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atpaftmoom-bily · 3 years

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Thoughts about Erik, why Wilhelm wasn't allowed to come out, and more.

Be warned, this is long, confusing, and I'm not even sure if I made any valid points. But I had thoughts on Young Royals, with no one to talk to, so here you go.

I've seen various different takes on Erik and what people thought his reaction would have been if Willie had come out to him, most of them being positive, and some as well saying how sad it was that Willie never got to come out to his brother. I have a different take, but bear with me it's gonna take a second to get there.

Something that I found interesting in the first place was that when August found out it was Simon and not a girl, he just seemed shocked, but not in a homophobic way that I had kind of been expecting.

Additionally, let's take a look at the comments on the video, I've split them up into three different groups. General comments (disbelief, surprise, pity, etc.), comments sexualizing them, and negative comments. (I've translated these as well as I could as they were not all captioned, but if I've made a mistake feel free to let me know!)

General Comments "OMG Have you seen this?? The Prince is gay!!!!" "Who's the other guy?" "I'm dead" "Finally some news to put Sweden on the map!" "Poor boys, I feel sorry for them" "So clumsy to get caught on film" "I know where he lives!" "I think the video is fake" "Love for the boys"

Sexualizing Comments "Royal porn" "Sexy" "Love" "Sexiest video ever"

Negative Comments "How will the monarchy survive this?" "The end of the royal family, time for Sweden to become a republic!" "Never been ashamed about being Swedish until now" "Class traitor! Your mother cries for your sins"

Now, there are quite a few things I want to point out about Sweden that I feel should be taken into account here. Of course, we don't know the exact dates that the show took place, but we do know it is modern-day, and though it is a work of fiction, I am going to assume that anything that is currently true in Sweden at the moment, give or take a few years, would also be true in the Young Royals universe.

The first point I would like to make is that Sweden is one of the most LGBT-friendly countries, even being named the most friendly country in 2019. Looking back in history, 1944 was when Sweden decriminalized sexual relationships between consenting adults of the same sex, though it was still thought to be an illness. However, in 1979 it was no longer considered an illness. Fun unrelated fact, but Sweden was the first country to legalize gender change in 1979. (If you'd like to read more on LGBT rights in Sweden here are some resources. One. Two.) If Sweden is that progressive and is that LGBT-friendly, then I wondered what the problem was with Willie coming out, so I dug some more.

I'm American, so my understanding of many parts of the world is unfortunately skewed or incomplete, but I'm working on changing that. However, because of this, one thing that surprised me in my research was that the monarchy in Sweden is more of a unifying symbol than anything else. They have no political affinity or formal powers, but rather "the King’s duties are mainly of a ceremonial and representative nature." Of course in the case of Young Royals, the Queen inherited the throne, and Wilhelm would after her.

Something else I found interesting about the monarchy in Sweden is that the current Queen, Queen Silvia, did not come from a line of nobility, so when Queen Silvia and King Carl Gustaf married in 1976, it was highly unusual. (See more on the Swedish monarchy here.)

There is one last thing I want to point out about the current King and Queen. "In summer 2000, King Carl XVI Gustaf and Queen Silvia of Sweden made history when they ate under the rainbow flag at Djurgårdsterrassen, a Stockholm restaurant owned by gay owner Arto Winter. At that time, the decision was seen as controversial, and played a valuable role in moving conversations forward – while making the royals’ position abundantly clear." (Source)

Now, of course, I understand the difference between a fictional work and real-life situations, but at least in my opinion, these same ideals should carry through to the show that we see. If the King and Queen in real life have been openly supportive of the LGBT community since at least 2000, then although specifics might not be the same, some of those ideals should carry through to Young Royals, so what is the problem, right?

I'm not trying to erase the reality of homophobia altogether, because of course, that exists. We even see in the show through comments that there are some people who are worried about the state of the monarchy, are disgusted, or downright still think that not being straight is a sin, but we also see other comments as well. If Wilhelm were to come out, what would happen? Would there be some backlash? 100%. Would there be people who would support him? Also 100%. Would it make his life harder? Probably, but would he be happier? In my opinion, yes, but I guess that's a question that Wilhelm would have to gauge on his own.

Now I want to look deeper at the conversation that Wille has with his mother, the Queen, in the car on the way home so he can give a statement to the media. Below is an excerpt from their dialogue.

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Wilhelm: Why can't I just have a relationship with him? And not say anything. Just live a normal life.

Queen: You're the crown prince. And that's a privilege, not a punishment.

Wilhelm: Yes, but I didn't ask for this!

Queen: Well, nobody has ever, ever asked for this! You are the only one who can take over the throne after Erik. Don't you understand that? You are so young. When you're young, love feels like the most important thing in the whole world. When I was your age, I too had an unfortunate romance. That was before I met your father. What I mean is, is it worth it? If you feel that the attention you've been getting so far is unacceptable, it's nothing compared to what you will endure for the rest of your life. We have a chance to cover this up, I urge you to take that chance. You may not get another."

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Something I find interesting is how much Willie just wants to live a normal life, which I get. He is under so much pressure, from being a role model, his brother's death that he hasn't even had time to process, preparing to be king someday, and (kind of) being outed to the entire world, but at least his school. It's enough to make anyone want to live normally. I think the biggest thing we have to think about here is the Queen's question as well. Is it worth it? She is right of course, the attention he will get will always be there, but I do think that Willie would be able to find a way to be happy along with being King. It shouldn't have to be a case of either-or, and ultimately I don't think it is.

Now I'm going to move back to Erik, and really, this ties everything back to the start where I mentioned I had a different take on Erik's reaction to Willie being not straight. I think that Erik already knew. It would make sense for a variety of reasons. In the show, it is obvious that the two of them have a good relationship. We also hear Erik tell Willie, "you can trust him, he's like a brother," in episode one when speaking about August, showing that trust is something strong between them as brothers. I'm not exactly sure how old Wilhelm is meant to be in the show, but I estimate somewhere around sixteen. I would like to assume that sometime before attending Hillerska, he may have had a crush or felt some attraction to a guy. We also can see from their phone call in episode three, that they're not afraid to joke around with each other about such things, meaning that Erik would most likely be the first person that Willie would go to about such things.

Another thing that makes me believe Erik already knew has to do with people assuming that Simon is the first guy that Willie has liked. Now, I know things are not the same for everyone, but if we consider what happens when the video is posted, and Willie had to deny it is him, we can conclude that being anything other than straight in their family is not okay, simply because they are royals, and the media attention will be too much. Imagine you've known your whole life, you can't be something, the first instance you encounter that, you're probably not going to give in right away. I'm talking at least some minor internalized homophobia here or something.

So put that into the context of Simon and Willie's first kiss in episode two. Simon kisses Willie twice before Willie says "Well, I'm not... I'm not... Stop! Wait, wait, wait!" and immediately pulls Simon back towards him. Let's reflect back to episode one where Willie says "I’m not… I’m not allowed to speak about political issues." I'm not allowed. Of course, there are TONS of restrictions on what he can and can not do, kissing guys, probably being one of them. But if he was going to say I'm not gay or I'm not like that, why would he instantly pull him back in, contrasting what he was just going to say. In episode three, Willie does say, "I'm not like that," which makes sense. He's had time to think and isn't in the heat of the moment. What other explanation can he give? Sure, he could say he's not allowed to be like that but saying that would admit that he is. It's a circle, a very messy circle, but it is a... loop.

Going back to what I'm supposed to be talking about here, Erik. This isn't Willie's first rodeo, but Erik was there for the first. One last thing I want to talk about is the phone call that Erik and Willie have in episode three. Below is an excerpt from their dialogue.

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Erik: You've met someone.

Wilhelm: I, uh... Yes, okay, but I... I don't think we're a couple or anything. I don't know what it is but can we just...

Erik: I get it. I get it. You don't have to tell me any... I don't wanna hear any details. Hey. Willie, enjoy yourself. Soon enough people will start having opinions and-

Wilhelm: They don't care about me. 'Cause you're the Crown Prince that they have opinions.

Erik: I don't get it. Why are you sitting in your room sulking when you have a crush to hang out with?

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Firstly, Erik refers to Willie's crush as completely gender-neutral. "You've met someone" could very easily be "you've met a girl". The same goes for "you have a crush to hang out with". Very well could have been "you have a girl to hang out with". Sure, it could be completely coincidental, but we live in such a heteronormative society that it would just make sense for Erik to use female-gendered words. Unless, of course, he knew.

Secondly, "Hey. Willie, enjoy yourself. Soon enough people will start having opinions". This sounds very much to me like, enjoy your time while you can be yourself without backlash because soon you won't have that privacy. While I feel that, yes, the same may happen with anyone Willie was to date, him having a same-sex partner multiplies that, by a lot.

In conclusion, Erik knew Willie was not straight, Willie should come out, but when he is ready, and August is a really deep character that people don't give enough credit to. Gosh, I hope I covered everything, I probably forgot so much, but it's fine. Please let me know your thoughts if you've made it this far into the post.

One last thing. I hope you'll notice how in this post, I never referred specifically to Wilhelm's sexuality, and I did that for a reason. I often see gay used to label him, and though I am unsure if that's being used as an umbrella term or specifically as in he only likes men, I think it's really important to realize that they're specifically making him unlabeled. In this youtube video Edvin Ryding, the actor who plays Wilhelm, says "What we're trying to do... We're not labeling Wilhelm's sexuality. I think that's good because it's like, it portrays that it's okay that way too. You don't have to. You shouldn't have to come out. It should be allowed to be a bit fluid, a bit out there." I just think that it is important as it's another type of representation that is not seen often.

#young royals #prince wilhelm #simon eriksson #wilmon #simon x wilhelm #young royals netflix #wilhelm yr #simon yr #august yr #erik yr #netflix #edvin ryding #omar rudberg #malte gårdinger #ivar forsling

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blackswaneuroparedux · 3 years

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Anonymous asked: I enjoyed reading your posts about Napoleon’s death and it’s quite timely given its the 200th anniversary of his death this year in May. I was wondering, because you know a lot about military history (your served right? That’s cool to fly combat helicopters) and you live in France but aren’t French, what your take was on Napoleon and how do the French view him? Do they hail him as a hero or do they like others see him like a Hitler or a Stalin? Do you see him as a hero or a villain of history?

5 May 1821 was a memorable date because Napoleon, one of the most iconic figures in world history, died while in bitter exile on a remote island in the South Atlantic Ocean. Napoleon Bonaparte, as you know rose from obscure soldier to a kind of new Caesar, and yet he remains a uniquely controversial figure to this day especially in France. You raise interesting questions about Napoleon and his legacy. If I may reframe your questions in another way. Should we think of him as a flawed but essentially heroic visionary who changed Europe for the better? Or was he simply a military dictator, whose cult of personality and lust for power set a template for the likes of Hitler?

However one chooses to answer this question can we just - to get this out of the way - simply and definitively say that Napoleon was not Hitler. Not even close. No offence intended to you but this is just dumb ahistorical thinking and it’s a lazy lie. This comparison was made by some in the horrid aftermath of the Second World War but only held little currency for only a short time thereafter. Obviously that view didn’t exist before Hitler in the 19th Century and these days I don’t know any serious historian who takes that comparison seriously.

I confess I don’t have a definitive answer if he was a hero or a villain one way or the other because Napoleon has really left a very complicated legacy. It really depends on where you’re coming from.

As a staunch Brit I do take pride in Britain’s victorious war against Napoleonic France - and in a good natured way rubbing it in the noses of French friends at every opportunity I get because it’s in our cultural DNA and it’s bloody good fun (why else would we make Waterloo train station the London terminus of the Eurostar international rail service from its opening in 1994? Or why hang a huge gilded portrait of the Duke of Wellington as the first thing that greets any visitor to the residence of the British ambassador at the British Embassy?). On a personal level I take special pride in knowing my family ancestors did their bit on the battlefield to fight against Napoleon during those tumultuous times. However, as an ex-combat veteran who studied Napoleonic warfare with fan girl enthusiasm, I have huge respect for Napoleon as a brilliant military commander. And to makes things more weird, as a Francophile resident of who loves living and working in France (and my partner is French) I have a grudging but growing regard for Napoleon’s political and cultural legacy, especially when I consider the current dross of political mediocrity on both the political left and the right. So for me it’s a complicated issue how I feel about Napoleon, the man, the soldier, and the political leader.

If it’s not so straightforward for me to answer the for/against Napoleon question then it It’s especially true for the French, who even after 200 years, still have fiercely divided opinions about Napoleon and his legacy - but intriguingly, not always in clear cut ways.

I only have to think about my French neighbours in my apartment building to see how divisive Napoleon the man and his legacy is. Over the past year or so of the Covid lockdown we’ve all gotten to know each other better and we help each other. Over the Covid year we’ve gathered in the inner courtyard for a buffet and just lifted each other spirits up.

One of my neighbours, a crusty old ex-general in the army who has an enviable collection of military history books that I steal, liberate, borrow, often discuss military figures in history like Napoleon over our regular games of chess and a glass of wine. He is from very old aristocracy of the ancien regime and whose family suffered at the hands of ‘madame guillotine’ during the French Revolution. They lost everything. He has mixed emotions about Napoleon himself as an old fashioned monarchist. As a military man he naturally admires the man and the military genius but he despises the secularisation that the French Revolution ushered in as well as the rise of the haute bourgeois as middle managers and bureaucrats by the displacement of the aristocracy.

Another retired widowed neighbour I am close to, and with whom I cook with often and discuss art, is an active arts patron and ex-art gallery owner from a very wealthy family that came from the new Napoleonic aristocracy - ie the aristocracy of the Napoleonic era that Napoleon put in place - but she is dismissive of such titles and baubles. She’s a staunch Republican but is happy to concede she is grateful for Napoleon in bringing order out of chaos. She recognises her own ambivalence when she says she dislikes him for reintroducing slavery in the French colonies but also praises him for firmly supporting Paris’s famed Comédie-Française of which she was a past patron.

