanna do collaboration drinks again~”

Everyone frantically lined up to pay their checks and buy goods, but then Jin-san suddenly came back, said, “I wanna do this after all!” and played Imaginary Reload and Remind Blue while drenched in sweat. “Why is it that I’m sweating so much even though I’m playing while seated?”

And then it really was the end... however, people quickly queued to get autographs as if racing to board the last train. While stiffly shuddering, I also got autographs on my CDs and MekaTalk, then handed a letter to him.

I was happy to get a “Ah! It’s a folded paper crane!” reaction from him, but I was nervous for real, so I turned into the typical figure of a useless otaku. When he was signing, I told him, “I won’t be able to go to tomorrow’s autograph session, so I’m happy to be getting it now.” and he replied, “I’ll hold lots of other events after this one! So when the time comes, please! Do attend them!!”

I’ll go.

@Hiroyannn168

I arrived at the venue a bit too early, and when I was waiting for the opening, the staff people and Jin-san passed by me like it was nothing...! He was giving off a civilian-like aura. He boarded the elevator crammed with staff members as if having fun, and when the door was closing, he waved a little at us.

During Jin-san’s play-and-talk live, there was a questions corner and Jin-san discussed about the compositions. He had always wanted to try creating collaboration drinks based off the songs, so it seems he talked it over with the personnel like, “Shissou Word is this kind of song” and, “This color will do~” and, “Could you make this thing float? Is it impossible?” in order to have them made. The band BACKHORN, which Jin-san likes, had been doing these kinds of collaboration drinks, so he had wanted to try his hand at it no matter what.

There were also two types of pancakes that had the image of song compositions, RED and BLUE, and just when Jin-san thought of eating them too, he was told by someone from the staff, “There are only five left” and went, “Incredible” www... They were mad popular, so there was a lot of people eating them.

When Jin-san entered the stage, he brought with him a Shissou Word-themed glass and was drinking it like, “Yummy”.

He’d said on Twitter that he wanted to do something like explaining about the compositions of the songs, so he tweeted about it just a little, but he hadn’t been able to tweet at all after that, apparently because he had been practicing for the live and doing all sorts of things in the meantime. It seems that, since Jin-san was late to tweet about it, he decided to do it properly if he had the chance to tweet later. Is what he said. That he wanted to “explain a little about the song compositions tonight~”.

First track was Shissou Word. At the applause that rose naturally from the audience, Jin-san bashfully said, “thank you” in-between the lyrics. The motif behind Shissou Word was Jin-san’s experience with being asked, “Why can’t you do normal things?” Even though normal things are easy to do for other people, they’re difficult for him... that’s what the song says.

He looked happy when he asked a girl sitting at the far right of the first row, “What are you drinking?” It seems that this person was having the Additional Memory drink (it was red).

Second track was Additional Memory. The song goes like, “Ayano has a so-called gentle girl image, but she also bears these kinds of feelings”. I sensed that listening to the hook with Jin-san’s live voice made it resonate even more sharply in my heart. A shout of her emotions... is what it felt like, I guess?

Jin-san also said something along the lines of, “It’s great being able to expand my range of expression by not just using VOCALOIDs but singing with my own voice too~”.

It seems Jin-san spent a period in truancy during his childhood, and what gave him energy back then was music and books. At any rate, by the looks of it, that had been a truancy amongst truancies.

He’d wanted to form a band in high school, but the bassist quit, so he quickly became spineless about it. It appears that when he was like, “What do I do?”, a senpai of his recommended VOCALOID to him. He came to admire songs with high levels of story settings, similar to the ones from Kinniku Shoujo Tai, and started wanting to create something like an album that would turn into a story – that was the beginning of KagePro.

He said, “It’s interesting that there are lots of phrases about things you can do with your eyes.” Like, “Averting one’s eyes is Hikikomori-ish, concealing one’s eyes means that kind of stuff.” (“That kind of stuff”, you say!? This is just the kind of specific term I wanted~)

It seems that the plot of back then is still in his computer. “The Medusa is a shut-in”, and things like that.

Jin-san is still burdened with the curse from when he was 19 years old www

He also talked about how his computer fell from the second floor when he was moving www and about he wound up naming it Frederica www

Q&A corner. It was a corner where he received questions from people that he’d randomly point at after they raised their hands. The contents of all questions were amazing...

Someone who’d been an Asahiner for over 7 years said something along the lines of being really happy that there was a song about Hiyori-chan, and Jin-san commented that Hiyori-chan is a character with an extremely firm notion of self, so he had wanted to release it sooner but it seems he hadn’t been able to. That’s because, back when the Mekakushi-dan members were still fretting and saying stuff like “oh, my dirty”, if Hiyori-chan had been there with her “Move forward! There’s no mistake that tomorrow will be a much more wonderful day~”, she would cut them off with a single stroke.

It seems she’ll have a lot of screen time from now on. And it looks like rather than Jin-san writing the part of the lyrics that goes “being greedy is just fine”, it felt more like Hiyori-chan was “making him write it”. Hiyori-chan is awesome.

Someone asked Jin-san, “At what time do you think you became an adult?” and he answered that, in the past, he would think of himself as an Onii-chan when looking at children, but now he thinks he’s an Oji-san. That he was paying taxes, laying out a path and keeping it clean www. He said he “ended up becoming an adult when creating Lost Day Hour”; he could see his friends everyday when he was a child, but it seems there’s no such thing after growing up, and he’d find himself thinking, “I wanna give my friends a call”.

