#my main character for this piece is a lesbian journalist and the genere is in no way a romance lmao

[riversongsandfolktales]

My OCs' meet cute

(I'm having a bit of edit-anxiety. I have a workshop due at midnight and I’m trying to get myself to edit this last portion. So this is meant to be a warm up to help get me in the right headspace.)

Junior and Leon didn't meet by chance. Nothing in Mountain Pine holler happened by chance. Leon had spent the first warm day of spring fishing along the creek that separated his home - Snake Ridge, West Virginia - from Mountain Pine, Kentucky. He'd heard stories about Mountain Pine holler. He was told it was full of demons and witches and unsavory folks who you didn't want to run into.

So he sat on his side of the creek. He'd been there all day and hadn't caught a damn thing, so he started packing his things up with a huff. Then he heard someone sneeze from behind him. Looking over his shoulder, he spotted a young man - no older than him - walking down the dirt path with a fishing pole and bucket in hand. He watched as the other walked out from under the shadows of the forest and sat down in the setting sun.

He was beautiful.

The other young man smiled and waved. Leon's face flushed as he realized he'd been caught staring.

He had no idea what came over him. He'd always been told to never step into Mountain Pine holler. Demons and witches and unsavory folks who you didn't want to run into lived there. But the setting sun got caught up in the stranger's curls just so and all Leon could see was a halo around his head. This here was no demon or witch or unsavory folk - he was an angel sent by the good Lord.

Water rushed into his boots as he stepped into the creek to cross. He took another step, and stone he stepped on shifted and slipped under him. Caught up in the rushing current, Leon found himself being pulled under water. He panicked, thrashing his arms about as he tried to push his head above the water.

He felt something wrap around his torso and suddenly he was pulled from the water with a loud gasp. He felt his body hit the cold dirt of the creek bank and he began to hack the water from his lungs.

"You alright?" a voice asked from above him. He felt a warm hand gently pat his back as he coughed. Leon turned and opened his eyes to the pretty stranger staring down at him. His voice caught in his throat as he realized he was close enough to see the freckles that scattered across the other's cheeks and the small gap between his front teeth.

"I'm- I'm-" Leon sputtered as the other looked at him with soft amber eyes, "Good Lord you're prettier up close."

Much to his relief, the stranger started to smile and laugh.

"I ain't pretty enough to die over. What were you thinking? There's a bridge just down stream."

Leon shrugged, "I wasn't thinking much of anything other than talking to you."

"Makes sense," the stranger said as he rolled his eyes.

"You didn't put a spell on me did you?" Leon asked, his eyes wide and dead serious, "You came from Mountain Pine."

The stranger just laughed more, "No. I ain't that kind of witch. Come on, let's get you dried off. It's still cold enough to catch something."

Leon took the stranger's hand and let himself be pulled to his feet. Once up right, Leon stumbled forward as water sloshed in his boots and his laces got caught under his foot. The stranger caught him and the two froze for a breath.

"You sure you didn't put a spell on me?" Leon asked, his voice low and quiet.

"No," as the stranger answered, the wind picked up and whipped around them, "I think the hills just wanted us to meet."

Leon didn't know how to answer that. So he leaned forward instead...

[doityourselfbombs]

Riverdale S1E1: The River's Edge

Riverdale is an unintentional piece of absurdist art masquerading as a teen drama and anyone who hasn't had the chance to experience it is missing out. here's all of the weird out of pocket shit that goes down in the first episode alone.

general rundown:

the show takes place in Riverdale, a small town that can't seem to move past 1960s nuclear family aesthetics. on July 4, twins Jason and Cheryl Blossom took a boat ride down the river and only one of them came back alive – Jason's body still hasn't been found, and nobody really knows what happened to him.

the five main characters:

Betty Cooper, heavily based on the "girl next door" archetype, who lives with her weird toxic journalist parents, has a crush on Archie, and has a sister who is staying in a group home after she got pregnant with Jason Blossom's kid and was disowned by her parents.

Archie Andrews, redheaded football star who decides he wants to be a mediocre singer-songwriter and is also having an affair with his music teacher.

Veronica Lodge, trust fund baby whose dad just got arrested for embezzlement and just moved with her mother to her parents' hometown. gives weird out of pocket speeches.

Jughead Jones, emo boy with a weird hat who writes extremely pretentious articles about the town and insists that he has no friends.

Cheryl Blossom, grieving twin, extremely overdramatic for no reason, head of the cheer squad. also notability Madeline Petsch is the only natural redhead on the cast so far.

a non-comprehensive list of all the weird shit that goes down in this episode

Jughead finds out his classmate has died and decides to go to a diner and write a pretentious article abt it instead of, idk, being normal

"six more reasons for you to take that ginger bull by the horns tonight" WHAT THE FUCK

Betty starts telling Archie that she has feelings for him and Veronica shows up in a full cloak for some reason

the Pussycats are always practicing in empty music rooms and seemingly never in class

"you're staring at our pussycat ears, which is rude... the pussycats are building a brand, creating a signature look, okay? we're telling a story." (they're literally just wearing cat ears at school)

"I've tried every flavor of boy but orange." -Veronica

the scene introducing Archie's affair with his music teacher has a lot of lolita inspired imagery and I find that very interesting

Fred Andrews gives his employees paternity leave what an absolute dilf

Cheryl exits a conversation by saying "follow me on twitter!"

it really adds to the absurdist aspect of this show that Archie (15) looks to be the same age as the adult teacher he's having sex with (and somehow the actors have an even larger age gap in real life than they do in the show)

at cheerleading tryouts, Cheryl says Betty and Veronica are missing "heat", so Veronica ends the routine by kissing Betty. I like to believe this was just Veronica finding an excuse to do this.

"check your sell-by date ladies, faux lesbian kissing hasn't been taboo since 1994" -Cheryl, a closeted lesbian (canon)

Veronica's first out of pocket monologue of the season comes after Cheryl rejects Betty from the cheer squad: "I know what you need, Cheryl. because I know who you are. you would rather people fear than like you, so you traffic in terror and intimidation. you're rich, so you've never been held accountable. but I'm living proof... that certainty, that entitlement you wear on your head like a crown, it won't last. eventually, there will be a reckoning. or maybe that reckoning is now... and maybe that reckoning is me. Betty and I come as a matching set. you want one, you take us both. you wanted fire? sorry Cheryl Bombshell, my specialty is ice."

Veronica talks like she's in a commercial at all times

Hiram (Veronica's dad) sends Hermione (her mother) a bag full of loose cash and honestly that's what I want in a husband

they keep Lili Reinhart in that tight Jojo Siwa ponytail for so much of this show that it's a relief to see her with her hair down

"can't we, in this post-James Franco world, be all things at once?" ????

Cheryl asked the pussycats to cover the song her parents claimed to be listening to the night she and Jason were conceived

Betty can't even tell Archie she likes him without reminding him that she's a cheerleader and he's a football player and therefore they MUST be meant for each other

"let's see who's riding the ginger stallion tonight" I think now is a good time to remind everyone that the Riverdale showrunner used to write erotic fanfiction abt the archie comics characters and is CLEARLY living out his fantasies with this show

Jughead finally decided to show up 40 minutes in

the Riverdale water polo team is called the Aquaholics ????

Kevin tries to go skinny dipping and finds Jason's dead body. end of episode

you can find more episodes here :)

[shirlleycoyle]

How 9/11 Became Fan Fiction Canon

Every fictional character you can think of has experienced 9/11 in fanfiction.

A Clone Wars veteran with two lightsabers is on United Airlines Flight 93 and prevents it from crashing. Ron and Hermione get caught up in the chaos as the towers fall. Buffy the Vampire Slayer and her friends watch the attacks unfold on TV from Sunnydale. We have spent 20 years trying to process what happened on 9/11 and its fallout, and that messy process can be tracked through the countless, sad, disturbing, and sometimes very funny fanfiction left across the internet.

Many of the fanfics written in the weeks and months following the 9/11 attacks seemed to directly respond to the news as it happened, processing the tragedy in real-time through the eyes of characters they loved. In the absence of a canon episode where Daria Morgendorffer paid respects to those lost, writing fanfic about these characters also experiencing trauma helped fans cope.

One YuGiOh fanfic published on fanfiction.net in May 2002 could have been ripped exactly from what this writer experienced that Tuesday morning. “It started as a normal day,” user Gijinka Renamon wrote. Yugi and his friends were in school, where their teacher informed them of the attacks and sent everyone home from school.

“After reading people’s 9/11 fics, I decided to write my own, and put a certain character in it. And Yugi and his pals were my first choice,” the author's note reads, explaining the connection they felt to United flight 93 and the World Trade Center attacks. Given that they lived in Pennsylvania, and “it’s close to New York, I felt really sad about it.”

Stitch, a fandom journalist for Teen Vogue, told Motherboard that this reaction to 9/11 is not at all uncommon in fandom.

"Fandom has always been a place that positions nothing as 'off limits,'" she said. "Historical tragedies like the Titanic sinking and atrocities like… all of World War 2 show up regularly across the past 30 years of people creating stories and art about the characters they love. So, on some level, it makes sense that 9/11 and the following 20-year military installation in the Middle East has joined the ranks of things people in different fandoms turn into settings for their fan fiction."

Reactions depicted in a handful of Buffy the Vampire Slayer fanfics published in the weeks after the attacks ring a little truer to the characters. “Tuesday, 11th September 2001,” written by Anna K, almost echoes the lyrics from “I’ve Got a Theory,” one of the songs in the musical episode that aired in November 2001. “We have seen the apocalypse. We have prevented it. Actually, we’ve prevented quite a few. So we know what they look like,” they write, before taking a darker turn. “They look a lot like…New York today.”

Killing demons and vampires doesn’t phase the Scooby Gang, but when preventable human death is brought into the picture, it’s gut wrenching.

“What am I supposed to do…When I can’t do anything to save the world?” Buffy cries  into Spike’s chest, watching the attacks unfold on TV in a fanfic the author described as being “about feeling numb and helpless.”

In “Blood Drive,” Kirayoshi writes about Buffy and her friends saving a van full of donated blood meant for victims of the attacks from a group of thirsty vampires. One Buffy the Vampire Slayer fic even takes a blindly patriotic turn, where noted lesbian witch Tara McClay helps Xander hang an American flag from the window of the magic shop to make Anya feel better.

Experiencing 9/11 as a young teenager was overwhelming not just because of the loss of life. Almost immediately after the event itself, it was as if the entirety of American culture re-oriented itself towards an overtly jingoistic stance. As we get distance from the attacks, seeing the tone of television and movies from the early 2000s is jarring, and some have gone viral on Twitter. In the world of pop music, mainstream musicians like the Chicks, formerly known as the Dixie Chicks, were blacklisted from the radio while Toby Keith sang about putting a boot up the ass of terrorists. On the Disney Channel, a young Shia Labeouf reading a poem he supposedly wrote about the events. The poem concludes with the line, "it's awesome to be an American citizen."

In a world so completely saturated with this messaging, it is not surprising that fanfic authors started including 9/11 in their work so soon after the event. Even The West Wing had a strange, out of continuity, fanfic-esque episode where the characters reacted to 9/11. In some cases, it made sense that the characters in the stories would be close to or a part of the events themselves.

"For characters like John Watson or Captain America, the idea works to an extent," Stitch told Motherboard. "In the original Sherlock Holmes works and the 2011 BBC series, Watson had just returned from Afghanistan. For Captain America and other Marvel heroes, 9/11 was something that was addressed in-universe in The Amazing Spider-Man volume 2 #36. Technically, 9/11 is 'canon' to the Marvel universe."

In “Early Warning: Terrorism,” a fanfiction for the TV show Early Edition in which a man who mysteriously receives tomorrow's newspaper, predicting the future, avoids jingoism, but tries to precent 9/11 from happening. This fanfic remains unfinished; it’s unclear if the characters successfully prevent 9/11 in this retelling.

Largely in fanfic from the era just after 9/11, when many young authors were trying to emotionally grapple with it, the characters don't re-write or undo the events themselves. It's this emphasis on the reaction to tragedy that colors the fanfiction that features 9/11 going forward.

Although fanfiction authors have been writing about 9/11 consistently since soon after the event, whenever that fanfiction reaches outside of its intended audience, it looks bizarre.

A screenshot of a Naruto 9/11 fanfic on the Tumblr subreddit comes without any context, or even more than two lines and an author's note. It’s impossible to suss out if this falls into the category of sincere fanfic without the rest of the piece or a publication date, but modern-day commenters on the Reddit thread see it as classic Tumblr trash.

Screenshot from r/Tumblr

“Bin Laden/Dick Cheney, enemies to lovers, 10k words, slow burn,” one user joked in the replies, underscoring the weirdness of Naruto being in the Twin Towers by comparing it to a What If story about Cheney and Bin Laden slowly falling deeply in love.

It’s hard to tell how much of the 9/11 fanfic and fanart starting a few years after the attacks is sincere, and how much of it is ironic, and trying to make fun of the very concept of writing fanfiction about 9/11.

A 2007 anime music video (in which various clips, usually from anime, are cut together to music) that combines scenes from The Lion King with Linkin Park’s “Crawling” and clips from George Bush’s speeches immediately after the attacks feels like the perfect example of this. Even the commenters can’t seem to suss out if this person is a troll or not.

There’s no way that My Little Pony: Friendship Is Magic 9/11 fanart could be serious, right? Especially if the description pays tribute to “some of the nation's most memorable buildings,” and features five of the main characters as child versions of themselves. The comments again are split between users thanking the artist for a thoughtful remembrance post, and people making their own headcanon for why Twilight Sparkle is surreptitiously absent from the scene.

Screengrab via DeviantArt

There’s Phineas and Ferb fanfic that combines a 9/11 tribute concert with flashbacks to Ferb being rescued from the towers as a baby, written on the 10th anniversary of the attacks. It jumps from introspection to lines like, “‘Quiet Perry the Platypus. I’m trying to listen to these kids singing a 9/11 tribute.’”

The author's notes make it more likely that they meant for this to be a tribute piece, but it doesn’t quite make sense until watching a YouTube dramatic reading of it from 2020, fully embracing the absurdity of it all.

“For me, 9/11 is synonymous with war. It completely changed the course of my life," Dreadnought, the author of a Captain America fanfic Baghdad Waltz that sees Steve Rogers and Bucky Barnes fall in love over the course of the war on terror, told Motherboard. "It’s the reason I joined the military, and I developed deep connections with people who would go on to deploy to Afghanistan and Iraq. These very much felt like my generation’s wars, perhaps because people I graduated high school with were the youngest folks eligible to serve at the time.”

Dreadnought told Motherboard that although they didn't deploy, their career has kept 9/11 and the trauma from it in their mind. After seeing that people who fantasize about Steve and Bucky getting together seemed particularly interested in reading fanfiction that related to 9/11, they decided to try their hand at it.

