#nanon draws

[the-named-anon]

That’s not my neighbor has consumed part of my brain (along with pokemn + some other media…) so here’s some drawing of neighbors and peach peach!!

What? What do you mean there’s more? (Body horror + creepy stare warning)

(Also, if you noticed there’s no beard on horror!peach peach, just know that I tried to put one and it looked bad.)

Let me know if you’d like to see someone else in my style!! (Currently only really intending on drawing characters from arcade mode… and for dopplegangers I’ll do a “friendly” and “horror” version)

[just-bendy]

wow, seeing your first art post and seeing how your art style's developed now, amazing growth op! 👍

(( thank you!! 😂💜

it's so strange seeing how i used to draw bendy bc he went from this

TO THIS

when i discovered that bendy doesn't have to be an innocent little bean and can be a charming little bastard toon i was so amazed...

being crazy about bendy also helped with improving my art style too 😊💜 ))

[idlesugarpuff]

Favourite scene

The difference between their arms is astonishing XD muscle vs noodle, awww.

(I'm still claiming it's PranPat, don't fight me I'm not equipped to defend myself)

A4, pencils

Just a quick one because I'm running a fever and the world is spinning and achy x__x

[blushingdread]

My silly little OCs, they're all girl haters and I love them

[lafcadiosadventures]

La grosse sylvie eyerolling at the narrator and everyone in maison vauquer losing it over how strong vautrin is when she can:

a) carry an unconscious vautrin to his room on the second floor

b) lace up ma vauquer’s grand corset

c) churn butter, do all the household chores

[beachsidecasper]

Update on my latest Nanon piece!

[emotionallychargedtowel]

Utsukushii Kare master post

With Utsukushii Kare: Eternal becoming available on streaming in Japan and rumors of international streaming distribution on the horizon, I thought this might be a good time to do a roundup post of all of my meta writing on the series so far. There's quite a bit of it. Between the complexity of the psychological themes in this series and my capacity for hyperfocus, I ended up with a lot to say.

In case it doesn't go without saying, this post is subject to change as I continue to post on this topic.

The psychological paradoxes of Utsukushii Kare

This is a series of posts (the current plan is to write three installments) about what it says on the tin: paradoxical psychological dynamics in Utsukushii Kare. These are things about the characters that may seem contradictory at first but can be accounted for by digging deeper into some psychological concepts. These posts are focused on the series (both seasons) but will draw from the movie and from the novel and related stories when they illustrate points about the series.

Part 1: Covert grandiosity and finding status through idealization - A pretty deep dive into 1) the subtle ways Hira shows that while his self-image can be highly negative in some ways, in other respects he feels superior to others and 2) how by elevating Kiyoi’s status and humbling himself in comparison, Hira attains a different kind of status.

An addendum of sorts to part 1: Hira's parents and his self-defeating tendencies - Some guesswork about how Hira's parents could have contributed to his self-defeating personality, with some further discussion of specific self-defeating strategies he uses in his relationship with Kiyoi and elsewhere.

Utsukushii Kare through the lens of pursuer-distancer dynamics and related psychological concepts:

The pursuer-distancer dyad & how it applies to the world of BL - a primer on this psychological concept and how it applies to BL generally, with a brief reference to how this concept applies to Utsukare (also touches on Semantic Error and talks in detail about an example from To My Star 2). This one isn't super focused on Utsukushii Kare but is pretty de rigeur for understanding my UK posts on this topic.

Paradoxical roles; or, I think I finally figured out the pursuer-distancer dynamic in Utsukushii Kare - This post comes after some of the posts listed below but I recommend reading it first as this is really where (I think) I cracked the code on this aspect of the story.

