#my source is that i say so
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benevolenterrancy · 2 months ago
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Scholarly peak is catching up on recent literature
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intheconfessiondial · 3 months ago
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12 Months of 12 - September
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fairy-bard · 5 months ago
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i’ve been loving watching critical role recently if for no other reason than because i get to watch a decent portion of viewers actively falling for cult tactics lmao
a forbes article describes cult tactics as when cult leaders “censor dissenting viewpoints, promote a distorted narrative and use relentless repetition and peer pressure”
ludinus needing to monologue at everyone he meets. cherry picking what information to let people know (ie the orb). showing popular world leaders (gods?) at their absolute worst as a means to win over the vulnerable. creating dissent between cult prospects and the people who they’re close to outside the cult. doesn’t take no for an answer. repeating his points over and over, in whatever context he thinks will be most persuasive. targeting people who’ve lost everything. convincing people that they’re special
matt is a genius.
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ninjautizm · 1 year ago
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I don't remember this but HOLY FUCKING SHIIIIIITT LLOYD WAS CONFIRMED TO BE AT LEAST 9 YEARS OLD HERE AND HE WAS ABLE TO DO THAT??? JESUS FUCK
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jedi-starbird · 9 months ago
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fellas. fellas. listen. qui-gon does express affection towards obi-wan, he just does it in the divorced dad way.
that's his love language, despite never having been married, divorced or had a kid.
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red-moon-at-night · 1 month ago
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After doing some research on the types of pets people had in ancient Greece, I'd like to imagine that Helen is the sort of person who has a whole menagerie of birds — and she loves each and every one of them very, very much.
It fits well with her being good at mimicry, you know. Talking and imitating and singing with her beloved birds 💜
Close up under the read more:
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I had to include that one necklace from the minoan 'saffron goddess' fresco because it's my favourite thing Ever
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splatloafbud · 9 months ago
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THANK YOU SPLATOON 1 FOR CHANGING MY LIFE ❤️
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codacheetah · 6 months ago
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Tell me your opinions on the stuff. Any stuff.
Grins. Smiles, even
I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:
THE ISLAND IS STUCK IN THE FUCKING FUTURE
(SCARE CHORD)
Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)
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The Island was redacted from the perception of outside world, via Wish Craft.
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Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.
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One of the King's powers is to show the saviors a "vision of the future."
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...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.
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...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.
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We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.
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Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.
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And that said pain is enough to become lethal, if pressed hard enough.
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From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.
Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.
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The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.
MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.
The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"
Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.
The game rewinds slightly, before the item disappears, as the Universe corrects itself.
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This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.
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In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.
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The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.
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The Universe leads you away from perception, and you can only follow.
My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.
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hinamie · 7 months ago
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@philosophiums and i have been nursing the beginnings of an atla au so have some preliminary designs while we cook :>
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canon-gabriel-quotes · 8 months ago
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Transcript:
Machine.
Does my ass look fat in this armor?
Audio source
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starbuck · 2 months ago
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john darnielle will say “no you don’t understand guys, this line was SO bad, it’s literally the worst thing ever i couldn’t even release the song because it was so awful and i couldn’t fix it,” and then the line will be “I've got a Kenmore single-room window unit air conditioner.”
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palskippah · 26 days ago
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Hi!
Drew this while listening to Carlos Baute's quien te quiere como yo (who wants/loves you like I do) as a break on homework sjdfkds
(throws some of the lyrics at you) - who wants and cares for you (like I do), who brightens your days (like I do), who admires you (like I do), who thinks about you and loves you (like I do), who respects your space, who understands your days of change, who brings the best in you 🗣️ I'm sure that no one has ever loved you liiike I doooo
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dingodad · 5 months ago
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please god i need to know what U think of the whole “jadebloods are all female!” thing because i got into homestuck in 2019 around the time of friendsim and (retching) Lanque so i always assumed they were explicitly intended to be an all-female caste. however, re-reading the comic this year, i couldnt find a mention of it other than virgo and the Space aspect being really feminine, but i think kanayas journey with motherhood is more kanaya-centric than All-Jadebloods centric??
on one hand, it makes sense given that alternia has very real gendered oppression, so what’s better for that than CATHOLICISM?? on the other hand, i always saw kanaya as being transfem coded, because it connects so well with roxy yknow.. homestuck fans love to insist that certain characters just have to be cis women (kanaya, jade, roxy)
(as an aside; was “long hair was butch on alternia” a one off joke? i like speculation about alternia’s fashion opposing earth, lol)
most all of our basis for explicitly gendered interpretation of Alternia comes from act 6 intermission 3, where Aranea tells us that "jade 8loods were also an almost exclusively female caste". so the door has always been open for there to be "some male jadebloods". but it's a mistake to view this as having anything to do with any kind of "biological sex". the whole idea of biological sex among trolls is a smoke screen. the jadebloods' assigned gender at birth is "jadeblood". this is what makes them a feminised caste.
