#never recovering from their relationship

[apocalyptichearts]

May is Daisy’s mom in every way that counts.

[rocketbirdie]

so close yet so far

[sukibenders]

When other Yellowjackets fans, majority who are poc themselves, talk about how weird and frustrating it is that the writers introduced a random yte character and gave them a storyline when there were two (technically three but they killed off Lottie even when there was an opportunity for more) woc, who have been around since s1, that could've fit the mold instead (like Mari) and have actual personalities outside of building up/being the lapdog for another character. Or how often times many of the, limited, poc characters are often either treated poorly and killed off, or pushed to the side (Simone, reduced to the disposable black girlfriend trope and is nearly killed by her partner because she's in the way of a ship; Travis, since s1, had his trauma dismissed or ignored and was overly hated but no one talks about how he was SA'd by the girls he's now stuck with on top of having to eat his brother and not be able to grieve over it). How Taissa's whole storyline is just revolving around Van even with all the potential, especially given she's fighting to be free from her own mind, how Lottie's mental illness is treated so poorly as if it's not the butt of a joke then it's met with heavy criticism (and the only time she is met with sympathy for it, it's through the lens of a yte character embodying her and having an emotional conversation with her father). How you can have all of these reasons (and more) for being annoyed by Melissa's character or the direction of the show, and be met with #those fans downplaying these concerns, or just being overly antagonistic just because they find yte character #243 entertaining so obviously these conversations don't have merit. But this fandom has always had an...."interesting" way in which it discussed the poc characters on the show, so I'm not surprised.

[curseofdelos]

mentally I'm still here:

Nico insisting that neither of them are going to be sacrificed/left behind to satisfy the prophecy is a perfect encapsulation of his growth over the series and it makes me SO soft to think about

Nico as a character - particularly in BoO - doesn't have a lot of self-preservation. He doesn't really care what happens to him as long as the mission gets done. We see this most explicitly after he almost fades into nothingness after the Bryce Lawrence incident:

And again when he considers shadow travelling into Octavian's tent to assassinate him:

(Nico himself notes here that it was unlikely he would survive another jump. If Will hadn't stopped him, he probably would have died.)

In both cases, Nico was willing to risk death for the sake of ending the war. He puts very little value on his own life, and repeatedly argues to Reyna, Hedge, and Will that the possibility of saving camp (a place he never felt welcome at, might I add) is worth the risk of losing his life.

Even before Nico went on the quest with Reyna and Hedge, the others were concerned about his safety. Percy tried to remind him how unpredictable his shadow travelling could be, and Hazel notes that he has been acting strangely lately:

It's not quite clear what Hazel is worried about here, but my interpretation of this scene is that she's concerned that Nico isn't thinking - or perhaps, isn't caring - about what effect the constant shadow travelling will have on his wellbeing. Between Tartarus, the jar, and the Cupid incident, Nico's mental state is at its worst at this point in the series, and I think Hazel is worried he'll do something reckless - something he can't come back from.

And so in TSATS, when Nico is told that he's going to have to leave something of equal value behind in order to save Bob, the old him would have had zero issue sacrificing himself if that's what it took to ensure Will and Bob's survival. This version of Nico, who's been going to therapy w/ Mr D and opening up more and built a little support system for himself, can't fathom it.

Nico in BoO did not have a future. He had fully convinced himself that nobody cared about him or would miss him if he was gone - not Percy who fought for him at every turn in PJO, not his sister Hazel, not his new friends Jason and Reyna. He was ready to leave both camps behind because he couldn't see himself ever being happy there. He couldn't see himself being happy at all.

But now, in TSATS, he has a boyfriend that he loves, he has friends that he loves, and he has a community in Camp Half-Blood. He has experienced so much loss that losing someone else is his worst fear. The old Nico would have considered sacrificing himself to protect Will and Bob. At the very least, he would have kept that option in his back pocket as a 'just in case'; he wouldn't have sworn on the Styx that he wouldn't stay behind.

This Nico, however, is doing much better - not perfect, but better. He loves Will, and he wants a life with him, and he's not willing to give that up for anything. Nico has hope for the future, and he's clinging to that hope with everything he has. He sees a light at the end of the tunnel, and he wants to reach it. He's not willing to sacrifice himself because it means losing that future.