Imaginary Reload is 274BPM, and apparently that’s the most in all songs he’s made so far. Incredible. By the way, the maximum for BPM is 300.

It seems Jin-san also likes Remind Blue. Even though he had said, “I’ll make this one and then I won’t write songs about summer anymore!”, he made Wasurete Shimatta Natsu no Owari ni right after that www. His 28th summer song...

Questioner: Even though I’d never budged from Shintarou until now, I ended up coming to like Ayano-chan the most after listening to Additional Memory. Jin-san: It seems a derby happened there. Is this a horse race or what www

Additional Memory is a bit of an unique song even for MekaRelo. He said, “I’m sorry... for bringing about a song that falls down with a hard thud immediately after saying that ‘tomorrow will be an even more wonderful day~’ with My Funny Weekend.” Like, “She dies all by herself...” He also said that what he was going to discuss from that point on were spoilers.

Shintarou’s snake is... The snakes exchange the abilities for lives... Then, lives are their,,,...???

He was like, “Please don’t spread this on Twitter and the like~”.

Remind Blue. This song was supposed to be Shintarou-san’s, but the figures of everyone overlapped in it, and it feels like each of them is being nostalgic in their own spot. The lyrics go, “together with the me of yesterday”, so Kano-kun and Seto-kun were also in it... is what Jin-san said. The way of talking is masculine. So it felt like it turned into everyone’s Remind Blue. Jin-san did say that, to him, friends are people who think the same.

Jin-san had Saiyuki-san draw the manga extra from MekaRelo A, and it seems it went like this: “Is it all right this way?” “It is.” “Is Kido-san okay like that?” “She’s exactly like that.” “The Kido-san that Saiyuki-san draws is really cool!” Jin-san said with great admiration.

Speaking of which, it seems that there’s already a conception of the Mekakushi-dan as adults in Jin-san’s mind and he’s decided things such as, “This person will be like that” and “Their occupation will be this”.

Kido-san will run an orphanage; taking over the will of that orphanage is very much like her. Hibiya-kun will be an archeologist. There are legends about Medusa all over the world, so he’ll be researching that.

He talked about how an adult Kido-san appeared in the MV of Shissou Word after he commissioned it to Sidu-san... something like that. It looks like he’s thinking along the lines of... “this person and this person will get married” as well. But Jin-san also said, “Shintarou’s wife will be Haruka-san (laughs)”. Apparently, these Jin-san’s are on a peerless inner fight inside him, and the Jin-san who wins will have his scenario come to life.

Haruka-san is KagePro’s main heroine www

Jin-san asked the audience, “Do you want to see the children of the Mekakushi-dan?” (I do.) “I wanna write novels,” he said. He was like, “I wanna introduce new characters!”

A parallel universe (one of those that are trendy nowadays?) called “Kagerou Quest” might happen www

Alternatively, it might be set in outer space, and it’ll be like a Martian version of the Mekakushi-dan fighting? Something along those lines? (Martian Mekaushi-dan!?!?)

There was a break of about 10 minutes. In that meantime, we lined up for the sale of goods, ate pancakes, etc...

The latter half of the live started.

My Funny Weeked. Jin-san seems to think that this one is the most last episode-like song. He said something like, “It’s my first time playing it live, so if I make any mistakes, pretend you didn’t notice~” and began playing. There was clapping from the audience seats as if to cheer on him, and he stopped playing right before the hook for an instant, but soon resumed it. After he finished singing, he asked, “See, there were no mistakes, right~?” (lol)

During the play-and-talk part, Jin-san drank water because he was out of options, since he had left the Shissou Word drink that he was having at the beginning somewhere, but he heard someone say from the seats, “The Never-Lost Word has been lost” and replied with, “You say some clever things www”.

Jin-san mentioned that he “was bad at conversing”, but I enjoyed his talk.

Big lotery. I ordered food and drinks and received an application coupon with the second item. The prizes were a set of guitar picks, a set of can badges, a volume of Mekakucity Talkers, a poster of MekaRelo (with Jin-san’s signature), a set of ticket holders and cards that came with the novels as appendix, which Jin-san claimed to have turned his house upside-down in order to bring over, and Jin-san’s own CDs (of Mekakucity~) and guitar effector (he apparently recorded Imaginary Reload with it, and its name is Medusa too). To the people who were sorted, congratulations~!

It seems Jin-san has only told about a part of KagePro until now, and he hasn’t yet talked about the extent of the loops.

When he was a child, he used to think, “I don’t want the new semester to start. It’d be good if summer didn’t end.” but an endless summer is somewhat disturbing, just like the two people living together in the last volume... of the novel.

Wasurete Shimatta Natsu no Owari ni. It seems the last chapter of KagePro closed with fireworks. That’s because, in the past, when Jin-san lived in Hokkaidou, there was a huge fireworks festival, and he thought back then, “Summer is over, huh”. He was like, “But how will I bring up fireworks when the story led up to the school’s underground, a place that has nothing to do with it!?” (lol)

ENCORE!!!

From a wing of the stage, Jin-san got his face out and peeked through (?) from within the curtains with a glance. He’s kinda cute despite being an adult man...

It seems he was being considerate towards us and saying, “It’s late into the night and there are people here who have to go home...” He then played Imaginary Reload (but just the short version of it). And in the end, he was like, “I do want to do it after all!” He sang Remind Blue.

He bid his goodbyes with waving hands~!

