#my love mix-up

[chinzillas]

my love mix-up th out of context - ep. 1

[absolutebl]

Hi P’abl!!

Basically, I died back in early July and have missed all things BL, GL, and all the works. I tried to figure out on my own, but I just keep running into spoilers of things I didn’t know had even aired!

Could you just give me a rundown of what’s been going on/happened? I honestly trust you with my life now~

In the last 3 months? Sure:

(I feel like this should be sung to We Didn't Start the Fire)

Wandee Goodday 9/10

Such a FUN show. A charming quintessentially modern Thai BL about a doctor and a boxer who start as a one night stand and then fall in love. Great rep for everything from Muay Thai, to safe sex, to FUN sex, to ace, to bisexuality, to smiley kisses, to the first legal gay wedding in a Thai BL. It’s a delight and I enjoyed (almost) every single moment of it. 

Century of Love 9/10

This is a great little show about a young man who fell in love with a pretty girl 100 years ago, and when she died in his arms, he was cursed to live until he could meet her reborn self. Only this time around, she’s reborn into the body of a man. I love it when Thailand gets all up in its own historical business and reincarnation and shizz.

I like this pair. (It’s not DaouOffroad’s fault I didn’t enjoy most of their first series.) Daou’s wushu is pretty snazzy and we got a fun meet cute. (Erm… Remeet cute? Meet cute 2.0?) Plus this is a very PRETTY show. Despite some ham handed comedy moments, this ultimately has more in common with something like I Feel You Linger in the Air meets First Love Again, then (as one might expect) Until We Meet Again or The Director Who Buys Me Dinner.

The leads turned in great performances, although Daou outclassed everybody else on that screen. It’s a good story and a great BL. I’m not sure this is going in my rewatch rotation, but I can’t find any major faults with it beyond a certain level of camp that is sadly endemic to lackorns. Also I’m going to give it credit as the kind of BL that one could safely recommend to lovers of melodrama and historical romance, without having to qualify it as “good for a BL.” It was, to put it succinctly, simply a VERY ENJOYABLE show. 

We Are 9/10

We Are was slow to find its stride (I didn’t get into it until ep 7) but I’m very glad I gave it a chance. It’s a soft ensemble piece with multiple couples and very little plot, but I didn’t care because it’s not trying to be anything more substantial. Essentially this was a series of vignettes covering one year of uni for a queer friendship group finding love, new friends, and laughter. It’s not being harsh with us or it’s characters the way some offerings of this ilk have been (side eyes Friend Zone and Only Friends) nor did it tumble into Gen Y chaos.

In fact, this reminded me more than anything of a refined and elevated Love Sick - just with older characters and occurring within a genre that has matured too. It has that close queer friendship group meets earnest gentleness that made me adore Love Sick so much. In other words, this was Thai BL at its finest, finding it roots again 10 years on, but also stretching upwards and showing us what it could do with that original seed. So? I loved it. Did it blow my mind? No. But it left me smiling and made me belly laugh quite a bit.

Cosmetic Playlover 9/10

I loved this little show. It was a classic office BL about the older workaholic who loves his job and the younger upstart who unexpectedly loves his boss. It’s a hyung romance where everybody is extremely earnest and sweet and pretty about everything. Except our seme, who is slightly unhinged and a little obsessed in all the ways one likes best from Japan. Plus the kisses were good! I can’t ask for anything more, utterly charming unexpected gem. What a great time!

The Rebound 9/10

This was a sports romance Thai BL pulp with everything I could have asked for given this sub genre. More, actually, since MeenPing are both great basketball players and the team component really did form part of the connective tissue of the show (vital in a sports romance). Meen has his shirt off within the first two minutes which is all I needed but he's still pretty great as the sullen secret keeper against Ping's cheerful survivor - childhood sweethearts torn asunder and now reunited. Then Frank sweeps in to give everyone a bad case of second lead syndrome.

I always try to judge BL for what it is AS BL, and what it’s trying to do within its own territory and purview. This did exactly what it claimed on the tin: gay boys play b-ball and fall in love. That was all I wanted from it. Sure there was random kidnapping and a light bought of mass murder, but what’s a BL in 2024 without a touch of the mafia? You do you little pulp, I’m disposed to be pleased.