Pursuer-distancer roles & attachment style in Utsukushii Kare, Part 1: Hira - In-depth discussion of Hira's role in the pursuer-distancer dyad, his attachment style, and his personality

Pursuer-distancer roles and attachment style in Utsukushii Kare Part 2: Kiyoi - In-depth discussion of Kiyoi's role in the pursuer-distancer dyad, his attachment style, and his personality

Re-evaluating pursuing & distancing in Utsukushii Kare season 1 - super detailed post working out my thoughts about pursuing and distancing in season 1

On the way Sakai Mai (the series' director) uses seme left, uke right framing and its significance in BL and other Japanese media:

Using an example from the s2e1 with the girl who hits on Hira at a party (via a reblog of a gifset from @nanons)

On the way Sakai flips Hira's and Kiyoi's position in the frame in two versions of the same scene and what it tells us about its significance

How the persistent/cute trope plays out in Utsukushii Kare season 2, plus related overanalyses of the big season 2 finale kiss:

The persistent and the cute (how "persistent" and "cute" are code words with specific meanings in BL/yaoi/other drama and manga genres/Japanese culture more broadly)

Analyzing the season 2 finale kiss in light of seme left/uke right framing and the persistent/cute trope (in a reblog of a gif post by @nanons)

Reblogging @bl-bracket to lobby for the season 2 finale kiss, with more overanalysis

Fragrance nerd discussion:

This bittersweet fragrance - on the significance of osmanthus/tea olive in Utsukushii Kare season 2, with additional information on the possible significance of the fragrance of osmanthus and perfumes that are either osmanthus soliflores or feature prominent osmanthus notes

Posts on specific season 2 episodes:

initial thoughts about S2e1

Additional (informal) thoughts on s2e1

S2e1 rundown

Hira's incongruous/misaligned affect at the end of s2e1

S2e2 rundown

on S2e2, including pursuer-distancer dynamics and seme left, uke right

Utsukushii Kare S2E4: “face me straight on” (mostly discussing relationship dynamics pointed out in topic-specific metas)

on Utsukushii Kare: Eternal:

Kiyoi and Anna: on Kiyoi’s friendship with Anna and its significance for his personal growth

[telomeke-bbs]

The Our Skyy 2 Bad Buddy trailer has premiered, and quite honestly they're not giving us much to go on (so don't set too much store by it). What I gather:

Archi and Engine rivalry is very much a thing still – both faculties have to put on a play, but the auditorium is only available for one. So Ajahn Pichai makes them compete to see who gets it ("The faculty that's more prepared gets the auditorium."). Sweeping the exterior grounds with large brooms and construction drawings with truss frames are somehow involved.

Pat and Pran seem to be aware of each other's feelings but their relationship is beset by rivalry, so it looks like the episodes are set as predicted during the timeskip after the Beachside Bet of BBS Ep.6 [4/4] and their sophomore year of BBS Ep.7, in the early part of their "rivalry as courtship" era. But you never know! 🤷‍♂️

A lot of backstage shenanigans between Pat and Pran, and the red backdrop is everywhere.

Their friend groups don't seem aware that the two have embarked on something romantic (i.e., they seem to be seeing only rivalry and competition), which fits placing this in the timeskip.

Wai seems much less like a troublemaker here though.

Pat's hair looks even more hideous than in the earlier Our Skyy 2 trailer. Not easy to make Ohm look bad, but they're managing somehow.

Ohm lost weight after Bad Buddy and looked much leaner in the series he did post-BBS. Strangely he looks bigger in this trailer, almost Pat-sized again (maybe it's the hair and faculty jacket). Nanon looks much the same.

They've changed the filming location for their university, so the ambience is different.

Ink and Pa are in it! And Ink is feeding Pa with shrimp (again). It looks like another hotpot in someone's dorm.

But Pat calls himself "Nong Pat" and asks to be fed shrimp by Pran in front of Ink and Pa. What gives?

Pat and Pran bunk over in that same dorm room (it's not Tinidee), with a tent and Christmas lights – it looks like a planned romantic getaway, but one they're forced to hold indoors away from public view maybe. Their energy there is tender, softer and more vulnerable. And mutual.

