#new ford explorer 2021

[aurorialwolf]

REDACTED CHARACTERS AS CARS PART 3

Same stuff as the last two posts applies, tldr they wouldnt drive these necessarily these are just the cars i think they are

Elliott - Any car with this wrap. He would also totally drive this.

Avior - BMW i8 (I literally looked up "professor's car" and scrolled until i found a kind of cool one)

Guy - Pizza delivery car with a built-in oven (except w/ max's pizza on it instead of dominos)

Aaron - Sinister '69 Mustang Boss 600 (need I explain more?)

Geordi - Z31 Nissan 300ZX (because it looks sad :c )

Anton - Chevrolet Explorer Conversion Van (he is one of two characters that ive missed any audios from, but from the audio that i did listen to, he gives these vibes)

Blake - Toyota TRD Pro Series 4Runner (because, especially from the front, it looks angry)

Ivan - White van, need I explain?

Camelopardalis - Light Green Volkswagen Beetle (because it looks nice and calming and idk it just fits!!)

Brachium - McLaren 570 GT MSO Black (because it matches brachiums previous themes,, and it looks cool)

William - Penny-farthing. (I think plum gave me this idea?? sry if im wrong)

William's MODERN car, though: Bentley Flying Spur (although probably in red or black)

Gregory Keaton - 2024 Toyota Corolla (it's the first new car hes gotten in 15 years and his old one was a Jeep or perhaps a van if he was the one driving the pack around)

Ansel (from the Keaton pack, yes im sorry im not doing the rest of the keaton pack today) - Unmarked detective vehicle, Ford Crown Vic

Amanda - 2021 Kia Telluride (it's sensible, strong, and like. it gives her vibes im so sorry that i cant elaborate more on this. also i can easily imagine the visualizations of amanda that ive seen driving this car)

Christian - 2019 Honda Insight (he found it on a car advice article. idk why he just gives the vibes of a guy that looked up what car to buy for best social merit or best value)

Fred - BMW M3 E90 (just like. imagine him picking up Bright for a night out once they're all settled as vamps. it just feels like his vibes and its hard to explain)

Bright Eyes - Honda CBR650R 2023 (they would have this. adrenaline junkie vibes especially after becoming a vampire, also Fred is always worried when they go out on this)

Tagging folks who seemed interested (did i just remember i used to have a taglist. yes): @nevaroonie @vind3miat0r (sry for the tag but fred and bright are here so,,)

[foolishfoolsgold]

Fuck it. Official CaW car headcanon post

Red blood cells: Anything at all as long as it’s red and not too big (I’m looking at you, Honda Accord). They have a pizza-guy thingy on top shaped like a real RBC with a light inside that goes on when they’re oxygenated. Instead of decals they just have that and like a little Lyft driver sticker on the dash. Also all cells have their “names” (codes) on the back license plates. Often times the drivers will personalize their cars like crazy with bumper stickers and dashboard plushies and shit

Neutrophils: white Ford explorers (any year) all decked out w/ identifying decals and gear like cop cars. All immune cells have sirens btw

Killer Ts: Black Chevy Tahoeesssss, 2021 or newer. Have minimal decals but a front ornamental plate that says KILL like their hats

Eosinophils: any modestly sized pickups really, but Toyotas are a favorite. Usually pink with some kind of camo thing going on

B cells: this one’s probably my favorite. Subaru Bajas with giant antibody machine guns bolted to the bed. And Memory rides shotgun

Macrophages: gigantic Ford F-250s because yes. What if they were like super pale pink with a pearly finish and crazy spikes on the front bumper

Regulatory Ts: Shiny new Lexus RXs for powerful rich lady vibes. And also because this rosy bronze color specifically is just so beautiful I’ve seen it IRL a few times

Dendritic cells: SEMI TRUCKS!!!! A. Real dendritic cells are huge in general and B. they gotta carry all them antigens

[blue-lollipops-and-ice-clouds]

Rock Sound 25 Icons - Sleep Token Article (Transcript).

Transcript written by yours truly!

(Original Article Link)

(Google Doc Version Link)

ROCK SOUND 25 ICON

SLEEP TOKEN

WITH A METEORIC RISE UNLIKE ANYTHING THE HEAVY MUSIC WORLD HAS SEEN BEFORE, SLEEP TOKEN HAVE BECOME ONE OF THE BIGGEST SUCCESS STORIES IN MODERN ROCK HISTORY. AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD, WE EXPLORE HOW THEIR GENRE-PUSHING VISION HAS RESONATED WITH FANS ACROSS THE WORLD, WITH SOME OF THE BAND'S FORMER TOURMATES AND SUPERFANS REFLECTING ON THEIR INCREDIBLE JOURNEY.

WORDS

MADDY HOWELL

PHOTOS

ANDY FORD

[page break]

LIVE PHOTOS

ADAMROSS WILLIAMS

It took less than seven minutes for the Sleep Token explosion to hit.

Gathering momentum in the UK underground scene with their 2019 debut 'Sundowning' and its 2021 follow-up 'This Place Wil Become Your Tomb', in early 2023 the masked collective set the internet ablaze with 'The Summoning'.

Nonchalantly dropped just 24 hours after the emotionally driven 'Chokehold' arrived, the inferno came out of nowhere for many heavy music fans. The song's gnarly down-tuned guitars and crushing metal riffs resonating deeply, its ominous, poetic lyrics searing with passion, and the voice of the band's masked frontman —Vessel — soaring over its huge, otherworldly chorus. It was the kind of mastery that proved difficult for any metal fan to ignore, but after five minutes, something wholly unexpected happened The riff-laden chaos segueing into a two-minute funk outro, from that moment - the stage was set for a revolution.

Forging their sound whilst remaining insistent on resisting genre classification, Sleep Token had been darting between progressive metal, R&B, and glossy pop with ease since their formation in 2016. Adding new styles and influences into their arsenal at every opportunity, from the second they erupted into the mainstream consciousness their expansive vision was impossible to ignore.

Capturing something elusive, something that had long felt absent from the contemporary heavy music scene, 'The Summoning' defied easy categorisation. Blending sounds in ways that were as unpredictable as they were seamless, the track catapulted the band to viral fame on TikTok. Clips of the song's outro paired with memes, fan art, and incredulous reactions from listeners flooded the app's feed, and within days the band's cult following began to expand rapidly, each new fan clamouring for more information about the mysterious masked group that were suddenly dominating their social media timelines.

"It's pretty crazy when you think about it,"' laughs John Famiglietti, bassist and producer of experimental band HEALTH.

"A lot of this stuff really doesn't have precedent but when TikTok was created, they built the concept of virality into the code. It needed to become the fastest route to virality, and they wanted to destroy YouTube. Sleep Token is the perfect example of that in action, because that song was released in what the music industry calls 'The No Zone'. It had a visualiser of a copyright-free Elden Ring boss, and it was nearly [page break] seven minutes long. That kind of thing just doesn't get big."

What John explains is vital to understanding the magic behind Sleep Token's rise, because simply put - the whole thing is almost impossible to believe. From making their live debut in front of less than 500 fans at London's The Black Heart in the summer of 2017, to dominating the social media algorithms of thousands, their sudden and overwhelming rise is entirely unprecedented.

The release of 2023's Take Me Back To Eden' swiftly followed by a Best UK Artist award win at the Heavy Music Awards and an announcement of a standalone headine show at Wembley Arena, the excitement surging through the scene was palpable — evident as fans scrambled to acquire tickets for the landmark evening. Selling out within ten minutes of going on general sale, Sleep Token were officially an arena-filling rock band.

"It's not often you see that kind of leap anymore," John continues.

"In the span of eight months, Sleep Token went from small clubs to headlining arenas. For me, that's the most exciting part. I can't remember the last time I saw a band do that."