Caliborn doesn't have a clue what biological sex is. Aranea will tell you that there are boy cherubs and girl cherubs, but for your own sanity you need to cast this idea out of your mind: cherub sex takes place between good and evil cherubs - which is determined by their blood - and anything else is just roleplay. Caliborn's attitude toward sexing is that the ones he likes are boys - that's all the thought that goes into it. and that's the mindset we need to be aware of when we delve into understanding troll gender. there are some trolls who have breast tissue and some who don't, but they aren't "mammaries" in any sense, so there's no reason to believe they're actually sexual characteristics of any kind; maybe this is what Lord English chose to base his gender schema on, but the idea that this means there must be "male trolls" and "female trolls" is completely imagined for the narrative convenience of the human reader.
when we read that there are "male-dominated" highblood castes and therefore by implication female-populated lowblood castes, it's not by some coincidence of biology: the highblood castes are male-dominated BECAUSE they are highblood castes. each caste has a role to play in Caliborn's Alternia, and just as the highblooded roles are those of patriarchal domination, the lower castes must take on roles of feminised submission; and in the case of the jades in particular, this means breeding duties. the fact that this also comes with the expectation to wear makeup and pretty clothes is just more roleplay.
so tl;dr what i think of "the all jadebloods are female thing" is that it is very obviously true but in a way more 5 dimensional gender studies way than anyone else tends to mean when they say it
my pet "long hair was butch on alternia" headcanon - which is a joke but in the way all headcanons about alternia should be jokes of some kind - actually kind of relates to this lol. bc i figure that if gendered expectations of female trolls includes working in disgusting underground caverns filled with genetic material, it's going to be practical to keep your hair close to your head where it won't get dirty, in much the same way the feminist image of the short-haired woman became popular in the west during and after world war 2, wherein a lot of women had to start wearing their hair close to their heads to avoid scalping themselves in the factory machinery they suddenly had to start working with. hence kanaya dedicated to her assigned feminine role and wearing her hair short vs. porrim rebelling against it for feminist reasons and thus wearing her hair at a length that would be totally impractical for wading through gene pools.
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dollarstoreartsupplies · 10 months ago
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okay so steph is definitely a music purist?
we can all agree on that right? like she's a 'said she was born in the wrong generation in middle school' fleetwood mac, david bowie, the mamas & the papas, niche modern indie artists and also chappell roan kind of music listener. obviously. but.... i dont think we've really considered pete's music taste?
pete, who is a science, left-brained kind of kid, so he probably does not actively go out to look for music and is instead just provided music by the people around him?
pete whose older brother is theodore spankoffski and so his earliest and most fond and nostalgic music influences from his childhood would have come directly from ted's cd collection???
basically what im saying is peter spankoffski has the most trashy, early 00's ke$ha, black eyed peas my humps era, all american rejects ass music taste in the world
that boy had bowling for soup's 1985 memorized at age four, his guilty pleasure music is hollywood undead's everywhere i go, ted did his first decent person move in years when pete came out as trans as a kid and stopped listening to grow a pear by ke$ha and pete forcibly made him play it because it's a bop
and then his only friends are a weeb and a theatre kid.
steph gives him the aux cord on a date to be nice, as a sign of trust, and is blasted in the face with the most uncurated mess of j-pop, sondheim, weezer, and like... owl city's fireflies and that's just a fact
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therantingsage · 9 months ago
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Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:
Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos
Under the cut cuz it got obscenely long oops-
Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.
We all saw this scene:
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And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.
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Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.
Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.
Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:
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...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.
I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.
Backing up a bit, Uzi's reaction to Nori's reaction:
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This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."
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In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.
When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.
As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.
And guys. Guys.
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This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.
Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."
And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.
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Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.
Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:
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Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.
This:
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Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-
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This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.
And after:
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Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.
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His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.
And when she cuts Uzi off:
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He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"
And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.
But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?
Guys. Guys.
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N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.
But based on V's reaction to the handholding in Dead End:
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I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.
Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.
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Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.
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andorerso · 9 months ago
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JYN APPRECIATION WEEK 2024 | @jynappreciationsquad
↳ Day 2: Favorite Source Material: The Trailers
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