#my love for madhubala

[natkhat-sa-shyam]

She was beautiful, but not like those girls in magazines.

She was beautiful, for the way she thought.

She was beautiful, for the sparkle in her eyes when she talked about something she loved.

She was beautiful, for her ability to make other people smile, even if she was sad.

No, she wasn't beautiful for something as temporary as her looks.

She was beautiful, deep down to her soul. She is beautiful.

F Scott Fitzgerald

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

[rehamramzi]

“The homesickness weighing on my heart left when I met you”

Long lost love of Madhubala and Dilip Kumar. Sometimes things don’t work out in your favour, and that’s called life.

[sagesolsticewrites]

hey sweetheart!!!!

What was the thought process behind their appearance? Did you go mostly for the aesthetic or are there other reasons they look the way they do?

What is the origin of their personality? And let's be honest - how much of it is projecting?

Is there any existing character from other media that your character resembles? Was the resemblance intentional or was it a coincidence?

🩷🩷🥰🥰

hi lovie!!! 🥰💕

ask me about my ocs!

6. What was the thought process behind their appearance? Did you go mostly for the aesthetic or are there other reasons they look the way they do?

Honestly, Juliet’s looks are mostly for the aesthetic! I’ve always loved the dark hair/green eyes combo 🤭 

Vika on the other hand… I was very consciously modeling her after my mom. Juliet happening to align with my dad’s upstate-New-York-Irish-Catholic origins was a complete coincidence, but with Vika I very intentionally drew on my mom’s origins, and while I do have several lovely faceclaims for her (Madhubala, Amita Suman, Simone Ashley…), the picture I have of her in my mind --medium brown skin, dark curly hair, brown eyes-- resembles my mom more than anything 🥹

8. What is the origin of their personality? And let's be honest - how much of it is projecting?

To be entirely honest, about 90% of both my girlies’ personalities is just me projecting 😂 

For Juliet, my very first OC, that seemed the easiest place to start, so I made her a total bookworm (like me) with a love of baking (like me). She’s grown beyond that since her inception, though, and is a kind, open, utterly loving character all her own 🥰

Vika’s personality is once again drawn largely from my mom— her stories about helping her parents run their motel and her brothers being allowed to play while she had to help her mom with the laundry or cooking were the foundation for what would become Vika’s story. As I was writing, I started to project my shyness, my tendency to feel on the outside of things— it made writing her easier, frankly, and felt authentic to how she would feel in this time period suddenly coming in to a new friend group, with more friends than she’s ever had in her life and all of them being white.

11. Is there any existing character from other media that your character resembles? Was the resemblance intentional or was it a coincidence?

At the risk of sounding like a copyright warning 😂 any resemblance of my girlies to characters from other media is entirely a coincidence

For Jules, I see a bit of Mary Hatch Bailey from It’s A Wonderful Life in her— smart, sweet, and eager to build a life with her husband.

For Vika, there’s a bit of Kathani Sharma in her (but also I feel like this could be said for any character in a parentified-eldest-child role) in her willingness to sacrifice her happiness in favor of what would make her family happy.

[sayyourprayers]

Who is your new icon 🤩😍

My love. My Madhubala. One of the most gorgeous women to have walked the earth and who is the only famous person to make it to my wall ever. Just bonkers beautiful.

Por ejemplo: This banger of a song.

[anotherfanaccount]

I need to watch the older Hindi and Bengali films.

This is the thing that I don't like about my family, absolutely no film culture. They didn't sit me down to watch their favourite movies even though I know they liked going to movies during their youth. Pass on the culture please.

My film love starts with srk, and it's not a bad thing but I can't appreciate Amitabh, Dilip, waheeda rehman, nutan, Madhubala, and so so many more, entirely because I just haven't seen their glorious body of works.

So if anyone can suggest some jewels and also where to watch them.

First, need to go search satyajit ray's all works.

[musicverse11]

Asha Bhosle: An Icon for Aspiring Artists

In the vibrant world of Indian cinema and music, few names resonate with the same timeless charm as Asha Bhosle. Over eight decades, her voice has not only defined the essence of Bollywood playback singing but also transcended generational divides to remain relevant in an ever-evolving music industry. From her melodious renditions of romantic ballads to her peppy dance numbers and soulful ghazals, Asha Bhosle’s voice is a bridge connecting the golden era of Indian music to modern sensibilities. This article celebrates the unmatched journey of a living legend whose voice remains eternal.