With HEALTH playing alongside them that historic night in London, John recalls the atmosphere vividly. Looking back then, how does he think Sleep Token's stratospheric rise happened?

"They're bringing pop elements in through the language of heavy music, and that's a big part of the appeal," he explains.

"When you're at a Sleep Token show, you can see the kids connecting with that shit and singing along. It's a big show, it's theatrical, and when everyone's singing along…that's where you get the chills. The crowd makes it, and you can see the smiles on people's faces. For a lot of these kids, it's their first concert. If your music can bring new people into this world, that's the most powerful thing possible."

With 'Take Me Back To Eden' landing the band their first ever Top 5 album, as well as becoming the most-streamed metal album on Spotify in 2023, Sleep Token's Wembley Arena ritual served not only as a celebration of a remarkable year — but a declaration of the future of metal.

Asserting that the scene was ready for change, from the moment that Vessel emerged into the stage's central spotlight, all12,500 fans gathered in the room knew that a new era of heavy music was beginning. With striking [column break] nu-metal inspired masks for band members II, III and IV unveiled on Instagram just moments before the band's scheduled stage time, the energy surging through the crowd was nothing short of electric.

A sonic and visual spectacle, from the assaulting intensity of 'Vore' to the raw catharsis of 'Ascensionism' each moment of the show shone with intent. The night blooming into a powerful karaoke session as Vessel suddenly became unable to sing mid-performance, by the time proceedings culminated in a heartfelt rendition of 'Blood Sport", everyone filtering out the doors of Wembley Arena knew they had witnessed something groundbreaking.

A remarkable achievement from a simply remarkable band, to understand how Sleep Token ended up taking their songs to a stage like Wembley, we need to take things back to the beginning.

Debuting the project with 2016 EP 'One' and 2017's 'Two', the groundwork for the world they were about to build was lain. A world filled with technical metal, expansive atmospheres, and an unapologetic commitment to musical experimentation, the band's early releases demonstrated an unusual level of ambition for a fledgling band. Not just blending genres but entirely blurring the lines that segregated them, their metalcore and djent influences bled into lush soundscapes, with emotionally raw vocals and progressive song structures constantly throwing the listener off-guard.

Evading every potential classification, songs like 'Nazareth' and 'Calcutta' felt cinematic yet intimate, drawing from ambient electronica and R&B with a steadfast spirit of eclecticism, yet never feeling disjointed. Carrying a coherent emotional thread — a mood of longing, heartbreak, and spiritual seeking — their vision resonated deeply with a small but passionate group of early fans.

Among those early to hop aboard the Sleep Token train was Holding Absence vocalist Lucas Woodland, who recalls his first encounter with the band.

"The first song I listened to was 'Nazareth', and it just blew my mind," he nods.

"It was just so cool, and to this day, I think that's Sleep Token's greatest strength. It's cool for kids that are just getting into this genre of music, but it's also cool for people like me who listen to bands like Radiohead and Bon Iver. It somehow manages to scratch two very cool but very different itches. Throw that together with vocals that are so out of this world… you' ve got something special. I was shocked to discover how small they were at that point." [page break]

With that, Lucas became one of the band's earliest champions. After discovering them, he immediately shared Sleep Token's music in the Holding Absence group chat, urging his bandmates to check them out.

The Welsh band joining forces with Loathe for a split EP titled 'This ls As One' the two bands were in the process of mapping out a co-headline tour. With shows set to take place in early 2018, they knew they had to find a way to get Sleep Token involved. Picking a local band to join them on each date of their joint UK run, they decided to offer the slot for the two biggest shows — London and Manchester — to the genre-slashing newcomers. Witnessing the earliest iterations of the band's live show, their full vision may not have been realised back then but already something was brewing.

"It was surreal," Lucas nods.

"The first two times I saw them were supporting us on that 2018 tour, and it was early days for them, but there was still this magical element to them. I remember speaking to Vessel after the show, and he was like, 'Sorry can't catch your set, I've got to run off and wash this I paint off'."

"When you look back on that, it's crazy to think that there was a period of time where they painted up, got on stage, played to 50 people, and then quickly ran off to have a shower in a Travelodge," he laughs.

"The third time that I saw them though, they played St Pancras Church to around 120 people. By that point, the vision was realised, and that was the moment where I realised that this was their turf now. Everyone in that room saw what this could be. It was a seated show, and it almost felt like a sermon. For that to be one of your first headline shows, and for it to captivate people in the way that it did..that's crazy."

Looking back on what shift may have occurred between the band he saw onstage that evening and the band Sleep Token have become, Lucas explains.

"When 'The Summoning' came out, barely anything had changed.. everyone else had just woken up to it."

"I honestly believe that the vision of the band, the message, and the sound has been there since day one. It's so cool to think that the band I watched in that church all those years ago and the band that is now playing to tens of thousands of people now is the same band."

The heavy music world had long been craving the kind of shake-up Sleep Token brought. Much of the scene tired of existing in a lull of stagnation as artists began to take [page break] bigger risks with their sound and experiment with fresh influences, a sense of scepticism transformed into intrigue.

Despite a growing longing for something different though, it takes something truly special to bowl in and completely shatter the boundaries of everything that existed before it. With little of the band's core identity changing since its inception, for Sleep Token to achieve such an explosion — the moment had to be right. With the world emerging from a global pandemic and grappling with a growing reliance on social media, Lucas reflects on the circumstances that led the band to greatness.

"It's important to note that every important band ever was in the right place, at the right time to ignite the culture,"" he explains.

"If Slipknot came out today, they wouldn't be the band that they are. If Metallica came out in the 60s they wouldn't have been as successful. Everybody has lived their lives terminally online for so long now. As musicians, for so long we were told that we must engage with our audience, because it's never been so easy to do it. We're told that we should be tweeting every day, we should be posting photos every day, and nothing is sacred anymore."

"You can engage with your fans at any given moment, but we reached a point where that almost plateaued. People are sick of hearing everyone's opinions, and they just want to hear the music. There are music fans who can't remember a world without the internet, and they can't remember a world where anonymity existed. They can't remember a world where mystery exists."

It's understandable then how the band's anonymity and carefully curated lore have forged a large part of their appeal. Whilst they are far from the first band to adopt masks and a hidden identity — with the likes of Slipknot, Ghost, and Hollywood Undead coming before them — Sleep Token's anonymity feels different. With social media making it easier than ever to know everything about a band, the collective have chosen to withhold almost everything, and that has only elevated fan's desperation to unearth more.

In a world obsessed with personal branding, where artists often cultivate parasocial relationships with their fans through constant interaction and engagement, Sleep Token's decision to remain an enigma marks a decidedly different approach to their peers. Their identities remaining closely guarded secrets Vessel- who has spoken just a handful of times in interviews early in the band's [page break] career has built a persona around the idea of serving an ancient deity known only as Sleep.

Carving out a role that feels entirely other-worldly, at the same time, there is something deeply human in Vessel's character, Wracked with emotion, pain, and a desperation to grow, their ability to tap into the deepest, darkest caverns of the human feeling is unrivalled. Their larger-than-life image clashing with the humanity and vulnerability of Vessel's lyrics, whilst fans may not know the identity of the men behind the mask, they can connect deeply with every word he says.

Because of this, the band's anonymity has proved much more than a gimmick, it's become a vital part of the identity that has forged a fanatical community. Stripped of a name and a human visage, Vessel is not a rock star in the traditional sense. He doesn't present himself as a relatable figure or even a person at all — he's an idea. An invitation to immerse yourself in the band's universe, the inability to put a face to the name makes every part of Sleep Token feel universal. Stripping away the distractions of celebrity and ego, it's allowed listeners to project their emotions and interpretations onto the songs like never before.

"They managed to line up this beautiful thread through the needle moment because everyone is so hungry to find out more about them," Lucas nods.