They're also seen in a lift for the company Hightem Construction, not LogTech, but they're wearing "Visitor" tags all the same.

Pran wears The Watch, and his PP hobo bag puts in an appearance too.

There are cheek kisses but nothing on the scale of The Rooftop Kiss.

Pat and Pran do some sort of deal behind the scenes, in front of their laptops, sealed with a fistbump.

As noted before by @miscellar and @dribs-and-drabbles (see these links here and here 😍) you CAN'T trust a trailer by Director Aof, so we have six days to find out how much of the above holds true and how much of it turns out to be wool pulled over our eyes. 😂

Waiting on tenterhooks all the same! 😍 And counting down to 31 May 2023... 💖

 ‌

[purple-out-of-red-and-blue]

midnight museum writers room really was just: okay let's start with a plotline [spins wheel] reincarnation, cool but how about we add a twist it LOOKS like reincarnation but it's ACTUALLY... [gives it another spin] ...multiverse hell yeah! and also [at this point just spinning because it's fun] time travel! cuz why not! yolo amirite!

[throws darts at pictures of gmmtv actors] mike, you're gonna be *squints at smudged writing on hand* a werespider, bright a moth-eating stalker, view a mannequin who cuts off people's legs, and... looks like we don't have nearly enough actors. we're gonna have to have gun attaphan playing [rolls die] 3 roles and nanon korapat playing- that's a three AGAIN- yeah i said THREE note that down. we're also gonna sprinkle in some... [draws cards from a tarot deck] Real Housewives™️, aliens, and to top it all off, a biblical apocalypse. perfect.

and for the emotional piece de resistance... [slaughters lamb and squints at its guts] okay im not sure if it's trying to say it should be a bl or not. how bout we leave that up for interpretation-

[aroceu]

patpran's matching outfits

this was originally part of a thread on twitter but i figured i should stick it here too!

over the course of bbs patpran wear some...interesting outfits, but as they get together their wardrobe is a lot more coordinated and matchy 🥰 in particular, i think brown/orange seems to be associated with their happiness and comfort; red/blue symbolizes them together; and black/white i think is a little bit more of a pat motif but in the same way that stripes are pran's—black and white stripes show up quite often for both of them.

episode 2

blue is pat's color and red is pran's; however, as soon as episode 2 we see that their night clothes have swapped this:

episode 4 & episode 7 & episode 12

their most iconic redgreen moments—without a doubt i know this was intentional. (and also with pran's stripe motif weaved in all of them too!):

yes, in the last pic pat is wearing matching socks to pran's sweater. can you believe it. UGH.

episode 5

i'm sure everyone and their (baseball) mom has pointed it out, but their color swap at the top of the roof—pran in pat's blue, pat in pran's red—remains to be iconic of them. chef's kiss:

episode 6

patpran in blue and orange, which incidentally are ohm/nanon's colors (except ohm is orange and nanon is blue) in reverse! idk if this counts as matching but i wanted to point it out:

episode 7

this is when we start to see both of them mingle the red and blues together equally/in the same scenes, which of course indicates that their feelings are starting to become knowingly mutual 🥰 also special note that pat's shirt does covertly make it look like it reads "your man," while he's talking to pran

episode 7 & our skyy

this one is less matchy but instead evidence that they share clothes—because yes, the sweater pat wears at the end of ep 7 is the same one pran wears at the end of our skyy 2, which is only fitting as the scenes are parallel (patpran (almost) kissing over food and getting interrupted by pa):

episode 8 & episode 12

the black/white/orange-brown motifs my beloveds!! it's so basic at first in episode 8—indicating the start and novelty of their relationship—but is very, very obvious in the episode 12 scenes if you look for it:

episode 8

and of course we can't forget their iconic matching orange shirts in episode 8 too—this is what made me feel like orange in particular is supposed to indicate their comfort with each other:

episode 10

we start really early on with patpran both in red and blue together—really symbolic in how easily they've adapted into their relationship and each other:

i also found this really interesting—pat's shirt says "SUN SUN SUN" while pran's shirt has a rainbow on it (with "radiate positivity," lol) both of which definitely go together, however subtle this matching is!