"I had to do something with all of that emotionally, and I’m admittedly a bit emotionally avoidant. So I learned through fic that it’s easier for me to process those feelings and the knowledge of all the awful stuff that can happen in war if I can turn it into something creative," Dreadnought said. "Give the feelings to fake people and then have those fake people give the feelings to readers!"

To Dreadnought, who is a queer man, the experience of researching and writing this was more cathartic than they first expected, especially as a way to navigate feelings about masculinity, military culture, and queer identity. But they said the research they did, which included watching footage of first responders at ground zero, was what helped them finally process the event itself.

"It was like a delayed horror, and it was more powerful than I expected it would be." Dreadnought said. "When I was eighteen, I was pretty emotionally divorced from 9/11; I just knew I wanted to do something about it. So coming back to it in my 30s while writing this fic, it was a very different experience. Even the research for this story ended up being an extraordinarily valuable exercise in cognitively and emotionally processing 9/11 and all of its second and third order effects."

Fanfiction that features 9/11 provides an outlet for people who still grapple with the trauma from that day. But Stitch warns that the dynamics of fandom and how it relates to politics can also create fiction that's less respectful and more grotesque.

"With years of distance between the stories written and the original events of 9/11, there seems to be some sort of cushion for fans who choose to use those events as a catalyst for relationships—and Iraq and Afghanistan for settings," Stitch said. "The cushion allows them room to fictionalize real world events that changed the shape of the world as we know it, but it also insulates them from having to think about what they may be putting into the world."

The tendency of turning these events into settings or backgrounds for mostly white, male characters to fall in love has the unintended effect of displacing the effects that the war on terror has had on the world over. Steve and Bucky might fall in love during the war on terror, but they would also be acting as a part of the American military in a war that has been criticized since it started. Fanfic writers in other fandoms have come under fire for using real world tragedy as settings for fic before. In the aftermath of the 2010 Haiti earthquake Supernatural fanfiction about the actors Jensen Ackles and Jared Padalecki going to the island to do aid became controversial within the fandom. There have also been fics where characters grapple with the death of George Floyd that is written in a way that displaces the event from the broader cultural context of race in America.

"A Captain America story where Steve Rogers is a 'regular' man who joins the US Army and 'fights for our freedom' post-9/11 is unlikely to deal with the war’s effect on locals who are subject to US military intervention," Stitch said. "It’s unlikely to sit with what Captain America has always meant and what a writer is doing by dropping Steve Rogers into a then-ongoing conflict in any capacity."

After enough time, “never forget” can even morph into “but what if it never happened?” A 19k+ word Star Wars alternate universe fanfic asks this question, wondering what would have unfolded if someone with two lightsabers was on United Flight 93. This fic, part of a larger fanfic series with its own Wikia, considers what would have happened if Earth was a military front in the Clone Wars.

In this version of events, a decorated general who served in the Clone Wars is able to take back control of Flight 93 before it crashes, landing safely and preventing even more tragedy from happening that day. In the end, all of the passengers who made harrowing last calls to their loved ones before perishing in a Pennsylvania field survive thanks to the power of the Force, and are awarded medals of honor by President Bush.

Twenty years after the attacks, it’s painful to think about what would have happened if people got to work 15 minutes later, or missed their trains that morning. There weren’t Jedi masters deployed to save people in real life, but for some of the fanfic writers working today, the world of Star Wars might feel just as removed as the world before September 11, 2001.

Fiction serves as a powerful playground for processing cultural events, especially generational trauma. The act isn't neutral though; a decade's worth of fanfiction that takes place on or around 9/11 shows how our own understanding of a traumatic event can shift with time.

How 9/11 Became Fan Fiction Canon syndicated from https://triviaqaweb.wordpress.com/feed/

[otterplusharchive]

rey! do you have any recs for kdramas? i have never watched any, but i like lovable characters and romance ? thank you in advance!

I DO IN FACT HAVE DRAMA RECS HII not all of these will be kdramas, but ill start with the kdramas ive watched and enjoyed and ill include all the warnings for them that i can remember off the top of my head and a brief synopsis for u!

kdramas-

1. weight lifting fairy kim bok joo

this was probably one of the first kdramas i saw people post about in like 2015 and i watched a little bit of it in 2016 but then only just got around to finishing it last year. the basic gist of it is its about a young sports college weight lifter, kim bok joo, centering around her navigating through her life and trying to figure out who she is and what she wants in life and what she wants to be. her romantic interest in the show is a swimmer and they have a sort of rivals to friends to lovers, he is SO in love with her and its adorable. i absolutely loved the side characters in this show theyre all so fun and kim bok joos best friends and weight lifting team are especially delightful. my main warning would be that this show addresses eating disorders and theres a lot of mention of both weight gain and weight loss, theres also a plot point early on where kim bok joo has a crush on her eventual love interests older brother but it gets resolved and the older brother literally goes "i didnt realize you had a crush on me and if i knew that i wouldnt have been so friendly with you, it would be completely innapropriate for us to be in a relationship". overall its a really sweet and emotional fun show but if you have issues with weight talk id skip this one

2. tale of the nine tailed

this one is really recent from last year and i didnt expect to be so hooked by it but boy howdy did i get attached to all the characters and the wild plot. it feels hard to explain the plot but basically a nine tailed fox named lee yeon is living in modern day seoul and is working for the underworld finding paranormal spirits/creatures/other rogue foxes that are causing havoc on the world, hes resigned himself to living this life while waiting for his girlfriend who died tragically 600 years ago to come back to life because he traded his status as a mountain god in order to ensure that her soul would one day be reincarnated. a plucky investigative journalist named nam ji ah figures out that hes not human and shenanagins ensue because she looks exactly like his dead girlfriend oooooo whatll happen. the plot beyond that gets really wild and its hard to explain and is easier to just watch. if u enjoy paranormal adventures this one is good. my one big complaint and issue with this is that the immortal mountain spirit meets his original girlfriend when shes a child and she continues to visit him off and on as she grows up which is Hm I Dont Like That! but thankfully the present time romance our female lead meets him when shes about 30 if im remembering right. also warnings for general fantasy violence, references to child abuse, animal death, and abandonment issues

3. extraordinary you

HUGE unreality warning for this. if you have issues with feeling unreal or have paranoia/delusions about not being a real person id avoid this one just because of its premise

ok i know i said tale of the nine tailed was a hard plot to explain but BOY extraordinary you is even HARDER to explain. because its so wild but so good. its about a girl who realizes that she is literally a side character in a comic book, and the story becomes her trying to change the story to save her character from dying but it becomes a lot more than that. the romance in this is literally tooth achingly sweet and the show itself is very pretty, i loved the side characters in this one and the show was engaging and interesting to watch it became really layered and meta. super reccomend this one honestly. my main issues/warnings that i can remember off the top of my head were just one character being the classic controlling boyfriend stereotype, bullying someone specifically for being poor, unreality like i mentioned before, and then at the very end there was this love interest for a side character who got reincarnated from a past piece of writing that they had been in and put in the comic but she was a student and he was the school cook which is weird but thankfully they like barely interact at all and theres no real romance he just like recognizes her and its barely a thing at the end of the show but its still weird

4. mystic pop up bar

big warning for suicide, sexual harrasment (which is framed as being bad and the guy whos harrassing the girl literally gets thrown off a roof)

i havent finished this one yet and thats mainly because im not emotionally ready because this one makes me soooo emotional. if you like found family this is a good one. its about a pop up bar run by a woman whos been tasked with solving the problems of a certain amount of people in order to atone for her crimes in the past before dying, shes able to enter the dreams of people and solve their issues using the information she gets in the dreams. paranormal shenanagins ensue, she acquires a son and a husband and it kills me its so fun and quirky and fun despite handling dark themes and peoples problems. also very sweet the found family murders me

5. kingdom (netflix original)

i literally am not going to be able to watch any other zombie media because kingdom and train to busan are the best pieces of zombie media ive ever seen. warnings for gore and violence and just general horror aspects.

i absolutely love this one its so thrilling and well done, i love the acting and the way that this show looks its absolutely gorgeous. a zombie plague breaks out in joseon period korea where the emperor has died and then was brought back to life by the queen and her father in a ploy to try and keep their family in political power, the crown prince must find answers. a lot more happens and its very dramatic and good i love the characters in this one

cdramas

1. the untamed. if you follow me and you havent watched the untamed im begging you to watch the untamed. literally one of the most beautiful stories ive experienced in my life i am not joking when i say i cried multiple times over it. the main characters are canonically gay in love and have a son together please watch the untamed. handles a lot of dark themes, heres a tw guide

2. the sleuth of the ming dynasty

this is another one i havent finished but its fun so far, very gay, found family, food, and solving murder mysteries during the ming dynasty

3. hikaru no go (also known as qi hun)

havent finished this one, there is some propaganda about hong kong in the first episode but as far as i know thats the only instance of something like that in the show

this ones about the game go and so far its very sweet and fun, local boy awakens a ghost who was a master of the game of go hundreds of years ago and eventually is persuaded to learn how to play go with the aid of the ghost. im really liking this one so far its very cute and i love the characters in it. if youve watched the untamed nie huaisangs actor ji li is in this one!

4. the legend of yunqian

this ones very short and on youtube, all the episodes are about 5 minutes long and its a lesbian time travel fantasy adventure with a happy ending! funny and cute

jdramas

1. cherry magic

please please please watch cherry magic. the premise sounds very much like a weird yaoi kind of thing but trust me on this. trust me. it is so heart warming and sweet and i was so emotional about it and the growth of the main character.

adachi gains the power to read peoples minds on his 30th birthday based off a urban legend that if youre a 30 year old virgin that youll become a wizard. after gaining this power he accidentally finds out that his extremely popular and handsome coworker has a crush on him, and shenanagins ensue along with adachi having blossoming feelings in return. this show was really refreshing in a lot of ways, adachi is a main character who like.. is unsure of himself and insecure in a very kind of realistic way, he closes himself off and is afraid to reach out to people and through the course of the show we see him slowly come out of his shell and realize that hes likeable and lovable and that people want to be around him and its so nice to see. my main complaint about this show is that i dont really like the background couple, but otherwise this is a very sweet and refreshing gay romance that has a happy ending!

some others that i myself havent seen but that ive seen people talk about a lot and that i want to watch eventually:

- the legend of fei (cdrama)

- the wolf (cdrama)

- gaurdian (cdrama, not the kdrama one called goblin)

- healer (kdrama, i did watch some of this one but it was in 2016 and i never finished it so i barely remember any of it but i do remember liking it)

- nobody knows (kdrama)

- its ok to not be ok (kdrama)

sorry this is so long but i hope youll be able to find a drama u enjoy!!

[miraculouscontent]

Askplosion #12 4/4:

(I would like to state for future reference that, while I do not mind long/multi-part asks, if you’d like to engage in actual discussion with me over a non-Miraculous topic, my DMs - Tumblr Messenger - should be open; I lost pieces of three multi-part asks this time just due to Tumblr not sending the remaining part(s) so yeah, I just wanted to make that clear)

(like, this askplosion ended up being super long because of this section and that’s not really what I want to have going on since I’m supposed to be a primarily Miraculous blog; I don’t want to have to stop answering non-Miraculous related asks but I might have to if this keeps up:)

.:New non-Miraculous Asks:.

Anonymous said:

What are your experiences with some really rude anons?

It’s partly my fault when it happens. Like I’ve said before, I’m an aspie, and part of what that means is I struggle to understand situations emotionally. I can come off as insensitive or read the mood wrong which often leads to people misunderstanding my intentions or where I’m coming from.

More often than not, what I’m saying will make 100% sense to me but not the person/people reading it. I also stick a lot more firmly to my opinions than I should because people tell me I fold too easily, and I come off as more egotistical than I actually am to cover up my low self-esteem lol.

So yeah, can’t think of any experience in particular but sometimes it might be my fault? At least I suspect that it is?

Anonymous said:

“Killed by kindness” makes me think of an assassin who kills people by giving hugs and compliments to people and the occasion gift that isn’t tampered until thre target does like Conrad Birdie making women swoon into fainting by singing.

omg

yes

Anonymous said:

You're watching Yashahime right now? rip

MARINETTE TAKE 2 MOROHA DESERVES BETTER

SETSUNA HAS SO LITTLE REASON TO HANG OUT WITH THE OTHER TWO GIRLS

IF I SEE ANOTHER DEUS EX TOWA I’M GONNA KICK SOMETHING

(so yes, I’m watching Yashahime)

Anonymous said:

Since someone recommended Remarried Empress, I would like to recommend my own webcomic: Princess Love-Pon! It's about a young girl named Lia Sagamore who becomes the titular magical girl and purifies people's hearts when they're tainted by the Dark Queen! It's really cool due to its diversity, the main character is black and her best friend is Afro-Latina, the villain and her prince son are also black, and there's a Japanese girl, a black guy, and an Indian girl. Plus, loads of pink and frills!

Thank you very much, though I actually don’t take recommendations, even from close friends. The Remarried Empress anon wasn’t a recommendation; they were more pointing something out to me and then I went to confirm.

Anonymous said:

Unrelated to MLB: Which Pokémon are your favourites?

I used a “Favorite Pokemon Picker” because I prefer going by generations to pick favorites and that was the easiest way of going about it. I struggle picking super favorites so here’s what I got form each generation! (my only rule was “one Pokemon per evolution line” with an exception of the Eevee line since they’re different types, and also Alolan/Galarian forms)

(note: the blue-patterned Vivillon is my favorite and I honestly don’t like Charizard normally but the Y version actually slims him down and gives him the wings I feel he should have; it’s an improvement of the design so it gets my seal of approval, I don’t like the X version at all)

(lol I was looking through this after I was done and find it really funny how it’s like, 50% cute things and then the other 50% is just EDGY, there’s very little in-between with me I guess)

Anonymous said:

Bridgerton the Series: Yay or nay? Sorry if you haven’t seen it or it’s not your thing. I was just curious.

Never seen it, though when I brought up to someone, they didn’t recommend it to me at all ahaha.

Anonymous said:

I previously kept having this argument about The Bechdel Test with someone. She keeps insisting that the test is invalid because there's nothing wrong with talking about men and that it was created for lesbians only, and not for feminists, with the implication that being a lesbian somehow means that you dislike men or want them gone. And she also thinks the test is about NEVER talking about men, rather than merely occasionally talking about other things. I keep telling her otherwise, but...

jdfhkgdfhjgdfg “lesbians only”

now all I can imagine is “lesbians only” sections at restaurants and such

Anonymous said:

Have you ever played Akinator, with or without the Miraculous Ladybug characters? Because I played it with Ochaco from MHA and Marinette and he guessed them within a second(can your character control gravity? Is your character a protagonist?). I even played it with myself as the "character" and he guessed "your shadow" lol. How about you?

I’ve played Akinator before but I don’t specifically remember what I was searching for lol.