"We live in a world where we know everything about everyone, and they have been able to use that in a backwards sense. They've not only kept hold of the anonymity, but they've embraced it. They've turned II, III and IV into characters, and they're relevant parts of the band and the culture. They've always been important musicians on stage, but I remember being drunk at a house party and seeing the mask reveals on my Instagram feed. It felt like a new character had just been unlocked. It was such a moment."

That feeling of grandiosity is something that Sleep Token have become well-versed in creating. Each fresh reveal feeling monumental, it's elevated their live shows from simple performances to powerful rituals [column break] as though they've been a part of something much bigger.

As Sleep Token's rise has continued, word of their live shows has spread far beyond the UK. Kickstarting a new era after wiping their Instagram in early 2024 — leaving just a bio that read 'Nothing lasts forever' — North America were invited to bear witness to 'The Teeth Of God' tour.

A 21-date run taking place throughout April and May, they were joined by Empire State Bastard for the shows, with both bands playing to packed out venues night after night.

"It was an incredible spectacle to witness each night," guitarist Mike Vennart reflects.

"Their audience is hardcore. The most dedicated and obsessed fans. The best audience a band could hope for, really. Not to ruin the magic, but the lads in the band are wonderful too."

While many bands take years, even decades, to build up a loyal fanbase, Sleep Token have culminated a rabid community of fans in record time. Their collision of influences uniting people from vastly different sonic backgrounds, there are moments that speak to every kind of music fan.

Whether it's the ethereal melodies of 'Alkaline', the crushing heaviness of 'The Offering', or the gutting piano melodies of 'Blood Sport', their refusal to be confined has become their calling card. Retaining a core heaviness whilst pulling from pop, R&B, progressive rock, and jazz, they've spawned a sound that speaks to people from all walks of life, never alienating any one group.

Before they were headlining rooms to thousands of fans Stateside though, one of the first US bands to recognise Sleep Token's potential was Issues. Looking for an opener for their 'Beautiful Oblivion' tour — celebrating their third and final allbum — their booking agent threw Sleep Token's name into the conversation. Having recently begun working with them, he sent over their debut EP, and bassist Skyler Acord felt an immediate connection to their willingness to push boundaries.

"It felt like it came completely out of left field," he recalls.

Everybody who's a fan of Sleep Token knows the feeling of finding them where you're like, 'What the hell am I listening to? Where did this come from? Why does he sound like that? Where are the masks for?' … I went through that whole experience." [page break]

With only a few songs out in the world at that point, a series of internal discussions took place about whether it would be a better move for the band to acquire an opener who was little more well-known However, with Acord recognising the potential Sleep Token had it didn't take long before they were on the bill for their first US tour. Watching the British band play some of their earliest shows, each night Issues felt more and more certain that they'd made the right choice to take a chance on Sleep Token.

"They're doing something really interesting and really different, and rock absolutely needs that," Skyler nods.

"I could tell that they were going to be huge, and I wanted to be the first to take them out. I love giving a leg up to anybody doing something different, because rock is so boring. especially in America. In America, rock is the most conservative popular genre I can think of. If you stray a little too far outside of the norm, you get shut down. However, Sleep Token found a niche. A vacuum that was just dying to be filled."

"As soon as we started playing with them, I could tell that they really wanted it. The crowd would start with confusion, it would slowly develop into intrigue, and by the end of their set it was all they were talking about."

Since forming in 2012, Issues have made it their mission to change the shape of rock's future, and whilst the sound and aesthetics of their respective projects may differ — Skyler recognised a kinship between the two bands. A drive to alter the music world's perception of rock, and a passion to confuse, captivate, and involve fans, he was instantly in awe of the world they were creating.

"Vessel is the creative force behind a lot of the project, and you can tell that he is coming from the perspective of a piano player," he says.

"That was confusing at first because I was like, 'Where are these riffs coming from?' They're cool, they're simple, but they're heavy. That dude is just a sick keyboard player, and any time you hand that type of great musician a guitar, they're going to come up with something that you never would have dreamed of coming up with."

Inviting Vessel to rip piano solo in the middle of the band's 2019 track 'Get It Right" throughout the run, Skyler and his bandmates had no doubt that Sleep Token would go on to accomplish huge things. Admittedly though, they never expected them to get to where they are quite so rapidly. [page break]

"I'm a huge metal fan, and the only bands that really make a diference are the ones doing something different, and doing it well," Skyler nods.

"Every once in a while, there's a band with a lot of hype, and when you check them out, they just sound like everybody else. There's nothing that special about it when you peel back. By removing identity out of the equation and digging into the mystery of it…Sleep Token mastered it. That approach worked for basically all the bands that I love who have mattered. It worked for Ghost, it worked for Black Sabbath, and it worked for all the black metal bands loved when I was in high school."

For Lorna Shore vocalist Will Ramos, Sleep Token's success also represents a turning point for the entire metal genre. A self-proclaimed superfan of the band, he penned an impassioned essay on the band to celebrate them taking home the title of Best British Artist at the 2023 Rock Sound Awards.

In the piece, Will spoke about seeing the band perform for the first time at the Blue Ridge Rock Festival, rushing over to the stage from Lorna Shore's own 'meet and greet' elsewhere on site.

"Ten seconds into running turned around and saw Of Mice & Men's singer, Aaron Pauley, following me. We started running through this huge crowd together, and everybody was so excited I'm not the type of guy to leave a meet and greet early, but I needed to witness that set. It was an act of true love!" He laughs.

"That's where it started to set in how freaking massive Sleep Token were becoming. They're one of the biggest metal bands that I'm aware of right now, and there were so many people watching that set. They refer to their live shows as rituals, their fans are the congregation, and the stage as a place of worship. It's something that could easily seem tacky if a band did it with little consideration for the details, but they're so committed to what they do."

"Even when they post on Instagram after shows, the captions are always like, 'The ritual has been completed in Copenhagen'. They totally absorb themselves in the spiritual aspect, physically, visually, and sonically. It's a brand, and they completely own that brand. They've made it exactly what it is, and they stick to it."

"The whole experience does feel super spiritual, and they don't just give 50 per cent to the theming, it's 100 per cent. People feel the emotion, see the way they embody this ideal, and hear this incredible music — and I think thats why people are so ready to absolve themselves in this spiritual moment. Everybody has a different connection to every song because of the different things [column break] everyone goes through in life, but they get to experience all of that in a place where everybody else is feeling something too."

Speaking on his admiration of their ability to bring new fans into the heavy music world, the frontman is quick to point out that Sleep Token's genre-blurring tendencies have not only broadened their fanbase, but have also breathed new life into the scene.

"For a long time, metal bands have been putting themselves in a box," he explains.

"It's so refreshing to see the evolution of music, and bands like Sleep Token out there bringing in all these different genres. Doing that brings in a whole bunch of different people, which is so important for the metal world. Half of the time, this genre is seen as dying, but then you hear something like this. There are all these people who didn't listen to metal before listening to Sleep Token, and I love that. It feeds into this community, because people who listen to R&B are listening to this band, and they're venturing further into the genre. It's welcoming to a lot of people, which is a beautiful thing."

What Will describes is a feeling that spreads far beyond music. Bringing together music fans from worlds that once would have clashed, Sleep Token's story is the perfect example of how a movement begins.

Embracing our differences and welcoming all into a world devoid of boundaries and specifications, behind the mystery and the lore, Sleep Token have tapped into some of the most vital, vulnerable parts of our human need for connection. Each note speaking to each person in a uniquely different way, their ability to unite has positioned them as one of the most important bands of this generation, and somehow it still feels as though this is just the beginning.

Reaching heights that most bands work for decades to hit, there is simply no other story quite like Sleep Token's. Each release taking a step forward, a deeper dive into their evolving, immersive sound, they continue to push the boundaries of not only what heavy music can be — but what it should be.

