#my first year being like an active in the fandom is over

[creatingblackcharacters]

Hi! I really love your blog and you've taught me so much about Black representation and helped me get started on the path to being better informed, so I really need to say thank you so much for all your hard work. You are amazing.

I was wondering if I could get your input on something since I feel like it has a place here. See, one of my most favorite game series is Telltale's The Walking Dead. I love it for its highs and lows, great story telling, and for some of the most amazing characters in the franchise. A lot of elements of this game series has not really aged well, however, and I feel like it all culminated in the series being racist on a lot of levels. Some of it is directly racist featuring microaggressions (like with one character referring to the character of Lee as "urban" and asking if he knows how to pick a lock), but there's one element that really bothers me that's most prominent in the last season. Apologies for spoilers but this has been bugging me so bad for years.

In the final season, our main protagonist Clementine has the chance to romance two characters. One is Louis, a laid back flirty guy who is Black with natural hair and loves the piano and puns. The other is a girl named Violet, a very angry but caring and protective blonde haired White girl who is a lesbian. At one point you have to pick who you save during an invasion on your camp, and whoever you don't save gets taken by the enemy to their boat to go back to the enemy camp.

If you save Louis, Violet becomes angry at Clementine for letting her get taken, actively fights against her at first when Clem and her team stage a rescue, but eventually goes back with her after the enemy's boat blows up and she becomes partially blinded and burned (which is a whole different issue I have regarding the writing but that's for another day). But if you do save her and pursue a romance, it's genuinely one of the most heartfelt moments in the entire game. You talk about what you'd do if you could take a road trip, make up constellations, and even slow dance together. It's genuinely sweet.

However, because of what happens to Louis, I can't bring myself to play a Violet route on any replays. Because if you let Louis be taken, the people who kidnapped him torture him and eventually do something really terrible (I really don't feel comfortable writing here it is that graphic), as punishment for "not shutting up" while imprisoned. I always end up pursuing the Louis romance because, along with being cute in its own way, with Louis writing a song for you on the piano, doing a quick candlelight dinner as best he can with what rations they can spare before the rescue, and even talks about eventually building a dream house with Clem, it's the better alternative to what would happen otherwise.

I don't like what happens to Violet if you let her get taken, but on some level it's better than letting what happens to Louis when he's kidnapped happen. He becomes absolutely broken if you let him get kidnapped.

For years I've felt this was far too uneven towards Louis, but a lot of the fandom doesn't seem to care about it since Louis isn't the only Black character in the series (most of the playable protagonists of these games are Black, Latino, or of East-Asian decent) and they like seeing the Queer representation with Clementine and Violet. But even so, I still feel like it's not fair.

There's a lot of other issues regarding the treatment of Characters of Color in these games, but the treatment of Black characters, especially dark-skinned Black characters in particular, really bothers me.

Oh I'll say it with you- yes, I would absolutely save the Black boy from being lynched over sparing the white lesbian character's hurt feelings, 100%. In the game and in real life. No amount of queer representation means that I should be sacrificing a Black kid and I simply won't do that 🤷🏾‍♀️ fuck the Black boys who may or may not be queer seeing themselves treated like that, huh? And anyone who genuinely believes that the two outcomes are comparable should not be trusted around real life Black people lmao I'm sorry that upsets me to hear.

I think it's baffling that they even made that decision as a studio, to take his suffering THAT far, especially for "not shutting up" when we know full well that "speaking out of turn" is often a trigger for antiblack violence. That is actually sickening, fr. I'm sorry you had to see that, and I'm angry that it goes that far one sidedly. I personally don't think romance options should be attached to decisions like that, either.

[lunarlivs]

nye with r + s ⭑

[daisybell-on-a-carousel]

Theyre going to think I like canon and purely canon if I keep going on like this

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[hyperfixating-rn-brb]

The Good Omens Fandom has had a lot of fun recently with the knowledge of Aziraphale and Crowley holding hands on the bus at the end of season 1.

Soo here's everything that went through my head as I learned of it for the first time.

For that entire scene, Aziraphale is really far gone. He's dissociating so hard he can't even realize he's been sitting on a sword. Crowley is probably the only thing keeping him grounded.

They just narrowly stopped Armageddon after a showdown with literally Satan, and still can't let their guard down. For the first time ever, they're completely on their own side. Now they have to orchestrate a body swap to save both of them. They wouldn't just be killed, they'd be completely destroyed. Everything must go exactly according to plan, but how often does that actually happen?

And on top of that, his bookshop, his home, his safe place with the demon he has to pretend not to love is burned and gone.

Crowley is so incredibly gentle and reassuring this entire scene. He's been through so much trauma himself and has spent a lot of his existence shielding the angel from it, hoping to protect some of his innocence and naivete. Crowley is absolutely familiar with every symptom of PTSD and anxiety.

Now he has to see his sweet angel see such a small bit of the horrors of heaven and hell and start to crumble inside. He's going to do his dam best to try and help Aziraphale through it. Speaking softly, ("the bookshop burned down... remember?) slowly and carefully, gradually helping to pull the angel back to reality, reminding him that he's there and will help ground him.

They get on the bus, and sit next to each other. 11 years ago, they sat nearby but separated while Crowley begs Aziraphale to help him prevent the Apocalypse. Now they are sitting together. Both an act of reassurance and unity.

Crowley sits first, Aziraphale could so easily just sit across from him, behind or in front. But he chooses to sit right next to him. And hold his hand. Aziraphale desperately needs to be near to the *former* demon he loves, to hold him, to make sure they won't be separated.

In the book, their famous lines of "none of this would have worked out if you weren't, deep down, just a bit of a good person" and "just enough of a b*stard to be worth liking" came as Satan rose from the earth, as a goodbye in case they were destroyed.

Luckily, that didn't happen and they survived. Armaggedon was stopped. But the angel is still so anxious of losing Crowley. So he chooses to reach out, to anchor himself and reassure himself that Crowley is still there beside him and that they are okay, at least for a few minutes.

And Crowley let him. He knows how badly Aziraphale needs him, he needs the angel just as much. He knows how badly he craved an anchor and support system as he was first abused and traumatized by his Fall, then further by Hell. So he's going to continue being there for Aziraphale, doing everything he can to make his angel feel safe and comfortable.

Over the next few years, Aziraphale would become so much more comfortable reaching out and touching Crowley. Leaning into him, resting a hand on his shoulder or briefly touching his chest. Somehow both reassuring himself that the former demon was still there, and reminding Crowley that he's still there for him at the same time.

Then Crowley becomes more comfortable with the touch, leaning into the angel by himself. No longer flinching at a sudden graze of a hand or reassuring squeeze.

That one moment of the two holding hands on the bus cemented so much of their relationship. "The last few years, not really..." all started on that bus the moment Aziraphale chose to sit down next to Crowley.

edited: at first this said "new knowledge" because I just found out about this all the other day, and wrote this up at 3 AM, and didn't really fact check when this knowledge became well known. I've only really been a GO fan since maybe 2021, and only really started being active in the fandom during the last few months, so a lot of info that is fairly well known is still generally new to me. soo yeah this was edited :)

source for anyone asking for it!

[autogyne-redacted]

Let's Talk About Security Culture: Why Keeping Secrets is Cool and Sexy

It's a natural impulse -- if you love crime -- to want to talk about how great it is. And if you hate America, it's only natural to want to share your dreams for its future with the rest of tumblr dot com. It can feel brave and transgressive. And there is a drive to share your soul with the world at the heart of social media. Surely I should be posting the most concrete implications of my politics, right? This is the poster's curse.

Security Culture refers to a set of "best practices" developed over the past several decades, largely (in a US context) coming out of radical environmental groups as they faced intense state repression, infiltration and entrapment. If you're not familiar, there's some fascinating crimethinc write ups to give you a window into that world:

Much of it boils down to: don't talk about crimes, past or forthcoming with people who don't need to know about them, and be mindful of the possibility of surveillance and infiltration. And, we can support each other as a community in minimizing risks, with an eye towards enabling bold action rather than getting bogged down in fears and anxieties. The guidelines that make sense for AG-based trouble-makers are different from the guidelines that make sense for posters, but plenty of common principles apply. To speak briefly to our position here as posters:

First, it bears saying that long term anonymity is nearly impossible to maintain. Unless you've never accessed Tumblr without a vpn, and avoided connections with other ppl who can be associated with you/your location, and never shared pictures without scrubbing metadata, and a bunch of other 100% consistent steps, it's trivial for the state to know who you are.

Second, just because something isn't actively being prosecuted now doesn't mean it can't be prosecuted later. The priorities of the state change and a shift in power towards the right or a growth in radical action from the left can suddenly make it a priority to destroy anarchist networks or just find a few ppl to prosecute as examples (who probably weren't that plugged into larger networks before getting arrested). Advocating for specific anti-government crimes or declarations of intent to commit such crimes are likely prosecutable, and even if charges don't stick, they're an easy vector for legal harassment.

Third, it's worth thinking about heat as separate from prosecutability. There are modes of engagement that may not be directly criminalized but signal that you are someone worth watching. Some people choose to be public in ways that make heat unavoidable. But it's worth noting that heat isn't strictly individualized, that it persists over time but also is going to shrink over time.

It's easy on here, ime, to see yourself as a proud member of the crime fandom but not much of a content creator. And it's easy to feel like you've generated an amount of heat where you're locked into that role. But heat you generated 10 years ago is probably pretty well gone. Heat you generated 5 years ago has faded substantially. It's worth thinking about how the world might shift in the coming years and what doors you want to keep open.

The non-individualized nature of heat also means that leaning into the spiciest of anti-state positions will make it a bad idea for people who are acting out those positions end up tied to you. Loudly talking about how "more people should be doing [X/Y/Z]" unfortunately sets you up to remain distant from people who might be doing or thinking about doing such things.

Which brings me back to: keeping secrets is sexy. Not spelling everything out builds intrigue. You can lay out a theoretical position and leave working out the practical implications of that as an exercise for the reader. There's value in opacity. The poster's curse and the drive to confess are extremely convenient for the state, but we can resist them. We can hold dreams in our hearts that we refuse to offer up to the posting spectacle.

[doufudanshi]

ON GHOSTS AND DEMONS: Wei Wuxian's "demonic" cultivation?

There are a few big misconceptions I have repeatedly seen in English-speaking fandom about things that are fundamental to the story of MDZS. One of them is this—

Wei Wuxian is not a demonic cultivator.

To prove this, let's take a deep dive into the original Chinese text of MDZS.

(Adapted from my original gdoc posted on Twitter on May 27, 2022. All translations my own unless otherwise stated.)

Demon vs. ghost

Let's start from the very basics. In addition to orthodox cultivation using spiritual energy and a golden core, there are two other forms of cultivation that are mentioned in the novel:

魔道 (mó dào), or “demon cultivation/path.”

鬼道 (guǐ dào), or “ghost cultivation/path.”