My Love Mix-Up (Thai Remake) 8/10

It was fine and it was charming, but it was also a little meh. Thailand managed to take one of Japan's softest cutest most bonkers BLs in recent memory and make it softer and cuter and… dull. They did this by watering it down. JBLs almost always have an edge to them, even the rom-coms, by dulling the edge, MLMU lost a great deal of the sparkle and tension as well. What an office setting managed to mostly maintain in the consummate hands of TayNew felt somewhat lackluster when handed off to the next generation and a high school setting. Cherry Magic was a lovely reinterpretation, Mix Up was an amateur's watercolor rendition of a colorful oil painting.

Am I being harsh? G4 tried their best, and Fourth turned in some outrageously good acting in the latter half. But the show? It was fine. If you like water colors and you haven't seen (and loved) Kieta Hatsukoi.

This Love Doesn't Have Long Beans 8/10

A story about a kid who infiltrates a cooking competition under false pretenses and then has to deal with the consequences when he falls in love with the head chef. The side couple is a poor little rich boy meets physical therapist (morality chain). The core friendships are excellent and the chemistry cannot be faulted across the (charcuterie) board. What this show lacks in substance it makes up for in health code violations. It was all chili all the time.

Considering that the plot centered on betrayal but the romantic relationship never sweetened enough to balance that bitterness; one could be forgiven for throwing this one in the compost. But I got over all its weaknesses in flavor balancing for an ultimately satisfying meal, with a great dessert course. I've always loved spicy food. Plus the blooper reels were fantastic.

My Stand-In 8/10

Adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KinnPorsche.

Stuntman Joe dies on the job and wakes up in the body of another Joe with an entirely different life. But Joe just starts repeating the mistakes of his previous self - love, work, play.

I enjoyed the experience of watching this show, I looked forward to it every week. I thought everybody did a great job with it and in it, and I liked that is was something substantially different for Thai BL.

But I’m not sure I'll rewatch it or if it's bingeable. It left me feeling more sanguine than happy. Is there, objectively, anything wrong with it? No. But am I in love with it? No. I think that rests on the central characters, Ming in particular. I never liked him or warmed to them as a couple. I spent most of this show just very very sorry for poor Joe. Thus I was never rooting for their romance.

I would recommend it, if you enjoy your BL more cerebral, with complicated unlikable love interests, and a downtrodden sympathetic lead. Is it, perhaps, more JBL that ThBL? Am I biased because it's a Thai production and I had expectations? What magical carnage could Japan have done with this IP? I'm left with questions, but I'm ultimately glad I watched this.

SunsetXVibes 8/10

Classic CEO meets ingenue archetypes make for a somewhat banal and simplistic romance. This could’ve come from an 80s Harlequin, except that they’re gay. It's… old fashioned. There was nothing meta about this, there was no subversion or commentary on anything BL, queer, or beyond. It’s just a straight up (okay not straight) romance. I was not wild about these characters for this particular pair, but that’s not the pair's fault, they did a decent job with their parts and I look forward to their next show - here’s hoping it’s a bit more meaty. I preferred the side couple because they were more complex and true to BL archetypes, even if they were also a bit miss-handled.

Ultimately? This is a serviceable show if somewhat lacking in its convictions, but with some beautiful sex scenes, people, and fashion. I was a particular fan of Lin‘s gender bending femme style. It’s groundbreaking to see that aesthetic on one of the leads. There were multiple times they could’ve leaned into well established plot points, paranormal elements, and character tension, and instead just glossed over them. This should probably get a 7/10, but I’m giving it an 8 because of that one oppa line at the beginning, Tenon's tatas, and the call back to Big Dragon with that iconic musical refrain in the final episode. It was a pretty fun ride, emphasis on pretty and ride. 

Love Sea 7/10

Same couple as LITA2 (FortPeat) , new characters to the Mameverse. While traveling a writer has a one night stand with a very irritating man (who also breaks into his hotel room, among other red flag agendas). FortPeat are hot and great together, the GL sides are problematic, neglected, and forgotten. Frankly, this is probably a 8/10 show but I’m mad I wasn’t madder at it, and I'm mad I was so bored throughout. So it gets a 7/10 and let us not speak of this again. I’d like to simply forget about it. Trash watch here.