Another French neighbour, a senior civil servant in the Elysée, is quite dismissive of Napoleon as a war monger but is grudgingly grateful for civil institutions and schools that Napoleon established and which remain in place today.

My other neighbours - whether they be French families or foreign expats like myself - have similarly divisive and complicated attitudes towards Napoleon.

In 2010 an opinion poll in France asked who was the most important man in French history. Napoleon came second, behind General Charles de Gaulle, who led France from exile during the German occupation in World War II and served as a postwar president.

The split in French opinion is closely mirrored in political circles. The divide is generally down political party lines. On the left, there's the 'black legend' of Bonaparte as an ogre. On the right, there is the 'golden legend' of a strong leader who created durable institutions.

Jacques-Olivier Boudon, a history professor at Paris-Sorbonne University and president of the Napoléon Institute, once explained at a talk I attended that French public opinion has always remained deeply divided over Napoleon, with, on the one hand, those who admire the great man, the conqueror, the military leader and, on the other, those who see him as a bloodthirsty tyrant, the gravedigger of the revolution. Politicians in France, Boudon observed, rarely refer to Napoleon for fear of being accused of authoritarian temptations, or not being good Republicans.

On the left-wing of French politics, former prime minister Lionel Jospin penned a controversial best selling book entitled “the Napoleonic Evil” in which he accused the emperor of “perverting the ideas of the Revolution” and imposing “a form of extreme domination”, “despotism” and “a police state” on the French people. He wrote Napoleon was "an obvious failure" - bad for France and the rest of Europe. When he was booted out into final exile, France was isolated, beaten, occupied, dominated, hated and smaller than before. What's more, Napoleon smothered the forces of emancipation awakened by the French and American revolutions and enabled the survival and restoration of monarchies. Some of the legacies with which Napoleon is credited, including the Civil Code, the comprehensive legal system replacing a hodgepodge of feudal laws, were proposed during the revolution, Jospin argued, though he acknowledges that Napoleon actually delivered them, but up to a point, "He guaranteed some principles of the revolution and, at the same time, changed its course, finished it and betrayed it," For instance, Napoleon reintroduced slavery in French colonies, revived a system that allowed the rich to dodge conscription in the military and did nothing to advance gender equality.

At the other end of the spectrum have been former right-wing prime minister Dominique de Villepin, an aristocrat who was once fancied as a future President, a passionate collector of Napoleonic memorabilia, and author of several works on the subject. As a Napoleonic enthusiast he tells a different story. Napoleon was a saviour of France. If there had been no Napoleon, the Republic would not have survived. Advocates like de Villepin point to Napoleon’s undoubted achievements: the Civil Code, the Council of State, the Bank of France, the National Audit office, a centralised and coherent administrative system, lycées, universities, centres of advanced learning known as école normale, chambers of commerce, the metric system, and an honours system based on merit (which France has to this day). He restored the Catholic faith as the state faith but allowed for the freedom of religion for other faiths including Protestantism and Judaism. These were ambitions unachieved during the chaos of the revolution. As it is, these Napoleonic institutions continue to function and underpin French society. Indeed, many were copied in countries conquered by Napoleon, such as Italy, Germany and Poland, and laid the foundations for the modern state.

Back in 2014, French politicians and institutions in particular were nervous in marking the 200th anniversary of Napoleon's exile. My neighbours and other French friends remember that the commemorations centred around the Chateau de Fontainebleau, the traditional home of the kings of France and was the scene where Napoleon said farewell to the Old Guard in the "White Horse Courtyard" (la cour du Cheval Blanc) at the Palace of Fontainebleau. (The courtyard has since been renamed the "Courtyard of Goodbyes".) By all accounts the occasion was very moving. The 1814 Treaty of Fontainebleau stripped Napoleon of his powers (but not his title as Emperor of the French) and sent him into exile on Elba. The cost of the Fontainebleau "farewell" and scores of related events over those three weekends was shouldered not by the central government in Paris but by the local château, a historic monument and UNESCO World Heritage site, and the town of Fontainebleau.

While the 200th anniversary of the French Revolution that toppled the monarchy and delivered thousands to death by guillotine was officially celebrated in 1989, Napoleonic anniversaries are neither officially marked nor celebrated. For example, over a decade ago, the president and prime minister - at the time, Jacques Chirac and Dominque de Villepin - boycotted a ceremony marking the 200th anniversary of the battle of Austerlitz, Napoleon's greatest military victory. Both men were known admirers of Napoleon and yet political calculation and optics (as media spin doctors say) stopped them from fully honouring Napoleon’s crowning military glory.

Optics is everything. The division of opinion in France is perhaps best reflected in the fact that, in a city not shy of naming squares and streets after historical figures, there is not a single “Boulevard Napoleon” or “Place Napoleon” in Paris. On the streets of Paris, there are just two statues of Napoleon. One stands beneath the clock tower at Les Invalides (a military hospital), the other atop a column in the Place Vendôme. Napoleon's red marble tomb, in a crypt under the Invalides dome, is magnificent, perhaps because his remains were interred there during France's Second Empire, when his nephew, Napoleon III, was on the throne.

There are no squares, nor places, nor boulevards named for Napoleon but as far as I know there is one narrow street, the rue Bonaparte, running from the Luxembourg Gardens to the River Seine in the old Latin Quarter. And, that, too, is thanks to Napoleon III. For many, and I include myself, it’s a poor return by the city to the man who commissioned some of its most famous monuments, including the Arc de Triomphe and the Pont des Arts over the River Seine.

It's almost as if Napoleon Bonaparte is not part of the national story.

How Napoleon fits into that national story is something historians, French and non-French, have been grappling with ever since Napoleon died. The plain fact is Napoleon divides historians, what precisely he represents is deeply ambiguous and his political character is the subject of heated controversy. It’s hard for historians to sift through archival documents to make informed judgements and still struggle to separate the man from the myth.

One proof of this myth is in his immortality. After Hitler’s death, there was mostly an embarrassed silence; after Stalin’s, little but denunciation. But when Napoleon died on St Helena in 1821, much of Europe and the Americas could not help thinking of itself as a post-Napoleonic generation. His presence haunts the pages of Stendhal and Alfred de Vigny. In a striking and prescient phrase, Chateaubriand prophesied the “despotism of his memory”, a despotism of the fantastical that in many ways made Romanticism possible and that continues to this day.

The raw material for the future Napoleon myth was provided by one of his St Helena confidants, the Comte de las Cases, whose account of conversations with the great man came out shortly after his death and ran in repeated editions throughout the century. De las Cases somehow metamorphosed the erstwhile dictator into a herald of liberty, the emperor into a slayer of dynasties rather than the founder of his own. To the “great man” school of history Napoleon was grist to their mill, and his meteoric rise redefined the meaning of heroism in the modern world.

The Marxists, for all their dislike of great men, grappled endlessly with the meaning of the 18th Brumaire; indeed one of France’s most eminent Marxist historians, George Lefebvre, wrote what arguably remains the finest of all biographies of him.

It was on this already vast Napoleon literature, a rich terrain for the scholar of ideas, that the great Dutch historian Pieter Geyl was lecturing in 1940 when he was arrested and sent to Buchenwald. There he composed what became one of the classics of historiography, a seminal book entitled Napoleon: For and Against, which charted how generations of intellectuals had happily served up one Napoleon after another. Like those poor souls who crowded the lunatic asylums of mid-19th century France convinced that they were Napoleon, generations of historians and novelists simply could not get him out of their head.

The debate runs on today no less intensely than in the past. Post-Second World War Marxists would argue that he was not, in fact, revolutionary at all. Eric Hobsbawm, a notable British Marxist historian, argued that ‘Most-perhaps all- of his ideas were anticipated by the Revolution’ and that Napoleon’s sole legacy was to twist the ideals of the French Revolution, and make them ‘more conservative, hierarchical and authoritarian’.

This contrasts deeply with the view William Doyle holds of Napoleon. Doyle described Bonaparte as ‘the Revolution incarnate’ and saw Bonaparte’s humbling of Europe’s other powers, the ‘Ancien Regimes’, as a necessary precondition for the birth of the modern world. Whatever one thinks of Napoleon’s character, his sharp intellect is difficult to deny. Even Paul Schroeder, one of Napoleon’s most scathing critics, who condemned his conduct of foreign policy as a ‘criminal enterprise’ never denied Napoleon’s intellect. Schroder concluded that Bonaparte ‘had an extraordinary capacity for planning, decision making, memory, work, mastery of detail and leadership’. The question of whether Napoleon used his genius for the betterment or the detriment of the world, is the heart of the debate which surrounds him.

France's foremost Napoleonic scholar, Jean Tulard, put forward the thesis that Bonaparte was the architect of modern France. "And I would say also pâtissier [a cake and pastry maker] because of the administrative millefeuille that we inherited." Oddly enough, in North America the multilayered mille-feuille cake is called ‘a napoleon.’ Tulard’s works are essential reading of how French historians have come to tackle the question of Napoleon’s legacy. He takes the view that if Napoleon had not crushed a Royalist rebellion and seized power in 1799, the French monarchy and feudalism would have returned, Tulard has written. "Like Cincinnatus in ancient Rome, Napoleon wanted a dictatorship of public salvation. He gets all the power, and, when the project is finished, he returns to his plough." In the event, the old order was never restored in France. When Louis XVIII became emperor in 1814, he served as a constitutional monarch.

In England, until recently the views on Napoleon have traditionally less charitable and more cynical. Professor Christopher Clark, the notable Cambridge University European historian, has written. "Napoleon was not a French patriot - he was first a Corsican and later an imperial figure, a journey in which he bypassed any deep affiliation with the French nation," Clark believed Napoleon’s relationship with the French Revolution is deeply ambivalent.

Did he stabilise the revolutionary state or shut it down mercilessly? Clark believes Napoleon seems to have done both. Napoleon rejected democracy, he suffocated the representative dimension of politics, and he created a culture of courtly display. A month before crowning himself emperor, Napoleon sought approval for establishing an empire from the French in a plebiscite; 3,572,329 voted in favour, 2,567 against. If that landslide resembles an election in North Korea, well, this was no secret ballot. Each ‘yes’ or ‘no’ was recorded, along with the name and address of the voter. Evidently, an overwhelming majority knew which side their baguette was buttered on.

His extravagant coronation in Notre Dame in December 1804 cost 8.5 million francs (€6.5 million or $8.5 million in today's money). He made his brothers, sisters and stepchildren kings, queens, princes and princesses and created a Napoleonic aristocracy numbering 3,500. By any measure, it was a bizarre progression for someone often described as ‘a child of the Revolution.’ By crowning himself emperor, the genuine European kings who surrounded him were not convinced. Always a warrior first, he tried to represent himself as a Caesar, and he wears a Roman toga on the bas-reliefs in his tomb. His coronation crown, a laurel wreath made of gold, sent the same message. His icon, the eagle, was also borrowed from Rome. But Caesar's legitimacy depended on military victories. Ultimately, Napoleon suffered too many defeats.

These days Napoleon the man and his times remain very much in fashion and we are living through something of a new golden age of Napoleonic literature. Those historians who over the past decade or so have had fun denouncing him as the first totalitarian dictator seem to have it all wrong: no angel, to be sure, he ended up doing far more at far less cost than any modern despot. In his widely praised 2014 biography, Napoleon the Great, Andrew Roberts writes: “The ideas that underpin our modern world - meritocracy, equality before the law, property rights, religious toleration, modern secular education, sound finances, and so on - were championed, consolidated, codified and geographically extended by Napoleon. To them he added a rational and efficient local administration, an end to rural banditry, the encouragement of science and the arts, the abolition of feudalism and the greatest codification of laws since the fall of the Roman empire.”

Roberts partly bases his historical judgement on newly released historical documents about Napoleon that were only available in the past decade and has proved to be a boon for all Napoleonic scholars. Newly released 33,000 letters Napoleon wrote that still survive are now used extensively to illustrate the astonishing capacity that Napoleon had for compartmentalising his mind - he laid down the rules for a girls’ boarding school on the eve of the battle of Borodino, for example, and the regulations for Paris’s Comédie-Française while camped in the Kremlin. They also show Napoleon’s extraordinary capacity for micromanaging his empire: he would write to the prefect of Genoa telling him not to allow his mistress into his box at the theatre, and to a corporal of the 13th Line regiment warning him not to drink so much.

For me to have my own perspective on Napoleon is tough. The problem is that nothing with Napoleon is simple, and almost every aspect of his personality is a maddening paradox. He was a military genius who led disastrous campaigns. He was a liberal progressive who reinstated slavery in the French colonies. And take the French Revolution, which came just before Napoleon’s rise to power, his relationship with the French Revolution is deeply ambivalent. Did he stabilise it or shut it down? I agree with those British and French historians who now believe Napoleon seems to have done both.

On the one hand, Napoleon did bring order to a nation that had been drenched in blood in the years after the Revolution. The French people had endured the crackdown known as the 'Reign of Terror', which saw so many marched to the guillotine, as well as political instability, corruption, riots and general violence. Napoleon’s iron will managed to calm the chaos. But he also rubbished some of the core principles of the Revolution. A nation which had boldly brought down the monarchy had to watch as Napoleon crowned himself Emperor, with more power and pageantry than Louis XVI ever had. He also installed his relatives as royals across Europe, creating a new aristocracy. In the words of French politician and author Lionel Jospin, 'He guaranteed some principles of the Revolution and at the same time, changed its course, finished it and betrayed it.'

