#my first time drawing them despite being the manga fan for years

[nights-at-crystarium]

Fdungeon Fragments Friday tomorrow!

[lizzie-wendigo]

First image of the year!!

Well, as I mentioned before, I know I'm making this Meme very late, but I didn't feel like doing it until now. And I received some proposals from my followers, some interesting, others boring and others... curious (impossible/ridiculous).

The sad thing was that despite all those suggestions, none seemed interesting enough to draw, but I used them as a base to see what other fanarts could be interesting to do, and that's how I came to this!

Wadanohara and the Great Blue Sea: Samekichi

I never played the game, but I saw the full gameplay and read the manga, and it's extremely incredible! Samekichi is a sweetheart, and I loved this character since his first appearance.

The amazing Digital Circus: Pomni

Yup, until a few days ago I just saw the pilot. Needless to say, why I didn't want to give it a chance. The fandom's much worse than I thought, and that repelled me from watching TADC, a complete shame. I'll do a few sketches in the future along with a constructive opinion on it (unless some toxic guy shows up first)

Boku No Hero Academia: Tetsutestu Tetsutestu

BNHA fans will understand me. He's like Kirishima, but with a different font. He's on my list of Husbandos, and I find it funny to compare him to a silverback gorilla.

The Cult Of the Lamb: Lamb

I haven't played the game either, but I've seen gameplays and it's very interesting, I think it's cute and creepy at the same time

Wander Over Yonder: Dominator

I was always a fan of the series, and in my innocence I expected another season that never came. And I always loved this character, she's bad just for being bad. Ironically, I shiped her with Wander, and I still like the ship.

Undetrale: Gaster

I only drew this character once, I have a whole personal theory that fits with my undertale AU, but I still need to polish it. But I have found this character interesting since I entered the undertale fandom.

Comment which fanart I made seems best to you! :D

[choochooboss]

Introducing your station master & Magma event host!

Since there's already a lot of passengers visiting this station and I haven't spared much time to get to know my fellow submas fans over Tumbrl yet, an introduction would be in place!

I'm Jun, nice to meet you! *offers a hand for for a shake* I am a devoted submas artist & a monthly Magma event host! I go by ChooChooBoss everywhere (Twitter/Bsky/Twitch/Ko-Fi)!

This will be a long post! I will write a short intro as well which you can just skim through but here is a more in depth view how I got into submas, my other interests and life in general, in case you'd wish to know more about your conductor on this silly train!

How did I get into submas in the first place?

PLA. I met this certain mysterious & cool fellow time traveler and got curious! After the cave scene I went to read his Wiki, found out about Emmet, and... yeah. The emotional impact blasted me right out of a miserable cycle I was going through back then and set my soul on fire!! A month later I set up my first art account on Twitter, and the rest is history. They've become my greatest source of strength and inspiration and I enjoy drawing them every single day!

I love both twins very much! I tend to vibe with Ingo a little more than Emmet, but I draw Emmet more. People say I remind of butler Ingo the most, hehe. I certainly don't mind because I'm a big fan of butlermas!! In fact I got into submas & started playing Pokémon Masters EX in April 2022, a week before butler Ingo banner rolled in, so they truly got a special place in my heart ahah! (pssst draw more butlermas for me pls pls pls-)

However I don't draw warden Ingo as much as I would like to. I still get pretty emotional over his fate ahah, I can't draw him without a single tear! This sweet & kind man leading a good life and being an inspiration to others has been torn from literally everything he had for seemingly no reason apart from his name, clothes and the muscle memory and even those are barely intact. It seems like a miracle he's still standing and breathing after put through everything judging by the wear and tear on his uniform and body. Despite all that he carries a positive attitude, assists everyone in need, and does his best to help people and pokémon understand each other, unconditionally... Oh, my face is wet again...

My other interests besides submas?

Monster Hunter! Zelda! Genshin Impact! Super Mario! Trine! Crash Team Racing! And many many more! My favourite genres are platformers, kart racers, and action games, with a side of rhythm games. I'm a big fan of co-op games! I also watch my sis play JRPGs!

Monster Hunter is the dearest to me out of all. I've been hunting for well over a decade starting from MHFU. The games have charmed me with their incredibly satisfying combat system, world building, creature design, great attention to detail, character customisation and the games being nearly fully co-op!!

Other things I do:

Pokémon is practically the only turn-based game I enjoy, mainly because of the characters and collection aspect. However!! I adore Pokémon Colosseum (the first pkmn game I ever played!) and it's double battle focus, so The Indigo Disc has been a delight after the long starvation for double battles, coming up with different combinations makes the battles much more fun to me!!... I sound like Emmet here do I ahahah! We also share the fact we are both left-handed!

Shuffle dancing, daily pull-ups, and expanding my ever growing VGM collection! I also enjoy traveling and taking photos to keep as a diary! I've played piano in a music school for 9 years, and I can also play kalimba. I've done casual boxing, gymnastics, horse riding and medieval swordfighting. I used to read comics/manga and watch movies and anime but nowadays I barely do that, I just rather use that time for drawing instead of just sitting and watching, unless I have company!

I share the apartment with my anxious brother and our two sweet female cats, Laku (11, stubborn and cuddly) and Kalevi (21, demanding and full of love) in a city center. My parents are both entrepreneurs and run a farm in the countryside & I have 4 siblings with me as the middle kid!

Where can you meet me?

I am a game artist by profession, with 4 yrs of studies and roughly 7 years of EXP in the field doing game art, UI design, character/prop design, in mobile games as well as PC titles, 2D and 3D. At the moment I am looking for work; I keep up the motivation and learn new skills by running my art accounts while looking for new opportunities.

I hail from the land of darkness, snow, salmiakki, metalheads and renownly reserved people, Finland! (UTC+2)

Despite having my roots here I am pretty much the opposite of a typical Finn in almost every sense ahah! I'm a small guy who's not afraid talking to strangers and laughs a lot. And I dislike coffee for the contrary, it's very popular amongst finns.

With the inspiration from submas I've finally stepped into the world of cosplay so you can usually meet this small and excitable Ingo in the biggest local conventions, Desucon and Tracon! Come say hi!

About my social battery:

I'm both social and socially anxious ahah! I love making new friends and talking to all sorts of people and writing comments, and gathering together with my mutuals to do cool stuff together! However my social battery is very small... I often struggle with my AD(H)D and anxiety issues, so my replies can be extremely slow. I'm easily overwhelmed when life gets busy and I deal with it by withdrawing to minimise the the stimuli and then sorting my stuff out one by one. This is a frustrating shortcoming, but I'm working hard to find a balance I can maintain without getting exhausted. Please be patient with me! If you don't hear from me in a while, please don't take it personally! In fact, it makes me really happy if you contact me, for any purpose!

Which pronouns do I go with?

I go by they/them! I am also aroace, so if I appear to show any sort of romantic interest, it's definitely not that. I love meeting new people and am quite interested in people in general so I'm excited to get to know you better, but the thing is... I have been confusing people on several occassions for saying things that could be taken as flirting. I am terribly sorry for that, that's just the way I show how I care!

I don't really identify myself by any specific gender either, but rather by my roles or interests (Magma host, submas fan, game artist etc.). Submas encouraged me to enjoy dressing formally even if I'm just sitting at home, because I love formal clothing in general and wearing them makes me feel confident and stand taller! I usually wear collar shirts and black or white slacks.