To be clear, 魔 mo "demons" and 鬼 gui "ghosts" (and thus their respective cultivation/paths) are not interchangeable because of the in-universe worldbuilding within MDZS. Using the characters in the term 妖魔鬼怪 "monsters," MXTX created four distinct categories of beings, each of which has a strict definition in the novel. From chapter 4 (jjwxc ch 13):

妖者非人之活物所化; 魔者生人所化; 鬼者死者所化; 怪者非人之死物所化。 Yāo (妖) are transformed from non-human living beings; mó (魔) are transformed from living people; guǐ (鬼) are transformed from the deceased; guài (怪) are transformed from non-human dead beings.

And of course, WWX hoards all the ghost-type pokemon monsters at the Phoenix Mountain tournament, and he only exerts control over corpses, spirits, and the like (aka people who have already died). (As opposed to Xue Yang, who appears to have been actively trying to make 魔 "demons" out of living people with those "living corpses" of his, perhaps.) (And, ironically, in order to avoid showing necromancy / zombies on screen, CQL technically does show WWX practicing demon cultivation because everyone is "supposedly alive" even when they're corpses? Which is, funnily enough, far worse morally in the MDZS universe, lol.)

So, intuitively at least, we know that WWX must be practicing ghost cultivation—now let's look at some concrete examples from the book.

Running the numbers

1) 魔道 (mó dào) means “demon cultivation.” As such, it must use living humans.

魔道 appears one (1) time in the novel.

Yes, once. The only time it appears is in the term 魔道祖师 modao zushi, or the namesake of the novel, in chapter 2. This is a title the general public has given him through rumors:

魏无羡好歹也被人叫了这么多年无上邪尊啦、魔道祖师啦之类的称号，这种一看就知道不是什么好东西的阵法，他自然了如指掌。 Wei Wuxian wasn’t called titles like “The Evil Overlord,” “The Founder of Demon Cultivation,” and so on over the years by others for nothing—he knew these sorts of obviously shady formations like the back of his hand.

2) 鬼道 (guǐ dào) means “ghost cultivation.” As such, it must use dead humans. 

鬼道 appears 12 times in the novel.

Here is the first instance that 鬼道 appears, which I believe is the first time Wei Wuxian's method of cultivation is properly introduced. From chapter 3 (jjwxc ch 8):

蓝忘机 […] 对魏无羡修鬼道一事极不认可。 Lan Wangji […] had never approved of the fact that Wei Wuxian practiced ghost cultivation.

Here's another quote from chapter 15 (jjwxc ch 71) for funsies:

蓝忘机看着他，似乎一眼就看出他只是随口敷衍，吸了一口气，道：“魏婴。” Lan Wangji looked at him as if he saw through his half-hearted bluff. He took in a breath, then said, “Wei Ying.” 他执拗地道：“鬼道损身，损心性。” He stubbornly continued, “Ghost cultivation harms one’s body, and harms one’s nature.”

3) 邪魔歪道 (xiemowaidao) means heretical path/immoral methods/evil practices/underhanded means/etc—e.g., lying, cheating, stealing, bribery, and so on.

It appears ~24 times in the novel.

I mention this last term because it is often used to refer to Wei Wuxian's cultivation, but as a pejorative. Every instance of 邪魔歪道 is said by or to quote someone looking down upon Wei Wuxian’s cultivation (Jin Zixun, Jin Ling, etc.) and referring to it derogatorily, whereas every instance of 鬼道 guidao/ghost dao is said by someone discussing it neutrally and/or factually (Lan Jingyi, Lan Wangji, Wei Wuxian himself, random cultivators at discussion conferences, the narration, etc.). Here is a pertinent example with Jin Ling (derogatory) and Lan Jingyi (neutral) in chapter 9 (jjwxc ch 43):

金凌怒道：“是在谈论薛洋，我说的不对吗？薛洋干了什么？他是个禽兽不如的人渣，魏婴比他更让人恶心！什么叫‘不能一概而论’？这种邪魔歪道留在世上就是祸害，就是该统统都杀光，死光，灭绝！” “We are discussing Xue Yang,” Jin Ling said angrily. “Am I wrong? What did Xue Yang do? He’s scum that’s lower than a beast, and Wei Ying is even more disgusting than him! What do you mean ‘don’t make sweeping generalizations?’ As long as those practicing this kind of demoniac, heretical path are alive, they’ll continue to bring disaster. We should slaughter all of them, kill all of them, annihilate them once and for all!” 温宁动了动，魏无羡摆手示意他静止。只听蓝景仪也加入了，嚷道：“你发这么大火干什么？思追又没说魏无羡不该杀，他只是说修鬼道的也不一定全都是薛洋这种人，你有必要乱摔东西吗？那个我还没吃呢……” Wen Ning shuffled around. Wei Wuxian gestured at him to stay still, only to hear Lan Jingyi also cut in loudly, “Why are you getting so riled up? It’s not like Sizhui said Wei Wuxian shouldn’t have been killed. All he said was that people who practice ghost cultivation aren’t necessarily all like Xue Yang. Do you have to go around breaking things? I didn’t even get to eat any of that yet…”

Tl;dr—Wei Wuxian does not 修魔道 practice demon cultivation. When Wei Wuxian’s craft is discussed in a neutral and factual manner, it is referred to as 鬼道 ghost dao. 

In fact, Wei Wuxian’s imitators are also referred to explicitly as 鬼道修士 ghost cultivators.

魏无羡早就听说过，这些年来江澄到处抓疑似夺舍重生的鬼道修士，把这些人通通押回莲花坞严刑拷打。 Wei Wuxian had heard a while back that over the past few years, Jiang Cheng had gone around snatching any ghost cultivator suspected of being possessed or reborn, detaining them in Lotus Pier to interrogate them using torture.

So why the confusion?

Of course, there is the matter of the novel's title, which I will get into in a second. But the real issue is a matter of translation.

The idea that WWX uses "demonic cultivation" is a misconception in English-speaking fandom due to issues with the translation of terminology. Of note, EXR actually did translate 鬼道 guidao as "ghostly path" most of the time, though there were at least 3 instances of "demonic" and 1 instance of "dark," especially regarding the first few.

However, this misconception was perpetuated (and arguably worsened) by 7S's official translation, which not only mistranslated additional terms as "demonic cultivation/path" (at least in book 1), but also consistently mistranslated every instance of 鬼道 as "demonic cultivation/path."

So why is this book called 魔道祖师, commonly translated as "Grandmaster of Demonic Cultivation?"

One possibility is one posed in Chinese-language meta online, which often cites that WWX himself is a sort of 魔 demon. While this may be true—after all, he can hear the voices of the dead—it doesn't quite explain the fact that the title sets him up to be the 祖师 or "founder."

My take is that this novel is very much concerned with hearsay vs. truth. This is one of the many monikers WWX is given by the public, who collectively view him as evil. (Also of note is that the non-cultivator public is not aware of all the nuances that cultivators learn re: distinctions between the 妖魔鬼怪 monsters.) In the quote from earlier, note that the first title we're given is actually 无上邪尊 “The Evil Overlord,” then 魔道祖师 "The Founder of Demon Cultivation." Like, what can that be other than MXTX telling us, "please take both of these with a HUGE grain of salt, lol."

(And not only the title, but the very first line—"魏无羡死了。" / "Wei Wuxian is dead."—is a lie.)

I think the title is genius, honestly. It intentionally makes readers come into the novel with preconceived notions that Wei Wuxian practices 魔道 demon cultivation and evil techniques—just like the public in the novel. What better way to tell a story warning about the dangers of how easy it is to fall for misinformation and jump to incorrect conclusions?

(Though, in our case, perhaps it worked a little too well.)

[uglypastels]

omg what about Logan being like the softest with a sensitive/shy reader. Idk in what context like maybe she’s just overwhelmed with life and kinda closed off in terms of voicing what’s wrong and you know he’s usually very stoic but he’s the BIGGEST softy. Totally not projecting btw.

YEsss Logan is such a fucking softie, no matter how hard he'd want to try and hide it. thank you for being my first request for this fandom i hope i can do it some justice 🫶 and pleeease, we love to project here so please, go right ahead.

warnings: darkness. anxiety. loneliness. alcohol. fem!reader. reader's mutation specified. mentions of past [implied toxic] relationship. so some angst but also bunch of fluff at the end. also please don't come for me if he's a bit out of character. this is my first time writing Logan so it will be trial and error.

~ X-Men Requests Open ~ Masterlist ~

It was the dead of the night. Quite literally. All around you was so quiet and dark that the rest of the world might as well have ceased to exist. All you heard was the floorboards creaking under your footsteps as slivers of moonlight illuminated your path through the corridors of the mansion. It was the rare instance that you felt at peace. 

Yes, you knew almost as soon as you stepped inside the large building and saw all these mutants walking around happily and carelessly that you had found a true safe haven, and yet, months later, you still had not found your bearings. It did not help that you were not exactly in the age bracket of most of the residents here. Having the mansion double as a school meant most of the mutants were in that school-going age range, and while they were lovely (for the most part), you had no desire to befriend children. Then, those who you felt more drawn to socially, like Storm or Jean, were all apart of that special ops team, which always left them busy, if not completely absent, while away on missions. 

Thus, most of your days went by in solitude. Something you had gotten used to throughout your life. Over the years it had become natural for you to simply disappear into your surroundings. Wether you wanted to or not, people simply overlooked you. In hindsight, it explained your mutation perfectly… or was that just an aftereffect of it? You had always wondered if it was one’s personality that influenced the mutation or the other way around.

Either way, for you, it all merged into one dark abyss. 

By now, you had gotten a hang of all the floor plans of the giant building, especially the route between your room and the kitchens. 

You hadn’t checked the clock when you got out of bed, but it must have been around 2 am, if not later. You didn’t expect anyone to be up at this ungodly hour. Especially not walking out of the dark kitchen exactly as you were coming through the threshold. The two of you bump, chest to chest, and the contact immediately made you burst out in a high-pitched scream. From the other side of the impact, you heard a muffled grunt and the sound of a blade being pulled. That was enough for your flight or fight mode to activate. You almost choked on the deep breath you took. The blade swung in your direction, but it only slashed the air where you once stood. 

‘Who’s there?’ it was a male voice. Hard and deep, almost wild. In your other form, your eyes adapted much better to the dark, and so you could see him looking around himself wildly. You counted the sharp appendages in his hands— no, they were coming out of his arms— six long claw-like blades ready to impale the very first thing that’d move. 

There was no doubt about it that this must have been the infamous Logan everyone around the mansion talked about. From what you had heard, he had been away for almost a year on some top-secret assignment for the Professor, but now he had apparently returned.

And what a comeback he has made, nearly stabbing you in the hallway.

‘Who’s there?’ he repeated his question louder, still looking around.