Knock Knock Boys 7/10

A story about 4 boys of differing personalities who end up living together and pair up, falling in love. Slow moving and waffling, with some artificially generated family drama makes this a classic Thai pulp except that in general it's a smiley kiss of a show. It had plenty of good qualities like great communication and sexual rep (including toys, first time, safe sex, and sexual identities). The heat levels were on point and well executed, and the performances were good. It’s just that the script and the directing were lackluster, rendering it ultimately forgettable. Still, fine on a rainy afternoon with some camomile tea or whatever.

For what's currently airing go here.

[chickenstrangers]

Kieta Hatsukoi | My Love Mix-Up! (2021)

Hashimoto about to make a well-thought out decision

[henwilsons]

ATOM & KONGTHAP My Love Mix-Up! เขียนรักด้วยยางลบ (2024)

[sirlancenotalot]

[respectthepetty]

Because when a color demon is summoned by @negrowhat and @mggsttn's post, I show up!

Top 5 - Color-Coded Storytelling in BLs

Y'all already know what number one is, but let's pretend you don't. Instead follow me on this journey into BLs that gave the best color-coded storytelling. In order to be considered for this list:

The story had to integrate the colors into multiple aspects of the series: wardrobe, lighting, accessories, setting, etc.

The colors had to be meaningful to the plot.

The narrative did not explicitly state what the colors meant.

The color coding had to be consistent and featured in each episode.

The series has to be finished.

So let's begin!

Honorable Mention: Oh No! Here Comes Trouble

This isn't a BL (yet it's queer, so anyone who says it isn't can argue with the ghosts), but that damn red thread of fate had me and Yiyong messed up all season! The appearance of the color red in the series was less of an alarm, and more of a signal that every single moment was connected. All those single red threads that Yiyong and his unlikely crime-solving buddies weaved each episode came together at the last minute not only to solve the crime, but to stitch Yiyong together and bring him back from the edge of death because the true message of the show about fate and dying was how connection is what makes life worth living.

#5 - Moonlight Chicken

Director Aof and Cinematographer Rath never miss, but this particular story being told in this series through the symbolism and lighting depicting moon vs. sun, coldness vs. warmth, dislike vs. love, and so much more was phenomenal. Watch the scene of Li Meng holding a crying Heart in Heart's cold, blue, dark room then witness the two kissing in Li Meng's warm, orange-ish, bright living room or watch the hatred and blue melting off of Alan as he begins to find love again and you'll understand that the color coding in this show wasn't just a simple red versus blue dynamic. This was the work of PROFESSIONALS. This color coding was like tiramisu made by the best Italian chef; it had layers and was effing delicious!

#4 - My Beautiful Man

This show did several visual devices oh-so-well. We got Hira always being lower than Kiyoi. We got the duck. We got Hira capturing Kiyoi with his camera instead of being present with him. We got traditional colors but with that Japanese twist. And all of the elements worked together to give us an elite visual story. Hira was blue. Kiyoi was white. Hira was the loyal and reserved servant. Kiyoi was a god. Yet this was the point of contention between the two. Kiyoi wasn't a heavenly being. He was a human boy devoid of love. He wanted Hira to love him, not worship him. He wanted Hira to stand with him, not lower himself. He wanted Hira to live with him, not through him. So we saw Kiyoi struggle with his color when he didn't feel stable in their relationship, but once Hira made it clear that he loved Kiyoi, Kiyoi never shined brighter.

#3 - My Love Mix-Up

Nobody does colors like Japan. It color codes its ties. It leans into the religious aspect of the light versus dark color scheme. It invents new ways to color-code and is always evolving . . . like Aoki's orange color did in this series. Our disaster bisexual started the series with a muted color and as he discovered he liked a boy and not the girl he originally was crushing on, his color started to emerge. At first it was a soft yellow, but by the end, it was a vibrant orange. Ida was a solid blue, so watching Aoki's feeling deepen for him was electric each time the blue lighting lingered on his face until it overwhelmed him. Oh, and that color exchange is the best that has ever been done!

#2 - Semantic Error

This show tricked us. Jae Young played us the way he played Sang Woo, yet Jae Young's true colors were revealed as the boys spent more time with each other because isn't that the entire point of color coding? Seeing people's true colors without having to be told? Jae Young started off as red solely because quiet and introverted Blue Boy Sang Woo HATED red. That was it! That was the entire reason Jae Young became red. He just wanted to piss off Sang Woo. But as the boys worked together and Jae Young's personality shown through, Sang Woo realized Jae Young wasn't the devil he made him out to be and was actually a pretty chill Green Guy who he wanted to hug longer than two weeks.