An invitation to feel, to come together, and be a part of something, they've given us a front-row seat to one of the most explosive musical phenomena of our time. Swerving all expectations pushed by the industry, their rise has become a reminder of why music matters. Inspiring a new generation of heavy music artists to strive for something bigger, Sleep Token are proof that with enough belief and commitment in a cause, there are truly no limitations on what you can achieve.

[louisupdates]

MUSIC-NEWS

10 May 2023

We're excited to announce that Louis Tomlinson’s feature-length documentary film All Of Those Voices will be making its global streaming premiere on Saturday, May 13, 2023.

The exclusive screening event featuring a new exclusive cut of the film with never-before-seen footage and pre-show red carpet event will kick off at 6:00 p.m. PT with live red carpet coverage from LA’s historic Ford Amphitheater in the heart of Hollywood, capturing all the action, followed by a live in-depth interview with Louis and Director Charlie Lightening. Fans who purchase a ticket to the stream in advance will have the chance to submit their question for Louis, with selected questions being answered live on air. Tickets for the stream can be purchased at for $17.99.

All Of Those Voices enjoyed a highly successful run in global theaters during its limited release in March 2023, reaching over 60 countries and with over 500,000 fans heading to cinemas. This stream marks the first time the movie will be available to a global audience and the first instance of a live red carpet and Q+A streaming event open for Tomlinson’s fans to connect with the artist and experience the excitement and energy that comes with a premiere of this size. The show will also be available for rewatches for 48 hours following the premiere event on the 13th.

All Of Those Voices’ global streaming premiere will also mark Louis’ third time partnering with Veeps. In 2021, Louis was listed in the Guinness Book Of World Records for breaking the record for the most live-streamed concert by a solo male artist. Louis hosted one of the biggest live-stream concert events ever held, selling over 160,000 tickets to fans in over 110 countries, raising funds for several important charities, and touring crew affected by the pandemic.

All Of Those Voices explores Louis’ journey from a One Direction member to a solo artist, capturing the challenges and triumphs that defined his path. It's a story about the power of self-discovery and the courage it takes to be true to oneself.

[frank-olivier]

Barry Eisler (The Commonwealth Club of California)

Investigative journalist and bestselling author Annie Jacobsen delves into the U.S. government's decades-long investigation into mental powers and phenomena. Jacobsen reveals how the U.S. government has utilized ESP to locate hostages, fugitives, and secret bases, as well as to predict future threats. Drawing on declassified documents and exclusive interviews with former CIA and Defense Department scientists, analysts, and program managers, Jacobsen sheds light on these radical and controversial programs.

Annie Jacobsen: ESP and the U.S. Government (April 2017)

Debra Lynn Katz (New Thinking Allowed)

Angela Ford was a member of the U.S. Army remote viewing unit at Fort Meade, Maryland, from 1986 to 1995 - with some legendary success stories. Later, she travelled to Russia with physicist Edwin May to meet her cold war counterparts there. Here she describes how she practiced a form of channeling, i.e., automatic writing, while working in the Army's remote viewing unit. This practice was frowned upon by those who held to a strict interpretation of the proper protocols for remote viewing. However, the automatic writing led to several successful drug interdictions and other intelligence operations. She points out that the primary requirement for remote viewing, or channeling, is that the percipient be blind as to the actual target.

Angela Ford: Channeling and Remote Viewing (December 2021)

Global Meditation Podcast

An interview with remote viewer and psychic Angela Dellafiora Ford. We discuss automatic writing and her time in the Project Star Gate remote viewing program. Angela was one of the few female remote viewers in the program and the only one to use automatic writing, a process that became known in the remote viewing unit as Written Remote Viewing or WRV. In this interview Angela discusses her introduction to the psychic arts and automatic writing, her use of this approach in the remote viewing unit, and how she has continued to use this and other tools to explore and teach the psychic arts.

Angela Ford: A Deep Dive into Automatic Writing (August 2022)

Gaia

Before there was an official remote viewing program, there was Uri Geller. In 1972, he traveled to Stanford Research Institute to have his unusual abilities tested under laboratory conditions. Unbeknownst to him, many of these scientists had direct links to the CIA which had a strong interest in his ability to gather information that they could not get in any other way. During this time, he worked with prominent scientists, such as Edgar Mitchell, Russell Targ, and Ingo Swan, who would go on to establish the initial Remote Viewing project. Much of what they did is still secret, but we gain access to footage from these experiments and see, first hand, the astounding results that shaped the CIA’s belief in the paranormal.

Uri Geller at the Stanford Research Institute (November 2021)

Planet P Project - Power

Saturday, March 9, 2024

[thelastspeecher]

I posted 3,169 times in 2022

That's 150 more posts than 2021!

596 posts created (19%)

2,573 posts reblogged (81%)

Blogs I reblogged the most:

@haberdashing

@nour386

@darfichihrenhundstreicheln

@eregyrn-falls

@sequintial

I tagged 2,080 of my posts in 2022

Only 34% of my posts had no tags

#queue me in - 368 posts

#speecher speaks - 368 posts

#gravity falls - 343 posts

#video - 155 posts

#stanley pines - 138 posts

#ask - 108 posts

#response - 90 posts

#rebagel - 90 posts

#angie mcgucket - 87 posts

#my writing - 86 posts

Longest Tag: 137 characters

#(i said i wasn't gonna elaborate on this au unless people asked about it but here i am going on without another question ajklsndfnjkasfd)

My Top Posts in 2022:

#5

Accidental Abduction

             Ford was shaking.  He hated that he was visibly terrified, but he couldn’t do anything about it.  A simple trip to the crashed spaceship had turned into being captured by a reactivated security drone and shot through space until he arrived at an alien planet.

             At least the people of this planet haven’t tried to harm me yet.  The aliens who had opened the security drone seemed astonished to see him.  He could tell they were gossiping about him in their strange language, even if he couldn’t understand them.  Despite his fear, he was itching to sketch the aliens in his Journal.  They were beautiful, humanlike, but with inhuman skin, eye, and hair colors, as well as nightmarish teeth that resembled those in an anglerfish.

             A door opened into the white room he had been brought to.  Ford silently noted that it was a different door from the one he had been led through.

             “All right,” an eerily familiar voice said in English.  “Looks like you’re from the Orion-Cygnus Arm of the Milky Way, huh?”  Someone walked into the room.  Someone Ford recognized.  “Heh, I’m from around there myself.”  Ford was silent, completely astounded by the person who stood before him. The person finally looked up.  His eyes widened.  “…Stanford?”

             “Stanley,” Ford managed weakly.  His long-lost twin had long hair, glasses, and was dressed in the same odd, sci-fi clothing as the aliens, but Ford would know him anywhere. Stan stared at Ford before sighing heavily.  He walked back to the door, opened it, and stuck his head out in the hallway.

             “This one’s gonna take a while, just so you guys know.”  A voice responded in an alien tongue.  “Great.” The voice asked a question. “…Yeah.  Yeah, he’s human.”  Stan came back into the room and closed the door.  Rubbing his forehead wearily, he walked over to the table Ford was sitting in front of.  He took a seat across from Ford.  “Okay.”

             “How- how- you’re-” Ford stammered.  Stan raised an eyebrow.  “This has to be a dream.”

             “That’s what I kept telling myself when I first got abducted,” Stan muttered, shuffling through the paperwork on the table.  “Ten years later, I’m starting to think I’m awake.” Ford stared at him.  “All right, we should probably get started on this-”

             “You were abducted?” Ford blurted out.  Stan didn’t even look up.

             “Had to get here somehow.”

             “Stanley!”

             “How’d you get here?” Stan asked.  “They told me an old security drone brought you here?” Ford merely stared at him.  Stan sighed.  “Look.  I’ve got a job to do here, Stanford.  They want me to handle all the processing paperwork for you.”

