#nathan maloney

[theseshipsshallsail]

Today, on things I didn't know.

Watching Rebel Moon and fell down a Charlie Hunnam IMDB hole, which led me to this.

[twinge-of-cosmicangst]

This was supposed to be a shit post but I low key put my heart into it

[irradiatedwarlock]

It's been more than 20 years and I still think of these idiots like once a month.

Stuart Allan Jones (Aidan Gillen) and Nathan Maloney (Charlie Hunnam) in QAF UK, Series 2.

[weclassybouquetfun]

Charlie Hunnam is currently promoting Netflix's space fantasy REBEL MOON: PART ONE: A CHILD OF FIRE,

directed by Zack Snyder, from a script by Snyder, Shay Hatten (ARMY OF THE DEAD) and Kurt Johnstad (300 and 300: RISE OF AN EMPIRE) starring Sofia Boutella, Djimon Hounsou, Ray Fisher, Doona Bae and not one, but two GAME OF THRONES Daario Naharises - Michiel Huisman as the frustratingly hard-headed Gunnar and Ed Skrein

as film's Big Bad Admiral Atticus Noble.

Hunnam plays Kai, an Irish (and it's a fairly passing Irish accent, if I may say so myself) mercenary who is recruited by Boutella's Kora on her mission to stop Noble's plan for domination.

While promoting the film, Hunnam spoke with British GQ and the interviewer asked him if he had seen the mention of his QUEER AS FOLK character Nathan Maloney in the 2022 Showtime reboot of the series.

Nathan being fit as hell tracks. Nathan being on Grindr doesn't. He doesn't need the apps. He could pull effortlessly.

While he didn't know about the mention, he did talk about how, during the 25th anniversary of the original, that they were talks of a revival that didn't pan out and that he would love to revisit the character. Which is refreshing because so many actors try to distance themselves from earlier roles.

Unlike Margot Robbie who appeared last year in the finale of the Australian soap NEIGHBOURS, which she was on from 2008-2011.

So good on Charlie for always bigging up his time on the series and, in particular working with Aidan Gillen who he reunited with on Guy Ritchie's KING ARTHUR.

Charlie and QAF - ***NSFW bits***

Never forget when Hunnam dropped out of FIFTY SHADES OF GREY and people speculated that it was due to the nudity and he had to correct the public record real quick.

Yes, we know, babes.

[lurkingteapot]

Only Friends เพื่อนต้องห้าม Ep. 3

WELL.

This is my reaction basically every week so far, but it bears repeating. What a beautiful, beautiful mess.

Oh no no no Boston, you do not get to call Nick คนดี/khon dii after you just basically called him your regular squeeze.

The contrast between how Sand/Ray and Boston/Nick are portrayed is almost jarring. I love it.

Jojo and Ninew cameo!!

I was waiting for this scene!!! Ray really does need a shrink.

I love Cheuam and hope we get to know her better soon.

The friend group is so surprised that Ray is volunteering something that's not money! And that he seems sober and engaged! One word: ooof.

Nick pushing back!! Good.

Silent disco, huh. Mew eating all this information UP.

Nick is learning. It's giving Nathan Maloney learning from Stuart Allan Jones vibes.

Sand has their number 😂

Oh this pool party is going to be a DISASTER

Boston is SO bitter and I just want to learn how he ended up like this, like, whoa. I'd ask him not to deflect, not to lie to Nick, but that's clearly outside the realm of possibility for now.

Nick keeps asking questions he doesn't want the answers to or that he will be getting answers to he won't like, but he's also smart and this is going to go very badly for Boston. Unfortunately it'll probably also go badly for folks in the blast radius, which I suspect is pretty much everyone.

Sand and Ray flirting is giving me life, it'll hurt so bad down the line

OK, so Sand definitely knows SOMETHING about Top

Boston is terrible, having Neo play him definitely was the right choice because otherwise I don't think we'd be nearly as sympathetic towards him.

That bass line is anxiety inducing

I'm going to be devastated when Sand/Ray fall apart

I love that Top stood Boston up … Uuugh spoke too soon

Ray's face journey when Sand asked whether he kissed Ton and Mew like that!!!!

Also Sand does not seem very upset about Ray not taking no for an answer … Oh no.

Sand is like why am I even surprised

Boston is such a scumbag. You're the one who advertised Mew as a virgin to Top (like that's something that matters), Boston, in case you forgot.

Oh so Ray and Mew hooked up before, huh?

Oh dear, oh dear

Nick keeping with the theme of angling for information that'll make him feel bad. Don't do it, buddy.

