#my povs are limited D:

[selemina]

The green names had a terrible time this session! :D

[midnight-rice]

Petition to bring back the archaic word "fere" as a gender neutral* term for a companion/mate/spouse. It has roots from the Old English word "gefera" roughly meaning "one who goes with another" and is pronounced "feer" which sounds like "Dear" which is already a term of endearment and is homophonous with "fear" so you can sound like an oxymoronic gay vampire or smth ("Hello my Fere >:)")

*the word "fere" was gender-neutral in English but has evolved into male-gendered words like "fuhrer" and "frere" in German and French respectively

[redbeanjellysoul]

viktor is actually insane I just know he barely eats, showers, sleeps, while basically having leukemia and yet he still fucking invents. How. is that. actually possible?

[supersoakerfullofblood]

Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

[https-milo]

shoto instagram? i love these smmm😈😈☝️

haihai! thank you sm for the request :D

DATING SHOTO TODOROKI INSTAGRAM

details

instagram posts w/ comments while dating Shoto Todoroki

a/n OBVIOUSLY these are just pictures off of pinterest, reader can be however you imagine !

main m. list / instagram m. list

its.y/n · 16w

698 likes

liked by: uravity, deku_, yaomomo_creati

its.y/n we got charged like 20 dollars extra for not finishing it </3

tagged: icyhot

icyhot its ok, it was my dad's card

its.y/n icyhot the only thing endeavor is good for

uravity should've invited me for backup ://

its.y/n uravity ill just doordash you some!!

uravity its.y/n todoroki bouta get his girl stolen 🔥🔥

icyhot · 10w

2,214 likes

liked by: uravity, deku_, cellophane, iida.tenya

icyhot "Can we dance in that field?" - Y/n

tagged: its.y/n

its.y/n "yes, of course" - Shoto

icyhot its.y/n what else was I supposed to say?

iida.tenya i hope you guys weren't trespassing!

its.y/n iida.tenya nope! rule followers here

uravity its.y/n untrue!

icyhot uravity Art thou perhaps an opposition?

uravity icyhot /chargebolt /cellophane STOP TEACHING HIM STUFF

its.y/n · 7w

821 likes

liked by: uravity, chargebolt, cellophane, deku_

its.y/n hes forcing me to do skincare to keep his perfect porcelain skin

tagged: icyhot

icyhot don't lie, you asked me first

its.y/n icyhot shhhhhh nuh uh

icyhot its.y/n 😐

cellophane the price of dating a hot person, I fear

its.y/n · 3w

598 likes

liked by: deku_, chargebolt, uravity

its.y/n POV me and Sho running from endeavor after charging 100,000 ¥ on his card

📸 - deku_

tagged: icyhot

deku_ this was so funny

icyhot its.y/n anything for the limited edition All Might merch

its.y/n icyhot it was an early gift for Mido-san 🥸

alienqueen oh to have a rich boyfriend

icyhot · 1w

2,761 likes

liked by: its.y/n, deku_, uravity

icyhot I don't know what I did to get so lucky. Thank you so much for being in my life and sticking with me through everything ❤️

tagged: its.y/n

its.y/n there is no luck :) its just you being you and me loving you for who you are ❤️

icyhot its.y/n i love you so much

its.y/n icyhot I love you so much more

© https-milo. please do not repost, steal, copy, or modify my works!

Thank you so much for reading <3

[ma1dita]

when the curtains close

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 5.3k

summary: (post-tlt) The one where you lose two people in the Labyrinth that day. All strings are cut. (Pollux, Annabeth, Percy, and Mr. D find out the biggest difference between you and Luke.) (Luke Castellan x fem!Dionysus!reader)

a/n: yeah to me this fic sounds and feels like that tiktok of the girl humming to her microwave. split povs: pollux, annabeth, your depictions of the titular battle of the labyrinth at CHB, some blood/gore, death & grief. the usual. you forced me to by lizzy mcalpine. references to cat on a hot tin roof by tennessee williams if you squint

(posted 5/14/24)

—

The first time Pollux has a panic attack, time seems to stop and the world keeps moving on without him.

He’s reminded of a time when you rambled on about how anxiety takes possession of the senses like a moment frozen in a snapshot meant for you to identify. In the memory, you had your feet kicked up on the dash flipping through a DSM-5 while he and Castor took turns speeding up and down Farm Road (totally normal older sister behavior from you, and when a cop pulled you over, the three of you narrowly escaped a ticket by talking in riddles and godly smoke that smelled like grapes). Pollux still remembers the sound of laughter in the car blending like three different chords to an archaic melody (or squawking crows in the strawberry fields)— the bond between you three laid out before time knew limits and was always meant to be.

It’s still his favorite song. You’re their favorite (and only) sister, they love to joke. These are facts that will never change.

“You two have each other, and well, I’ve got this,” you had said, the Zippo flicking open and closed against your thumb in the blossoming darkness of the car. Pink and purple rays of waning light blanketed the old hatchback as it steadily made its way back towards Half-Blood Hill, comfortable silence shared in the way only siblings can stand to be quiet—when there are no words needed to get a point across. But you’ve always set yourself apart from the pack, not needing anyone like how they need each other.

Not since Luke left, at least. The growing distance between you three since your untimely resignation from camp was proof enough. Pollux’s eyes met Castor’s in the rearview mirror as they both noticed your sad smile. His brother’s voice broke through the silence then, having always been the one blunt enough to say what was on his mind, “You’ve got us too if you let us see you more often.” Your fidgeting stops.

“It’s not you two, it’s just hard to be back here sometimes. I see things for what they used to be instead of how they really are now. Now it’s just… it has to be all business.”

Pollux cracked a smile, “S’what you get for growing up. Soon we’ll just be annoying voices in your head like you are to us.” Shutting your textbook, you turned to look at them from the passenger seat, eyes that match theirs darting between their blond heads, “All of us have to grow up eventually. Except maybe you two— I prefer you in my nightmares like the kids from The Shining. Whenever you get sick of Dad, come see me. Gods know that camp deserves a break from the two of you too.” Your knuckles knocked against both of their heads affectionately as he put the car in park, “My built-in bodyguards, huh? Always looking out for me.”

All words and meaning escape Pollux now as he stands in the greenery of the North Woods with battle gear ill-fitted to his large frame. It’s the first siege he’s ever taken part in, the first time he’s had to use battle strategies outside of Capture the Flag and the first time he’s slashed his way through monsters and demigods with the intent to try and kill or be killed. Sword and Shield could have never prepared any of them for this—as his eyes meet Castor’s and then yours with all of you thinking the same thing, the three of you join the sea of iridescent orange through mind-numbing black moving like a sharp three-pronged sword.

This type of stuff isn’t typical for him, he thinks. He and Castor are used to being comedic relief— being the source of laughs and juice boxes for pesky little campers instead of facing the real world outside the boundaries of the Mist. Perhaps your father babied them to make up for the time he lost with you, but there’s a moment where he wonders how being kept soft will keep him alive in a world as harsh as this one.

Childlike innocence is ripped away from them in the bubble they’ve inhabited until this moment. Home is now a warzone and like lambs set up for slaughter, the twins both turn to look at you as a shuddering gasp leaves your mouth at the carnage in your surroundings, monster blood and fallen friends and enemies at your feet. Breaking away from formation to take a deep breath, he looks at the sky and wonders where your father is, but smoke and soot fill his lungs and he coughs desperately for a breath of fresh air.

Pollux thinks he must have stopped breathing before Castor took his last breath. It wasn’t supposed to be a competition, but sometimes life was just funny like that.

5, 4, 3, 2, 1.

Just like you told him.

Castor was always the more manic one while Pollux knew how to endure. Children of Dionysus are forced to befriend insanity before it makes an enemy out of them—twisting the ugly into what’s real and creating something beautiful out of the deranged. You’ve shown the boys how you detach from emotion by recognizing the details—separating fact and fiction, a methodical process only describable by the blood that runs through your veins. Pollux doesn’t know where to start—everything happens so fast but it plays out in front of him like someone put the pieces together to a stop-motion animation.

He sees Castor’s sword fall to the ground when he gets slashed on the forearm and sees him get clubbed over the head with a metal weapon he’s only seen bad renditions forged for theater practices and hanging on the walls of the armory. Castor falls first to his knees, and then into the dirt with a thud. He never knew there could be that much blood coming out of a person, much less a mirror image of himself. Pollux sees your face come into his line of vision, deep maroon splatters on your face glittering with hints of ichor and then you’re moving because he can’t. The enemy is coming back for him now, and for a moment he wonders if Castor will be mad if he lets him. He sees you turn in an instant, swinging your sword down on the neck of the aggressor, a teenager not much older than he and his brother are—were. It’s funny how his brain immediately makes the switch to past tense, and how he can’t stop thinking about how he’ll now and forever be older than his twin. Pollux then sees you catch the body of the boy you just killed as life seeps out of him slower than it did for Castor.

It doesn’t make him feel any better, though.

His knees hit the ground next to his twin, touching the sludge of dirt soft like quicksand and moist with what he hopes is not blood, but Pollux is not quite sure of what else there is to hope for. His fist is wrapped around Castor’s shirtsleeve, touching faded orange and sweat as he holds on for dear life. Maybe if he tries hard enough his soul will still be intertwined with his. Your hand touches his shoulder, five fingers reaching out to brush the back of his neck and the feeling of your skin helps him refocus a bit, even if you’re saying something he can’t make out. Then the metal of your Zippo lighter feels cool to the touch within his palm and he knows what he needs to do.

The battle isn’t over, but for the three of you, everything stops here. There is no going forward without your brother. You were never meant to be children of war.

Pollux hears the sound of his heartbeat thundering through his ears, blood rushing through his veins and can’t help but notice the silence amid the chaos. There are no words fit for this—and even if there were, Castor and you were always the more talkative ones. He hears the spark of the purple flame between his fingers, blowing the smoke over him and his brother’s body, and their father’s powers blanket them like how you used to tuck them into bed, warm and safe. This is what your family is—unconventional and unending even in different realms of existence. And then Grover’s scream of panic echoes through the air and everyone hears that. Hysteria ensues as monsters and demigods alike run amok, and Pollux realizes he’s stopped shaking.

In his father’s domain, he will always find comfort.

You stand above him now directing campers calmly with a free hand—a brewing storm crackling underneath your skin that he now understands. Hidden by the illusion of smoke, Pollux’s tired bones rest alongside his brother’s dead ones— together as they always were meant to be.

The three of you together, his little family—that is a fact he hoped would never change.

The smell of grapes envelops him as he leans his forehead against your muddy leg… when did the battle end? It almost masks the scent of death that rips through the air as your hand brushes through his sandy hair. Pollux stinks of sweat and you stifle a laugh as you see him smell his armpit. You three were always the same type of fucked up. He doesn’t look down at Castor laid across his lap but knows he would’ve found it funny too. Ignorance of reality even for a moment serves as a comfort. Purple meets purple as he looks up at you with a smile that doesn’t fit his face anymore and he croaks, “Wonder what dad would say about our first battle…”

Glory was never meant to be this bittersweet—it tastes like blood in his mouth until he wipes it away from his cheek and realizes it’s Castor’s. In a way, it’s his too, everything about him and within him is exactly the same down to the star stuff the fates wove them from.

“I’ll be the one to tell him. You take care of Castor,” you answer, as if there’s anything else he would want to do and then he realizes you’re crying— and he’s seeing all of the pieces put together in front of him in this photograph in his mind.

Pollux blinks slowly.

Suddenly the image he has of you is more defined— there is new meaning to the sadness you could never shake off all these years, and he is too young to lose his greatest love, which makes him realize then that so were you.

How long does this have to go on? he wonders, grabbing onto your hand with an eagerness only comparable to the feeling he got when you and Luke whisked him and Castor away from Florida all those years ago. This punishment of living while half of his soul does not—what is he supposed to do next? This was supposed to be the safe place. There is nowhere left to run. His thumb rubs circles into the back of your shaking blood-soaked hand, a secret within the smoke.

Pollux thinks there will always be a part of him frozen in time now, a memory of this day hung up in his mind like a portrait as he holds Castor’s cold hand in his warm one.

—

Annabeth finds you in the middle of the strawberry fields before the sun sets. She knows you won’t be sleeping tonight, not if you can fight it— not when there’s so much to do. You’ve long grown out of your ripped-up and tie-dyed camp shirts, and the one slung on your frame is newly pressed and starchy from the storage room of the Big House, still stiff against your freshly washed skin. When she’s close enough to touch you, you’ve been scrubbed clean of today.