He also had a feared henchman in the form of Joseph Fouché, who ran a secret police network which instilled dread in the population. Napoleon’s spies were everywhere, stifling political opposition. Dozens of newspapers were suppressed or shut down. Books had to be submitted for approval to the Commission of Revision, which sounds like something straight out of George Orwell. Some would argue Hitler and Stalin followed this playbook perfectly. But here come the contradictions. Napoleon also championed education for all, founding a network of schools. He championed the rights of the Jews. In the territories conquered by Napoleon, laws which kept Jews cooped up in ghettos were abolished. 'I will never accept any proposals that will obligate the Jewish people to leave France,' he once said, 'because to me the Jews are the same as any other citizen in our country.'

He also, crucially, developed the Napoleonic Code, a set of laws which replaced the messy, outdated feudal laws that had been used before. The Napoleonic Code clearly laid out civil laws and due processes, establishing a society based on merit and hard work, rather than privilege. It was rolled out far beyond France, and indisputably helped to modernise Europe. While it certainly had its flaws – women were ignored by its reforms, and were essentially regarded as the property of men – the Napoleonic Code is often brandished as the key evidence for Napoleon’s progressive credentials. In the words of historian Andrew Roberts, author of Napoleon the Great, 'the ideas that underpin our modern world… were championed by Napoleon'.

What about Napoleon’s battlefield exploits? If anything earns comparisons with Hitler, it’s Bonaparte’s apparent appetite for conquest. His forces tore down republics across Europe, and plundered works of art, much like the Nazis would later do. A rampant imperialist, Napoleon gleefully grabbed some of the greatest masterpieces of the Renaissance, and allegedly boasted, 'the whole of Rome is in Paris.'

Napoleon has long enjoyed a stellar reputation as a field commander – his capacities as a military strategist, his ability to read a battle, the painstaking detail with which he made sure that he cold muster a larger force than his adversary or took maximum advantage of the lie of the land – these are stuff of the military legend that has built up around him. It is not without its critics, of course, especially among those who have worked intensively on the later imperial campaigns, in the Peninsula, in Russia, or in the final days of the Empire at Waterloo.

Doubts about his judgment, and allegations of rashness, have been raised in the context of some of his victories, too, most notably, perhaps, at Marengo. But overall his reputation remains largely intact, and his military campaigns have been taught in the curricula of military academies from Saint-Cyr to Sandhurst, alongside such great tacticians as Alexander the Great and Hannibal.

Historians may query his own immodest opinion that his presence on the battlefield was worth an extra forty thousand men to his cause, but it is clear that when he was not present (as he was not for most of the campaign in Spain) the French were wont to struggle. Napoleon understood the value of speed and surprise, but also of structures and loyalties. He reformed the army by introducing the corps system, and he understood military aspirations, rewarding his men with medals and honours; all of which helped ensure that he commanded exceptional levels of personal loyalty from his troops.

Yet, I do find it hard to side with the more staunch defenders of Napoleon who say his reputation as a war monger is to some extent due to British propaganda at the time. They will point out that the Napoleonic Wars, far from being Napoleon’s fault, were just a continuation of previous conflicts that arose thanks to the French Revolution. Napoleon, according to this analysis, inherited a messy situation, and his only real crime was to be very good at defeating enemies on the battlefield. I think that is really pushing things too far. I mean deciding to invade Spain and then Russia were his decisions to invade and conquer.

He was, by any measure, a genius of war. Even his nemesis the Duke of Wellington, when asked who the greatest general of his time was, replied: 'In this age, in past ages, in any age, Napoleon.'

I will qualify all this and agree that Napoleon’s Russian campaign has been rightly held up as a fatal folly which killed so many of his men, but this blunder – epic as it was – should not be compared to Hitler’s wars of evil aggression. Most historians will agree that comparing the two men is horribly flattering to Hitler - a man fuelled by visceral, genocidal hate - and demeaning to Napoleon, who was a product of Enlightenment thinking and left a legacy that in many ways improved Europe.

Napoleon was, of course, no libertarian, and no pluralist. He would tolerate no opposition to his rule, and though it was politicians and civilians who imposed his reforms, the army was never far behind. But comparisons with twentieth-century dictators are well wide of the mark. While he insisted on obedience from those he administered, his ideology was based not on division or hatred, but on administrative efficiency and submission to the law. And the state he believed in remained stubbornly secular.

In Catholic southern Europe, of course, that was not an approach with which it was easy to acquiesce; and disorder, insurgency and partisan attacks can all be counted among the results. But these were principles on which the Emperor would not and could not give ground. If he had beliefs they were not religious or spiritual beliefs, but the secular creed of a man who never forgot that he owed both his military career and his meteoric political rise to the French Revolution, and who never quite abandoned, amidst the monarchical symbolism and the court pomp of the Empire, the republican dreams of his youth. When he claimed, somewhat ambiguously, after the coup of 18 Brumaire that `the Revolution was over’, he almost certainly meant that the principles of 1789 had at last been consummated, and that the continuous cycle of violence of the 1790s could therefore come to an end.

When the Empire was declared in 1804, the wording, again, might seem curious, the French being informed that the `Republic would henceforth be ruled by an Emperor’. Napoleon might be a dictator, but a part at least of him remained a son of the Enlightenment.

The arguments over Napoleon’s status will continue - and that in itself is a testament to the power of one of the most complex figures ever to straddle the world’s stage.

Will the fascination with Napoleon continue for another 200 years?

In France, at least, enthusiasm looks set to diminish. Napoleon and his exploits are scarcely mentioned in French schools anymore. Stéphane Guégan, curator of the Musée d'Orsay in Paris, which, among other First Empire artworks, houses a plaster model of Napoleon dressed as a Roman emperor astride a horse, has described France's fascination with him as ‘a national illness.’ He believes that the people who met him were fascinated by his charm. And today, even the most hostile to Napoleon also face this charm. So there is a difficulty to apprehend the duality of this character. As he wrote, “He was born from the revolution, he extended and finished it, and after 1804 he turns into a despot, a dictator.”

In France, Guégan aptly observes, there is a kind of nostalgia, not for dictatorship but for strong leaders. "Our age is suffering a lack of imagination and political utopia,"

Here I think Guégan is onto something. Napoleon’s stock has always risen or fallen according to the vicissitudes of world events and fortunes of France itself.

In the past, history was the study of great men and women. Today the focus of teaching is on trends, issues and movements. France in 1800 is no longer about Louis XVI and Napoleon Bonaparte. It's about the industrial revolution. Man does not make history. History makes men. Or does it? The study of history makes a mug out of those with such simple ideological driven conceits.

For two hundred years on, the French still cannot agree on whether Napoleon was a hero or a villain as he has swung like a pendulum according to the gravitational pull of historical events and forces.

The question I keep asking of myself and also to French friends with whom I discuss such things is what kind of Napoleon does our generation need?

Thanks for your question.

#question #ask #napoleon #french #french history #history #military history #bonaparte #france #historiography #republic #historians #personal

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whitehairedanimeboyfriend · 2 years

Note

trans man here who came here to block u from a terf list and have instead discovered that transandrophobia does not mean what i thought it did and i fully support having a more active transmasc movement in tandem rather than lumped in w trans women. im close friends w trans women and know that while our experiences are similar theyre also different enough to warrant different approaches so as not to speak over one another. working together is important but also recognizing diff needs is too.

also. glad to know im not the only trans guy uncomfortable with experiences i have had being lumped into lesbian activism and having lesbians (both cis and trans) make wildly uncomfortable transphobic comments.

sorry this is long i just like to read through to make sure people arent being unfairly targeted by blocklists if i have the time and i really think you (and the arguments being made around transandrophobia) have been unfairly targeted.

I have lived, worked with, protested next to, loved, and dated trans women. I have been in situations where I have been fully supported by the trans women around me, and I go on to support them.

That being said I have also been in situations where I felt left out of the conversation.

At a local trans and dyke march, we had a group of speakers. One (1) of them was a trans man. The person who spoke after him said that "Next Year, I hope we get more speaks that are trans women" (he also spent a good part of his speech apologizing for taking up space and about how privileged he is, since he's a man, and didn't talk at all about issues specific to trans men.) All despite her being one of four trans women speaking that day, and there being only one trans man.

An ex friend (who is a trans woman) asked me about my views on abortion. I said I think anyone should get an abortion if they wanted to, and that if I got pregnant, I would definitely get an abortion. She proceeded to tell me that was a very privileged for me to say that, and that I was rubbing it in her face that I could get pregnant in the first place. That not keeping the baby is transmisogynistic. Somehow. This friend was also a well known trans activist in my community, often on the news and even got on the front cover of a couple magazines.

There's a couple other stories but those get a little dark and personal and are "too soon" if you know what I mean.

Some of the good stories? When I was homeless and in another city, there was at a shelter not inclusive of trans people. They were repeatedly misgendering me. Saying I would have to go the the emergency floor (and wait until midnight to claim the bed) or the women's floor. A trans girl came and sat with me outside while I waited to be able to claim the bed. (She was allowed on the women's floor because she passed.) After that day she got me connected to a trans emergency housing group and I ended up staying with another trans woman for several weeks.

I've got more stories like this as well, but a lot of them aren't mine to tell, and have identifying information in them. There's this idea floating around that I hate trans women... I don't. I love and support trans women, and have been loved and supported by them. I am asking the queer community at large to wake up to the idea that trans men are frequently left out of the conversation. (or are ridiculed when included.)

I see trans women the same way that I see any group of people. Made up of individuals, forming loose communities, worthy of respect and love, capable of both bad and good as either individuals or in those groups.

Apparently this is a really controversial opinion though.

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m-y-fandoms · 4 years

Text

COMMISSION: Kokichi Ouma x Female Reader - Love-Hate Relationship

Thank you to my patron/client! Kokichi is always fun to write

Summary: Kokichi starts to fall for the only person in the killing game who likes him. His best friend is always on his side and has true feelings for him both platonically and romantically, but will he ruin everything with his harsh words and lies?

Friends to Enemies back to Friends to Lovers LMAO - ANGST and FLUFF

Warnings: Vulgar Language, otherwise SFW - Admin Myah

Word Count: 5.1K words

When it all began, people didn’t like Kokichi. (Y/N) found this little fact out quite quickly. It was quite obvious. He was loud, and obnoxious, and stubborn, and whiny, and a great many other negative adjectives one would use to describe, say… an elementary school student.

But! … he was also a great many other amazingly fantastical things, such as cunning, intelligent, hilarious, perceptive, adorable. These were the things (Y/N) saw in him, these and a lot more endearing qualities, these things the others seemingly refused to see in him. Even the more intelligent and reasonable of her peers, such as the intuitive detective Shuichi Saihara or the studied anthropologist Korekiyo Shinguuji could admit Kokichi was intelligent, but not much else. (Y/N) didn’t understand it. She truly didn’t think Kokichi was all that awful. Why weren’t they seeing what she saw? From the moment they all arose, groggy and confused in that eerie gymnasium together she knew he would be something special, someone to watch. She had a gift for reading people like that: their souls, their intentions, their true talents.

The two of them, in time, had even started to become friends where he had none, and she essentially became his only link to the rest of the students. It would often go something like this:

Kokichi would reveal something critical, something hidden or potentially deadly that they all must know.

Kokichi, being the stubborn ass that he was, would lie about the details, or the information altogether, switching facts around and embellishing the story with fictional bits and bites.

The other Ultimates would ignore him, call him a liar, engage in some petty squabble.

(Y/N) would vouch for the little lord of lying, and the group would reluctantly scrounge up enough good faith to believe the pair.

In times like those, (Y/N) would often chastise the tiny tyrant, forever asking him why he couldn’t just play nice and help the group out of the kindness of his heart?

There was always some nonsensical, facetious, nonchalant response.

And without fail, the more outspoken students would try to talk some sense into (Y/N), asking her why she put up with him, why she even tried to get to know him, why she liked him.

But it was no use, she was drawn to him, and there was no stopping or changing it. (Y/N) was always one to latch onto the people who piqued her interest, who plucked her heartstrings, be it romantically or platonically. She found herself enraptured by his mind at first, then his looks, then the way he spoke, and more specifically... the way he spoke to her.

Yes, despite what the others thought, she found herself always defending him, and then, she found herself falling for him.

And he would never in his life admit it, but he was starting to fall for her, too.

When the killing game first started, the others thought of him as a brat, just a nuisance. They ignored him and at worst, they told him off like the annoying kid on the playground. Back then, she would still hang out with him, ignoring his teasing jabs or even jabbing back. He found himself surprised with her comebacks and playful insults at times.

She was always around, and would never abandon him, a fact he most definitely took advantage of, for when the first killing happened, when Rantaro was taken from them and the killing game transformed from a hypothetical danger into a very, very real one, people started doubting and turning on each other. At that moment, he also was transformed in their mind. He was no longer a brat, he was becoming a villain and potential threat. People were choosing sides, forming cliques, trios, duos, going solo, and so on.

And she was always on his side.

When it came time for their terrified little class of ultimates to enter the trial grounds for the very first time, her podium was directly across from his, as if by fate. Kokichi didn’t believe too much in fate… but he didn’t mind getting a perfect view of her all trial long. He found out quickly that he may come to regret the placement, however, as it also gave her a perfect view of him, and she was no fool like the rest of them. She would watch his expressions, catch the smallest twitch of his lip or raise of his brow. Much like Shuichi, she was one of the only ones who could study his words and actions and weed out the lies… at least most of the time. She wasn’t afraid to call him out on it, and she knew the tone of his voice better than anyone else there. She was making it terribly difficult for him to confuse others, extend the trial, stir up some fun… and he liked that about her. Someone who could keep up with him was certainly not boring… and extremely attractive.

Even with so many people against him, dismissing both his lies and truths, verbally attacking him, she would hear him out, and by the end of it all, the innocent got out alive. The thrilling and bone-chilling trial ended with a correct verdict. Without their teamwork, even with Shuichi’s genius, it may not have been so.

