#napoleonic theater

[empirearchives]

“François-Joseph Talma, the prominent French actor and theatre reformer, addressed the tsar with a line from a play: ‘Friendship of a great man is a gift of the gods’. The tsar rose to his feet, politely pointing at Napoleon, and the two embraced to a thunder of applause. Talma was one of Napoleon’s favourite actors — the emperor frequently employed the thespian as a coach to teach him onstage postures, especially since contemporaries believed they much resembled each other in appearance.”

— Alexander Bogatyrev (source)

[maddie-grove]

What is Gladiator II even about? Didn’t Gladiator and the pervy emperor both die at the end of the first movie? I’m guessing it’s not about the lady.

[disregardcanon]

ripley scott's napoleon implied some very strange things that i don't think it meant to imply, but the WEIRDEST one is that napoleon just. does not know what type of sex with a woman produces babies. because he and josephine only ever have anal sex on screen and he's always like "imma get you pregnant" and i'm like my dude you cannot do that. with the way you are currently going about it.

[fluentisonus]

napoleon movie was not good tbh

[bighandsforabigheart]

I love it when my blorbos are artists + their love language is drawing their partner

[oh-men-of-dark-and-dismal-fate]

Never thought I'd be sexually attracted to Napoleon Bonaparte, but here we are.

[daincrediblegg]

Eggie you don't understand what the sight of one Joaquin riding has been doing to my brain and like. also the way his hands are grabbing tight that cord to guide the horse? He's pulling???!!!?!!??? HARD!?!!!!!! and he does that all the time!??? and in some scenes he looks skinny in almost an artie way and this gets in my heart I will never know peace with this man I know that. we will never know peace. if we've to simp over a literal random napoleon so be it

let me say also that the italian translation Napoleone gives on itself the sense of something big because of the suffix -one okay have a nice day ily

FLAE BAE!!!! GIRL!!!! CAN WE FUCKING T A L K ABOUT HOW INSANE THIS SHIT FEELS FROM TRAILERS ALONE???

girl. I was deadass about jokerfriends reuinion over this film. feels like our vibe. back when we were going insane about joeldy and the like. like good god for real. I'm losing my mind at the thought that in a few months a good handful of us old guard joaq enjoyer folks are going to be reduced to ashes by a fucking ridley scott biopic (WHICH AGAIN. VERY FUNNY TO ME BC HE ALSO WAS A PRODUCER ON THE TERROR. BECAUSE THIS KINDA GIVES ME SIMILAR VIBES) AND I'M??? yeah man. yeah. there's a vibe here. (and god girl yeah the pULLING??? AND YEAH THAT SUFFIX IS A FUCKING SIGN MAN!!!! this will get my motor running more than folie a deux ever could. I'm so excited to dive into historical drama hell with you all once more)

[starpros-sunshine]

I hope Wataru is exactly like me in the way he regularly references old movies from the first half of the 20th century and I hope Hokuto always looks at him in That Way because that's what my classmates do and I hope Eichi watches old movies with him because imagine a world whezrr Eichi Tenshouin is an old movie enjoyer. Imagine with me this beautiful universe for a sec.

[prayforleonardo]

🎬 La cartelera de Cinepolis Galerias

🎬 Aquaman

🎬 Napoleon

🎬 Wonka

🎬 Patos

#Aquaman #Wonka    #Napoleon

[skitskatdacat63]

When I got back from my trip I was like "we are so back!!"(in reference towards keeping up w the race weekend) and then still can't fully keep up because I have to miss the FPs bcs of seeing Barbieheimer. Hopefully soon I'll be back in full force haha

...why am I subjecting myself to IMax at 11 am.....

[doyoulikethissong-poll]

Beethoven - Symphony No. 5 1808

The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony, is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four movements. It begins with a distinctive four-note "short-short-short-long" motif, often characterized as "fate knocking at the door", the Schicksals-Motiv (fate motif). The symphony, and the four-note opening motif in particular, are known worldwide, with the motif appearing frequently in popular culture, from disco versions to rock and roll covers, to uses in film and television.

The Fifth Symphony had a long development process, as Beethoven worked out the musical ideas for the work. The first "sketches" date from 1804 following the completion of the Third Symphony. It finally premiered in 22 December 1808 at a mammoth concert at the Theater an der Wien in Vienna consisting entirely of Beethoven premieres, and directed by Beethoven himself on the conductor's podium. The concert lasted for more than four hours. The two symphonies appeared on the programme in reverse order: the Sixth was played first, and the Fifth appeared in the second half.

There was little critical response to the premiere performance, which took place under adverse conditions. The orchestra did not play well - with only one rehearsal before the concert - and at one point, following a mistake by one of the performers in the Choral Fantasy, Beethoven had to stop the music and start again. The auditorium was extremely cold and the audience was exhausted by the length of the programme. However, a year and a half later, publication of the score resulted in a rapturous unsigned review (actually by music critic E. T. A. Hoffmann) in the Allgemeine musikalische Zeitung. Apart from the extravagant praise, Hoffmann devoted by far the largest part of his review to a detailed analysis of the symphony, in order to show his readers the devices Beethoven used to arouse particular affects in the listener.

