#nationalmuseet
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I saw this painting in the museum a few days ago and with all my access to the internet and nakey adult content I was just stopped in my tracks by her. Can you imagine what this must've done to people in the 1640s.
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Hey National Museum of Denmark, I fixed ur sign, how about writing how you got all.your First Nations stuff, and also which tribes they're from? Thx
#the archive hobgoblin#the admiral's homebrew#the admiral's outings#museology#nationalmuseet#national museum of denmark#colonialism
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13 September 2024
#Denmark#Brazil#President Luiz Lula da Silva#Sonia Guajajara#Tupinamba cloak#sacred cloak#Rio de Janeiro#scarlet ibis bird#Tupinamba#indigenous people#artefacts#history#culture#museum#Nationalmuseet#National Museum#ceremonial cape
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Rings from the National Museum of Denmark
#national museum of Denmark#nationalmuseet#Copenhagen#rings#details#style#medeival#medieval style#Viking style#vikings#kobenhavn#miathology
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Photo
Dont do that
Uroksen by night by Nationalmuseet on Flickr.
Aurochs skeleton
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Evening Dress
c. 1916
made by Daverkosen’s master tailor Børre-Lorenzen for his daughters wedding
Nationalmuseet
#1910s#historical fashion#fashion history#history of fashion#dress history#vintage fashion#vintage dress#historical clothing#frostedmagnolias#whimsical#purple
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Danish Royal Family - The Queen attends the Specialists’ 20th anniversary at Nationalmuseet Københavb (Photo by Jesper Sunesen) | April 09, 2024
#royaltyedit#theroyalsandi#queen mary#queen mary of denmark#queen of denmark#queen consort of denmark#danish royal family#my edit
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(!) For educational purposes only.
Source: Nationalmuseet. Film: Omkring Danmarks Befrielse (41:40).
After the German forces in Denmark surrendered to the Allies, Dr. Best sought the Freedom Council’s protection. Here he’s guarded by resistance fighters as he leaves Dagmarhus. May 5, 1945.
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‘A Beacon of Hope’: Indigenous People Reunited With Sacred Cloak In Brazil
Denmark Sends 300-Year-Old Feathered Cloak Considered An Ancestor By Tupinambá de Olivença to Rio
— Tiago Rogero | Rio de Janeiro, Brazil 🇧🇷 | Thursday 12 September 2024
The Cloak will be Publicly Unveiled at a Ceremony on Thursday. Photograph: Niels Erik Jehrbo/Nationalmuseet
The scene resembled a funeral: seven Indigenous people, overcome with tears, gathered around a loved one resting in a coffin-like wooden box. Instead of grief, however, it was a moment of celebration: the long-awaited reunion between the Tupinambá de Olivença people and a sacred feathered cloak that was taken from Brazil at least 335 years ago.
The relic – which the Indigenous people consider not as an object but as an ancestor – had been at Denmark’s National Museum until July, when it was sent to Rio de Janeiro.
Chief Jamopoty and six other Representatives of the Tupinambá de Olivença people reunited for the first time with the cloak taken from Brazil at least 335 years ago. Photograph: Tiago Rogero/The Guardian
It will be publicly unveiled at a ceremony at Brazil’s National Museum on Thursday attended by President Luiz Inácio Lula da Silva. But the first private encounter between the Tupinambá of Olivença and the cloak took place on Sunday, in an intimate moment witnessed by the Guardian.
The reunion had been eagerly anticipated: after the cloak’s return to Brazil, the Indigenous group had complained that they were not initially given the chance to perform their reception rituals for the sacred relic, which they refer to in the same terms they would to a person.
“We spoke to him, and he responded,” said Cacique Maria Valdelice Amaral de Jesus, 62, known as Jamopoty Tupinambá.
About 200 Tupinambá de Olivença made the 1,250km journey from their land in Bahia to Rio de Janeiro and have been camping near the National Museum. Photograph: Tiago Rogero/The Guardian
Jamopoty said the cape had returned to resolve the numerous land disputes threatening Indigenous communities across Brazil, adding: “He said we must have our lands demarcated.”
She was joined in the temperature-controlled room by six other representatives of the Tupinambá de Olivença, who for about 20 minutes prayed and spoke to the cloak, which lay under an oxygen-free glass dome, as technicians carefully monitored the humidity.
Jamopoty’s remarks were recorded by the documentary director Carina Bini who, with the Indigenous leader’s consent, shared them with the Guardian.
“You’re lying down, but you’ll stand up. We came to visit you,” she said.
“I don’t even have words. It’s the most beautiful thing I have ever seen,” she said as tears ran down her face, which was painted with the red dye of annatto seeds.
Her partner, Averaldo Rosario Santos, told the cloak that its return was “a beacon of hope for all the Indigenous peoples that remain in this once-invaded Brazil.”
Maria Valdelice Amaral de Jesus, 62, known as Jamopoty Tupinambá. Photograph: Tiago Rogero/The Guardian
Tupinambá cloaks – typically made from thousands of scarlet ibis feathers – were used as ceremonial vestments by coastal Indigenous peoples, said Amy Buono, an assistant professor of art history at Chapman University.