Anonymous said:

The cast for the newest Power Rangers series got revealed, and I hate that as soon as I saw the Pink Ranger's bio mentioned she was an internet journalist, I thought of Alya. I really hope she doesn't have the same problems as Alya in the series proper.

fhgdfkgd journalists have been ruined for us forever

Anonymous said:

Have you noticed that in many shows, especially shonen shows, people tend to hate the most "feminine" female character? Like, in Naruto it was Sakura, in Death Note it was Misa, in My Hero Academia it was Ochaco(although a lot of people like her so I'm not so sure about that last one?). The most hated character in one too many a shonen is almost always the "girliest" of the characters. They're always claimed to be useless or reliant on a man. And this is within the fandom who should know better!

It probably didn’t help with Sakura that she was decked out in pink hair; that’s an instant girl label for you (or lesbian label, depends on the person :P).

I don’t think I’ve been in enough fandoms to have such an experience but I definitely see where you’re coming from.

Anonymous said:

Rewatching Chat Blanc and Here To Help from Star vs. and hearing Adrien/Marco tell Marinette/Star that they always liked the girls from the beginning makes me so pissed. It's not that I don't ship Starco(I do! But I also like MarcoxJanna), although I don't ship the love square, but I'm so annoyed with writers finding the need to make the audience "know" that the main ship's characters "always" liked each other, as if that makes their love for each other more true, even if it's obvious they had other crushes? Like, what happened to Kagami Tsurugi? Jackie-Lynn Thomas?

News flash: Teenagers are allowed to have crushes on multiple other people before they find "the One". It doesn't mean their love for that "One" is any less valid. And if you still want to pull the "they always liked each other since they first met", at least make it actually TRUE!!! Don't have them have crushes on other people before moving on to the "official" crush and be all like "Oh, by the way, I liked you from the start," when it's dead obvious they didn't. You're doing a disservice to the romantic "false" leads.

I'm willing to forgive Star's crush on Oskar and Tom since she's not the one claiming she always liked Marco(even though she fell in love with him LONG before he fell in love with her, which is a nice turn of events), although her "love" for Oskar was merely an infatuation at most and I personally don't see why it was needed. Why don't they just say that their old crush didn't do it for them???

UGH, I remember watching that show and being so annoyed because I really liked Marco and Jackie and wanted them to be a thing but I knew that they’d pull Starco in the end because of course they would.

It also totally makes it seem as if love is the most powerful relationship there is (aros would like a word), which is so bizarre when there are so many “power of friendship” tropes. Like, a male and female lead have to get together because their relationship is the strongest.

The love square would hold so much more meaning to me without this love drama nonsense. It’s tiring.

Anonymous said:

Have you seen Yuki Yuna Is a Hero? If so, then what are your thoughts on it? I was thinking of watching it but it seems to be another "taking away the empowerment of the magical girl genre by making the girls suffer instead" type story. I read about it on TV Tropes and apparently it's a deconstruction that takes after Madoka Magica which already puts a bad taste in my mouth, but then I got to the examples and they're basically about how girls who get magical powers lose their body parts one by one and that the reason only girls can be heroes is because "young girls have always been sacrifices".

Not to mention it was written by a man and aimed towards a seinen(adult men ages 17-35) demographic, making it torture porn for adult men. Also, both the laconic page for Yuki Yuna and Madoka Magica say "Being a magical girl sucks."(though for Yuki Yuna it adds "Unless you have the power of friendship.") and to be honest that kills any desire in me to watch the show. Should I give it a chance?

Oof.

Yeah, after bringing it up to a friend of mine, it was instantly recommended of me not to watch it, so I’d say, “no.”

Anonymous said:

Let's make one thing perfectly clear. I, love, love, LOVE Sailor Moon. And I love the transformations, too. But if there's one thing I don't love, it's that their outfits all look pretty much the same but with different colors/different lengths of gloves and shoes and stuff like that, and that they all have the exact same body type save for the one fat girl who's made to look bad. I don't like Madoka Magica, but at least they all had unique/different costumes(but they still have similar bodies).

We’re not allowed diversity here. Take your different body types to a show that cares; we’re all about femininity here and how girls can be beautiful and powerful no matter wha--oh wait...

Yeah, I don’t care for the design in Sailor Moon, but that’s because skirts don’t interest me design-wise unless it’s really unique/interesting.

(note that there’s a lot of talk about tomboys, sexism, and TV tropes and such below, and then Madoka Magica after that; that’s basically the rest of this askplosion:)

Anonymous said:

I just saw the thumbnail for a video called "Why You Should Watch Princess Tutu(Yes, I Know The Name Is Stupid)". Umm, why is it stupid exactly? Because it's "girly"? What is with people thinking that in order for a girly show to be good they have to first separate the show from its girliness in order to enjoy it? It's like how men will say a show is good despite it being girly, or that since it's good it's no longer girly. Nobody does this for boy shows, because boy things are "never" stupid.

Princess = girly thing

Tutu = girly thing

girly things = bad

That’s the formula~ They should’ve called it something edgier and manly so that more people would be interested.

Anonymous said:

I'm wary of any woman or girl who says, "I'm a girl, but I'd rather read books about guys" or "I'm a female writer but I mostly write stories about male characters". I feel like those women are the "not like other girls/one of the guys" type who suffer from internalized misogyny and don't like female characters. I also feel like they're the type to not care about female representation, because in their minds, girls shouldn't care about female role models. We can enjoy males just as much! I do!

To be fair, they might also just be writing about shirtless men doing “handsome” things. ;P

But nah, I see your point. Me personally, I try to find a balance of writing both, but I do think there can be bias.

Anonymous said:

Do you think it's okay to like a ship but acknowledge that it wouldn't be safe or healthy or condonable in real life? Because I was just thinking of how a lot of people like some really "toxic" ships like Veronica/JD in Heathers, Yuno/Yukki in Future Diary, Madoka/Homura in Madoka Magica(although some people don't like it because of its toxicity/like it but don't realize it's toxic), almost any villain/hero ship, the list goes on. But they're aware of the fact that it's not a good standard for healthy relationships in real life.

An alternative I've seen is people having a crush on "dangerous" characters like JD and Yuno, or Karma from Assassination Classroom(there's not a single video on YouTube with him in it that DOESN'T have comments full of people saying they want Karma to father their children), but still being aware of the fact that the character is a) not real and b) wouldn't be a good partner if they were real(and that's assuming they even want to be with you. But sometimes there's a good reason for falling in love with a "toxic/dangerous" character.

Take Monika from Doki Doki Literature Club! She's obsessed with the player(not the player CHARACTER, the flesh and blood player themselves) to the point of killing off all the other girls and "trapping" you in a room with her where she talks endlessly about lots of things. But she's actually a lonely girl who's driven insane by the fact that nothing around her is real. She latches on to you because you're the only other person who's real and sapient and has got a mind of their own. You're literally her outlet to the outside world.

She's personally my favorite character in the game due to her actually being a more fleshed out, sympathetic(and not in the idealized "moemoe" way), and realistic take on the Yandere archetype(which, like many moe archetypes, is kinda misogynistic in nature in that it reinforces submissiveness; it's basically animes version of "woman scorned".). So it makes sense that people would sympathize with her and want her to become real, because all she's ever wanted was to be real and to talk to real people. Especially since she really did care about her friends and even returned them back to life because she saved their backup files, taking herself out of the picture.

I read a few "Monika becomes real and lives with you" fanfictions where she's really sweet and not at all crazy and cares for you a lot, and it's never felt the same as all those other "Yandere/psycho lives with you and is your girl/boyfriend" type stories precisely because those stories tend to just glorify possessive partners that kill your loved ones, drive your family members to commit suicide, and tear up your stuffed animals and dollies for the sake of it, rather than go into why they're so crazy for you, and often reinforce Stockholm Syndrome.

Plus, those "things" she talks about in the empty room? They're actually quite smart and make you think about the world for a bit. Not many "crazy" type characters actually get that. They're all about how "I'll slice your boyfriend open with an axe if you don't date me wa ha ha", and even if they're not, it's all the fandom will focus on, to the point of ignoring any and all other aspects to their character. Because that "crazy in love" aspect is the most appealing part of them. Maybe it's due to forbidden fruit/bad boy(or girl) appeal? Who knows? But I'm starting to wonder if it's still as bad if people recognize the problematic aspects of "crazy in love" characters or "dysfunctional" relationships.

Because if they recognize it's not real and don't really want it for themselves, then it's probably not much of a problem. But if they just go on wanting it to be real and never take a step back and go "wait a minute, this isn't real love; they're only together because he latches onto the first girl to show him any kindness and affection and she's a doormat who doesn't want something bad to happen if she leaves him", then that's bad.

Obviously it's not as bad as being in love with literal stalkers, killers, and rapists in real life(which is an actual thing, believe it or not, it's called hybristophilia), because fictional characters will never be real. Karma Akabane will never be real. Yuno Gasai will never be real. JD will never be real. But loving fictional characters who do those things and not realizing the problem with it may cause people to seek out real criminals, so it's best to separate fiction from reality.

I can’t help judging a little internally, but yeah, I think people can ship whatever as long as it has that “not in real life” scenario going for it. It’s ultimately fiction, so just because I don’t like it and/or think that it’s bad doesn’t mean other people can’t ship it.

Anonymous said:

I'm getting tired of all the racists on TV Tropes getting upset whenever a trope has a Japanese name. Whether it's Tsundere, Yandere, Meganekko, Genki Girl, Bokukko, or any Japanese anime name, people will complain that the trope exists beyond anime so it shouldn't have a "cute anime name", and that it should instead just be given a broader(read: English) name with the same meaning. Or that the site is too obsessed with anime. I'm just sick of people saying that anime names are bad.

The other thing is that we don’t actually have English words for certain things? I mean, the whole reason we say, “tsundere,” is because it says everything in one word. It’s easy.

(Also, people are aware the the English language isn’t some unique thing that takes no inspiration from other languages, right? It’s a mix of things, so accept that other languages exist because we literally wouldn’t have English without them.)

Anonymous said:

Have you seen the TV Tropes reviews for "My Little Pony: Friendship Is Magic"? Holy crap, they are all a perfect example of the "Real Women Don't Wear Dresses" phenomenon that I have mentioned earlier and is so fucking present on this site. While some reviews praise the show for showing that "it's okay to be strong AND girly"(such as Hadles' review, which was really splendid), and that girl shows are no less good, others either insult the show by calling it "girly, saccharine, and stupid" as if "girly" is synonymous with anything bad about a show, or feel the need to distance it from its girliness in order to praise it as if a show can't be good if it's also girly.

Some people were saying things like "the show might seem girly at first, but it's actually a good, brilliant show with intricate plot twists, well-developed characters, and even some scary moments" and "the characters aren't just shallow girly-girls, they have depth!" So what, girliness is mutually exclusive to anything of value? One person even said that the Girl-Show Ghetto was the reason they couldn't get into the show or respect it. Just...wow.

And one review even said "Rarity's pretty tough for a girly girl!" Excuse me? Tough FOR a girly girl? So being a girly girl somehow automatically disqualifies you from being tough? Like "yeah, she's tough despite being a girly girl! Because girly girls aren't supposed to be tough."

It reminds me of the phrase "you're pretty for a black girl", which, while it's never been said to ME, I have heard other people complain about. It's sick and it hurts, just like this. And the few people who didn't say things like that still said that they couldn't get into the show at first because it looked "girly and vapid", before changing their minds and thinking that the show either proved their biases about girly shows wrong, no longer think it's girly since girly shows "can't" be good, or like it "despite" it's girliness.

And there were 70 reviews in all. 70 reviews full of this misogynistic "girly is bad" shit. So in conclusion nearly all the reviews on TV Tropes for My Little Pony: Friendship is Magic were along the lines of one of three things. 1) "This show is girly so I looked past it because girly shows are dumb." 2) "This show is good despite being girly/the characters are good despite being girly." and 3) "This show is not girly to me at all because it is well-written and captivating and girly shows aren't capable of such things."

Granted, some people there were able and willing to call out those who judged the show badly for being girly(or gave it the "not like other girls" treatment, but in show form), as well as people warning other potential viewers to get rid of any potential bias they may have against it due to it being girly. But there were still more people insulting its girliness as a reason they think it sucks or denying its girliness to justify their liking of it than the other way around.

I would've accepted it in the form of "If you think this show is bad because of its inherent girliness, then you are wrong!" or "This show is proof that a show being girly or aimed at girls doesn't and shouldn't take away from its value, as people seem to believe." or "A girl can be girly and be a strong female character.", but no, instead I got shit like this. It's especially insulting when TV Tropes is a site that devotes itself in part to critiquing sexist tropes found in media, only to turn right around and reinforce them.

I don’t read TV Tropes that frequently, so I fortunately missed out on all of these complete idiots who associate girly products with being bad.

(that “pretty for a black girl” comment makes me hate all aspects of “expectations of beauty” and it’s like--plz let these die)

I could maybe see an argument for criticizing a girls show for being “saccharine” if it were like, “girls’ shows written by men who clearly don’t know how to write girls are usually bad,” because then it’s not a criticism of girls’ shows exactly but rather who keeps being put in charge of writing them.

Anonymous said:

I get so annoyed when people get upset when confronted with the matter of female representation with "what's so wrong with one show having a male protagonist or mostly men and one/a few women? Why do we have to include women in everything?" These people clearly do not understand that one show doing it is one thing, but when multiple shows do it, it's an obvious problem. It's even worse when they turn around and diss shows with largely female casts for "not having enough men".

And as for people getting upset that "every show has to include women/come with a checkbox nowadays", as if it's bad to include women in your story...look around. Women make up 50% of the population. They're literally everywhere. What reason do you have to not include a substantial amount of women?

These people act like male is the default and women are a last resort. They see no problem with men dominating a cast because it's justified(despite that not reflecting real life), and yet having female characters, or, hell, a female-dominated cast(I know they also don't reflect real life, but there are still female-dominated spaces; most colleges are 2/3 female) is "unrealistic" trying to fulfill a quota, or a straw feminist agenda, as if characters can't be female for their own sake. You shouldn't have to be forced include women because their presence should be a given.

How many stories nowadays take place in the war front in Viking times or whatever? A lot of men just don't want to include female characters or see them represented(well) in media because those who are overrepresented tend to want to stay that way. They likely also have insecurities about their masculinity and are worried about female characters flooding their shows with estrogen and ruining the shows they love, because they can't relate to female characters or enjoy shows about them without negating their girliness(ie. This show seems girly, but it's actually good), since they're ashamed to associate themselves with anything feminine due to looking down on women or seeing them as bad.

Plus they want to be the center of everything so the second a show is about mostly women they get upset and claim it's "sexist against men" because it's not about them. Hence why bronies(bless their souls) are made fun of for the grave sin of enjoying a female-centric show with a female protagonist and largely female characters. Granted, there are some freaky fans, but there's still some sexism at play here.

This reminds me of a post I saw about a boy who actually looked up to female characters because you can pick a role model who doesn’t fit your gender. Crazy concept, I know. ;P

And yeah, that’s how it goes with equality. People who are best/most represented don’t want equality because they think it means less for them and they don’t want that, like a child who doesn’t want to share their cookies with everyone else.