More about my AD(H)D:

I don't have an official diagnosis but deal with the same problems as AD(H)D people do; poor work memory, dissociation, hyperfocus (drawing and people), sleep deprivation, impulsiveness (juggling too many things and going with the wind), getting sensory/information overloads, and feeling like I don't fit in. I figured it out after I finished school & lost my job for that I am unable to handle big tasks without anyone giving me directions. It has taken a while but I've figured out things that help me manage my daily life as well as have a medication that mainly boosts my capability to get things started which is another great struggle ahah.

How do I manage to keep myself on track?

I use a Pomodoro timer to keep up a good flow and remember to take breaks! This is what I use the most:

I should set it up on my tablet as well. I think it's really cool to see how many hours I have actually put into drawing! Last year I clocked in well over 3k hours, ahaha!

How to catch me?

Right now I have great difficulty managing replies, but usually you can reach me by DMs! I check Discord and Twitter the most often! However I must ask you to respect my current DNI status. It means I am really overwhelmed so I wish nobody comes asking for my attention until it has been lifted, unless it's really necessary. I really love talking to you all but I also have to accept and deal with my own limits strictly like this or it won't work out.

What am I working on at the moment?

Besides the holiday set I have several short comics under works as well as one big comic (100+ pages!). That one is my personal greatest goal! I started working on it in June 2022 and I have currently 40+ pages sketched and 60+ thumbnailed.

I was afraid of starting any comic projects before submas, but the sheer excitement over them carried me over that personal wall ahah!

The story's beginning and end are looking good and somewhat functional but there's still a lot to work to do and holes to fill in the middle before I dare to start fleshing out the pages. I have little experience in writing or comic making so I hope you forgive if some things don't make sense or the dialogue is a little on the nose so to say ahah!

The story will be packed with action with the overall tone being on the darker side, but it sure won't be lacking in humor! The project's main goal is to make it a celebration of all things submas & to prove to myself I can handle a big scale project despite my shortcomings!

This train has reached the terminal!

Thank you for riding my silly submas train!! I adore reading all your tags and comments! They brighten up my day & fuel my passion even more!! I hope to bring many more fun things for you to look forward to!! See you again soon!

ALL ABOARD!!

[kuroashims]

☠ CHRONICLES OF A BRAINROT ☠

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After many years simming in my corner, I finally decided to step out of my comfort zone and share my pixel babies with the simblr/tumblr sphere!

I started playing sims with the first opus when I was pretty tiny, and couldn't stop ever since. This game allows my creativity and inner world to express like no other game would, and that's what I love so much about it.

I created many different worlds, kingdoms and stories, but the one I enjoy the most is my One Piece save I started a year ago. It is the first time I am really eager to leave CAS to actually play the game!

Back in 2015 I've been introduced to the manga/anime universe and I never went back! It truly was a revelation, and a revolution in my own stories. But when I discovered One Piece, all of a sudden I was hooked. This universe is so colorful and deep at the same time, it is the safe place I go whenever I feel down, and it never fails me. It may sound silly but I can't explain how warm it makes me feel. Especially Luffy's vibe and laugh, he's so precious.

So last year when I had to stop working because of bad health issues, my last two brain cells met and said to each other "hey, why not One Piece sims?", and that was it, I began this crazy journey of looking for the perfect OP custom content for my babies, then being very disappointed in that matter...and that is when, after weeks and weeks of research, I decided to create my own One Piece custom content, because why not?!

I never touched Blender (and a year later I still feel such a newbie with it) nor Photoshop before, but it didn't stop me to throw myself into it and man, despite all the crying seeing my creations unexpectedly float in game or be filled with "???" in CAS and such, I can say that I don't regret anything!

I can sing on stage, write songs or dance, but can I properly draw? Hell no! And I've been frustrated for so long since I wanted to do fanarts for my fandoms but I didn't have the skills to do so. Fortunately simming is now one of my places of expression, and I'm genuinely so excited about my lil creations & stories.

My wish is to grow a small community of One Piece fans and/or fellow simmers with whom I could share my passions and enjoy theirs. I know you guys are out there, and I love you already!!

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➨ useful informations for navigation:

• Some of my posts may contain dark topics, blood and mature rp ships (18+)

• I'll do my best to limit spoilers but take note that there might me some here

• I am WCIF friendly but it might take a while for me to answer since I literally use thousands of cc. So please ask for 1 or 2 items at a time. I will happily share their names and creators

• I will not share any download links of my own OP custom content, because I often use other artist's meshes parts, then I mix them with my own etc ; so claiming these items as my own and share them to dl would break those artist's TOUs. Thank you for your comprehension

• That said, if I ever grow a significant sim community, I would eventually contact these artists one by one to ask their permissions to share my content with you! (with credits ofc)

• Aside from my sims I really enjoy editing some gifs and manga/anime panels by doing recolors etc, so you can expect to see a lot of them ♡ (and from time to time i also repost other people's artworks from other platforms with their prior permission)

• Don't be surprised if some of my sims seem really different from one screenshot to another, it is because I have different saves with different timelines (children, pre timeskip, post timeskip, Wano), plus various AUs like high school, dark fantasy world etc, and also a live action save! For example, by now I already have 9 different Sanji sims in several styles and stages of his life (my biggest number for a single character, but I can't help it...I just LOVE him)

• If there are any suggestions, requests, ships (personally into Zosan/Zolu/Lusan/Lawlu/Acesan/Shuggy/Mishanks/Frobin) and more that you would like to see, feel free to ask and I will enjoy making it happen for you!

• You can find me at @poppyxel which is the brand new simblr I created to share my passion for sims and gaming in general. No particular theme there just my chaotic inspiration expressing :)

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SO HERE WE ARE ☻

THANKS FOR READING...

HAVE A WONDERFUL DAY ✿❁❀

[welcome-to-hyrulepark]

[HYRULE PARK: 5TH ANNIVERSARY SPECIAL]

July 30th marked 5 years since I published the first drawing of Link meeting the boys from South Park. You have no idea what has happened over the years. First of all, Hyrule Park has outlived most of the other South Park AU comics such as Mirai Park, Hell Park, Revenge Park, SP Fleur Blue, SP Left 4 Dead, my pals South Park High and others. While they were actively developing and then abruptly canceled, Hyrule Park was just drawing its second chapter😆. During this time, my AU acquired a couple of fans but the comic took so long to develop that most of those fans lost interest in it (and some even lost interest in Zelda and/or South Park in general). But despite all this, I do not lose hope of acquiring my own fan base who would draw me fanarts, made memes, or just asking me, "When is the next part?"

Guys, I hope that your interest in Hyrule Park will be renewed, because I actually waited all these years for the release of Tears of the Kingdom so that I could immediately build the entire chronology of events, and at the same time honed my writing skills. Someone will say: “Hey, why do you need to hone something? Your pursuit of ideals will only destroy you! Do whatever you want.” And I really did. And here is the result: the comic version is being reworked, because I started making it back when I knew very little about the lore of both the Breath of the Wild saga and the Zelda universe in general.