‘Just me.’ Your voice came out as the exact opposite of his, soft and weak, and you immediately regretted your words. Just me, as if he was supposed to know what that meant.

But it must have done the trick, as Logan retracted his claws. His shoulders visibly slacked at the lack of imminent danger.

‘Well, Me, you can come out of hiding. I’m not gonna hurt ya,’ he grumbled, ‘let me just turn the light on–’ 

‘Wait!’ You squeezed your eyes shut and let the cool air of the night brush over your bare arms. When you opened them again, all you could see was Logan’s large frame standing inside the kitchen, most likely hovering over the light switch, surprised at your sudden call.

‘Sorry, you can uhm– turn the lights on now.’ And like that, with a quiet flick, the kitchen illuminated with a soft orange glow. 

Logan’s eyes were immediately on you, scanning you up and down for any sign of recognition, but you already knew there would be none. Even if he had ever seen you before, there never was.

‘Do I know you?’ he cocked his head with the question, and all you could do was shake your head. 

‘I doubt it.’ No one knew you, but that didn’t feel like a smart response.

‘Care to introduce yourself, Bub?’ He leaned against the wall with the light switch, and maybe it was his overall greatness as he practically towered over you, but you felt a rush of heat fall over your face as he looked down at you in expectance. Awkwardly, you pushed out the sounds that formed your name, with a bonus of an extended hand for him to shake. 

‘And you must be Logan, right?’

He confirmed your suspicion with a grunt as he took your hand, squeezed firmly, but not painfully, and shook it once. Then, silence fell between you. 

Two strangers who met in a complete, nearly fatal accident. It was only to be expected you would have nothing to say to one another. But you were, after all both awake this late in the night, and that was enough to compel you to talk. 

‘Couldn’t sleep?’

‘Just got back, actually.’ His eyes glanced to your side and that is when you noticed the duffel bag that lay in the corridor. Then, only when you looked back at him did you take in what he was wearing. Not the expected gym shorts or sweatpants with an old shirt. Instead, Logan was dressed in a black button-up under a dark motorcycle jacket. With that, he had a boot cut-jeans and the boots to match. From the tiny dark dotted pattern on his shoulders and the light pitter-pattering that was occurring outside, it was visible he had just come from out of the rain. 

Immediately, a parade of questions entered your mind. Where had he been? Why did he come back so late? What was he doing in the kitchen? And so much more, though none of it would leave your mouth as you doubted he would talk to you about his secret mission. 

‘You alright?’ His brows furrowed as he looked down at you, and you realised how you must have looked. Staring up at him with wide eyes, not saying a single thing. Another heat flare hit your cheeks.

‘Yeah, I’m fine.’

He cocked his head in an examinatory fashion. The disbelief evident in his eyes. 

‘You’re new here, aren’t you?’

‘Relatively,’ you shrugged. ‘Got here a few months ago.’

‘Parents kicked you out?’ He assumed the most common backstory that comes with the residents of the mansion.

‘Not exactly,’ you kept your response short. After all, you could hardly tell a stranger you just met that your boyfriend had kicked you out of your shared apartment when he found out about your genetic abnormality. You had never been sure how he would have reacted, but the events that unfolded were even beyond your imagination. But the past was the past, and you didn’t want to dwell on it. The important part was that not a day after this conversation, you were crying in your car with nowhere to go. It was by chance that weeks after your break-up/eviction, you stumbled into some other mutants who told you about the Professor. You weren’t too sure about going to seek shelter at a school of all places, but in reality, the Academy was much more than that. Though it did give you the perfect opportunity to safely train your abilities.

That and so much more was what went through your head, but you didn’t say any of that to Logan. Why would you? He didn’t know you. He didn’t care about your problems, and you didn’t blame him for it. 

On the contrary, you appreciated that he didn’t press you for more details. When you answered the way you did, he simply nodded in understanding and made his way over to the fridge. The blue glow illuminated his tense features. Strange, for a man who had been a year on the go on some secret spy adventure, you would have expected him to return at least a bit beaten up. But besides maybe some signs of a bad sleep schedule, no form of strain was visible on his face.

‘You want something?’ he looked over at you, making you realise you had been, in fact, staring and not very subtly either. 

‘I’m good, thanks.’ 

‘Suit yourself,’ he went back to inspecting the contents of the fridge before sighing with disappointment. ‘They still don’t have anything stronger around here?’

‘Oh, if you’re looking for beer–’ you walked over to a cabinet at the other end of the kitchen. You tapped a corner, and a small code pad appeared. You tapped in the code, and the cabinet opened to reveal a fully stocked mini-bar. ‘Scott had it installed over the summer,’ you explained when you saw Logan’s confused expression.

‘Explains the babyproofing.’ He walked over, and you handed him a cool bottle of beer.

‘Well, it is a school after all.’ You held in a smile as the thought occurred to you that the kids might not have been the only ones who weren’t supposed to know about the secret compartment. The rivalry between Cyclops and the Wolverine was known all too well around the whole campus, even for newcomers such as yourself.

Logan smirked, taking his beer. You were about to offer a bottle opener, but he hit the neck of the bottle against the edge of the table and with a pop and a clink, the cap came right off. 

‘Here,’ he exchanged your bottles, giving you the open one. You watched him repeat his actions with the second drink. Your eyes were still on him as he chugged down half of the beer in one go. He probably could have downed the whole thing if it wasn’t for his look down at you, most likely noticing your entranced look.

‘That staring a part of your powers, too, then?’ he commented, and the acknowledgement immediately made you turn your head in the direction of the window.

‘Sorry. I just— I tend to do that, I guess.’ You wrinkled your nose. Being on your own around so many people, you had gotten used to people watching, observing them from a distance like a show on TV that you kept on for the background noise.

‘What do you do, anyway?’ He asked bluntly, ‘I thought I had done you in good back there.’

‘You would have,’ you chuckled, remembering just how close his claws had come into contact with you. ‘It’s hard to explain. I just kind of—’ You noticed the shadow that fell over the floor from the table and lightly grazed it with the tip of your toe. With a deep breath, the world in front of you changed. Except the exact opposite was the truth. ‘Disappear.’ You finished the sentence, punctuated by your new state.

Logan’s eyes widened as you disappeared in front of his eyes. Where the shock came from, he couldn’t explain. He had encountered these sorts of mutants before. But this felt different than regular invisibility or teleportation. With his heightened senses, he could always detect those sorts of hijinks. No one ever disappeared to him. But you— as soon as you had faded away, it was as if you had completely fallen off the face of the earth. Not a single trace of you lingered behind. When you spoke, just as you had in the hallway, your voice didn’t seem to be coming from one place. It was all around him, almost like a whisper, a voice inside his own head.

With a blink of an eye, you reappeared before him. Just as you had stood there moments before.

‘There’s not really a name for this, I think; at least no one around here could come up with anything that made sense.’ Not that you had any conversations that made people interested enough to do the research. ‘But from my own understanding, I kind of become one with the shadows.’

‘And what about the light?’ he recalled your yelp when he had tried to turn on the light.

‘I merge with the dark, and so when new light sources interfere… it’s not pretty.’

Logan simply nodded as he took the last swig of his beer.

For a moment, the two of you stood there in silence, you leaning against the counter and he against the large table. 

‘You’re doing it again, Bub.’ He smirked, calling out your lost stare. 

‘Sorry,’ you hadn’t even realised you were doing it. You had just been looking around the room and may have, perhaps, accidentally lingered a look at his frame for a few seconds. And then you caught sight of his hands. More specifically, his knuckles. There was a faint pink glow on the skin, but besides that, you would never be able to tell that deadly claws could grow out from there. You blinked. ‘Sorry.’ You were doing it again. Quickly, you drank the rest of your beer. The bitter taste lingered in your throat, suffocating the burning questions that you wanted to ask.

‘Spill it out.’ He hit you by surprise with the command.

‘Uh–what?’

You knew there were plenty of mindreaders around, but you had not thought it was one of Logan’s abilities. ‘How did you–’

‘It’s all in your face, sweetheart. You think just ‘cause you’re quiet, you’re hard to read, don’t you.’ His assumption left you a bit stunned. It wasn’t that you had thought exactly that, but more so that you never considered that you were making any expressions that were that easy to interpret, as you never really had anyone pay that much attention to you to point it out.

 ‘If you want to say something, just say it.’ Logan said the corner of his lips lifted in a small smile. ‘If you’re wondering if it hurts,’ he looked down at his knuckles, ‘it hurts just as any other one-foot-long knife cutting through skin.’

‘That’s awful.’ You gasped, considering what it must be like to have such a mutation that inadvertently harmed you any time you used it.

‘You get used to it after a while.’ 

Another round of silence. This time, the longer it went on, the more you started thinking how you must be inconveniencing him. With the beers drank, there was little for you both to still be doing here, but also didn’t want to be rude by just up and leaving. After all, you didn’t know Logan very well. 

‘You sure you’re alright?’ He asked, coming out from behind the table.

‘Yeah.’ You tried to smile but could tell it probably did not reach your eyes. Logan moved with a sense of apprehension, unsure of how to approach you. Being a year on the road, not to mention the years of solitude before he had joined the Professor’s team, had not exactly prepared him for these kinds of situations. He didn’t know the right things to do or to say. But to you, just his presence was enough. Just him being there, talking, or in this case, just seeing you, was more than you could have asked for. ‘I’m good.’ 

And yet, ironically, though you had actually meant it for once, you really did feel alright, but something about the situation caused tears to prickle in the corners of your eyes. Maybe it was the sleep deprivation that made you overly sensitive. Or the alcohol. 

You blinked the tears away and smiled awkwardly. ‘It’s just been a long day.’ or week. Month. Year. How about your entire life?

‘Yeah, tell me about it.’ There was that quirk in his lip again, that ghost of a smile. And you couldn’t figure out if his response was just a sarcastic quip, understandably referring to his past days, which you were sure did not consist of a walk in the park. Or did he actually mean it, and he did want you to tell him more? Well, your moment of contemplation brought on another wave of silence, and the heavier it fell, the worse you felt to go back to your problems.

The sudden sound of footsteps pulled you back into your world. People must be slowly waking up; meanwhile, you hadn’t had an hour of sleep yet, and the effect of that started to hit.

‘I should— should probably go.’ You muttered, taking small steps in the direction of the door.

‘Well, the offer always stands.’ Logan followed you with his eyes, turning in his spot as you passed by him. See you around, Nightshade.’

‘What?’ the nickname caught you off-guard, stopping you in your tracks. 

‘Sorry,’ Logan winced, ‘I don’t know—’ that’s what he gets for trying to be cute. 

‘No, don’t apologise. I like it.’ Your smile finally found its full form. A “thank you” almost slipped past it, but you held yourself back. It felt too cheesy to get all sentimental about something as silly as a nickname. Especially since he didn’t know what it meant for you. He didn’t need to know didn’t think you’d ever belong amongst these people enough to get a moniker. 