With the first trial’s conclusion, Kokichi’d made up his mind to stop simply admiring her and actually get to enjoy that not-boring personality to the fullest. That’s the most he’d give her: that she wasn’t boring, unlike the rest of them. Grabbing her hand, he whisked her away to uncover the newest research labs that Monokuma’d allowed them access to. They inspected them all top to bottom, together as a team. They eventually would do this to every unlocked location in the academy, making short work of the campus while harassing each other, badgering and bantering, hurling insults the entire time. She was the only one he couldn’t exhaust. Just when he began to think it might be a tad bit more romantic to pull some punches for her sake, he discovered he didn’t have to. She’d punch back, and just as hard.

In fact, he liked her so much, that when his poor classmates were subjected to the horrendous Insect Meet-and-Greet event, she was personally invited by Ouma himself, and not hauled over Gonta’s gentlemanly shoulders and carried, or worse, knocked the fuck out only to wake up surrounded by bugs.

“How charming,” she teased, rolling her eyes as he stood in the frame of her dorm room’s door.

“Yeah, you should feel pretty special! I wasted precious energy coming down here to ask you to come!” He exhaled loudly, far too proud of himself.

“Well, as much as I’d love to be covered in roaches and piss myself when beetles attempt to crawl into every orifice on my body, I can’t. Again, love to, truly, but-”

“Awwww! But we hang out every night! And you’re lying! You’re never busy you dirty, rotten, lying loser! Who else hangs out with you beside me?! What else do you have to do if it doesn’t involve me? Your life’s a yawn unless I plan your daily itinerary!” He huffed, crossing his arms with a small stomp of one foot. “Gosh, I hate liars!” He pouted.

“Pout all you want, I’m not going to your bug fest. I hate bugs.”

“Wait ‘til Gonta hears about your very controversial opinion!” Kokichi gasped, feigning absolute shock.

“You wouldn’t...” her eyes widened, knowing instantly that she’d fucked up. He didn’t reply, but simply smirked, an evil, plotting, crooked grin creeping across his visage. She sighed deeply, head hanging in defeat.

“Be my date?” He held out a hand, wiggling his fingers temptingly. Her head shot up, an uncomfortable, flustered warmth running through her cheeks and to the tips of her ears. He caught this immediately, as he caught most changes in the air, and his face twisted into an equally awkward expression for a split second before his brow furrowed and he snarled. “Hurry the fuck up, shithead! You know what I meant! Let’s go or I’m having Tarzan put your ass to sleep!” He spat, and she simply giggled, grabbing his hand before being pulled off.

“Your date huh? I can’t think of anything I’d love more than some worms in my shoes.”

♡

That morning when they awoke, Ryoma was gone, stolen away in what they assumed was either the night or the early morning. Kokichi was usually very much unfazed, desensitized to most shock and awe in life, but this time… it was different. He was upset, and visibly so, stomping around the crime scene like a child, brooding.

It wasn’t the loss of a Ryoma, nor the gore and tragedy of the scene that had him so agitated, it was her reaction to it. (Y/N) wore her heart on her sleeve, and she wasn’t afraid to cry in front of others, so it was no surprise that she was in tears now. She’d cried over both Rantaro and Kaede’s deaths, but that was different. Kaede was a girl, and he didn’t care about (Y/N) enough back when Rantaro was killed to be jealous of her tears, but now… he was practically green.

(Y/N) had actually been pretty close with Ryoma. Like she did with most people, she dug past Ryoma’s appearance and the story he wanted everyone to know, and what she found was a pretty amazing guy. She wasn’t as close to him as she was to Kokichi, but still…

These weren’t tears of horror from seeing a dead body, or of witnessing a young person’s life cut short. They were tears of mourning the loss of a close friend, and Kokichi was positively boiling.

By the time he’d managed to cool himself down while effectively hiding his meltdown from the rest of them, (Y/N) had wandered off to start the investigation and avenge her friend with Shuichi. Yeah no, that wasn’t going to happen. She was quickly swept away to start their own little search party. The two of them, the way it was supposed to be. Of course, he would never say all of these embarrassing thoughts aloud. He’d make up some stupid excuse for why she just had to come with him. But it wasn't personal, and he didn’t care about her.

He didn’t

He. Didn’t.

Did he...?

♡

When it came time for the second trial, Kokichi made sure to make fun of (Y/N), calling her a crybaby, mocking her “endless blubbering” and all the valuable time she wasted doing it. He tried desperately, now at war with his own heart and values, to convince himself she was nothing to him, that she was just another pea-brained opponent in this death game, that she was a source of entertainment at best, and nothing else.

“Shut the fuck up, Miu, nobody wants to hear that gross shit! Cream your pants later!” (Y/N) spoke across the circle to the blonde exhibitionist with a scowl on her face. Miu, in response, shriveled and whined. Kokichi couldn’t help but crack a smile. That was one of the things he loved about (Y/N), how she put people in their place.

What?! Shit, no! Not loved… I mean she was cool, but... not - his mind raced, trying to shake himself back to the place he wanted to be. Shit!

The trial went on, and with every word she worsened the self-made conflict within him.

“How could you say that Kaito?!” (Y/N) howled at the Ultimate Astronaut, who was taken aback by her anger. Kokichi, too, found himself taken aback. Kaito was the “good guy”, the macho action hero, the protagonist’s best friend. While many called Kaito names, dismissed his ridiculous ideas, and even told him he was plain stupid and wrong at times, no one ever truly challenged the trusted hero duo that was Shuichi and Kaito, and certainly not with such unbridled anger. “You must have no idea what it’s like to go through depression, to not see the point in living anymore! How dare you speak ill of Ryoma?! How dare you say he used to be your hero?!” She knew what it was like, those dark thoughts Ryoma must’ve been having for years.

Kokichi watched her, like a spitfire, a firecracker. He forgot all about his decision to let her go, to stop interacting with her altogether after today, and couldn’t help being pulled in. They spent the rest of the trial working as they usually did: together, as a team. He spoke up more, and they teased each other, flirting harmlessly and carrying on.

And the others were starting to notice…

“Man, can’t you two save it for when you’re alone?! Damn! I can practically see you undressing each other with your eyes, bleh!” Miu gagged before letting out one of her infamous cackles. (Y/N)’s face ran hot, instinctively leaning back on her podium. Her bottom lip caught itself between her teeth, at a loss for words as she met Kokichi’s gaze.

“Yeah right, as if! I’d love to be discussing with literally anyone else here but you guys all have the personality of dirty pond water…” Kokichi sighed defensively, looking at his nails as if Miu’s words meant nothing to him.

(Y/N) knew how he was, she knew harsh words and lies were his coping mechanism, but she couldn’t help the way her shoulders sunk.

♡

Despite her hurting heart, when Kokichi - the shit-stirrer that he was - revealed Maki’s truth to the group after Kirumi’s execution, (Y/N) was the only one to throw herself between them, prying Maki’s hands from her best friend’s throat.

“Fuck, now she’s out here tryna die for this asshole!” Miu crowed. “HA HA! They’re definitely fuckin’!” She held her stomach, practically in tears from her laughing fit.

“Shut up! Just shut up!” (Y/N) pushed past the crowd, tired of them, tired of the humiliation, tired of Kokichi, tired of all of it. She left the trial room, running all the way and not stopping until she was locked up in her room.

After the public embarrassment and Kokichi’s heartless dismissal of their… complicated relationship, maybe….

Maybe now it was her turn to cut him off.

♡

Days passed and she refused to see him. She stayed locked up in her room at night and avoided him during the day, well... avoided him as best she could. Kokichi wasn’t one to be ignored if he didn’t want to be. He persisted, harassing and tracking her around, begging her to talk to him, to play, to prank others with him, to investigate the new research labs, but she simply pretended he wasn’t there. It hurt, it really hurt to shut him out, but to go on with him acting like she didn’t matter in public and then deciding she did in private hurt even worse. Her loyalty could only go so far. She wouldn’t allow him to mess with her heart any longer… or so she thought.

♡

Hours before the third trial was to commence, (Y/N) found herself outside of Korekiyo’s research lab when what looked like a walking corpse stumbled by. She cried out, running over to a dazed Kokichi, bumbling about light-headed and pale, with fresh blood running freely down his head.

“Kokichi!” Her feelings be damned! She couldn’t just sit there and watch him suffer or worse. Who knew how much blood he’d already lost? Crazed with worry, she threw his arm over her shoulder, looking around frantically wondering why no one else had noticed him yet.

The answer was simple: no one else cared. They probably had noticed and simply written him off. (Y/N) pouted, contemplating leaving him there… she was supposed to be mad at him.

“Ohhhhh… gah! ...Damn you, Kokichi!” How did he keep doing this? How was he worming his evil little ass into her heart again and again?! She began dragging him down the stairs and toward the dorms. The investigation would have to wait.

“(Y-Y/N)...?” Kokichi mumbled in his ditzy state. “Hoo hoo! I thought we weren’t talkin’?!” He nearly tumbled from her arms, weak and wobbly.

“Oh, shut up, asshole!” (Y/N) growled, nearing the dormitory area and pulling him into her room.

♡

“Man, that sucked!” Kokichi sat leaned against the glass of the sliding shower door in the small personal offshoot bathroom attached to her small dorm room. A cold washcloth sat covering his forehead, wetting the messy strands of his long bangs.

“Tell me again why you didn’t just call for help once you realized how badly you were bleeding?” (Y/N) made small talk, wringing out the soiled rag she’d initially used to clean him off. He took a swig of some icy bottled water she’d provided and glowered, his bottom lip out in contemplation.

“ ‘Cause I didn’t think anyone would come…” he spoke flatly, exhausted with the loss of blood and shittiness of it all. She froze, turning to him.

“I’m sorry…” she sighed, replacing the washcloth on his head with some gauze that she started to gently wrap around the rather deep wound.

“You should be! Hmpf!” He crossed his arms and she pulled on the gauze sharply, tightly constricting the oozing sore. “Shit!”

“Don’t start, dickhead. You’re lucky I’m choosing to forgive you!” She chided. He shot her a dirty look, and for moments they sat in silence.

“... For a moment I thought you hated me… like the rest of them,” he finally spoke up, any amount of silence torturous to his child-like psyche. She felt her heart sink.

“... I could never.” She smiled softly, fighting off a nagging frown that threatened to present itself. Before he could make this even more awkward, she stood, taking control of the situation. “Okay, I’ll be right back, you stay right here. I don’t want you passing out again.” She took off, closing the bathroom door and sneaking away into the main room.

Shuffling through her closet and by extension her Monokuma-provided wardrobe, she peeled off first her shirt then her uniform’s skirt, both now completely ruined by dark patches of Kokichi’s blood, her reward for carrying his sorry ass all the way here. Now in only her underwear, she reached for a replacement uniform and wandered over to her bedside table for her deodorant and some facial wipes. As she wiped the grime and sweat from the crevices of her oily face, the bathroom door slid open with an impatient force behind it.

“I’m boooooooored-”

“Ahh!” She screeched, rushing to cover herself up before she could even process what was happening, but the only things nearby were her comforter and intricate uniform.

“Oh, God! Why are you naked?!” Kokichi hollered, his face turning beet red. (Y/N) pulled the comforter up and around her body, her uniform falling from the bed.

“I told you to wait there!” Her cheeks felt engulfed in flames, the skin all over her body hot and her feathers effectively ruffled.

“You didn’t say why! You didn’t say you were doing a strip show in here!” He retorted, covering his eyes with one arm, more for her to save face than out of his own desire.

“Get out! Just get out!” She screamed, tears pricking her eyes.

“But-!”

“Now!!” Full of a genre of rage he almost never felt, he conceded, stomping out of her room without another word.

(Y/N) fell to her bed, screaming into her pillow like nobody’s business. She felt ashamed, mortified, infuriated. Why, for once, couldn’t he just listen?! Her body was never something she was confident in or proud of, and now, to have him, the guy she had feelings for see her like that, and not only practically naked, but caught off guard… it was as more than she could handle.

♡

The trial room was relatively quiet that afternoon. The usual suspects were chatting, defending themselves, accusing others. Shuichi was having a pretty smooth trial - a blessing in his eyes - with Kokichi not giving him an easier time than usual. When he did speak, it was his usual lies, with an underlying irritated tone, but he never spoke a word to (Y/N), and (Y/N) hardly spoke at all. After some time, someone addressed the elephant in the room… err, other than the murders, that is…

“Soooo, uh…” Kaito, courageous as always, spoke out, “(Y/N), you awake over there? We could use some help to, you know, find the culprit so we don’t all bite it?” He was only somewhat gentle with his words, having already made up with her after the last trial’s argument, but anxious over the current situation. “Shuichi and I can’t handle this on our own! You usually have a lot to say!”

“I resent that comment, Kaito, as I believe I help plenty, but yes,” Kiibo rolled his metallic eyes to the sky, ever focused on the current goal, “you do usually have more to say, (Y/N). We could really use another opinion here.”

“Something wrong with (Y/N)?” Gonta, always concerned for his friends’ feelings inquired, brows furrowed in concern.

“Hah!” Miu spat. “Of course something’s wrong! Haven't you noticed that little prick over there ain’t feedin’ us his bullshit nearly as much as neither?!” She pointed at Kokichi before placing a haughty hand on her hip. “He probably slipped her his little prick, and it was so tiny she was turned off for good! Probably can’t even speak, she’s so disappointed! Hella awkward!” She roared. Everyone exchanged the familiar looks of disgust or scorn that came after one of Miu’s outbursts, and as (Y/N) opened her mouth to defend them both, she was cut off.

“More like the other way around!” Kokichi hurled Miu’s statements right back in her face, his knuckles crunching down on his podium with a vice-like grip. “After I saw her naked earlier, I was the one leaving with a softie!” He growled, his frustrations, self-loathing, and need to be in control and defend himself all culminating in these toxically destructive words.