Fun fact: I did not plan this story as a multimedia saga. It was supposed to be a short banter comic about Stan, Craig, and their homies ending up the world of Breath of the Wild, meeting Link, going on an adventure, saving Zelda and going home. But then I found out that the BotW sequel is in development, then I found out how fan comics work and what is interesting to fandoms. Then Age of Calamity was released, and I came up with a prequel fanfic called Hyrule Warriors: Backstories, after which I learned about new needs in the fandom. By the time I adapted this story for Ficbook.me, its canon had changed to such an extent that I had to rewrite everything from the beginning. Fortunately, I only wrote the first two chapters. Then I got other projects (FNAF MA, The EDM Gang and even the lore of my cybersona grew into a plot worthy of a manga), I had a need for promotion, so I started doing all these marathons of my favorite animated series and AU, taking part in Linktober and Art Fight... In the end, I have ADHD, a mental disorder that makes it hard to concentrate on anything, so my brain needed a change of activity all the time, which distracted me from Hyrule Park.

So, yeah. There are a crap ton of reasons for delays. But there is good news: I am already prepared enough to continue this story. I changed its format, and now I don’t have to draw every scene of the comic. Instead, I can describe some of them with text. I also formulated a more or less clear picture of further events. All I need are those for whom I will try, and I need to know about such people through feedback.

Hyrule Park - 5 years later, everything is just beginning!

[OG DRAWING] [BETTER QUALITY]

[goldenkamuyhunting]

Hi thankyou for writing very informative analysis on GK!my first encounter with your posts is looking up their heights and then the army rankings in order of our beloved characters. While I try to avoid spoilers, I have already heard from a friend that the manga ending is rushed..

if you are following the anime to s4 is Asirpa's feeling for sugimoto as obvious in the anime compared to the manga? [I'm so far an anime only and will start s3 soon. I also am reading the manga up to Sapporo hotel arc]

Do you know how it's profitable for publishers to rush their artists when obviously it's fans are still willing to buy more of their comics.. like extend their contracts perhaps.. I felt quite sad for how some animes turned out and would hate for GK to go that route

Lol is it possible for Noda to draw Canon extras on his blog of GK despite the end of the manga? Or is he also present in the anime direction? I heard that if he was given more chapters to write, he would be able to elaborate on the character's choices in the ending so hopefully hes got a say in the anime.

Lastly, do you think S5 is the season finale based on the pace? I love to bingewatch shows.

Thankyou

Welcome in the GK world!

If possible the anime (especially in the first 2 series) made Asirpa's feelings for Sugimoto even more obvious than they were in the manga, people who were strongly against the idea of an eventual Sugi/Ripa endgame complained about it more than once.

For start it cut completely Umeko's role (in the manga Umeko was declared in the early chapters as the woman Sugimoto loved) and started giving Sugimoto and Asirpa more space, from ep 16 in which Sugimoto picks up Asirpa in his arms to take her away from Hijikata to an huge expansion of the scene in which they hid in deer skins in Ep 17 to the ending theme of the second series with Asirpa with her hand on Sugimoto's heart, to the finale itself in which Asirpa, who normally doesn't believe in dreams, dreams Sugimoto and believes it's a dream sent to her by the gods and in her dreams Sugimoto tells her the things he wanted to tell her as if they were having a mental connection, a scene that's not in the manga.

Part of the criticism though didn't steem just by people hating the Sugi/Ripa but also by how the second season cut a lot of scenes from the manga to then add this sort of scenes which weren't in the manga and seemed to promore the Sugi/Ripa agenda.

Season 3 and 4 were closer to the manga so didn't got as much criticism.

It's unknown if Noda was rushed by his editor or not. It might be he was bored or got worned out by GK. Or it might be he didn't even realize his work felt rushed, maybe he only wanted to make it fast paced and... well, it didn't quite work.

Of he just did wrong his math, he wanted to end the story at Vol 31 (due to one of the possible reading for 31 being Saichi, Sugimoto's name) but created too many sideplots he had to solve so he had to rush.

This is actually a concrete possibility as the last volumes are REALLY big because they also contain more chapters than usual when he could have instead just put in them less chapters and made one more volume.

Since GK was a successfull manga I honestly find hard to believe Noda was pressured to end it unless there was some problem I know nothing about.

Anime are a different matter as in the last years their main source of income are often the dvd so they're often kept short (12 episodes) in order to sell the dvd quickly and efficently.

I doubt Noda will have time to draw canon extras on his blog, as he's working on another manga. The most he might do is drawing extra illustrations.

Who knows, maybe extra might be drawn if he were to take part to some other GK project.

I don't really know how much involved he is in the anime I've heard he was consulted for some things but, as a mangaka, Noda is already pretty busy on his own so I don't know if he would have the time to get involved more... and I've my doubts on him wanting to expant the anime ending. It's of course not impossible but I'm not sure he would be interested in it.

Currently the anime covers till half of Vol 25. This would mean 6 volumes and a half are missing... but we could also say 7 volumes since as I said the last volumes are bigger than the others.

The remaining arcs are losely 3, the Hokkaido one, the Fort Goryokaku one and the train ride one.

If the anime has 12 episodes, it means 4 episodes for each arc, if they increase the episode number (season 4 has 13 episodes so 12 isn't a given) and let's say go at 15, it would make 5 episodes for each arc.

It's possible to fit everything in, though if we fit everything well or in a rushed manner is up to the authors. Brain's base to me looked better than Geno studio so they could make it... because splitting those 3 arcs in 2 series seems too long to me.

Of course an even better solution could be put 2 arcs in the anime and the final arc in a movie... but I think they're more likely to keep everything in one anime.

Due to Geno Studio's anime poor quality as far as I know the GK anime isn't super popular and it would be hard for a movie to attrack enough audience so it's likely the next series is the final one.

Still, that's just me and I might be wrong so take this with a grain of salt.

Thank you for your ask!

[creepylittlelady]

I need to know more about Lazari in your AU

She deserves more content from fans

Hi! I'm so sorry it took me so long to answer this ask, and also thank you for sending me an ask in the first place! I love answering questions, even if it takes me a bit to respond :3

I agree with you, Lazari deserves better. I mean like, even her own creator did her dirty man, SHE HAS SO MUCH POTENTIAL!!! Her concept is so cool and her own comic did her SO DIRTY. I hate the treatment she gets from fans too.

Yeah I get it her comic was terribly written and was the origin of the 'I HAVE CRAYONS AND PAPER!!!!!' meme and the characters were poorly written and the lore was inconsistent and the fanservice was weird and the story/tone was ALL OVER THE PLACE. But like, don't take it out on my baby Lazari please she deserves better.

I wanna do some more silly headcanons of her this time around, I might make a separate post on more serious stuff about her ;)

So, let's get cracking!

Lazari Headcanons!

-She's on the Autism Spectrum, diagnosed and all :3. She also has ADHD, also diagnosed! She's the representation we deserve to see in this fandom lol.

-She's Chibiworks. Okay, let me explain:

SO, when Lazari first came into the Mansion, she was just an 8 year old girl with demonic tendencies who was abused by her hyper-religious mother who hated her. She hated herself, she was shy, and she believed that she was nothing more than a monster, a mistake. But all of a sudden she goes from that to the DAUGHTER OF THE EMPEROR OF THE UNDERWORLD, a literal DISNEY PRINCESS (cuz yk she's his daughter), and now she literally lives in a Magical Forest in a Magical Mansion of Serial Killers, Ghosts and Demons.