She doesn’t have to be a daughter of Athena to know that you know that she’s there even if you can’t see her, but for once she feels like she has to hide. For once, Annabeth Chase doesn’t know what to say. How can she explain the feeling of guilt that coils around her brain like barbed wire—how can she even begin to apologize for the thing wearing her brother’s skin, knowing that it killed yours? For once, her hubris is crushed by the sinking feeling of humiliation.

“Was your first quest all you thought it would be, Annie?”

As she takes her navy cap off, silver braided strands around her face wave in the wind as a reminder of what Luke put her through. Though as she looks at you now with your berry-stained fingers plucking at stems one by one instead of using your powers, she thinks that your mind is elsewhere—anywhere but here, where everything is a painful reminder of your five years as a camper.

Five years with Luke.

Mourning him isn’t a new feeling for either of you, even though he comes in and out of your lives like a poltergeist you want to bash across the head, just always out of reach. But he’s a constant, even when he’s not here and he’s what binds you two together as you huddle hidden away from the rest of camp.

“He did this for you.”

It’s not a question, more so a fact out of Annie’s mouth when you finally meet her eyes and sigh, “Luke’s always had a way going about things. The most stubborn man to ever live.” You toss another strawberry into the crate at your feet. No one’s working right now, trying to tend to the injured and the dead. Everyone’s doing their best to chase away the nightmares that are bound to come, and she knows you’ll be making rounds with her on the night shift to ease everyone’s anxieties. But there’s a thought so strong it makes her head hurt, bursting at the seams until she can’t stop with her last-ditch effort to fix her found family.

“Maybe if we find him, we can save—”

“He’s been out of time for a while now, Annabeth. We both knew that,” you say, voice firm and unwavering. You’ve never sounded so monotone before, and it hits her as her mouth falls agape, “You’re giving up on him? Why… why would you give up on him?” Anger courses through her veins like fire and she’s mad that she’s at the center of this prophecy, of Hermes’s anger for his doomed son who will love you until the ends of the earth.

And what of her?

What of the hope she has in happy endings, how is it that you’re so damn calm? Annabeth kicks at the crate, strawberries rolling out in different directions and your jaw tightens as you let her be petulant, let her scream and yell until her inner child can catch up with the reality of the world around you.

“How could you?”

Your name echoes as she repeats it, grabbing at your shoulders and she’s as desperate as the truth that shakes her when you cup her face in your hands and wipe her tears.

“You’ve carried the weight of the world Annabeth– you know what it feels like to let it go. It’s time to let him go. There’s nothing I can do or say to fix this.”

Then it hits her that you knew of his fate and yet this was still the outcome. There was nothing else to do but watch him be puppeteered by a Titan and have to fight evil while it wears his face.

“He came to you after he saw me, didn’t he? Why didn’t you tell me? Why don’t you love him anymore?”

Because it wouldn’t have changed a thing, your eyes say. Instead, you grimace as you say, “Wouldn’t that be funny if it were true?” You lean down and pick up the fallen berries, some bruised and covered in dirt, and then you look at her again with teary eyes.

“Some prophecy huh? To lose a love to worse than death. What could we have done besides love him until the end?”

“He’s still in there. I know you know that too. Don’t talk about him like he’s not,” Annabeth insists, and a sad smile settles upon your face. It’s as gentle as the kiss of the breeze on your cheeks.

“I lost a brother today, Annie.”

“Me too.”

—

The funny thing about planning funerals is that with all the fuss it takes to organize one, you still find extra time on your hands. Barely getting any sleep and dragging yourself out of your dad’s bed, Pollux snores loudly next to you after hours of working on Castor’s shroud. Sleep wasn’t expected for either of you, but being unconscious was the only way of giving your brains a reprieve. The both of you have been busy doubling down on the preparations, even if it means Mr. D won’t be back in time while he’s out rallying gods for war.

The faster Castor’s earthly body is reconnected with his soul, the easier his trip will be into the Underworld, Nico says, and it’s funny how comforting the little emo pipsqueak can be when it comes to matters of death.

Perhaps this is the solace you bring to others with things you’re able to control—keeping camp afloat is something you were always good at, and helping every traumatized child that comes up to you for a juice box or a lullaby eases the guilt that follows you. Walking around Camp Half-Blood for more than a weekend made you feel like a judge, jury, and executioner. Though most of the campers from almost five years ago have either aged out, defected, or died—the ones that remain still look at you like you’re trouble.

Perhaps you always will be.

You even found yourself with the time to pray to Hermes last night for your brother’s safe passage into the afterlife, though if he’s angry at Annabeth, he must hate you for letting Luke go. Dinner didn’t seem appetizing enough anyway, so your whole plate was tossed into the hearth. You hope he likes chicken and rice.

But if a god can’t fight fate, what did he expect you to do?

The Iris Message to your dad last night was difficult, to say the least. Pollux’s hands shook as he continued to paint grape vines onto the silk cloth and the both of you didn’t say anything when your father started to cry. He out of all of the gods knows what it’s like to be tested to the limits—to endure pain and it’s a gift you and your brother are grateful for in times like these. Watching the god display the human emotion that either of you couldn’t as freely made it more real though.

There was also the interesting predicament of Chris Rodriguez being locked up in the basement of the Big House. Replacing screaming fits with serenity was almost second nature, and your gentle hands were what got Clarisse to truly respect you again for the first time in years. You could hear her sneak downstairs and talk to him while he slept (and the look in her eyes when you’d greet her with a cup of coffee made it known to you that she finally understands what it means to love someone who’s lost—two demigod daughters filled with a lot of rage and hurt were more alike than they think).

So the morning of your little brother’s funeral, you found yourself on the shoreline of Canoe Lake, setting your Redbull against the post of the dock and looking out onto the water.

You needed to do something with your hands. In the past few days, if your fingers were not occupied by pen and paper, a guitar, supply crates, or anything else that was helpful to others and all the more distracting for you, it’s been so easy to pick at any little thing. Perhaps it was your subconscious trying to reflect the damage on the inside, but today, your nail polish was chipped beyond belief. A small price to pay to not lose it without a signature boyish smile to ease your worries and amber eyes that could help you escape from the routine.

Running camp was always easier back then with your runaway boy and his scarred cheek.

How pathetic.

Crouched over in the sand, you plucked stones and filled your pockets with them. They knocked against each other — weighing your pockets down as you walked closer to the dock. Swinging your feet off the side and chucking them into the water, you could barely achieve a ripple.

It’s so quiet that you end up wondering if the rocks in your pockets would weigh you down to the bottom of the lake. It must be nice down there, to exist away from everything.

Bubbles surface slowly in front of you, then Percy’s head bobs in the water as he squints at you through sunlight.

“You chucked a rock at my head!”

A smile tugs at your lips, almost indiscernible but definitely there, “I was trying to skip them. Didn’t know you were doing water tricks in there, kid.” His grin gleams like freshwater pearls, pulling himself up onto the dock as his hand clasps yours. Shaking his sopping hair, Percy’s gangly frame sits next to yours like a wet bag of sand—all wrinkly and misshapen and sprinkling you with lakewater.

“Maybe next time don’t pick rocks the size of your fist. How many have you got in there? Your aim is scarily accurate,” he laughs and you huff and shake your head when his hand sticks into your pocket and takes out a few smooth ones to roll around in his hand. You mirror him, watching him skip a few stones into the water that reach a good distance before sinking into the depths of the lake.

There’s something sad about feeling comfortable to trauma dump on the teenage son of Poseidon, but with the way he grabs your arm at your third unsuccessful toss of a rock, you can’t do anything else but sigh.

“Why didn’t any of you call me, Percy?”

He was waiting for this question—it’s been banging around in his head since the beginning of Annabeth’s quest, and perhaps her talk with you yesterday didn’t go as expected so once again he’s left with the difficult part.

Things happen to turn out pretty difficult for him a lot, he's noticed.

Many things could have been made easier in the past few weeks: Ariadne being your stepmother and her blessing to you would’ve made the Labyrinth easier to navigate, and having another demigod to fight alongside him instead of a mortal girl would’ve been a plus too. But he looks at you with ocean eyes and a smaller smile that reminds you of how he looked at you when you dropped him off in Montauk the summer you met him and quit your head counselor job.

“You’ve already made a lot of difficult decisions. We weren’t sure if…”

The rotten wood beneath you creaks under your shifting weight as you turn to him, tucking your legs underneath your bottom.

“Didn’t think I could handle it?”

He shakes his head, “The opposite, actually. Annabeth has this notion that you’re the only one that can save him. You know, back on my first quest I met Luke’s dad and he told me something…”

You swallow instead of answering. There’s no way Percy is giving you Hermes’s advice right now. Somehow this feels like karmic retribution after years of spiting that asshole, and what he tells you next is more of a sign that it must be true.

“He said, ‘Do you know what that feels like? To be so close to someone you love knowing neither of you has any choice but to keep hurting each other?’ I didn’t get it then, but I do now.”

“With Luke and his mom?” you ask, picking at the remaining slivers of varnish on your thumbnail.

“With you and Luke. I didn’t call you, because… why would I want to see you hurt after everything?” Percy says this like it’s something he would do for everyone.

Perhaps it is, but the knot that forms in your throat feels as heavy as the boulder you almost sunk into his skull. He’s tall enough to lean your head against now, and you don’t mind the water spots that will form along the side of your funeral outfit. The shape of him it leaves will remind you of the little brother you gained through so much loss.

“Plus he has a new girlfriend. Absolute horse of a girl,” he jokes. It slips over your head but you still giggle, “I could’ve taken her.”

“I know, that was Grover’s worry. You’re prettier anyway…” Percy pauses, and then clears his throat, “You’ve always taken care of this place, y’know? Even after….I just think someone ought to take care of you.”

Your shoulder bumps against his as you finally skip a rock. It only bounces across the water twice and you think Percy might have had something to do with it, but you’re not bothered by the help this time around.

—

You wake up in the dark of night to see your dad looming in the doorway to his office. With drool and a post-it stuck to your cheek, he comes over to ruffle your hair in amicable silence.

“Hard at work or hardly working?” he chuckles, leaning over your shoulder to scan over the paperwork sorted into piles for him to sign from his absence.

“Hm. You wish,” you scoff, leaning against your arm as you look at him. He’s not in his usual eyesore of attire, wearing a clean-pressed suit with his hair slightly slicked back.

“You look good. The meeting went okay?”

“Grover will be fine. The Council of Cloven Elders? Not so much. Neither are the gods ready to take sides. Putting out little fires everywhere as we speak.”

The wheels of the office chair roll as you swing your feet, and if you both listen closely enough you can hear Pollux snoring upstairs. Chiron loved the earplugs you gave him.

Your father’s face smooths out a bit at the sight of you and the sound of his son’s breathing upstairs and he asks, “Are you? Good?”

A shrug slides off your shoulders, “How does one be good in a world like this one?”

A startling scream echoes off the walls of the Big House, rattling the floorboards from below as your father grimaces.

The work is never done for you two.

“Don’t look at me like that. It was worse when he first came here.”

“Don’t doubt it,” he mumbles, brushing lint off your shirt before he notices you’re donning neon orange. “Didn’t do laundry, princess?”

“Pollux and I haven’t gone back to our cabin since... I can wake him up if you—”

Mr. D shakes his head and goes to toss his body onto the couch against the window, shutting his eyes and taking a deep breath.

“Dad? Do you think Chris is a bad person?”

A beat passes and you think he may have fallen asleep, but then his voice sounds like gravel scraping up his throat.

“I don’t think anyone can be bad, kid. I think it is more often that people get lost. What Rodriguez needs is someone to take hold of him gently, and hand his life back to him—you…Clarisse… that’s what we’re giving him.”

Now you’re silent, staring at the dust on his name placard at the edge of the desk.

“Do you think otherwise?”

He calls your name again, and you look up like you’re about to lie to him but don’t have the energy to.

“Princess, do you think you’re a bad person?”

He stands up and walks around to your side of the desk, sitting on the edge so you have to look at him.

“I killed someone. During the battle. Didn’t even think twice about it, slashed his neck as soon as Castor went down and…” you sniff. “I kill monsters, Dad, not children. How does that make me any different?”

The last time blood was on your hands like this it was Luke’s in the Garden of Hesperides. All these years later you ended up being right— the only person you vowed to get bloody for is Luke Castellan, and now in a twisted turn of fate, you’ve bloodied your hands because of him.