             “Processing paperwork?” Ford asked.  “Do you work for the government or something?”

             “I work for the planet’s Intergalactic and Interplanetary Communications Council,” Stan said.  Ford gaped.  “I’m not usually supposed to handle new arrivals, but since I’m the only human around here, they want me to take care of you.”  Stan took a pen out of his pocket.  “So.  You were brought here by an old security drone?”

             “Uh, yes.”

             “Okay.”  Stan began to write on one of the pieces of paper.  “Why?”

             “I was exploring a crashed spaceship-”

             “How recently crashed?” Stan interrupted, still writing.

             “Decades ago, if not centuries.”

             “Yep, that lines up with the model they said the drone was,” Stan mumbled to himself.  “Why were you exploring it?”

             “Because it’s a crashed alien spaceship!”

             “That sounds about right.  Go on.”

             “Well, as I said, I was exploring a crashed spaceship with my research partner-”  Stan stopped writing.  He looked up at Ford.  “What?”

             “There was a witness?”

             “Yes?”

             “Ugh.”  Stan rubbed his eyes.  “Great. I’m gonna be here all glorping night.”

             “…Glorping?”

             “I’m not allowed to swear at home.  I gotta cuss when I can.”

             “What?  Why not?” Ford asked.  Stan grinned. He pulled a flat disk of metal out of his back pocket and placed it on the table between them.  “What is this?”  Stan pressed a button on the side.  A hologram projected from the disk.  It was of Stan, what looked to be a female alien, and two incredibly short aliens.

See the full post

78 notes - Posted January 16, 2022

#4

158 notes - Posted September 4, 2022

#3

One of the reasons I love The Mountain Goats so much is because a song will have a verse about getting a sandwich with extra mayo from Burger King and then the next verse will be the rawest fucking lines you've ever heard about wasting yourself on a relationship and being unsure if you'll ever get back what you lost

200 notes - Posted November 29, 2022

#2

I just looked up my favorite tweet of all time and realized I've been misquoting it and the actual version is even funnier

[Image description: A tweet from Bris Angel reading "what are the names of the five guys from five guys" and a replied tweet from The Mountain Goats reading "War, Pestilence, Famine, Plague, and Scooter"]

I've been quoting it as "War, Pestilence, Famine, Death, and Scooter" bc that's the four horsemen of the apocalypse plus "Scooter"

but NO it's not the four horsemen, it's two of them and then a third one TWICE since plague and pestilence are different names for the same horseman

so according to the official twitter account of my favorite band, the five guys who founded Five Guys are two horsemen of the apocalypse, the same horseman twice

and also "Scooter", who I cannot help but picture as anyone but the Muppet

326 notes - Posted July 23, 2022

My #1 post of 2022

Anyways this came to me like a vision

675 notes - Posted April 22, 2022

Get your Tumblr 2022 Year in Review →

[gobblewonkrs]

I posted 957 times in 2022

That's 824 more posts than 2021!

52 posts created (5%)

905 posts reblogged (95%)

Blogs I reblogged the most:

@dentist-brainsurgeon

@cadoized

@monzterzack

@sexygaywizard

@pnkrathian

I tagged 228 of my posts in 2022

#the depository - 42 posts

#my art - 36 posts

#artists on tumblr - 35 posts

#art - 35 posts

#digital art - 29 posts

#dhmis spoilers - 19 posts

#my oc art - 16 posts

#ramblings - 11 posts

#psychonauts 2 - 10 posts

#psychonauts - 8 posts

Longest Tag: 136 characters

#technically dallas just got his name changed back to what it was when he was. a mad//com oc. but everyone else has completely new names.

My Top Posts in 2022:

#5

Psy2versary week: "Exploration" (favorite mental world)

@psy2versary-week

OK SO. Crullers Correspondance.

I understand that this is like. A weirdly specific level to choose BUT it's all because I just. Love how the game goes about showing us everything w/ maligula and Lucy thru the eyes of the others. ESPECIALLY Ford, seeing how. Involved. He is in her story or w/e. Also. The ending of the level is just. It just kills me. Agh. plus. I just. Love the specific vibe of all the Ford levels (if it makes sense, they feel old. In like the best way possible. Like dust and the smell of books.) And crullers correspondence hits that vibe the best. Idk. I'm not good at getting words down in a way that's understandable.

65 notes - Posted August 19, 2022

#4

I had the idea for a bit now but these guys take up permanent space in my brain so I needed to make this....

66 notes - Posted November 5, 2022

#3

Also: a tiny sasha from memory. :)

80 notes - Posted June 26, 2022

#2

Just today realized I haven't drawn the psychic seven despite how much I think abt them. So. I am fixing that :)

See the full post

200 notes - Posted June 26, 2022

My #1 post of 2022

I understand he killed lark but listen. I am NOT immune to funny monkey, unfortunately. @saltydkart-reblogs

242 notes - Posted November 28, 2022

Get your Tumblr 2022 Year in Review →

[x431euinfo]

V1.42 Launch CRT5011E TPMS Tool Update

Launch CRT5011E TPMS Tire Pressure Tool 315MHz/433MHz V1.42 update, get the newest update.

V1.42 New Update Info:

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Added and optimized sensor models ●2024 BYD Song ●2024 Peugeot 508L ●2024 Ford F-Series SD DRW ●2021 Feifan Er6 ●2020 Geely EC7, 2017 SC6, 2014 SX7, 2024 TX5, 2019 Emgrand, 2012 British King Kong ●Activation and programming of some models of Roewe and MG from 2017 to 2024 Function

How to update Launch CRT5011E TPMS Tool

[carhirenews]

Ford to recall 90,736 vehicles over engine valve issue, US regulators say

(Reuters) – Ford will recall 90,736 vehicles as engine intake valves in the vehicles may break while driving, the National Highway Traffic Safety Administration (NHTSA) said on Saturday. The recall impacts certain 2021-2022 Bronco, F-150, Edge, Explorer, Lincoln Nautilus, and Lincoln Aviator vehicles equipped with either a 2.7L or 3.0L Nano EcoBoost engine, the NHTSA […] The post Ford to recall 90,736 vehicles over engine valve issue, US regulators say appeared first on CAR RENTAL NEWS. https://car-rental.news-6.com/ford-to-recall-90736-vehicles-over-engine-valve-issue-us-regulators-say/

[jcmarchi]

David Autor named the inaugural Daniel (1972) and Gail Rubinfeld Professor in Economics

New Post has been published on https://thedigitalinsider.com/david-autor-named-the-inaugural-daniel-1972-and-gail-rubinfeld-professor-in-economics/

David Autor named the inaugural Daniel (1972) and Gail Rubinfeld Professor in Economics

The Department of Economics has announced David Autor as the inaugural holder of the Daniel (1972) and Gail Rubinfeld Professorship in Economics, effective July 1. 

The endowed chair is made possible by the generosity of Daniel and Gail Rubinfeld. Daniel Rubinfeld SM ’68, PhD ’72 is the Robert L. Bridges Professor of Law and professor of economics emeritus at the University of California at Berkeley, and professor of law emeritus at New York University.

“The Rubinfeld Professorship in Economics is important for two reasons,” Rubinfeld says. “First, it allows MIT to wisely manage its resources. Second, as an economist, I believe it’s efficient for the economics department to plan for the long term, which this endowment allows.” 

MIT will use the fund to provide a full professorship for senior faculty in the Department of Economics. Faculty with research and teaching interests in the area of applied microeconomics will receive first preference.

David Autor’s scholarship explores the labor-market impacts of technological change and globalization on job polarization, skill demands, earnings levels and inequality, and electoral outcomes. He is a faculty co-director of the recently-launched MIT Shaping the Future of Work Initiative.