“These capes probably functioned as supernatural skins, transferring the vital force from one living organism to another,” said Buono, who has studied this cloak and 10 others still in European museums in Denmark, Italy, France, Belgium and Switzerland.
“Tupinambá capes were some of the most sought-after artefacts in the early 16th century,” she said. Several Tupinambá cloaks were worn by the courtiers during a 1599 procession at the court of the Duke of Württemberg in Stuttgart.
The newly returned cloak was first inventoried by Denmark in 1689 as part of the collection of Frederick III, possibly after it was taken from Brazil by Dutch forces, which occupied the state of Pernambuco from 1630 to 1654.
“When the cloak was taken from us, it weakened our community,” said Jamopoty.
A Parade in Stuttgart at the Court of Duke Frederick I of Wurttemberg in 1599. Photograph: Album/Alamy
The Tupinambá de Olivença’s fight for the cloak’s repatriation began in 2000 when it was loaned for an exhibition in São Paulo. Jamopoty’s mother, Nivalda Amaral de Jesus, who was known as Amotara, visited the exhibit and demanded its return to Brazil.
At the time, the Tupinambá were not even officially recognised as an Indigenous people – they were even described as extinct in history books.
Under pressure from Amotara (who died in 2018) and other leaders, the Tupinambá de Olivença were finally recognised in 2001 by the Brazilian government.
Eight years later, the first step was taken towards demarcating their territory – an area of 47,000 hectares spanning three municipalities in Bahia.
Since then, however, the Brazilian government has made no further progress in mapping their territory, which has led to land grabs by cocoa farmers and tourism developers.
Indigenous Leaders Frustrated Despite Cloak’s Return to Brazil after 300 Years! Denmark returns artefact but Tupinambá leaders say they were prevented from performing the necessary rituals to receive sacred relic. Cloak is made with about 4,000 Red Feathers of the Scarlet Ibis Bird was first inventoried by Denmark in 1689, but some believe it was taken from Brazil nearly 50 years before. Photograph: Niels Erik Jehrbo/Nationalmuseet
‘We Wanted To Perform Our Rituals, With Songs and Incense Using Our Herbs … It would have been a Special Moment for Strengthening Our Identity,’ said the Chief of Tupinambá de Olivença People. Photograph: Niels Erik Jehrbo/Nationalmuseet
About 200 Tupinambá de Olivença made the 1,250km journey to Rio to receive the cloak, camping near the National Museum, which is still being rebuilt after a huge fire destroyed about 85% of its collection in 2018.
The museum’s director, Alexandre Keller, said the cloak would go on display to the public when the museum reopens in April 2026. Until then, it will be available only to researchers and Indigenous people.
There is no indication that any other Tupinambá cloak will be repatriated but Buono argued that they should all return to Brazil: “These capes were collected by Europeans to be displayed as curiosities and studied for their materials.
“But for the Tupinambá these were, and continue to be, sacred, living forces. Their presence in Brazil will be an extremely important marker of communal identity and evidence for land rights and other legal matters,” she said.
#Indigenous Peoples#Brazil 🇧🇷#Rio de Janeiro#Americas#Luiz Inácio Lula da Silva#Denmark 🇩🇰#Features#Sacred Cloak#‘A Beacon of Hope’#300-Year-Old Feathered Cloak#Ancestor | Tupinambá de Olivença | Rio#The Guardian USA 🇺🇸
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Green chemise dress with apron
Early 1800s, Napoleonic era
The cut of the chemise dress was simple. This meant that more women could sew their own dresses. The common people, who could not afford to go to a tailor, therefore had the opportunity to follow fashion to a greater extent. The green chemise dress was probably used both for everyday life and parties.
The chemise dress comes with a white apron. The white apron was probably used for parties, while the variegated one was used for everyday life.
Nationalmuseet, Denmark
#chemise#Grøn chemisekjole#dress#fashion#fashion history#history of fashion#empire style#empire waist#napoleonic#napoleonic era#empire waistline#historical fashion#dresses
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Carle Vanloo
A River God
Nationalmuseet, Stockholm
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Brooch C6605
A different colouring i did for a print. I wish i had the patience to draw these again. They are a lot of fun but take so so much time.
Object C6605 in the Danish Nationalmuseet
#viking age#norse#illustration#archaeology#iron age#denmark#brooch#borre style#bronze#penannular brooch#scandinavia#nordic#viking#artists on tumblr#digital art
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hello! Im visiting Copenhagen in January and was wondering if you have any recommendations of things to do or like cafes/stores/etc to visit?
Hi nonnie! So sorry for the delayed answer, I was down with the flu/plague/?? most of december so I've only just gotten back to my inbox.
I've tried to make a compilation of the recommendations for places to see, eat, and shop that aren't just the usual touristy stuff. I hope you enjoy your trip and the weather won't be too Copenhagen-in-January!
Where to eat (especially bakeries)
Sct. Peders Bageri – The oldest bakery in Denmark! They have a wonderful selection of traditional Danish baked goods but their seasonal varieties are also incredible.