“Because you did it for your brother. There are no other explanations needed.”

He sees the exhaustion in your eyes, the drop in your shoulders, but your dad also sees the strength in your bones that spans generations and he knows you and Pollux are strong because you are both his.

“Humans believe in life everlasting—glory, as some call it, but they’re too focused on achieving it on earth instead of enjoying what life has to offer,” he scoffs, “Everyone has the guts to die, but no one has the guts to truly live. How sad.”

“His name was Rowan. Son of Hecate. I taught him how to whistle the summer I left. This is all my fault, Dad,” you say shakily as he comes near and pulls you into his side. He shushes you but you relent.

“Luke’s killing all these people to fulfill a promise he made for me. I’m just fucking disgusted with myself for being the cause of it all. What good life can I deserve when wherever I go I leave a trail of blood?”

Love and addiction must be so alike; to know that to be sober you can’t indulge in the vice ever again—not only does it hurt you, but others around you. But through the years you’ve always kept the taste of his name in your mouth, the feeling of his skin under your fingertips, and the knowledge of why he’s destroying the world so he can make you a better one. Insanity stems from fighting for so long that you embrace the pain; feeling something so intensely that when it consumes you you’re able to walk out the other side and wear it as armor.

Not everyone is hardwired to persevere.

There are moments like a night like these where it would be easy to give up. Instead, you pour two glasses of whiskey you’ve conjured and hand one to your dad. You both sip on your drinks slowly, embracing the crawling feeling of the burn.

“Liquor is one way out and death is another,” your dad sighs blissfully. He almost looks rejuvenated by the alcohol he knows he’ll hear about from Zeus later, but perhaps the death of his son is a good enough pardon.

“For some of us, we don’t have to think about the answer.”

Mr. D grabs a pen off the desk and starts signing papers to do something with his hands, and then you speak again, “I think I’d rather die for people I love,” and your dad’s attention whips to your blank face staring at the moon outside the window. “Instead of killing for them. I’ve never been a good soldier, Dad.”

Mr. D looks at you thoughtfully and wonders where all the time has gone that you sit there in front of him with more knowledge than him at your mortal age before saying, “You’re my daughter. You’re a fighter. Death is for chumps anyway.”

He lifts you by the arm to try to usher you up the stairs but you stay in his office chair swatting his hands away.

“Got work to do, you and I. Not getting rid of me until it’s done.”

“When are you going home?” he asks, pulling up a chair next to yours.

“I am home.”

You don’t look up from the papers you were filing, stubbornness leaking through your voice.

“If there is a war coming, I want to be home as much as I can. I’m finishing my last semester and I’ll be here before and after classes. You can’t stop me, dad.”

And he knows that too.

There is no such thing as leaving Camp Half-Blood for you.

Never for too long. Your love for it is scattered everywhere campers can see.

—

In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness. - Tennessee Williams

[cj-the-random-artist]

I don’t know how I managed to do this in a day.  Like.  I think I pumped this out on pure adrenaline

But again.  If ur at the caption ya probably say the PSA spoiler wall that says that this comic contains spoilers for the Limited Life SMP finale.  Well and I’m tagging this as spoilers so it’d be evident anyways lol.  So I won’t write my spiel about go watch the end of Limited Life and I’ll just say oh my god what a finale it was absolutely epic.  I loved every moment of it.

But yeah.  I sketched this out as one of those “ahh silly goofy doodly sketchy sketchbook comics when I’m spewing a thought into my sketchbook” and then.  My impulsiveness (there’s a pun there.  Is it intentional?  That’s for you to decide) won in the end and this exists now.  It’s not the best quality of anything I’ve ever made but gosh darnit it was so much fun to make.  So so much fun.

But yeah.  Limited Life was absolutely amazing from start to finish and every POV was awesome (but if ya can’t tell team TIES is gonna live in my head rent free for a while lol)

That said.  Enjoy this silly little mini comic I made and have a good day :D

[isjasz]

Hi just ignore this if you want to or if you don't know or something idk sorry but I'm really interested in getting into all of the mcyt stuff that you're into but I have no idea where to start,, any tips or guides that you know of for someone interested in getting into that stuff 😭

HELLO HOW ARE U HERE IF U DONT KNOW MCYT OH MY GODS thats WILD /POS

Ty for sending this ask dw im really happy to help and introduce more ppl to these series!!

UM AIGHT SO I'd say my main main fandom is the Life Series! From season 1 to the latest season there's 3rd Life, Last Life, Double Life, Limited Life, Secret Life, Real Life (april fools special), and Wild Life that just ended tdy. It is a improv death game series packed with shenanigans, alliances, betrayals, and ofc fun, with different minecraft gimmicks every season <3 Up to u if u want to watch from the first season (there are several movies from different povs, I'd say Grian's is a good starting point) or watch some from the latest series Wild Life to get a feel for it :D (lizzie's episodes are relatively short if you prefer that!)

And then after that go watch animatics oh my god theyre so good, also consume fanart, and fyi the tag we use on tumblr for life series are #trafficblr and #traffic smp o7

AND THEN if u end up liking some of the content creators (ccs), a lot of them are also on Hermitcraft which is kinda my secondary fandom ish :D! A lot of fun shenanigans and amazing building happen there. The current season is season 10, and I'd say you dont really need to watch previous seasons to understand the current one 🫡 (same for life series, tho ofc a lot of people make references back to previous series) (but also I recommend watching hermitcraft season 8 if u have time its SO GOOD)

AND YEAH I THINK THATS ABT IT i hope that clears things up a little :D feel free to lmk what u decide to watch and what u think about them if u do! I'd love to hear about it🫶💥

[kianaisspiraling]

*inhales*

WILD LIFE WILD LIFE WILDLIFEWILDLIFEWIL—

Okay okay so so far I've only watched Grian's pov but I'm gonna be binging soooo many others right after this.

First off- Skizz, Mumbo and Grian is just. Such an unexpected and silly group, I love them. Skizz, loyal to the bone. Grian, loyal but can switch sides if needed; won't betray you first. And Mumbo; the least loyal guy on the server, goes completely bonkers the moment he turns red

They also all just like. Carry themselves so seriously? But will very quickly devolve into being incredibly silly? So so silly. They will NOT last long, they're gonna fall apart faster than the Southlands for sure with the cheating allegations Mumbo is throwing at Grian, but it'll be hilarious :)

Grian: apologizing for knowing the wild cards beforehand

Me: smiles and adds it to the pile of Watcher Grian lore

Moving on from them:

*inhales again*

MISSING DOG FOUND-?!?

AND WE GOT TREEBARK BACK!!!!!! :D

The sheer happiness I felt when I saw Ren back oh my void, we missed you buddy. Martyn immediately pairing up with Ren whenever they are on the same server has my heart. They're theatre kids your honor. Can't wait to see Ren pull out his guitar <3

We also have TEAM CRINGE-FAIL-?! Lizzie, Scar, Jimmy all on the same team-? That's amazing. It would be hilarious if THIS is the season Tim wins. SURELY having such a high concentration of loser (affectionate) energy will circle around to make them clutch. Surely. It's their moment.

Smth smth, Lizzie and Scar were the only two people alone last season. Smth smth, Lizzie died first and Scar last. Smth smth, Scar reaches out an unconditional hand to Lizzie, offering her an ally because he knows what it's like to be without. Smth smth, Lizzie accepts because she knows waiting for allies leads to none. They're friends now :)

I also heard Scar brought the reputation points back?? If that's true then oml we're so close to getting a Third Life parody. So so close, especially with Scar falling off a cliff and dying while singing, claiming that everything that touches the light is his. It is SUCH a good season for us folks that never left the desert. Bonus points if Grian ends up with Scar after the Sub-One Club inevitably crumbles.

We've ALSO got the op, terrifying duo of Gem and Joel. They are going to be SO unhinged. They will be the chaos group this season, mark my words. They will inevitably fuck shit up and I am WAITING for it. Manifesting Gem or Joel win >:)

And over here we've got three of the divorce quartet (Scott, Pearl, and Cleo) allied with the local supportive dad (Impluse). Ladies, gentlemen, and everyone outside or in between, we once again have the girls, the gays, and ImpulseSV. Gaslight, gatekeep, girlboss, girldad <3

The three of them just reminiscing on Double Life while Impulse stays quiet, internally remembering his little life in the suburbs with Bdubs as they stirred the pot and watched drama unfold. He DOES NOT have anything to add to this conversation on messy divorce.

Also apparently Scott canonically believes that HE'S the reason Jimmy broke the canary curse and Scar won in secret life?? Because he stopped them from allying together last season or something?? That's just wonderful to me. I don't think he's entirely wrong either, they would've destroyed each other SO quickly

Now, getting on to BigB and whatever he's got going on. Something DEFINITELY happened to him in that hole last season, because he is getting increasingly cryptic. OF COURSE he would live in the Pale Garden with the Creaking. Where else would he go??

I absolutely love everyone making BigB a Creaking hybrid, but hear me out: BigB has ALSO been made a watcher by the fandom in previous seasons because of things like the Nosy Neighbors in Limited Life and his Whole Thing in Secret Life, right? You know what the Watchers are often compared to? Biblically accurate angels. You know what the Creaking has been compared to? Weeping Angels. BigB is a Weeping Angel.

(Maybe Weeping Angels are a type of Watcher. they're closely related to the Creaking; perhaps they made it?)

(I have not watched Doctor Who, though I'd like to. All I know is that Weeping Angels are VERY Watcher-core to me <3)

Finally we have a classic trio of Etho, Bdubs, and Tango. They're taming horses, they're non-stop bickering, they DO NOT share, it's every man for themselves. Tango is third wheeling Ethubs so much rn. They get on each other's nerves. They're besties, after all they keep putting themselves together no matter how much they bicker. Team BET ily <3

Love that Etho IMMEDIATELY tries to ally with the local Watcher for inside information, but Grian refuses to give it to him. It was worth a shot, buddy. I adore every second of screen time in which Grian and Etho interact. They are SUCH a good duo for me. One Stick Wither and Etho's Dishwasher, you will forever be famous <3

Anyhow, I think that covers everything I have to say for now, having watched one pov and scrolled Tumblr for a while. I cannot WAIT for this season, as there's a lot of stuff from previous seasons coming back, with Renchanting, the divorce quartet, Scar bringing back reputation points, and more. I can't wait to see this unfold :D

[nolita-fairytale]

make my heart surrender | carmy berzatto x fem!reader | chapter four: friday

pairing: carmen berzatto x fem!reader

warnings: lots of swearing, angst, use of she/her pronouns, friends to lovers, smutty smut-smut, this is an 18+ chapter so minors dni, no use of y/n, second person pov

word count: 6.7k

summary: buckle up people, because this is a long one! tonight is the night: the night you and marcus' dessert menu goes live, the night you meet natalie berzatto, and the night that truths are revealed.

a/n: is it hot in here or is it just me? who's ready for some smut? this will be the last chapter i post till sunday/monday, so we can all sit with this. hear me out: it's not that i think carmy is really good at sex. but there's so much tension between these two, i think reader is good at sex, and there's something to be said for being so turned on by the other person that it just hits different.

and here is that song -- the jazz standard turned acoustic cover.

read: part three | masterlist

Friday

“Just remember that we don’t have to reinvent the wheel here. You just have to deliver a really damn good dessert time after time,” you instruct, setting Marcus up, pre-dinner shift. 

“I think we should focus on the burnt basque cheesecake in lieu of the classic. You already have a heavier lift on the bake for the chocolate cake. That way, whatever happens with the mixer, or the ovens… this version of cheesecake is pretty forgiving. And you don’t have to fuck around with a water bath just yet.”

“The tiramisu is perfect because it’s a no-bake option, and you can mix it up with different kinds of flavors – call it a special.” 

“Like what we’re doing Sunday?” Marcus suggests, in reference to the strawberry, lemon, and mascarpone version you be doing at the end of the week.

“Exactly,” you reply.

“Hell yeah.”

“It all fits into the menu so nicely too: elevated classics.”

“A play on tradition.”

“Exactly."

“Ah, I see you, chef,” Marcus nods along, excited about tonight’s R&D night. 

The game plan is to serve smaller portions of each dessert for the price of one, then get feedback by the end of the weekend. 

“Hey, family’s up in a minute. You guys ready to roll tonight?” Carmy asks, stopping by you and Marcus’ little pastry corner. 

“Yes, chef,” you both answer, in staggered timing. 