Jin-san, you’ve granted me really fun and good memories tonight. You’re indeed by yourself when you’re making music and writing novels... you’ve also gone through hard times. Tonight was super enjoyable, and even though it was a play-and-talk live, you up and said that you were sweating bullets www

“Please let me perform live again,” he said to us.

It was a tremendously fun night. Good job, and thank you very much.

[anistarrose]

The Gingerbread Shacks (GF Holiday One-Shot)

Summary: Nothing ignites sibling rivalries like a challenge to replicate a tourist trap in gingerbread.

Word Count: ~1500

Warnings: none

(Disclaimer: I have not personally tried any of the baking-related things done by characters here, so if you attempt something like this at home, do not expect this fic to predict your results.)

“Grunkle Ford, what happened in here?” Dipper asked as he entered the kitchen. “Those dessert pixies didn’t come back again, did they?”

It was a valid question, seeing as nearly every flat surface within an eight-foot radius of Ford was covered in flecks of either frosting, powdered sugar, or both — not to mention Ford himself, whose hair had accumulated so much sugar that the stripe of lighter gray was indistinguishable from the rest.

“Nothing of the sort, don’t worry,” Ford replied cheerfully, his attention staying fixated on the object on the kitchen table as he slathered it with frosting from a Sasquatch-themed bowl. “I’m just making a gingerbread Mystery Shack. See?”

Dipper gave the structure a closer look as Ford pressed cutout gingerbread letters H, A, C, and K into the frosting, and then haphazardly tossed an S onto the tray below. It really was quite a good replica of the Mystery Shack, as long as you looked at it from the right angle to actually notice the boundaries between all the white-coated pieces.

“Is there even any gingerbread in there, or is it all just frosting?” Dipper asked.

“Well, that’s a funny story,” Ford began. “You might have inferred from the general state of this kitchen —” He gestured around, and a plume of powdered sugar escaped to the air from his sleeve. “— that I’ve had to make a few different batches. That’s because the first batch wasn’t stiff enough to hold the gingerbread pieces together at the angles I needed, so I had to increase the sugar content. First I tried to simply mix additional sugar into the frosting I already had, but that didn’t work as well as I’d hoped, so I had to make a new batch, but I knocked that bowl into the sink… you get the idea. It’s been an ordeal. And when I finally made a satisfactory batch, there was already frosting all over the gingerbread from my first attempt, so I decided to make one more bowl full just so I could cover the whole thing in frosting and have it be uniform.”

He pulled out a Jersey Devil-themed bowl, this one full of red, white, and green sprinkles, and declared: “Just one final touch left to include. Stand back!”

He swung the bowl towards the gingerbread Shack like he was going to throw it, stopping at the last moment as sprinkles rained onto the icing and leaving the Shack looking like a Christmas tree had exploded next to it. Then he repeated the procedure on all sides, and poured the leftover sprinkles onto the roof, grinning widely and happily as he gazed at his creation.

“Did you and Mabel swap minds or something?” Dipper asked incredulously. “What… what even prompted you to make this?”

“Well, Melody was talking about how she’d wanted to make a gingerbread Mystery Shack but ran out of time before the holiday,” Ford explained. “Then Stanley said that he could make one, and I expressed skepticism that he could — so now we’re competing to see who can make the better gingerbread Shack. He’s been working on his at the table in the living room, I believe.”

Ford paused for a moment, contemplative. “You know, I really hope he’s not making as much of a mess as I am,” he murmured, as if the thought was just occurring to him.

“Oh, you’re competing with Stan,” Dipper said. “That explains a lot.”

He heard the door to the porch slamming shut, and a moment later, Mabel, Soos, and Melody entered the kitchen, having apparently returned from their run to the grocery store to replenish dwindling hot chocolate supplies.

“Ooh, Grunkle Ford, are you done with your Shack?” Mabel gasped, leaving noticeable footprints on the sugar-coated floor as she rushed up to examine Ford’s creation. “I see you took some artistic liberties, but I like it! Very festive!”

“Artistic liberties are for amateurs who can’t pull off realism!” Stan barked from the other room. “I haven’t even seen Poindexter’s yet, and I know it’s gonna look like a tree threw up on it!”

“I recall you saying something very different about artistic liberties whenever your taxidermy work came up!” Ford shot back.

There was a pause, and then: “You get your smartass remarks in now, Ford, ‘cause once you lay eyes on this masterpiece you’re gonna have no choice but bow down to my mastery of the gingerbread craft! Ugh, my back is killing me —”

Stan staggered into the kitchen, carrying his gingerbread Shack on a blue plastic tray. As everyone moved to the sides of the room to let him get through, a few impressed gasps could be heard — even from Ford himself, though he’d naturally deny it later.

“So? Whaddya think?” Stan’s smug grin was growing wider by the second.

“Set them down next together, so we can judge them!” Soos told him.

Stan did as he was told, and placed down his creation next to Ford’s. While both Shacks had almost exactly the same dimensions, and had featured the letters HACK on a sign with the S down on the tray, the differences ended there. Ford’s was mostly devoid of further detail, but Stan’s had gumdrops and other candies lining almost every edge, and additional gingerbread pieces attached to form triangular windows. There was even a tiny question mark weathervane, though it was held together by toothpicks and the letters WHAT were replaced by gumdrops.

Soos stood between them and held up both his forearms perpendicular to the floor. “Let’s check the Gingerbread-O-Meter…”

On Ford’s side, he turned his arm about forty-five degrees, and then just a bit further extra as Mabel chanted “Go! Go! Go!” and Stan yelled “Hey!”