#1 - Big Dragon

The only reason 82% of the crowd decided to watch this show was because of the visual above. Let that sink in. This one visual piqued y'alls interest enough to watch a show about a guy drugging someone to have sex with him and blackmail him with the tape of it so he could *looks at notes* get the girl? A girl?! And the guy who was drugged, almost sexually assaulted, and blackmailed was *checks notes again* HE WAS IN TO IT?!

Y'all hated this show. I loved it. Y'all think it was ridiculous. I love it. Y'all are rolling your eyes right now. I will always love it because it understood the assignment! I can't keep repeating the same points over and over, but here I go again:

Everything was color coded!

And it all supported the story. It never distracted from the story. It never became its own story. It was laced into the story. It did exactly what visual rhetoric is supposed to - show don't tell.

And it showed me when Yai opened his heart to Mangkorn.

And how Mangkorn's love transformed Yai.

It showed me that Yai's sister was his only source of light living in that isolated house.

It showed me the warmth Yai felt from Mangkorn's mom.

And it showed me that no matter how much he protested, Yai was deep in love.

And to think it all started here.

And ended up here.

That's the power of color coding and remarkable visuals.

It makes you see the beauty is in the details.

[tanenigiri]

I'm floored that people are still liking and reblogging the collage of BL and BL-adjacent works that I reviewed two (!!) years ago. I haven't stopped growing my collection of manga, so I figured I'd make a sort-of Part 2 with a collage of some other fluffy slice-of-life BL and BL-adjacent titles I've enjoyed ever since I ended that project.

While I don't have time to give them full-fledged reviews like before, you can find some of my quick thoughts on each of them under the cut. I recommend all of these titles just as much as the 18 I included in the first collage - if you liked any of those, give these 10 stories a try!

Hirano and Kagiura by Shou Harusono - From the creator of Sasaki and Miyano and set in the same universe, this series revolves around one of Miyano's senpais and the roommate that he's been shipping him with since the start. This is every bit as charming and wholesome as Sasaki and Miyano, though I think this is a lot more chaotic considering the more hilarious take on the main pair's dynamic. I did a more comprehensive review of its first volume here if you wanna check it out.

Candy Color Paradox by Isaku Natsume - I'm not usually a big fan of enemies to lovers - the tropes they work with are rarely my cup of tea. This is one of the few stories I've read where that dynamic works really well, though, with these two reporters clashing a lot early on but finding out that they're exactly what the other needs. I wasn't too sold on the first volume but the second one really brought me onboard - I thought they treated the personal conflicts of one of the main characters incredibly well there.

My Brother's Husband by Gengoroh Tagame - More BL-adjacent than BL, this tells the story of a man reconnecting with the husband of his late brother (and no, there isn't any romance involved at all - this is a family-centric story first and foremost). It doesn't focus entirely on dealing with this loss, though - it's also a look into the protagonist's own family dynamics and troubles, with his daughter being a very prominent character here a la Tane in Our Dining Table. One of my favorites of this batch as it has a lot of heart and soul poured into it.

My Love Mix-Up by Watanu Hinekure and Aruko - The most comedic title here, this takes the misunderstanding trope to a really funny direction and builds a really good story out of it. The main couple is very adorable, and their dynamic with the side couple evolves in such a fun way that I ended up seeing this as a story about the four of them that just so happens to have two couples. If you watched the live action, the manga has a slightly different take on the story, and of course it spends more time on certain plot points, but it has the same chaotic and hilarious vibe.

Hyperventilation by Bboungbbangkkyu - I've only read a few Korean BLs, but this one is easily my favorite of the ones I've read so far. This is a lot steamier than most of the titles in this and in the previous collage, but those scenes are surrounded by a heartfelt dynamic between its two leads who are realizing that the connection they shared back in high school was a lot deeper than they thought. If you've watched the animation of this title, the manhwa's pretty much that but in book form, but I did notice some differences in the manhwa that made the story stronger in my opinion.

I'm Kinda Chubby and I'm Your Hero by Nore - I was slightly wary of this title since body image issues are quite difficult to tackle, but it turned out to not really be the focus of the story - one of the protagonists just happens to be chubby, and while there is some discussion on it, this story focuses a lot more on his growth as an actor and his newfound dynamic with the story's other protagonist. It's a really sweet story at its core, and the pun is definitely intended as the other protagonist is a pastry chef lol. (I'm also not sure if I would consider this as BL or BL-adjacent, coz by the second volume (which is the latest one so far) they aren't really together, but you can definitely sense that their dynamic goes beyond friendship.)