“She got me workin’ on a strawberry compote. Here, try it, chef,” Marcus encourages, grabbing a clean spoon and scooping out a spoonful from the deli container it’s been stored in. Carmy takes it, putting the spoon in his mouth and he tries the compote. 

“That’s gonna be really good with the tang and slightly bitter outside of the burnt cheesecake. Good work, chef,” he congratulates, inspiring a grin across Marcus face. 

“I’m learning so much from you. Seriously. Thank you, chef,” he says, turning to you. 

“Hey, you’re the one that made the compote,” you reply, redirecting the praise back to him. “Just sayin’.”

“Family’s up!” Sydney calls out to the whole kitchen. 

You lock eyes with Carmy, and he nods towards the front of house as if to say, ‘follow me.’ You and Marcus file in through the limited space that leads from the kitchen to the front counter, then finally, into the dining area of the restaurant. Carmy had told you all about the hellish remodel of this place – that the two tops, booths, and bar remodel had taken for-fuckin-ever. That it looked like nothing more than a diner with a few arcade games before the reopen. 

“Hey, thanks for jumping in so that Angel could cover me the other night,” Ebrahim says to you, as you find a seat next to Carmy, and across from Marcus. 

“Oh, it’s no problem. You feelin’ better?” you ask back. 

“Very much so. A little rest and a little maraq digaag and I’m good as new,” he answers. 

“What’s good, Jeff? Surprised you’ve stuck around this long. Glad we haven’t scared you away yet,” Tina greets. 

Carmy’s shocked, considering Tina rarely warms up to anyone. 

You chuckle in response. 

“It takes a lot more to scare me away, chef,” you reply, confident that you can keep up with everyone’s witty banter. Even though you’ve been welcomed in over the last few days, you know that they were a family before you came. 

And will still be one after you. 

Right. Because this is temporary. You’re only here for a week, you remind yourself. 

“Yeah, thought she’d be long gone after workin’ the line the other night,” Richie chimes in. “Especially considering she’s way out of your league, cousin.” 

“Yeah, yeah, fuck you,” Carmy shoots back, almost instantly. 

“I’m just glad you’re here now. Man, it’s been three days and you’ve leveled my shit up already,” Marcus compliments. 

“Besides, it’s nice to have some solidarity amongst the little boys club we work in every damn day,” Sydney points out, eliciting a scoff from Richie.

The two of you share a look, like a psychic high five or some shit. It begins to dawn on you that you could get used to this: this kitchen, these people….

“What? You got something against women supporting women, Richie?”

“Oh, so what? You’re the voice of feminism now, Syd?” Richie spits back. “Holy shit! Did you guys know that we were here in the presence of the new voice of-.”

You watch as Tina and Gary slump in their chairs, as if to say, ‘here they go again.’

“Don’t be such a prick, Richie. Oh wait.” Sydney challenges. 

“You know what-?” Richie starts up, before being swiftly interrupted.

“Damn, Syd. This is fantastic,” you interject, your voice louder than normal, in reference to her family meal. “These tostadas are fuckin’ perfect and I’m gonna need the recipe.”

Richie continues to go on about god knows what, distracting himself, as Sydney mouths a, ‘thank you’ across the table towards you. You nod towards her as if to say, 

I got you.

*

“Hey, I’m a little behind on plating. Sorry, chef,” Marcus apologizes, and you can tell he’s stressed. He gestures towards the plates that are ready to go out to the bar. 

He hesitates before asking, “Oh and uh… these ones are ready to go out. Can you-?”

“‘Course, chef,” you answer, a mini-pep talk coming his way. “But uh… before you keep going, Marcus, take a breath. I know you struggle a little with pacing – you want everything to perfect – but, it’s gonna come with practice and repetition.”

You can see that he’s flustered – a little frustrated even. 

“Expediting during dinner is a whole other animal, and it’s just night one. You got this,” you reassure. 

You and Carmy had such different leadership styles. While you both had come up in the same kind of kitchens, you didn’t like to yell unless you had to. You were here to teach, and you can’t remember the last time someone screaming at you had ever helped you learn something. 

You’re more than happy to support him by taking these plates out. You spent the first half of dinner service plating so that he could get some face time with customers – since you’d be asking for feedback. Then you’d switch halfway through service.  You also thought it might be good practice for him to lead, considering they’d need to hire more help with the new menus. 

You take a look at the ticket, one dessert tasting - two people - bar top, before taking the dessert plates out to the designated seats at the bar. There’s a gorgeous blonde woman sitting next to a guy in a sweater vest, as you make to approach the bar top. 

“Hi, you guys,” you greet, a cheerful smile on your face. “Sorry to keep you waiting. We’re testing out a few new desserts for our dinner menu, so I’d love to hear what you think.”

“Oh this looks great,” the woman says, looking at both perfectly plated desserts. 

“Here we have a burnt basque cheesecake with a strawberry compote, The Bear’s signature chocolate layer cake, and then a classic Italian tiramisu,” you explain, walking through each piece. 

“Wow,” the man marvels, almost as if he’s surprised. 

You share your name with them, and let them know that, if they have any feedback, that they can ask for you. As you turn to go, the woman calls after you, stopping you. 

“Wait,” she says, her eyes lighting up. “You’re Carmy’s friend.”

“Yes.”

“Pete, it’s Carmy’s friend!” she exclaims, nudging the man next to her with her elbow to try to jog his memory. “You know! The one that’s staying in our airbnb.”

“Oh!” he says, as the light bulb goes on in his brain. “Yeah, we’ve heard all about you.”

“I’m sorry,” the woman apologizes. “I’m Natalie, his sister, but you can call me Sugar. This is my husband, Pete.”

“Oh my god! Natalie! Yes, I’ve heard so much about you too,” you reply, finally registering that this was the same woman in family photos that Carmy had shown you years ago. “It’s so nice to put a face to the name. And great to meet you too, Pete. Seriously, thanks for letting me stay at the place. I mean, you really didn’t have to.”

“Likewise,” she says back. She scoffs before rolling her eyes and continuing. “Leave it to Carmy to ask us for a favor and not even introduce you to us, that soft shitty bitch!”

“Babe,” Pete starts. “Maybe we shouldn’t be so hard on Carmy, you know, in front of his-.” He gestures towards you and you’re not sure what he thinks you are to Carmy. 

Sugar brushes him off with a, ‘whatever,’ before you notice that they’re both in need of clean forks. 

“You guys need clean forks. I’m gonna-,” you start. 

“Oh no! I uh-, let me get it,” Pete interrupts, practically jumping out of his seat. 

“You sure?”

“Yeah,” he agrees, leaving the two of you alone. 

You lean against the bar top towards Sugar. 

“Well, he couldn’t get out of here fast enough,” you say with a laugh, stating the obvious. She laughs with a nod towards her husband. 

“Yeah he’s… special,” she replies. “I think he uh, I think he just wanted to give us some time to talk.” 

You’re not sure what to say next, because you’re not sure what you and Carmy’s sister, one you’ve never met before, would have to talk about. 

“So how’s the place? Do you have everything you need or-?” Sugar begins, in reference to the airbnb. 

“Oh! Yeah, no it’s great. I’ve got everything I need. Again, thank you. You really didn’t have to do that.”

“No, we wanted to!”

“Thanks…” you trail off, suddenly feeling a little uncomfortable – nervous, maybe? Yep, definitely nervous, you realize, as you begin to ramble. “It’s a really great apartment. Beautifully styled.”

What the fuck are you even talking about, you think to yourself.

“Oh, I did that! Styled it, I mean,” Sugar’s quick to respond.

“Oh, wow!” you say. Were all the Berzattos creative? “Yeah, I just-, I really appreciate it. Made getting out here a little easier.”

“No, yeah, it’s-, it’s no problem,” Sugar continues. “Really… anything for a friend of Carmy’s.” 

You’re not sure why it’s so awkward, and it feels like you’re somehow both dancing around something you’re not even sure you should be dancing around. 

“I hope you don’t think I’m a total bitch for saying this but,” Sugar starts, cautiously. While she doesn’t want to make her brother look like a total loser in front of you, she’s also unsure of how else to say what she says next. 

“Bear's never really had any friends… not a lot of them, at least. So I-. Thank you. I mean. For being his friend, I guess… is what I’m trying to say.” 

Bear.

You figure it's a family nickname. You wonder why you’ve never heard it before, and yet, it’s no surprise that he kept it from you. He’d been so evasive about his family when you’d first met. For a bit, it just felt like a topic that was off limits.

You take a beat, processing what she’s just said. In some ways, you always knew that Carmy was a bit of a loner, but you could feel the weight of what she’s saying – how much it meant to her. 

“I know he’s not always easy to love but. I don’t know. He acts like he doesn’t need people, and I know he does. I mean, people outside of this fucked up shit hole anyways,” she continues, gesturing to her surroundings. 

You agree with a small laugh, “Yeah, he can be a real dick sometimes. That’s for sure.” 

“Seriously. Thank you,” she says, genuinely. 

“Of course,” you reply, making sure she knows that her words mean a lot to you. You take a more playful tone as you continue. “To be fair, we did meet in another fucked up spot. Not so much a shit hole though.”

“Yeah, and there’s that,” she sighs, lightheartedly. 

“I’m just glad he has someone. He needs someone. Even when he doesn’t want to.”

The rest of dinner service is a blur, as your mind continues to incubate on what Sugar had said to you. You let your interaction with her sit there, but try your best to focus on supporting the rest of service. 

You all work together to wrap up the evening – a chaotic dinner service with a lot of lessons learned. You and Carmy are the last to leave as you notice he’s wrapping up a few things in his office. With your jacket on, backpack slung over one shoulder, you stop by to say goodnight before heading out. 

He’s sitting in the chair, furiously scribbling a few notes down on a few pages of graphing paper. Your eyes flicker over all of the silly doodles on the whiteboard behind him. 

“Hey,” you say, causing him to look up from his notebook. 

“Good service tonight,” he says back. 

“Yeah,” you nod in agreement. “Desserts were a hit.”

“I heard,” he replies. 

You wait for him to say more, only he doesn’t. 

“So, I’m gonna get out of here. Marcus is gonna fly solo tomorrow morning, so I won’t be in till the dinner shift,” you start, shooting him a polite smile. 

You take a few steps away from the office before he calls out to you. 

“Hey!” 

You stop, taking a few steps backwards so that you’re standing in the office doorway once again. 

“You hungry?” he asks, tentatively. 

There’s a look in his eyes that you can’t quite identify: a little nervousness, and something else you haven’t had a chance to name yet. It’s like he’s not ready to part ways with you yet. You smile back at him, hoping to quell whatever nerves he has about the question he just asked you. 

“Always, Carm.”  

You’re tired and your feet ache from a particularly busy service, but you’re not ready to part ways with him either.

“Watcha thinkin?” you ask curiously, sliding your other arm through the loose strap of your backpack. 

“Can I cook you something?” he proposes, hopefully.

You laugh. 

“Is that even a real question?” 

You wait for him as he wraps up his notes and gather his things. Carmy slips on his jacket and ballcap, ready to head home with you. On the way, he lights up a cigarette, offering one to you, but you tell him that you’re trying to quit – or at least trying to cut back. It’s not a long walk back to his place, and you anticipate it being something along the same lines as what he had in New York: facebook marketplace couch, minimal food in the fridge, a TV and a bed. 

Nothing else – just a place to sleep, before he spends most of his day at the restaurant. 

When you arrive, you’re not surprised to see that your assumptions were correct. Carmy flips on a few lights as you follow behind him. You drop your book bag onto his couch, slipping your shoes off and removing your jacket, as Carmy bee lines for the kitchen. You hear the faucet turn on as you tentatively explore his small apartment, before meeting him in the small kitchen area.

He takes his time, washing his hands, before drying them on a dish towel and throwing it over his shoulder. 

“So what are we makin’, chef?” you inquire.

“We aren’t making anything. You’re gonna sit right over here,” he begins, gesturing towards the area across from his gas stovetop. “Oh shit. Hold on. Let me grab you a-.”

“I’m good here, chef,” you interrupt, making a sound as you hop onto the kitchen counter. You immediately reach for the bag of chips he’s thrown onto it. It’s not even closed properly with a clip or anything so expect them to be stale as you pop one of the chips into your mouth.

“Sour cream and onion? Change up from your regular doritos, huh?”