Anonymous said:

I love TV Tropes, but if there's one problem I have with it, it's how often it associates femininity with weakness. The "Masculine Girl, Feminine Boy" trope is a good example of this, but the worst offender in my opinion is the Girly Girl With a Tomboy Streak, as most of the examples there are simply of girls who are strong-willed or fierce or can fight. Because you know, those traits are male. It's bad because there are ALREADY tropes for girly girls who can fight, Girly Bruiser and Lady of War (which TV Tropes even goes out of its way to SAY shouldn't be counted as a "Tomboy Streak" and yet does stuff like this), but it's also bad because ANY girly girl with these qualities, no matter how feminine they are otherwise, will be seen by TV Tropes as having to be at least somewhat tomboyish(read: masculine) in order to have those traits. Because regular girly girls are just weak and fragile and only want to be housewives.

It's even worse when you realize that much of these characters are created with the exact purpose of subverting the stereotype that girliness equals weak, and instead present a new and more empowering form of femininity: that femininity is strong and DOES NOT equal being a passive sex tool for men's pleasure. They're MEANT to show that being a tomboy is not the only way to be strong, and TV Tropes acknowledges that! But then they also go and claim these characters have "Tomboy Streaks" thus undermining the positive message by insinuating that you have to be tomboyish to be strong and that even girly girls have to have some level of masculinity to be deemed respectable and equal human beings, plus manipulating many impressionable folks into thinking strength and bravery is automatically tomboyish.

Worse yet, they often put a character here because "she's a big eater" or "she burps/farts a lot". Gee, I didn't know women had bodily functions? I didn't know women had digestive systems? So basically any time a girl shows that she is a human being and not a pretty, passive doll to be idealized, she is acting like a man. Because only men are fully-fledged human beings. Even outside of that, look at basically any masculinity-femininity contrast trope(Tomboy and Girly Girl, Sensitive Guy and Manly Man, Masculine Girl Feminine Boy, etc.). The "masculine" character will often be described as dominant, assertive, or outspoken, and the "feminine" character will often be called weak-willed, passive, emotional, and timid. It's fucking sickening.

The Tomboy With A Girly Streak trope is similar to its inverse in that a tomboyish girl will often be placed under this trope with their proclaimed "girly" streak being that she's tender or cries a lot or is soft spoken/a doormat. Because being girly is about not taking up too much space, not having any ambition or aspiration, and overall being a weak and shallow waste of space. For a site that claims to dismantle such sexist misconceptions, it sure does reinforce them just as much.

I almost want to stop using TV Tropes based on that and many other reasons, but it's a genuinely informative site that at least tries to avoid these stereotypes(plus it's edited by more than one person), it just doesn't do enough. For example, they made an awkward claim once that women can't fight while on their periods, and even have an Improbably Female Cast trope, as if it's abnormal that a cast could consist of mostly women and demands an explanation. To them, femininity=inferior.

And then in comes the “anti-girl tomboy” characters who basically do everything “girls don’t do;” glares at things like make-up and such, rolls eyes at the subject of “girl talk” or “romance,” drinks anything carbonated and spreads their legs wide open, etcetera.

Guys really don’t get the same version, at least not that I’m aware of? Like, at best, they don’t participate in “guy things” but that’s about it.

Having characters acknowledge it just makes everything more blatant, like if a woman comes by and the guys have to assure “DON’T WORRY, SHE’S LIKE ONE OF THE GUYS.”

It’s like a woman can only hang out and engage in “guy talk/time” (the concept of which I hate but that’s besides the point) if they can crush a beer can against their forehead.

Anonymous said:

OMG TV Tropes called Cirno the Ice Fairy from Touhou a "tomboy"? Why? Because she's boisterous and outspoken and not a "shy girly-girl" like Daiyousei! TV Tropes clearly believes that any girl or woman who is more than just a pretty face(which ALL women are, by the way), who takes up space, who has a dynamic personality and isn't just a weeping wallflower(which I'm not saying Daiyousei is) is a tomboy. Because she's acting like a man that way. Ugh, so over TV Tropes and their sexism.

And all the girls in Touhou(including Cirno) wear big frilly dresses anyway so it doesn't really make sense to see ANY of them as tomboys. But no, apparently any girl who is rowdy or tough or is active and not passive is a tomboy. You gotta be a tomboy to have attitude. You can tell they think so because they often say things like "strong, but still feminine" as if those things are opposites. They even described femininity as "weak and susceptible, vain and superficial". Like, ugh, kill me now.

I legitimately want to see a bullet point list here of what qualifies as a “tomboy.” Like, what, anyone who does one thing that isn’t “girly”?

Can we just throw out all of these terms; not even replace them, just throw them out?

(the below ask is incomplete - the first part is missing - but the asker clarified after I asked them, so clarification is below:)

Anonymous said:

Tropes is because I'm working on a story and I hope when it becomes famous that TV Tropes will write about it, but as it stands, I'm beginning to wonder that TV Tropes undermines most stories or plots to do with women one way or another. I mean, they constantly create tropes with the intent of calling out inherent biases, yet reinforce those biases themselves.

For example, they have a trope called Men Are Generic, Women Are Special, which points out the bias of male being the default, and yet on almost every other page on the wiki describing a trope, the default character will be a "he"(especially if it's a character trope), and whenever they mention "The Hero" or "The Big Bad" it's always a he unless it needs to be female(like if the heroine is in a romance story, or if the villain is a seductress). Female characters at best, can hope to be "The Heart" or "The Chick" of the group(which is often used in a demeaning way).

They even have a trope called "Improbably Female Cast" in which they point out all the instances of a story's setting having an "over-abundance" of women or girls with no men in sight, and claim that such stories have majority female characters when it is "unusual" "unlikely" or "lacks justification". Someone even suggested that the trope should be called "Where Are All The Men?" as if there's something inherently weird or wrong when a story is dominated by female characters, and like the story is in dire need of men, as if only men can be protagonists.

Even if the story has a justifiable reason for having mostly women, the fact that the writer made that choice at all is somehow deserving of mention. The mere fact that there's no "Improbably Male Cast" trope shows where the site's biases lay. They don't see anything wrong with a show being dominated by men with little to no female representation(ex. Death Note), and yet a show dominated by women(ex. MLPFIM) is somehow an anomaly and demands an explanation(even if the story does provide a reason for it, TV Tropes will still list it and presume it "improbable", as if to say "I mean, yeah, but there's no reason why you couldn't just make them mEn instead", as if writers who have mostly female characters are going out of their way to steer away from the "default" males.

In fact, they even admit that "Men Are Generic, Women Are Special" is their reason for having such a trope, but not the inverse. They even say that it's not the trope if the show revolves around a group of girlfriends with no indication of the gender ratio in the wider setting. So any time the females outnumber the males a story it's instantly labeled "improbable" because there's NO WAY any setting AT ALL could have more females than males. That's improbable! You see, this is why when women are 1/3 of the people in a given space men perceive it as "majority female" because they're uncomfortable with women having more of a presence than men.

We'll never have true equality if shows with majority female casts continue to be scrutinized under a microscope and assumed to be of inferior, lesser quality, just because there's no male characters around and it's women who are driving the plot. My problem isn't that they have a trope for majority female casts, it COULD be a testament to gender equality(ie., "there used to not be a lot of shows revolving around women, but now they're becoming increasingly common and well-known), but it's that they single out such stories as "unlikely" and thus discredit them.

And worse yet, they refuse to change the name, because they don't see a problem with it. So now every single show that doesn't have an equal number of males and females or more males than females is going to be called "improbable" by TV Tropes, because there's something(bad) to be said about shows that choose to make most of their characters women. Death Note and Naruto can slide by the radar of having loads of men, but Madoka Magica and Touhou are "improbable"? Because they have loads of women?

the clarification:

Anonymous said:

I started out complaining about how TV Tropes says that boys will watch Star Vs. The Forces of Evil only because of Marco(who's great, but it comes off like boys can only relate to boy characters) and that the show only looks girly but has a deep complex plot with scary moments(as if a show can't be dark and complex and still be girly; girly=shallow, watered down fluff), hence my complaint about TV Tropes undermining girly shows or anything "girly".

Yup, exactly like I said.

Good stuff in “girly” things is the exception. Good stuff in “manly” things is expected.

Which is funny when you consider stuff like “edgy” reboots of things. Like, Disney remakes their original movies and that usually means making them worse (like in Beauty and the Beast - god I hate that remake - where the objects are going to become complete objects when the last petal falls even though the enchantress is explicitly a good person and it comes off as super cruel and unnecessary), but that seems to just be its own breed of bad I guess.

Then there are terms like “chick flicks” and “soap operas” which are usually women-oriented and tend to be considered dumb/over-dramatic.

You know, not like MEN shows with their sexualization of women, guns and MEN things.

Anonymous said:

Remember what I said about TV Tropes being sexist? Well, they also have a trope called "Girly Run". Like, that's literally the name. Girly. Run. Thankfully the first example(which is under advertising due to the forms of media being in alphabetical order) is an aversion from the blessed Like A Girl campaign, but...just reading the page lets the casual-yet-bold-faced sexism speak for itself.

why can’t things just be like the Sims where characters can wear whatever the hell they want and have any personality without any judgment or criticism from other Sims?

(more Madoka Magica talk - and ONLY Madoka Magica talk - below because I’ve unleashed a monster apparently:)

Anonymous said:

I know you don't like Frozen but I saw a theory somewhere that Elsa's powers came from making a contract with Kyubey and her wish was to impress her sister and anyway I can't stop rolling my eyes. This isn't(just) because of my distaste for Madoka Magica compared to my love for Frozen, but if Elsa's a Puella Magi then why didn't she become a witch long ago? How did she make it to adulthood? How did she become emotionally stable? And why do her powers have to come from a negative source?

I think it might just be people looking for excuses to do their crossover fanfiction which--yeah, I’m not crazy about that.

Anonymous said:

Did you know that Cristina Vee voiced Homura Akemi in the English Dub? It's very noticeable, especially during the Cake Song, where I could've sworn she sounds exactly like Marinette. By the way, I'm still not sure what the hell was going on in that song. Could you please explain it to me(if you know)?

Nooooo don’t make me think of Homura when I think of Marinette!! fjkdgjnfdg

lol but seriously, I think the Cake Song is just meant to be one of those “weird but meant to be dEeP” things that shows do sometimes to be cool (not a criticism technically; depends on how it’s used).

I think the cake is the labyrinth and Homura saying that she’s the pumpkin makes her the odd one out since pumpkins are associated with scares and halloween, so it’s “foreshadowing” her being the witch. The things that they say they are... they’re like--ingredients for a meal, but not a cake, so the the cake is the labyrinth and they’re the things that would go inside it.

Homura and Madoka are the only ones who really get descriptions to go with them. Homura says that she’s “full of seeds” (despair?) and Madoka implies that it’ll bring sweet dreams once she’s sliced (which is either referring to the godly freedom given to magical girls before they turn into witches, or foreshadowing Madoka being “split” after Homura stops Madoka from purifying her, leading to Homura’s “sweet dream” of what it’s like when everything is “normal” after her reality twisting).

Anonymous said:

May I ask what you don't like about Kyoko's character? Is it because she was the stereotypical "jerk with a heart of gold"? Or because the writer made her flip from hating Sayaka and wanting her dead to suddenly dying for Sayaka even though she barely knows her compared to Madoka(because the writer doesn't understand how girls' relationships work)? For me it was a mixture of both(though I still don't mind KyoSaya!), but I still liked her enough, she just felt a tad stereotypical. Your thoughts?

It’s both. I just don’t like characters like her at all and the runtime of Madoka Magica can’t maintain all of these characters, “developing” them, and then killing them off. I don’t even have any time to get attached to them because they’re dead within a matter of a few episodes.

And it’s always like, “okay here’s this character’s backstory to make you feel emotionally attached--HA NOW THEY’RE DEAD. SEE??? WE TOTALLY GOT YOU.”

Like, no, you didn’t. I didn’t even have time to care about THEM, much less their actual death.

Anonymous said:

What about the girls in Madoka Magica? Do you think they're strong female characters? Now, obviously the show is not feminist, since it misses the whole point of Magical Girl, which is to empower girls and show them that girls can be powerful and feminine and can find strength in solidarity with each other by instead making them suffer and fight each other and have their power come from their emotions, which are exploited and turned against them because women can't be powerful, but still...

It’s the same way I feel about Marinette; there are some who I want to say are strong characters, but the writing is ready to just kill them off at any time and bully them for essentially having emotions.

Basically, imagine a male writer hands you a character sheet and is like, “AW YEAH CHECK OUT THIS sTrOng FEMALE CHARACTER I WROTE.”

Like, even if they were right, their ego and obnoxiousness about the whole thing, along with what they actually do to said character, makes you not want to give them any credit for it.

Anonymous said:

How do you think Puella Magi Madoka Magica would be different if they had magical boys as well(which can mean either gender-bending canon magical girls or introducing original magical boys)? Do you think the show would be better? Worse? Or would it be just about the same?

Personally I feel like having magical boys would be good and bad; good because there would be no more of the “teenage girls are hysterical” crap and it wouldn’t just be girls suffering because they can’t handle power, and bad because it would still be problematic(for stereotyping all teens as over emotional and deserving to be taken advantage of by the Incubators, and it would still be about kids suffering in a genre meant to empower girls, having some of them be boys wouldn’t help that much).

I also feel like Gen Urobuchi would still make the girls suffer more and have them be more emotionally and mentally unstable. Holy crap it feels like he read up on Aristotle’s views on women while making this show.

It would at least be more balanced I guess? Like, teenage years are a fragile time, so it would make sense for both girls and boys to be taken advantage of. I still wouldn’t like it but it would be nice to point out, “there are emotional boys as well as emotional girls.”

Anonymous said:

Literally all the problems with Treatment of Marinette, Chat's Entitlement(TM), and the sheer sexism in general(ex. all the teenage girls and even women villains being catty and bitchy, while the male villains are cool, suave, and calculating; female villains being irredeemable scum while male villains are "not as bad as they seem", etc.) could all be solved if the show just got some more female writers! You know a show isn't feminist like people claim if none of the writers are women.

That's what I love about Friendship is Magic; the show is written and directed by a woman and actually has a variety of both male and female writers! Plus, Lauren Faust explicitly identifies as a feminist and claims her works are meant to empower women and show them that there's no wrong way to be a girl. And the show reflects that! There's no "token girl" who checks all the boxes; the females have realistic flaws, diverse personalities, and let's not forget ARE THE HEROES!!! Not to mention that the cast is actually PREDOMINANTLY FEMALE. Do people have any idea how refreshing that is?!

And that's why whenever people claim that shows like Madoka Magica are feminist when it's written by men for men while also dismissing actually feminist shows written by women for women as "sexist" or "demeaning", I cringe inside. It's not just what the show looks like, it's what the people behind it say.