On Stan’s side, he turned his arm about the same amount in the opposite direction, and then a decent amount further as Dipper and Melody cheered. Ford scowled and raised his hands in exasperation as it became obvious who was in the lead.

“Looks like we have a winner, folks!” Soos declared. “Mr. Pines, you’re the first ever Annual Mystery Shack Gingerbread Bake-Off-A-Thon Extravapalooza Champion!”

“Haha!” Stan cheered. “Eat it, Ford! Except maybe don’t literally eat it, ‘cause —”

“Oh yeah, that reminds me!” Mabel piped up. “Gotta make sure it tastes as good as it looks!” With a surprising amount of effort, she yanked a piece of the roof off of Stan’s gingerbread Shack.

“No, Mabel, wait — please don’t —”

She popped it into her mouth, and her expression lit up as she chewed. “Grunkle Stan, that is fantastic! I can’t place all the favors, but I think you might just be a culinary genius as well as an artistic one!”

“Really?” Dipper said. “Let me try some.”

He took a bite from a piece that had fallen loose when Mabel removed hers, and immediately spat it out with so much force that it flew clear across the room and stuck to the wall. After running to the sink and rinsing his mouth, he finally choked out the words:

“Grunkle Stan, did you glue this together? That was nasty!”

Stan gave a slight shrug, arms folded and eyes pointed towards the ceiling. “Uh, maybe. Don’t worry, though, I only buy the nontoxic stuff.”

“Stanley, I trusted you,” Ford told him, voice dripping with the exaggerated drama of feigned betrayal. “And you go and disregard the rules of our competition entirely.”

“Hey, remind me when you said I couldn’t use glue? Oh, that’s right, you didn’t. See, no rules disregarded! I keep track of these things!”

“It was implicitly stated! We agreed to make gingerbread houses, and gingerbread houses are by definition meant to be edible —”

“Glue is edible, you just have to have an open mind!” Mabel chimed in. “Don’t let society’s ideas about food control you!”

Ford sighed. “You know what, let’s compromise. The two of us can split first place.”

“You guys are the only two who even participated,” Melody pointed out. “If you two tie, there’s no first place. That’s the only place.”

“Yes, but we don’t have to explain the details of the competition to everyone who learns that we’re the first ever Annual Mystery Shack Gingerbread Bake-Off-A-Thon Extravapalooza Co-Champions,” Ford replied. “It sounds rather impressive without context, doesn’t it?”

“Now you’re thinkin’, Sixer!” Stan threw his arm over his brother’s shoulders, and started chanting: “Pines! Pines! Pines!” Ford joined in too, raising a mug of hot chocolate in celebration.

Mabel handed Dipper a frosting-covered piece from Ford’s gingerbread Shack, and started munching on another piece from Stan’s.

“I thought you quit eating glue when you were ten,” Dipper said.

In between bites, she replied: “It was out of season for a while.”

“Out of season for three years? That’s not how seasons work!”

Mabel shrugged. “I dunno. Just don’t tell my orthodontist.”

***

Thanks for reading, comments/reblogs are really appreciated as always! Merry Christmas to those who celebrate it, and to those who don’t, hope your day has been great!

[babyleclerc]

One Sweet World

Pairings: Chris Evans x Reader

Style: One-Shot/Drabble

Warnings: Language (like one bad word), otherwise just FLUFF FLUFF AND MORE PAINFUL FLUFF!!!

Word Count: 1.3K

Summary: In preparation for Chris’s 37th birthday, you’ve got a big surprise for him that he just can’t contain his excitement for.

A/N: This just came to me the other day and it was so cute it made me sick and I had to get it out. Hope y’all enjoy, and I MOST OF ALL hope this makes @sxbastianstan cry ;) (Gif not mine!!)

“Just tell me what it is! Even just a hint.”

You rolled your eyes at your husband, who was now swinging around the front of the car to open the door for you. You laughed, shaking your head.

“Give it up, Evans.” You’d been repeating yourself for the past three weeks as Chris had begged you to tell him the gift you’d gotten him for his 37th birthday. Normally you’d cave and tell him so that he could be as excited for his gift as you were, but this one was different. You wanted him to be surprised about this. “You’re just going to have to take the surprise on this one.”

“I refuse,” Chris said adamantly, locking the car and guiding you up the stairs to his parent’s house in Massachusetts. You’d grown fond of the beautiful brick house that the Evans kids had grown up in, especially now that you had been with Chris for almost three years and you’d created your own special memories with him here. Christmas with his family, many birthdays, anniversaries… you smiled to yourself as you thought of the next memory that was about to me made here.

“Ooooh, is it a puppy? Dodger does need a friend.”

You made a face at him, holding up the tiny square box that held Chris’ present inside. You were able to hold it up with just one hand, that’s how light it was.

“You really think I hid a dog in here?”

Chris scowled, “You’re right, the box would need holes in it so the pup could breathe.”

You laughed, placing your right hand on his rather large bicep (not that you were complaining, those were, arguably, the best things to come out of the Marvel movies – that and the beard), and used your opposite hand to extend forward and ring the doorbell. “Just enjoy the surprise, sweetie.”

Chris was about to open his mouth with another complaint when Scott swung the door open, festive party hat on top of his head and a beer in hand. The way you were typically greeted by an Evans man.