Early Years and Humble Beginnings

Born on September 8, 1933, in Sangli, Maharashtra, Asha Bhosle stepped into the world of music as a necessity rather than a choice. After the untimely demise of her father, classical singer Pandit Deenanath Mangeshkar, Asha and her elder sister Lata Mangeshkar began singing to support their family. Asha’s first break came as a playback singer in the 1940s, but she struggled to carve a niche for herself in an industry dominated by stalwarts like her sister Lata and Shamshad Begum.

Her initial songs were for low-budget films, but Asha never lost hope. Her determination and unique voice stood out, eventually earning her collaborations with major music directors of the time. Asha’s rise was slow but steady, proving that talent combined with perseverance can overcome any obstacle.

Versatility: Asha’s Hallmark

Asha Bhosle’s greatest strength lies in her versatility. She has sung songs across genres, languages, and emotions, ensuring that her music appeals to a wide audience. Whether it’s the classical mastery of “Parde Mein Rehne Do” or the seductive cabaret vibes of “Aaiye Meherbaan,” her adaptability remains unmatched.

Her collaborations with RD Burman, often described as groundbreaking, saw her explore bold and experimental styles. Songs like “Dum Maaro Dum” and “Piya Tu Ab To Aaja” brought a new, youthful energy to Bollywood music. Beyond Bollywood, her ghazals, such as those in the album Dil Padosi Hai, showcased her classical roots and ability to convey profound emotions.

Crossing Generations and Genres

Asha Bhosle’s career spans eight decades — a testament to her adaptability. She has sung for heroines from Madhubala and Helen to Kajol and Urmila Matondkar, proving her relevance across generations. While her contemporaries remained associated with specific genres or eras, Asha embraced change with open arms, lending her voice to modern-day remixes like “Kambakht Ishq” in Pyaar Tune Kya Kiya and international collaborations like her Grammy-nominated album You’ve Stolen My Heart with Kronos Quartet.

In addition to her Bollywood repertoire, Asha explored regional and global music. She has recorded songs in over 20 Indian languages and several foreign ones, including English, Russian, and Malay. Her ability to adapt to the demands of different audiences solidified her as an artist without boundaries.

The Emotional Connect of Her Voice

What sets Asha apart is her ability to infuse emotions into every lyric she sings. Her voice has the power to make you dance, weep, or fall in love. Whether it’s the playful mischief in “Eena Meena Deeka,” the haunting melancholy of “Chhod Do Aanchal,” or the undying romance in “Chura Liya Hai Tumne Jo Dil Ko,” Asha’s voice brings life to words, making each song unforgettable.

Listeners often find themselves relating to her music, regardless of age or background. Her voice acts as a time capsule, transporting audiences to moments of nostalgia while still feeling fresh and relevant.

Awards and Accolades

The recognition Asha Bhosle has received over her career reflects her exceptional contributions to music. She has won numerous awards, including the National Film Award for Best Female Playback Singer twice. She also holds the record for the most Filmfare Awards in playback singing and was honored with the prestigious Dadasaheb Phalke Award in 2000.

In 2011, Asha Bhosle entered the Guinness World Records as the most recorded artist in music history, a milestone that further cemented her legacy. Despite her accolades, Asha remains humble, often emphasizing that her love for music surpasses all recognition.

Asha Bhosle: A Name That Defines Timelessness

What makes Asha Bhosle truly timeless is her ability to reinvent herself without losing the essence of her artistry. At an age when most artists retire, she continued to record and perform live, winning hearts with her boundless energy and passion. Her influence extends beyond the world of playback singing; she has inspired countless singers and musicians globally, leaving an indelible mark on the music industry.

Conclusion

Asha Bhosle is more than just a playback singer; she is an icon, a legend, and a voice that continues to echo in the hearts of millions. Her ability to bridge generations and transcend genres is unparalleled, making her a true gem in the world of music. As we listen to her songs, we not only celebrate her remarkable career but also embrace the emotions, memories, and moments her music evokes.

Whether you’re rediscovering her classic hits or grooving to her modern numbers, Asha Bhosle’s music is a testament to the timeless power of melody. Let her journey inspire you to pursue your passion with the same dedication and resilience.

“What’s your favorite Asha Bhosle song? Take a trip down memory lane and immerse yourself in her timeless voice. Share your favorite track and the memories it brings!”