A small smile spreads across his face as he moves around his kitchen, locating a quarter sheet pan. He opens his practically desolate fridge, pulling out a fresh brick of pecorino romano, guanciale, and a few eggs he throws right into the pint-sized deli container that lays on the sheet pan. The rest follow: an unopened pound of dried spaghetti and black pepper, before he gently places the sheet pan on the counter, beginning to preheat two pans on the stovetop. 

“Are you-?”

“Uh huh.”

You smile to yourself. He’s making one of your favorites: carbonara. 

The first time he’d made it for you, you had just started spending some of your days off together – had just agreed to be a part of each others' quarantine pods. You knew he had Italian-American heritage but it was blatantly obvious when you took your first bite.

“Holy fuck,” you had practically moaned at your first bite. “This-, please don’t take this the wrong way, but I’m pretty sure your talents are being wasted on fine dining, my friend. This is… this is fucking unreal, dude.”

You had tried to convince him that this is the food you both should be cooking, but he vehemently denied the idea, insisting the fine dining was the highest on the food chain and the only way he could make a name for himself. 

He’d been drinking the kool-aid. You both had. 

You sit quietly, as Carmy works. You watch as he cuts perfect lardons, then renders the fat from the cured pork bits. The smell of the guanciale begins to fill the apartment, and Carmy opens a window, just to let the smoke dissipate. 

“You can uh, put some music on if you want,” Carmy says, motioning towards the small bluetooth speaker he has on the coffee table. You agree to, hopping off of the kitchen counter and making your way towards his living area to set up the speaker.

You flip through your phone, looking for a good playlist to put on, settling on one of your dinner party playlists. The speaker booms with the sounds of an old jazz standard, redone as an acoustic cover, and you turn the volume up a little as the water for the spaghetti comes to a boil. 

You spend time looking through Carmy’s bookshelf. It’s filled with thick-spined cookbooks from James Beard winning best restaurants and chefs. You drag your fingertips over the spine of a few classics, but settle on a fairly new book, written by someone at the New York Times. 

“Do you have any other books besides cookbooks?” you call out to him. 

He lets out a dry laugh and you take it as a no. 

You make your way back to your spot on the counter, sliding the open chip bag over, before hopping back up to your seat. You flip through the cookbook as Carmy stays busy with the pasta. 

It’s quiet moments like these that you’ve missed so much. Some days the two of you could talk for hours about sous vide vs reverse searing, and the right way to make a fucking bearnaisse sauce. Other days, Carmy wasn’t much for conversation, and you loved those ones equally. Sometimes, you just wanted company, so he’d come over and work on a recipe and you’d read while he worked in your kitchen.

You could just be together, and it was nice to feel that again. 

No awkward tension of things left unsaid. 

But there was a different kind of tension that seemed to linger between the two of you and you wondered if it had always been there. Had you just never noticed? Between the little comments from Richie about being out of his league, and Pete’s open-ended ‘not in front of his’ you wondered if everyone knew something you didn’t. 

“Which one’d you go with?” he asks, continuing his graceful dance around the kitchen. 

“Korean American. Eric Kim. I hadn’t had a chance to pick up a copy for myself yet, actually,” you answer, flipping through the first few pages.

Your met with quiet as you continue your story.

“You know we’re kind of friends. We went out for drinks a few times. Before I quit my job. Went dancing in the east village and stayed out till two in the morning bar hopping and gossiping about our mutual celebrity crush, Timothee Chalamet,” you add, your attention still fixed on the vibrant, colorful food photographs. 

“Timothee Chalamet, huh?” Carmy asks, amused.

Your attention isn’t on Carmy, or what he’s doing, save for the sounds of him moving around the kitchen. That is, until you look up to find him unceremoniously close to you, peering over onto the page you seem so fascinated with.

“Jesus Christ, Car!” you gasp, surprised by his close proximity. Your heart was beating faster as he took a step back.  “You scared the shit out of me!”

“Sorry,” he mumbles, his head hanging as he takes a few steps back. “Didn’t mean to.”

“No, it’s okay!” you assure. But it’s too late, so you change the subject, deciding to finish your story. “Anyways uh… I had to hang out with someone after you left New York. Make some new friends.”

“We both know you’ve never struggled with that,” Carmy points out, eliciting a playful eye roll from you. 

He returns with the most aesthetically pleasing twirl of spaghetti carbonara. It’s so perfect you almost can’t fathom eating it. He hands it to you, then returns to his kitchen counter, plating a second bowl for himself.

After finishing the second twirl, he carelessly tosses his carving fork into the sink, opening another drawer to grab two forks for eating.

“Come on. You don’t want it to get cold,” he encourages, handing you one of the forks. 

He waits patiently for you to try it first, so you dig your fork in, creating a spaghetti twirl that hugs the fork, before raising it up to your lips. You open your mouth, taking a bite, before closing your eyes in absolute bliss.

“I can’t fucking stand you.”

He smiles, and it’s the biggest smile you’ve seen on his face this whole week. 

“Yeah?”

“Yeah. I mean. Fuck you. Like… absolutely fuck you.”

He laughs, finally picking up his own fork and digging into the second bowl he’s plate for himself. 

Holy fuck, is it out of this world.

“Like, do you think they’re such a thing as a talent aggression? Like a cute aggression, only I want to squeeze your head off because you’re so damn talented-kind of aggression?” you pitch your idea to him, playfully. 

He laughs, a blush spreading across his cheeks, “Uh… no. I don’t think so.” 

Carmy rests his back against the counter, as you eat together, side by side. You eat quietly, exchange looks and quiet giggles as the two of you finish your pasta, slurping up the cheesy, egg-yolk coated noodles. When you finish your bowl, you put it down on the counter next to you, throwing your head back with a sigh. 

“Thank you,” you say, fully satisfied as you feel the dopamine rush of eating carbs. 

“That good, huh?” he asks, a cocky smirk on his face. 

“So good,” you exhale happily, as you rest your head on his shoulder. “And you know it, you asshole.” 

He chuckles, turning his head towards you just as you lift your head off of his shoulder, your faces mere inches away from each other. You watch as his face turns a few shades darker, the blush across his cheeks running through his whole face. 

Are you two fucking idiots to pretend that you were just friends?

Yeah. Yes, you are.

“Sorry, I’m, I didn’t mean to um,” he stutters, beginning to pull away from you.

“Wait,” you call out, reaching out to stop him. You grab his arm. 

And there it is again… the tension. That thing that, even when you had talked it out, has remained between you two. He stops moving, his eyes fixated on your hand – the one that’s reached for him. The one that feels hot against his skin. 

“Carm, I-. Um, I’ve really missed…” you stammer through, trying not to sound as breathless as you feel. 

I’ve really missed you.

“... your carbonara.” He looks up at you with those beautifully sad, cerulean blue eyes, and if you weren’t breathless before, you certainly are now. 

“You should make this more often,” is all you manage to get out, and you know you sound helpless. 

He doesn’t know what to say back. That he can hear the ache in your voice – a yearning for him that he never imagined anyone could ever have for him. That it’d be world war three, trying to get a carbonara on the dinner menu. That screaming would ensue over a goddamn emulsion. That there’d be no way to pull this off authentically, and that he’d have to use heavy cream, and no fucking way would he compromise on that. 

On your favorite fucking dish. 

That he only has these ingredients on hand because he went out and bought them in preparation for your visit. 

That he only got them for you. 

Because he maybe only wants to make carbonara for you, and only you, for forever and ever. 

That he’s missed you too, and that wanting you is one of the scariest things he’s ever felt. 

His eyes flicker from your hand, the one still holding onto him, and then back to your face. He’s not sure what possesses him to do it, but he can hear his brother’s voice in his head, let it rip, pushing him to lean in – even closer towards you. You wrap your fingers around his arm, encouraging him closer to you – if it’s even possible. Your foreheads meet and it’s as if all the oxygen has been sucked out of the room. It’s like your vision narrows and the dimly lit apartment has faded away behind you. 

It’s just you and him. 

You feel dizzy – in the most delicious way possible.

You’re not sure who moves in first, but the tip of his nose is ever so gently bumping against yours. You brush the side of your nose against his, neither of you daring to take a breath. 

“Carm?”

He doesn’t answer, so you gently begin to leave a kiss against the corner of his mouth. 

“This okay?”

Then the side of his top lip. 

“Mhm,” he nods, eager to continue where this is going. 

Then you pull back, pulling him towards you so that, as you remain perched on top of his kitchen countertop, he fits perfectly between your knees. You lean in to kiss him, and this time, it’s not as hesitant… not as cautious as you’ve both been. 

No, these kisses are different, each one opening up the door to more and more – more want, more need, more lust – and as it blooms, as it blossoms, you feel Carmy’s hand move gingerly to cradle your face as you fall down the rabbit hole. Your fingers tangle into his blonde curls allowing your sheer want for him to consume you. It’s lips, and tangled tongues, and tentative, soft moans as you continue to pull each other closer and closer.

And you slowly begin to understand: the lingering tension, the avoidance of labeling you from his brother-in-law, why he’s been terrified to say a damn thing to you this entire week.

As much as you tried, and as much as he’s tried, neither of you had put that night behind you. 

Sure, it was shitty timing, and sure he wasn’t in the right headspace then. But now? 

Now, could be different, if you’d let it. 

Carmy pulls away from you, reluctantly, his face hot before asking, “You uh, you wanna take this somewhere else?”

His tone is hopeful, as if he’s the teenage dirtbag asking the prom queen out – like if you heard him, and you laughed in his face, he simply wouldn’t survive it. 

But your response is quite the opposite, and he feels silly for worrying, as you manage a breathy ‘yes’ going back in for one more kiss. He gives you some space to hop off the counter and you grab his hand, leading him towards his bedroom. It’s not a huge place, so you put two and two together about where that is. Carmy leaves the lights off in his bedroom, the only glimmer of light either of you can see comes from the living room lamps, and the kitchen overhead. 

With his hand in yours, you pull him towards you again, and he’s more than happy to let you lead. You begin to kiss him, taking note of how perfectly his top lip feels nestled in between yours. He follows you down to his bed, hesitant to put his full body weight on top of you. You giggle into the kiss, pulling him down to you. 

“I’m not a porcelain doll, Carm,” you tease, gently. 

You feel his lips twist into a smile against yours, as he begins to leave sloppier, wetter kisses down your neck. You allow him to explore as his hesitation lessens, his hands beginning to bunch up the hemline of your shirt. Higher and higher. And before you know it, you’re taking it off, impatiently throwing it somewhere you’ll barely remember in the light of day. You pull Carmy back down for another kiss, this time with a little more intensity, as he covers his body with yours, his hands and mouth exploring every inch of newly revealed skin that he possibly can. 

You’re not sure when his shirt joined yours on the floor but before it registers, you’re running your fingers across the muscles of his back, exploring each peak and valley. You hiss in pure pleasure as he pulls down one of the cups of your bra, his tongue running across one of your nipples. You can feel him smile against your skin, a well-won reaction from the pleasure he’s giving you. His other hand reaches up to give equal attention to your other breast, and moments later, you’re both impatiently pulling your bra off. 

“Wanna try something,” Carmy murmurs, his eyes meeting yours. 

You can feel the wet heat pooling between your legs as you breathe out, “Okay.”

The anticipation is building in your body and you feel like your head might explode. Carmy busies his mouth once again, leaving kisses down your torso as his hands begin to fiddle with the button on your jeans. You giggle, more than willing to help him out as he gets them undone, lifting your hips so that he can slide them off. 

He’s hesitant, and you’re trying your damnedest to be patient as he takes his sweet time to marvel at your almost-naked body. 

“So fucking perfect,” Carmy whispers, in between leaving wet, open mouthed kisses across your hip bones. You can hardly breathe, panting out loud as he continues his exploration. You make space for him between your legs as he slips his hands into your panties, dragging a finger up and down your dripping sex.

He checks in with you, gauging your reaction, and you nod as he continues what he’s doing. 

“This all for me?” he asks. He means for it to sound confident, but as the words leave him, he sounds more surprised than anything.

Before you can answer, he’s pushing your legs wider, his tongue gently running across your clit, causing you to cry out to the gods. He’s tentative at first, but it doesn’t take long for him to gather up the confidence to keep going, with the noises you’re making. At first it’s all tongue, licking, circling and flattening up against you, but you’re losing your mind as he adds his fingers back into the mix. His fingers are buried deep inside of you while his lips and tongue are bringing you far past your edge.

It’s as if the only words you can remember are his name, and ‘fuck.’ 

You feel his lips curl into a smile against you as he murmurs, “Just wanna make you feel good.”