She thought that the world around her was super interesting considering she never got to see much of the outside. She loves drawing, so she drew about it. She drew about the potential greater stories unravelling around her, making her own characters based on concepts she learnt about whilst exploring.

She made I Eat Pasta for Breakfast as a way of letting her imagination go wild around this new environment she found herself in. She made characters to interact with the people that already existed, and gave them purposes.

(Btw, several of the weird stuff and the not kid-appropriate scenes in the comic are retconned out of this version.)

She also made Creepy Frozen Pasta, just saying. She also wrote The Seer. She wrote every Creepypasta comic in existence. Found a cool Creepypasta comic series? Lazari wrote it.

-She LOVES drawing. Her artstyle is very much manga-inspired and she loves creating her own OCs, which are littered throughout her work. A lot of them are directly based on concepts, such as many of Zalgo's followers in IEPFB being based on the idea of Zalgo having a cult of personality around him.

-She's definitely an animation meme kid. I'm deffo self-projecting but she is the DEFINITION of the weird kid. She makes animation memes of everyone in the mansion. She makes animatics of actual stuff that happened. She makes amateur dubs of her own comics.

-Manga is her biggest hyperfixation. She collects TONS of them, and directly draws panels from her favourite manga to improve her drawing skills. Her favourite Manga series of all time is Fruits Basket :3. Her room is basically just all of her drawing scattered around the place.

She specifically likes Horror and Shoujo anime, despite the fact that they're basically polar opposites. Alongside Fruits Basket, she really likes Madoka Magica!

-She definitely makes AMVs of her favourite animes. She deffo writes terribly written fanfiction about her favourite anime couples kissing and giggles whilst writing it.

-She's also a Gacha Life kid FUCKING FIGHT ME SHE DEFINITELY MAKES GACHA OCS. She definitely stays up until 2am with Sally watching 'Hated Child turns into Hybrid Princess' videos. Lazari gasps in shock every single time and Sally is just sitting there extremely confused.

-Sally is her best friend. She lore-dumps to Sally all the time about her special interests, and Sally listens intently and nods along. She even writes notes about the lore of her favourite series! Sally is a super supportive best friend, and any time any of the ghost kids make fun her for her autistic behaviour she puts them in their place.

-Despite this, the two of them argue a lot, because they're kids and just of course they do. Fun fact! The reason why Sally only appears like once in IEPFB is because Lazari initially wrote her in, then the two got into a fight and she took her out of the story. They made up soon after but Lazari thought it would be too awkward to add her back in and Sally just accepted it.

-She has a very unorthodox form of common sense. With that I mean she has none at all. Once the mansion was on fire, and Slender screamed at her to get up and evacuate. Her reaction? She told him to leave her alone and let her sleep.

-She really likes Vocaloid, and her favourite Vocaloid isn't even a Vocaloid. Her favourite, uh, singing bank, is Kasane Teto! She claims that her robotic voice (before the SynthV AI transfer) was pleasant to her ears.

-Her favourite Vocaloid Song is Kasane Territory, because of the animation meme of course >:D.

-She also definitely tried to make a Storytime Youtube Channel but everyone in the Mansion made her delete it because she was sharing personal information about them all. Like genuinely she'd be like 'SO THE OTHER DAY MASKY AND HOODY WERE ON A MISSION FOR SLENDERMAN AND THEY KILLED THIS ONE GIRL WHO LIVES AT THIS ADDRESS IN THIS STATE'.

She has like zero concept of Internet Safety.

-She's a massive Melanie Martinez fan. She got Sally into her music, and back when Melanie Martinez was like just getting popular she'd sing all of her songs super loudly in the shower. Once Slenderman referred to the house as a 'Dollhouse' and Lazari screamed 'DOLLHOUSE BY MELANIE MARTINEZ? HEY GIRL, OPEN YOUR WALLS, PLAY WITH YOUR DOLLS-'.

-She used to be a massive Roblox kid in 2017 and was also an MSP kid. Christ she was on so many virtual worlds, she was even on Animal Jam sort of.

-Fanon Masky, Hoody and Toby were invented by her. Fanon Masky was made PURELY out of spite for him. The first time they met was not pleasant, as he called her a brat. Lazari vowed to humiliate him in every way possible from that point forward. She found out that he hated children, hated Slenderman, hated Cheesecake, hated the texture of Crayons, and hated jokingly being called a twink by Toby.

All of that combined? You got the Crayon-having, Cheesecake-eating, Skinny, Scrawny, Slenderman dick-riding Fanon Masky that we all know and love. The other residents found out about this strange new version of him and it became so popular she drew individual fanarts of him and handed it to all of the residents. Even Slenderman has a picture of Cheesecake Masky on his Office Wall. Somehow Masky didn't find out about this until a long time after the fad ended.

In my AU Hoody is a selective mute who doesn't verbally communicate with anyone besides the Proxies, so he was deathly silent when he first met Lazari. She misunderstood this as him just being shy and so Shy UwU boy Hoody was made.

Fanon Toby is just a sarcastic persona Toby puts on to piss other people off. She misunderstood this as his REAL personality and alongside the waffles thing that Jeff and Ben always mentioned (Toby stopped liking Waffles long before Lazari came), Fanon Toby was made.

-She made the Dollmaker (yeah he exists) make her plushies of everyone in the Mansion + The Zalgo and a few of her OCs. What does she do with them, you may ask? She roleplays with them with Sally. They've made a bunch of random ships with this, and now they're both avid Slender x Zalgo shippers. They also ship EJ with a lot of people as he has such a versatile personality, but they mainly like EJ and Jeff.

Lazari also found out that Masky was sort of intimidated by Nurse Ann so she shipped them very vocally in front of him.

-She's a massive Sanrio-girl, and her favourite character is My Melody :D. She's watched the entirety of Onegai My Melody at least like sixteen times already.

-She tried to learn Japanese, and failed miserably. She can sometimes read Hiragana if Kagekao writes it really carefully.

-Her own handwriting is really terrible, almost illegible. It's a gift to be able to read anything she writes.

-She's a part of the Mansion's Literature Club, and Ben nicknames her the Natsuki of the club, as she's always insisting that Manga is literature.

-She argues with Slender, as he believes that comics and Manga shouldn't be considered literature, as they're all pictures and barely any words. Lazari TO THIS DAY debates him about it.

-About her demonic urges, they're manageable as long as you give her a random body part to chew on every once and a while. She doesn't lose her control like she once did when she first came, and she's not as dangerous anymore. She's like a saint compared to EJ.

-As she's a half-demon, she has some godly amount of brute force strength. She can carry someone thrice her size and force open any door, no matter how many locks are on it.

She also has an incredibly high pain tolerance. Once she got scratched up pretty bad by EJ when he was in a particularly bad Demonic State, the girl didn't even notice until Lulu noticed.

-About Lulu, she was actually assigned to show her around when she first arrived at the Mansion! Lulu had told Slender earlier that she wanted to take charge of whoever came after her, and has a really good relationship with Lazari. She's one of Lazari's favourite people.