“I am privileged to be the inaugural holder of the Rubinfeld Professorship in Economics, honoring Daniel Rubinfeld’s illustrious career of scholarship and public service. As the Daniel (1972) and Gail Rubinfeld Professor of Economics, I aim to honor Dan Rubinfeld’s legacy by contributing in both domains,” Autor says.

Prior to Berkeley and NYU, Rubinfeld previously spent 11 years teaching at the University of Michigan at Ann Arbor.

Rubinfeld has been a fellow at the National Bureau of Economic Research, the Center for Advanced Study in the Behavioral Sciences, and the John Simon Guggenheim Memorial Foundation. Rubinfeld previously served as deputy assistant attorney general for antitrust in the U.S. Department of Justice.

Jon Gruber, department chair and Ford Professor of Economics, says the Rubinfelds’ gift illustrates two important lessons.

“The first is the ongoing power of the MIT education — Daniel’s PhD helped him to build an important career both inside and outside of academia, and this gift will help ensure others continue to benefit from this powerful experience,” says Gruber. “The second is the importance of support directly to the economics department at this time of rapidly growing costs of research.”

“Nothing ensures the future strength of an academic department as much as endowed professorships,” adds Agustin Rayo, the Kenan Sahin Dean of the MIT School of Humanities, Arts, and Social Sciences. “This seminal gift by Gail and Daniel Rubinfeld will have a lasting impact on the success of MIT economics for decades to come. We are deeply grateful for their generous investment in the department.”

Autor has received numerous awards for both his scholarship — the National Science Foundation CAREER Award, an Alfred P. Sloan Foundation Fellowship, the Sherwin Rosen Prize for outstanding contributions to the field of Labor Economics, the Andrew Carnegie Fellowship in 2019, the Society for Progress Medal in 2021— and for his teaching, including the MIT MacVicar Faculty Fellowship. 

In 2020, Autor received the Heinz 25th Anniversary Special Recognition Award from the Heinz Family Foundation for his work “transforming our understanding of how globalization and technological change are impacting jobs and earning prospects for American workers.” 

In 2023, Autor was recognized as one of two NOMIS Distinguished Scientists.

Autor earned a BA in psychology from Tufts University in 1989 and a PhD in public policy from Harvard University’s Kennedy School of Government in 1999.

[vijukumar]

The Automobile Market: Trends, Players, and Growth Outlook

The global automobile market is a vast and dynamic industry, encompassing a wide range of vehicle types, from passenger cars to commercial vehicles, and catering to diverse consumer preferences. This report provides an in-depth analysis of the automobile market, including market size, share, growth, trends, key players, challenges, and future outlook.

Market Size, Share, and Growth

The global automobile market is significant, with millions of vehicles produced and sold annually. According to industry data, the global automobile production reached approximately 80.1 million units in 2021, reflecting a recovery from the COVID-19 pandemic's impact on the industry.

In terms of market share, the passenger vehicle segment accounts for the largest portion of the global automobile market, with a share of approximately 74% in 2021. The commercial vehicle segment, including light, medium, and heavy-duty vehicles, holds the remaining 26% market share.

The automobile market is expected to experience steady growth in the coming years, driven by increasing urbanization, rising disposable incomes, and evolving consumer preferences. The global automobile market is projected to grow at a compound annual growth rate (CAGR) of around 4% during the forecast period of 2022-2028, reaching a market value of over $3.5 trillion by 2028.

Market Trends

Several key trends are shaping the automobile market:

Electrification: The transition towards electric vehicles (EVs) is gaining momentum, driven by environmental concerns, government incentives, and technological advancements. Major automakers are investing heavily in EV production and expanding their electric vehicle portfolios.

Autonomous and Connected Vehicles: The development of autonomous and connected vehicle technologies is transforming the automotive industry. Companies are investing in advanced driver assistance systems (ADAS), vehicle-to-vehicle (V2V) communication, and self-driving capabilities to enhance safety, efficiency, and convenience.

Ride-sharing and Mobility Services: The rise of ride-sharing services and mobility solutions is reshaping consumer preferences and urban transportation dynamics. This trend is prompting automakers to explore new business models and revenue streams beyond traditional vehicle sales.

Connectivity and In-vehicle Infotainment: Advanced infotainment systems, seamless connectivity, and digital services are becoming increasingly important in modern vehicles. Automakers are integrating cutting-edge technologies to provide enhanced user experiences and cater to tech-savvy consumers.

Lightweight Materials and Fuel Efficiency: To meet stricter emission regulations and improve fuel efficiency, automakers are exploring the use of lightweight materials, such as aluminum, carbon fiber, and advanced composites, in vehicle construction.

Market Players and Market Share

The global automobile market is highly competitive, with numerous players vying for market share. Here are some of the key players and their respective market shares:

Toyota Motor Corporation: Toyota is one of the largest automakers in the world, with a global market share of approximately 12.6% in 2021. The company is known for its diverse vehicle lineup, including popular models like the Toyota Corolla, RAV4, and Camry.

Volkswagen AG: The German automaker Volkswagen held a market share of around 11.9% in 2021. Volkswagen is a major player in both the passenger and commercial vehicle segments, with brands like Volkswagen, Audi, Porsche, and Škoda under its umbrella.

Ford Motor Company: Ford, a leading American automaker, secured a market share of approximately 6.2% in 2021. The company is known for its popular F-Series pickup trucks, as well as models like the Mustang, Explorer, and Escape.

General Motors Company: Another prominent American automaker, General Motors, held a market share of around 6.1% in 2021. The company's portfolio includes brands like Chevrolet, Buick, GMC, and Cadillac.

Honda Motor Company: Honda, a Japanese automaker known for its reliable and fuel-efficient vehicles, captured a market share of approximately 5.4% in 2021. Popular models include the Civic, Accord, and CR-V.

Hyundai Motor Company and Kia Corporation: These two South Korean automakers, part of the Hyundai Motor Group, collectively held a market share of around 6.4% in 2021. Hyundai and Kia offer a range of passenger and commercial vehicles, including popular models like the Hyundai Sonata, Kia Shortage, and Kia Soul.

Market Challenges

While the automobile market presents significant opportunities, it also faces several challenges:

Supply Chain Disruptions: The COVID-19 pandemic and other global events have highlighted the vulnerabilities of automotive supply chains. Shortages of critical components, such as semiconductors, have impacted production and caused delivery delays.

Regulatory Compliance: Automakers must navigate a complex web of regulations related to emissions, safety standards, and environmental requirements across different markets, adding to operational costs and complexity.

Intense Competition: The automobile market is highly competitive, with established players and new entrants vying for market share. Automakers must continuously innovate and differentiate their offerings to stay ahead of the competition.

Technological Disruption: The rapid pace of technological change, including the development of autonomous driving, connected vehicles, and alternative powertrains, requires significant investments and adaptability from automakers.

Changing Consumer Preferences: Evolving consumer preferences, such as the shift towards shared mobility, sustainability, and connected experiences, are forcing automakers to rethink their product offerings and business models.

Conclusion

The global automobile market is poised for continued growth, driven by rising consumer demand, urbanization, and technological advancements. However, the industry faces significant challenges, including supply chain disruptions, regulatory compliance, intense competition, and the need to adapt to rapidly evolving consumer preferences and technological disruptions.

Automakers that can successfully navigate these challenges and capitalize on emerging trends, such as electrification, autonomous driving, and connected vehicles, will be well-positioned for long-term success. Investing in research and development, fostering innovation, and adopting agile business models will be crucial for thriving in this dynamic market. As the industry continues to evolve, collaborations, strategic partnerships, and cross-industry collaborations are expected to play a pivotal role in driving innovation and shaping the future of mobility. Companies that can effectively leverage these opportunities and deliver compelling products and services tailored to the evolving needs of consumers are likely to emerge as leaders in the highly competitive global automobile market.