[assyrianjalebi]

Mughal-e-Azam (1960)

[shut-up-rabert]

I want to shout this BAD.

Indian. Serials. Or Soap-Dramas. Are. Not. That. Bad.

I mean- I saw people arguing how being a Nagin makes no sense and I was like- so being turned into a shapeshifter vampire with bloody fangs makes sense? Hypocrisy smh.

I can name quite a few Indian shows (the Tv ones, Web series are already appreciated) that actually are amazing! They just fall short when creators choose quantity over quality.

Of course, classics like Sarabhai vs Sarabhai, Office Office, Byomkesh Bakshi, Malgudi days, Mahabharata and Ramayana get the praise they truly deserve! But here some relatively modern shows that get looked over due to same old Saas-Bahu genre.

Yeh unn dino ki baat hai (90s romantic drama), Har yug mein aayega ek arjun (my favourite criminal thriller), Adaalat (law-crime thriller), Beyhadh (the first season is one the best psychic-romance thrills ever), Ek Hasina thi (romantic thriller + also contains Vatshal Sheth from Tarzan the wonder car and is- chef's kiss).

Also can I say Naagin 1, no matter how much everyone bashes it today, was actually a dhasu show?

Honestly, I can add quite a few to the mix myself. Saraswatichandra? Best Romance I’ve seen till date. Ishqbaaz? Laughing out loud since episode 2. Qubool hai? The one time I like Karan Singh Grover. Laut Aao Trisha. Saubhagyavati Bhava. Bepanah. Starplus Mahabharat. Madhubala. On and on and on. Heck, even Anupama wouldn’t be so bad if it stuck to the plot and not for duniya bhar ka drama. But that’s exactly where the problem arises. All these serials start very VERY promising. They deliver well at the beginning aswell. The starting is what gets you hooked, you hope for something entertaining and they seem rather fit for that role. Sure, the overdramatism is there, but this is India, we can digest that much dhum tananananananana tere na tere na tin.

Things start going south when shows start pulling TRP. All the money hungry producers think that “hmmmm, this looks nice, I can milk it. What can possibly go wrong?” Hint: possibly everything can go wrong.

Lets look at Ishqbaaz for example. Three brother, three different perceptions of love, three distinct love stories. A shining new concept with four rather attractive leads to have the young adult population flocking, isn’t it?

It starts really great aswell. The first few episodes stick to the point very well, excessive delay like 3-4 days for like one person to turn around and shit aren’t there. It’s funny, it’s cute, it shows character arcs brilliantly. You’d expect the main leads to all fall in love, learn something and the show to end , right?

Wrong. It starts going off hinges really fast as soon as Starplus realises that the money making cow should stay. The main lead is suddenly super toxic. Shit like ghar ke bahu bete suddenly staging Agatha Christie level conspiracies and having the same intellect as Batman on shrooms becomes the norm. Drama like chhat se girkar yadaasht chale jaana, sautan ka plan samjhna, aur end m pta chlna ki bhencho sab kiya dhara heroine ki saas ka tha. Yep.

I stopped watching here but the thing is there was a look alike adla badli arc after this, so you can see how bad it went.

Next I watched, Saraswatichandra. I kid you not, it had the BEST setting one could ask for. A emotionally stinted guy coming all the way from Dubai to reject this girl, staying in her house. When everyone thinks they are getting married but they resent each other and secretly start falling in love, no? What more can one ask for? They admit their love and do actually get married while none in the families is wiser.

BUT, they had to add faltu ka natak, so add faltugiri they did. Bina baat ka action, stereotypical portrayal, heroine ki kahi aur shaadi, waha se uska talak, heroine ki sister falling in love with hero, whole family conspiring, kidnapping, yada yada yada, y’all get the jist.

The thing is, this wouldn’t be as bad if the characters still acted wisely in the bizzare situations. Or if the situations made sense. Who THE FUCK breaks their engagement a day before the wedding because they got disowned by their dad? Why did he immediately forget that he’s still entitled to his mother’s stuff? Akal kaha hai teri madarchod?

Producers butcher good storylines for paisa. People with no motivation are trying to kill bahu because they are bad. Police is not doing its job, not because its corrupt but because saas bahu ko khud detective khelna hai. Family drama mein randomly kahi se bhi chudail aa jaati hai even if the show not fantasy based. Vamp mast 16 khoon kar deti hai but still is legally allowed in the house. (Konsa law hai ye bc?) Why is everyone so out of character suddenly? WHY IS EVERYONE STUPID?