-Her relationship with her dad is...strange. On one hand when she does get to visit they generally have a nice time, however due to how much she reminds him of his deceased little sister, sometimes he'll accidentally call her 'Lily', which dampens the mood a little bit.

-Stripes ADORES her. The two sisters are very close and Stripes just loves her so much, she even made her her Teddy Bear that she's famous for carrying around :3.

-She had a phase where she called herself an irl Yandere. Thankfully she stopped after like a month but it was very funny lol

-She loves Nightcore! And Trance Music, oddly enough. One of her favourite songs is 'Be Alive!' By Stian K. (Search up the song. If you recognise the song from a certain animation meme of her then you deserve all of my respect).

-Her favourite food is Chocolate Strawberries.

Okay, if you want to ask some more serious lore-related questions then go right ahead and I'll answer! I just have so much of Lazari since she was one of my comfort characters when I was little and first got into Creepypastas. I see a lot of myself in her and I'm so peeved that the fandom either completely ignores her or dislikes her, like she's got so much potential! She's an incredibly important character in my AU actually, and one day I'll make a post detailing her correlation with the greater story :3

Hope you enjoyed! If you're new to this blog and are just seeing this post, then I have an AU named 'Puppet Strings', with its own lore and interpretations of the characters. If you're curious, come check out my blog and you can ask me questions!

[dbphantom]

having watched bleach start to finish like 3 times over the years, the length does not intimidate me but would you say one pace is better because it's closer to the original? 🤔

Oh shit nice! That will definitely help haha

IMO, One Pace is better because it cuts a lot of anime filler and adjusts the abysmal pacing of the anime in the latter half of the show (it's getting better-ish with the 2 most recent arcs, but it's still pretty bad all things considered) to be closer to the manga. I think it's amazing and 100% worth checking out if you don't like filler or slow pacing that doesn't benefit the story. That said, there are some things I think the OG anime does better than One Pace despite all its benefits, so it's up to you, really.

Here are some differences I've noticed so far so you can decide which one you should check out for your first watch :)

One Pace is subs only, no dub. I haven't met anyone who has considered that a deal-breaker yet, but I figured it should be pointed out asap because you do not get a choice if you want to watch Pace.

Some of the filler in the OG anime is great! Most fans I've talked to will sing the praises of G-8, which is a short filler arc, but embodies the spirit of the show perfectly. It's actually what I show the people I want to get into the series because it's short and not main story stuff and so perfectly One Piece.

But not all of the filler is good or worth watching. And lately the OG anime has taken to drawing out scenes for padding instead of simply coming up with filler to let the manga get sufficiently ahead. It can be draining to watch a side character's surprised face still-frame slowly drag across the scene for the 1,000th time when you KNOW there's better things they can be spending that screen time on. Or yet another shot of characters aimlessly running down a hallway to pad time between scenes.

There are some cover stories that were adapted into the anime [not all of them, though!] that One Pace cuts down on bc it does not match up with the only-manga style of the edits. This can be a bit confusing as some cover stories are important to the plot/understanding where characters are and what they're doing in the world without it coming out of left field.

That said, you'd have to read some cover stories anyway regardless of which anime adaption you choose, because the OG anime did not adapt every cover story and some of them are pretty important. Definitely check out the cover page wiki no matter which anime version you decide to pick up. Just be wary of spoilers. You can DM me for links to the cover stories if you want :)

If you're worried about One Pace cutting story info, I've been watching it with my friend as his first time through in case there's info I need to add in, but it's been very faithful to the manga so far. I even got my foot in my mouth a few times by explaining that a scene was cut- only for said scene to have been moved a few episodes down to match up with the manga, not the anime.

One Pace cuts out all the lingering reaction shots and redundant flashback sequences. And the editing is phenomenal! There are some weird music jumps in the arcs that they edited in the beginning [Thriller Bark is one I remember there being a lot of noticeable music cuts, and that's one of the first arcs they edited], but it's really not as bad as some people make it out to be. Just sort of an 'oh that was a little noticeable. Anyway, moving on'. The important scenes are all very well done and the editing jumps you may notice will not detract from the heavy impact stuff.

If you're someone who likes to takes things slower by only watching 1-2 episodes a day or once in a while, it may be best to stick with the og anime. It has recaps at the start of every episode and frequent flashbacks so you can remember what's going on. One Piece is released once a week, so this makes sense for a more 'casual' watching experience. One Pace has no recaps, and some flashbacks are cut for being 'redundant' [those that are shown a handful of episodes after the scene happened- or even in the same episode, for padding purposes]. Normal and reasonable flashbacks are kept in though, so you don't have to worry about that.

One Pace also isn't fully completed yet. For example, if you watch from the start of the show, you'll need to switch back to the normal anime for the Baratie arc. They don't edit the arcs in order, instead they edit them in order of which has the worst issues regarding pacing and filler. It can be a little strange having to jump back and forth at the start, but each One Pace episode shows which anime episodes it covers in the title name, so it's not that bad. Plus, this absolute unit wrote up a guide on reddit for swapping between One Pace, the OG, and a seperate editing project known as One Piece Kai. One Piece Kai has hour+ long episodes and the editing is less smooth than One Pace, but it is great for getting through Alabasta & Skypeia.

Also, One Pace has covered the latter half of the show in its entirety, so once you hit Enies Lobby it is a straight shot to catching up to the anime using only One Pace, which is great because once you jump back and forth between Pace and the OG, the pacing differences are night and day.

Overwhelmingly I would recommend One Pace. But! It's also important to know what you're getting into with it, y'know? If you do decide to use it, I definitely recommend following that guide I linked and also watching G-8. And keep an eye on when you should read the cover stories :)

For reference, I've watched the entire OG anime in chunks over the years and One Pace up to Impel Down [currently watching through, it's been great]. During my first time through the OG anime, I stopped watching once 'the latter half' of the show hit and switched to manga-only due to the pacing being That Bad. I watched all the anime arcs eventually, but that initial pacing problem really put me off it for a while. Before I recommended One Pace to a newbie friend, I rewatched WCI using it and the pacing was like night and day. It is really an amazing project, it's very well done and he's enjoying the series a lot so far.

Also, also, if you're going to watch, I recommend blacklisting some of the op tags! I believe the popular spoiler tags are 'opspoilers', 'op spoilers', and 'One Piece spoilers'. People may also tag each chapter/episode release individually. I personally use an amalgamation of the popular spoiler tags plus my generic 'spoiler' tag and the series tags, with chapter tags if it's really big. There was a huge thing recently (is a year 'recently'? It is in one piece time haha) in the manga that is just everywhere online, and it's pretty massive spoilers :)

[heavenly-kazee]

Just seeing AI-generated fanfic stories like this is one of my worst nightmares when it comes to writing poetically. Not only writing but even art forms of drawing. This madness wouldn't be stopped at any moment unless we have to do something about it. Writing a fic was never once easy, it all started by developing skills. I never tried making one when I was a kid, I just wrote my diary for the first time and every time I re-read it, there are many emotions, not just happiness and anger.