A few audible gasps were heard in the room, a few laughs from Monokuma and his remaining offspring, and the more mature students such as Maki and Shuichi simply sighing in exhaustion, wondering why they kept getting off track with useless information. (Y/N) felt her knees almost buckle.

No. Not this time! She heard her mind shout at her heart, and she slammed her hands down on her podium, all embarrassment melting into pure rage.

“YOU- GOD!” An encore slam down onto the flat metal, “You FUCKING asshole! That’s not what happened you goddamn fucking LIAR, and you know it!” Her voice was hoarse with the force of it.

“Uh oh! Struck a ner-” Miu began to speak.

“You shut the fuck up!” (Y/N) pointed to the busty instigator before directing her venomous ire back at Kokichi, who refused to look her in the eyes. “I did everything to help you after your dumb ass fell through the fucking floor, and this is how I’m repaid?! I do everything with you and for you, and this is how you treat me?! Why do you always sit here and lie to these people about us?! Fucking shithead fucking-” she was struggling for words, holding back tears. “You tell them the truth, that I had your blood all over me from patching you up because no one else likes your sorry ass! Everyone else would’ve left you passed out on the floor or worse dead from blood loss or killed by the culprit who seems to be on a fucking spree!” She gestured wildly, talking with her hands. “You walked in on me changing my bloody clothes! It was your fault! Just like it’s your fault that you have one fr-” her voice broke, and she looked to her feet. “No friends. Fuck you… Shuichi just finish the fucking trial we all know who the culprit is.” She looked down the rest of the trial, saying nothing, hearing nothing, just a ringing in her ears.

“This is reeeeeeal fuckin’ awkward and I hate it here,” Miu cooed, rubbing her hands together.

♡

As soon as the trial was over, Kokichi, feeling the weight of his best friend’s words, searched high and low for her. The campus was huge with many places to hide, but he knew her well, and he knew her favorite spots. He checked the AV room, library, casino, her research lab, and her room first, then everywhere else, asking anyone he came across about her whereabouts.

“Dude you messed up, even by your standards,” Kaito demeaned with a righteous fist in the air.

“I think it’s completely reasonable that she would not want to speak with you,” Kiibo sighed.

“Kokichi, you probably really hurt her. Just let her be, that’s the right thing to do,” Shuichi offered guidance even to the worst of his peers any time he could.

“Why are you speaking to me?” Maki walked away.

♡

At long last, finding himself in the basement after wallowing around the school for a while, he opened the door to the AV room for some space and privacy, seeing as it was rarely used since Rantaro’s death. He gasped.

“(Y/N)!” She turned from her position reading on the little couch, startled, and immediately turned back upon seeing the owner of the voice. He closed the door behind him, shuffling over with his tail between his legs. Quickly, before she could notice, he forced a rather convincing peppy voice. “The heck?! I already checked here!” She knew that. She’d been there earlier, and left when she heard he was making the rounds only to return later, but she didn’t say as much now. “Soooo? Whatcha readin’?” He grinned, plopping down on the floor beside her seated position on the couch. She didn’t respond, didn’t change her expression, and merely kept reading. “C’mon!!! Reading’s boring!!! Well,” he tapped his finger on his lip pensively “not always! But your taste in books is! Let’s at least go find some good shit to read together!” She had not the mental or physical energy, the want nor the need to banter with him. As far as she was concerned, this… whatever it was, was over.

Kokichi sighed, taking the hint to stop talking but not the hint to leave her the fuck alone. She would not physically kick him out, he knew this, and it seemed she wouldn’t do it verbally either. It was safer not to be alone, she rationalized in her mind… well, only if the group knew who was paired up and when, but he would never hurt her… physically. And she would never hurt him. And so, Kokichi resolved to sit there, just sit there and stare: at the ceiling, at her, at his thumbs. After the first thirty minutes he began to make pretend snow angels on the ground with his arms and legs flopping together and apart. He lapped around the room a few times, looked through the DVD options, sat with her on the couch, moved closer, then further, then closer, back and forth trying to get some reaction. Usually he could at least annoy someone into paying attention to him. Even negative attention was still attention. She was never like this with him. This was bad… he could feel his selfish little heart ache.

An hour passed, and then another. She’d picked up a sketch pad she’d stored in the couch cushions, doodled, changed books, and now was reading again. He’d begun running his fingers up and down her thigh, making explosion and car noises when he hit her knee. And finally, he spoke.

“You know, you’re super brave to be down here alone, you know... before I got here I mean… or at all really. Place is spooky… haunted since Rantaro got murked. No one comes down here but you. Surprised you’re down here… but I guess you always are.” He could feel the stone wall she’d put up between them. “You know, it kinda sucks, that we lost Rantaro…”

“...and Ryoma, and Tenko, and Kirumi, Angie, Kiyo, Kaede…�� she spoke up, irritated by his flippance. “Don’t forget them like they don’t matter.” He twiddled his thumbs in response.

“At least you didn’t die…” he tapped on the back of the book you were reading, making the pages shake before her eyes.

“Like you’d care if I did,” she replied without hesitation.

“I woooooould,” he pulled at her sleeve like a toddler aching to be picked up.

“I’m ugly. I’m fat and hideous and a turn off and just disgusting, right? So who cares if I die?” She spoke like she was reciting a grocery list: monotone, uninterested.

“Well… I can still care about ugly people…” he batted his eyelashes innocently. The look she shot him told him she was not in the mode for jokes. “B-but, you’re not ugly! You’re way hotter than Maki or Miu or any other hag here! I just said all that stuff to catch Miu off guard! It was all a lie!” He was getting nervous now, sitting upright beside her on the couch.

“That is not an apology,” she rebuked.

“Aww come on, forgive me!” He collapsed, resting face down on her stomach and stretching his body out on the cushions behind him. “You’re my best friend…” His words were muffled, but she could make them out still. “You’re more than that…” her ears perked up, and she began to hear sniveling. Slowly, a wetness began to seep through her shirt onto her abdomen.

Was he…?

She placed a single hand on the back of his black locks and ran her fingers through the messy mop. The other placed the book on the floor then joined the other. For a few peaceful moments they sat silently while she stroked his scalp and played with the waves.

“I’m sorry…” an apology came through his sniffles, but he would not lift his head up, never in a million years would someone see him cry genuine tears.

“I can’t hear you,” she lied, something she learned from him. A devious smirk he could not see crossed her lips.

“Yes you can!” Muffled frustration vibrated her tummy.

“Well since I can’t hear you anyway this conversation is ov-”

His head shot upward, a snarl crossing his red, moist, puffy face. He pulled his knees up, leaning forward with all his weight

And pressed his lips deeply into hers.

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shihalyfie · 3 years

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Regarding Konaka’s influence on Tamers (or how much he actually didn’t have)

(Rest assured that if you’ve had a conversation with me recently about this issue, I’m not vaguing you; this conversation has come up a lot in the last few weeks, especially in my private chats, so this is just me deciding that I should write something about this for once since it’s been weighing on my head lately.)

I think, right now, with what happened regarding the DigiFes debacle, a lot of people are having complicated feelings about how to feel about Tamers, and this is completely understandable. I think there are also some things that may be inevitably unavoidable, such as starting to second-guess certain nuances in the series and what they might lead to. All of that is perfectly reasonable, and in the end, it’s going to be up to everyone to decide how they feel.

In light of this, a lot of people have been bringing up the fact that, while Konaka was the head writer, he was by no means the only person working on it. This is very much true, but I’d like to add something else to the equation: this is an issue that goes much deeper than the usual claiming death of the author for the sake of sanity. The full picture is that Konaka has always had much less influence on the series than the fanbase tends to attribute to him. Official statements have been very clear as to not attribute the entire series to him, and, among all the other controversial statements he’s made, Konaka himself has at least been very active about crediting the other staff members as far as their influence on the series! The idea that he was the only person who ever did anything substantial for Tamers is something I’ve been warning against since long before any of this happened (if you want proof, I have a post from April with this sentiment in it), and right now we just happen to be seeing what’s basically the worst possible outcome of the fanbase constantly worshipping him like the only real creative heart behind the series to borderline cult-like levels...when that’s never been true, and has resulted in unfairly taking credit away from people who deserved it.

I’ll go into detail below, and I hope this can help people understand the situation better and sort out how they feel about it.

Note that I make references to his infamous blog in this post, which I’m deliberately refraining from directly linking for obvious reasons, but all of the information is still there, so it should be verifiable if you decide to look for it yourself.

Personally, I’ve always found it really bizarre how there’s been this obsession with portraying Konaka as some kind of auteur whom the entirety of Tamers depended on. I’m not saying this out of spite towards him, because, again, even he himself was very insistent on disclaiming credit for things he wasn’t actually responsible for (he was quite humble in this respect, actually). Not to mention that I think it’s a mistake in general to constantly pin a single person in a multi-person production as the sole heart behind it, and the Digimon fanbase has historically had this strange double standard behind it when it comes to uplifting him as the only heart behind Tamers when nobody says that about any of the head writers for...anything else. (How many times has Nishizono’s name ever popped up when talking about Adventure? People are usually more obsessed with talking about Kakudou or Seki.) Konaka’s work is certainly distinctive, but Tamers had a lot more going on besides just that.

In fact, based on his own statements on the matter and all of the other official information we’ve gotten about Tamers production, while you can’t really quantify such things, it’s generally been estimated that Konaka was responsible for something like only a fourth of the series. Which is an incredibly low amount compared to what the fanbase would have told you before all of this happened, because of this fixation that he must be the genius mastermind behind the whole series. Not only that, this “brilliant auteur” image of him was so inflated that people were attributing way more of 02 to him than he deserved; 02 episode 13 was the only thing he contributed to the series and he was specifically brought on as a “guest writer”, and the overall plot of the episode was determined by the rest of the production staff and not him -- but ask the fanbase and they’ll tell you stories about how he invented some grand planned arc for 02 that got cancelled, or even that Tamers exists because of a “writer revolt” from him and other writers not being allowed to do what they wanted. (You know, as much as I understand 02′s a controversial series, it would be really nice if people didn’t make up completely baseless stories like this just to scapegoat it...)

I honestly cannot emphasize enough how much of the problem we’re in right now has been horribly enabled by the weird pedestal the fanbase has been putting him on. This is to the point where there’s even been a double standard where some of the more unpopular/criticized elements of Tamers must not have been the fault of a brilliant writer like him, and in fact was forced on him by the executives (this excuse had always been brought up anytime someone doesn’t like something about Tamers, just to make sure the image of him as a perfect writer was maintained). Turns out, as per his own admission on the infamous blog, while he wasn’t the one who initially had the idea of putting Ryou in, the part that rubbed the fanbase the wrong way -- that he came in as an accomplished senior who was better than everyone and played up by everyone in the cast -- was unabashedly his idea (he apparently was enamored with the idea of having someone like Tuttle from the movie Brazil). Again, this is a weird scenario where even Konaka himself has been more humble about this issue than the fanbase’s perception of him; he fully admitted whenever he had trouble writing certain parts. For instance, he doesn’t actually like writing about alternate worlds, felt they were out of his comfort zone, and only wrote in the Digital World because the franchise needs one; he’d stated that if he’d had his way, the Digital World arc wouldn’t have come in as early as it did, which might be a pretty shocking statement for a Digimon fan to hear.

If you want even more specifics, here are some extremely major parts of the series that Konaka was not actually the one behind:

The character backgrounds. Konaka stated on his blog that he wasn’t interested in going too much into character backstories because he felt it was too plot-limiting to say that a character is the way they are thanks to something in their past or background (basically, he cares more about plot than character for the most part), and that he��s also not into worldbuilding. Certain things like Ruki going to a girls’ school were supplied by Seki, who infamously loves worldbuilding, family backgrounds, and character settings.

Certain nuances of Ruki’s character, especially the part where she’s pigeonholed into uncomfortable places due to being a girl, were informed by Yoshimura Genki, writer from Adventure and one of the head writers of 02 (who eventually would go on to create an entire career out of feminist cinema).

According to the posts on his blog, Impmon’s character arc didn’t have much input from Konaka himself and was largely written in by Maekawa Atsushi (also a writer from Adventure and one of the head writers of 02).

The whole concept of Yamaki being redeemable in the first place was something Konaka didn’t originally plan for; he’d initially intended to make him a straightforward antagonist, but, of all things, his Christmas song, combined with the input of the other writers (especially Maekawa) humanizing him, led to the development where Yamaki eventually changed sides and became sympathetic. (This makes Konaka’s recent stunt revolving around Yamaki a bit painfully ironic.)

The director, Kaizawa Yukio, was deliberately picked because he didn’t have experience on the prior series, for the sake of changing things up, and he spent Tamers as a period of studying what Digimon should be like. Based on what he’s hinted, it seems Konaka's writing style and choices were able to have as much influence as they did because Kaizawa approved of them -- that is to say, Konaka’s detailed imagery and descriptions were extensive enough that Kaizawa could go “sure, let’s go with that.” But in the end, nothing Konaka did would have gone through unless Kaizawa and Seki (among many others) didn’t also approve of it or provide input. Moreover, Kakudou Hiroyuki (director of Adventure and 02) has also been stated many times to have been a valuable consultant on invoking Digimon so that the new staff could understand what to aim for and how to get the right feel (and also assisted with providing stuff for the mythos, such as the Devas). Nevertheless, Kaizawa also seems to have had his own strong opinions and input on the story; he especially seems to get passionate when it comes to the topic of making the story something the kids watching it could relate to and imagine. (He would eventually go on to direct Frontier and Hunters, along with several episodes of the Adventure: reboot.)