So, here’s the issue with indian serials: they don’t stick to the story, nor do they develope the story according to the characters, instead they alter the characters, premise and genre of the soap according to whatever story they think will fetch more views. This makes the whole thing bizzare.

Of course, some norms are always relaxed in dramas and a lot more in fantasy/supernatural dramas, but there’s a limit to how much there should be based on characters/ premise of what you offered in the first place.

Bhabhiji and Happu work as well as they do despite overlooking all the points I mentioned because they refresh their storyline every week and aren’t a continous saga, plus they never took themselves seriously as and always promised to be whacky. This is not true for Ganga, Saath nibhana saathiya, Sasural Simar ka, Kumkum bhagya etc., Prachi suffering by the hands of her stepsister cum co-wife even though she can easily turn the tables by making a police report for bigamy becomes frustrating to witness at one point.

Didi ye kya bakwaas likha hai, seedhey bolo na: Indian serials are indeed good and full of potential, but the producers and writers refuse to see that potential and make us flock to other dramas by diminishing our energies.

[aashiqeddiediaz]

happy is one in a million. and i’m not saying this because i love her. she is. once someone gets to know her, they can’t help themselves from falling in love with her. that day, when you were talking about her...i realized that you’ve gotten to know her.

(for @southasiansource‘s #SASTurnsOne — Week 2: Favourite OTP/BroTP/Character Dynamics)

[Image ID: seven gifs of Abhay Deol as Bilal and Ali Fazal as Guddu from Happy Bhag Jayegi. They are standing out on a balcony, talking about Happy, and how Guddu thinks that Bilal has started to like her. Each gif has English subtitles:

GIF 1: Bilal looking up at Guddu. The subtitle reads, "Do you want only an answer or the truth?"

GIF 2: Guddu smiling slightly as he asks, wide-eyed, "Let the truth be. Just give me an answer."

GIF 3: Bilal smiling at Guddu, looking lost in thought as he says, "You know, Madhubala...she used to be my father's favourite." [in reference to Madhubala the actress.]

GIF 4: Guddu's expression, listening closely as Bilal talks. The subtitle is a continuation of Bilal's dialogue, and reads, "He used to tease my mother that she wasn't as beautiful as Madhubala. Mom used to laugh it off."

GIF 5: Bilal looking at Guddu, still smiling slightly as he talks. The text reads, "You know why? Because Madhubala was also one in a million. Everyone loved her. Did it matter?"

GIF 6: A close-up of Bilal's expression as he says, "The only thing that matters is who Madhubala actually loved."

GIF 7: Guddu smiling slightly before ducking his head.

/end ID]

[natkhat-sa-shyam]

तेरी आँखों के सिवा दुनिया में रक्खा क्या है

ये उठें सुबह चले, ये झुकें शाम ढले

मेरा जीना मेरा मरना इन्हीं पलकों के तले

तेरी आँखों के सिवा दुनिया में रक्खा क्या है

kal rat papa ke kamre mein ku6 kaam ke liye gaya tha and he was listening this on his own radio.this few words kept my attention aur tabse ye gaana pichle ek ghante se loop par soon rha hoon. I not only wanna listen this song but also to feel this in my bloodstream so all of my body cells can sense how I'm feeling.

[hotvintagepoll]

Madhubala and Dilip Kumar (Mughal-e-Azam, Tarana, Sangdil, Mahal, Devdas)—Madhubala and Dilip Kumar had an IRL relationship for 8 years. Their irl love and chemistry made them one of the most beloved couples of 1950s cinema. Dilip was ready to marry her during the filming of Dhake ki Malmal in 1956 with the condition that she never saw her father again (he didn't approve of the relationship). She refused and they broke up soon after in 1957. The film Naya Daur starring Dilip Kumar and Vyjayanthimala was originally supposed to have Madhubala in it, her father refused to let her star in it despite her already having the contract, leading to a drawn out court case where Dilip testified against Madhubala. This spelled the end of their relationship and both of them married other people. Madhubala died in 1969 at only 36 years old. Despite their frosty breakup Dilip Kumar visited her one last time at her deathbed. Forever one of the most iconic couples of Indian cinema with a love story that still attracts a lot of speculation and is full of the romance and tragedy their films were known for.