And maybe it didn’t mean anything at all, maybe he had just said it as a mindless comment on your powers. Or maybe not. Maybe he had really tried hard to put that smile on your face. 

You would never know.

Unless you took that one small step. Because, of course, all you had to do was ask, just like he had told you, but maybe another time. For now, you just bid him farewell, hoping for that next opportunity to certainly come sooner than later.

the end.

thank you for reading 💗

if you enjoyed the fic, please consider reblogging and leaving a comment. or send a message via my inbox. requests are also more than welcome. 💗

[am-i-the-asshole-official]

I (26, NB) dropped a long-term friend (23, not disclosing gender, I'll call them X) for being a proshipper, and now they're trying to get in the way of my other friendships.

A little more than a month ago, an old friend from when I was an itty bitty teen on the internet (we met when they were 12 and I was 15 or so) messaged me on twitter asking if we could share discord since they're more active on that platform, and they missed hanging out. Ok, no prob!! I missed talking to X and life was going kinda icky for me at the time. We exchanged discords and started talking more frequently, before we would talk through twitter dms maybe one day every few months, and we went from almost no contact to talking every single day. It was like being a teenager again; we still shared similar interests and we really fast clicked over old and new fandoms we were in. We talked about college and how they're starting to get the hang of their new job but needed support, talked about our family lives, etc., and in general I felt really comfortable and happy to be chatting again with someone I've known for so long. We were inseparable for weeks.

However... of course, as adults, and having known each other for YEARS, we started talking about fandom ships and fics we enjoyed. We didn't have the same taste in pairings, but that was okay. Until it wasn't anymore.

I shared my NSFW twitter with them, and they followed me. A few minutes later X told me, "I see you have "proship DNI in your bio, I just want to let you know that I am a pro-ship and enjoy some things in fandom that you might think is gross. I hope that's okay."

I was kind of weirded out, and told them that as long as they didn't like anything that would be criminal in real life, that's fine. They told me they *did* enjoy things in fiction that they "wouldn't condone in reality" and even though they "don't talk about it publicly" they still wanted me to know. For some reason. ?? Even though they KNOW that I have an irl history of abuse as a kid, they still told me this.

I was so fucking uncomfortable and really, really sad, and honestly I felt betrayed? I stepped away from my account for like, an hour before messaging them back and saying I didn't want to continue talking to them anymore. That I didn't know they were that kind of person and I'm not comfortable being their friend. I didn't read their response to me because I soft-blocked them.

While I was getting over that and trying to move on, a few days later I was talking to another mutual friend of ours when they asked if I was still friends with X. I got chills remembering how I broke off with them, and said no, we weren't talking anymore. That they were the kind of person that made me really uneasy and uncomfortable to be around. The mutual friend, I'll call R, said that X was "feeling kind of down about losing a friend recently" and talked about it in a discord server they share. X didn't mention my name but R wondered if it was me who dropped them since I was really touchy about boundaries online. I freaked out a little thinking about them talking about me, and asked what else they said, and R told me "not much, just that they felt sad but it was your choice in the end because you two were different" and I don't know why but it left a bad taste in my mouth. Were they trying to make people seem like I was the bad guy or something?? Idk.

I told R the reason why I stopped talking to X, and that X is a proshipper who likes things like inc*st and rape, and R wasn't as supportive as I thought he would be, saying that he understood how I felt but if X was being honest and open about their interests, it probably meant they trusted me and didn't want to "lie" to me. I don't understand how that's even relevant if X is a fucking proshipper. I don't want their trust in the first place if that's who they really are, and I felt betrayed that someone I knew for so long was hiding that for me until we were bonding again. R basically dropped it there and said "idk then" and I told him I was going to shut off my notifs for a bit. I really don't want to talk with him again right now especially since he didn't seem THAT bothered by X being a proshipper who's into really criminal shit.

Since then, friends of mine who are also friends with R (because he's a friend of X still, for some reason), haven't been replying to me as much anymore and I'm super sensitive to noticing these things, at first I told myself it was nothing, but there's an obvious decrease in our interactions. I can't help but think that X actually said bad stuff about me, and R didn't want me to know, or maybe X convinced R that I was a terrible person or something. I still haven't read X's reply to me because I genuinely do not want to interact with them ever again, but for the past few days I've been so angry and hurt by my other friend's actions that I can't help but want to blame them, since this all started when I left them.

AITA for dropping a friend because their interests made me SEVERELY uncomfortable? I don't know what to do.

What are these acronyms?

[yanderes-galore]

Fandom: HOTD

Character: Cregan Stark

Pairing: Romantic

Type of fic: Concept

Extra info: I haven't had the opportunity to watch the finale yet so I hope my man got more screen time other than 3 minutes...

But other than that! Darling could be from wherever you want, you're free to do whatever. I'm just starving for more Cregan content to be honest 🙏����

- 🥝 anon

More screen time? That aged well... Anyways! Sure, I'll try my best. Using ASOIAF wiki to help me!

❗️Spoilers For HOTD/Fire and Blood Ahead❗️

Yandere! Cregan Stark Concept

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Possessive/Protective, Manipulation, Controlling behavior, Forced marriage/Courting, Mature themes, Violence, Blood, Isolation, Dubious relationship.

The first idea I thought of for Cregan is him with a Targaryen.

Cregan himself is not very involved in the Dance.

He takes pretty much the entirety of the war to gather forces since the North is so vast.

However, that does not stop him from toppling The Greens in areas other than King's Landing.

This concept is going to be a tweaked version of canon where you're a Targaryen on the side of The Blacks.

Your mother is Rhaenyra and you're helping your brothers gain forces to your side.

Now this could go one of two ways.

You arrive in Winterfell with Jacaerys to speak with Cregan... or you go alone.

Regardless of which occurs, you are tasked to convince Cregan to join The Blacks.

Despite being a skilled dragon rider, the winter chill nips at your skin as you land your dragon.

You had come to negotiate, to give whatever you could to get Cregan to aid your mother.

Although... You end up giving a lot more than you bargained for the longer you stay in Winterfell.

Like most Stark lords, Cregan is an intimidating fellow.

He has had a lover before, in fact he's older than you by at least a few years despite you both being around your twenties.

Yet the difference in age is small and you're able to get along rather well with the lord.

Despite being relatively cold to most, Cregan is ironically rather warm with your presence.

You had learned his past love had died in childbirth, leaving him with a young son.

You even take the time to learn more of Stark traditions.

Winterfell is land much different than your own home.

It's cold compared to Dragonstone, your dragon rather antsy about the change in climate.

You were invited to stay a week or two at Winterfell's castle.

Of course you agree, after all the Stark's support is needed for your mother.

Your time spent in Winterfell is used to get to know lord Cregan Stark.

You drink, hunt, train... Your time there includes a large amount of culture training.

The same thing happens if you went with your brother.

Cregan's form of bonding with you is definitely Stark in nature.

The drinks in Winterfell are much different than home.

They primarily drink ale, yet Cregan was able to get his hands on some Dornish wine if that was better for you.

You just took the ale most of the time, wanting to be on good terms.

Hunting was another activity.

Cregan primarily hunted with Jacaerys if he went with you.

However, there's times you get to hunt with the Stark lord.

Cregan was surprisingly cautious of you while hunting.

For the first few days it was most likely due to him not wanting a Targaryen heir to be injured.

However, over time it seems his intentions towards you changed.

The same thing occurs with training.

Cregan carefully observes what you're capable of before showing you ways to hone your skills.

After all, you're a dragon rider, you're used to the skies.

Yet he teaches you how to properly use a sword.

As your visit progresses, you make some good progress with getting to know the lord.

Cregan himself appears fond of you, often greeting you himself every morning to invite you on yet another expedition or meal together.

Unbeknownst to you, Cregan's intentions for you aren't just to be loyal to your mother.

No, the longer you are in Winterfell, the more Cregan ends up falling for you.

You're a strong and fierce dragon warrior.

Having a Targaryen in his family can be a useful thing, he's reminded of that each time he sees your dragon hidden from the biting cold.

Although, not only are you useful...

But he also finds himself falling for you genuinely.

His obsession develops as the days pass.

By the end of your visit, you and Cregan are close.

He makes sure your hospitality is perfect, that you are respected.

If anyone has problems with you, Cregan will remind himself to have them judged (and possibly executed).

Cregan sees you as his dragon and himself as your wolf.

He's smitten by the time your visit ends, eyes unable to part from you.

Of course Cregan plans to pledge loyalty to your family.

Yet he's not doing it for your brother, your mother, or the throne.

He's doing it for you.

The Pact of Ice and Fire occurs differently in this scenario.

Instead of asking to marry Jace's first born daughter to his son... He asks Jace or you something different.

In return for his loyalty to the throne, he wants to marry you.

The deal comes across as a surprise at first.

Granted, you were not betrothed yet, but even if you were it probably wouldn't stop Cregan.

The wolf has spotted what he wants...

He plans to have you one way or another.

Determined to win the Starks for your mother, you take a deep breath and agree to Cregan's proposal.

In return for Cregan's northern men, you will be his betrothed.

Your compliance brings a smile to Cregan's face, good...

That wasn't so hard, was it?

Cregan, while cold to most, is not cruel to his dragon.

The wedding ceremony hasn't even occurred yet but Cregan already plans on arranging you to stay at Winterfell.

You try to tell him to wait, but your new husband doesn't listen.

He's a stern man, shutting you down when you try to reason.

You tell him you'll get married after the war, that you and your dragon are needed in Dragonstone.

Cregan ignores such a thought.

He tells you it will take around two years to rally the needed men.

Until this... He considers marrying you earlier.

Cregan does not want his dragon to fight in the war.

He may not show it, but he fears losing you.

You try to tell him that your dragon is not used to the colder climate.

In response he tells you to dismiss the large flying lizard, telling you to stay here.

Your dragon will return when it is needed.

You, however, are to stay in Winterfell until you're both married... and afterwards.

Cregan does not listen to anyone on this matter.

While he has men sought out to aid your mother, he sends a raven (or Jace), to tell your mother of your bargain.

Meanwhile, back with you, Cregan kisses your soft skin, telling you he'll be a good man to you.

If anyone tries to tell him your need to go back to Dragonstone, Cregan responds harshly.

He does not hesitate to have someone cut down for not agreeing with him.

You are his betrothed, his beloved dragon.

Disagreements often end with a bloody sword and his grip on you tightening.

Cregan is surprisingly affectionate, kissing your lips and skin.

He calls you all sorts of affectionate nicknames, holding you close.

He doesn't share chambers with you until you're officially married.

Once you are.. You learn just how possessive the wolf can be.

You're married a month or two after meeting the Stark.

Your wedding night comes with sharing his bed....

Your mother tells you your dragon is needed.

Yet you respond saying Cregan Stark refuses to let you battle.

You don't properly see your mother again once Cregan takes you as his own.