And Gen Urobuchi is not a feminist. At all. Just listen to the things he says about the girls, that they're terrorists who are full of hubris and destined to be alone, and that actual magical girl shows weren't his inspiration beyond the show's cosmetics, he just based it off of porn games. He only watched those shows after making Madoka Magica and admitted they were weird to him. Well, maybe they wouldn't be weird if you actually used them as inspiration! Why are you even making magical girl? So basically he admitted that all the suffering the girls go through is because it's his fetish.

I knew I wasn't imagining things when I saw all those weird shots and angles(ex. zooming in on Sayaka's thighs and breasts when she collapses to the floor, Madoka gripping the bed sheets between her legs when agitated, zooming in on Kyoko's ass when she takes her phone out of her shorts' back pocket, it's all for cheap titillation). And yet people keep saying the show is devoid of male gaze and sexism and why? Because apparently men know how to represent women better than women themselves.

you said “Madoka gripping the bed sheets between her thighs” and it gave me an immediate flashback, I hate it

I find that it’s a similar thing with gay anime/manga; I’m more likely to trust a F/F story if it’s written by a woman since they’re less likely to sexualize everything.

Anonymous said:

Homura in Puella Magi Madoka Magica: But Madoka, what's going to happen to you? You'll end up all alone here forever! You'll never be able to see your friends and family! Homura in Rebellion: Haha, screw Madoka's friends and family! Only I am worthy of Madoka's love! That girl belongs to me! MWAHAHAHAHA!!!!!!!!(I'm sorry for the over exaggeration, but this is how it felt for me.)

Apparently, it was better for Madoka to just have all of her memories and powers yoinked away.

Sayaka is Madoka’s right hand girl so idk why Homura has this idea that she needs to sAvE Madoka. The fact that this whole thing comes out of a misunderstanding (because Madoka doesn’t have her memories) is so irritating.

Anonymous said:

I actually love Madoka Magica, but I completely agree with you on the hysterical women thing. Why couldn’t they just have... both magical girls and magical boys? Like, just mention that magical boys are a thing? They don’t even have to change anything but that, they don’t even really have to show it, just be like “yeah there’s magical boys too but that’s not really what this story is about, it’s about our characters we have here”. I don’t know, feels like that would have at least helped stuff.

Yeah, they don’t have to bother having the magical boys around. Just to know they exist would be enough. I mean, the fact that the focus is on them would still be bothersome (they’d probably do a thing where each girl represents a different emotion that is easily manipulated/easy to control), but it’d be something.

Anonymous said:

One thing that weirds me out when people are talking about Madoka Magica is when people refer to the characters as "little girls". Like, excuse me? They are not "little girls". They are teenagers! All of them are at least 14 years old! I hate when people call them "little", it's just so condescending and infantilizing, especially when the show does enough of that to them already. After all, no one makes that mistake with the heroines of Lucky Star and Hidamari Sketch(who are also drawn by Aoki)!

I feel like it’s the equivalent of when people call women “girls,” y’know? Sort of a “treating females as younger than they really are,” which is probably what gives guys the feeling that they have control.

For a gender that claims to be so dominant, certain ones sure have to delude themselves a lot to make themselves feel better.

Anonymous said:

I was thinking about what you said about Puella Magi Madoka Magica passing the Bechdel Test, and if it counts if there's barely any men to talk about. And while I do agree that it counts, I also feel that it doesn't really matter much in shows such as Madoka. This isn't even about feminism, this is about the fact that if a show has next to no men in it at all then it's pretty much a given that they won't talk about them since it would be impractical to talk about something that doesn't exist.

So because of that, I think there should either be an alternative test which only applies to shows that have a significant or equal number of male characters and yet the ladies still pass the test(making it feel more "real" since the option to talk about men is there), or the test should be rewritten entirely so that it only applies to shows in which the cast is either equally gender-split, or has a majority male cast/significant amount of males even if the females still outnumber them.

Reminds me of how, on TV Tropes, someone suggested that there should be a "Weak" and "Strong" Bechdel Test, where "Weak" refers to the women talking about something other than men because it is literally what's relevant at the moment(such as two female police officers discussing how to catch a female killer), thus applying the Bechdel Test there seems semi-void, while "Strong" is when they could talk about men but choose not to(ie. two female students talking about their grades during lunch).

And just to clarify about the "Strong" one, when I say they could talk about men but choose not to, this isn't to imply that female characters should talk about men, or that something's wrong with them for not talking about men, just that there's nothing stopping them from doing so, but they choose to talk about something unrelated to men. I think this strategy is much better than the test we have because it makes conversations between female characters seem more real since they're discussing things other than men of their own volition, rather than the non-male-centered talk being because they have to talk about it in-universe. I say that because The Bechdel Test serves to show that women's lives don't and shouldn't revolve around men, and they can talk about other things if they want to, but if the conversation is because they have to(like the example I gave), that gives sexists the opportunity to go "Yeah, well, they're only talking about it because it's their job!"

But if the female characters talk about things other than men of their own free will(as in, when the option is still there), then it shows that women really do have their own free will to talk about their own things and that there is NO REASON to not pass the Bechdel Test in today's day and age(I keep hearing people claim the test is stupid and doesn't matter, but then it should be easy to pass). "Oh, but if they had the choice, they would talk about men." No, because men don't sit around and talk about the women in their lives all day so why should women talk about the men in their lives all day? And to the people saying these types of tests are getting in the way of their "creativity", well, now that we know that you think female representation is stupid and something you have to be forced to do, we don't have to listen to a word you say. ;)

I like the idea of adjusting the Bechdel Test for other circumstances and expanding it as such!

You could also extend it to things like sexualization, because--I mean, having two female characters who talk to each other probably doesn’t mean much if they’re half-dressed or the writer wanted to make them bisexual for “The Fanservice.”

Anonymous said:

To be honest deconstructions of Magical Girl confuse me. There are some good ones out there(such as Princess Tutu and Revolutionary Girl Utena, so I know they're not all just torture porn, my only gripe with Utena is the implication that girls who take on the feminine "Princess" role are weak), but at its heart Magical Girl has always dealt with death, gore and pain just as much as female empowerment.

It makes me feel like the people who write these stories haven't seen magical girl and think it's all just sunshine and rainbows and that just because it's "girly" it's vapid and has no substance, and since the only way to have substance apparently is to be "dark", they go "screw it with all this princessy magical shit! Let's make our show dark instead!" When in reality if they had just sat down and watched a magical girl anime, they would understand that this is not the case.

Not to mention that many of them tend to have fanservice and the idea that magical girls have to suffer, so instead of empowering young girls, they end up misrepresenting the genre and turning it into fetish fuel torture porn for adult men(Madoka Magica and Yuki Yuna are very good examples of this; the writer of Madoka says that the girls are terrorists and full of hubris and that he was inspired by porn games). It's not that you can't deconstruct the genre at all, but it's almost never done tastefully and the magical girl themes are just a cover used to explain the suffering the girls go through. :(

Another thing about magical girl deconstructions is that they often reinforce patriarchal themes, like that girls shouldn't want things for themselves and that genuinely doing something for someone while also having ulterior motives that help yourself are a BAD BAD BAD thing, no matter how ultimately harmless they are, even if they help everybody involved. They also tend to reinforce Tall Poppy Syndrome and portray the powers as harmful or a bad thing, implying that girls shouldn't have power.

Honestly, I think there can totally be even more substance in magical girl anime that doesn’t have to resort to “make it eDgY” (which I feel like is a slippery slope that can easily come off as lazy); for example, I’d really enjoy seeing something deeper to magical girl powers than something like, “oh, this magical girl happens to have the power that fits their personality,” such as a magical girl who has a power she feels she doesn’t fit but it’s a matter of perspective/seeing herself differently, or a magical girl who does have the powers that “fit” her personality - like a “fiery” girl with fire powers - and the weaknesses in her powers correlate to the weaknesses in her personality, so she has to either iron out those issues or find workarounds, as true “perfection” isn’t possible nor practical, which is something all the girls have to accept despite whatever pressure they’re under.

.I dunno, I like lore and powers revolving around metaphors. It’s fun.

Anonymous said:

About what you said in regards to "no pueri magi because it doesn't hit the shock value threshold enough", I remember this interesting comment I saw on an article called "The Problem With The Dark Magical Girl Genre"(which I would totally recommend checking out, by the way!) which said that shojo magical girl and seinen magical girl both embrace a different philosophy regarding strong female fighters. In shojo, they tend to embrace femininity as a strength and show girls that they have the power to do whatever they want and undergo dangerous professions. But in seinen, which conveniently enough is more likely to "deconstruct" the genre(ugh), rather than admiring the girls and supporting them in their endeavors, the girls are meant to be pitied(often to the point of infantilization) when bad things happen to them, with the fact that they are girls serving to make everything worse. It operates under the idea that girls are fragile, in need of protection, and shouldn't be fighting at all.

That's why deconstructions like Madoka Magica and Yuki Yuna don't sit right with me, and also why I don't consider them feminist series. People can say whatever they want about Sailor Moon and Pretty Cure, but ultimately they also had dark and dangerous themes(to the point where some kids had nightmares), but ultimately allowed the girls to rise above the hell they went through and find the strength in them to save the day. We feel bad for them when they die, not because they're moe girls, but because we were actually given the time to form a connection with them and want to see them succeed, rather than just be expected to pity them because they're cute manipulated girls. That way, when they ultimately save the day, it's all the more satisfying. Princess Tutu was a deconstruction that actually went about it in the right way, because the girls eventually found the courage to defeat their enemies in a way that made sense. Why the hell is it a "good" thing to subvert that?

No clue, but I basically agree with everything there. I mean, Madoka Magica’s entire stick is basically that all the girls are like “uwu” in terms of the style (with Madoka being the “cutest” of them all) and then being put in this dark and edgy plot+setting; it’s for both the shock value and the “contrast” of having “moe” characters be thrust into these situations to essentially die.

And the conclusion doesn’t end up being satisfying (at least to me) because the villain doesn’t have emotions so he’s just like “owo” (seriously, I wouldn’t hate on Rebellion so much if Kyubey had been given emotions rather than going crazy; Homura can basically do whatever she wants and it was SUCH A MISSED OPPORTUNITY) so it ends up being more about the journey getting there like wow look at all the sUbvErSiOnS and dEaTh we had along the way!

Because at the end of the day, it’s still like, “the girls give into their ‘hysterical emotions’ in the end basically no matter what,” even if they get saved by Madoka in the end.

Anonymous said:

Do you remember, in Madoka Magica, when Kyubey said that humans would still be living in caves if not for the Incubators? First of all, keep in mind what Incubators do. Their entire purpose on this earth is to feed off the emotions of young teenage girls as they spiral into despair as a result of their delusions of power. Like wow, let that sink in. Apparently humanity's advancement relies on the exploitation of women. We are literally the punching bags of the universe. Isn't it lovely?

No! You see--we’re so important to the world! If we weren’t emotionally exploited, the world wouldn’t be the way it is now! :D

(kill me)

Anonymous said:

I once saw a tag on tumblr that read "The only good magical girl anime is Madoka Magica because it's gay, and even it has problems." Like, ugh. Really? Has this person not watched ANY other magical girl anime? Such ignorance. So many things wrong with that statement that I can't--and WON'T--even begin to unravel here.

MADOKA MAGICA IS NOT GAY AND I’M SO TIRED OF PEOPLE CLAIMING IT IS

s T O P

I DON’T EVEN CONSIDER YURI ON ICE TO BE GAY. MADOKA MAGICA? NAH MAN.

Anonymous said:

Do the girls in Madoka Magica even have transformation phrases? You know, like how Marinette says "Tikki, spots on!" or how Sailor Moon says "Moon Prism Power! Make-up!" or how Iris in LoliRock says "Iris! Princess of Ephedia!" etc. But in Madoka Magica, there doesn't seem to be any of that. At least in Yuki Yuna they pressed a button on their phones. But how do the Puellae Magi even transform? Just goes to show you how Gen Urobuchi knows next to nothing about the genre he claims to deconstruct.

Transformation phrases are magical and cool and you can’t take that away from me.

Anonymous said:

I had a shower thought about Madoka randomly in bed last night: If a Magical Girl's Soul Gem loses control over its user when 100 metres or further away from it, that meant that when Homura got Sayaka's Soul Gem back for her, Sayaka should've regained consciousness once Homura was less than 100 metres away, even if she didn't have her Soul Gem yet. I also love to ponder why on Earth Homura would even bother retrieving Sayaka's Soul Gem if she only cares about Madoka and Madoka's well-being.

I think it’s just a complicated process of Homura trying to make sure Madoka doesn’t fall into despair herself (in a non-witch way) and is convinced to make a wish.

Anonymous said:

The more I think about it, the more I realize that Sayaka really got the worst deal out of the whole thing. While her story may seem more "mundane" compared to the others(she just wanted the token Ill Boy osananajimi to like her back), she's the only one who somehow isn't brought back when Madoka recreates the universe, loses her Soul Gem on more than one account(and on the second, she starts decomposing and her crush sees her and calls her a monster because he thinks she's pretending to be the REAL Sayaka), is supposedly the weakest Magical Girl, getting swiftly taken out by both Kyoko AND Homura(the latter of which doesn't even make sense, if her body can heal why was she taken out so quickly?), takes a long while to show up in Magia Record, and Gen somehow finds it suiting to single her out as the one who is "destined to die" every time she makes a contract. Apparently the series director wanted Sayaka to live/be brought back, but Gen refused because it just had to be edgy.

Of course, MEN are allowed to have wish fulfillment power fantasies and dream like the sky's no limit and aspire to be all they want to be, but the second WOMEN try to be the strong ones, the powerful ones, or dream of something for themselves and others, they have to learn a lesson about how unrealistic their fantasies are and how they'll never live out their dreams. Hence why Sayaka puts the blame all on herself, saying that she's not a hero and was stupid and selfish the whole time.

"token Ill Boy osananajimi“ dfhbgjhfdgdfg

It was a real shame because I liked Sayaka somewhat (not saying much but still) and she was such a predictable one to go. Like, “oh wow, an angst-y anime all about shock value? so basically the best friend is dead then with no chance of survival.”

I think I do remember being told/reading somewhere (so don’t quote me) that Sayaka is the one that’s hardest to keep alive in the games, so you have to work hard for it. It just sucks.

Anonymous said:

Yet another thing that bothers me about Puella Magi is how the show frames the young ladies as if everything is their fault even though they have no idea what they're getting into because the person who makes the deal doesn't even bother explaining shit to them and all the show's attempts at deconstructing is just taking lighthearted elements meant to empower girls and show them that they can be brave and strong as well as feminine and make them dark and morbid.

Like, I get the whole "having young girls fight is a little unrealistic" aspect, but most magical girl shows actually do touch on that! Only difference is that over time, they become stronger and better at fighting(which is only to be expected, whether you're a teenage girl or not) and become more competent along the way because the whole genre is about FEMALE EMPOWERMENT.

