#my thought process exactly

[leconcombrerit]

Guys I may be really slow at this but somewhere between brushing my teeth and skincare it dawned on me that the song was probably about Damon and not Anawin like

"Ahahaha that boy sure is beautiful but it doesn't seem like this bitter entitled brat (/pos) is exactly living with joy to me aha"

And then that shot of happy cute little painter Damon drawing lil' flowers with a strong baby energy flashed in my mind and the rest of the lyrics suddenly made sense

[kkatastrophic]

nooo it was about Taka

Daily Danganronpa Fun Fact #228

The God that Tsumugi spoke about when talking to Angie was Izuru Kamukura. Despite his name being written in katakana, making its meaning ambiguous, the original name taken from the founder had the kanji 神, meaning God.

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[mortysmith]

eye color hcs

[werecreature-addicted]

internalized biphobia is crazy "Maybe I'm just faking it, I really do like guys what if I'm straight" I dated a woman for three years. that's not "faking it for attention" behavior

[mx-misty-eyed]

SO TRUE

creating a board called transition goals but its just photos of frank iero

[lambmotifz]

sam can control dean emotionally by pleading & using submissive puppy dog eyes while dean has physical control over sam. you understand

[shalom-iamcominghome]

How does conversion work for a trans person? I'm scared of being naked for the mikveh immersion and also the part about circumcision, I really don't want anyone to see my body naked

I feel you on that, anon. So, it will heavily depend on which branch of judaism you plan on converting to, but there will be trans-friendly and trans-unfriendly spaces within each branch. I think the best course of action is to ask around with rabbis which take in students - definitely ask rabbis what their expectations would be as a trans student. Honestly, the only reason I didn't disclose my transness immediately to my rabbi was because I could tell he'd be trans-friendly even through email.

Now, I don't know your specific circumstances, nor will I ask, but there are options depending on what you're looking for. I'm a trans guy - I don't have the obligation to go through bris, and I'm not really able to. However, I do fulfill many of the mitzvot for men, and that compromise sort of offsets the fact that I don't have any way to really go through with bris.

For the mikvah, I've heard some places will put a sheet barrier in the water so that your body isn't fully seen. From what I know, you just need people to witness (even for a split second) that you are fully immersed and not your body. This might be dependent on the movement, however.

Otherwise, the process is very similar if not identical to cis counterparts. You can fulfill a ton of mitzvot as yourself, and in general, transness doesn't really prevent you from doing that. I would definitely talk with your rabbi for any accomodations you might want in this process - it's imperative that you're able to trust your rabbi to be receptive and willing to hear you out or compromise or anything else. If you have follow-up questions, I'd love to hear them; I can only speak to my experiences, but I know that it can sometimes be comforting to know you're not the only trans convert in the world. Transsexuals have become jewish since the dawn of time; you have no reason not to be jewish if that is something you want.

[lesbian-phagenda]

nobody tell me being chronically online is bad. a win for phannies everywhere

[podcastenthusiast]

Sure it's all fun and games Tav telling Astarion to "say please" and calling him a good boy before having sex, but he'd have a mini panic attack if Tav explained safewords and like actually gave a shit about his wellbeing in bed.

[justice-artblog]

Rekindle anew au and something that struck me a little late-

The difference of Motto bettwen Saiki and Mob's ethical standpoints.

Saiki's "unwilling" standpoint to not help others if it doesnt directly affect him and Mob's want to help other's because they're all the same.

Just the initial argument of "They can handle it themselves," and "They don't have too, we can help." Sort of back and forth

Mob's steady realization that Saiki's "Ironclad" rule isn't so much a rule and more of a Mantra that doesn't work.

Saiki can say that he isn't willing to help others, and then turn around and help in some way anyway. But he's more likely to help for the people he knows than strangers.

I just need that little fight before something dumb happens. Probably with the Telepathy club, it just needs to be something a little more minor and less stress inducing.

Idk it just, Im chewing on this idea of them arguing about it and having Reigen eventually come at Saiki with his speech about everyone being the same, regardless of abilities or not.

Cause Saiki needs to hear it.

[tj-crochets]

Went to the doctor just for a check up and he basically just told me "your body just processes sugar very well! :) :) :) It's a good thing! :) :) :) It can't possibly be the source of your symptoms even though eating fixes it :) :) :)" But there was also a moment when talking about my iron deficiency that is possibly one of the funniest things a doctor has ever said to me, up with the cardiologist who said "you're a medical mystery": He was going over my blood test results, and said "Your iron levels haven't gone up at all, they are still extremely low, but you're not anemic anymore" And I was like how am I not anemic anymore??? And he said "Your hemoglobin levels have gone up...somehow..." while frowning at the blood test results on his computer. It was very "somehow, palpatine has returned" lol

[telekitnetic-art]

Hi!! Your art is so fucking cool! Can I ask what the process looks like for form line? Ex. What do your sketches look like when they are really rough? How do you go from idea -> final product. 💕

Hadih, thanks so much for your question!