Even when your mother asks to meet with Cregan, the winter wolf is against it.

Truth is I can see Cregan keeping you at Winterfell until the war ends.

Both Rhaenyra and Aegon II perish, along with your siblings.

You are one of the only remaining Targaryens other than your younger brother Aegon.

It's only then that Cregan allows you to come with him to King's Landing.

You're devastated at the fact you lost your family, survivor's guilt creeping in.

Cregan allows you to reunite with your younger brother and soon even becomes Hand.

During his time in King's Landing, you are allowed to stay beside him.

Yet he tells you once he is no longer needed, you will be coming back to Winterfell.

Part of you does love your husband... He's trying to protect you.

Despite that, you resent him for forcing you to stay back.

But... His winter men did indeed help claim territory for the blacks....

In a way, you guessed this was your purpose.

If you are capable of having children, you most likely have a young babe with him... maybe another on the way....

Regardless, Cregan keeps you close, the wolf watchful of his dragon.

One could argue his possessive behavior saved you...

You still hate it.

It's ironic, dragons are meant to be stronger than wolves.

Yet here you are, leashed to your loyal hound... bare able to mourn your family.

Cregan reassures you this would've happened anyways.

You should be happy he kept you safe....

You may have Targaryen blood... but to him, you're a Stark now.

He's your family now...

Whoever tries to go against this will meet the end of his sword, their blood staining the snow as you're forced to be good for your husband.

[simp-ly-writes]

Dreams of Dragons (pt.1)

─────── · · A House of the Dragon FanFic

PAIRING: Daemon Targaryen x Fem!Targaryen!Reader

SUMMARY: It had been centuries since Kings and Dragons ruled over Westeros but in your dreams- they still do. Being a descendant of the Targaryens, your parents told you stories of the great battles your family had fought generations ago that inspire to to become an archeologist determined to dig up more on your families past. So on a opportunity trip to Dragonstone, you are met by an invisible force that appears to have its own plans for you.

TAGS: alternate universe, canon divergence, no use of y/n, second person perspective, female pronouns used, coarse language, depictions of blood and anxiety attacks, emotional hurt/comfort, protective!Daemon, angst, soulmates, time travel, not beta read. MASTERLIST | TAGLIST REQUEST | WORDCOUNT: 2,070 | NEXT PART A/N: this is my first time writing something for this fandom, please be kind and I hope you all enjoy!

─────── · ·

EVER SINCE YOU WERE A CHILD, YOU WERE FASCINATED BY DRAGONS. Once night would fall your parents would sit at the foot of your bed, a flickering lamp by your bedside acted as the only illumination of the room and played with the shadows to cast the great tales of your ancestors, the once mighty House Targaryen upon your ceiling.

Eyes feeling heavy and body sore from running about all day, your mind was always active, imagination sparking to life as their stories washed over into your dreams that you often confused with reality. Your dreams always felt too real, as if that distant past was increasingly tangible every time you opened your mind to rest.

You could hear the sounds of battle, the clashing of metal and cries of men fighting amongst ash and blood that seemingly rained down from the skies. You were unflinching to the thunderous roars of dragons above, their wings the wind carrying the smoke over to everyone neighbouring in warning not to mess with the Targaryen's. But it was a dream you woke up from nevertheless as you found yourself back in the waking realm day after day.

Your parents thought nothing of your over-active imagination nor your constant desire to learn more of your ancestry, just taking it to you being a curious child with an ambitious mind for knowledge so they kept telling you stories of the bravest princesses and princes that defended the realm, the tricks and battles they faced, and of course, the dragons they rode above the clouds touching the sun before anyone else could.

But as you grew older and your peers 'matured past fantasies' as your teachers put it, you became distanced from the people of your years and wanted to stuff your face in a book or memorize another historical map than attend any social events or soccer practices.

The walls of your room could not expand like your mind and became increasingly flooded in your illustrations and detailed diagrams of each house crest and dragon you read in your books.

Once the upper years of your secondary school education came, so did your time to shine in your historical, political, and classical studies. With ease you could recite the lineage of the great houses and every battle waged from coast to coast of Westeros that allowed you an early pass into college where your passions could be fully envisioned.

But with every sleepless night that passed you by from being enveloped in your studies, your once vivid dreams of the battlefields faded to staring at the back of your eyelids and waking up to the sound of your alarm.

─────── · ·

You would be one of the earliest graduates from your doctorate program in archeology and history, the slips of paper hung proudly up on your office walls beside your original illustrations that you hoped to inspire the younger generations that stepped foot into your office with a thirst for knowledge just like you were and to some point, still are.

The university you graduated from and now worked at was sending you and a small research team to the remains of Dragonstone and you nearly kissed your department head in thanks as you ran out of the meeting room to pack your bags and equipment. 

A heavy backpack, duffle bag, and camera bag were all thrown into the back of your car as you made your way towards the airport for your overnight flight to the coast where it would be a few days of boat travel before you would reach the island. 

You fell asleep easily on the flight contradicting the restless excitement you felt and for the first time in years, you didn’t see the back of your eyelids but vines slithering between weathered stones. The bench you sat on was a cold hard stone, porous and rough underneath your palms as you observed the long black dress you wore. 

Pinching the material between our fingers, its softness confused you for the garment materials you researched for the lower classes were definitely not so velvety. Hiking up your gown slightly you stared at your polished short heels that confirmed your suspicions. You were a noble woman of some kind in this new dream and by the looks of your hands, had yet to see battle if you ever were. 

A cough has your eyes snapping upwards, your skirt dropping as your neck warms and crawls up to your cheeks. “To be scandalized or enthralled by seeing the princesses hiked up skirts, hm,” a tall man with long white hair hums to himself whilst leans against a pillar, hand lazily resting upon the hilt of a sword, their smirk wavering on a grin as they await your response with humour evident not only in their tone but in they violet eyes. 

You look away confused, you recognize the man from some place yet cannot place a name to the face as you take in the gardens that surround you in search of an answer. The rain of blood from past dreams is now a small fountain with a swan spraying water in a steady stream from its beak into a porcelain bowl. The flowers that surround you are thriving in various pigmented shades of reds, blues, and yellows; land untrampled and not a single corpse or dragon in sight.

Your distant attitude and lack of response seem to offend the man, his smile sliding off his face as he casts a glare to the foliage for taking your attention away from him. He takes long strides, sword and cape swinging by his sides to stand before you, casting you in his shadow as a gloved hand tucks a strand of your matching white hair behind your ear. 

“What troubles your mind?” His voice is tender, all traces of humour left as you turn to look into his eyes. No one had ever spoken to you nevertheless touched you in a dream before… you pinch yourself in an effort to wake the real you up only to see a bruise starting to form against your skin. The silver-haired man before you hisses, separating your hand from your skin with a glare, “why are you punishing yourself? What have you done?” 

You watch as the pastel violet fades to a deep purple and look away, mind racing to conjure an explanation but any thoughts are ripped away as a gloved hand grips your chin, forcing your eyes to cast upon his refined features set between a dozen healed scars. “Are you still ill? Do you need me to grab a Maester?” 

He uses his teeth to pull the glove off his other hand, leaving it to fall amongst the grass and clovers before resting his knuckles against your forehead to check your temperature, “you don’t feel hot…” his voice a mere murmur in his observation before sharpening, “who has made you this way?” 

His grip is unwavering on your chin, bordering on a physical comfort and hurtful as you mistake his growing concern for anger and rush to speak, “It is me! This is all of my doing, your highness.” You swallow deeply and pray that you stated the correct title so as to not lose your physical head. You shake yourself away from his touch before moving to stand. 

Yet just as you step around his broad frame his hand reaches for your upper arm, keeping you in place, “Do you forget yourself?” his mouth pressed directly near your near, he feels you still beneath his touch. 

“Please, excuse me,” you look straight forwards, peering down the open hallway for an escape. 

“I demand you tell-” the man is cut off by a new feminine tone that steps out into the sunlight. She too wears a long dress yet hers is mostly red with gold accents. Her hair braided across the top of her head to form a crown, her stance upright, gaze as violet and piercing as the man who holds you and suddenly it dawns on you. 

“Princess Rhaenyra,” you whisper before slowly turning your head to meet the Rogue Prince’s gaze. Your mouth is agape, eyes wide before casting down as you try and bow yet Daemon’s hold on your arm keeps you. 

“She is not right in the head,” Dameon calls over his shoulder to his niece who looks between the two people she adores most in concern. You shoot the prince a glare for his choice of words that he chooses to ignore. 

“But the Maester promised that once she woke up again she would be herself again,” Rhaenyra frowns. Dameons hand slips down your arm, fingers interlacing with your own before raising your hands to press a lingering kiss to your knuckles. His thumb tracing the sparks leftover from his mouth to your skin.

You open and close your mouth like a fish out of water, breathing starting to become ragged as you feel overwhelmed, not understand why you have yet to wake up, why the royals you to some part idolized in the stories your parents told you were worried over you presently, “It's just not adding up,” and you don’t realize to be speaking your thoughts. 

“What does not?” Rhaenyra takes another step forwards, hesitant to give you space, not wanting to overwhelm you further. Your lip quivers and you swear to hear a bee humming in your ears as your body begins to sweat. You start to grip at your bodice that feels too tight against your body, feet wavering on stability before you feel yourself falling back and into an awaiting chest. 

“Get the Maesters!” Daemon roars before hearing a dozen rushed feet of servants departing down the hall. He walks you both towards the bench to sit in his lap, pushing your head gently back to rest against his padded shoulder. 

Rhaenyra falls to her knees before you both, gripping your hands with tears welling in her eyes, “please,” she squeezes your hands, “stay with me, I cannot do this alone again, I need my-” you fail to catch the rest of her words feeling as your eyes grow heavy with every passing moment. Your breaths begin to even out in contrast to Daemons short panicked ones as his hands rubs up in down your waist in a reassurance for you or himself you will never get to know as sleep overcomes you, the last thing you hear are his pleas, “wake up, I will not live to see you laying lifeless for another day!”

─────── · ·

You find yourself in the waking world and being blinded by artificial lighting as a stewardess politely asks you to place your seat upright and tray up. You hastily comply with an anxious smile as your co-worker in the aisle seat across from you greets you a polite, “good morning.”

But as you deboard the plane, grab your luggage and head for the boats down by the docks, it is as if a presence lingered behind you… watching… waiting, your paranoia growing with every step you took closer towards Dragonstone. You could hear your heartbeat like a drum ringing in your ears with every step you took, connecting to your soul as you were unflinching to the waves coming over the boat, soaking you to the core. 

You debated turning back as you were last to leave the boat and step onto rocky terrain yet your body was acting on its own volition, physically keeping you from moving backwards and dragged you to the cliff face as the sun was setting, a pastel painting of hues reflecting across the deep blue sea that you stood before. A town of tents behind you and a fortress awaiting just up the hill. 