Not to mention how the show seems to forget that the Incubators are villains and even seems to put them in the right and the girls in the wrong, what with the claim that they rationalize with the girls they make contracts with like sentient human beings(yeah, because emotionally manipulating young girls and literally taking their souls out of their bodies and making them liches without their consent is definitely treating them like sentient human beings), and that they always follow up on their end of the deal whereas it's the girls' faults their wishes go sour because they never wish for what they truly want(I'm sorry, but I simply DO NOT buy that. Homura and Mami outright wished for what they wanted. Their wishes went sour because the plot "decided" that they should have wished in a different way; plus, you're telling me that if Sayaka had outright said she wished "for Kyousuke to love her back" that the show wouldn't just "make" him mind-controlled or have Sayaka "outgrow" her feelings by the time he falls in love with her, all the while making it out to be "her" fault he's so heartbroken because she was some kind of tease or whatever, further demonizing girls' sexualities?).

Plus they explicitly claim that every woman in history was a magical girl and that without them, humanity would still be in caves(as in, humanity wouldn't be able to progress without the oppression and exploitation of women, and women can't gain power without going insane because female power is some unhealthy, inhuman, infernal thing.). Even if we take this all as a reflection of patriarchal society(which I highly doubt it was, if anything, it reinforces it), all it does is imply that the oppression of women is the natural order of things, required even.

As for the girls themselves, they routinely beat themselves up and the show makes no effort to tell them they're wrong(up until the massive cop-out of an ending), like how Sayaka's last words before becoming a witch are literally her "admitting" that she was "stupid, so stupid" for wanting a boy to love her and be healed of his infirmity. It just seems like we're supposed to think "you know, maybe the Incubators aren't that bad!" while ignoring that the girls are being treated like the disposable trash bags of the universe. This show already does the magical girl genre dirty but treating it like everything the Incubators did was necessary and like it's all the girls' faults these things happened to them in the first place is the icing on the stale, sour cake. Nothing like a giant heap of sexism to help get you through your day. :/

I’ve noticed this a lot in Miraculous, but Madoka Magica somehow does it worse; this “one (supposed) mistake leads to all of these consequences you never saw coming.”

Like Ladybug calling Lila out. We know that Lila’s pettiness in “Chameleon” shows that it wouldn’t matter whether Ladybug yelled at her or not; the simple fact that Marinette opposes a liar led to Marinette getting expelled, even if only for a while. Then there’s “Miracle Queen” and all that garbage that came with it.

These two shows put their teenage girls through hell for having emotions and there’s no way to undo it.

Anonymous said:

Honestly, the Madoka Magica fandom is basically the magical girl equivalent of "not like other girls" type women. I can't say I'd be surprised if they didn't watch a single magical girl show other than Madoka because they're all "stupid and girly but this one is edgy and dark" just because those shows are written by women to inspire other girls and show femininity as a strength while Madoka Magica is written by men for men who want to see young girls suffer without any actual feminism.

Like, let's go through their arguments one-by-one to prove that they don't hold up. They love to say that Madoka Magica is better than other Magical Girl shows because "it's dark and edgy and shows the downsides to being a Magical Girl unlike other shows where it's all sunshine and lollipops". First of all, other Magical girl shows also got very dark. Princess Tutu and Utena are also "darker" takes on the genre, but even more lighthearted shows like Sailor Moon and Precure had scary moments.

The only difference is, with them, they still managed to critique problematic aspects of the genre and actually provided ways to improve it, while STILL managing to keep their target audience(FEMALES) in mind, without condescending to them and infantilizing them. And they still showed the girls being empowered and overcoming the darkness.

In Madoka, there's none of that, there's no actual critique of the genre because Gen didn't have the respect for it to do his research, it's aimed at men so it doesn't keep female viewers in mind by definition(which is also another reason why it can't be a deconstruction; deconstructions should be done FOR its target audience), and the girls are constantly put down and treated like Moe crybabies by the narrative even when they're not(cause, you know, teenage girls are "emotional"!). And it doesn't offer ways the genre could improve, it just takes a female-empowering genre and twists it to be this system of oppression that the genre is meant to avoid.

Magical Girls tend to have a very strong focus on girls empowering girls and all that awesome stuff, and yet when Madoka and Mami form a special bond and Madoka encourages Mami by telling her she's not alone? It makes her big-headed and overconfident and she gets devoured by Charlotte. See what happens when girls rely on each other? Madoka is Sayaka's best friend, but gets pushed aside in favor of Kyoko, who later dies for Sayaka because girls who want to help each other had better be prepared to suffer and die for their beliefs. Sayaka loses everything, which happens to include her best friend, over a guy. And the whole witch process means that any female solidarity that could be found in the show is thrown out the window since the core concept of the show is girls being forced to brutalize and kill and exploit each other.

People act like Madoka is Yuri when it's not, Gen was asked if Homura really was in love with Madoka and if Kyoko really was in love with Sayaka, and what did he do? He beat around the bush. Naoko Takeuchi and Kunihiko Ikuhara(the latter of whom also worked on Sailor Moon R; woah, what a surprise) both admitted that there was gay love in their stories, yet people act like Madoka is super progressive regarding homosexuality when it's just implied and those shows were MUCH more open! Doesn't stop people from claiming the show is "honorary yuri" and saying that the meaning of "yuri" should be broadened to include any close bonds between two female characters, whether or not it's actually romantic, AND favoring the show(and HomuMado) above actual yuri shows that are made to appeal to women. If all this were actually valid, Sailor Moon would be yuri as hell.

I hate seeing people fap over this show and act like it's so revolutionary for recycling things that the genre was ALREADY DOING, because I know full well that the ONLY reason it gets this wide acclaim is because Magical Girl shows have traditionally been written for women and this show is aimed at men. That's literally it. Because nothing a woman writes is good enough, especially when it dares to go against patriarchal constructs of femininity as weak and docile by portraying it as cool and awesome. It doesn't matter how cool and dark and diverse and inclusive and complex Sailor Moon and Precure and Princess Tutu and Utena are, they're written by/for women with the intention of empowering them so they're automatically invalid, cheap, happy-go-lucky crap where nothing bad ever happens and anything those shows try to do ought to be discredited because they don't appeal to men like they should so what's the point?

But the second a MAN comes in and intrudes on a female-dominated space by doing all of those things but with a very shallow understanding of how they ought to be executed, people are all over it because a MAN did it and now it's interesting and respectable! I have seen so many people say that they don't like Magical Girl because it's girly and shallow and stupid, but then they praise Madoka for things that the girly and "shallow" shows have already done! Men are always taking away things meant for women and distorting it to fit their patriarchal views and yet when they do it it's somehow better and anyone who complains is simply a whiny straw feminist!

The fandom does it all the time, someone complains about the show and why they don't like it and find it sexist, and the response is always "you're just not smart enough to understand it; you have no idea what you just watched". Because obviously since it's made by a man it's sooo much smarter then the traditional sappy stuff made by women. That's why it's so annoying when others praise it at the expense of other works in the genre: they know their reasons for liking it are, more often than not, rooted in sexism against female-aimed and female-empowering works, so the only way they can praise it is at the expense of said works, hence them being just like girls who claim they're "not like other girls" when there's nothing wrong with girls being feminine and in fact many of those girls may like the same things you do!

So while I'm not saying there's anything inherently WRONG with liking Madoka, I DO have a problem with people who act like it's better or more serious than other shows in the genre and simply discard them on the grounds that they're "for girls", since they obviously didn't watch them.

me when I initially watched Madoka Magica: I don’t get why this exists.

me when I learned it was written by a man: ohhh, now I get it.

I also take issue with people comparing things that are made for different demographics. Like look, I don’t care if you enjoy your angst display over here, but also maybe don’t compare it to the stuff not even made for you unless you’re willing to get into a fight over it?

It comes off wrong, like they have to trash on stuff because it wasn’t made for them, y’know?

Anonymous said:

Honestly, I am so sick of people saying that Magical Girl shows are sexist or anti-feminist, when all they do is portray girls being awesome and powerful while also being feminine at the same time, because "Well in Japan it's actually gender conformity because it's telling girls they can only be strong if they're feminine! You're just projecting your Western values onto an Eastern work!".

First of all these shows are made by women for women and often have explicit feminine messages that you literally cannot miss unless you are simply blind or trying not to see them. And they also tend to have a very strong focus on women supporting or empowering other women. Just think of Sailor Moon, which constantly gets this "criticism", and yet there's an episode where the girls explicitly protest against a villain who claims women are all shallow and useless and can't do anything without men's help. Would Naoko Takeuchi put that in the show if she weren't a feminist?

And then there's the fact that she has said that one message she wanted the female leads to convey was to value their relationships between other girls because girls are strong and don't need to waste time depending on men. There's also the fact that most Magical Girl shows tend to treat the powers as something special and awesome that's unique to women and girls, paired with the coming-of-age themes present in the show, and you get a magical equivalent of female puberty, with magic mixed in.

But no, all of that gets thrown out the window because they dare to be "feminine" while doing all of that stuff and the Japanese are forcing their girls to be girly through Magical Girl propaganda. And I just HATE when people act like anything feminine must be societally forced onto girls, rather than girls just happening to like them. In addition, stating that they are simply reinforcing gender roles by being feminine is such bullshit because the whole purpose isn't about conforming to patriarchal femininity, it's about reclaiming femininity.

Too often, femininity is associated with being weak, powerless, helpless, submissive, docile, vapid, catty, bitchy, petty, vain, stupid, the list goes on. Magical Girl saves femininity from a bad reputation. It shows femininity in a new light, as something strong and powerful and, hell, even admirable! It's about telling girls "Hey, you can be strong and powerful and smart, but you don't have to be a tomboy or act like a man to do so". Girls are always told they have to act masculine to be taken seriously because the only way to be respected is to be like a man, which is an indirect way of saying that only men deserve respect.

Magical Girl does away with all that in favor of showing the feminine as something innately powerful, and yet naysayers MISS the point and say that it's just stereotyping girls instead. To see people claim that Magical Girl forces girls to fit a feminine ideal to be respected is just disappointing. It's supposed to be a female power fantasy for young girls that shows them as the ones being powerful and empowering each other.

Take how in Sailor Moon the heroine often says something along the lines of "I won't let you take advantage of girls", which Wedding Peach went on to imitate. The purpose of the genre is for girls. To empower girls. So why on earth would they show them fitting into a "male" mould of power? Do these people think that any time women are shown acting distinct from men that they are doing something wrong?

And the hypocritical part is that nobody pisses on male-oriented anime for reinforcing a harmful narrative to boys that they have to be masculine to be valued and respected. Of course they don't! Because being "masculine" is never seen as a bad thing to be. It's assumed that masculinity is always strong and good and awesome and there's nothing wrong with boys being forced to be masculine because you're supposed to want to be masculine. You're not supposed to want to be feminine.

So of course people will shit all over Magical Girl for embracing, empowering, and reclaiming femininity, because it's not supposed to be that way! You're not supposed to be feminine and also be strong. You're supposed to deny your identity as a woman and assimilate into the boys' club because only boy things are worthwhile! And they cover it up by saying that Magical Girl forces girls to be feminine, when in actuality the WORLD forces girls to be MASCULINE. Magical Girl doesn't force girls to be feminine, It ALLOWS them to. Do you see the difference there?

Another thing I'd like to bring to the table is that the claim is racist and here's why: The claim that "Magical Girl shows are seen as feminist in the US for portraying femininity as a source of strength but not in Japan because it's telling girls they have to be feminine"...what does that mean? Japanese people can't be feminist? All Japanese people are sexists and think girls have to fit in a certain role? Do Japanese feminists HAVE to be anti-femininity? Are there literally no Japanese people who think you can be feminine AND strong(who also obviously identify as feminists?) Because it seems hella sexist to insinuate that Magical Girl shows are sexist because they're made in Japan and they don't believe you can be feminine AND strong there.

While there is some credibility to it since Japan IS, by and large, much more strict with gender roles, hasn't it ever occurred to these people that these types of shows exist to counter that belief? Not only that, but it implies that people aren't allowed to have opinions on works that aren't made in their culture, and that anyone who sees those shows as feminist are just projecting their Western beliefs onto an Eastern work. And even worse, when people say that, they don't have the same opinion of Western Magical Girl works.

Just look at LoliRock, Miraculous Ladybug, Winx, W.I.T.C.H., Star vs the Forces of Evil, and countless other European/Western Magical Girl works. Where are the people saying "They get their power from femininity and that is sexist!"? Nowhere! They're silent! Even though those are very much like Magical Girl works from Japan(although I don't think the genre originated from there), while still being original.

It's because people think that any media exported from Japan is automatically sexist and demeaning and so anything they create, no matter how empowering their intentions, gets twisted into something that's somehow toxic or unsafe for girls to watch. But when Europeans do the exact same thing nobody complains. Because Japan is not allowed to do anything empowering whatsoever; something's always wrong with it, apparently.

So that's why I have a problem with people who say those things; it's so problematic because they think they're being all open-minded and aware/respectful of other people's cultures, but all they're doing is reinforcing negative stereotypes further. It's kinda like what I said earlier(in another ask) about how people love to praise Madoka Magica for being a unique, dark, and interesting take on the genre when all it did was rehash elements of the genre that already existed, strip away the female empowerment, and gear it towards grown men, which is why people like it more. How about instead of speaking for Japanese people you let them speak for themselves?!

I would also like to add that there’s even a limit to women acting masculine because that’s still “not enough” for those kinda of men who would promote those beliefs. Women need to act more masculine to “be taken seriously” but then you have men who’ll tell them to “dress less” or whatever.

I think what it comes down to is that they want women to not be “emotionally taxing” with all those dAmN eMoTioNs of theirs (unless it’s for the sake of their angsty magical girl anime where the girls suffer for having emotions), but they also need to look pretty and be sexualized.

We can’t win.