So in other words, looking at this, a lot of these things that people emotionally connected to and loved about Tamers are things that literally were not his personal creation, and were largely contributed by the other writers! Of course, Konaka’s “creator thumbprint” is very obvious -- he was the head writer, after all -- and all of this had to go through his own vetting to make sure he personally liked it as well -- but nevertheless, you can see that this very much was a collaborative effort from head to toe, with him being very open about this fact himself. Insisting on making sure that this fact is well-known isn’t just a coping mechanism to try and remove his presence in the series, but rather a desire to get people to seriously stop giving him credit that really should be going to others (especially since, again, even he himself was very diligent about assigning that credit).

In the end, I’ll leave you with another thing to keep in mind: Konaka doesn’t get paid anymore for Tamers work (unless they make something new like the DigiFes thing), so continuing to buy Tamers merch and supporting the series through fanart and such will probably end up going more towards the Digimon IP as a whole. Basically, if we’re just talking about Tamers specifically, what degree this is going to matter is only really relevant to the content in the original series, which is now twenty years old and remains unchanged. By Konaka’s own admission, he wasn’t into all of these conspiracy theories until 2010 at the earliest, so while it’s understandable to be a bit wary about the themes in Tamers having traces of the base sentiment, the original series itself does not seem to be an outlet for alt-right propaganda, and it’s probably forcing it a bit much to read into it that way. Konaka’s also repeatedly insisted that all of his attempts at a Tamers sequel have been rejected and that he’s been doing increasingly strange swerves to get around members of the original cast not entirely being available, and the Japanese audience has turned out to not be very fond of the contents of the 2018 drama CD and the stage reading for reasons entirely separate from the politics, so it’s also unlikely we’ll be getting a Tamers sequel from him or something in the near future.

So -- at least for the time being -- what’s done with him is done, and the remaining question is how all of us feel about Tamers. I think everyone will have differing feelings on it, and that’s perfectly understandable. Personally, given everything I just said above, I’m going to continue treating it as a series very important to me, and one that many people (including, as it seems, a very different Konaka from twenty years ago) worked on with a lot of effort and love, although you may see me getting a bit more willing to be critical about the series and its themes thanks to my concerns about some of the sentiments in it and what they imply. I also completely understand that there are probably people whose associations are going to be much more hurt and who will have a much harder time seeing the series the same way ever again, and I think that’s reasonable as well. But at the very least, going forward, I hope all of us can understand the depth of this situation, give credit where it’s due, and not force credit where it’s not due.

#digimon #digimon tamers

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ackerpreach · 3 years

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This ending .... I can name 500 reasons and I will name them right now, because I don’t think I’m the only one who is upset with how things turned out. (Also, A positive message for all of you at the end)

MAJOR LEAKS SPOILERS/ READ WITH CAUTION

Update: after reading more theories from fellow RM bloggers, and sleeping over it one day, this entire chapter might be an april fools... Don't fully lose hope yet beautiful people. It's me just giving a review on a possible fake April fools chapter

After following this franchise since 2013, so nearly a DECADE. this ending is a pure disserve to the entire fandom. I feel like Yams has rushed it just for the sake of being done with the entire manga. So many things are left open, characters and their developemt are reverted back all the way to chapter 1 or are left even worse than that...

Mikasa’s worthless character development/ Aaronmika’s horrible toxic codependent relationship

Oh honey... Let’s start with how horrible Isayama has treated her. We were all rooting for her, because we all felt like she was so misunderstood. She had a horrible childhood and imprinted on a guy who treated her like trash 99 percent of the story. And then, slowly but surely, she starts to realize she has to stop obsessing over him in the uprising arc with the help of a real man who treats her like a queen, more importantly, he treats her like a real human being. This man sees her for her abilities and that she has the power to be self dependent. She learned parts of herself, that she was able to work together with him like no one else could. She learned parts of herself she was unable to do so if she kept obsessing about Aaron. All this love, care, mutual understanding and RESPECT these two shared.

but...NAH FUCK THAT, right Yams?? Throw all this development away, all this bonding. Let’s make the main female lead even more yandere than she already was in the first season. Let her make out with his decapacitated head (like dude, this is also pure disrespect to Aaron’s dead body btw) and let her obsess even more about the guy who has treated her no better than a piece of toilet cloth 99 percent of the time. The guy who was never really appreciative in front of her for saving his ass billions of times, who always pushed her away, who yells at her and snaps at her whenever he can instead of reasoning and talking calmly with her in mature way. (EVEN PARODY YOUTUBE CHANNELS WHO DONT SHIP ANYTHING MAKE IT A TROPE WHERE AARON TELLS MIKASA HE HATES HER GUTS WHENEVER HE CAN)

Then after all that, suddenly Yams tries to last minute persuade us Aaron’s always been head over heels for her??? He should have build their relationship better which he hasn’t even tried to do so... He must be thinking his fans are stupid for eating this from his hands.

Like seriously??? What is this???

Isayama is just fully contradicting himself. It’s like someone tipped him off with a buttload of money for him to write Aaron like this to satisfy shipping needs and to cash in those extra money’s from it. Even if he tried to cater to Erem*ika, this is not how you write a loving and caring couple which people will root for.

This next two panels just freaking infuriates me to the core of my soul. I can’t even describe how dissapointed I am with Mikasa.

Why is she clutching that head so obsessively like that? Why is she walking and turning her back away from her comrades? After everything they have done for her, after all they’ve been through?! After everything Armin has done? Standing up for Mikasa, beating up Aaron for hurting her. I feel like even Jean, Connie and Sasha have cared more for her in a healthy way. Sure, Aaron cares for her romantically too apparently (What a twist Yams :)), but has he aided her to becoming a mentally healthier individual? Has he aided in her mental stability? The answer is a big fat NO! All I see between these two after today’s raw Chapter’s are too Yandere obsessed individuals who have no clue on how to maintain a healthy relationship.

Love should only go as far as the heart can endure and it seems like her character is not willing to be aware of that. Even Armin was able to let go of Aaron in those latest panels. Why does her entire character resolve around this guy??? I really do not understand. Her Ackerbond and her age is not an excuse for her to throw her life away like this.

Shonen’s disgusting portrayal of women

I’ve seen this countless of times in the many years I’ve watched anime. SasuS*ku from Naruto, Ichih*me from Bleach, Shinji and that oranged hair girl from Neon Evangelion.. Why do these women get decreased to simpletons with one single goal? And that is to obsess over a bland male lead who either treats them like trash or doesn’t notice them up until the last last chapter (LITERALLY WHAT YAMS HAS DONE). Some go even as far as the male leading wanting the kill the female love interest and yet the female lead is still in love with them???. It’s disgusting for him to write the MAIN female character this way.

It’s dissapointing we believed in Isayama doing Mikasa’s character right. That she’s finally being able to let go of her codependency and to live for herself maybe live in Hizuru and find more about her roots???, but every single time she shows some improvement, it’s burried deep in the ground again by the Author. It almost seems like a lowkey kink of some of the male Mangaka’s to write about a girl obsessing over them no matter what. I see this so many times to the point that I truly stand behind it that some of them might have this fantasy.

I wished he didn’t portray her last panels like this. Everyone else is living their lives while Mikasa is still grieving about him. I’m not saying she’s not allowed to grieve and everyone takes it at their own pace, but cmon... Show her living her life too. This is too much. Her being next to his grave and grieving him as her last panels just shoves it in our faces that YET AGAIN, BEING OBSESSED WITH AARON IS ALL HER CHARACTER STANDS FOR.

I truly despise how Isayama handles her grieving, kissing his decapacitated head, carrying it around like some handbag, and her last panels being thissss.

The world leaving Paradis alone miraciously after all that???

It’s so weird and out of place with so many political feuds and disagreements between the world and Paradis, the entire Rumbling happening and we can see Mikasa just chilling outside in Paradis with no one bothering them. You can see the rings of the walls in the picture below. I don’t know the exact reason behind as the manga is still in Korean, but from what I see, the story went the route of: throwing a happy ending without enough proper reason and it was all fixed just like that in a snap! It doesn’t fit the entire narrative of attack on titan for things to be so peacful out of nowhere. When it comes to the narrative, how things work in that world, how hard it is to achieve peace, everything made somewhat sense up until chapter 138. 139 seems so so out of place... It’s like I’m reading a chapter from a totally different manga.

Aaron Yoghurt got defeated so easily/ Aaron’s character assassination

The build up on the first part of the rumbling was great, those kids carrying coins. You could feel humanity’s fear and Aaron’s hatred in those pages. As if he truly had a goal and he has turned away completely from his comrades and his closest friends with no return. The world seemed truly doomed, but he got defeated just like that. He was in the nape all this time (because screw the warhammer power of hiding yourself elsewhere in his ginormous titan body). There is no master plan as we all expected, and in the end he just acts all yandere in the paths with Armin and that’s it... They massacared his entire character as well. Many fan theories created a better ending with his character. Him being reincarnated as Historia’s baby would be so much better. For him to still keep on seeking and to strive for power. It has always been his motive. It’s his personality from the start until chapter 138. Even if things are okay, to keep on going and to seek that adventure, but then.. He’s so weak and directionless suddenly.. It’s so weird... This is not Aaron at all???

Using Aaron for him this entire post, because I don’t want others to invade our tags... :)))

Historia’s baby

The only panel we got from Historia’s child was this. Just a normal kid, normal life... Why did Isayama put so much effort in highlighting Historia’s pregnancy if it was nothing too spectacular anyway? It seemed he had major plans for this kid and for their development too??? It’s again, big plans, big developments, big relationship dynamic, but all got thrown out of the window...

Don’t read the next sentence if you are a minor :’)

It’s like almost ejaculating, but stopping right before it and repeating that every single Arc.

My energy when writing about this chapter is the same as Nostalgia Critic and his hatred for atla the live action

In Conclusion...

I know us fans should not be deciding on how this story should end, because this is Isayama’s story after all, but I truly wished for him to wrap up things much more rounded. There are so many unanswered questions... Again, I think for the sake of being done with this manga, he rushed all of it. He’s become a millionaire from this story and now his pockets are jammed full, I guess he doesn’t need to put in any effort anymore, right? Perhaps a controversial opinion, but I really wished he cared for his fans a little bit more with this last chapter by giving some answers that make sense at least. It’s his fans who gave him this platform and the opportunity to tell his story and for him to at least give in a bit of effort especially in the last chapter is the least he can do. Rivamika being canon or not, he truly rushed it without thinking much about the entire story line. He expanded it so much, he didn’t know how to bind it all together.

Even after all this, I’ll still ship them in the headcanon type of way. I do give credit to Isayama for giving us a template for such a beautiful dynamic between Levi and Mikasa. He decides to waste it, but that doesn’t mean we have to. I want to thank all the people with amazing writing skills, the ones who give us beautiful art like @carmenlee @phit chan @vialesana and many more. I want to remind all of you that we can create something beautiful of our own and we don’t neccesarily need canon lore for that. The art I’ve seen, the fanfictions I’ve read have touched me deeper than Isayama ever could at times.The Mikasa in our mind is appreciate of Levi, is mature, classy and has a strong will for herself. They spend their remaining days together peacefully. Keep writing, keep drawing, stay creative.

I love you all so so much, I’ve only been publicly active since March, but thank you Rivamika fandom for giving me so much joy as a lurker these past 7 years <3

#rivamika #snk leaks #snk 139 leaks #levimika #mikalevi

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midnightsconspiracy · 3 years

Text

Public Opinion

Public Opinion - @midnightsconspiracy

Summary: Being a public defender made you rather unpopular, especially with your new boyfriend's co-workers

Warnings: None

Word Count: 1443

Requested: Yes!!

‘This might be a bit random but I was thinking one for Mouse where the reader is like a successful, powerful lawyer and is secretly dating mouse, but when the team finds out they judge her until they meet her? Sorry if it’s too specific I’m in love with your fics.’

A/N: I am on a creative roll tonight! 4 fics in one night!!! Requests are still open

Masterlist

When you had met Mouse you knew things might be have been a little rocky, considering your jobs were notorious for hating each other, you working as a public defender and him working within the police force. But that had not stopped the both of you from entering a relationship, deciding that it didn’t bother you, both loving what you did and each other, neither wanting to compromise. You had met him at a Rangers reunion, your brother having served alongside Mouse in Afghanistan. You two had instantly hit it off, both keeping each other company, having your original partners blow you off. He had told you of his friend Jay, who he’d originally meant to have gone with, but being abandoned last minutes for his girlfriend instead. That had worked out in both of your favours, allowing you to have the time of your life, talking for hours getting buzzed whilst drinking the free drinks the event offered. After that night you had lost contact for a couple of months before he reached out asking you to go on a date. You were sceptical at first, why was he just reaching out now and not in the three months he’d had your number? But you had said yes anyway, remembering how good you had felt when you were with him.

That evening he had told you how he was meaning to call but had been going through some stuff at work that kept him from doing so. The date had bought back memories of how much you enjoyed spending time with Mouse, eventually leading to more and more dates each month, until finally, you started formally dating. Mouse was not the easiest boyfriend, having problems with his PTSD and anxiety, but that didn’t make him any less loveable in your eyes, in fact, it made him more so. It bought you both closer together, he relied on the fact that you were willing to help him, encouraging him to seek help each time he felt as though he was spiralling out of control. After six months of seeing you, he already felt as though he was a better person, he had started therapy to help deal with his trauma caused by the Rangers, going out to socialise with his friends more and was just generally happier with his daily life. The one thing he didn’t understand though is why you chose to become a public defender. You knew it was his police and military background talking, but it didn’t bother you too much knowing not many people understood why you did what you did, being a public defender, and a good one, was an extremely controversial job. Explaining to him that you liked to help the underdog, he stared at you like you were mad, as you realised he would never understand why. Once you had felt as though you trusted him enough, you decided that you wanted to meet the other important people in his life, his co-workers. You finally wanted to meet the notorious Jay Halstead, the one he had told you so much about on that faithful day. But he had been hesitant when you bought the topic up, knowing how they had reacted when he had told them originally.