The cool ocean breeze kissed your skin and blades of grass brushed up against your ankles like the island was comforting you for something you had yet to discover. A call of your name has you snapping from your thoughts, a flash of silver out of the corner of your eye has you ignoring your peers before you squeeze your eyes to shut off the nonsense you were experiencing and join everyone for a communal dinner that you are last to leave from, childish to say you were scared to fall asleep in fear of waking up on the other side again… 

─────── · ·

NEXT PART

─ · · A/N: what did you think? and is there anything you want to happen next? 😊

[destinationtoast]

Hello! I keep hearing that fandom culture has changed, and there are less comments now than there were years ago. Have you noticed this in your analysis? Is the percentage of comments being left today lower than before?

Hey! Thanks for the question -- it prompted me to start collecting data about comments (after procrastinating on it for a while, because I had to write new code to gather comment data). I've also seen other discussions from folks also thinking about how to do this kind of analysis (like in the fandom data projects community) -- hopefully we'll end up with multiple people attacking this from different angles and getting a variety of data about comments!

I'll give a sneak preview that partially addresses your question and contains some good news. If we look at the fraction of AO3 works that get at least one comment (focusing just on one-shots for now), I think things have gotten better over the past decade on AO3*:

In other words, it tentatively looks like more works were getting at least one comment in 2024 than in 2014 (for a variety of time periods). One caveat, though -- if a bunch of works with no comments got deleted in the interim, there will be survivor bias here. I'll try to look into that possibility later. Another caveat: this is based on only like ~100 randomly selected works from each year -- this may all change with more data!

Another interesting tidbit: I still see some of the 2014 works getting comments. In fact, ~30% of works have gotten new comments over 5 years after they were posted, and it looks like ~10% of one-shots posted back in Mar 2014 got a new comment in 10 years later, in 2024.

I'm still doing other analyses; there may be other factors that better match with the discourse around how comment culture has changed. It could be that comment activity peters out faster now than it did back then, for instance. Or the total number of comments left on the popular works is less now than it was back then (though my current methods may not be able to capture that). Edit thanks to quick eagle-eyed readers: it's likely that some of what people are thinking about is ratio of comments to hits -- that is hard to compare in 2014 to 2024, because we don't know which hits came from which years. But I am working on some analyses along those lines. :)

If you have other hypotheses about what's changed in commenting culture, feel free to share! I'll look into what I can.

Some methodology notes:

*I've been tackling this by comparing AO3 one-shots posted in early 2014 to one-shots posted in 2024, and comparing activity in the days/weeks/months immediately after the works were posted. (To start with, I'm only scraping the first page of comments for each work -- meaning the first 20 comment threads -- so there are lots of comments I'm potentially missing for the really popular works. But for many works, this captures all the comments, and I think it may be sufficient for a lot of the analyses I am interested in.)

I'm choosing to focus on 2014 vs. 2024 because 2024 is close to now (but it's been long enough for comments to have settled down a bit), and 2014 was well after AO3 was established (thus it was already a pretty lively time on AO3). I don't want to collect data about every single year because it's too time intensive/too hard on AO3's servers. But if people think that I should be looking at different years, I'm interested in feedback.

Because it's only been ~10 months since March 2024, I am limiting a lot of my analyses to only look at commenting activity the first ~10 months after works were posted in both cases.

[threeacttragedy]

Entry 5 – The One About the Distorted Phone Screen that Sent Half the Fandom into the Ocean

I had no intention of writing about last week’s phone screen debacle, mainly because I found it obnoxious and a smidge infuriating. Not because I believed Jake to be on the phone screen but because people were SO QUICK TO BELIEVE it was Jake on the phone screen.

Honestly, I didn’t even need to see the “cleaned up” version of the picture because I would have sworn then – and would still swear now – it was Luke on the screen. White guy, dark hair, left hand touching his face (or, as it’s been suggested, removing sunglasses), signaling to me that the person in the photograph was left hand dominant. Add that in with all the information Luke and Nicola have laid out before us over the past three months (and, honestly, probably even before that) and there is no other answer: it’s Luke. The end, right? Nope, not even close. Like I mentioned in yesterday’s blog, we’re not allowed to have nice things.

The image comes from a video of Golda giving Nicola her WOTY award. People started taking screen grabs and dropping it into apps that claimed to clean up blurry images.

*Fun fact – I did this once to the picture of Nicola on the boat in Malta. I used three separate apps, in fact, and each time I got this frightening image of Nicola back. Do you remember the scene in Shrek where he picked up a frog and blew it into a balloon for Fiona? The frog’s eyes protruded out and his face was all puckered. That’s what I got back from these apps – a bulging-eyed monstrosity that looked nothing like Nicola. It was froggin’ weird (my Colin-Dad joke of the day), especially since, in the original image, you couldn’t even see her eyes as she appeared to be looking down at her phone.

Okay, back to what I was blabbing about…

People started adjusting the lighting on the screen grab of Nicola’s phone to extreme levels. And, there were even rumors flying around that people had superimposed Jake’s face on to the image and sent it out into the black abyss that is social media. I think I saw six different versions of the image within the first four hours of it dropping on X.

But, guess what, each time, I still saw Luke. Well, I take that back. One time, I swear I saw Johnny Bailey, which, if that had been true, I would have given Nicola a huge round of applause for being so hilariously catty about it all.

My advice, if you want to see the picture, pull it yourself. Go to YouTube, take a screen grab of it, and figure it out on your own. Do not put it through an app and don’t play with the lighting so much that it distorts the image. You may have noticed that I did not repost any of those images here. That was intentional. Form your own opinion about it.

Now that we have that out of the way – the part about me believing it was Luke on the phone screen and me suggesting you form your own opinion about it – I’ll move on to why I decided to write about this topic today.

It was because Luke did something yesterday that piqued my interest.

It wasn’t anything necessarily out of the ordinary. But, it also kind of was.

Simone Ashley posted to her grid yesterday a series of photographs. There’s nothing special here; she’s a beautiful woman putting her lovely image out into this world. It was the last picture in this slide deck that left me intrigued, though. It’s a picture of Simone – but, at the bottom left of the image, is a damn phone screen. Initially, I was a little confused by the image on the phone screen because it appeared to be Simone’s hands but also not Simone’s hands. What it was, is that the angle of the phone made the angle in which the image was depicted slightly different. Why not crop that phone out of it? Or, use a different image? Okay, whatever. I’m not sure I would have thought much of it – except Luke liked the post.

Why would this activate my little grey cells? Because it’s the first post of Simone’s in over a year that he has liked without Nicola also liking it. All throughout 2024, Luke has only liked the posts also liked by Nicola. Now, Nicola could very easily come back and like this post today or tomorrow or a week from now. She does like Simone’s posts frequently and, by Simone’s own words, Nicola and Simone are close. But, remember what I mentioned the other day. It’s the little changes that make people start giving the side eye. When taken collectively, Simone’s post, Luke’s like on the post, and the recent phone screen debacle seem, well, fucking connected in a damn funny way.

Kinda? Maybe?

I swear, I’m becoming one of those people who now plays Six Degrees to Lukola. What have I become?!

But, hey, let’s keep playing this game because, you have to admit, it IS kind of fun to speculate.

On November 10, Netflix UK dropped a post to its grid captioned “ME AND WHO???? [red heart]” The first slide in the deck is of Colin and Penelope’s wedding kiss – the one where Luke had his eyes open – and there is a red heart drawn between their chests (awe, their hearts). The remaining seven slides also include kissing couples but the red heart is drawn around their heads. The Luke and Nicola (like how I used Luke and Nicola, not Colin and Penelope this time?) picture stands out in this deck. It’s the first slide and the red heart is different than the others. And, what about that caption: “ME AND WHO????” Well, it's definitely NOT Nicola and Jake.

Is it a bit too far down the Delulu Rabbit Hole to believe Netflix would be in on a dig about “Who’s on Nicola’s phone screen?”

Perhaps.

But, remember this is also the same parent company that dropped “Nicola and Luke’s Cutest Moments” on August 28 (via Bridgerton Netflix IG), right smack dab in the middle of the Jake Festival Pap Disaster. Do you remember that? The fandom was bouncing all over the place. New festival pictures of Nicola and Jake had dropped the day before. Shondaland had also dropped a “Friends to Lovers” story that seemed oddly like Luke and Nicola. Melissa Dezarate dropped old Luke and Nicola pictures on her IG stories. Then, on August 28, Bridgerton Netflix dropped its “Cutest Moments,” and Melissa Dezarate shared more Luke and Nicola pictures on her IG stories. The “Cutest Moments,” pretty much entirely on its own (the rest was just extra frosting), turned our day right side up again. I salute you, Netflix.

Are we burrowing deeper into the Rabbit Hole? Meh. Let’s keep going.

Also on November 10, we had Dougie posting a mirror / elevator selfie to his grid with the caption, “I know it’s out of focus don’t tell me that.” Maybe he means something, maybe he doesn’t. Any ways, Jake liked this post. Now, I will admit, in the beginning of this Jake Side Story Extravaganza, I wasn’t keen on Dougie. He seemed aggressive on X – especially after those New York pap pictures dropped – but then I realized that his annoyance might be due to the narratives being spread about Jake, i.e., that he was being “hard launched” with Nicola. Recall that within a few hours of the Jake London Pap Disaster, Dougie posted to his stories an image of Jake looking at his phone with the “Mike/Sully Face Swap” meme superimposed over Jake’s face. If you research what this meme means, you’ll find that it is similar to a face-palm reaction or used for “overly ironic situations that leave you confused and perplexed.” Kind of funny, right? You’re welcome to take Dougie however you please, but over the past few weeks, I’ve become rather fond of him. He seems like a mischievous bloke, which is right up my alley.

I always have this feeling that the USS Lukola is surrounded by people who, after the ship hits a rogue wave, help to steer it back on course. The “people” come in the form of Nicola and Luke; cast, crew and friends; interviewers with their old edited-out snippets; and Netflix & Co. I’m sure I’m failing to name someone.

I shall wrap this post up with a quote from Jonathan Van Ness – who, by the way, is one of the most entertainingly funny and intelligent humans to watch. Earlier this week, JVN posted to his IG stories and Tiktok about “bobs.” With JVN, I never really know if he is being serious with what he puts out there or if we’re expected to read between the lines. Regardless, his comment was impactful to me:

“All this shit is just someone on Tiktok decided this was going to be the new name and tried to make that a trend. And that’s cool and that’s great and I love that. I just don’t want y’all getting confused. You know what I’m saying? This is just another variation of a bob.”

Take that as you please.