Myrna Loy and William Powell (The Thin Man films)—i know they will have been submitted already but What If They Haven't Been!!!! the screen couple so hot together that people assumed they were married in real life! they match each others snark and dry deliveries SO well, theyre so married i still keep them tucked away in my mind as The Bar of established couples for movies. its also THEIR season rn new years is THE season for the thin man so a vote for loy-powell is a vote for love

This is round 4 of a mini tournament. Each poll lasts for a week. Please reblog with propaganda for your favorite hot couple. To vote in all the polls, click here.

[additional propaganda submitted under the cut]

Madhubala and Dilip Kumar:

Loy and Powell:

William Powell and Myrna Loy from The Thin Man series. Glamorous and witty, with the banter of a will they or won't they couple combined with the mischievous affection of the happily married. And they're detectives!

They're ridiculously in love with each other, genuinely enjoy spending time together, respect each other, and just look at them:

He's dapper! She's gorgeous! Asta is adorable! They're simply the best!

Nick & Nora Charles, my pre-Code LOVES. Wikipedia describes them in one line as a couple who enjoy “copious drinking and flirtatious banter,” and they’re right for that.

Myrna Loy and William Powell, their delight in each other on screen makes me deliriously happy every time I watch them. I’ll even watch the later Thin Man movies, even if they aren’t great, just for those two flirting and smirking knowingly at each other. Watching them as Nick and Nora, you just know those characters really enjoy being with each other more than anyone else.

They had sizzling chemistry, and their real life friendship meant that they actually enjoyed being around each other, and it showed on screen.

I know I'm probably not the only one suggesting them, but I HAVE to nominate my favorite on-screen duo: Myrna Loy and William Powell. The chemistry between them has rarely been equaled; they're like the fun, cool couple that's clearly in love without ever being obnoxious about it. I love all of their movies so much, but my favorites are the Thin Man Series, Libeled Lady, Love Crazy, and I Love You Again. Obviously, I'm not alone, seeing as they had 13 movies together. Also, them+Asta? True double income, no kids goals.

(I know other people will be saying this but One Must Be Sure). MYRNA LOY and WILLIAM POWELL. From The Thin Man (1934), After the Thin Man (1936), and all the other Thin Man movies etc. They're just so into each other in such an equitable way, they push each others buttons and tease each other while drinking like fishes and solving mysteries and it's REALLY HOT. They both always had a twinkle in their eyes and adorably wrinkled their noses at each other.

Myrna Loy and William Powell, who are both life goals and wife goals simultaneously. The ultimate gender envy couple.

[butchniqabi]

lata mangeshkar my dearest love....her voice was so iconic and it complimented madhubala so well 😔💕

[the-iron-orchid]

For Jissana, touch #17: holding the other’s chin up? 😏

🍋🔞 Smuterday has arrived!

[ Touches Asks ]

Warnings: D/s dynamic, kink musings, bondage, nip play, temperature play, biting/marking, naughty magic hand, magic digital penetration so the usual ~630 words

MINORS DNI

---

While the first few encounters with a new partner have the wonderful luster of novelty to them, Jinana’s true enjoyment begins to surface once s/he starts to understand them. There is a rhythm and a poetry to every body that comes under hir command; there are unique keys to submission for every mind that gives itself over to hir.

S/he has begun to know just what it is that unlocks the gate for Vissenta, what allows her to slip through to the other side… and what will drag her down like a riptide, drowning.

S/he delights in keeping her just at the edge of that place, watching her formidable will struggle against her own desire to slip away under Jinana’s words and actions. S/he has begun to know the tells now, the more subtle signs that herald the slide to surrender.

And right now, it is a struggle indeed. 

The chair in Jinana’s bedroom was made to hir specifications, and when it is not covered in the clothing s/he can’t be troubled to replace in hir armoire, its padded leather back can be rotated and secured in various ways. Several of the brass ornaments act to conceal sturdy attachment points. Vissenta is currently bent over this transforming chair, her arms bound behind her back in a harness of lovely purple cords. Her legs are secured to the legs of the chair, spread just enough that she cannot avoid the attentions of Jinana’s spectral third hand - enough to keep her squirming with excitement, not quite enough to push her to climax.

The edge of the chair-back rests just below her breasts, leaving them and the perked pink nipples vulnerable to Jinana’s whims. The surface of the skin is already decorated here and there with the marks of hir mouth and teeth.