The team had noticed a difference in Mouse, being much happier, even being more talkative than usual. They had questioned him extensively, wanting to get to bottom of what or who was causing Mouse to act differently. Whilst at Molly’s, he had decided to reveal all over a couple of beers, informing the team that he had met a girl a couple of months ago, and had only recently become official with her. The team had been happy at first, congratulating him on finding someone, despite his traumatic past and the consequences of that. But things had turned sour when then had pried more on who this mysterious person was. He’d told them that you were a public defender, and they might have known who you were considering you had defended some high profile criminals that they had worked on. That had changed things dramatically, all of them knowing exactly who you were, disliking you over the fact you had gotten off or lessened the sentence of people who had done awful things and they had spent a long time trying to find. Jay's reaction had been the harshest blow to Mouse, being his best friend, he just wanting the man's approval. This recent disapproval of your relationship made Mouse really question what he wanted, you or Jay? Determined that he wanted to keep both of you, he devised a plan, maybe if Jay met you, he would change his opinion on you. So he decided that he would bring you along to when they would next all meet up at the infamous bar.

Mouse had been telling you for the past week that you two were going out on Friday evening to meet his friends, so you were excited, not knowing what had happened with him and his co-workers last time they had drunk there. Getting ready, you put on a nice outfit, waiting for Mouse to be ready so you could finally leave. A few minutes past and Mouse still had not emerged from the bedroom, despite seemingly already being ready as you were getting changed. Walking into the bedroom you found him on the bed, head in his hands, silent and unwavering. Calling his name out, he looked up, giving you a smile that didn’t quite reach his eyes, walking towards you to plant a slight kiss on your forehead. Asking if he was ok, he shrugged it off, giving you a small ‘yes’, proceeding to walk out of the room to grab his keys and wallet. The car ride over was silent, as tension filled the air, a tension that you didn’t understand. Walking into the bar and over to the booth, Mouse introduced you nervously, bringing down your excitement a couple of notches in the process due to his strange disposition. Following your boyfriend, you greeted everyone, noticing all of the grim faces staring back at you. The first to speak up was Jay, introducing himself with an awkward smile, the table falling into silence afterwards. You knew something was off but that didn’t stop you from being your normal, kind self.

“Mouse talks very highly of you all, I especially appreciate all the work you guys do,” you said, trying to create conversation to cut the tension.

“Yeah, sure you do,” Jay sarcastically commented, verbally disagreeing with your line of work

“I know you guys don’t like the work I do, but I have a reason for it, just as you have yours for becoming police officers.” Trying to reason with them was going to be hard, having gone in a totally opposite direction career-wise to them, having a fixed outlook on your job. But you were determined, loving Mouse so much that you would fight as hard as you could to be in their good books.

“It's not the same though, we catch criminals, you release them.” Adam piped up, adding more fuel to the fire of hatred, directed towards you.

“Maybe we should leave,” Mouse said, knowing you were probably extremely uncomfortable with the situation.

“No,” you replied, wanting to stand your ground and explain yourself to these people.

“I do it because no one else is routing for the underdog, they’re thrown into the system and spit out into a life of more crime. I help them have a chance at life, a chance of justice, even if sometimes they don’t deserve it.” Raising your voice, you started getting angry, these people weren’t even giving you a chance, not only hurting yourself but also Mouse in the process.

“Ok.” Jay followed up.

“Plus you should be happy for your friend that he’s happy and found someone that he likes, not hating on me and trying to sabotage this relationship-” you exclaimed, pissed at the fact his friends would do this to him.

“I like you.” Jay butted in. Confusion bounded onto your face at the sudden expression of fondness. Why had they changed their minds so quickly? The conversation continued as normal as if that argument had never even happened, not only chatting as usual but including you in them as well. Little did you know your outburst had changed his mind completely, deciding that maybe you weren’t so bad, that your fiery self would stand up for you and Mouse no matter what, and that was just what he needed. So maybe you were good for Mouse after all.

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wannabcool-blr · 2 years

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Hello and welcome to my Tumblr! I mainly rb memes and things related to my interests

I appreciate your interest in the chaos that is my blog! I figured there should be an intro so you have an idea of who I am and what I will post. So, first things first….

I am a cliche “basic christian girl” [yes I’m saying it]- I love Jesus, Chick-fil-a, Starbucks and Target. Despite the controversy surrounding the topic, I LOVE pineapple on pizza. If that’s a deal breaker that’s ok. I know that religious memes or posts can be triggering to some, so I will post them with a trigger warning (TW) BUT I will still post them. I have been hesitant to be my authentic self because I fear others will hate me due to my beliefs. I shouldn’t be ashamed about what I believe so I will no longer allow myself to fall into that line of thinking. I strongly feel that all individuals deserve to be treated with dignity and respect despite our differences. I will avoid discussion of politics because honestly, I’m sick to death of everyone fighting. I will not tolerate individuals mistreating my mutuals either. I’ve developed some amazing friendships and that aint gonna fly y’all.

ALSO: my ask box is always open! If you have prayer requests or need a meme or something sent your way LET ME KNOW! I am more than happy to answer any asks and send y’all some love if you need it.

Expect posts about the following:

Marvel (MCU)

- Moon Knight (I LOVE Steven Grant)

- Spider man

- Andrew Garfield

- Tom Holland

- Captain America

- Loki

Favorite Movie: Captain America Winter Soldier

Favorite Series thus far: Moon Knight

I’d recommend: Moon Knight, Hawkeye, Wandavision and Loki

Star Wars

- Din Djarin (Mando)

- Grogu

- Obi-Wan Kenobi

- Ahsoka

Favorite Movie: Rouge One

Favorite Series thus far: The Mandalorian

I’d recommend: The Mandalorian and Clone Wars Series

Twenty One Pilots

Favorite Album: Trench

Current Favorite Song: Saturday

Tyler Joseph is awesome and the best [totally a Tyler stan ]

Fun Fact: I know the entire discography by heart [I can even rap Ode to Sleep] *big flex lol

I watch a lot of television [when I’m not doing an enormous amount of homework] and I’ve decided to rate some of the things I watch. I have watched several horrible movies and I’d love to save you the hours I spent watching. There really is no sugar coating if it is bad… so my ratings are as follows:

⭐️Awful (up to) ⭐️⭐️⭐️⭐️⭐️ Fantastic

Context: I primarily watch movies related to Marvel or Star Wars [I’m biased ok?]

I am not a huge fan of DC but I’ve watched all the movies. Ex: I enjoyed Suicide Squad (2016) and Wonder Woman (2017). In my personal opinion, Micheal Keaton is the best Batman [no debate]. * and no I haven’t seen the new one yet

I appreciate you following my blog and I hope we can become well acquainted :)

#new blog intro

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zodiacrant · 4 years

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10th House and Daddy issues (This is also applicable to any father like figures in your life not only your biological one. It also sheds some light on what would you be like as a father/father-figure)

✤ Aries in 10th house ✤

✤You and your father have a hot and intense relationship. There’s is such a difference in power where your father implemented their dominance and rules over you, creating an unbalanced relationship. They have a tendency to one up you and be competitive over the simplest of things, creating a wedge very early on.

✤Your daddy issues played with your self confidence. You’re unsure of yourself and your decisions, often going along with it just to avoid conflict . You have a fear of loud noise and screaming, and feel very uncomfortable around others.

✤As a father figure you’re strict and upfront. Growing up with a no-nonsense father made you knowledgeable of both sides and any tactics your kids could use. Cause you been there, you’ve done that. However, you won’t repeat your fathers mistakes and would allow your kids to have their time to shine and enjoy life.

✤You’re into romantic daddies that exude confidence effortlessly rather than force it. Love to travel, preferably works in a high risk job or even can be in the mafia so you can live that godfather fantasy.

✤ Taurus in 10th house ✤

✤Your father was very strong willed, stern and stubborn. You two had a hard time when having any conversation. Disagreeing leads to an argument and they had to have the last word. No word is above theirs.

✤Your daddy issues made you a conformist. You approve of others ,even if you disagree, and keep your true opinion to yourself. You doubt your capabilities, work, undermine your contributions and believe that your thoughts are wrong or irrelevant.

✤As a father figure you’re stern but kind. Your time with your father taught you how to listen and now it’s time to talk. You will make a clear set of things that have to go your way but allow your kids to have a say when it comes to other things. You will be conflicted and get scared of imaging your father so you gotta find a balance in there.

✤You’re into daddies that treat you like the king/queen that you’re. Clothes, food, mansions, yacht, flying around the world. You want someone give you what your father never did. Very Lana Del Rey.

✤ Gemini in 10th house ✤

✤Your father was very childish and immature, possibly having little to no respect for anyone. They’re the father and they can do whatever they want. They didn’t mind their business and were always in yours, violating your privacy made you a very sneaky person and a big time liar. They would sit around while you’re with your friends, making fun of, embarrassing you, humiliating you all at your own expense and to please their tiny fragile ego.

✤Your daddy issues developed a hate for childlike behavior and immaturity. You’re intolerant to pranks, roasts and other unsavory acts. You’re quick to take it personally.

✤As a father figure you’re a vicious protector. No one can come to your kid with that playground bullshit. You’re quick to shut it down. Your children grow very dependent on you emotionally, rendering them immature in some ways.

✤You’re into a smart daddy, very career man, educated and highly knowledgeable. Someone that can take you to the world wonders rather than just talk about then, a person of their words and keep promises. They highly stimulate you, Intellectually of course.

✤ Cancer in 10th house ✤

✤Your father enforced their ideals and beliefs on you. You were not allowed to do anything without them approving of it first. Friends, clothes, video games, social media, music and even food, they had the say on what’s comes and goes.

✤Your daddy issues made you a rebel. You go against any rules, and don’t like to be told what to do, you like to be shocking and be controversial. Think religious girl gone wild, like Madonna or Katy Perry.

✤As a father figure you cherish your kids for who they are and give them the liberty of being their own person. The down side is that your kids have little respect for rules and others wishes and personal space. Disciplining them is especially difficult since they do as they please with no regards cause “I am my own person and I do as I please.”

✤You’re in love with daddies with power that are very macho and masculine. Police officers and criminals are a big part of the fantasy. Being with a powerful daddy makes you feel feminine and like a whole woman.

✤ Leo in 10th house ✤

✤Your father was an unbearable self centered overlord. They took good care of themselves but gave just the bare minimum to you. They drove good cars, slept on a good mattress, flied first class and wore designer clothes. You on the other hand took public transport or drove an old used car, slept on their old jacked up mattress, was lucky to even get on the trip and wore the same old clothes.

✤Your daddy issues made you self sufficient. Your independence made relationships seem pointless, you were provided everything to yourself so no one compared. People are expandable so they have to prove their worth and purpose.

✤Being a father figure you taught your children how to be on their own. They cleaned after themselves and were responsible for themselves, as much as a child can. You gave them tough love when needed but also gave them the freedom of learning and living their life to the fullest. Your motto is “when you stay ready, you don’t have to get ready”.

✤You’re into dominating and different power dynamics. Pool boy, the Gardner, a coach, a secretary, you like to dominate and have sex with a young daddy. Meow cougar.

✤ Virgo in 10th house ✤

✤Your father had set up relentless standards that were basically impossible to achieve. Being good was expected and a most, but every fall or second place made all those achievements disappear. Completely destroying your self-esteem.

✤Your daddy issues made you a perfectionist that is hard to please. Everything has to be a certain way or else it’s all going to the trash and in vain. Your father’s disappointed words play on a loop in your made. To the world you’re the best of the best, but on the inside you’re your own worst critique and enemy.

✤As a father figure you’re your kids biggest supporter. You don’t only give them advice but teach them the tools to be great at solving problems.You can be at times over critical with how things should be done but you’re not opposed to your children correcting you or doing it their on way. Sometimes.

✤You want a daddy who got it all. The wealth, the prestige, the brains and the career. You want someone that will not only fulfill your physical needs but also give something priceless, knowledge and know-how.

✤ Libra in 10th house ✤

✤Your father was pushover that cared more about others opinions over your own happiness and individuality. He was easily played by others and didn’t defend you. He isn’t around when you need him and is very dependent on others.

✤Your daddy issues made you an independent go getter. You’re socially skilled thanks to years of raising yourself on how to dodge uncalled for comments from family members, and have a good balance between giving people a second chance and stand in your ground.

✤As a father figure you’re a fair minded person that treats every child specifically based on how they’re and their needs. You value honesty and doing what is right, you teach your kids to learn from their mistakes. That means they will be given a second chance as well as suffer the consequences of their actions.

✤You’re into cheesy romantic things, you love to be pampered and be taken care of your. That means daddy got to have a good bank accounts, since wine, diner, flowers and diamonds don’t come cheap and so does you.

✤ Scorpio in 10th house ✤

✤Your father was very critical of you and had difficult expectations for you. They asserted themselves over you by meddling all aspects of your life to make you “theirs” forever.

✤Your daddy issues made you a cut-throat straight up over achiever. An everyday politicians, you know how to manipulate and change minds. Growing up with your father made you strong willed and assertive, no one can get through your icy thick walls.

✤As a father figure you give what was not given to you as a child, freedom and no expectations. You raise your children to be smart, strong and capable humans that won’t need others.

✤Your daddy issues made yearn for love and affection. Living a love story is something no one would guess that you’re looking for, but that’s because they don’t know you.

✤ Sagittarius in 10th house ✤

✤Your father inconsistent in your life. One minute they’re cold, the other they’re hot, first it’s left and then it’s right. Living with your father was crazy to say the least. Their inconsistency made it difficult feel safe or stable in anything.

✤Your daddy issues reflected badly on your behavior. Early on you were flaky, late, lazy and felt abandoned from all those times your father forgot and wasn’t there. Then the cycle switch and you start taking your life very seriously, the idea of being your father or seeing their behavior in other boiled you. You’re a straight shooter that stuck to their guns no matter what.