Honestly, it's sort of hard to explain? I do have some sketches to sort of give an idea though.

This sketch I posted a couple days ago is a pretty good example of what my initial concept sketches sometimes look like.. As you can see, they're pretty chaotic and very rough, and usually these sketches are more about getting the idea down then actually making the formline itself. There aren't formline shapes just yet, although I do sometimes sketch out elements or shapes like eyes or bodies or paws/hands that will usually have an ovoid in it, because those elements tend to be a focus or centerpiece. The sketch is obviously not final, and things can change along the way to account for space and balance as well as what I'm trying to convey. (These sketches aren't entirely accurate of course because they're for pieces that are meant to be fusions of character illustrations and formline art, but they're the best thing I can find on my pc at the moment)

The rough sketch helps me figure out the flow of the piece, and once I'm satisfied with it I try and get to putting down the shapes and silhouette, and it's here where I try to find the balance with my rough sketch and how the shapes can fit and behave in the piece to the best of their limits while also still conveying the message I want to send. The most common shape I start with is the focus shapes, which are usually ovoids.

This rough of my harbor seal formline which I sent to my aunt for review sort of gives a better Idea of what I mean when I say I try and focus on where the centerpoints will be. Ovoids are usually a focus, so you can see them pop up a lot; in the body, the head, the eyes, the tail, etc. Ovoids are so important and probably the most common shape in formline art, and one of the most common feedback I get from my aunt is to adjust how the ovoid looks in any one of my pieces; she often compared them to a loaf of bread! You don't want your ovoids to look like a loaf of bread! (Her words, not mine). I feel like I've gotten better at drawing ovoids though, because she gives it as feedback less and less nowadays. Ovoids usually also have to have a bit of weight/perspective to them; it's hard to describe but essentially the top of the ovoid should usually be bigger/thicker/have more weight then the bottom.

From ovoids, the next shapes are usually circles, u-shapes and crescents, then usually y-shapes/trigons. It can be difficult, because the key is to make sure the shapes flow together and feel cohesive, as well as to make sure the negative/positive space balance feels right. Also a fun tidbit, trigons are most typically used to essentially fill space; it's always important to make sure that they are binding bigger shapes like u-shapes and ovoids and not stealing all the space and attention.

The lines in this stage tend to be very rough and messy, and I always try to go over the next rough draft with a smoother and cleaner pen.

Once the initial shapes are done, I'll usually send the piece to my aunt (sometimes I send them earlier on, when I'm in the middle of working out the shapes) for feedback! I am still a student in formline work after all; basically all of my teachings come from my aunt, who has a lot more years of work in formline art then me. She'll give me feedback and tips of what she thinks I should fix or experiment with. I adjust and fix and sometimes even completely delete and redo parts of the piece with her guidance. The list of things she tells me to change decreases with each piece, so I like to take that as a sign that I'm improving!

Once the black and white version of the design is done, I move onto coloring. Usually I already have a color scheme in mind when I go into a piece, so I'll mess around and put down colors and see how well they contrast before I color it. Typically, a piece will have about 3 colors; one for the background, one primary color, and one secondary color. I use a clipping layer to color the entire formline piece with the primary color, and then go in with the pen tool and bucket tool to use the secondary color. Adding in the secondary color is tricky but important because it once again falls into balancing positive and negative space/colors and the transitions between the two.

Once coloring is done, the project is basically finished! Unless there are some other plans I have for it, ie using it for an overlay in a bigger piece, colouring is usually the final stage.

And that's about it! I hope this helps you understand a bit; this isn't a perfect explanation as this is just from my own artistic POV and other nations and artists have their own process, but I hope it helps nonetheless!!

Edit: I forgot I posted other WIP formlines here before 😭 here and here!! You can sort of see me figure out the flow and balance of the designs in between the WIP and the finished piece!

[sionisjaune]

brocedes stepford wife type marriage. could be het, or not

i love your fics btw!

Not really stepford wives but robot nico???

"I've updated his language model and increased his audio processing speed," says Lewis, gesturing at the cracked-open shell of electronics on the table. It doesn't really look like Nico now, but as soon as his circuits get stuffed back inside where they're supposed to be and his titanium ribs are snapped shut, he'll look just like the boy Lewis followed to MIT when he was eighteen years old. He's not nearly as smart, or as funny, or as insufferable, but he seems to charm his customers just the same.

"And what is your progress on removing the accent?" says Toto. "I understand modelling a convincing human voice can be difficult but--"

"Zero percent progress," says Lewis. "I'm not doing it, just like I'm not designing a fucking companionship mode, because he is a state of the art robotic assistant, and not a robot girlfriend."

"At the going price," says Toto, arms crossed, "you could double your revenue by adding a companionship mode."

"He can affect politeness. That's the best I'll do."