I decided to enhance my writing skills by creating my first fanfic on Wattpad. People responded positively to it, so I continued to create more. Writing fanfics had been a hobby of mine for a while, and I enjoyed it whether it was through fanfics or roleplaying in books. As time went on, my writing skills improved, and by the time I reached high school, one of my fanfictions on Wattpad became the top number one for the ship name "Abeshiya." That was a long time ago ofc, I posted the unexpected event on WhatsApp, and I never felt this much joy and love for my own fanfic.

Unfortunately for my time in Wattpad, it didn't last forever since I had a major exam for my final year of high school. Once I finish completing Abeshiya one-shots, I say goodbye to my dedicated fic and move on with new project fics. I had been there for 7 years; I used to be motivated, but now... Everything changed. I found out about AO3 when I turned 15 years old; I was new to the archive, so I surfed there as an anonymous user. But I wasn't into it, thanks to the complicated system of the site, so I went back to Wattpad for comfort.

Everyone in Wattpad was kind ofc, the majority of them were the same age as me and probably older. I never had any enemies there in the first place. We even talked a lot in the comments section, it was still fun before Wattpad became the horrible app just because there were kids everywhere (I preferred it when everything was not restrictive). Sadly, Wattpad already enforced their strict new family-friendly rules so I immediately left since abeshiya fic is not completely family-friendly at all (knowing my coping mechanism is also dark, so I blame my parents for being neglectful to me)

Right when the Wattpad changed entirely, I then moved to AO3 again, wanting to write more fanfics and probably put my old works in there. Remember when I said the system was complicated? I didn't become an idiot so I adjusted myself to being there temporarily, reading old fics and creating my acc just to make a collection of bookmarks. After two years of surfing and learning how the complicated AO3 system works, I got used to it and I finally wrote my first fic there, too impatient fic. It has yandere and questionable tags, I make sure I read the archive warning carefully so I selected it as an explicit (and maybe dead dove as well, although it wasn't extreme however I stated that the mc was sexually assaulted to the point of passing out from the abuse and the desire to not let anyone get hurt because his mom died in a accident)

That was just the beginning, I never expected my abeshiya fic to also have dd:dne element, with just a simple "buried alive" fic. I wasn't aware of it, my fic inspiration was from Dolls Fall manga which is the same mangaka of Corpse Party so technically dd:dne was new to me lmao- Back then, I felt bad for my wattpad fans who read my abeshiya fic religiously. So I went back to my "buried alive" abeshiya fic but turns out it wasn't descriptive or detailed-ish, I was worried for nothing. At that time, I wasn't a Wattpad writer anymore, I was already a dark web writer who unpredictably wrote dark fics without comfort which to my surprise I was not aware of it as well

This was my history of learning how to be a writer better, I just wanted to tell my story since writing is one of the most rewarding despite the hardships from the start. Seeing that there are people taking advantage of writing fanfics by using AI is just horrendous. That's not even known as skill-developing, that is called a copycat, with no talent or skills whatsoever. Gaining skills is indeed difficult; there is no such as perfection, whether you like it or not.

Besides, my English wasn't better either, my language ability was limited when I was a kid, and I was scared to lose my native tongue language just to speak it excellently. It's not really fear-based but quite about being forced to talk in the native language due to the majority of my generation being ignorant and throwing aside the real identity of their home country background. That is if you travel to East Malaysia, only the younger generation can speak English very well than me 💀

The extinct language I'm talking about is kadazandusun, an Indigenous tribe language only in East Malaysia. Some of the language systems are a bit similar to Tagalog though and I'm bilingual because I speak both kadazandusun and malay (not exactly kadazan, since I never pronounce V's when I talk to my family at all so it's mostly dusun when I'm communicating lol)

"This fic was ai generated—" Cool, so lemme block you real quick

[akirayuri]

The utter insanity of ch 78 of mother fucking Pearl Boy: a rant ( tiny rant cuz lowkey my eyes are burning )

Pearl Boy and a rant about the absolute shit show that was Koh Daekwang's ending and the misuse of SA as a whole.

TW: sexual assault, gang sexual assault , Pearl Boy, etc ( and yeah, I didn't really organised or edit anything, I just kinda tried to pin point what I was on about in the headings but take all of it as a whole. It's... very messy. )

Spoilers for: Pearl Boy, Sheep Mask and Chainsaw Man.

So, Pearl Boy? Yah? Unsurprisingly ( and for all the wrong reasons ) it's a popular BL amongst the BL manhwa community fans. ( Korean manga basically ) I kinda picked it up when I was wayyy younger. The art was so freaking pretty that I just couldn't resist. But turns out even my underage, horny brain went, "uh. There is something wrong with this one. I don't like it". ( It's not that I couldn't read or handle heavy material. I remember reading Warehouse back that year and genuinely speaking? That manhwa is still one of the best psychological BL I've read to this date. )

And then a few days, no wait, weeks ago I heard that apparently it was ending?? And since I get slapped in my face with spoilers now and then I do know whatever was going on in that manhwa, it was bad. And genuinely? The MC of that manhwa just went through so much that I genuinely wanted to see him happy even though I didn't really find myself getting into the manhwa for several reasons. Despite its gorgeous art and ( as the fans insist ) a green flag couple and ML, there are several icks I have with this manhwa even before I opened chapter 78. But 78 was genuinely a nail in the coffin.

*sigh* I shouldn't have trusted the hype surrounding this, this thing . Some fans of bl community are just batshit fucking insane. Period.

My thoughts on Koh Daekwang before I got my brain frayed

And let's clarify where Koh Daekwang as character was in my pedestal at that moment first. Because I think it needs clarification. For one, I got plenty of spoilers to know that he's one of the antagonists and that he has done some shitty things. And being the asshole he is, I expected him to get a ass-woping he absolutely deserved. And tbh? I didn't care much about his character until much later. It was just very weird cuz his japanese name is very similar to my OC ( Hikaru and Hikari. Oh fuck. ) and the beauty mark on his face was on the exact place as my OC ( and the base of the hairstyle but then again, my OC is a red head and and he has wavy hair. )

( but the more I read into the twins I realised my OC acts more like Daehwi than Daekwang 😭 )

Other then that, he was just a hot asshole those manhwa/manga seems to have in default. I didn't really pay any mind to him.

The issue with the SA scenes in the manhwa + the gang r*pe of Koh Daekwang ( on a surface level )

Until I went back to kinda skim through the chapters and stumbled upon chapter 78.

And I KID YOU NOT the f**cking whiplash I got from chapter 78 can't be explained in words. Listen, I've read my fair share of graphic stuff in my years, some I liked and some I didn't. But this, this literally made me wanna throw myself out of the motherf**cking window at 3 am. I didn't know who Daekwang was or what he did ( but I had the feeling that since it's Pearl Boy, he must've done something really really shitty cuz the writing is just like that. ) I only know that I loved his character design very much. I paused in each and every panel and pushed down my urge to throw up. I've seen how the author draws s**x ( more like r**pe scenes ). And something about them already made me uncomfortable. I couldn't just put my finger on them at that time. But now as I skimmed through the entirety of the absolute dehumanising brutality Daekwang had to endure, I realised what exactly made me uncomfortable.

And for a hand sight, I was pretty confident I was gearing up to cheer for dooksik had he not done what he did. I would've probably gone, "GO DOOKSIK KICK HIS ASS !! RIP HIM LIMB TO LIMB TO GO GO GO !!"