✤As a father figure, you try to always be there for your kids. You want to make memories with them and document everything so those memories will live forever. It is very hard for you to get over your father but making up with your kids help.

✤You’re into adventures daddies that are not afraid to take risks and live life to it’s fullest. You love making memories, especially if it’s in a foreign country at night where anythings feels possible.

✤ Capricorn in 10th house ✤

✤Your father was a nit picky authoritarian that meddled with all aspects of your life. For the most past of your childhood you were not to be exposed to anything they disagreed with and you were very sheltered. Your teen years were weird and awkward since the way they brought you up made them the only person that was there and had any effect on you.

✤Your daddy issues rendered you incapable of holding social interaction and lacking real knowledge of the world. You emerged in your young adult years as a child again, as if you truly started to live from the moment you left your father behind.

✤As a father figure you’re precise and attentive. You remember a lot about your kids, and you gave them all that they needed physically and emotionally. Because of the way you were brought up, you can get overly protective and paranoid over their safety and who they’re with. Although you can be suffocating to them, no one can deny that you raised your children to be well educated and wholesome people.

✤Your daddy issues made you crave someone that holds a powerful or influential position. Politicians and religious figures make a big part of the sexual fantasy. Reliving being dominated by someone like that is a secret that you keep that you will never tell.

✤ Aquarius in 10th house ✤

✤Your father was more focused on their work and external affairs. You felt abandoned and unheard growing up, where your issues were not as important and that you should be grateful for what you have.

✤Your daddy issues made crave attention and being wanted. You feel angered when unheard and would do anything so people would like you. Growing up with your father, however, made you value your life goals and passions.

✤As a father figure you’re a mentor and teacher. You teach your kids through actions and show them their true potential and strength. Helping them grow into a great human being is more important than being successful.

✤You’re into an easy going daddy that showers you with all the attention you crave. Someone that’ll spoon you but also knows how to use non physical communications. You want someone that can take you far away.

✤ Pisces in 10th house ✤

✤Your father undermined your work and treated you like a child. There was never true praise and they didn’t take you seriously, making you feel unworthy and incapable. Growing up, they always took your comments, opinions, and thoughts as a cute little from their baby that doesn’t know better.

✤Your daddy issues made you dependent and lazy. You’re emotionally immature and can’t handle the pressure of everyday life. You don’t give yourself credit for the work you’ve done and on bad day you expect others to do the work for you, whether it’s to make you feel better or run a simple errand, dependency, work and individuality are things you will always struggle with.

✤As a father figure you’re pushover. You give your kids all the attention and things they want as a way to fulfill your deprived child self.This may grow into a problem though, since living vicariously through your kids never works out well.

✤You want a daddy that will baby you and make you feel like the princess/prince that you always dreamed to be. They’ll give you the fairy tale fantasy you used read, a romance just like in the movies and gives you the type of love you always hear about in songs but never saw in real life.

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elpercotreviews · 3 years

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Reviewing My Anime 10/10's *Relatively* Spoiler-Free

Note: What I rank a 10/10 is very specific and obviously very subjective to my own. Something can only be a 10/10 if I already consider it a 9/10 AND I must have rewatched it. I am someone who typically does not rewatch/reread anything, unless it's something I truly absolutely enjoy. With that being said, because of the requirements, I only have 4 animes that I rank 10/10, and tbh only one of those animes would get that ranking from the general anime audience. The rest are SO SO SO specific to my particular tastes that I would be absolutely stunned if someone also had the same four as me, because the requirement is so specific. Imma make another post eventually for my 9/10's because I think that list makes a lot more sense for a general anime audience lmaooo.

Soooo, in order of least personal to most personal (although obviously they're all personal to me lol) we have:

1. Psycho-Pass

Recommended for people who: are really into that dark dystopian future society vibes, are fans of Ghost in the Shell, like detective/crime stories

Okay, for a few people, this one actually probably makes some sense. At the moment, it has an 8.37 on myanimelist which means this anime is super well liked. I've watched this anime twice, first the original and then the second time I watched the director's cut (yes that exists lol). Overall, I'm a huge fan of the entire Psycho-Pass anime series as a whole. I've watched all three seasons, as well as two of the movies. I didn't watch any of the Sinners of the System ones cuz tbh I literally couldn't find an english sub of that anywhere, it just doesn't exist lol. I think it's okay cuz the ratings for the Sinners of the System trio of movies seems meh. I've actually watched Psycho-Pass the Movie like three/four times LMAO but that's simply cuz a movie is obviously much quicker to watch than an entire anime season. Like just objectively, the Psycho Pass series as a whole is very inconsistent in quality due to the fact that it's all original, so they do technically just make up everything as they go lol. Season two is all right (I think it gets more hate than it should), three is good but season one by far is the absolute best in the entire series. I'd argue the movie is technically my absolute favorite out of the whole IP, but I actually give the movie an 8/10. The movie, because of being obviously way shorter, simply does not have the deep controversial and philosophical lines of thought that season one has. It lacks that extra depth that would make me put it anything higher than an 8. The two main characters have good chemistry as a crime-fighting duo and the main villain's rivalry/relationship with the male lead is super compelling. The female lead is meant to be relatively naive/more on the innocent side which works with the plot as it allows the show to naturally explain and give more exposition as to the actual world and rules of Psycho-Pass without having it seem so ham-fisted or just throwing info to the audience.

2. Violet Evergarden

Recommended for people who: cry to sad movies, like gorgeous animation, are very empathetic, like vignette-esque storytelling

All right if you even remotely consider yourself an avid anime fan, then this anime is probably also somewhere on your 10/10 list or at least an anime you consider to be "very good." That is, unless you are that very vocal minority who simply really just REALLY do not like this anime for some god forsaken reason. However, in my honest opinion, I think an anime like this just really doesn't sit well with ... how do I put this blunty ... people who do not give a fuck about other people or anyone else's feelings but their own. Basically, IF YOU ARE SELFISH, A NARCISSIST, EGOTISTICAL, OR ANY SORT OF COMBO OF THOSE THREE, YOU WILL NOT LIKE THIS ANIME. And if you do, you probably don't think you're any of those things. Because of the anime's very premise, I find it very difficult to see a very self-centered/heartless person particularly enjoying this anime. The whole premise of this anime is that the main character who, because of her upbringing, doesn't understand feelings/emotions, especially the concept of love, grows as a human and slowly begins to learn what love is. The show does this by showing multiple sets of characters meant to represent different types of love (romantic, familial, platonic, etc). The vocal minority of people I've seen give Violet Evergarden bad ratings all typically argue that although beautiful, the anime doesn't have any substance/doesn't really mean anything. If that's honestly all you got after watching the entire show, then you deadass just don't get it, and you probably will never ever get it. If you've seen or heard of Vivy: Fluorite Eye's Song, than just know that these two animes are VERY very similar in vibe despite being technically different genres. However, I personally found the themes and concepts in Vivy are done much more masterfully in Violet Evergarden which I think is due to Vivy's heavier focus on a story-driven overarching plot/action as opposed to Violet Evergarden's focus more on emotional impact/an episodic format. I've watched the entire series and I've rewatched the main show twice. TBH you can probably skip the gaiden movie AKA the one set at the girl's academy it was highkey pointless. Compared to the opera episode they added as a "special", the gaiden movie was still good but I wish resources were dedicated to something that actually added to the story. ALSO YES I KNOW ITS A GAIDEN AKA A SIDE STORY AKA FILLER SO YES NO DUH IT DIDNT ADD ANYTHING, BUT STILL. As for the main show, I think I cried for three episodes (the one about the playwright/author I forgot lol, the mother and daughter, and the soldier). On my rewatch, I didn't cry but I still deeply cared for and related to the characters. Violet Evergarden is a beautiful anime with a beautiful story.

3. ACCA: 13-ku Kansatsu Ka

Recommended for people who: like bread and bakeries, don't mind a very chill and slow-paced story, like stories about political intrigue and hidden agendas

Based on a relatively short manga, ACCA: 13 follows the main character Jean Otus as he performs his job of auditing the 13 districts of his country Dowa, while rumors and politics brew in the background that threaten to entangle Jean into a complicated plot. To be honest, I think properly reviewing this anime is impossible for me, because I just can't really explain the vibes of this anime besides "chill" and "intriguing." I think trying to explain anything more than the basic premise I just wrote would spoil a lot of what ACCA is, because it's plot is actually relatively quite simple and straightforward. Compared to Psycho-Pass which has a relatively good cult following, and Violet Evergarden which is universally praised, ACCA is an anime that I've yet to personally meet anyone who has ever even heard of it LMAOO. And almost everyone I know watches anime, so that's saying something oof. ACCA is made by Madhouse, which if you don't know, is a super well known anime studio, producing big hits such as Death Note, Hunter x Hunter, One Punch Man, etc. That's why I'm surprised that ACCA has flown just SO under the radar, but that may be due to the overalls nature of the anime itself. ACCA is an anime where all the characters hold their card close and no one seems to really share their real thoughts. One main criticism the anime has is the lack of deeper connections to characters and that for a main character, Jean Otus is very bland. To be honest, I think that's a very fair criticism and I can understand why this would prevent people from rating this anime higher than an 8 or 7. Due to the very nature of the anime and its plot, I do agree that there is a huge cast of colorful characters that we unfortunately don't really get to know more about. To be honest though, I don't mind this because I feel that's honestly quite realistic, especially factoring in Jean's job. All these places he's going and all these people he's meeting, it's literally just his job. He's not on vacation, these people aren't his friends, so the anime has no real reason to dwell much longer on places past its specific episode. Just like in real life, you encounter so many people and go past so many places that you probably won't ever see again. So for me personally, I didn't mind that the anime didn't explicitly show much about the backstories or lives of the cast, save for the very main characters (as their backstories were plot relevant). I think as viewers of not simply an anime, but a whole other world, I think it should be satisfactory to inherently understand that these are whole "people" who have entire lives that we are not exactly privy to. So although admittedly our understanding of many of the characters was all around quite shallow, I think that works for the scope of the anime, which was relatively simple and focused on just Jean living his life and the political plot stirring in the background until it was brought forward in the second half of the anime. Also I love Jean Otus. I actually completely absolutely adore him. He is literally my profile pic for myanimelist LMAO. I think calling him "bland" is fair from other people's perspectives, especially as the supposed main character of an ANIME, but I feel that if ACCA was in a different format like a novel, I think his personality would have been less criticized. Like I said, I love him soo much. I don't find him bland at all, but actually very interesting and highkey attractive LOL (if only he'd quit smoking but it's part of his charm 😞). Yes for an anime "protagonist," he is quite underwhelming especially compared to others, but I think that makes him very charming!!! Like all he wants to do is just chill, vibe, and do his job lmaooo. I think as a person, he’s very charismatic, and in the world of ACCA the rest of the characters see that as well. Because like, if he really were such a bland person, why would so many people like him and actually trust him lol? As for why it’s technically my favorite anime of all time (my ultimate one is a movie), I can’t give super detailed reasons why to be honest. I just really like the overall vibes of the anime itself, and I think the anime is just super unique and original. I’ve watched a ton of anime over the years, but I’ve genuinely seen nothing like ACCA in the slightest. I mean, just look at the recommended animes on the myanimelist. The recommended animes are all stuff I’ve also personally really liked (like fugou keiji unlimited and the great pretender) but yeah there’s just truly nothing that’s close to what ACCA is, and because of that, it reminds my absolute favorite anime show. I’ve seen the dub and the sub, even though I am a vehement dub hater lmaooo (except for very few circumstances, and this also applies to all non-English media, not just anime). There was only one thing in the entire show that slightly confused me/ seemed slightly unbelievable and I won’t spoil but it had something to do with the overall timeline of some events, but it doesn’t detract from the story at all. Oh and the art style! I really love the art style of the anime. It stays pretty true to the manga, but is also just an overall kind of art style I really like. I really enjoy the more like 2d/flat/drawn art style versus really clean and really detailed stuff, and I’m typically not a big fan of very obvious use of CGI (unless done tastefully like in Demon Slayer). All the backgrounds in ACCA have this painted/drawn style and the anime itself has this like muted(?) filter over it that makes the anime seem like someone’s drawings just put up on display in a way that’s really refreshing and nice. I highly recommend this story for anyone who wants a breath of fresh air and to get away from the typical action-packed high energy of big name anime.

4. From Up on Poppy Hill

Imma make a whole separate post JUST for this movie so I can explain why I love this movie so so much. And honestly, Imma need a whole separate post in the first place to address the elephant in the room when it comes to this movie (if you’ve seen it, then you know what I’m talking about). And if you’ve haven’t seen the movie, maybe you’ve heard about one of its controversial themes. I’m not gonna say what it is, cuz I KNOW it’ll be super off-putting for a lot of people, but please omg just hear me out. I just love this movie so so much. I’ve seen it like 7 times and counting. I have it downloaded on my computer and on a flash drive. I’ve watched the sub AND the dub however I’ve stopped watching the dub because it makes me sad every time I hear Shun’s voice actor ;-; This movie is legit an honest-to-god comfort movie for me that I could watch over and over and I’ll fall in love with it again each and every time. And once again IMMA MAKE A WHOLE SEPARATE POST BECAUSE I SWEAR PEOPLE ARE GONNA BE LIKE “Yo ain’t this the movie with the -----” and it’s like PLEASE LET ME EXPLAIN. The vibes of this movie, the themes it addresses (yes even THAT theme), the music, the art, the characters, is perfectly presented in a way that I will never stop watching this movie. The only other film that has come close to the amount of times I’ve watched From Up on Poppy Hill would be Legally Blonde lmaooooo.

#anime #anime movie #from up on poppy hill #psycho pass #acca: 13-ku kansatsu ka #violet evergarden #anime review #myanimelist

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