and then of course when they go to the high school. this is definitely one of the most visually standing out matching outfits between pat and pran, the red and blue and pran's tote bag and the necklace bag all blending beautifully together. pran carrying his necklace bag, a gift from pat, while pat carries pran's tote. pat in the blue and light red, and while pran is mostly wearing his red and white stripes, you can really notice in this shot how many things he has are shades of blue—shades of pat:

not sure if i can draw a matching set from these two outfits but i still love them so i'm putting them here anyway:

episode 12

we see pran in pink a lot even when pat is donning pink/red himself—so of course it makes sense for pran, in the last scene, to don some blue. also, together comes the return of the black/white/orange-brown color palette! and of course pat wearing the smiley face shirt we saw from a brief pan over in episode 1, which we know makes pat think of pran (that shot led right into the pond flashback)—it's also the same type of smiley face that was on pran's bag when he was in high school, and fits in with the rest of the smiley faces in pran's room, symbolizing that this is where pat has always belonged: with pran.

special mention to:

pat at the beginning of episode 8! we can agree this is pran's shirt, right? pran's the one with the striped shirts with collars—pat definitely decided to wear his boyfriend's shirt after a very long night:

[latenightcinephile]

Film #920: 'The Unknown', dir. Tod Browning, 1927.

Keeping track of the films on the list is often a complicated task, especially when you're trying to find films years in advance of any opportunities to watch them. The master spreadsheet I keep has about two dozen films that are still marked 'UNKNOWN' in orange, and ironically Tod Browning's The Unknown was among them for over a decade. Fortunately, a restoration was undertaken in 2022, and you can now find the Criterion version easily accessible.

Silent film is a fascinating subject after a century of sound pictures. It operated with a very limited palette of techniques, and as such needed to make the most of what it had available. People often complain that silent films are too 'theatrical', but the lack of synchronised sound meant that a silent film in fact had fewer tools at its disposal than the theatre did. While modern films can use realistic sound (or its lack thereof) to punctuate, draw attention to or minimise particular moments of a film, in silent films these tasks had to be shifted onto an actor's performance or onto the film's musical score. Even the use of a score was not foolproof, as theatre musicians would have to compare the requested music with what they had available. A larger toolbox available in contemporary cinema has evened out the workload, and it's less common to see a modern film rely so heavily on, say, performance. Tod Browning's film, though, is a stellar example of how films from before the advent of talking pictures honed these elements - to the point where you almost forget that you're watching something with no audible dialogue.

The star attraction of a circus in Spain, Alonzo the Armless (Lon Chaney)'s main act is to use his feet to throw knives. He is smitten with his partner in this act, Nanon (Joan Crawford), who is also the daughter of the circus ringmaster, Zanzi. Nanon has a fear of being touched or held by men, which means that she easily finds solace in her friendship with Alonzo, and spurns the advances of the strongman, Malabar (Norman Kerry). Eager to further draw Nanon into his clutches, Alonzo encourages Malabar to display his strength to Nanon more and more. The situation is complicated when it is revealed that Alonzo actually still has his arms - he hides them in a corset to make his act more sensational. Alonzo's friendship with Nanon infuriates Zanzi and, after an altercation, Zanzi discovers that Alonzo still has his arms. Out of rage and fear, Alonzo strangles Zanzi to death. Nanon sees the strangling (and in particular, that the culprit has two thumbs on one hand) - but doesn't recognise Alonzo - and her fear is exacerbated. A cursory police investigation doesn't find the culprit, and when the circus moves on, Alonzo and Nanon stay in town, with Alonzo hoping that he might be able to draw Nanon's affections more.