[iguessyouregonnamissthepantyraid]

this is by no means an exhaustive list of even just the main characters BUT here we go

first, the humans

sophie: 23, very tiny, like 5′1″. seems like she has her shit together, is actually a hot mess. she would consider herself a responsible rule follower, and she is extremely incorrect about this. she accidentally discovers an alien in the high-security area at her work and immediately decides to bust him out because she is at heart a well-intentioned impulsive dumbass. definitely the kid who found injured animals on the street and tried to nurse them back to health and adopt them, 10/10 i would go to bat for her in an instant

kit: 25, around 5′9″-ish, tech and mechanics whiz, working odd jobs to make rent on her shoebox center city apartment. expertly straddles the border of chaotic good and chaotic neutral. owns a medium-sized dog named jeff and thinks she's hilarious for naming him jeff. the polar opposite of sophie in that she looks like a hot mess but actually has her shit together. kinda lonely, lots of acquaintances but not a lot of real friends. severe red bull addiction. once ate a laffy taffy off the ground on a dare and would do it again

dev: 59, 6′4″ and chubby, big beard. basically a teddy bear come to life. works as a security guard at sophie's work and is her self-appointed Work Dad. he and his husband have two cats. dev is GOING to get involved in this sci-fi alien bullshit and he is NOT going to be happy about it, think bob belcher's "alright FINE but i'm gonna complain about it the entire time" except with aliens

andre: sophie's brother! 17, 6′0″, wants to be a journalist. self assured and confident, athletic, lots of friends, very protective of his older sister, but really gets thrown for a loop with the aliens thing and almost kills tsunei when he first sees him. oops?

maya: 65, retired cop, lesbian widow. very done with everyone's shit and will say so with very little prompting. accidentally acquires an alien roommate and is ten seconds away from throttling him at any given moment. it is not an exaggeration when i say that she is THE only reason quincy is still alive

AND NOW, THE ALIENS,

quincy: in his forties, 5′11″ and skinny for his species, lives amongst humans (one human, singular) for undisclosed reasons but has to stay indoors so he doesn't alert the general populace to the existence of his species. still tries to go out anyway. thinks wearing a beanie over his huge fin ears counts as stealth. (it doesn't.) getting a little stir crazy and a lot homesick. also, no, quincy is not his real name, it's the name he uses to hold an online tutoring job because he's gotta do SOMETHING with all his free time

tsunei: late twenties, 6′3″, big and kinda mean looking. he joined his people's military for extremely unconventional reasons (what reasons? don't worry about it. what are you, a cop?) and his scouting mission to the human's territory goes just... spectacularly, terribly wrong. which sort of sparks the whole plot. this dude has been through a lot and it's going to get so much worse before it gets better. i would very much like to wrap him in a blanket and give him soup, but instead i only give him pain

enya: goddamn terrifying woman. maybe in her fifties. who fuckin knows man. 6′7″ (women of this species tend to be taller than men), head of an organized crime ring, and has some fucked up telepathic abilities that she, like, barely even has to use to be scary. do not fuck with enya. just don't. she has a small daughter but only a select few even know this girl exists because god forbid people know she has a weakness am i RIGHT ladies

sayazad: my man. my main man. my guy. early thirties, 6′1″ and lean, distinctly unassuming and average looking for his species. sayazad just wants to keep running his (illegal) underground business in peace, but circumstances will not allow it. cannot fucking stand enya but he adores her daughter to pieces. his friends (and only his friends) can call him saya. he and maya would get along so goddamn well but ALAS they likely will never meet unless the plot turns in a way i’m not expecting, which like. happens

hhhhhh okay idk how much i wanna post on here so i THINK THAT’S IT FOR NOW god bless any of you who actually read through to the end of this, ily

hhhhhh suddenly compelled to rant about the characters in my og sci-fi project

[marysocontrary1]

Supergirl: Katie McGrath Is in Love With 'Badass' Lena Luthor — Aren't You?

By Matt Webb Mitovich / April 11 2017, 11:20 AM PDT

“So, so sorry to keep you waiting! But there were puppies.”

Supergirl’s Katie McGrath comes shuffling around the corner toward her setside trailer, having just made some furry friends over in hair-and-makeup. For someone so enigmatic both on-screen (Is Lena so different from brother Lex?) and off (Why doesn’t she have a birth date?), the Irish actress is wonderfully warm and welcoming, veritably champing at the bit to give her first in-depth interview since making her debut on the CW series last fall.

McGrath led TVLine on a quick iPhone tour of the puppies she just played with (peppered with some commentary on canine couture), before sitting for a cozy Q&A. Weeks afterward, she would earn a promotion to series regular for Season 3 — news she surely reveled in, given her girl crush on Miss Luthor, detailed below.

TVLINE | First of all, tell me what you’re shooting today. What am I shooting today? We are on [Episode] 218, so it’s a storyline with Rahul [Kohli], from iZombie. He plays Jack Spheer, who is a love interest for moi.

TVLINE | Jack is Lena’s ex, though, right? Yeah, but if there’s an ex, there’s still [with a flourish of the hand] frisson there, you know? We were together for a while. I feel very privileged that they thought enough of my character to give me a hot man to play with for an episode (airing Monday, April 24, when Season 2 resumes).

TVLINE | It sounds like a big episode for you. It is, actually. What’s nice about it is you’re getting quite a bit of backstory for me as a character. You haven’t really seen storylines for Lena outside of her being a Luthor and all the stories to do with her family…

TVLINE | It always seems to come back to her mom. Exactly. Or her brother… all of that kind of stuff. And this is separate to that, which is nice. It gives you more of an insight of her as an individual rather than her as part of her family.

TVLINE | But as Lena reconnects with Jack, Kara (played by Melissa Benoist) gets to investigating one of them…? There is the release of some new technology that to Kara seems a bit suspect and seems to be connected to a few dastardly dealings going on. She’s attempting to investigate it, on one hand, because journalistically she thinks that it’s interesting. And then on the other hand, she’s investigating it because she’s worried about me as her friend. So, there’s both of those going on.

TVLINE | So, you think Lena and Kara are friends at this point? They’re like bezzie mates.

TVLINE | Yeah? Yeah! Yeah! See, everybody’s got this idea that…. It’s always hard when you’re playing a character that everybody thinks is going to go one direction. They’re convinced she’s going to go down the road of Lex—

TVLINE | I’m not. But the two of them have bumped heads a bit. No, but they bump heads like anyone. Don’t you ever bump heads with your friends? But they always come back to, you know, a place of mutual respect of each other.

TVLINE | What might Kara’s investigation do to that dynamic? I can’t give away the ending. [Laughs] But ultimately, we’ve spent 18 episodes over the season building a friendship between the two of them, and it’s not going to be able to be destroyed in one episode. That’s one of the things I’m most proud of actually on this show, and I didn’t think that’s where it was going to go, because when I came in, I only came in for a few episodes. And [the friendship] has slowly and very realistically, I think, built up over this season. We’ve all put a lot of work into it and I’m glad that they’re taking the time to get there, and keeping it.

TVLINE | You were talking about how everything always loops back to Lena’s mom or the whole Luthor thing, but is there a bigger picture to ultimately be revealed? Might Lena have a scheme of her own percolating that we’re completely oblivious to thus far? I don’t think so…. I think Lena is a very genuine person. What you see is what you get with her. She is honestly trying to do the best she can, and she is honestly a good person. That’s not to say that other people don’t use her for ills, because she’s the head of this company, she has all of these other relationships that people can manipulate — like her mother — and get her into these situations that…. A normal person isn’t going to be b put in jail by, you know, Cadmus with giant green ray guns! It doesn’t happen to people that are not a Luthor, but it’s how Lena reacts to it differently than the rest of her family which makes her interesting to play. You think she’s going to “be a Luthor” about something, but then she turns around and completely surprises you, which I guess is what makes her an interesting character to watch — and definitely an interesting character to play.

TVLINE | So, at the end of the season finale she’s not going to let out a maniacal cackle and say, “At long last, Project Leviathan can be unleashed!”? You know, she might! I haven’t read the end of the [season], so anything is possible. [Laughs] She could decide to move to a giant moon made of cheese. I mean, at this point, who knows!

TVLINE | Who have you been working with lately besides Melissa? Besides Melissa? I’ve been working with Rahul. I have been working with Brenda [Strong], my mom, who is just so delicious.

TVLINE | And tall. [Nods] God. I swear. But just, like, perfectly, elegantly in proportion. [Sweeping her hand from head to toe] She’s like a dancer. It’s unbelievable. I then rock up like an Irish potato going, “This is great. I am so not your child.”

TVLINE | Have you worked with Jeremy Jordan lately? You two have had a couple of fun scenes. I haven’t worked with him since our little meeting underneath the stage. It’s funny because I seem to play these characters, generally, that are separate from the main storyline. So most of my stuff actually is just with Melissa, which is really nice, and it always tends to be real character stuff…. Us sitting down talking about things that are important…

TVLINE | And it always passes the Bechdel Test. Yes! Exactly. It does. It’s proper scenes between two women, do you know what I mean? And it’s rare, generally, that you get to do that on TV. I think that’s why the relationship resonates with so many people — and it’s definitely why I love to play it.

TVLINE | Speaking of the Lena/Kara relationship, what do you think about the whole “Supercorp” thing? You’re not out there on Twitter…. I’m not on Twitter, no. But I’ve had people tell me about it.

TVLINE | How does a person who’s not on Twitter hear about it? Well, Melissa will tell me, or anybody else on set. My brother mentioned it a few times.

TVLINE | Do you remember the first time you heard the term, or who from? Who did I hear it from…? I couldn’t even tell you…. I think it was Melissa, actually, who first told me. I’ve played quite a few characters that have either been gay or they’ve had, you know, some very obvious gay undertones, and to be completely honest, this was the first time I was like, “Well, this role doesn’t have any!” You’re laughing now — how naive was I? And then after the first episode… I go back and I watch and I was like, “Oh, yeah, now I can see it. That makes sense to me.”

TVLINE | On Buffy’s anniversary, I read an interview where Joss Whedon talked about people who would see lesbian subtext between his female characters and he at first was like, “What are you talking about?” But once he looked for it, he was like, “Ohhhh, yeah.” It’s funny because sometimes it’s so obvious when you’re playing it. You read it and you’ve got the characters and you’re like, “Oh, yeah, I know this is going to happen.” And then there are other times… and [with Lena/Kara] honestly, it just didn’t even enter into my head. But then you get the response and you go back and you’re like, “Yeah, I can see where that came from.” It doesn’t bother me at all. I think it’s great, because what really makes me feel good is that they can see the characters are working on more than one level. Do you know what I mean? It’s not just what we put into it. It’s what the writers put in, and the directors, and then what people can take from it. It means that the characters we’re playing are not just one dimension, they work on so many levels.

TVLINE | You’re stirring people’s imaginations. You want to do that with a character. Exactly. Of course, it makes you feel really good to know that what you’re doing is quality.

TVLINE | What’s your dream casting for Lex? If Katie McGrath could grab anybody to play Lex for one episode…. One episode? Bruce Willis, the most amazingly, good-looking, bald man there ever is.

TVLINE | I just saw him at the end of M. Night Shyamalan’s Split. Right? Was he delicious? He’s delicious. He’d be a good Lex.

TVLINE | If you could give Lena one piece of advice, what would it be? “Keep doin’ what you’re doin’. Don’t stop. Don’t second guess yourself.” She’s honest, she’s true to Kara, she’s true to her friends, she’s doing her best…. She’s trying, in the face of all the things people keep throwing at her, and all the expectations that people have, and she’s defying them.

TVLINE | You’re in love with Lena. [Cocking an eyebrow] Wouldn’t you be…?

TVLINE | [Stammering, some blushing] [Laughs] There is only one answer to that, and that is, “Yes, Lena’s a badass.”

http://tvline.com/2017/04/11/supergirl-season-2-interview-katie-mcgrath-lena-luthor/

[thecrookedgavel]

The Black Box Readings - Ep 1 Transcript

Here’s the transcript for episode 1 of The Black Box Readings, the podcast where I read to you the backup of queer blogs that have gone down. 

See Other Episodes

An: Hey, all! And welcome to The Black Box Readings, the new podcast where I read to you the backup of queer blogs that have gone down! I’m your host, An Capuano. So basically, it’s a show where I narrate through a deleted or deactivated blog over the course of a season, with a focus on queer artists. Though to be honest, there was a specific blog that inspired me to make this podcast, and unless this format is super popular, I may just do the one season. Anyway, although reading things in a dramatic fashion is definitely in my wheelhouse, non-fiction podcasts are not. So please bear with me while I go through some growing pains as I try and figure this thing out. 

Alright, so this season, we have the story of a digital artist who caught my attention with a really cool piece of Overwatch fanart. It’s about her journey through a life spent mostly online, disability, and navigating through the difficulties of realizing that you’re trans.

For those of you not in the know, I am a disabled trans woman myself, so it’s not a journey I’m altogether unfamiliar with. The biggest reason I’m doing this podcast is because stories like ours get drowned out in the media. I wanted to be able to tell her story so that queer people, young and old, can hear something that resonates with them. And I have a good feeling that this will do that for you.

The Tumblr in question, I won’t say the address. Just know that the title of the blog was: “Less Than Human”. Yeah, I know. Not a very cheery introduction. I sort of choose to think of it, kind of like reclaiming a slur. If she calls herself less than human, other people lose the power to hurt her with it. I’m telling you the blog title because it is important later.

Anyways, enough out of me, here’s the first post of the episode, which happens to be the first post of the blog itself. It’s titled:

“Welcome!

Hey, my name is -”

Ok, so I guess I didn’t think this through. In the post, she uses her deadname, and I don’t feel comfortable reading it out to you all. If I have to choose between deadnaming a trans girl and being a little inaccurate, I’m choosing inaccuracy. I should say, actually, that I don’t consider myself a journalist or anything like that. Also, I get it would be bad of me to use her real name too. So we’ll just call her… Hmmm…. Ok, let’s go with Emmy.

“Welcome!

Hey, my name is Emmy, and I’m 19 years old! Nice to meet you guys! I’ve decided to start posting on my tumblr instead of using it as a dash, lol! I’m a visual artist, though I mostly stick to digital art these days. I spend most of my time reading. My fandoms are Gravity Falls, Steven Universe, Supernatural, Sonic the Hedgehog, Marvel, and of course, Shrek! Lmao. I think Cat Girls are cute, but I’m not a weeb”

*Laugh* I never read this post while she was active. Her sense of humor is really present in this post, she was always silly like this. Anyways, she follows up this post by posting a backlog of art that I figure she must have made and not shown to anyone. It’s all really good stuff. Some fandom, some original. It’s clear to me that she’s not posting her earlier, rougher work. I don’t remember too many details though, as this was a while ago, and I didn’t think to save her artwork when I was copying all her text posts into the google doc. I hope someone out there saved them before they were deleted, though.

I’m not going to bore you by reading every single one of her posts, or anything like that. Just the ones that stand out to me. Here’s one about Supernatural and how she might be falling out of love with it. 

“I don’t know guys, I’m finding it hard to watch supernatural these days. Don’t get me wrong, it’s still one of my favorite shows, it’s just totally not as good as the first 5 seasons. That and I WANT DEAN AND CASS TO BE TOGETHER! Is that so wrong? Look, Cass is an immortal being that just HAPPENED to take a male form. If he had a female form, you can bet that he and Dean would have banged already. I’ve read the tumblr posts too, the ones that talk about all the hints the writers give that Dean is gay. This is ABSOLUTELY queerbaiting, and even as a straight guy, I can see that. I have a lot of gay mutuals who have convinced me how ultimately cute Dean and Cass are, and I feel bad for them, because they’re not being treated fair. You think in its 12 seasons there would be something, but no, nothing. Pisses me off”

Here is where we start seeing a connection between Emmy and queer culture. Although she’s currently IDing as straight and male, you can tell she cares about queer representation. Now, I’m not saying that wanting good queer content makes you queer, of course not. Just that knowing that Emmy is queer, when you look back at her earlier posts, there’s some evidence there. She even talks about Castiel, a male character, having a female form, which I find interesting for obvious reasons.