[termagax]

i dont want a sideblog because i like being a crazy person on main but i NEED a better wrestling tagging system because my main tag has become unusable. but what am i gonna do. CHARACTER TAGS? on my otherwise completely unorganized main blog? god forbid

[flightfoot]

How Alya's mistreated by the saltdom and the writers

I've written this for the @yall-hate-kids-tourney, but figured that I'd publish it on my own tumblr as well for an easy reference point for others who want to illustrate how badly Alya's been treated - mostly by the fandom, but she's been somewhat screwed over by the writing as well. I've written it so that even people who have never heard of Miraculous before can understand my problems with the way Alya's often depicted, and I will probably use this essay for that purpose repeatedly in the future. It's over 4500 words, so buckle up!

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The amount of hatred Alya gets in the fandom is absolutely insane. There are over 800 fics tagged with "Alya Cesaire Bashing", and that's just the ones that actually TAG it - many of them either use a a non-canonical tag or just take their demonization of her as canon. It's not just that a lot of fics bash her either, but that the fics that bash her are disproportionately popular. If you go through the "Miraculous Ladybug" tag on AO3 and sort by kudos, I'd say around a third of the top 500 most popular fics use this gross caricature of her in order to justify inflicting some sort of insane punishment on her, or at least replacing her with "better" friends and leaving her to wail in despair.

Basically, Alya is the best friend of the main character, Marinette. She's really into superheroes and aims to be a reporter someday, to the point that the first time a supervillain cropped up in the series, she immediately got out her bike and cycled after him so that she could be there when a superhero showed up to fight him (Lois Lane would be proud). She runs a blog called the "Ladyblog" which reports on what the superheroes are doing, and sometimes makes some fun videos, like about the most impressive feats of one of the superheroes. 

More relevantly though, she acts as Marinette's support a lot of the time, often being the one to push her to confess her feelings to Adrien, to help her with plans she comes up with, to talk things out with if she's having trouble processing something, and trying to act as the voice of reason if Marinette's gotten to into her own head. It can sometimes head into Black Best Friend territory of having her mostly stick around to support her bestie, but she DOES get a decent amount of screentime and focus at least.

Then the first episode of season 3 aired, and the fandom went BALLISTIC.

This character, Lila, debuted back at the end of season 1 as being this attention-seeking liar who pretended that she knew a lot more famous people than she actually did, including being best friends with Ladybug. Alya, being a naive 14-year-old, believed her and put Lila's interview on her blog. Since Marinette IS Ladybug, she knew this was not true, though she was initially more freaked out about the possibility that Adrien (the boy she has a crush on) would find her supposedly amazing life to be entrancing and that Lila would steal Adrien away from her, to the point that she actively wanted to stop Lila and Adrien from spending time together to prevent Adrien from falling for her.

Fast-forward to Chameleon, the first episode of season 3, and Lila's back and lying some more, this time about having Tinnitus (which would mean that she needs to sit at the front of class, next to Adrien). The class has a whole seating rearrangement in order to accommodate the move, and because some of them just wanted to change seats. Since Marinette was late that day, she didn't get to give input, so she wound up sitting alone at the back of the class, instead of next to Alya like she usually did. She's upset by this, but can't prove that Lila doesn't actually have the disability (she doesn't even have evidence that Lila doesn't have hearing problems, it's just that her story of how she supposedly got the disability is suspect), so she puts up with it for the class period.

Then lunch time rolls around and Marinette tells Alya and Alya's boyfriend, Nino, that Lila's a lying liar who lies. Alya asks why Marinette hates her so much, since she barely knows Lila (this isn't the first time that Marinette's nitpicked at Lila's stories, but she's never actually managed to prove that Lila's lying, Lila's good at coming up with explanations for any hole Marinette exposes in her tales). Marinette tells her how, after Lila first arrived at school, she followed her and Adrien, eavesdropped on them, and then saw Ladybug show up and tear into Lila for not knowing her. (Presumably that's what she says, the episode skipped past her actual recounting of what she saw). Alya and Nino are more concerned with the fact that she stalked Lila and Adrien, with Alya also being skeptical that what she heard might have been out-of-context, given how common out-of-context eavesdropping is in fiction for causing issues, with Alya saying, "A good reporter always verifies her sources. Can you prove she doesn't actually know Ladybug?"

Since Marinette can't actually prove anything without revealing that she's Ladybug, she decides that the sane and reasonable thing to do is to throw a wadded up napkin at Lila while she's eating lunch, and when she catches it (Lila's pretending to have a sprained wrist), to loudly declare that she obviously doesn't have a sprained wrist. Lila quickly pretends that catching it did actually hurt, the classmates Lila was sitting with scold Marinette for hurting her, and then Marinette goes off to seethe in a bathroom, where Lila finds her and threatens to turn her friends against her if she continues trying to expose her lies. 

Then at the end of the episode, Adrien goes to sit with Marinette at the back of the class to keep her company, the teacher thinks that Marinette ALSO has hearing issues so she's brought back to the front (and away from Adrien again), Lila pretends that her hearing has been fixed so she can sit at the back with Adrien, and Alya spots that Marinette looks miserable about sitting alone at the front, so she chooses to sit next to Marinette to keep her company and everyone ends up going back to their old places, except that Lila's sitting at the back of the class now.

And that's it. That is, for the most part, what kicked off the entire Alya hatred and demonization onslaught. While there ARE more things that happening in following episodes, they have a pretty small effect on the demonization Alya's put through, almost all of it is derived from Chameleon and hasn't changed much since then.

So for starters, in fanfics Alya is often made to ditch Marinette constantly to hang out with Lila instead. This never happens. She's often exasperated when Marinette starts talking about how Lila is awful and points out that she doesn't have proof of that, but she doesn't avoid Marinette, and the closest she ever comes to hanging out with Lila outside of class events is when she called Lila over to babysit hers and Nino's younger siblings when Marinette canceled at the last minute.

But most Alya-bashing fics don't just leave it there. Oh no. If you look through a bunch of the most popular Miraculous fics, you'll see Alya made out to be some sort of ringleader for the class in bullying Marinette, hitting her, pinching her, poisoning her, destroying her things, saying nasty, heinous things to her, the works, and inciting the rest of the class to do the same, sometimes to the point that even LILA is shocked at her cruelty. Usually in these cases, Chloe, who is canonically the class bully (and Marinette's bully in particular) is inexplicably Marinette's primary protector against the eeeeeevil Alya, becoming Marinette's best friend and support and basically taking on Alya's canon role and some of her personality traits, despite the fact that canonically, Chloe's as susceptible to Lila's lies as anyone else, and that in season 5 Chloe actually became Lila's partner in crime in trying to hurt Marinette in particular. (I don't like how Chloe's treated in canon, but that's a different story).

I've never even seen any justification given for why Alya's so frequently made to be outright violent or cruel towards Marinette, it's just widely accepted in fiction now, even with nothing pointing to her ever being malicious like that. There ARE other things Alya canonically does that I see her taken to task over though, but that fall apart when you examine them.

One of the biggest offenders is criticism towards Alya over how she handles babysitting. In Christmaster, Alya and Nino pick up Nino's little brother after Marinette babysits him for them while they're on a date, in Timetagger, Marinette's slated to babysit for them while they're on a date but cancels at the last minute, so they call Lila over instead, and then in Simple Man, Marinette books herself to babysit Alya's and Nino's younger siblings and the daughter of one's of her mom's friends, a little girl named Manon, all at the same time.

Alya receives heavy criticism for not paying Marinette for her babysitting, for having Marinette babysit for her secretly behind her parents' back without their knowledge, and for pressuring Marinette to babysit for her even though Marinette's so busy.

A few problems with this.

1. We see babysitting happen several times, sometimes with Alya helping Marinette with babysitting Manon and sometimes with Marinette just babysitting Manon without anyone else's involvement. At no point is payment brought up, and yet the absence of such a discussion is only ever used to demonize Alya.

2. There is no evidence that the babysitting Marinette does for Alya's sake is done behind her parents' back, the only thing pointing to that is a lack of Alya ever flat-out saying that she has her parents' permission to have Marinette babysit for her, but there's no evidence of sneaking around. MARINETTE, however, DOES canonically ditch her babysitting duties by having Alya babysit for her without the parent's knowledge. In Prime Queen, Marinette accidentally double books herself to do an interview as Ladybug at the same time that she's supposed to be babysitting Manon, so she calls Alya over to watch the interview with her, lies to her that she's just gonna go downstairs for a few minutes to talk with her parents and for Alya to please watch over Manon while she does that, and then leaves to do the interview while Alya watches over Manon the whole time. Nadja definitely didn't know that this happened, because she was surprised and worried when Alya and Manon called in during the interview with Marinette nowhere to be seen. In addition to this, in Simpleman, Marinette foists off all the children she's babysitting onto her grandpa against his will so that she can run off and help with Adrien's photoshoot after he calls her. The people demonizing Alya for supposedly having Marinette babysit for her secretly are not upset about the examples of Marinette canonically doing these things.

3. Of the three times that Marinette has, to date, been scheduled to babysit for Alya's sake (Christmaster, Timetagger, and Simpleman), for Christmaster she spent the next several hours after finishing with babysitting making Adrien's 50th birthday present (he's currently 14 years old), so I wouldn't say she was pressed for time, for Timetagger, she literally called Alya at the last minute to say she was too busy to babysit and Alya said it was no biggie and made other arrangements, and for Simpleman, Alya offered to cancel her date and take care of her younger siblings herself the instant she saw that Marinette was already babysitting Manon, and Marinette told her to go ahead and go on her date and that she'd look after her siblings.

So clearly, the people clutching their pearls about how horribly irresponsibly Alya is handling babysitting and how she's wronging Marinette in the process don't actually care about babysitting ethics here, because otherwise, Marinette would be getting the brunt of the hatred, not Alya. Despite this, I've seen a fair number of posts in the past tearing into Alya's babysitting for the reasons I already gave, and a bunch of fics that make it so that Alya pressures and guilt-trips Marinette into babysitting for her when she's struggling to keep up with all her work, only to have her parents find out and be horrified by how Alya's lied to them about who's been doing the babysitting and that Alya's been getting an increased allowance because of that, so they pay Marinette out of Alya's allowance and ground her, take away privileges, just have this be used as an excuse to punish Alya for supposedly wronging Marinette.

And then there's the subcategory of Alya demonization towards her for putting up Lila's interview on her blog without verifying that Lila was telling the truth. Admittedly, this was foolish, but she's 14. Retractions exist for a reason. And yet, fics frequently have her reputation be completely destroyed because she put up one interview that had a false statement by the interviewee in it, and sometimes even to be completely blacklisted from ever being a journalist in the future, things that are completely insane and would have even the most storied and well-respected of reporters be unable to ever get a job. 