“Happy Birthday!” Scott shouted, pulling Chris into a bear hug. They both laughed as they hugged, patting each other’s backs enthusiastically.

“Thanks, bro.” Chris responded, grinning from ear to ear. “Where’s the rest of the clan?”

“With the food and beer, obviously.” Scott rolled his eyes as Chris made his way into the house, turning to you and pulling you into a hug. “Hey, Y/N. How’s it going?

“Good.” You grinned, retuning the gentle hug. You glanced around the corner to make sure Chris was out of earshot, before turning to your husband’s younger brother. “Is everything ready to go?”

“Yes,” Scott confirmed, also grinning. “I’m so excited, I can’t wait to see the look on Chris’s face. He’s going to be so surprised.”

“I know!” You couldn’t help but squeal slightly with Scott – he was the type of brother-in-law every girl dreamed to have: kind, caring, drama free, and incredibly supportive. Your and Chris’s happiness meant his happiness, and you were so thankful to have that in your life. “And Lisa has no idea, right?” You asked, referring to Chris’ mom.

“None whatsoever.”

You grinned, “Good. Let’s make sure you get a video of her face afterwards, too, if you can. I’m so nervous and excited I could puke.”

Scott took a half-step back, teasing you, “Just don’t do it on my new shoes.”

“Ah, man, thank you guys, from the bottom of my heart. Today has been so fun getting to celebrate all of you. I,” Chris turned to look at you from across the room, surrounded by presents from his immediate family, “We,” He corrected, smiling, “Are so incredibly grateful for you.”

“I think you’re forgetting one gift still, though.” Scott piped up, grinning at you from across the room. Chris’s eyes lit up like a child on Christmas morning.

“Oh, God, how could I forget! I’ve been dying to know what my beautiful wife got me.”

You grinned, grabbing the small box from off the counter, handing it to Chris.

“Seriously, though, what is so small that could fit inside this?” Chris shook the box next to his ear, shaking it to see if it would make any sound. He paused suddenly, concerned, “Shit, is it fragile? Should I not shake it?”

You laughed, shrugging at Chris’s childlike glee. “Why don’t you open it and find out?”

He poked at the tape, attempting to open the box’s wrapping gently. “Is it tickets to Disneyland? Is that why it’s so small?” He asked, eyes focused on the box. Chris’s entire family laughed, as one of his Uncles shouted out “You wish!” from across the room.

You bit your lip nervously as Chris pulled out the small bag containing your gift from inside the box. You saw from the corner of your eye Scott had his cell phone out and was recording Chris meticulously. Now you really did feel like you were going to throw up.

Chris tore open the bag slowly, and pulled out a small Patriots jersey. He cocked his head to the side, eyeing it carefully.

“What is it, Chris?” Chris’s dad bellowed, unable to see from his spot on the couch.

“it’s a Patriots jersey…” Chris started, turning over the small jersey in his large hands. He squinted at the back of it for a moment, and then his head snapped up, searching for you and locking his eyes with yours fiercely. “Are you fucking serious?” He asked, his hands holding onto the jersey tightly. “No joke?”

You couldn’t help the grin that spread across your face as his family started to squeal, understanding why the jersey was so small.

“You’re pregnant?” Chris asked as you nodded, a grin spreading across your face as tears sprang to your eyes. The whole Evans family erupted into cheers as Chris barreled his way towards you, laughing as he grabbed you by the waist and spun you in circles. You wrapped your arms tightly around his neck, burying your face inside his neck as happy tears flowed down your face continuously.

“I’m going to be a Dad?!” Chris asked, rather loudly in your ear, causing you to laugh as he smothered your face and neck in kisses.

“Happy Birthday?” You finally squeaked out, as Chris set you down on the ground, his arms not relinquishing his tight hold on you.

Chris laughed, pulling you into his strong arms and kissing the top of your head, “Hands down, the best Birthday gift ever.”

“Worth the wait?” You asked, pulling away from him slightly. Chris wiped a stray tear from his eye and then gently did the same to your tear-stained face.

“One hundred percent.” He grinned, pulling you in for a gentle kiss.

The kiss was met with cat calls and “ow ow’s!” from the rest of Chris’s family, forcing you to pull away from him, laughing as the rest of his family members made his way towards you, congratulating you with hugs and kisses and asking for your due date.

“We’ll finish this later,” Chris whispered in your ear, giving the side of your head a quick kiss as his family began congratulating him as well.

Scott grinned when he finally made his way towards you, holding up the Patriots jersey that read, Baby Evans, expected December 2018. “Iconic. I’m so happy for the both of you.”

You grinned, pulling Scott into a tight hug. “Thanks for everything. You’re going to be the best Uncle a kid could ever ask for.”

“Well that’s a given.” Scott winked at you, grinning. And for the first time, in a very long time, you couldn’t remember feeling anymore grateful.

Fin.

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[ohiofootballjerseyblog]

Why New Jersey Beaches?

New Jersey Beaches offer the perfect remedy for many tri-state area residents and visitors looking for a close by stay-cation. With the economy on a whirlwind roller coaster, people are hanging onto their purse straps tighter than ever, but that doesn't mean they're giving up their favorite pastimes to save a buck or two.

The Garden State features more than 130 miles of coastline goodness boasting warm sugary sands that woo visitors year after year. What kind of vacation are you looking for? People of all different backgrounds with varying tastes have raved about the diversity of New Jersey beaches. The beach towns range from quiet and tranquil to exciting and loud. It's absolutely astonishing what you will find on the Jersey Shore. Most people are pleasantly surprised to discover that they could spend an entire summer New Jersey beach hopping and they run out of weekends, before they run out of beaches to visit.