Next up is a post about something outside of her fandoms, a show called Monk. For those of you who don’t know it, it’s a show focused on a detective with OCD who uses his disability to solve crimes no one else can. As someone with OCD myself, I really enjoyed the show, but it’s not without its problems. Hmm, yeah, I’ll get to those after reading the post, I think

“I’ve been watching a new show lately! Well, a show that’s new to me at least. It’s called Monk! I’m 3 seasons in, and I laugh every episode. But it’s not without its serious moments too. It’s about Adrian Monk, a detective with Obsessive Compulsive Disorder (OCD) and it’s like a super power to him. He can do things no one else can. But he also can’t do things that everyone else takes for granted. Mood. He always says “It’s a gift… And a curse” when talking about it. Big mood. Anyway, I highly recommend it, because it’s a positive depiction of someone mentally ill! I’m so used to people who are “crazy” being mass murderers or some shit. Idk, it’s heartwarming.”

I noticed one of the hashtags of her post was, “Finally found a version with captions.” This is important for later and I’ll get to it by the end of the episode. Where the previous post was the first we saw of her queerness, this is the first we’ll see about her connection with mental illness. It’s unclear if she feels her inabilities are balanced off by her abilities, or if her “mood” was just about her being unable to do what others can. Since her “big mood” is regarding Adrian Monk’s favourite quote “It’s a gift and a curse”, I like to think she was being positive and was including her abilities in the “mood.”

While I do agree with Emmy that it’s a positive depiction of someone mentally ill, and that’s certainly better than having yet another bad guy is who’s only evil because he’s crazy, I’m worried that it’s too positive. It’s actually a really common trope where neurodivergent people in media are seen as “super human,” like Sheldon in the Big Bang Theory, or uhh, the main character from The Good Doctor, I forget his name. It makes it look like everyone with autism or OCD are geniuses, and that sort of skews how neurotypicals view people like us in a negative way. Like, I do view my OCD as a gift, I wouldn’t be able to write the way I do, or play video games the same way if I didn’t have it. But I’m not a superhuman by any means. But I’m expected to, in some sense, outperform everyone because of my OCD, because of this impossible standard set by the media. *Sigh* I’m sorry, I’m getting really off topic. I hope you don’t mind this little rant.

Back to Emmy, I find it a little upsetting that she feels herself cursed in some way. Knowing what I know about her, I like to think she was more gifted than cursed, but given the title of her blog, I doubt she would agree with me. We can glean from this post that she is disabled in some way or another. Maybe she herself has OCD? Or maybe she just relates her own, different disability to OCD? It’s hard to tell at this point, and I don’t want to spoil it, especially since it will come up again in a few posts. 

Next up, we have a post about not just queer characters, but lesbian characters. I’m sure you have heard of Overwatch by now, even if you haven’t played it. Well, the creative devs promised us that a handful of the cast was queer, and at least to me, it seemed like an empty promise. Hmm, I guess it seems a little bit like the queerbaiting conversation we had earlier. Interesting. You know what I mean, right? Like, why take the risk of pissing off the straight, cis part of your fanbase with queer characters when you can just say some characters are queer and attract a bigger queer fanbase that way? But then they did something that blew me out of the water. They made a comic where Tracer has a girlfriend. This next post from Emmy is about this reveal.

“Merry Christmas! And what a Christmas it’s been. Because I got something I’ve been asking for for a LONG time. Blizzard made Tracer gay! I’m not the only one who’s been asking for this, a huge chunk of the fandom has been saying that Tracer is only into other girls. It’s been my headcanon for so long, and now it doesn’t have to be, because it’s canon! Tracer and Emily are so cute together! And their kiss is so hot too! Yeah, lesbians are really hot in general. They’re every guy’s ultimate fantasy. Thanks, Jeff!”

An: Ok, so before we continue, I think I need to apologize on Emmy’s behalf for the way she talks about lesbians. As a trans lesbian, I had a period where I talked about lesbains that way too. Before I came to terms with that identity, I mean. Since you believe you’re a straight guy, there’s no real explanation for why you’re so into lesbians other than them being a male fantasy. But it’s more than that. It’s part of like, seeing yourself as a girl that the idea of being with a girl that likes girls... that is so fundamentally appealing. 

Like, ok. *sigh* I remember this one time very clearly… I was with my girlfriend at the time and a friend of mine at a bubble tea shop. This was probably 9 or 10 years ago now? Jeez. Anyways, this couple of girls starts making out at the table next to us, and I had a full on sexual awakening. I remember that I couldn’t look away. Mostly because my ex wouldn’t let me forget it. I got teased by my friend and berated by my ex. Because I couldn’t explain what happened to her, let alone to myself, I eventually came up with a rather math-y explanation involving vectors of attraction *laugh*. Something like, if women are attractive to me, and men are not attractive to me, then adding their vectors together gives less attraction than two women’s vectors being added together. It was pretty stupid. I don’t talk to either of those two people anymore, by the way. 

Anyways, my point is that since this is before she’s realized she’s a lesbian herself, she’s under the false impression that she needs to sexualize lesbians in order to explain why she’s so attracted to the concept. So please don’t hold that against her. 

---

With that out of the way, we can move on to her next post. It’s a piece of art she made, and it’s pretty special to me. You see, this was the way I found her blog. One of the blogs I follow, who knows which at this point, must have reblogged it and it came across my dashboard. Again, I don’t have a copy of any of Emmy’s art, but I remember it pretty well. It’s a picture of Emily wearing Tracer’s outfit... Shit… Why did I give Emmy a name so close to Emily? Emily as in Tracer’s girlfriend. Maybe it’s because of my association with her and this drawing? Either way, it’s too late now, I’m not re-recording this whole episode. *Sigh* We’ll just stick with the blogger being named Emmy. Anyways! She’s sort of looking a bit out of place, like she doesn’t know how to feel about having a Chrono-accelerator attached to her chest. There’s a speech bubble in the frame pointing off screen that says, “You look marvellous, love!”, or something to that effect, but it’s obviously supposed to be Tracer saying it. It was a really cute drawing, and I was really fond of it, so I liked and followed. Feels like so long ago. 

Anyways, she did reblog the picture afterwards, saying:

“Thank you so much for all the notes! I really appreciate the support. Who knew that something so dumb would be liked by so many people? I really like Emily, and I hope she’s added as a Hero in Overwatch soon! I feel so happy! I’m going to go and do some more drawing, so keep an eye out for more posts!”

Not much going on in this post, but I decided to read it anyway because it contrasts so heavily with the next post. Not the next time she posted, but the next post I’m going to read. Actually, it’s the last post of this episode. 

So, I’m going to warn you, this is a side of Emmy we haven’t seen yet. The really negative side. *Sigh* I don’t know what set her off, maybe nothing did, but I think this post is very important to read to you, as it clears the air about her disabilities.

“I really appreciate all the love you’ve given my art, but I feel like I don’t deserve any of it. I’m so broken and worthless and I’ve only been pretending to be normal so that you’ll all like me. The truth is, I’m physically and mentally disabled, and life is just a never ending struggle. 

First off, I’m deaf. Very deaf. The quietest thing I can hear in either ear is a chainsaw. It means I can’t understand speech or anything I’d need to be social. I don’t know sign language at all, I was never taught. So I just… stay inside all day. I’ve been homeschooled by my Dad since I was young. He thinks something bad will happen to me if I go outside, because I couldn’t hear something like a car coming towards me. So I live my life online, for the most part. I feel so isolated, and like I can’t relate to anyone normal. 

Also, I have Bi-Polar Disorder. For those you don’t know of it, it basically means I have high highs and low lows. I’ve done a good job so far at hiding my lows from everyone and only showing my highs. Until now, I guess… I just feel so low today, and I couldn’t hold it back anymore. I just had to be real. Even if it’s an ugly side of me that I hate. My dad hates how moody I am too. He just doesn’t get that it’s not my fault. Even my highs are hard for him to handle sometimes. Anyway, please forgive me for lying so long”

So, I sense a bit of imposter syndrome here. She’s gotten some success and because she views herself as not even a normal person, she thinks she doesn’t deserve it. It’s a pretty common feeling amongst content creators and something you have to move past if you want to make stuff. It’s like, *sigh* like me, I’m not an expert voice actor, why are people listening to me? I have tricked them into thinking I’m worth listening to. If you’re feeling that way about a recent success, just know that it’s all bullshit and it’s normal to feel that way. I wish I had that knowledge at the time I originally read that post… Because then, I would have messaged her and let her know. But yeah, we have more to unpack here.

She talks about being deaf, and the level that she describes is a profound hearing loss, which is as bad as it gets. I have that level of hearing loss in my left ear, and it’s really hard to deal with. So, I kind of can’t imagine what it would be like to have it in both ears. 

Like, for me, I remember this one time where I was at my locker in high school, and someone must have been asking me a question a few times on my bad side. She wanted to know if I had any extra bus tickets, and by the time I finally caught on that she was talking to me, she said something like “Urg, I just want to punch you.” And it wasn’t a joke either, she was very frustrated with the way my hearing loss had affected her. It made me feel small, and like I was an inconvenience to those around me. Guess it didn’t help how I felt that I had a crush on her at the time… Ha… *Sigh* It was very isolating to grow up like that. I didn’t really belong there, but I didn’t exactly belong in the deaf community either, since I could hear fine out of one ear. So when Emmy describes how isolating it is to be deaf and not know sign language, I get it. I really feel that. When I saw this post, it really made me feel for her. This is probably the point in time where I made a mental note to support her art whenever I could. 

Lastly she talks about her mental illness, being bi-polar. I know a lot less about bi-polar disorder than I do hearing loss. Though I was in a production that never wrapped up about a bi-polar teen. Actually, I was the strict dad who couldn’t understand his child’s illness, which is a similar theme seen in Emmy’s post. I’ve actually been cast as a dad 3 or 4 times now? Yeah. *Laughs* Anyways, what I understand about it is that it can be seasonal. You might be manic for a season, and depressive for another. But yeah, it doesn’t always work that way. Usually medication can help balance you out, but in Emmy’s case, she wasn’t taking any meds at this point. I’ll say it here for clarity’s sake, but her having bi-polar disorder was a self-diagnosis, not a professional one. That’ll be covered in the next episode, though. 

So now the whole “Less than Human” thing makes a bit more sense, doesn’t it? Not because it’s true in any sense, but because it was true to her. Disability is something that people tend to see as different, or othering. There’s a lot of stigma there. We can sort of tell at this point that the way her Dad views her and treats her doesn’t help her feel any better about this either. 

That’s why she likes the depiction of mental illness in Monk so much, right? Because it’s a bit of a “More than Human” approach. It gives her some hope that maybe she can be seen positively one day too. As far as movies with Deaf characters goes there’s like 100, if I recall correctly. Which is honestly pitiful compared to the amount of movies, period. So it’s more than likely that she never got to see herself in media in that perspective before. 

Also, there’s the markings of a budding trans girl in there too, which may further intensify the feeling of not being human. For years and years *sigh*, there was practically zero positive representation of trans people in media. We’re taught that feeling like this makes us freaks, and that presenting differently than we’re supposed to makes us... something worse than that. It all comes together to form something bitter and isolating. Especially before you start owning those parts of you and finding a community of your own.

Thank you for listening to this episode of The Black Box Readings! I really ranted more than I thought I would. Hopefully you all liked the anecdotal stuff I added in, didn’t really plan on doing that. Follow me on Twitter at TheCrookedGavel to stay up to date on this and other queer podcasts. Feel free to contact me there as well. This is An Capuano, signing off!

[boimgfrog]

Honestly I probably will finish them at some point (I'm very invested in the second one cos I actually planned it out, the first one would need so, so much reworking) but the general gist is under the cut:

So the first one, I called it Major Character Death, centers around this one person who, for some reason, always chooses to be reincarnated after dying. (The afterlife system is kinda like a 'choose ur own ending' thing) as the story follows this character through their multiple lives, it becomes increasingly obvious that the more they reincarnate, the more they remember about their past lives. This reaches a peak when their most recent reincarnation, Allison, experiences frequent painful visions of her past lives (which were loosely based off my own experiences with tic attacks).

In the side-plot, it's revealed that the main character is actually the kid of the entities Life and Death (very OP I know, I started this book when I was like 15 dont @ me) which caused a lot of stress and conflict within them as a child. In order to protect them, their parents sent them to earth as a mortal and erased their memory (Much to Death's dismay, as he would only get to see his kid one time, after they died).

This dissonance is the reason behind Allison (and her predecessor, Emerson)'s painful visions.

That's where I left off cos I didn't know how to go from there, but if I ever rewrote it, I'd probably end it in a sort of bittersweet way, with Allison choosing not to reincarnate and live in the afterlife. I'd also probably play up Life and Death's roles more, to make it more obvious that the reason this person always reincarnates is because Life and Death are subtly influencing them so they don't have to stop seeing their kid.

The gay part comes from the character that I've broadly named Partner. Basically, Partner is another person that reincarnates alongside the main character, taking the role of lover/friend/confidant. Every reincarnation is gay and has some sort of gay romance plotline (except penny but that's cos shes 12) but I tried to keep the focus more on the found family aspect. (Like one reincarnation's daughter is the next reincarnation's adoptive mother, I just like playing with dynamics like that).

The second one

:tw for murder and death mention, as well as other dark themes:

(I don't remember the title but I think it was like,, Crime and Coldbrew or smthn like that) is a dark gay romance thriller abt a journalist tasked with covering a series of murders that have been happening in his city.

(Pretty sure I saw a prompt abt this somewhere??)

The journalist, Jaden, decides to go above his pay grade and try to find insider information about the murders, leading him to a shady meeting with a local crimelord who, unbeknownst to Jaden, is the murderer himself.

The crimelord, Charlie, took a (slightly unhealthy) liking to Jaden after reading the preliminary piece he did covering the murders. Romance ensues as both parties learn more about the other, and Jaden gets pulled further into this handsome criminal's web.

Some things to note! Jaden is absolutely consenting to everything that happens in this novella. Mans is very much into this in an honestly concerning way, but it is a dark romance so

Also, theres a lesbian sideplot!! Jaden's closeted influencer best friend, Amanda, falls for Charlie's main henchwoman, J, after a series of hookups. J, who was initially sent to gather info on Jaden, ends up falling for Amanda too. However, when she tries to warn her and Jaden about Charlie, Charlie tries to have her killed.

He doesn't succeed, but she does die later in the story, and it's hinted that Amanda also gets got in the final lines of the book.

Obviously I don't condone sleeping with a murderer, but, it was a rly fun concept to write and plan out and it's the one that I will most likely actually finish cos it'd be the easiest to do

Someone bonk me on the head I'm once again getting the urge to rewrite my scrapped novella