She also frequently gets demonized and bashed for "believing Lila over Marinette". My major issue with this: what she's specifically believing Lila over Marinette for is on the topic of "is Lila an awful person". I don't think it's unreasonable to have a higher standard of proof for believing that someone is an awful person than for believing that your friend might just have some biased interpretations. Alya thinks that Marinette doesn't like Lila mostly because Lila has hit on Adrien, Marinette's crush, before. This isn't unreasonable considering that Marinette's first reaction to Lila is to freak out about her stealing Adrien away, and that when this other girl, Kagami, started hanging out with Adrien, she freaked out about that too. Specifically, she called a meeting of all her female friends to try and stop Kagami and Adrien from going away together to London for the weekend in Backwarder, helped Chloe in trying to get Kagami covered in food at a fancy red carpet movie opening in order to drive her away and steal her seat next to Adrien for the movie, and when she and Kagami were paired up for a "friend-making game" where the goal was to locate where Adrien was in Paris and the prize was to spend time with him, she pretended to genuinely want to be Kagami's friend so she could sabotage both of them and prevent Kagami from spending time with Adrien. So it's not like the belief that Marinette might be unfairly biased against Lila because she's made moves on Adrien is an unfair assumption.

In addition to that, on the occasions when Lila HAS tried to frame Marinette for something, Alya hasn't believed it, or hasn't been shown to believe it at least. In Ladybug, Lila tries to frame Marinette for cheating on a test, for stealing a necklace from her, and for knocking her down the stairs. Despite the evidence Lila planted, Alya doesn't believe it and investigates to try and find out what really happened. She doesn't uncover any solid proof, but she still believes in Marinette. She doesn't believe that Marinette's assumption that Lila's behind this is necessarily correct, since Marinette's leaping to that without presenting proof, but she doesn't believe that Marinette's the culprit either. And in the two following cases when Marinette's framed, Alya never actually gets a chance to say what she believes after the accusation is made against Marinette.

Just... the amount of demonization towards Alya TO THIS DAY, often for things she NEVER EVEN FREAKING DID, is absolutely insane. Even over 5 years since Chameleon aired, fics with Alya being made into this malicious, awful bully so that Marinette can get some new friends to publicly denounce her, get her arrested, or otherwise be punished are frequently on the front page of the most recently updated fics on AO3, and are often some of the most popular ones. If you go to "Fandom-Specific plot" on Tvtropes, saltfics like these have multiple files going through all the common salt tropes. When looking through fics, I frequently search for Alya's name because she's often the first person to be unfairly demonized, so if she's safe, then everyone likely is. 

I suspect that racism plays a major factor in this. It doesn't make sense that Alya's often painted as being a violent, malicious bully and leader in getting the rest of the class to physically hurt and terrorize Marinette, I haven't even seen analysis arguing that she'd do that... but it tracks with the "Black Brute" archetype. This becomes even more obvious with Chloe, who's white and canonically DOES do some of this stuff, taking on Alya's canon role and some of her personality traits in these sorts of stories.

Then there's the standard Alya's held to for how she handles her blog. It's way higher than anyone would hold real-world reporters to, much less 14-year-olds. But it makes sense if you factor racial bias into account, and how Alya, being Black, is going to be held to a higher standard than anyone else, and be punished more for failing to meet that standard.

For things like the babysitting double standard, it makes no sense if you're actually looking at the stated criticism, given that the same criticism isn't leveled at Marinette... but it makes perfect sense if you're going off the assumption that Alya, as Marinette's Black Best Friend, is supposed to solely function as her support and that she's simply fulfilling her duties by always being there for her when needed, including for babysitting, but that if Marinette ever attempts to repay in kind, then Alya's being unfair towards her because Alya's obligated to always support Marinette, but that relationship is supposed to be a one-way street. Alya is supposed to function as Marinette's support, never the other way around.

And as for the way Alya's demonized for asking for evidence before believing that Lila's lying, well... again, Alya's expected to act as Marinette's support, and her "failing" that in any way, even if it makes sense from her point of view, is viewed as a betrayal. She's supposed to be loyal to Marinette, and only to Marinette, not to think for herself or to have multiple other friends or values that she needs to weigh. And anything that she does to go against that "justifies" Marinette intentionally trying to hurt and punish her for failing to live up to her role.

In conclusion, the way Alya's treated by the salt side of the fandom is grossly unfair, often has little connection with anything she canonically did, and has some gross racist implications, and is likely at least partially spurred on by racism, especially with how common and popular it still is to this day.

Addendum: How Alya is screwed over by the writers.

While Alya is primarily screwed over by the fanbase, there are some aspects of the writing that exacerbate her ill treatment. In season 4, Marinette confesses her secret identity to Alya, letting her know that she is Ladybug. Despite now knowing why Marinette was so convinced that Lila wasn't friends with Ladybug, and that Lila's interview stating that she's best friends with Ladybug is a lie, the subject just... never comes up, even when Lila starts being important again. It's not that Alya's ignoring what Lila lying on those subjects means, it's more like the writers just completely forgot that Lila told those particular lies, since Marinette doesn't bring them up either. This creates an inconsistency with the fanbase, who really, really, REALLY haven't forgotten those lies. 

There ARE ways to explain this - Lila lying about being friends with Ladybug in order to try to boost her reputation, especially when she's the new girl, isn't really all that heinous. Marinette lies a lot as well, even if you don't count lies told to protect her secret identity or other "necessary" lies, sometimes out of embarrassment, sometimes to to try and prevent someone's feelings from getting hurt, and sometimes because she thinks it's the fastest, easiest, or most certain way to get the outcome she wants. And yet, even though Marinette lies a lot, she's not ostracized for that since it's usually not for malicious reasons - foolish reasons at times, but rarely malicious. It would make sense that Lila too, wouldn't be thought too badly of for merely lying in an attempt to make friends.

None of that actually comes up though. Alya later, in Confrontation, states that, "Marinette, you know we'll always believe you. But every time you've accused Lila, there's been no evidence. And at worst, it was just a misunderstanding." Marinette doesn't say anything about the previous times Lila has been proven to lie, so it seems like either it was decided offscreen that the more understandable lies she's told don't matter, or that the writers just plain forgot about them.

There were other opportunities created by Alya knowing Marinette's identity that were ignored. Alya concludes that Adrien backing up Marinette's statement that Lila's bad news was just due to him wanting to defend his girlfriend. This is also a bit of a writing flaw, while wanting to back up his girlfriend's stance IS a decent reason for Adrien to be biased against Lila, this is Adrien we're talking about here. He's nice and understanding to a fault, and is known for giving people the benefit of the doubt and second chances. It makes far less sense to believe that he'd believe the worst of Lila, even if Marinette does, than it does for Marinette to be biased against Lila. That being said, Adrien wouldn't have been present for Lila's more indisputable threats and statements directed against Marinette, so he can't actually verify for sure whether or not there could've been some misunderstanding.

There WAS, however, someone who was always with Marinette, and who could actually back up Marinette's statements more definitively. 

Tikki. She was present for every threat Lila made, for everything she ever claimed. While it's possible that both Tikki and Marinette may have misunderstood Lila in the same way, it's far less likely, especially since Tikki would have had different biases from Marinette. Tikki could be an important witness. Yet that never comes up, is never proposed, because that would end the plotline too quickly. 

Alya was also screwed over in the immediate aftermath of Lila being exposed, though not by the writers per se? There was a short scene planned after Lila's exposed where Alya apologizes for not believing Marinette about Lila being a liar and generally an awful person, we've even got leaked footage of it, but it appears that it was cut somewhere between being written and voice acted, and the episode being aired. 

All of this only really affects detailed arguments about how well (or poorly) Alya's story arc with Lila was handled, its affect on the actual fanfiction produced about Chameleon salt was minimal, I saw no change in its frequency, severity, or general handling of the characters with any season after season 3. I highly doubt that even the changes I suggested here would have done much to persuade the saltdom against Ron the Death Eatering Alya, especially since a lot of the hatred against her has so little to do with the show.

There IS some hatred thrown at Alya for non-Lila related reasons - well, reasons that aren't DIRECTLY Lila related, most of that hatred still stems from people hating her for Chameleon stuff and then retroactively justifying it by looking back at other things she did that irked them. The most common one (that actually has some sort of argument to it, not the "Alya's a horrible babysitter and is abusing her friendship with Marinette" nonsense I listed in the main essay) is that Alya's pushy about getting Marinette together with Adrien. 

This is more a product of Alya's usual role in the story than anything. I mentioned in the main essay how Alya sometimes falls into "Black Best Friend" territory, and this is one of the biggest examples. One of her most common roles throughout the series is as the person who pushes Marinette to actually confess to Adrien, to hang out with him, to pursue her romantic desires even with her anxiety holding her back, and to be honest with herself during the times when she's trying to deny her feelings for him. She's Marinette's sounding board whenever she's having an anxiety spiral about... actually, just about anything, and acts as the voice of reason when Marinette gets in her own head too much.

Thus, Alya sets Marinette and Adrien to end up somewhere alone together, or tries to push her to talk to him, or to be honest during the times when she tries to "move on" from Adrien by denying that she still has feelings for him (which is blatantly untrue). She IS okay with Marinette dating someone else though, if she honestly seems to want to do that. She had no problem with her dating Luka, for instance. She DID protest Marinette's seemingly sudden interest in Chat Noir, but that was mostly because Marinette seemed to be grabbing at her new attraction as an attempt to run away from her feelings for Adrien, something that Tikki ALSO noted.

That's another thing - Alya's the character who's most frequently thrown into this role, but she's not the only one, nor even the most extreme one. A new character that was introduced for the Miraculous New York Special, Jess, observed how Adrien and Marinette acted around each other, and decided to try to get them to confess their love by faking a supervillain attack on them, with the supervillain kidnapping anyone that no one loves in order to compel Marinette to FINALLY confess to Adrien. (Alya thought it was stupid, but agreed to help since it might actually work). When Marinette, Adrien, Luka, and Kagami went out to the wax museum together, Luka intentionally locked Adrien and Marinette in a room together so that Marinette would stop running away and would be forced to talk to Adrien. Marinette is written in such a way that other characters are compelled to meddle in her lovelife, because otherwise she'll continue making her own extreme plans and pining away, but never actually confess her feelings. 

So while Alya could be said to be "pushy" to an extent, it's mostly for Marinette's benefit. I would like if this was a less frequent role for Alya - I think it does her a disservice, since it locks her firmly into Marinette's orbit rather than emphasizing who Alya is as her own character. Most of the hatred towards Alya for this is tied up in "Die For Our Ship" being directed at Adrien though, with Adrien bashers hating that Alya's trying to set Marinette up with what they see as an inferior option. Ironically enough, while Alya's role in this situation is one of the primary examples in the show of her being treated by the writers as a "Black Best Friend" who exists to serve Marinette's character, it's actually one of the cases where I think racism is a pretty minor part of the hatred by the fanbase over it, since I think that's mostly motivated by hatred towards the Lovesquare.

In conclusion (again), there is an issue with the writers bending Alya's character in order to tell a particular story, particularly a Marinette-centered story, while ignoring how little sense that makes with what happened earlier on in the plotline, or how it centralizes Alya's role and character around Marinette in ways that exacerbate already existing writing patterns in media. 

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?