You can feel it – your climax – building up, and Carmy groans, rutting his hips into the bed as he can no longer ignore how hard he is. 

“Carmy, yes. Don’t stop, please. I’m-,” you beg, your voice shaking.

And he has no intention of stopping till he gets what he wants – till he makes you cum. He works you through your orgasm, groaning against you as you cum on his tongue and around his fingers. You swear for a moment that you can’t hear a single thing as stars fill your vision. As you come to, it starts with only the sounds of the heavy pants that escape your mouth. Carmy sits up, wiping his mouth on the back of his hand. 

“Holy fuck,” you say, breathless. 

Carmy lays over you once again, kissing you, and you can taste yourself on his lips. 

Your hands fumble with the button on his jeans and you order, no patience left in a single cell of your body, “Off. These need to come off.”

He chuckles, hurrying through the removal of his jeans. You’re so eager to feel the weight of his body on top of yours again that you pull him back down to you before he’s even able to properly take them off. 

He’s kissing you again as you reach down, grabbing his hard length through his underwear. He’s thicker than you remember. You slip your hand into the waistband of his briefs, causing him to grunt. He hisses your name as you wrap your soft hand around his dick, bucking his hips into your hand. 

“Do you have a condom?” you ask, desperately. “I wanna feel you, Carm.”

“Mhm.”

He doesn’t keep condoms around. It’s not like this happens very often for him. But Richie had thrown a pack of condoms at his head the minute he found out that the friend that was coming to visit was a girl. Richie had teased him with some stupid quip like ‘don’t forget to wrap it up, cousin. No one wants a mini-eleven madison park dickhead running around here.’

He hadn’t expected this to happen. But it’s not like he’d thrown the condoms away either – tucking them into the single drawer of his nightstand. 

You wait as he reaches over and pulls out a condom from his nightstand. You want to ask him about why he has them, but as long as you get to feel him, you’re not sure you care. 

You’ve been here before with him, but this is different. He sits up on his knees and you follow him, pulling his briefs down properly and giving him time to roll on the condom. He follows you back down onto the bed as you wrap a leg around his waist so that he can fit perfectly between yours. 

He waits a beat, and then you feel his thick tip pushing against you, causing your breath to catch in your throat. He rubs the head up and down your slick core, before slowly beginning to push into you. 

You both gasp at the feel of each other. 

“Fuck. You’re so fuckin’ tight,” he moans, dropping his head into the crevice of your neck. He hopes you can’t tell how utterly helpless he feels.

You hiss at the way he’s stretching you open, the pads of your fingertips digging into his arms. You’re holding onto his arms for dear life as he fills you all the way to the hilt. You let out another moan as you as he stays there for a moment. 

“This okay?” 

You nod, pulling him down to kiss you again. You start moving your hips against his as Carmy gives you shallow thrusts. 

“Hold on,” he breathes out, holding your hips down for a moment. “Just-, just give me a second.” 

And you do, allowing him to collect himself, before he’s giving you shallow, gentle thrusts. 

But you’re in desperate need for more. 

“Carmy?”

“Yeah?”

“Fucking move.” 

Finally, finally, he pulls almost all the way out, before driving himself back into you, earning a cry from you as the pleasure is just too much. 

“Oh fuck!”

You want more. You want everything and all of him and so much more. And he gives it to you, continuing to check in that what he’s doing is okay. Before you know it, you’re begging him to go faster, harder, convincing him that you’re not fucking breakable and that you want more, grasping at the sheets and his biceps, and his curls –  anything you can hang on to as he’s bringing you over your edge again for the second time tonight. 

You’re crying out his name as you cum, and Carmy thinks it may be the sweetest, best thing he’s ever heard in his life. He fucks you through your climax, beginning to slow down the pace of this thrusts. He pauses, kisses you long and hard, passionately pausing just to be in this moment with you. 

“Carm?” you manage to get out. You wonder if he can hear how much you want him just by the sound of your voice. 

“Hm?”

“I wanna ride you,” you say, and you can feel that your words have gone straight to his dick as he twitches inside of you.

“Yeah?” 

“Yeah.” 

The two of you clumsily change positions – him on his back staring up at you in awe, like how the hell does that perfect, beautiful, creature want to be here with me now? You reach down, guiding him back inside of you and you’re both gasping at the contact. You begin grinding your hips against him, watching his eyes roll back as you make your movement a little bigger. 

“Jesus Christ,” he sighs out, the pleasure of it all taking over his brain. 

You know he won’t last much longer as you begin to ride him, rocking your hips back and forth. Carmy hands are on your hips, then running up and down your torso, grabbing your tits, and then they’re pulling you down to him for another passionate makeout as you continue your movements. You can feel his thrusts becoming more erratic as he starts thrusting up into you. You keep riding him, reaching for his hands and placing them along your hips. 

“Show me how you want it,” you whisper in between kisses. 

“I think this is nice,” he manages to say. 

“Show me how you want it, Carmen,” you demand, emphasizing your need for him with use of his full name. “Let me make you cum.” 

You squeeze his hands against your ass, egging him on, and he’s not sure what he’s done to deserve this. He holds onto your hips, before thrusting up into you, setting a bruising pace as your moans become louder and louder. You scream out his name, as he brings you closer and closer to your high, chasing his with him. 

He grunts, his thrusts becoming sloppier, messier, more desperate and you let him use your body in the most delicious ways. 

“Are you gonna cum?”

Instead of answering, he’s driving into you like a fucking mad man, and you’re riding him through his high till you both collapse. 

Carmy lets out a strangled moan as he cums, so you begin to slow your movements. You’re breathless, hunched over him, your foreheads touching as you exchange a laugh.

It's a kind of 'I can't believe we just did that' kind of laugh.

“Holy shit,” he says, shaking his head. 

“Yeah,” you agree, a stupid, blissed out smile on both of your faces.

“That was-.”

“Yeah.”

You get off of him, allowing him to get up and dispose of the condom. He’s not gone long before he returns to you, wrapping the both of you up in his sheets and into his arms. It feels unlike anything you’ve ever had. 

It feels… magnificent. 

“Stay with me tonight?” he asks, leaving a few soft kisses along your shoulder. 

“After that?” you giggle, as his lips against your neck begin to tickle. “You’re not getting rid of me, Berzatto. Not a fucking chance.”

read: part five

taglist: @lazypeachsoul @bookwormvoyageuse @allthefandomstogether @gaysludge @sobshoney

[greenhorn-art]

All The King's Horses | As You Are Now, So Once Was I by @samwpmarleau (grumkinsnark)

All The King's Horses [LiveJournal ch1] [Fanfiction.net ch1]

As You Are Now, So Once Was I [LiveJournal ch1] [Fanfiction.net ch1]

Fandom: Supernatural, Criminal Minds

Rating: Teen | PG-13

Category: Gen

Words: ~36,192

All The King's Horses: Protect and Serve. Fidelity, Bravery, Integrity. To what lengths would you go to uphold those oaths? When it comes to a particularly brutal and unsolvable case, the BAU just may have to resort to some more unorthodox methods. SPN/Criminal Minds crossover.

As You Are Now, So Once Was I: Sequel to "All the King's Horses." When Dean catches J.J.'s press conference on the news about a current case and notices a few...inconsistencies, he realizes the BAU is definitely going to need his help. Again. ON HIATUS

About the Book

FORMAT: Letter quarto, flatback bradel binding, french link stitch, no tapes

FONTS: EB Garamond [via Google Fonts], Supernatural Knight [via DaFont], D-Din [via Font Squirrel], Daniel [via DaFont], Permanent Marker [via Google Fonts], Arial

IMAGES: Seal of the FBI [via Wikipedia], Dean's handprint scar [by greenhorn-art]

MATERIALS: 24lb Xerox Bold Digital paper (8.5"x11"), 80pt binder's board (~2mm), 30/3 size waxed linen thread, embroidery floss (DMC #721), 1.9mm cording, brown cardstock, black Cialux bookcloth, gold foil transfer sheet (came with We R Memory Keepers hot foil pen)

PROGRAMS USED: Fic exported with FicHub, word doc compiled in LibreOffice Writer, Typeset in Affinity Publisher, imposed with Bookbinder-JS, title pages designed in Affinity Designer/Photo

.

I first read these stories on LiveJournal back in 2013, some time after I first encountered Tumblr, Supernatural, and the wider world of online fandom. Once I discovered SPNxCriminal Minds crossovers I devoured so many of them. Something about POV Outsider on the Winchesters, the existing connections with investigating monster vs human-crazy cases, and run-ins with the FBI... it's just works so well.

Of all the SPNxCM fics I read and enjoyed, All The King's Horses is among those that bookmarked themselves in my brain. Since it's been living there all these years, I thought it deserved a place on my bookshelf too.

(Rambling below)

Sourcing the Fic

I used FicHub to download the fics off of Fanfiction.net as HTML. Then I pasted them into LibreOffice Writer and created rich text documents of each fic, so I could Place them into Affinity Publisher.

The stories were crossposted, first on LiveJournal and then Fanfiction. I included the metadata from both sites in the appendices.

(It's fascinating to see the differences in the same work between platforms. FFN requires genres, so if the author doesn't add them on LJ then by default there's more info on FFN. But FFN limits listed characters to 2, so authors have to pick and choose the most important. Then there's the author's amusing disclaimers and spoiler warnings for these fics, which are only included in the LJ version)

Shoutout to the author for how they linked/listed their accounts on other platforms! Thanks to that I was easily able to track down all the tags/metadata for the fics, and find them here to express my appreciation for their stories!

Typesetting

Fonts

EB Garamond is my new favourite body font, 11pt as per my usual.

The title page is entirely Arial: 1) it was the closest match I have to the case file prop I was copying, and 2) if it was a government doc they wouldn't be using anything but the most basic fonts.

Headings and the the bullets bracketing the page numbers are set it Supernatural Knight, a free font in the style of Supernatural's title.

The location segments are in D-DIN, the closest free match to the font Criminal Minds uses (which is probably DIN).

Daniel is used for Dean's 'rushed but legible' note.

Permanent Marker for the 'thick black Sharpie' case file labels.

Artwork

Title pages designed as FBI case files, copied from a prop found online (specifically Etsy's propfictionstudios', but it's all over the web so no idea who actually created it). I had fun plugging in all the fanfic/bookbinding meta!

The ID# above the author's name is the FFN story ID, and the date is the date originally posted on LJ.

The handprint used in the headings of ATKH is Dean's scar. I traced off of a screenshot from s4e01 Lazarus Rising. I chose to use the handprint instead of the anti-possession tattoo or a Devil's Trap as my SPN art element because 1) it's specific to Dean, and 2) indicates/reminds that the story is not set during the season 3 Agent Henriksen/FBI arc.

Grabbed the FBI seal off of Wikipedia.

Construction

Both fics typeset and printed separately, then sewn together into one book. Title page for the sequel was tipped in like an endpaper prior to sewing.

Endbands sewn with orange embroidery floss (DMC 721) around 1.9mm cording. I chose orange because Dean's being in jail brought to mind the orange prison jumpsuits Sam and Dean wore in s1e19 Folsom Prison Blues.

Black bookcloth for the cover, like the Winchesters' beloved black '67 Chevy Impala. (I'd wanted a Supernatural reference to balance out the Criminal Minds-ness of the FBI case files).

I'd originally planned to make lineart of the front of the car, and have it stretch across the bottom of the cover (maybe even wrap around to the back). Even found a useful reference to trace [from here], but it didn't look as good as I'd hoped. Instead I reused the FBI seal and swapped out its text with the titles.

(The effect of shiny foiled FBI symbol on small black book reminds me of one of those FBI badge wallets!)

The foiling process was an unnecessarily long and gruelling affair. My laptop served as a massive power bank for the hot foil pen as I spent 2hrs ever so slowly tracing the image, and then 15mins on the author name and touch-ups. Did it need to take so long? Moving slowly, pushing down hard, going over everything at least three times? I'm sure it didn't. BUT I did not want to chance peeling up the foil to check how I was doing and risk shifting it. It was worth it in my books (haha) ‒ I feel giddy and kick my feet like a schoolgirl whenever I see it!

New Things

Used 24lb paper for the first time, and I love it! It's a little thicker and heavier then regular 20lb printer paper, feels more substantial.

The page numbers & running/section headers are along the outer margin, instead of in the header/footer. This was my way around Affinity's buggy-ness regarding pinning things inline in master pages. (More about that below). If I had been thinking, I could have formatted them like the tabs on a file folder and cut the textblock to match. Oh well, the things you notice once it's printed 😔

This time I also started new chapters/sections using text flow & paragraph spacing settings, instead of using a master. As always, there are pros and cons.