Vacationers in search of family fun can be found at one of the various boardwalks which remain the pulse of all the summertime action. With arcades, souvenir shops, delis, pizzerias, the best seafood eateries, amusement parks, lively festivals, and sporting events it's not hard to see why the boardwalk of any New Jersey beach town is the center of attention. Point Pleasant boardwalk not only features all of the above, but it also has Jenkinson's aquarium that is a very popular tourist attraction amongst children. Bigger beach towns such as Atlantic City have an extensive boardwalk that serves up family fun and excitement for kids and adults alike.

People have fallen so deeply in love the with the Jersey shore that they literally flock from all over the tri-state area to rent or buy some of the luxurious beachfront properties as well. The inventory of jersey shore vacation rentals is highly sought after and if you want to stake your claim in beach heaven you should definitely secure your spot Ohio State Buckeyes Jersey early on during the off peak season. Rentals range from elegant high rise condos, dazzling beach houses, to tiny bungalows. However, if you just want to come for a few days you can find plenty of decent hotels and other lodging options to suite your style and budget as well.

Romantic dinner cruises are very popular within various New Jersey beach towns such as Belmar, Long Beach Island, and Cape May. Guests board upon beautiful yachts and charter sail boats to have a night of romance and excitement upon the seas. Party boat fishing trips, whale watching excursions, and chasing dolphins have all made the list of aquatic pleasure to be experienced as well. And don't forget to pack your boogie board so you can ride the waves with all of the surfers too!

Even during the off-peak season New Jersey beaches remain high on the totem pole as one of the top destinations in the northeast.

Couples have been known to enjoy the delights of the various scenic bed and breakfast inns that are situated from the tip to the top of the jersey shore coastline. These properties boast oceanic views along with cozy amenities.

see more : https://www.ohiofootballjersey.com/

[deepartnature]

Birds by the Billions: A Guide to Spring’s Avian Parade

An Eastern bluebird at the Greenwich Audubon Center in Greenwich, Conn. Eastern bluebirds are found in the East and Midwest; at the Necedah National Wildlife Refuge in Wisconsin, for instance, sightings of them spike beginning in late April.

“... The Northeast: a festival of songbirdsI came to birding relatively late. My parents had a bird feeder on the Jersey Shore where I grew up, and I’d watch house finches and sparrows come and go. But I knew nothing about the migrations of songbirds until my late 20s when I interviewed Roger Tory Peterson, author of the iconic fields guides. With the spring migration underway, this is the time to discover — or rediscover — the allure of birding. ... Each day brings platoons of warblers, vireos, thrushes, tanagers and other migrants. The first thing you learn when you pick up your binoculars and head out is that you are not ‘bird-watching,’ but ‘birding.’ Bird-watching implies a sedentary activity, while birding is proactive. ...”

NY Times

2008 September: Birds, 2008 June: Bird Songs, 2017 April: Of a Feather, 2017 June: Bird Sounds, 2017 July: Beautifully Designed Tiny Houses… For Birds, 2019 September: The Crisis for Birds Is a Crisis for Us All, 2019 March: She Invented a Board Game With Scientific Integrity. It’s Taking Off., 2019 June: Where Birds Meet Art … After Dark, 2019 September: The Crisis for Birds Is a Crisis for Us All, 2019 October: A Quest to Protect the World’s Last Silent Places, 2020 June: Making a Garden That Welcomes the Birds, 2020 July: New Bird Song That ‘Went Viral’ Across This Species of Sparrow Was Tracked by Scientists For the First Time, 2020 August: How to Use Binoculars - Jason Ward, 2020 October: Get the Birds To Come To You, 2020 June: BirdNET

[tinyhouseexpedition]

Hey NJ, SoCal, Portland, Vancouver, BC and Seattle! Check out our event calendar for fun & inspiring Tiny House events coming very soon: http://www.tinyhouseexpedition.com/events > New Jersey Tiny House Festival >> Living Tiny Legally (Part 2) and a Tiny House Tour! >>> Tiny PDX's Tiny Fest: Tours, Documentary & Panel Discussion >>>> 2017 Vancouver Tiny House Festival >>>>> NW SolarFest: Documentary, Q&A + Book Reading

[tisfan]

I would love to read something from you with 11. Nutcracker, B - Clint/Coulson. (P.S. I love your blog)

“That,”Clint said, looking up at the gaudy light display on the top shelf. “I wantthat.”

“In front of our home?” Phil wasless enthusiastic, but they’d already been to four stores before Clint hadfound what he wanted, and Phil was more of a throw-up-a-string-of-lights andcall-it-good kinda guy. Clint, on the other hand, had grown up in the circus,and he had actual legit feelings about Christmas and decorating.

“Yep,” Clint said. “Have to haveit.”

Well, it wasn’t like Phil minded.Mostly. They’d finally moved out of SHIELD supplied housing – which hadn’tkept them from sharing a bed, but there really wasn’t much privacy, or space –and into their own house. And it was their first Christmas together. Clint haddeclared that decorating was a must, and so he’d been hauling Phil all over theplace, looking for the perfect tree, the perfect ornaments, the perfect lights,and the perfect…

… giant life size polyresinnutcracker with an automatically opening and closing mouth and that randomlyraised its life size polyresin sword when someone approached it.