S/he divides hir attention in the way that Master Borgia once taught hir - though most certainly not for this use - and causes hir fingertips to become magically chill, while still maintaining the ghostly hand that strokes so tormentingly. S/he touches hir fingertips to the swollen nipples, and Vissenta’s body jerks, her hips giving a brief, hard buck. Another touch, slowly circling, and her eyelids begin to flutter faintly - a tell.

Jinana lifts her chin in hir icy fingers, forcing Vis to look up at hir. “Stay with me,” s/he says, hir voice firm, unyielding.

With a visible effort of will, Vissenta drags herself back, her serpentine-green eyes clearing as they lock with Jinana’s.

“There’s my good girl.” This is perhaps unfair; Vis’ entire body shudders, but still she manages to stay out of the whirlpool that threatens to pull her down. Jinana smiles, bestowing a gentle kiss on her trembling lips.

S/he has not quite gotten Vissenta to beg, not yet. To ask, yes, even to plead a little - but s/he is confident that s/he will uncover the key to this, too. And when s/he does, s/he will hold it safe with all of the other keys, all of the parts of Vissenta’s being that s/he has uncovered, and will yet uncover, for as long as she permits.

The fingers of the conjured hand cease their stroking and slowly push their way into Vis’ body, eliciting a throaty moan of need; as they begin to move, and Jinana’s own fingertips once more begin to apply those brief touches of shocking cold to her nipples, the wave once more threatens to bring her under.

“Go on, madhubala,” s/he murmurs. “My sweet girl.” With a soft sigh, almost of relief, Vissenta’s body relaxes, receptive, ready for the next stage of their play.

Jinana has not quite gotten her to beg, not yet. But s/he will.

[trendeeview]

Madhoo Family

Madhoo Family. Learn how rich is she in this year and how she spends money? After being offered a small role,.

Madhoo Shah With Her Daughter Ameya Shah, Rare Actress With Her from www.memsaab.com

Two daughters later, madhoo is just as. She has acted in malayalam, hindi, tamil and kannada films. Also learn how she earned most of networth at the age of 51 years old?

Source: www.youtube.com

Roja star madhoo's husband anand shah has filed an fir with the malabar hill police station alleging that their family jeweller of over six decades has swindled them of diamonds worth rs 5 crore. Madhoo shah, popularly known as madhoo, is an indian film actress who has worked in the bollywood cinema and gave amazing performances during her career life.

Source: www.rediff.com

In 2001, she made her television debut with the tamil serial “kaveri,”. Let’s see madhoo‘s personal details.

Source: desabafesbynina.blogspot.com

She is mainly known for the movie “phool aur kaante” which was directed by kuku kohli and it was released in 1991. Her full name is madhu shah and her nickname is update soon.

Source: draw-ultra.blogspot.com

We also cover here her sister, brother, and relatives information. Discover madhoo's biography, age, height, physical stats, dating/affairs, family and career updates.

Source: desabafesbynina.blogspot.com

Some people might be curious about madhoo’s family. In 1991, for the first time, she was signed by director veeru devgan for his son ajay devgan’s debut in phool aur kaante.

Source: www.memsaab.com

Also learn how she earned most of networth at the age of 51 years old? Her birth name was padma malini but her.

Source: img-fimg.blogspot.com

Madhoo family husband son daughter father mother marriage photos biography profile. Madhoo (madhubala) was born on 26 march, 1969 in india, is an indian actress.

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Her zodiac sign is aries. Madhoo shah is a popular indian actress who was born on 26 march 1972.

Source: pages.rediff.com

Find information about the madhoo family, see the geographical distribution of the madhoo last name. Here we will cover everything about her family.

Source: bollywoodstarkids.blogspot.com

Also learn how she earned most of networth at the age of 51 years old? We also cover here her sister, brother, and relatives information.

Source: bollywoodstarkids.blogspot.com

After being offered a small role,. She is mainly known for the movie “phool aur kaante” which was directed by kuku kohli and it was released in 1991.

Source: indiatoday.intoday.in

63 rows early life and family. After being offered a small role,.

Source: bollywoodstarkids.blogspot.com

In 1991, for the first time, she was signed by director veeru devgan for his son ajay devgan’s debut in phool aur kaante. He said, we were fortunate that me and my family got love and adoration from lata didi.

Source: www.pinterest.com

Her dad's name is raghunath, who is the brother of bollywood actress hema malini. She has acted in malayalam, hindi, tamil and kannada films.

Source: dslrguru.co.uk

After being offered a small role,. She is best remembered for her port more….