[vividracing]

New Post has been published on https://www.vividracing.com/blog/the-best-subwoofer-for-the-ford-bronco/

The Best Subwoofer for the Ford Bronco

Get ready for another breakthrough from SSV Works! Introducing their latest innovation: a direct-fit subwoofer enclosure designed specifically for 2021-2024 Ford Broncos. This new subwoofer enclosure seamlessly integrates with factory mounting locations, ensuring a hassle-free installation process that can be done by any owner with everyday tools. Elevate your Bronco adventures with the best subwoofer upgrade!

Product Highlights

Seamless Integration The SSV Works subwoofer enclosure is engineered to fit perfectly into the 2021-2024 Ford Bronco, utilizing factory mounting locations. This means no modifications are required, making installation straightforward and stress-free.

Enhanced Audio Experience Enhance your Bronco’s audio with the all-new SSV Works 10″ sub enclosure. When paired with our Bronco rear speaker 6.5″ upgrade, you get a complete audio experience that transforms your drive with rich, deep bass.

High-Quality Construction Featuring a new rotomolded design, the 10″ subwoofer enclosure is built to last. It’s lightweight yet robust, ensuring durability without adding unnecessary weight to your vehicle.

Powerful Performance The subwoofer boasts an impressive 1000-watt (500w RMS) power rating, delivering powerful bass that enhances your music experience. Whether you’re on the road or off the beaten path, the SSV Works subwoofer ensures your soundtrack is always on point.

Specifications

Model: BR-DS10V (Loaded)

Price: $599.99

Subwoofer: 10″ 1000 watt (500w RMS) 20hm

Weight: 26.35 lbs

Size: 33″ x 18″ x 10.5″

Model: BR-DS1OU (Unloaded)

Price: $399.99

Includes: Brackets, hardware, and harness

Weight: 16.55 lbs

Size: 33″ x 18″ x 10.5″

Why Upgrade?

For Ford Bronco owners who crave a superior audio experience, the SSV Works subwoofer enclosure is a game-changer. It provides deep, rich bass that enhances your music, making every drive more enjoyable. With its easy installation, high-quality construction, and powerful performance, this subwoofer is the perfect addition to your Bronco’s audio system.

Upgrade your Bronco with the new SSV Works subwoofer enclosure and transform your driving experience. Whether you’re cruising through the city or exploring the great outdoors, let your music move you with the power of SSV Works.

Vivid Racing also offers a full line of SSV Works speaker upgrades for the Ford Bronco. Many of these options come with free shipping, which is a plus!

Let us help!

As always, if you have any questions regarding upgrades for your vehicle or this sub woofer for the Bronco specifically, we are enthusiasts who genuinely believe in supplying fellow enthusiasts with the best mods to meet your needs! Vivid Racing has almost 12,000 5-star reviews and a 4.6/5 review on Google to prove it. 😏 Vivid Racing has been a major supplier for Bronco owners since it’s 2021 release and is shipping out hundreds of upgrades daily! You can chat with us – HERE (Live Chat). We’ll get back to you like, spooky fast. Reach out to us at sales@vividracing.com or give us a call at (480) 966-3040 📞 and we’ll be happy to help with your questions or be a shoulder to cry on.

[dyms125]

Week 10: Digital Citizenship and Conflict: Social Media Governance

In the digital age, the concept of digital citizenship has expanded to encompass not only rights and responsibilities but also the management of conflicts arising in online spaces, particularly on social media platforms. As social media continues to play a central role in public discourse and communication, addressing conflicts that arise within these spaces has become imperative. This essay explores the intersection of digital citizenship and conflict resolution on social media, drawing upon academic literature to analyze the challenges and potential strategies for effective governance.

Digital citizenship entails navigating the digital landscape with awareness, ethics, and responsibility. However, conflicts often arise in online spaces due to factors such as misinformation, cyberbullying, hate speech, and online harassment. These conflicts can escalate rapidly, leading to polarization, divisiveness, and harm to individuals and communities. According to Jenkins et al. (2016), the participatory nature of social media platforms has democratized communication but also facilitated the spread of misinformation and facilitated the amplification of conflicts.

Effective governance of social media platforms is essential for promoting digital citizenship and mitigating conflicts. Social media companies play a pivotal role in setting and enforcing community standards, content moderation policies, and mechanisms for dispute resolution. However, the implementation of these policies is often complex and fraught with challenges. Research by Roberts et al. (2020) highlights the tension between freedom of expression and the need to combat harmful content, emphasizing the importance of transparent and consistent moderation practices.

Moreover, the involvement of users in conflict resolution processes is crucial for fostering a sense of ownership and accountability within online communities. Participatory approaches, such as crowdsourced moderation and community-driven content moderation, empower users to flag and report inappropriate content, thereby contributing to a safer and more inclusive online environment. However, these approaches also raise concerns about bias, censorship, and the abuse of reporting mechanisms (Harrison & Barthel, 2020).

In addition to platform-level governance, collaboration between social media companies, policymakers, civil society organizations, and researchers is essential for addressing systemic issues and promoting responsible digital citizenship. Multistakeholder initiatives, such as the Global Network Initiative and the Santa Clara Principles, advocate for human rights-based approaches to content moderation and transparency in platform governance (Dencik & Cable, 2021).

In conclusion, effective governance of social media platforms is critical for managing conflicts and promoting digital citizenship in the digital age. By adopting transparent, participatory, and rights-based approaches to content moderation and dispute resolution, social media companies can foster safer, more inclusive online spaces. However, addressing the complex challenges of online conflict requires collaboration and coordination among various stakeholders to uphold democratic values and protect users' rights.

References:

Dencik, L., & Cable, J. (2021). Platform Governance and Human Rights: Assessing the Role of Internet Intermediaries in Public Policy. The International Journal of Communication Ethics, 18(1), 1-19.

Harrison, A., & Barthel, B. (2020). Examining social media moderation practices in response to online harassment: Comparing corporate versus community approaches. Social Media + Society, 6(4), 1-13.

Jenkins, H., Ford, S., & Green, J. (2016). Spreadable media: Creating value and meaning in a networked culture. NYU Press.

Roberts, S. T., & Noble, S. U. (2020). Race After Technology: Abolitionist Tools for the New Jim Code. John Wiley & Sons.

[aimsoffroad]

Conquering the Wild: Exploring the Off-Road Wonders of the Ford Bronco

Introduction

In the realm of off-road adventure, few vehicles evoke the spirit of exploration and rugged terrain like the Off Road Ford Bronco. A legendary nameplate with a storied history, the Bronco has returned to the scene, reinvigorated and ready to tackle the toughest trails with its latest iteration. In this blog, we’ll delve into the off-road capabilities of the Ford Bronco, highlighting its features, performance, and why it stands out as a formidable contender in the world of off-road vehicles.

A Legacy of Adventure

First introduced in 1966, the Ford Bronco quickly gained a reputation for its durability and off-road prowess. Over the years, it became an icon, synonymous with exploration and adventure. Whether navigating through rugged wilderness or conquering rocky terrain, the Bronco proved its mettle time and again, earning the admiration of off-road enthusiasts around the globe.

The Return of a Legend

After a hiatus of several years, the Ford Bronco off Road made its highly anticipated comeback in 2021, much to the delight of fans and enthusiasts. The latest iteration stays true to its roots while incorporating modern technology and engineering advancements, making it better equipped than ever to handle the demands of off-road exploration.

Off-Road Capability

The off-road capabilities of the Ford Bronco are truly impressive, thanks to a combination of innovative features and robust design. Here are some key highlights:

G.O.A.T. Modes: The Bronco offers a selection of Terrain Management System (TMS) modes, known as G.O.A.T. (Goes Over Any Type of Terrain), which allows drivers to optimize performance based on various off-road conditions. Modes include Normal, Eco, Sport, Slippery, Sand, Baja, Mud/Ruts, and Rock Crawl, ensuring maximum traction and control in any environment.