The price tag was a littleoff-putting. And the display itself slightly more creepy Christmas thanbringing Holiday cheer, but Phil considered himself a reasonable guy. He didn’thave any particular objections to the thing, although it certainly wasn’tsomething he’d have selected on his own. Who knew, though? It could be one ofthose things that became a thing. A relationship thing. Phil was lookingforward to having those.

“You have eight hundred dollarsburning a hole in your pocket, Barton?” Phil asked, peering up at it.

Clint shrugged. “I can afford it,”he said.

“Good afternoon, gentlemen,” anoverly cheerful voice said. “Help you with something?”

“Yep,” Clint said. “I want one ofthose.”

(more below the cut, or read the whole thing on A03)

The employee stared up at thefestive monstrosity. “Right, well, that’s an A-17, so they should be right thisway.”

He led them up through the aisle,dodging other shoppers, employees, and one display of solar lawn lights thathad fallen over. Phil paused to pick some of them up and put them back in thestack, where a half-dozen more promptly rolled off the pallet on the otherside. Fuck it, he decided, catching up with his boyfriend.

“Aw, nutcracker, no,” Clint waswhining. The slot on the shelf where the boxes were supposed to be was empty.

“Hang on, hang on,” the employeesaid. He whipped out a phone wrapped in a ridiculously orange case, did a scanof the SPU code. “It says we have six, hang on, just a moment. Stay here.” Hepointed to a spot on the floor like he was afraid that Clint and Phil wouldwander off.

Clint stood right where the guypointed, admiring some of the other decorations from his vantage point, whilePhil perused the shelves to see if one had gotten misplaced.

How, he wondered, did anyonemisplace six giant nutcrackers?

“This is Gerry,” their salespersonsaid, coming back up, “and she’s in charge of the garden center. So she’s goingto help you out, okay?”

Gerry was a tiny, tiny woman,probably in her mid-seventies, with a smudge of dirt on her nose and apractical tilt to her mouth. “You want that? You’re sure? Come on, this way, Ithink we got some more of these big’uns in the outdoor area.”

For a short, elderly woman, Gerrywalked very quickly. Hell, Clint and Phil were both trained government agents,and keeping up with her as she dodged around displays and talked a mile aminute over her shoulder, was taxing. In the few minutes it took to cross thestore, she’d told them all about two botched deliveries, the fact thatpointsettas were on sale, but she wouldn’t advise buying them because they werewithin three days of wilting, that they could apply for a store credit card andget twenty-percent off their first purchase, and if they wanted to, please feelfree to ask her, or any other store rep, and…

It was cold in the garden center;the whole area was open on the sides and the wind blew straight through,smelling of snow and exhaust and sausages from a street vendor outside thebuilding. Phil pulled his jacket tighter and shivered. It’d been hot in thestore proper.

“Well, they were here, I couldasworn…” She stopped in front of a large pallet of decorative boxes, none ofwhich was labeled as an A-17. “David! David!”

A third employee appeared – David,apparently – from behind a display. “Hey, did you find out about the 1063-RRcluster? I’ve been online with–”

“Not jus’ yet. Do you know whathappened to them nutcrackers we were s’posed to have? All the overstock shouldbe here?”

“Dunno,” David said. “We got a newdelivery in th’ back, though, truck just left outta here like twenty minutesago. I really need to know about them 1063s, though, so if you could–” he wastalking to air, Gerry having walked off, gesticulating wildly. “Huh. Okay,well, you all stay here, I bet she’s going to check the back.”

“She couldn’t have left us inside?”Phil complained. “It’s cold out here.”

Clint leaned against Phil’s back,arms around his chest, keeping him warm. “Better, babe?”

“You do give off a lot of bodyheat,” Phil replied. He leaned back into that warmth, snuggling contentedly.

“It’s my superpower,” Clint saidsmugly.

“I thought your superpower wasalways being in the way,” Phil said.

“Well, that, too,” Clint said. “Ican have more than one superpower. It’s allowed.”

Gerry was gone longer than expected– how hard was it to find a six foot tall nutcracker? Hard, apparently. Shecame back, shaking her head.

“The inventory says we have six,but see, there’s a little star by it,” Gerry said, holding out her phone. “Thatmeans it wasn’t actually verified on delivery. That happens a lot this time ofyear, really–”

“Excuse me, miss,” another customersaid, “this’ll only take a minute, but I was wondering if you knew where Imight find suction cups to hang on windows to hold lights up with?”

“Oh! I saw those!” Clint said,excited. “Like, just a few minutes ago, because I wondered what they were for,but yeah, this way, they’re over here.”

Phil found himself abandoned by hisboyfriend, and blinking politely at Gerry. “So, you don’t know where thenutcracker is?”

She shook her head. “It might noteven be here,” she said. “This time of year, we’re so busy that people don’talways check in the stock, we just take it on faith that we got what weordered.”

“So, my boyfriend really wants thatthing, do you think you could sell us your floor model?”

“Oh, no, no, we never do that, evenafter the holiday is over, people expect a discount on it, and it’s not listedin the inventory at all, so we can’t account for ‘em.”

“Since you’re missing six already,I’d say you’re not accounting for them now,” Phil pointed out.

“Look, what I can do is call ourstore out in Passaic, maybe they have one,” Gerry suggested. “Inventory saysthey have five.”

“You want me to drive all the wayout to New Jersey. On the weekend. During the Christmas season, onthe hopes that their inventory is better than yours?”