Source: draw-ultra.blogspot.com

Yodha, rangoli, gentleman, allari priyudu. What madhoo family records will you find?

Source: publicpoint.in

Madhoo (madhubala) was born on 26 march, 1969 in india, is an indian actress. Madhoo lost her mom to cancer when she was just 13 years old.

Source: www.memsaab.com

Madhoo shah aka madhoobala is an actress in indian films.she is the niece of hema malini, a famous indian actress. Discover madhoo’s wiki biography, age, height, physical stats, dating/affairs, family and career updates.

Source: pages.rediff.com

Her birth name was padma malini but her. We also cover here her sister, brother, and relatives information.

Source: www.youtube.com

Madhoo was born in the malini household on march 26th. Madhoo (madhubala) was born on 26 march, 1969 in india, is an indian actress.

Madhoo (Madhubala) Was Born On 26 March, 1969 In India, Is An Indian Actress.

He said, we were fortunate that me and my family got love and adoration from lata didi. The siblings have inherited the stunning looks of their parents and are absolute show stoppers. You will find here her father and mother’s names and their profession.

She Was Taught Bharat Natyam By Her Mom.

Madhoo is married to industrialist anand shah. Madhoo was born in the malini household on march 26th. Search us census records for madhoo;

Her Full Name Is Madhu Shah And Her Nickname Is Update Soon.

Her zodiac sign is aries. Born on march 26, 1972, madhoo's full name is madhoobama raghunath malini. Madhoo got married to businessman anand shah in 1999 and has two daughters keia shah and ameya shah.

Discover Madhoo's Biography, Age, Height, Physical Stats, Dating/Affairs, Family And Career Updates.

Treating her aunt as her role model, madhoo wanted to be an actress. Some people might be curious about madhoo’s family. Madhoo shah, popularly known as madhoo, is an indian film actress who has worked in the bollywood cinema and gave amazing performances during her career life.

Madhoo Family Member And Details.

Madhoo is an indian movie actress, who primarily works throughout the tamil and hindi film industries.she moreover acted in malayalam, telugu and kannada motion pictures. She made her showing debut with the tamil movie “azhagan,” directed by okay.balachander throughout the yr 1991. Two daughters later, madhoo is just as.

Family, madhoo

[jalebi-likes]

Lo ji hum aa gaye to ask youuuuuu, ki kaun hai aapke sabse overrated/underrated actors in Indian cinema!!!!! The more detail the better!!!!!! 🤪🤪🤪

TT-JI, HUMRI TT-JI AI GAWA!!!! 

I’m going to include tellywood too, lol. 

And yes, I’m not going to include the traditional ‘overrated/underrated’ based on box office - just my personal opinions! 

This was too long hence rest is under cut!

Hindi Cinema

Overrated:

- Kartik Aaryan (I really need to see him act in a film beyond the PKP/ Middle class Indian setups to see him... act)

- Aamir Khan (ok DON’T kill me, I just feel that Aamir Khan alone is given a lot of credit for working in films that are great as a team. Rang De Basanti, Dangal, 3 Idiots are brilliant films and he was fab in it, but I also want the audience to realize those films had great directors, writers, co actors too. I think his ‘perfectionism’ is overrated. He’s brilliant - but please don’t give him the sole credit of being ‘perfect’ when it’s an amazing collective effort.)

- Varun Dhawan (this man has potential [October, Badlapur]. But please... stop with all the Badrinath, Dulhaniya, Judwaa... just please stop)

- Jhanvi Kapoor/Ananya Pandey (I have no idea how she scored a biopic for her second film. Sis has a long way. These two are combined together because these two think they’re amazing actors and that gets on my nervesssssssss).

- Tara Sutaria (She’s... decent. She’s in this list because she literally gave an interview of how ‘nowadays’ film actors don’t have nazakat [which she had to bring for Marjaawan] behen pleaj.)

- Kiara Advani (Why is she everywhere? Why was her performance hailed in Kabir Singh where she was... empty (won’t blame her, her character was written like that) but literally she’s suddenly become a top actress and I can’t figure out why. The one film of hers that was nice and tested some acting chops was Guilty but literally that film was for her. Good Newwz was a nice shift for her too.) 

- Deepika Padukone (Okay, don’t kill me again. She’s a really good actor but she is a director’s actor. Again, like Aamir Khan she is someone who benefits from a good team even though the whole credit is sometimes given to her (why). Personal opinion, in Padmaavat and Bajirao Mastani Aditi Rao Hydari and Priyanka’s Kashibai had my heart and soul). 