Gone is the cynical pessimistic Nico who assumes the worst because the worst is all he thinks he can have. Here is the Nico who has had a taste of happiness and is willing to fight to keep it. He's not going to sacrifice himself because he wants to live. He's not just fighting for Will here; he's fighting for himself too.

And seeing him go from "if it kills me, it kills me" to "it's not going to be me" makes me so ASDFGHJKL

[theglowingeyeballz]

Jonmartin everyone

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[scarlet-herring]

as someone who’s never liked timsteph i find it so funny that i just accidentally talked myself into a revrob au of them. revrob au where war games happens, steph (~15) gets captured & tortured, except this time tim (~16) comes in to try & help but due to [unforeseen circumstances] no one comes as backup, and they’re both tortured, leading to steph’s red hood era via being resurrected somehow by arthur brown and tim’s oracle era brought on via complications due to torture.

tim’s the one person steph won’t target, and steph’s the one person tim can’t really get angry with about killing, because they get it.

[kybelles]

damen & kastor

captive prince by c.s pacat // a brother named gethsemane by natalie diaz // succession 4x10, kendall hugging roman until his stiches open up // jewish literacy by rabbi joseph telushkin // kings rising by c.s pacat

[littlebigmouse]

Something about AU Vander telling AU Powder she's "too smart to spend her life in a bar" vs telling AU Ekko (as far as he knows, anyway) that he thinks he'd be "running this place soon" makes the latter almost seem like an insult.

[hibernating-stag]

Sometimes you hear a statement from someone you once trusted that throws you in a way that you can't ever come back from, they'll say something that will nag at your core whenever you see them no matter how much time passes. You can still love them, but they're different in your eyes, you can't see them like you used to ever again.

That's what happened when I was learning how to cook and I needed ingredients and when I told my mother what I needed said "Garlic and onion powder? That's ridiculous, they're both just salt anyway :/."

[getinthefuckingcarkitten]

I don't have much energy for more than throwing random ideas in a pot but many thoughts about Robin and Wren and what has made their relationship so fraught

[oh-no-its-bird]

Twirling my hair kicking my feet giggling happily as I look at the bookmarks on One Step Three Steps only to see someone's tagged it as "self insert" and letting out an ungodly scream of pure agony that can be heard from all corners of the globe

[ourladyofsxrrows]

pretty twisted (??) headcanon: in an attempt to fully bring livvy back, ty has to sacrifice another person’s life (yk a life for a life for restoring the balance)

the catch? the only life the universe is accepting is kits one

[officialgleamstar]

Okay I should turn in early because I had a full day but. Covers my face. I’m in such a genuinely lovely relationship and I feel like I’ve not been in a place the past year to fully appreciate that. Like I’m so happy. I’m so happy and it’s the longest relationship I’ve ever been in and even though a lot of people in my life don’t understand it, it works so well for me. I want to listen to my partner talk about their TTRPG campaigns forever. And I want to hug my metamour every day. And I want to laugh at them ruthlessly making fun of me and I want my lips to always be weirdly moist because of their lip balm and I want to constantly smell like their perfume because my partner and their fiancé share the same scents so it gets all over me. I want to struggle to cram three people into every bed and sofa I can find. I’m so lucky. Waaauhgjfhfjfh

[edupiii]

SHES BEING BANISHED TO THE SHADOW REALM OH MY GOD

[rigginsstreet]

Well I think it’s interesting what the writers did for Street in that moment was let you know that Street was aware of much more around him than maybe you thought at first, and that’s what made him, I think, maybe a great leader. His friendship with Riggins, if you’re just looking at it from the outside you’re like “What is it about- why are these two guys-“ But Street knows something about Riggins that I feel like not everyone else knows, and he sees good in everybody. - But yeah, for me it’s like, the most interesting thing about this episode was watching everybody and how they dealt with grief. Riggins not being able to show up and visit his best friend, and why is that? Like, when there’s a drastic life change for one of your best friends why do we shy away- And that really starts to affect Street, you can tell. He’s like “Did Riggins sign it?” ‘Cause Riggins hasn’t been there yet. And Lyla brings it up later- Minka and Riggins, which is maybe the seed of something as well, that we’ll uncover more about, but you see their relationship and what that really is and how it hinges around Jason. -Scott Porter IT’S NOT ONLY FOOTBALL: FRIDAY NIGHT LIGHTS AND BEYOND