“I don’t want you to do anything,young man,” Gerry responded, tartly. “You’re the one who wants a nutcrackerporch deco. I’m telling you where there might be one.”

Phil heaved a sigh. “Give me theaddress.”

“Aw, decoration, no,” Clint whined.

Phil took a deep breath. “Can youcall the other store and see if they have any? Like, do an actual floor check?We already drove out from the city, and Westville’s not that much further downthe road, but I’d rather be sure than chase after another wild goose.”

“Inventory shows they got fourteenof ‘em,” the Passaic employee insisted.

“And yours says you’ve got five,and the store back in Manhattan said they had six, so that’s eleven six-footnutcrackers you’ve managed to misplace between two stores,” Phil said. “You cansee why I might be a little leery of your computer’s inventory report?”

The Passaic employee sighed likemaking a phone call was the hardest thing anyone had ever asked of him, ever,but punched in the number.

“We don’t gotta get it,” Clintsaid, softly. “We can just go home an–”

“You want it,” Phil said.

“Well, yeah, but–”

“Then we’re going to see if we canfind you one, dear,” Phil said, patting Clint’s hand. “It’s all right. Wedidn’t really have anything else to do today.”

“Driving around New Jersey isn’tsomethin’ any sane person does for fun,” Clint said.

Phil chuckled at that. “It’s notthat bad, really. I’ve been worse places.”

“Like?”

“Tahiti.”

Clint made a face. “That joke’sold, Phil. Like, seriously. Old. And it wasn’t funny t’ start with.”

“Okay,” the Passaic employee said. “Theydid a floor check, an’ they got at least four of them, so, what’s your name?”

“Coulson,” Phil said.

The guy turned back to his phone,then, “Yeah, okay, so when you get there, go up to the service counter, andthey’ll have one all ready to go, okay?”

“Thank you for your help,” Philsaid.

The employee didn’t quite roll hiseyes, but Phil got the distinct feeling that he wantedto.

“Can I shoot him?” Clint asked,when they got out of earshot.

“If we’re going to be exactingabout it, then yes, you’re perfectly capable of shooting him, with whateveryour weapon of choice is, from your bow all the way to the staple gun on aisletwelve, but I would greatly prefer it if you did not, because I really don’twant to deal with any more paperwork about your disruptions of normal holidaycommerce,” Phil said.

“You are no fun,” Clint said.

“That’s not what you said lastnight,” Phil pointed out.

“And it’s not what I’ll saytonight, either,” Clint said, sneaking in a stealth grope. “But you’re no fun right now.”

“You wanna swap tonight for rightnow, go ahead and shoot the guy.”

“Hmmm, no.”

“You did what?”

“Well, he was here first,” thewoman behind the customer-service desk said. “And he bought out the entirestock–”

“We were on our way,” Clint protested. “What did he need with twelve nutcrackers?”

“He was here,” she repeated. “Andwe don’t hold orders for people, that’s just not good business practice.”

Phil’s eyebrows went way up. “Howlong ago did he leave?”

The woman shrugged. “Do I look likea stalker to you?”

“No, you look like a bitch, but youknow, close enough,” Clint snapped. He smacked the palm of his hand against thedesk and stomped out.

“Thanks for shopping with us, comeagain.” the desk lady said, overly chipper.

Phil considered himself a reasonablehuman being, but Clint’s plan of shooting store employees suddenly seemed alittle less ridiculous and a lot more satisfying.

“Sorry we wasted th’ whole day,”Clint said, slumping up the sidewalk toward their house.

“It wasn’t a waste,” Phil said,grabbing Clint’s hand and giving his fingers a squeeze. “I like spending timewith you. Just because you don’t always get what you want doesn’t mean it was awaste of–” Phil stumbled to a halt.

“What the utter and complete fuck?”

“What he said,” Phil repeated.“Only with less swearing and more shock.”

The entire walkway was lined withnutcrackers. Six to each side, raising their swords in unison, mouths openingand closing.

“Hey, guys! Agent Agent, Legolas!Merry Christmas,” Tony Stark said, stepping out from behind one of thedisplays. “You like ‘em? I saw on social media that you were looking for themand–”

“You’re the one who bought out theentire stock?”

“Well, not me, personally, no,because really, no, I have shoppers for that sort of thing, but–” Tony’sbrilliant smile faltered. “You don’t like it?”

Clint and Phil exchanged a glanceand said everything they needed to say right then. They could explain to Tonyhow they’d driven all over the state trying to find the nutcracker and comehome disappointed and hungry and cranky…

Or they could just say, “We loveit. Thank you, Tony.”

“Merry Christmas, Mr. Stark,” Philsaid.

“Merry Christmas to you, too, AgentCoulson,” Tony said, offering a hand.

Phil took Tony’s hand, yanked himinto a hug, and pounded him on the back. “Thank you, really,” he said.

Clint hugged them both, squeezinghard. “Yeah, you’re the best, man, just… wow.”

“So, like, are these in the song?”Tony asked.

“What song?”

“The Twelve Days of Christmas?”

“Like, what? Twelve nutcrackersnutting?”

“Thanks for that, Clint,” Philsaid, covering his eyes. “Now I’m going to think about Christmas displaysjerking off for the entire rest of the season.”

“Annnnd on that note, I’m sure Ihave something more important to do,” Tony said. He jogged up the walk towardhis very expensive car. He turned halfway up the walk and waved. “MerryChristmas to all, and to all a good wank.”