That Blue Sky Feeling by Okura and Coma Hashii - Picked this up mainly because the story is by the same person behind I Think Our Son Is Gay, one of my favorites in the original project. This has a slightly similar vibe, where it focuses more on exploring homosexuality and identity instead of romance, and it does so with the same interesting depth that Okura did in the other work. This one definitely has more BL tropes than I Think Our Son Is Gay though, and I'm more inclined to call it BL than BL-adjacent.

I Want to Be a Wall by Honami Shirono - "Marriage of convenience between a gay man and an asexual woman" is such an incredible pitch that I picked this up immediately, and I really enjoyed it for what it is. Said asexual woman is also a fujoshi, and the man that her husband is crushing on (who is straight) is a prominent supporting character, so you can imagine the hilarity that ensues. This isn't a comedy though - it's very much a heartwarming tale about identity and finding joy in a situation that isn't exactly the best.

Delinquent Daddy and Tender Teacher by Tama Mizuki - Already the second title here that has the same two-male-leads-plus-child dynamic as Our Dining Table - do you see the clear bias hahaha. This is quite far from that story and My Brother's Husband though, and I honestly thought that this was going to be trashier than it was because of the title, but I really shouldn't have judged this book by its cover as it's a great story about family and building connections with each other. It ended up being closer to Would You Like To Be a Family? in that regard, but this takes the time to flesh out the relationship between the two protagonists and the child, creating a silly but heartwarming dynamic.

Hello, Green Days by Ayu Sakumoto - Stumbled upon this short story online, and it has stayed with me ever since even if it doesn't have a physical English release (yet?). The dynamic between the protagonists is really sweet, and how it weaves in the plant talk (one of the main characters is a botany major) into the story is very clever. I also did a more comprehensive review of this before, so check it out here if you want.

If you made it this far, thanks for reading! I hope you found more titles to add to your to-read list.

[pigglepiephi]

I mean, he does know his friend well!

He’s definitely both!

[mojinchiimanga]

[therefugeofbooks]

cozy vibes 💫

[dramatictrajectory]

When you're stoic but you care.

[readtilyoudie]

MY LOVE MIX-UP VOLUME 3

[zana-kun]

The four of them share one whole braincell <3

[animehouse-moe]

My Love Mix-Up! Vol. 9

It's ended today in NA, and I'm sad. But also fuming because of how Minekure sensei toyed with my heart. I nearly put this volume down and walked away from the story. But I'm glad I suffered through the hell because the other side is beautiful. Ending a romance series can always be a struggle because the story isn't ending, you're just choosing to bow out from it. But I think this finale does a great job of addressing that. It puts a lot of focus into the transitional period between high school and college, and uses that to separate the characters to signal the "end" of the story. I think it works really well because they tease you with some of the life afterwards as well. It's not just "oh we're done goodbye" but it shows that the story has continued despite us not experiencing it.

All in all, I have a lot of love for this series. It's funny, down to earth, romantic, and important in regards to the exploration of sexuality and love. This whole thing started from a dropped eraser with a name on it, and it's really something to remember that and see where we've ended up now. Like a drop of water becoming a wave, almost. It's sad to see it go, but much like the time capsule the cast buried, I'm sure many (myself included) will return to revisit this series with fond memories of it.

[jessicamdawn]

Chapters: 1/1 Fandom: 消えた初恋 | Kieta Hatsukoi | Vanishing My First Love (TV) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Aoki Souta/Ida Kousuke Characters: Aoki Souta, Ida Kousuke, Ida Kousuke's Mother, Original Characters Additional Tags: Miscommunication, Fluff, accidentally married, Sort Of, Future Fic, Domestic, Established Relationship Summary:

At the end of high school and into adulthood, Aoki starts to notice how…invested Ida's neighbors are in their relationship. It turns out, they know something he doesn't. Or, they think they do, at least.

[pooflemon]

NO ONE UNDERSTANDS HOW MUCH I LOVE 'MY LOVE MIX-UP!' NO ONE DJJ2HWJWJWK2YRZGDSDYDIY

I would love to talk to someone about it :>