Before long, Nanon embraces Alonzo - an act that alarms Alonzo's friend and servant, Cojo, who worries that Nanon will see through the deception. Realising that he is so accustomed to hiding his arms that he can get by without them, Alonzo hatches a plan to have both arms amputated, which will conveniently hide any evidence that it was he who killed Zanzi. He blackmails a doctor into performing the surgery, and hides from Nanon for the period of his recovery. During this time, ironically, Nanon overcomes her fear of "men and their hands", and kindles a romance with Malabar. Together, they plan a new theatrical show, built around Malabar's strongman skills.

When Alonzo has recovered, he visits Nanon and Malabar at the theatre (hilariously, Nanon notices that his torso is a lot thinner than it was before). They reveal their engagement to Alonzo, and describe the centrepiece of their new act, in which Malabar uses ropes to tether two horses running on treadmills in opposite directions. Alonzo is driven to hysterics by the news, especially because it was delivered in a way that got his hopes up tremendously, and plans to disrupt the performance so that Malabar is maimed in the process (as Malabar cheerfully admits, if a treadmill stops suddenly, "the horses would tear my arms from my body"). During the show, Alonzo locks away the technician who controls the treadmills, and abruptly slows the treadmills, panicking the horses. Nanon tries to calm the horses down to prevent them killing Malabar; Alonzo then pushes her to safety before he is fatally trampled by one of the horses. With Alonzo out of the picture, Malabar and Nanon can finally spend their lives together in security.

This is a relatively brisk summary of the plot, but it's put in greater context when you realise that the film is only about fifty minutes long. There's a small pile of things in the plot that make no sense - why does Alonzo, who is certain Nanon would come to forgive him for having arms, elect to have them both amputated, and not just remove his extra thumb? Why doesn't Alonzo come up with any explanation for his absence while recovering? - but the film moves along at such a breakneck pace that there's no time to properly question any of them before the next complication arises. Characters are also very fond in this film of saying the most on-the-nose things imaginable, partly as a way of dispensing with any long and realistic exposition. It doesn't take Alonzo long to realise his plan at the end of the film, mostly because Malabar outright says the plan aloud for him. Nanon unintentionally rubs salt into Alonzo's (literal) wounds when she says "I used to be afraid of Malabar's hands, but I love them now."

This excessiveness is one of my favourite elements of The Unknown. It operates in both directions - the excess of comedy becoming farce, and the excess of violence. When the performance with the horses at the end of the film goes awry, Browning cuts rapidly and close, drawing attention to the strain on Malabar's shoulders through close-up shots (and the version of the soundtrack used in the Criterion release piles on the kettledrums at this moment to underscore the tension. It feels like we're moments away from witnessing some terrific gore effects, even though those would be decades away when the film was produced. There are moments, though, where the emotional effect is deflated through farce. The moment Zanzi discovers that Alonzo still has his arms, Alonzo deals with this by... immediately hiding his arms behind his back. These moments sell the horror even more by contrasting them against the absurd.

Lon Chaney's acting is the heart of this film. It's the thing that lets us look past the absurdities of the plot, and buy into the emotional veracity of the film. Although many of the scenes of more fine motion were done with a stunt double, Chaney learned to manipulate things with his feet for wider shots, and it's deeply believable. Audiences at the time would have known that Chaney was not a double-amputee, but the opening scenes of the film sell this so well that the audience I was with murmured in shock when his arms were revealed. Chaney throws the whole of himself into the more emotional scenes, too, so that the intertitles are often superfluous to understanding the direction of a conversation. The performance has to carry a lot of weight throughout the film, too: Alonzo is a murderer and a con artist, driven to extremes by unrequited love, who then descends into hysterics when it is revealed that his extreme measures were unnecessary. In two minutes, he needs to go from hope that Nanon might intend to marry him, to shock that she has fallen for Malabar, to frenzied laughter when he realises he has had his arms chopped off for nothing. Are the emotions overplayed? Sure. But they're in proportion to the scope of the film, and Chaney has an ability to move between these emotions lightning-quick without being abrupt.