Like I'm not even joking. I wouldn't have batted an eye if dooksik had even burned him alive or tortured him in the same fashion as Hostel and the Saw Franchise. Because for a fact, that's more merciful than what he had to go through and more.

Listen, there are ways to torture someone. What Dooksik initially needed was Daehwi to show up and feel the same helplessness he felt when Jooha was being assaulted.

Now, some of y'all would probably jump the wagon with "but he said eye for an eye!! They deserved to be SA-ed because Jooha was SA-ed too"

that's- that's the most shittiest reasoning I've ever heard.

Listen, r*pe is a act that is irreversible and as evil as man kind can get. And no matter which character conducts the act, it's still wrong. ( I mean, this is the reason everyone is like, "omg the twins deserved so much worse uwu " )

And it's even more traumatizing and just, genuinely gross to see Dooksik do it because he is that character we are supposed to be cheering for, he's the ML. He is supposed to be right one ( I mean, it was initially his negetive character arc but I will get into it later ) Jooha went through the same thing and he has no right to call the shots as to what do with Jooha's perpetrators as he wasn't the one assaulted. Much less get the least evil of the three used as a scape goat in such a dehumanising way just to call in his sibling. And speaking of perpetrators; how come fucking PILWON GOT OFF WITH ONLY AN AXE TO HIS HEAD AND MOTHERFUCKING DAEKWANG ( who was hinted to be also the victim of sw from a young age to provide for his brother and genuinely, he's also a victim ) GOT FUCKING GANGBANGED INFRONT OF HIS BROTHER!? EXPLAIN!!

This is why I genuinely think there is something very, very insincere and wrong with the writing.

And as for the "eye for an eye" no honey. It didn't work. It's simply that Daekwang literally got used as a plot device and later thrown to the side. Like, tell me how he ended up like that? In a coma I presume? Like, why is no one talking about it? A guy got gang r*ped by one of the main characters and later when it was time to show the aftermath the author simply ships him off to who knows where and then he's, asleep? In a goddamn coma? Lazy writing at it's peck.

And as for the r*pe sense itself-

Ok so, here is a thing. When you write something or draw something extremely traumatic there are ways to showcase that. there are plenty of good examples out there. How to make trauma seen without fetishizing it. There are ways to go about it. What Pearl Boy does is exactly that, fetishize r*pe as a whole. No matter who is being assaulted they just gotta draw a full on close up to that. Is it really that important to show how many times and exactly how Jooha is being r*ped? It's very disrespectful to actual sa victims. Like, a black fade out or a brief flash back is enough oh my god.

Pearl Boy really has a bad issue for fetishizing r*pe of each and any characters regardless and it's fucking hard to watch, alright?

And the issue with what happened to Daekwang was something else entirely. I knew he was a bad guy and that there was some in**est going in the background. But honestly, look me in the eye and say that he deserved it ( he fucking  didn't. Even Pilwon was killed to easily and mercifully compared to what Dooksik did to the twins ) There are tasteful ways to t**rture someone. Hack, I wouldn't have been this antsy if he got his limbs chopped off or murder even. Like z waterboard him? Clip off his nails? Chop his fingers off? ( I mean, he always has two fingers missing apparently. Like, please can everyone just leave this guy alone? ) like, go watch Hostel or the Saw Franchise and get inspired, man. why gang sa? Honestly the answer is pretty simple, ✨ fetish ✨

( Honestly , killing him off wouldn't have made any difference since he was literally used as a plot device by the end of it. Poor guy. )

And again , it boils down to the eye for an eye thing. But to be honest they didn't even manage to execute it properly. Despite everything he did, Daekwang is a sa victim. If you really wanted to go for the, so famously said, "eye for an eye" do it so with legitimacy. He was literally shipped off too somewhere and then when we see him again, he's looking like a dead man probably in coma 💀. TELL ME F**CKING HOW!? YOU GOT TIME TO DRAW HIM GETTING D**ICKED DOWN BY A WAREHOUSE FULL OF MEN BUT THEN WHEN IT'S ABOUT GIVING A PROPER CLOSURE TO HIS CHARACTER YOU GO, "oh. He's asleep 😁☝🏻" GET OUT.

R*pe revenge gone gone wrong Feat. 'Sheep Mask ' ( and a brief summary of the r*pe revenge genre )

Ok so here is a thing I think I noticed and I think it should be out of my system. There is a similar pattern in this Manhwa that is simply so, off puting. Despite Jooha getting sa-ed so violently each and every turn of his life, it's never him who gets to express his anger and the sheer animosity he is sure to develop over time. It's Dooksik. Dooksik proposes the idea of wanting to kill Pilwon, not Jooha. Dooksik arranges a gang sa for one of the twins, not Jooha. For Jooha the only ligament sign of actual resistance was when it was Dooksik's line on the line. He finally gets the courage to actually pull a gun at someone's head ( still not shoting him )

Someone of y'all simply find it romantic that Dooksik is willing to get his hands dirty for Jooha's sake which is fair considering men like him really don't exist. But Jooha's lack of guts to fight off is something that clashes with the initial "revenge"

Idk how many of you have read Sheep Mask by Paskim but if you have, you'll understand exactly what I mean. No matter how fucked up and graphic this manhwa is, we all will agree on one thing, it makes sense and at the end of the day; it's satisfying.

And not satisfying because there are no stacks for the MC as he delivers karma on his perpetrators, there are. In fact the consequences are everlasting. The MC can never really function properly and is probably marked off as a criminal and is doomed to be unable to live a normal life again ( and might be dead ) but also, the consequences also lie within exactly what he unleashed upon his perpetrator even after he is presumed dead. The lasting mental scarring on both parties leaves a bitter sweet but a understandable closure for both of them.

I'm not saying that this is what Pearl Boy should've done. I'm simply bringing it up as they handle the revenge r*pe aspect similarly, yet so differently.

What Sheep Mask did so satisfyingly was that it was the victim calling the shots, not anyone else. Which actually reminds me of a pop culture phenomenon that happened in the early days of revenge r*pe movies.

The culture of rape revenge has been around in the media for a good amount of time. This genre ( female oriented as it is ) has changed it's pattern over time.

[ and I highly suggest to check out this video essay that I'm linking down below if you are interested in this topic because this THAT video actually made me think about this more deeply. And it's very good 👍🏻

The video in question:

Ok back to topic ]

Like, lemme give you a brief run down as to what I'm getting at.

Back in the days when r*pe revenge genre had yet to see it's renaissance, there was a common pattern it had followed

Girl gets r*ped -> probably killed -> a male relative or acquaintances or lover finds out about what happened to her -> gets really angry -> goes on a rage full revenge quest to avenge the girl -> kills every perpetrators

Which sounds unproblematic at first glance but then you realise, the actual girl who was abused never got beyond that damsel in distress or the abused female archetype in whose trauma, the male character's character development is built upon. The female character's abuse was simply a plot device for the male character to unless his rage upon the perpetrators while the actual victim never got anything to their name other than the fact, that they were abused. Her trauma was used as a foundation to build the male character's journey to avenge her as she was just too weak or probably dead to do so. that's it. Otherwise she lacks the agency to protect herself. The victim's trauma is used to empower the male character and just be a quest and reason for the male character to persuade his enemy. Her suffering is not her own but the focus is on what the male character would do for her. ( Which changes over time through movies like Jennifer's body and Teeth. )

Of course Jooha isn't a girl but despite being a male, he is also a victim of repeated sexual abuse and he houses the inherent trains of the damsel in distress character archetype. His trauma was used to fuel Dooksik's anger and basically just give him the license to whatever the hack he pleased to the twins; and more accurately, with Daekwang. Because he was averaging his abused lover and because the lover himself didn't have the agency nor the power to execute the plan himself. The victim was powerless, is powerless. While Dooksik grows more and more jagged by the end of it. And simply showing the readers how far Dooksik is willing to go down.