Another repeating theme: at this point, shit hitting the fan is the basic setting; I need a better scale. I'm most curious to see what exactly Top and Sand's deal is, what that Ray-Mew hookup was, and what Nick is going to do with that recording.

[unblogparaloschicos]

TV: Queer As Folk (1999-2000)

El cuerpo de Nathan Maloney (Charlie Hunnam, mucho antes de protagonizar la serie “Sons of Anarchy”) no puede más de la satisfacción: mientras sus compañeros de clase se la pasan hablando sobre culos, vaginas, penes y semen, él ya conoce de primera mano lo que es el sexo. Su “primera vez” fue memorable, razón por la cual persigue constantemente a su responsable: Stuart Alan Jones (Aidan Guillen, a más de una década de interpretar a Petyr Baelish en la serie “Game of Thrones”), exitoso publicista de día, prolífico amante de noche. Pero, para éste, sólo fue uno más entre cientos de varones con los que se acostó.

Sin embargo, Nathan no es un chico fácil de olvidar y no tarda en unirse a la banda, entre la que también hay que añadir al más tímido Vince Tyler (Craig Kelly, intérprete de la interminable telenovela “Coronation Street”, en el aire desde 1960), gerente de un supermercado local. Desde luego, éstos se ven obligados a acogerlo debido a la situación caótica en su casa: su madre Janice (Caroline O'Neill) trata de entenderlo, pero su padre...

No hay nada de exagerado en considerar a esta serie como revolucionaria: lo fue por temática (y no sólo en cuanto a la homosexualidad; también hay apuntes sobre maternidad subrogada, la homofobia, el bullying o la responsabilidad personal), por mostrar la vida nocturna de la comunidad LGBT en Manchester, por su lenguaje naturalmente soez y, en definitiva, por su atrapante desparpajo narrativo. Russell T. Davies (creador de “It´s a Sin”, cuya reseña puedes leer en este blog, y, aún más importante, showrunner de esa institución televisiva británica llamada “Dr. Who”, de la cual Vince es fanático) tomó al mundo por sorpresa. Fueron diez capítulos (una temporada de ocho y otra de tan sólo dos), emitidos en Reino Unido por Channel 4 y en Latinoamérica por HBO Olé (así se llamaba aquí el canal que hoy es HBO). Sin duda, un hito en la historia del entretenimiento de contenido LGBT que tuvo rápidas repercusiones: culminó en febrero de 2000 y ya en diciembre de ese mismo año se emitió el primer capítulo de la versión estadounidense, también titulada “Queer As Folk”: fueron 83 episodios en cinco temporadas (2000-2005). En 2022, la tv de streaming (Peacock) nos ofreció la última reedición, modernizada.

[rayslittlekitten]

About the new Queer as folk: it was fine? I guess. I don't think they did themselves any favour calling it QaF, they should've just gone with a new concept. You're just gonna have people comparing everything.

I did like the lil QaF UK nod when Brodie showed adult Nathan/Charlie Hunnams grinder picture tho. That was almost sweet.

The end was weird.

[brookstonalmanac]

Beer Events 4.20

Events

Louis Pasteur completed his 1st test of pasteurization (1862)

Heim Brewery destroyed by fire (Missouri; 1876)

Peter Hewitt patented an Apparatus for Aerating Liquids (1897)

William Campbell patented the Production of Fermentable Worts (1926)

Leopold Nathan patented an Apparatus for Cooling and Aerating Beer Wort (1926)

Beer became legal in Connecticut after Prohibition (1933)

1st TV commercial aired (it was for Pabst; 1939)

Alfred Redlin patented a Beer Dispenser with Means for Controlling the Head of Foam (1954)

Bjorn Sandsto patented a Beer Keg Cooler (1965)

Miller Brewing patented a Container-Cooler keg (1993)

Maloney's Pub re-opened with a removable roof (Green Bay, Wisconsin; 2001)

Brewery Openings

Seven Barrel Brewery (New Hampshire; 1994)

Atlantis Brewing (Colorado; 1995)

Heartland Brewery (New York; 1995)

Cog & Kettle Brewery (Canada; 1996)

Globe Brewing (Maryland; 1996)

Wisconsin Brewing (Wisconsin; 1996)

Jefferson State Brewing (California; 1998)

[a-solitary-sea-rover-backup]

If you could pull people off any crew, and put them together into one team, regardless of nation, here are the “fantasy teams” four SailGP insiders would create:

Russell Coutts

Driver: Peter Burling (NZL) Strategist: Hannah Mills (GBR) Wing Trimmer: Iain Jensen (GBR) Flight Controller: Jason Waterhouse (AUS) Grinder: Louis Sinclair (NZL) Grinder: Joan Cardona (ESP)