- Kangana Ranaut (Great actor, stupid opinions overshadow her good ones, terrible PR and as an actor she, again, benefits from a great team and a lot of that credit she takes upon herself and I’m like why...)

- Disha Patani (Amazing model, decent actor. Period)

Underrated:

Not taking Kunal Khemu, Aditi Rao Hydari, Pankaj Tripathi, Vinay Pathak, Prateik Babbar, Ronit Roy, Ram Kapoor and so on - we know they’re underrated. 

- Shahrukh Khan (yes, I know. A lot of people just don’t recognize that he is a fantastic actor and it pisses me that a lot of capable directors, when working with him, want to make ‘BIG FILMS’ or are swayed by his stardom than actually giving him a good script. Ugh just give him Badla or Andhadhun and you’d see)

- Abhishek Bachchan (I find it funny when they compare him to his father cause Amitabh Bachchan is a good actor... now. And ABjr really acts from his soul and is far more competent compared to his contemporaries. If I’m surprised at any actor not getting work then it’s him)

- Avinash Tiwari (Laila Majnu... goddamn he gave a performance that rivaled Ranbir Kapoor’s Rockstar and I’m shocked how he didn’t even get a fifth of that recognition).  

- Arshad Warsi (this is someone who’s finally getting his due but man... he is such a phenomenal actor that my heart literally breaks to see him in crappy Hindi films. He is fab. Simply fab. Jolly LLB is one of the few films that give him due as a comedy actor as well as a serious one). 

- Riteish Deshmukh (This man is pure gold. He can make one laugh and be terrified at once. Does not get his due!)

- Radhika Apte (I’ve never seen her not ace a role. Yet I feel she’s quick to be typecast *sigh*)

- Sushant Singh Rajput (forever salty that he got his due after he died, ugh - easily one of the best actors of his generation)

Tellywood

Overrated (I’m so going to get roasted)

- Divyanka Tripathi (Don’t kill me! I feel she does one thing very well. Not the most versatile.)

- Karan Kundra (Definitely a decent actor but I do feel he’s a tad bit overrated).

- Vivian D’Sena (Again, I feel he’s good in one kind of acting - again I did watch a lot of PKYEK as well as Madhubala so I do like him but again, not really versatile).

- Dheeraj Dhoopar (I’m probs out to get hate comments but listen me out, his random hair and fashion statements take my complete attention from whatever acting he does, and also he’s stuck in Kundali Bhagya so...)

- Mouni Roy (I don’t know, she used to be a brilliant actor in the beginning and as days passed her acting became more bland? I was so taken by her as Sati in Devon Ke Dev Mahadev but now when I see her in films and shows I wonder where that Mouni has gone tbh).

- Nia Sharma (I’ve seen her in a few shows/web series and I feel she does one kind of acting well. Her dialogue delivery and expressions are often identical across several shows)

Underrated 

- Barun freaking Sobti (he is one of the most talented actors I have seen in my life. His eyes, dialogue delivery, tonal shift, body language - but he is like a sponge. If he’s with a good team, there’s none like him. I can’t believe it took him nearly a decade for people to spot him and even then I don’t understand why he’s not considered an ‘A’ lister).

- Sanaya Irani (this woman is completely different in every show. Honestly, when I saw her in Rangrasiya I was stunned. Her Paro was so delicate, strong, layered - wonderful. It’s very difficult to take your eyes away from her. She’s magnetic.) 

- Deepika Kakkar (honestly I didn't think much of her during her Simar days but when I saw Kahaan Hum Kahaan Tum I was shocked at how a talented actor like her was locked in that show. She is so emotive and phenomenal!) 

-  Vikram Singh Chauhan (that guy, seriously he is genuinely a very good actor and is more than capable of carrying a show on his shoulders! Subtle, smart and great on screen presence.)

- Varun Badola (often referred as a veteran, this man is great not just because of his vast experience but due to his amazing acting prowess. He reminds me of theatre!)

- Rajeev Khandelwal (no words can justify this man’s talent! He is underrated, period!)

- Jennifer Winget (I am so glad that she got her much needed claim with the Beyhadh series! She is such a fine actor and she needs to be more on screen, literally. Her shift between seriousness and humor is so good.)

Phew, that was a long answer! Hope I didn't offend too many people! 

Love,

- Baby J