Browning does something really interesting with this film, though: he uses the cinematic tools to play into his themes. The best example of this is in the scene where Alonzo realises his plan to have his arms removed. Lost in thought over the idea that Nanon might reject him when she discovers he murdered her father, he absent-mindedly lights a cigarette with his feet. Cojo laughs at him, commenting that he's forgotten he has arms. Alonzo recoils at this, but in Chaney's performance, you can see the plan form (a slight widening of the eyes, a twitch at the mouth). A shift happens here: we move from a dialogue-heavy sequence to one where there are no intertitles at all. Alonzo continues to speak, giddy with realisation, but what he is saying is too horrifying for the intertitles. Cojo's expression turns to shock, and we do get an intertitle when he says "No, no, Alonzo! Not that! Never do that!", but the act itself cannot be spoken, or even written. In the very next scene, Alonzo and Cojo visit the surgeon, and once again there are no intertitles to describe the actual plan - the closest we get is a single ambiguous gesture Chaney makes at his left shoulder. You can sort of make out the words in the movement of his lips, but the audience never receives the confirmation of what has happened.

I find this fascinating. Usually, silent films don't have the luxury of holding anything back - they have to be repetitive and clear to the point of redundancy. Here, Browning has taken something shocking but admittedly rather mundane, and turned it into a taboo strong enough to abolish one of the tools normally at his disposal. The performances in these scenes, from Chaney, John George as Cojo and John St. Polis as the surgeon, are all so strong that it's easy to misremember the film as more explicit than it actually is. As a result, the film is far more subtle than a lot of Tod Browning's other collaborations with Chaney (ten in total), and probably the most restrained of all of Browning's horrors.

The Unknown is a genuine work of art, a film that moves from merely using its elements to portray a story to using its elements to enhance the story. I don't think it's quite like anything else from the silent era. Is it stagey and melodramatic? Yes, but those aren't bad things, and I'd argue they're necessary to make the film's more subtle elements work. This is a film that's well worth seeing; a little Halloween treat that I'm really glad has been rediscovered.

[the-named-anon]

Okay it’s still technically the 4th so!!!

30 days of weevils, day 4:

Sesabania Clown Weevil (Eudiagogus pulcher)

I think I really did something here… looks more bug then weevil but I like it!

[just-bendy]

Eyo bendy have u heard of a certain cup? Cuphead?

If one more goddamn person asks me if I know Cuphead.....

I'mma start bitin' people.

[idlesugarpuff]

OhmNanon

Tap for details.

Size 100x70 cm / 39.4x27.5 inch

It's taken me to the day (okay, one over..) a year to do this, and it still isn't exactly finished, but ever since my medication kicked in, I've been just numb.

I miss talking nonsense with people. And I will forever miss the happy OhmNanon days 🖤

[hereforlou]

bad buddy fandom getting-to-know-you meme!

I was tagged by @dudeyuri to answer these BB related questions by @fiercynn Thank youuu <3 these are always fun but I often forget to do them u_u

note: i consider "fanworks" to pretty much everything people create related to a fandom, including but not limited to meta/analysis/discussion, gifs, fanvids/edits/fancams, filk, fanart, fanfic, fan food, fan crafts, etc. please include this note with the meme unless you have a different definition

name and whatever you want to share about yourself

I’m Maggie (Magui), from Argentina, in my 30s, just enjoying the creative burst this show (which I love very, very much) gave me until it petters out. I’ve been in a loOOooOOoot of fandoms under different usernames over the years and I tend to delete stuff from the internet without much warning, so save what you like (but don’t repost, please!)

when did you watch bad buddy/join the fandom?