Beethoven was in his mid-thirties during this time; his personal life was troubled by increasing deafness. In the world at large, the period was marked by the Napoleonic Wars, political turmoil in Austria, and the occupation of Vienna by Napoleon's troops in 1805. The symphony was written at his lodgings at the Pasqualati House in Vienna.

Symphony No. 5 received a total of 94,6% yes votes!

[empirearchives]

Women Dancing, 1812, Napoleonic Era, By Bartholomeus Ziesenis, Dutch artist

[animusrox]

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[apoptoses]

Armand, Haussmann, and Paris:

The thing about Paris that's not really discussed in the VC books themselves is the Haussmann project.

In 1853 Napoleon III commissioned Haussman to completely renovate Paris. The plan was to tear down all of the old structures and rebuild the city; reorganizing the streets and reshaping them to accommodate more green spaces, and replacing smaller buildings with taller apartment blocks in more uniform style.

The Paris Armand knew when he arrived as the coven master and which he came to know as the theater leader would have looked something like this:

Dark, winding streets leading off wide boulevards and short, leaning buildings.

The Haussman project would see all of these places systematically torn down, occupants removed to other areas of the city while new buildings were put in their place. In some areas workers were destroying and rebuilding things 24 hours a day.

At this time Armand would have been living at the theater on the boulevard du Temple, Paris's street of theaters:

This dagguerotype shows the boulevard in 1838. This painting, in 1862, looks much the same:

But by 1863 all but one theater on the street had been destroyed, and that was only because that theater was on the opposite side of the street shown in the painting. How and why it wasn't pulled down, I don't know- no information on it seems to exist, just like no explanation for the very small handful of other old structures that were left untouched.

That theater, the Théâtre Déjazet, still exists today. But it was established in 1770 by Comte de Artois, so while it could have been Anne's inspiration for Armand's theater it's not the 'rickety wooden rat trap' that seats 300 that Lestat describes in TVL.

Anyways, knowing all of this, I think it makes even more sense why Armand so quickly grabbed onto Louis and was ready to run away with him at any cost.

Armand, who'd been kidnapped from the monks, who'd had his palazzo torn out from under him, who'd established something of an existence under Les Innocents and was then ripped out of that world when the cemetery was destroyed. Who was watching the city he'd finally come to know get systematically torn apart. Everything that was familiar to him was being taken again.

So why not let Louis burn the theater? He arrived in Paris in 1870, just as Haussman was dismissed. But the work of destroying and rebuilding Paris was set to carry on. Chances were the Theatre de Vampires would be next, and if that were the case there's no way the crypts beneath the place would remain safe and undiscovered.

And if he'd stayed where would they go during the renovation? What would they do? What would the point be in continuing trying to run a coven he was bored of and a life he didn't care for in a new location?

Armand was going to have to begin again somewhere- better that be with Louis, out in the world, than roaming a now unfamiliar Paris. And even though he didn't burn the theater himself, allowing/instigating Louis to do it still gave him more control than letting a stranger come in at some unpredictable moment to demolish things all over again.

(And what of Lestat, what does he feel about these changes? He never could have shown Louis the Paris he knew and loved, which existed when Louis was still mortal- that Paris was largely gone)

Chances were Anne might not have known most of this at the time she wrote interview or even TVL. But I think it still makes a lot of sense and brings up a point about Armand and immortality that I don't see brought up much- that not only do vampires lose every mortal they've ever known, but with time they also see the destruction of every place they've ever known or loved.

(ps: I'm not an expert on this topic or anything, so if anyone does know why some buildings were unchanged or has any interesting historical info to add by all means please, reblog and add it on!)

[ancientcharm]

Melpemone, The Muse of Tragedy.

Photography and text: Egisto Sani / CC BY-NC 4.0

This colossal statue may have been part of the decorations of the Theatre of Pompey in Rome. It was discovered without arms in 1496. In 1782, Giovanni Pierantoni restored the Muse’s statua as Melpomene, the Muse of Tragedy, by adding forearms and a modern tragic mask. Four other Muses were found towards the end of the 16th century in the same space. Melpomene was undoubtedly part of a group of nine muses who decorated the theater or the portico of Pompey Theater, the first stone spectacle building in Rome. This statute is the only one to have kept its original head. Former the statue belonged to the Vatican Collections; it was confiscated during the Napoleonic era in 1803, and was exchanged in 1815 with the “Laocoon”, which had been returned to the Vatican after the defeat of Napoleon.  Marble statue H. 3.92 mC. 50 BC. From Rome, Campus Martius, Theatre of Pompey. Department of Greek, Etruscan, and Roman Antiquities Paris, Musée du Louvre – (Ma. 411)

[captainknell]

That's amazing

Anne-Louis Girodet, Napoleon at the theatre of St. Cloud 13 April 1812.

I think this is what Napoleon really looked like, because Girodet was sitting right there. His official portraits of Napoleon look more idealised.