Pro: much faster and less involved. (find chapter start, apply paragraph style VS working from the end cutting text, inserting a frame break, unlinking frames, inserting new pages with master, relinking, pasting, and adding chapter title to a different text box)

Con: images need to be added manually (whether by adding image directly, or by applying a master with the image). I forgot to do this for the second fic, so only ATKH have Dean's handprint scar.

Difficulties Encountered

Affinity Publisher is fighting me on pinning things inline on master pages. They like to disappear on regular pages I've applied the master to. Sometimes it works, sometimes it doesn't, sometimes it only works on some of the pages. Idk what's up. (The bullet character only faces one way so I had use textboxes, flip/mirror one, and pin them inline to the page number).

So instead of having page numbers in the footer, bookended left and right by text boxes with Supernatural Knight's bullet, I put it vertically down the side.

Updated Publisher and all my paragraph styles' fonts changed/went funny. Something to do with the update's variable font support, I think. What was previously 'EB Garamond' regular, was now something along the lines of 'EBGaramond-Regular' which isn't a font. Issue seems to have ironed itself out in my original (near-complete) doc while I was busy remaking it. 😐

On the bright side, the update brought QR code generation to Affinity!

[mysteryanimator]

SENSES - Animatic breakdown :D

Breaking down my panels because I am silly and I know some people wanted me to break down my thoughts for this. THOUGH, I still leave a lot up for interpretation!

You can watch it here :D

(Also I ended up adding subtitles to this, so you can see what panels get timed to each lyric)

(I won't go through every single panel since 30 image limit BUT please know that 99.9% of the panels have been beamed with a lot of symbolism. I'm very passionate about this subject, esp with drama scenes LOL)

Also here proving to myself I don't use ten billion close up shots HAHAHAH, ty for three days ago me for thumbnailing everything

SECTION 1- MIZRAK'S POV

yes, the first verse and first chorus is from Mizrak's perspective/second verse is from Olrox's perspective.

OK, not only is the establishing shot, but it kinda establishes the major symbolism stuff I play into- hands and windows! Connection and dividers! Please keep in mind eyes are the window to the soul :D

It very much informs the entire animatic LOL.

From here on out (till a certain point :3) the window acts as a divider. This shot will be important for later btw :))) Also I have a feeling Olrox would say something like "Destiny always seemed make believe."

Fun fact, I ended up dropping a wip section 01 to a few people and they were all eviscerated by the part of Mizrak reaching for Olrox. This acted like a screen test for me and later informed me to focus on Mizrak's hand for a few more shots.

WHICH, BY WAY THE CHORUS BREAKUP SECTION FROM MIZRAK'S POV:

I won't delve too much into here, BUT mentally i decided that when interpreting the chorus, it was as if they were speaking to each other. It also happens again for the bridge part :DDD

SECTION 2- OLROX'S POV

What was important to me was getting Olrox's POV on Mizrak, since in Nocturne we explored Mizrak getting insight into Olrox's past I went "omg, let's do the reverse!" and get Olrox to gather insight on Mizrak's past.

I've perceived Mizrak to be a lot more snappier with his co-workers and friends (take for insistence him yelling at the other monks, and being a lot more direct without fanfare with Richter and Maria in the first ep)

PARALLELS !!! Which, the abbey is intentionally overlayed over Olrox, hahaha Mizrak needs to choose between duty and desire :))))) Also this is the sole reason why the placements are skewed heavily to one side, so they can literal mirrored version of each other and be put side by side.

I actually debated myself a lot for this part, because the plan was going to go in a very different direction, however I thought having them not facing the camera, much like how they both can't seem to face themselves (or each other directly for this matter). Which I noticed was a huge thing with the character acting between those two characters.

ANOTHER CALL BACK LOL. Also I personally interpret Mizrak saying "we make our own destiny".

Mizrak reaching out !!! Also, while there is no window, the wood panels are there to substitute for the division theme. Olrox is standing on that divide and Mizrak has to decide if he wants to "break" through that divider.

SECTION 3 - omg they do it

OK, the scenes where they do the deed!!! By this point I feel like you guys are already getting very used to all the call-back scenes, so instead of doing a mirrored version of the first chorus scene, I decided to make all of the lyrics a contradiction to what was happening on screen. This helps for the hard cut to their argument hit sooo much harder (well i would hope sooooo LOL)

also if this shot feels familar, It's from an animation wip I'm working on that's been shelved for now because of uni HAHAH

A fight? No no, you're getting them fuc-

HAND, this will be the only time they will touch hands. The only time they connect. Also I like the contradiction with the "leave me alone with all of my questions", while they literally hold hands as they do it LOL.

SECTION 4- The argument

OK SO, me explaining these frame isn't super important, its more so a fun fact BUT going back to them using parts of the song as their "dialogue", I thought it would be fun to have them jab at each other. SO when Olrox is paired with:

"Know you fell for the person that tried to be someone they're not." Olrox is taking a jab at Mizrak for not being himself.

"You long for a feeling you'll never get back and I'm scared that you'll finally give up." Mizrak is taking a jab at Olrox for being a 'coward'.

HA, so remember eyes are window to the soul? Well so I decided that for this argument section, I wanted to give off that the argument here was literally going to dig DEEP, so I just ended up reusing the exact same lighting/posing for them. Which is the reason why they're both dead center (and it helps make this section slightly disorientating).

Which by the way, I noticed in Nocturne, these characters don't face each other directly when being vulnerable- they're always like behind or off to their side. The only times where they've been face to face properly are these:

"You're an animal whose soul died centuries ago." "Oh, has the world abandoned you Mizrak?"

They're jabbing into each other's inner psyche, so I wanted to do that here :D

Yes, that is right. Briefly you see Olrox's lover and Olrox's amercia fit. I thought it would be SO angsty for the earring piece to come from Olrox's previous lover. Also the past versions only start appearing during the "but the one you'll never love." :))))))

Btw I'm not 100% solid on Olrox's prev lover design, but I'd love to develop him more someday (if he doesn't get further developed season 2)

SECTION 5- Aftermath

From here on out, I make the references so much more obvious! For Olrox waking up I ended up going backward of the introduction! Which as a final note, the abbey and Olrox are on opposite sides of the divide :)))

Also, around this time I had realised "oh I have 30 seconds left and I want this done now or else it'll fester and rot in my brain, making me unable to do anything else until I finish it." So instead of completely making new assets from scratch, a much more straightforward parallel was in order (and it makes it super angsty too, which double points)

The ending I wanted to leave very open ended! However, I will make it known that he crosses over that divider when he balls his hands into fists, unlike how he was unable to when I first showed this exact shot.

Also these are the three shots I reference back to for this final scene. Mizrak ends up crossing over that divide, much like he did when the animatic started. WHICH AGAIN, you are super free to infer and make up your own thoughts as to why these scenes were crucial for referencing.

By the way, every time we have seen Mizrak from the chest down, it starts from the back, then the side, and now the front :))))

As a side note, every time I cut off a character's head (specifically eyes too) in a shot, it is very purposeful to force the audience to infer what these characters are feeling and base it off their body language alone. It is also in a way, an attempt to conceal as much as I can about what the character is feeling, playing into the theme that eyes are the window to the soul, and we, as the audience, are not allowed into their private thoughts.

anddd done :D hope y'all enjoy this info-dumping soup. I'd love to try my hand at some action boards and see how my analytical brain puts drama beats there, since at this point applying emotional connections to compositions and camera angles is second nature. So that for action hrmmmmmm we'll see AFTER UNI THO (ANNETTE IT'S YOUR TURN)

I have one assignment left for this semester, wish my uni wouldn't adamantly put down 2d focused students (or wish they'd even teach us, though honestly teaching myself is very fun and rewarding) BUT I digress!

I had a lot of fun doing this! Ty for reading this far LOLOLOL

[theunholybastard]

Kinktober: October 2nd - Titfucking (Papa Emeritus III x Female!Reader)

Tags: Marathon Sex, Titfucking, Established Relationship, Praise, Body Worship, Overstimulation, Cum-Shot, Cum-Eating, 1st Person POV

I blink my eyes open, awakened by the feeling of Terzo pressing soft kisses across my neck and shoulders. I didn't even realize I drifted off in the first place. I must've passed out from exhaustion after that last orgasm. I grunt, feeling the soreness affecting my body already. I already know I'll be walking funny tomorrow, and my thighs and hips will most likely be littered with bruises. This horny bastard will be the death of me.

Terzo chuckles against my bare skin. "Welcome back, sleepyhead." He murmurs playfully. "You too tired to go another round, principessa?"

"You aren't?" I groan, surprised at the stamina this man has. We've been at this for three consecutive rounds already. I haven't even gotten out of bed today, and now I think I never will. I'm exhausted, achy, sweaty, and if I have one more orgasm I fear I'll have a heart attack. He, however, looks annoyingly perfect as always; Hovering over me, completely unaffected, ready for round four. How does he still have the energy to even get it up?

He laughs and continues to trail his kisses up to my jaw. I shiver slightly at the feeling, letting my eyes fall shut once again. They only open back up when I feel his half-hard cock pressing against my hip. "Baby, no..." I sigh, bringing a still shakey hand up to nudge him off. He complies and pulls away, pouting in false sympathy. I swear, if I wasn't still on the verge of passing out, I'd punch him in his stupid, gorgeous face.

"Awe, have you had enough, amore mio?" He teases, a cocky smirk plastered across his face. I roll my eyes.

"I had enough 3 rounds ago." I scoff dryly. I'm not actually as annoyed as I may be acting, truth be told I love when he overstimulates me, pushes me to my absolute limits. And goddamn, does he know that. "But seriously Terz, I'm way too sore. No more, please..." Terzo nods understandingly and kisses my sweat-dampened forehead. As much of a depraved pervert Terzo can be, I know he'd never want to push me too far to the point it's more pain than pleasure.

"Do you mind if I get myself off then?" He asked, stroking himself lazily as he gazes deeply into my eyes, searching them for any reluctance. "Just stay away from my bottom half and you're good." I snort. He smirks again, a mischievous twinkle in his eyes.

"Just the bottom half? So is the, eh... top half still open for business?" He leans in closer, dropping his voice lower and wiggling his brows suggestively in attempts to be seductive. This fucking guy.

"Why? You want to use my mouth, Papa?" I coo flirtatiously, trying to be sexy back, immediately followed by a very unsexy yawn. I'd be willing to do anything above the waist to get him off, so maybe he'd finally be sated and leave me alone. Though to be honest, I might fall asleep mid-blowjob. He shook his head, his gaze falling from my eyes to my tits, his eyes fogged with lust.

"Not this time, bella mia. I'd much prefer to use these beauties, if you don't mind." He purrs, groping my breasts tenderly and leaning down to press little kisses to my nipples. I bite my lower lip as I suck in a breath. He takes one of my nipples into his mouth, sucking gently and rolling his tongue around. I whimper at the feeling, my body relaxing as I let him do whatever he wants to me.

"May I, principessa?" He pops his mouth off my breast, looking up at me expectantly. I take a shaky breath and nod. Normally he would not accept that as an answer and keep teasing me till I used my words, but he sensed how tired I was and decided not to push it, too needy to get off.

He climbed back on top of me, straddling my body to where his cock was in perfect alignment with my breasts. He uses one hand to fondle them while the other strokes his now fully-erect cock, taking his time to soak up my appearance. He smiles down at me, showering me in praises I barely retain from my levels of exhaustion. I'm so relaxed I'm nearly half-asleep. That's exactly how Terzo wanted me right now; limp and pliant, but still conscious enough to see and feel what he's doing to me.

Eventually, he spat on his cock to lube it up, and placed his member in between my mounds. He squeezed my breasts around his slick-covered cock and began to thrust. He let out a primal grunt as he threw his head back and pounded madly. It's embarrassing how aroused I was at the sight of him fucking my tits as if it was my cunt. I let out an involuntary moan, which caused him to smile cockily.

"Y-you enjoying the show, principessa? You like watching me fuck these pretty tits? Merda, so f-fucking perfect!" He growls, his hips snapping faster as he humped me like a rabid animal. "S-such a perfect girl for me, letting me use your body however I please. Can't wait to paint these beautiful tits with my seed, f-fuck!" By the way he was panting and the way his hips stuttered, I knew he was getting close. I use my last remaining energy to encourage him to reach his climax.