I watched it from episode 1 as it aired and could feel the brain rot spreading week after week but didn’t write fic until the day after the last episode came out, and I don’t think I posted any drawings until one or two months later? But I have the first couple of doodles I made on an old sketchbook after the first ep! (note I needed to write their names to remember what they were)

favorite ship(s)

PatPran and InkPa

favorite character(s)

I really can’t choose so I’ll say Nong Nao.

favorite episode(s)

I have a soft spot for ep 11 - running away together to a safe place, both trying to understand each other, the silly guy scene, Our Song, the imaginary montage at the end, the memory of watching it for the first time and being sucker punched by the ep 12 preview??? perfect all around x_x

favorite scene(s)

Off the top of my head (and in chronological order): the trashcan scene in ep 1, the bus stop role-play, rooftop kiss, the last scene/montage in ep 7, the simultaneous parent confrontation and rooftop meeting in ep 10, the silly guy convo at the beach, the last scene with the tin cans on ep 12 ;_;

one thing you would change about the show if you could

I think everyone answered the same thing but the whole Wai conflict and how they resolved it (including maybe Pat getting shot, though at this point would it really be BBS without Pat getting shot?)

what are your some of your favorite fanworks made by other people? 

I'll stick to people instead of particular fanworks, and only those I know for sure are on Tumblr so I can tag them, I'm really sorry if I forget someone!!

@architectxengineer @kit-teung @kornswasianguyswag @miscellar @dimplesandfierceeyes @yourunwiththewolves @icouldhyperfixatehim @fiercynn @charthanry @isaksbestpillow @pransobrave @faillen @jemmo @snickerdoodlles @alexshenry @nanons @mantrisanu

(if you create fanworks) what are your favorite fanworks that you’ve made?

Have I shown you the fridge magnets I made over a year ago? They’re pretty wonky but I think they're cute, considering I don’t know what I’m doing

a song that makes you think of bbs (the ones in the show don’t count lol)

I'll tag the same people I mentioned above, if you haven't done it and want to:

@architectxengineer @kit-teung @kornswasianguyswag @miscellar @dimplesandfierceeyes @yourunwiththewolves @icouldhyperfixatehim @fiercynn @charthanry @isaksbestpillow @pransobrave @faillen @jemmo @snickerdoodlles @alexshenry @nanons @mantrisanu

[gaiaxygang]

scary relationship chart

I made a messy visual for this a few months ago but here I will attempt to put it into words!!!

If you've spent enough time around Thai actors you've probably realised a lot of them happen to know each other. I like making connections drawing lines and once I fell into a hole because of these 6 20something year olds.

Ohm Pawat, Nanon Korapat, Chimon Wachirawit, Perth Tanapon, Saint Suppapong and Mark Siwat all know each other in one big circle. Here's a short video showcasing it (this is not as detailed as my post will be but it has the rough idea).

(It's hard finding a place to start when it comes to a group of 6.)

1. Saint, Ohm and Chimon went to the same high school, Assumption College (Thailand). Ohm and Chimon are in the same year, while Saint is 2 years above them.

Ohm and Chimon became close friends here (I don't have any clips where they mention this but it's evident from how they act). I'm unsure when exactly they met but they've been friends for a very, very long while.

Saint wasn't close with them because he's older but in School Tales The Series interviews he mentions sometimes seeing Chimon around campus. In one of these interviews he also said they could get closer by talking about football and he was relieved to be working with an old schoolmate.

Saint and Ohm would later attend the same university (SWU) and I don't know if they were friends. Everyone here except Chimon actually went to SWU so this doesn't mean much 😭

2. Nanon and Chimon met while filming Senior Secret Love: My Lil Boy season 2 in 2016. Nanon was in S1 but Chimon wasn't. They got along quickly because they were close in age (they're both born 2000, even though by Thai conventions Nanon is younger). They would go on to film several series together in the next few years.