Todd Harris

Driver: Nathan Outteridge (SUI) Strategist: Hannah Mills (GBR) Wing Trimmer: Kyle Langford (AUS) Flight Controller: Jason Waterhouse (AUS) Grinder: Matt Gotrel (GBR) Grinder: Cooper Dressler (CAN)

Stevie Morrison

Driver: Peter Burling (NZL) Strategist: Liv Mackay (NZL) Wing Trimmer: Iain Jensen (GBR) Flight Controller: Andy Maloney (NZL) Grinder: Julius Hallstrom (DEN) Grinder: Nick Hutton (GBR)

Emily Nagel

Driver: Liv Mackay (NZL) Strategist: Katja Salskov-Iversen (DEN) Wing Trimmer: Stuart Bithell (GER) Flight Controller: Luke Parkinson (GBR) Grinder: Bernardo Freitas (ESP) Grinder: Richard Mason (DEN)

[byneddiedingo]

Brad Pitt in Babel (Alejandro González Iñárritu, 2006)

Cast: Brad PItt, Cate Blanchett, Mohamed Akhzam, Peter Wight, Harriet Walter, Michael Maloney, Boubker Ait El Caid, Said Tarchani, Mustapha Rachidi, Adriana Barraza, Gael García Bernal, Elle Fanning, Nathan Gamble, Clifton Collins Jr., Michael Peña, Rinko Kikuchi, Koji Yakusho, Satoshi Nikaido. Screenplay: Guillermo Arriaga. Cinematography: Rodrigo Prieto. Production design: Brigitte Broch. Film editing: Douglas Crise, Stephen Mirrione. Music: Gustavo Santaolalla.

I would like to watch a movie about the calamity that befalls a Moroccan family when they acquire a rifle to shoot the jackals that prey on their herd of goats. Or a movie about a nanny for a well-to-do San Diego couple who unwisely decides to take her employers' small children with her when she goes to her son's wedding in Mexico. Or a movie about a deaf Japanese teenager who suffers from sexual confusion in the aftermath of her mother's suicide. But I don't want to watch them all at once, which is what Babel forces us to do. It's a terrifically ambitious film, with some stunning location work in four widespread countries, and it has some great performances, particularly by Oscar nominees Adriana Barraza as the nanny and Rinko Kikuchi as the teenager. It probably deserved the nominations for best picture and for Alejandro González Iñárritu's direction, too. (It won for Gustavo Santaolalla's score.) But intercutting the three stories mentioned above and centering them on the plight of the San Diego couple (Brad Pitt and Cate Blanchett) severely reduces their dramatic force and interest. Why, I wonder, were Pitt's and Blanchett's characters on a bus tour of Morocco with a bunch of rather unpleasant Brits? If, as the movie seems to suggest, it's to work on their relationship after their loss of a child to Sudden Infant Death Syndrome, it's a very odd choice indeed. Their movie-star presence also skews the film away from the performances of the less well-known international stars. Structurally, the Japanese story seems poorly integrated: Its link to the other stories is that the rifle that turns up in Morocco was originally owned by the Japanese girl's father. What struck me as strongest about the movie was its subtext: the bureaucratic paralysis of the American superpower in the wake of 9/11. Pitt and Blanchett are unable to get the help they need in Morocco because of the paranoia about Islamic terrorism that forces an unwanted and unnecessary caution on the U.S. State Department. American immigration policy also prevents a sensible resolution to the problem of the nanny and the children. Babel is certainly not without its rewards, but a scaling-back of its ambitions might have produced a better movie -- or maybe three or four of them.

[thelaziestmotherfucker]

Charlie Hunnam and Aidan Gillen in Queer as Folk

[filmjunky-99]

h a p p y b i r t h d a y

Charlie Hunnam

10 April 1980

🎈🎈🎈

[pic: hunnam as nathan maloney, queer as folk, 1999]

[fermencja]

Stuart (Aidan Gillen) and Nathan (Charlie Hunnam) in Queer As Folk UK, Series 1, Episode 8, deleted scene 57A - Part 1.

Part 2 - https://fermencja.tumblr.com/post/667186695688601600/it-wasnt-a-crush-you-loved-me-didnt-you

[tortugahoe]

Me : I'm rewatching Queer as Folk (1999) for the plot

The Plot :

[deuvaodechinita]

[onlyonewoman]

Just a little reminder that...

Petyr Baelish

and Jax Teller

met at Canal Street in Manchester and that Littlefinger ate Jax’s ass in 1999.

It was fucking beautiful to watch.