"Terzo, please... please cover my tits, please cum for me, Papa!" I whine, causing him to let out a long, borderline scream-like moan as he finished, coating my breasts with his warm, thick spend. Finally, after four orgasms, he looks completely disheveled, hair falling in his face, eyes shut tight and mouth hanging agape as if he was about to fall asleep right on top of me.

Finally, sleepiness takes ahold of me. The last thing I remember is Terzo clumsily shuffling off of me to lick his cum from my breasts, my eyes fluttering shut in bliss as I drift off into a deep sleep.

-

[gallus-rising]

mp100 horror fic recs 👻🎃

For a while now I've been thinking about mp100's amazing horror potential and how it really doesn't get enough attention. SO! For the spooky season why don't you settle down with a nice scary story ;D

All of these fics are complete and have no shipping. I've only linked 1 fic per author so this list doesn't get bloated, but all of these wonderful authors have other fics just waiting for you to read them ❤ Some definitely freaked me out more than others, but I'm not gonna give any particular ratings since "scary" is so subjective. All fics are properly tagged and you know your own limits better than I do.

Also feel free to add on your own recs!! My general reading preferences and parameters when making this list is only a small sampling, so please share any and all of your favs ❤ Hope you enjoy!

If you see an "N/A" instead of a Tumblr UN that means there wasn't one linked in either the fics' notes or author's bio. If you know the author or are the author yourself feel free to let me know so I can edit the post :] And now in no particular order I present:

The Immeasurable Dark: @tinkertoysdamn Immediately breaking my own "no ships" rule just this once because I can't resist a good House of Leaves inspired story! If you've read HoL is you know what's up. If not expect a fucked-up house and impossibly large spaces, funky text formatting and footnotes, maybe a minotaur. Ship featured is background established serirei.

a pilgrimage: @tooomuchtofu Divine Tree arc bad ending. Told from the PoV of an unnamed worshiper on their first visit to "the capital" aka an overgrown Seasoning City. Uses second person pov wonderfully to build the dread.

And Who Is Killing Me?: @sammisafetypin Koyama beats the shit outta Mob a little harder than in canon, hospitalizing him and delaying the 7th Division rescue arc by [TIME NOT FOUND]. The Awakening Lab kids are so minor I tend to forget they even exist, but oh my god does this author make you care about them! This fic is written with great suddenly swapping PoVs that keep you feeling off kilter without making you lose track of the story. It's the longest fic on this list by far but 100% worth every second of it. A real gut punch.

Adoration: (N/A) The Divine Tree takes a particular interest in Reigen. I don't think I've ever seen anyone properly touch on how creepy the Psycho Helm constructs themselves are like this fic has. God, those things freak me out so much. Features "shipping" in the sense of a sentient broccoli becoming fixated on a guy. Keep in mind that the Psycho Helms look like Mob if you think that'll squick you out, but for me personally it added to the horror.

Similarities: (N/A) Reigen receives a fucked up email. Ends on the sillier side, but BOY is that email fucked up!

The Water Ran Clean: @bandtrees A Mogami-mentors-Mob AU and a damn fine one at that. Love the sort of fragmented style it's written in, and the exploration of Mogami's fucked up moral code is great. There's some Choice viscerally described imagery here 👌👌 Features a drawing of Mob covered in blood just in case that freaks you out; but worry, it's not his :]

An Outlier Among a Sea of Common Denominators: @hebezunet A rewrite of the early Divine Tree arc that asks the question we've all been too scared to consider: What if the brainwashing was like cordyceps? In particular I want to highlight the opening scene where after eating the broccoli powder cookies Teru has to physically rip florets out of his body to resist being brainwashed. Very gnarly stuff.

Prison Surveillance: (N/A) Touichirou was a very bad boss so Hatori pulls a The Ring to torment him in Psychic Supermax Prison. Was written pre-season 3 so Hatori doesn't work for the government.

Stairs: (N/A) Reigen and Mob have a job in the woods. There are some stairs. Inspired by an r/nosleep story which the author links to if you'd like to check that out as well.

Fight, Flight, or Fraud: @cowardlybean So everyone's got a really specific supernatural fear, right? Something that could absolutely never happen in real life but when you see it in media it freaks you the fuck out? Mine is someone I know being killed and replaced by an evil doppelganger and I'm the only one who knows. I've not seen anything since The Magnus Archives that's properly captured that fear like this fic, which is some of the highest praise I can bestow.

In Quicksand: @ghoststrawberries Reigen catches a nasty cold and by that I mean he gets possessed. Very fun the way Reigen's train of thought and feeling shifts around as the evil spirit tries to influence him while he's unconsciously resisting it. The scene where the gang realizes Reigen's been possessed is a real "OOOOOH, SHIT!!!" moment, but I won't spoil ;D

Playing Human: (N/A) Espers and psychic powers might not be real but spirits are. Poor baby Mob is a ghost possessing his own dead body. Features Dimple as the bad guy.

Mithridatism: If I may be so self-indulgent to list one of my own fics here :3 Absorbing evil spirits while still alive was actively killing Mogami and I wanted to dig into that! Features my Signature™ (lol) "HEY, DON'T EAT THAT!!" style of body horror.

[whumpy-wyrms]

The Last Lab Rat CYOA #10

TLLR AU masterlist | TLLR masterlist

content: second person pov (whumpee), lab whump, captivity, test subject whumpee, scientist carewhumper

You chose: Ask questions. Find out everything you can about what this means for you.

— 

“I bet you have a lot of questions,” he says after a while of you two just staring at each other. You nod frantically.

“Y-yeah,” you say, “I do.”

“I suppose it’s only right to let you ask them. Fine. What else do you wanna know?”

Your mind floods with endless questions you have for him, almost too much to process. You start with what seems most important. “H-how long are you planning to keep me here?”

He shrugs nonchalantly. “A while? I mean, I don’t ever plan on letting you go. In theory, we’d be here for the rest of our lives. This is your home now, there’s no getting out of it.”

Home? He can’t actually expect you to accept this that easily. “Why? Why are you doing this?”

“Like I said, I needed a new test subject. Experimenting on myself for… so long… got to be too dangerous.” He sighs. “And I needed a change of pace. Company will do me well I think.”

You bring your knees to your chest, noticing your ankle bringing you less pain than before, despite the sudden movement. “D-dangerous? What are you gonna do to me?”

His eyes light up, those green eyes glowing brighter for a fraction of a second, and he looks giddy with excitement. “I have a lot of plans, and a lot of experiments I've been itching to perform that I couldn’t do on myself. Most of them will consist of testing the limits of the human body and how far I can change it before becoming completely inhuman. I also wanna focus on the key to immortality, but I'm not too worried about that right now. Gotta get you used to what your life’s gonna be like here first, before making it never ending, right?”

“As for the actual experiments?” he continues. “I think it’ll be much more fun if I keep them a surprise.” He smiles a cheeky grin. “But don’t worry, you’ll find out soon.”

He wants to experiment on you, to change you. There’s no way that’ll be completely painless. You’re scared to find out, but you need to ask; “How much will it hurt?”

“…I’ll try my best to make it painless, but that won’t always be possible. It’s science, y’know? Sometimes the pain is necessary to get the results we want. But don’t worry, I’ll take care of you. You won’t be in any real danger.”

You have a hard time believing that. Experiments? Pain? Mysterious vials of fluid already flowing through your system? It sure sounds like you’re in danger here. He hasn’t exactly been very subtle. You shouldn’t believe a word of comfort he says. “Are you gonna kill me?”

“No!” All the excitement leaves his eyes and he frowns, a horrified look crossing his face from just the idea alone. He shakes his head. “Never. I’ll never let you die, I promise. You’ll be safe here.”

“But you kidnapped me, you drugged me, you hurt me. I don’t feel safe.”

“I did what I had to do. I’m sorry if that scared you, but you’re here now. So everything is going to be alright.”

“But I didn’t wanna come with you, and you took me anyway. You broke into my home.”

“I gave you the chance to come willingly but you didn’t, so I had to take matters into my own hands. You’d already seen me; I couldn’t let you get away and tell people. And I didn’t exactly break in, you always leave your back door unlocked anyway.”

“You… you knew where I lived the whole time?”

“Yeah, I mean, wasn’t it obvious?” He laughs. “I mean, I wasn’t just gonna take some random person off the street to be my new test subject. I needed to know if you were the right fit, and I had to learn more about you so I could get ready for your arrival.”

Curse your noise canceling headphones keeping you oblivious from your surroundings. He’d followed you home more times than just that night. You knew you recognized him!

“How long?”

“Few weeks?”

“Damn.”

“I just needed to be prepared. It was a precautionary measure. I haven’t had an actual test subject in five years, I needed to make sure I was making the right choice.”

“And did you?”

He shrugs. “I hope so?”

You can’t stop yourself from getting more and more anxious about this all. He always seems to be one step ahead. You take deep breaths and try to swallow your nerves. “Why me?”

“Because… I dunno. I just needed someone. You’re healthy, you’re not stronger than me, you’re perfect for experimentation. And you just seemed… lonely.”

“…People will come looking for me.”

His expression warps to one of pity, and his voice softens. “Aw, no they won’t. I have ways to make sure nobody notices you’re gone or comes looking for you. And we’re far, far away, buddy. Nobody will find us out here.”

That can’t be true. You don’t want to believe it. “Where are we?”

“I can’t tell you that.”

“Why not?”

“We don’t want you getting any ideas about escaping, now do we?”

“Is anyone else here?”

“Nope, just me.”

“Who are you working for?”

“Myself?”

“Does anyone else know about this place?”

“…Nope.”

You decide to use a different approach. “Are you really just planning to keep me trapped down here? You can’t just keep me from the outside! I’m a human, not some lab rat, I need sunlight!”

“Well, you are my test subject now so this place is where you belong. I know this room isn’t much, but it’s better than what the alternative would be. But maybe… I’ll take you on walks outside, if you behave. That’d be a good reward! I want you to be comfortable here. And if there’s anything you need, I’ll find a way to get it for you.”

“What about all my things? My home? What’s gonna happen to all that?”

“Those are not yours anymore. You don’t need to think about that. This is your home now. Your old life is behind you.”

A shiver runs down your spine. You can no longer hide the panic in your voice. “You’re really not letting me go?”

“No. Like I said, you’re my test subject now. Everything will be so much easier for the both of us if you just accept that.”

“And if I don’t?”

He frowns. “…Then neither of us will have a good time.”

You look to the floor. He’s really serious about this, about all of this. The lab out there wasn’t just for show, it’s an actual mad science lab filled with dangerous things that could be used to hurt and change you. You have no idea what he’s planning on doing to you and how you’ll end up in the end— or if there will even be an end.

“Hey,” he says softly. You look at him. “You’ll be okay. You’ll probably come to like it here eventually. It won’t be that bad.” After you don't say anything, he asks, “Do you have any more questions?”

“…Are you responsible for all this that’s… going on?”

He blinks, looking genuinely confused. “What’s… going on?”

“You know.”

“No I don’t.”

“You must!”

“If it’s not related to me then… I don’t.” His eyebrows scrunch up and he leans in closer, a worried look plastered all over his face. “Hey, buddy, are you okay?”

You blink. This conversation is going nowhere. He seems to have told you everything he was going to. You know more about what your life will be like here, what he wants with you, what it means to be his test subject. Horrifying relentless experiments done to you with you having no say in the matter, a complete lack of freedom and autonomy. A lab rat to a mad scientist. It has a nice ring to it, but is this really the life you want?

next

— 

hehehehehe

taglist: @creppersfunpalooza @whumpsday @watermelons-dont-grow-on-trees @inkwell-and-dagger @silly-scroimblo-skrunkl

@vidawhump @bottlecapreader @whumpinthepot @lumpywhump @paperprinxe

@indigoisaspookyghost2 @lumpofsand @whump-till-ya-jump @inhurtandincomfort @echo-of-umbra

@sariadragon

let me know if you want to be removed or added to the taglist!

[youling-the-ghost]

Currently working on chapter 3 of my Ditch fic (To Be Loved (and to Be in Love) for those who don't know) and I'm actually cackling at Titch's internal monologue because he's constantly like "why is this man being so nice to me and why do I feel so bubbly and warm when I'm around him...what motives does he have?" meanwhile Derek's just like "I love talking to this pretty blonde guy and I want him to be happy :D"

This is the pain of writing in third person limited POV because I can't show Derek's perspective to bring in some sweet sweet dramatic irony.