Advanced 4x4 Systems: With available advanced 4x4 systems, including a two-speed electromechanical transfer case, the Off Road Ford Bronco delivers exceptional off-road capability. Features like electronic locking differentials and sway bar disconnect enhance traction and maneuverability, allowing drivers to navigate challenging terrain with confidence.

Ground Clearance and Approach/Departure Angles: The Bronco boasts impressive ground clearance and approach/departure angles, enabling it to traverse obstacles with ease. Whether climbing over rocks or fording through streams, its high clearance and optimized angles ensure minimal risk of getting stuck or damaged.

Durability and Protection: Built with a rugged, body-on-frame construction, the Bronco is designed to withstand the rigors of off-road driving. Features such as skid plates, rock rails, and heavy-duty suspension components provide added protection against obstacles and debris, enhancing the vehicle’s durability in rough terrain.

The Joy of Off-Road Exploration

Owning a Off- Road Ford Bronco is not just about driving from point A to point B — it’s about embarking on epic off-road adventures and forging unforgettable memories along the way. Whether you’re exploring remote trails, tackling challenging terrain, or simply enjoying the great outdoors, the Bronco offers an unmatched driving experience that’s sure to ignite your sense of adventure.

Conclusion

In a world where off-road enthusiasts demand vehicles that can push the boundaries of exploration, the Ford Bronco stands tall as a beacon of rugged capability and adventure. With its legendary heritage, modern features, and uncompromising off-road prowess, the Bronco continues to inspire a new generation of adventurers to seek out the road less traveled and embrace the thrill of off-road exploration. So, gear up, buckle in, and get ready to conquer the wild with the Ford Bronco by your side.

[harangwook]

Week 5 - What is Digital Citizenship? Hashtag Publics, Political Engagement and Activism

Digital citizenship is a concept that encompasses the abilities and expertise to use digital technology for positive social participation, communication, content creation, and consumption. With the rise of social media and communication platforms, individuals now have the opportunity to engage in public discourse and share their thoughts on various issues (Choi & Cristol 2021, p. 362). This phenomenon, known as platformization, has transformed how people interact, engage, and consume content in the digital world (Vromen 2017).

Platformization refers to the dominance of digital platforms in different aspects of our lives, including social interaction, commerce, and communication. Major platforms like social media networks, e-commerce websites, and online service providers have reshaped the way we communicate and engage with society. This shift has also brought about significant challenges related to data privacy, market dynamics, and regulatory frameworks (Helmond 2015).

Through the power of hashtags and social media platforms, individuals can connect with others worldwide, raising awareness about important events or issues. Hashtags have become a symbol of public debate and political engagement on platforms like Twitter. They serve as a rallying point for communities to come together and discuss topics of interest, such as #blacklivesmatter and #feminism (Edwards et al. 2021).

The impact of digital citizenship and platformization on politics is evident, as seen in the 2016 US election. Social media played a crucial role in reaching younger voters and conveying campaign messaging. Political parties now prioritize authenticity, recognizing the influence of social media on public opinion. The emergence of digital citizenship has altered the way we engage with politics, allowing politicians to utilize digital platforms to their advantage (Enli 2017).

While platformization has brought numerous benefits, the platform economy has a darker side. Big tech platforms often dominate markets, controlling platform producers and owners. This can create challenges for smaller players relying on larger platforms for distribution and user access. For instance, in the music streaming market, Spotify competes with Apple Music but has to navigate Apple's App Store, which gives Apple a competitive edge.

References

Choi, M & Cristol, D 2021, ‘Digital Citizenship with Intersectionality Lens: Towards Participatory Democracy Driven Digital Citizenship Education’, Theory Into Practice, vol. 60, no. 4.

Edwards, E, Ford, S, Gajjala, R, Murray, PR & Bhatia, KV 2021, ‘Shaheen Bagh: Making sense of (re)emerging “Subaltern” feminist political subjectivities in hashtag publics through critical, feminist interventions’, New Media & Society, vol. 26, no. 1, pp. 3–165.

Enli, G 2017, ‘Twitter as arena for the authentic outsider: exploring the social media campaigns of Trump and Clinton in the 2016 US presidential election’, European Journal of Communication, vol. 32, no. 1, pp. 50–61.

Helmond, A 2015, ‘The Platformization of the Web: Making Web Data Platform Ready’, Social Media + Society, vol. 1, no. 2, pp. 1–11.

Vromen, A 2017, Digital Citizenship and Political Engagement, Palgrave Macmillan UK, London.

#mda20009

[ear-worthy]

Ford CEO To Release Second Season Of His Podcast "Drive"

What does it say about podcasting that the CEO of a corporation ranked 19th in the Fortune 500 and brings in more than $160 billion in revenue annually has his own podcast?

It says that podcasting is a legitimate media force. Kudos to Ford CEO Jim Farley for using podcasting as a valuable tool.

Usually, CEOs are meglomanical, greedy, and power-hungry. Submitted as evidence -- Linda Yaccarino X/Twitter; Mark Zuckerberg Meta; Michael Tipscord State Farm; Elon Musk Tesla; and any recent CEO of Boeing.

When Spotify first approached Ford in 2021 about the idea of launching a series with a business leader, Farley didn't like the idea. He said he didn't want to be that boring business leader guy.

So he took a whole different approach, talking about life and car memories rather than business tips.

The pilot project, recorded between the fall of 2021 and spring of 2022, aired exclusively on Spotify. Season 1 routinely ranked in Spotify's Top 50 Business podcasts, reaching as high as the Top 10 out of 996 shows, Ford spokesman Dan Barbossa told the Detroit Free Press. That was part of the inspiration for Farley continuing the project, because it's finding an audience, Barbossa said.

The top three most listened to episodes (in order) featured football legend Tom Brady, actor Dax Shepard and late-show host Jimmy Kimmel.

So, Jim Farley is bringing back his "Drive" podcast for a new season.

Farley has a fresh lineup of weekly guests, starting with Dr. Sanjay Gupta, CNN correspondent and son of the first female engineer at Ford Motor Co. The first episode, which debuts Jan. 10, will be available on Spotify, Apple and YouTube. Upcoming guests include singer Kelly Clarkson and late-night host Jimmy Fallon.

The full lineup has not been released because Farley is still taping, according to The Detroit Free Press.

"Cars say a lot about who we are," Farley said in his Season 2 teaser. "They kind of represent what you stand for, whether you're explicit about it or whether it's a bit of a secret. This season on Drive, I'm going to talk to all sorts of different people."

When Farley talked to Gupta about what it was like growing up in Michigan, he tells how his parents met after his mother's car broke down.

"My friends would go to my parents for dating advice when I was growing up," Gupta said in the podcast. "When you have a mom like my mom, there's nothing that you don't potentially strive for, I guess. It doesn't mean you get everything. Don't, don't get me wrong. But why wouldn't you do that? Try that. Yeah, just go for it. Why not? You know, that was always her sort of approach. And so the brakes were off ..."

When Farley talked to Clarkson, she talks about struggling to buy her first car and why it was important.

"You know, my first car I ever bought for myself was a Ford Explorer Sport. And I felt like, I mean, it was way too much for me to be buying. It's my first car, but I did it all by myself. And, um, I had like three jobs," she said. "It ... just represented freedom and opportunity."

Season 1 was exclusive to Spotify and Season 2 will now be available across all podcast platforms. This move expands the listener reach, Barbossa said.

Kudos to Farley for his vision. Now, we have to get the other 499 Fortune 500 CEOs to stop focusing on stock buybacks, quarterly profit projections, and indiscriminate cost-cutting to do some good in the world. They could start with an entertaining and informative podcast.