Similarly, Perth and Mark met while filming Please... Siang Riak Winyan in 2017. Mark was the first to approach Perth and became Perth's first friend in the entertainment industry. They also spent more time with each other because their characters were close.

Chimon was also in Please, and this is where he met Perth and Mark. The two weren't super close with Chimon since they didn't share scenes.

3. Mark and Ohm became friends in SWU. There are old videos of Ohm being annoying (affectionate) around Mark.

In Ohm and Mark's first year at SWU, Ohm met Perth (still in high school). According to a Double Savage interview, they'd met through a mutual friend. I am unable to find anything that confirms or denies this but I am almost certain Mark introduced them. They became good friends afterwards and have described each other as like blood brothers.

(Ohm thought Perth would be arrogant because he was already an established actor by then but he was very polite HAHAHAHA he is soooo cute 🫳🐯)

Also this isn't really in chronological order but Nanon and Perth met in SWU in 2019 as well!

4. In 2018, Ohm, Nanon and Chimon were cast in Blacklist. When they were filming the pilot, Ohm and Nanon met for the first time. Chimon helped to introduce them (having been friends with both for years at this point) and when Nanon saw Chimon speaking casually to Ohm, he started doing so as well.

(Nanon is a year below Ohm and Chimon, but he's close enough to Chimon that he speaks to him like they're the same age. Ohm has mentioned seeing Nanon skipping class in uni wwww)

Perth and Mark met Saint while working on Love By Chance. Perth and Saint were paired together. I'm not certain about LBC because I don't want to touch anything related to it but there seems to have been a LOT of promotion featuring the full cast.

5. Perth and Chimon met again at some point, likely around when Perth joined GMMTV. They were both close with Ohm and Nanon. Perth was asked early on who he'd want to work with in GMMTV and he answered P'Ohm, P'Chimon and Nanon 😊🫳🐯.

TL;DR

Ohm, Chimon and Saint went to the same high school. Everyone except Chimon went to the same university. Nanon-Chimon, Ohm-Nanon, Perth-Mark, Saint-Perth met through series. Ohm-Perth were introduced by a mutual friend.

(I don't know anything about Nanon, Mark and Saint. Half the industry probably knows Nanon but I don't know if they're friends with him.)

What about the shows?

Aside from the aforementioned shows, many of them were also cast in the same series.

- Perth and Mark were cast as a couple in The Stranded. They were very comfortable with each other by then so there weren't many problems. They even improvised a kiss! Perth-Mark did some promotion together (Pepsi ad and Mint Magazine video for example) but went their separate ways career-wise after.

- Around the same time as Blacklist, Ohm and Chimon were both cast in He's Coming To Me as friends.

- I don't know WHEN because My Precious production was SLOW but Ohm Nanon and Chimon were all cast in the movie. The series version was also filmed at the same time.

- In 2021, Ohm and Nanon were paired for Bad Buddy. They did around a year of promotion before, well, divorce.

- Saint and Chimon were cast in the same episode of School Tales The Series. This was done before PerthChimon became an official GMMTV pair but I find it very funny that by the time it aired PerthChimon had already done an event together. This twitter thread has links to videos and interviews with Saint and Chimon.

Mark was also in School Tales, but in a different episode.

- Ohm and Perth played brothers in Double Savage. Given what their characters are like I would hope Ohm and Perth didn't put TOO much of themselves into it but I presume their friendship helped with bringing their characters to life.

- I've done a separate PerthChimon timeline so I won't talk too much about them but they became an official pair around mid 2022, likely also when Perth joined the cast of NLMG.

- Music projects! Perth and Nanon have been in Musicon, both Japan and Jakarta. Perth was also a special guest at an Ohm-Nanon fanmeet, where he performed with Ohm.

😬😬😬 typed this out on a whim so I might be missing things. The 6 of them make me so (TEARING HAIR OUT) genuinely. Hoping for a Perth and Nanon project next year 🫠🙏