BUKA – They have a few bakeries in town now and some of the best croissants and pastries.
Cakery Copenhagen – The best eclairs in town, hands down. Always a bunch of fun seasonal varieties and mini versions.
Bertels Salon – They do cheesecakes. And they’re amazing. They have 10+ fresh varieties every day (!) and turned me into a cheesecake lover.
La Glace – They do traditional Danish layer cakes and fancy patisseries as well as hot chocolate ad libitum. Very atmospheric and historic. A bit more expensive all in all but not insanely so.
Torvehallerne – Two large greenhouses full of delicious food and other food/drink related stores. Coffee Collective for coffee, Rørt for Danish smørrebrød, Granny’s House for pastries and Ma Poule for their famous duck sandwich.
Broens Gadekøkken – A small street food market right by the bridge across from Nyhavn. Depending on when you’re here, there’s also an ice skating rink set up during winter.
Mahalle - Lebanese fusion kitchen at affordable prices. You might want to book a table just in case.
Jagger - Burgers! Not the most hyggelige surroundings (a bit too industrial chic) but you can't argue with the food. Highly recommend the milkshakes!
What to see
Glyptoteket – Absolutely gorgeous museum. Free entrance on the last Wednesday of the month.
Thorvaldsens Museum – Also stunning, focused on statues. Free entrance all Wednesdays.
Nationalmuseet – Bog bodies! Their seasonal exhibitions are usually very good.
David’s samling – Smaller museum with free entrance. Classical European and Islamic art.
Kronborg – AKA Hamlet’s castle. Technically outside Copenhagen but you can easily take the train the whole way. I highly recommend doing one of the daily guided tours (no additional cost to the entrance fee).
Rundetårn – A fun look into the old astrology tower with a lovely view of the city. The majority of the inside is one big ramp with some narrow stairs at the end so keep that in mind if you have trouble walking.
Assistentens Kirkegård digital guided tour – If the weather is with you, you can go for a digitally guided tour in the old graveyard, located in a park in the middle of the city. Here’s a link for the app.
Other nice parks in case it's not raining the whole time (Danes love going for a walk, what can I say) include the Botanical Garden, Frederiksberg Have (where you can peek into the elephant enclosure in the zoo) and Kongens Have.
To shop
Vintage shopping: There’s a bunch of good quality vintage stores on Studiestræde and Larsbjørnsensstræde. Also worth a mention is Audrey Vintage on Hyskenstræde, run by a woman who handpicks all the items from all around Europe.
Strøget is the place for high street shopping but I definitely recommend having a look around the inner city’s side streets and down Frederiksborggade (check out the home goods store Maduro here) over the lakes to Nørrebro where you’ll also find some more offbeat stores and great bars and restaurants.
The largest bookstore is Arnold Busck on Købmagergade for books in both Danish and English. Fiolstræde close by has the independent book café Brøg that I highly recommend both for books and for a quick cake + coffee. On Fiolstræde you’ll also find some used bookstores with a variety of options and other smaller shops and cafés.
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Greetings!
Today at the Nationalmuseet in København I ran in to the following items and I just had to inquire whether your username comes from the esteemed Olaus Wormius?
Hello! I apologise that I have taken so long to respond. I was contemplating the iconography of the horns, especially the wild and dreamlike beasts, the possible scene of a hunt, just to hold them in my mind. I find the story fascinating, how the original ones were destroyed but people went out of their way to have the message transcribed onto these new and beautiful forms.
And yes, the name does come from Olaus Wormius! I have a soft spot for antiquarians. Before the natural and social sciences were so standardised in their method--or rather, didn't have the same methodologies that they do now--they recognised the importance of describing things and writing everything down, in the same vein as the monks who copied religious and philosophical texts so that they would never be lost. The human and the natural world were important too and fit to be remembered. It might be an erroneous, ahistorical view, but that is the affectionate place I give them in my mind. Thank you for sending me these pictures :)
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Queen Mary of Denmark at The Specialists’ 20th anniversary celebration at the Nationalmuseet in Copenhagen - 09.04.24
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Tupinambá Mantle Fuels Debate on Repatriation of Brazilian Relics
The National Museum of Rio will receive 400-year-old indigenous clothing that was in Denmark
For a mantle to be woven by the Tupinambá indigenous people, the territory needs to be calm. With a cotton thread sealed with beeswax, which gives the piece resistance, feathers from different birds are sewn together.
Two years ago, the last garment made had 3,500 feathers and took four months to be woven. The new mantles have awakened a knowledge that was dormant due to the distance between the Tupinambás and the sacred garments of their ancestors, all of them currently in Europe.
Now, just over one meter long and 60 centimeters wide, the tupinambá mantle made in the 17th century with feathers from the ibis, a red bird that inhabits the Brazilian coast, will be returned to Brazil.
It will be received and kept by the Museu Nacional do Rio ( National Museum of Rio). The piece was donated by the Nationalmuseet, in Copenhagen (Denmark), where it had been since 1689.
Continue reading.
#brazil#denmark#politics#history#indigenous rights#brazilian politics#danish politics#museums#international politics#mod nise da silveira#image description in alt
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