Toto throws his hands in the air. "Frankly, I don't understand your hang-ups about AI companionship. It's the done thing now, and your models are the best on the market. You could change the game, if you weren't so--"

"I said no," says Lewis.

Toto lifts an eyebrow. "I suppose your gifts are reserved just for you? Your prototype--" He points in the direction of other robot-Nico, the prototype Lewis is always tinkering with, sitting placidly on a rather avant-garde armchair in the corner of the lab. "--behaves awfully affectionately, don't you think?"

Lewis frowns, assessing proto-Nico's idle seat. The cycle of his breath is so natural Lewis could almost be fooled into thinking he was real, if he didn't feel the swell of pride in his chest at the fact that he made proto-Nico, made him almost as good as the real thing. "He's experimental. Not--not ready for the market."

Toto crosses his arms, assessing. "I'm sure."

[rist-ix]

https://www.tumblr.com/rist-ix/749015401700229120 not you reblogging this when you ship bloom with the man who murdered her family 😭

Bloom's into ppl who slay! Hope this helps :3

[jujumin-translates]

★ Main Story | Act 13 - Budding Spring | Chapter 27 - Papa Crisis

Banri: You guys can take a twenty-minute break here. Good work.

Masumi: The KniRoun Stage video is up.

Sakuya: Waah, it is!

Chikage: Lancelot’s pretty eye-catching.

Tsuzuru: He was even working on his sword fighting for KniRoun in between rehearsals. Must’ve been rough.

Banri: Nah, he was havin’ the time of his life, trust me.

Citron: Itaru looks like he is having fun~.

Rento: Ooh~, his overseas debut, huh? Looks like he’s doin’ great.

Rento: Still, absolutely insane as hell that he’s comin’ back here right on openin’ day.

Izumi: It really, truly is…

Izumi: In the past, it would’ve been unthinkable to try and to this, but with the current Spring Troupe, I think we’ll be able to pull this plan, even with it cutting it so close.

Banri: Well, it’d be pretty nice to keep this kinda energy goin’ through openin’ day.

Tsumugi: I hope Itaru-kun was able to get to the airport safely.

Sakuya: It’s about time for his flight, right?

Chikage: Let’s check the chat.

*Phone notification*

Izumi: Ah, I just got a LIME from…

Itaru: “problem, can’t get on my flight, airport’s shut down bc of a strike.”

Tsuzuru: WHAT!?

Sakuya: A strike!? That won’t end any time soon…!

Tsumugi: Sometimes the end soon, but sometimes they go on for days. There’s no telling what will happen…

Banri: What’re we gonna do? I mean, we could get through openin’ day with an understudy, or delay it entirely, but…

Masumi: We considered a lot of factors when we picked the date of opening day. It’s the day that’ll give us the most views with the least competition from other troupes, so moving it should really be our last resort.

Izumi: Right… And refunding tickets would have a huge impact on our votes…

Izumi: We’ll still have to deal with refunds if we go for having an understudy, but the damage with that should be minimal.

Banri: Guess we gotta go with an understudy.

Sakuya: Um, can we at least wait until the very last minute?

Tsuzuru: We want to wait for Itaru-san’s return for as long as we can. Can we at least do that, please?

Izumi: …

Tsumugi: I can be ready to sub in at any time, so don’t worry about it.

Sakuya: Thank you so much!

Chikage: I’m arranging a flight for him at another airport as we speak. With this one, he’ll be able to just barely make it in time for the start of the performance.

Chikage: Someone get into contact with Chigasaki and tell him to hurry to catch the bus.

Tsuzuru: On it!

Tsuzuru: “Itaru-san, please hurry to the nearby airport ASAP!”

Chikage: The next bus is leaving at--.

Citron: “I will give you a lucky chant so you will make it in time!”

· • —– ٠ ✤ ٠ —– • ·

Announcement: “The plane has arrived at Narita Aiport two hours later than scheduled.”

Announcement: “We sincerely apologize for the delay in its arrival due to weather conditions. We offer our deepest condolences to those affected by the delay.”

Itaru: (CITRON used Lucky Chant! The Lucky Chant shielded me from a critical hit…!)

· • —– ٠ ✤ ٠ —– • ·

UC: Run, Chigasaki.

Itaru: (I am running!)

Saku: You can do it, Itaru-san!

Curry: director said she’s coming to pick you up

taruchi: dw abt it, it’ll be faster if i take a taxi

· • —– ٠ ✤ ٠ —– • ·

Passerby A: Huh, is the line for getting a taxi really this long?

Passerby B: Probably because of a group of tourists~. Let’s just take the train.

Itaru: (Wait, the line for taxis is THIS long? Oh, I’m so screwed…)

Itaru: (Should I ask Director-san to pick me up now?)

Itaru: (But I’m sure she’s busy getting everything ready for the start of the show. Not to mention, even if she comes now, we probably wouldn’t make it back in time for the start of the show anyway--.)

[ ⇠ Previous Part ] • [ Next Part ⇢ ]

[chevaliermalfets]