[ this actually reminds me of this comment I read which said the following: "the twins should've known better. They raised a sleeping lion " which just proves the point of my prior comment of this being an empowering scene for the none-victim revenge seeker ]

Everyone has their own way to handle and process trauma. And Jooha not wanting to make things worse for either of them is valid. But won't it had been empowering for the actual sa victims if it was Jooha who actually pulled the revenge? Considering that Dooksik got so badly injured trying to protect him? What does it exactly say about the message it delivers? By the end of it, what happened was Jooha seeing the shadow of Pilwon in Dooksik and Daekwang being bed tied for an unknown reason and an unknown period of time.

Pilwon got killed, but who killed him? Daehwi. Both Jooha and Dooksik would've died. Who saved them? Daehwi. Just- just what good did it come out of it? Daehwi got desperate but he would've done the same if Dooksik threatened to kill Daekwang without sexually harassing him so violently infront him because more then anything, the twins love eachother and are willing to serve their lives in a platter to anyone just to keep the other safe. Honestly it's very ironic and frustrating that by the end of it, it was Daehwi who did all the heavy work such as killing Pilwon and saving the asses of the fandom's beloved leads despite being the most injured one of the three. ( the epilogue was stupid )

The mishandling of Koh Daekwang [ and a tiny self indulgent comparison with Aki Hayakawa / I Wii make a separate dedicated post I swear. This is getting way too long / ]

And the fact that Daekwang wasn't even the most evil and probably the least evil' out of three antagonists, including his brother who was the main perpetrator on arranging the shit show that initially pushed Dooksik over the edge is really sickening. And also the hints about him being a sex worker in the past to provide for his brother ( and Pilwon's comment, "aren't you a pro in this?" ) just sits like a pile of rocks in the pit of my stomach. I really, really don't like the combination of a past sex worker who did what he did out of need and a probable victim of SA himself to be used as bait by being r*ped again just to bring in his brother.

And let's be f*cking frank y'all. Daehwi is the reason Jooha and Dooksik are kicking and punching 💀. Like, blud was literally mummified yet he was the one doing all the heavy lifting. How fucking ironic. ( The epilogue was so stupid . And sorry but I can't stop repeating this topic. It's just so frustratingly funny to me )

And speaking of giving a sincere end to a character who is supposed to be tragic and therefore , the lack of it in Pearl Boy.

I actually compared Daekwang to Aki Hayakawa a lot LOLOL and I still do cuz both of them had the most tragic end to their respective story arc but the taste and execution is so vastly different.

Where in Aki's initial doom was not only a foil and a proper closure to his character arc but also something that despite being as tragic as it could get, it had a sense of sincerity to it that makes the reader feel heavy, not disgusted.

Obviously the lack of gang r*pe as a whole is a good reason to itself but I feel like there are so many similarities to their situation despite being so vastly different from each other. And yeah, obviously Aki wasn't that much of an asshat that Daekwang was lmao.

But something about those two is so damn similar . The stubbornness to reach their respective goals and then getting slapped in the face with the consequences of not listening to their loved ones advice:

Daehwi tries to speak sense into Daekwang and Himeno tries to talk to Aki to quit public safety which neither of them listen until much later.

And generally bordering on being a bit deranged with how hell bent they are;

And then comes the knack for shouldering everything heavy and complicated and brushing it off with a, "leave it to me."

and just generally driving their loved ones to a point of utter breakage with how unmoveable they are aka making them do something high key crazy.

Himeno with her selfish sacrifice and Daehwi with almost everything he did in the last arc lmao.

But also doing whatever it takes to keep their loved ones out of danger which includes, self sacrifice or just becoming a human meat bait to the enemy party.

The arguably tired older sibling with godawful luck. And gremlins under their care.

✨dad energy ✨

( a compilation of Daekwang acting like an old man even though they are the same age. Cuz we all know how Aki is. )

And let's not forget both admired the worst person in the room ( Daekwang with Pilwon and Aki with Makima ) which brought them both to their inevitable doom. ( Aki's one is a complicated situation since he was under Makima's control all along and I feel like the situation with Daekwang and Pilwon got Messier after Pilwon humiliated, beat up and made Daekwang chop off two of him fingers infront of his brother. Which is another similarity; the sudden jerking sense of clarity before everything goes black again. )

Also the fact both of them were used as a literal bait, the sacrificial lamb for a bigger picture, holy crap. ( Ok I really need to write a dedicated post on those two. )

Despite the similarity there is a lack of sincerity in handling Daekwang's story arc wherein, no matter how ironically heartbreaking Aki's outcome became, it had a sense of sincerity and familiarity. It didn't feel wrong ( I mean it did, the Gun Devil arc was a fucking nightmare fuel. But not in a sense that'll make you want to burn your house down with how badly it was written. But rather it makes you love the character and appreciate the hardwork and love the author put into his works . It makes you want to go back and read the arc no matter how painful it is because at the end, it does not make you want to look away from the pages in disgust. )

( Oh and, free Daekwang from that author I swear. That man wasn't paid enough for all that. )

Obviously their situation was vastly different. But in the end they were played like pawns by a bigger brain. Their loved ones left to pay the price and to see the aftermath of a massacre. And the twins for a fact would've ran away or killed Pilwon even before the final had they been given the chance ( I mean, Daehwi was so fucking ready to chop off Pilwon's head at the drop of the hat. )

What actually hits even harder is that Daekwang was cast aside completely after his r*pe scene. Like his use was only to make Daehwi surrender and do Dooksik's bidding in the most dehumanising way possible. But when it came to giving him a proper ending, they just, made him... Sleep...?

I had a conversation with a friend of mine, she said something really good, "I guess it's not about what happened. It's about what couldve been. Had they been given a proper chance to live a normal life and not stumble upon each and every step because life gave them middle finger from they day they were born, they mightve lived a better and happy life. Without the gawning hungrer to chew at eachother because eachother is all they have got, without the need to hurt someone else otherwise not being able to live to see the next day. I guess it's about what couldve been if they were given the chance and guidance for a good and healthy life style. "

That's the tragedy.

Ok and I definitely lied about this being a tiny rant. This shit is bigger than my life span.

[ktffansub]

Bijutsu Techo: Boys Love – Interview: Yoneda Kou

This article was first published in November 17th, 2014. Translated from Japanesse to Bahasa Indonesia by kalengjelek and then translated from Bahasa Indonesia to English by KTFfansub. Source: here

When did you first encounter manga?

I was born in a family with three daughters; while my older sister likes reading Ribbon magazine, I like reading Nakayoshi. It was the era of Asagiri Yuu-sensei, when I was in elementary school. My favorite at that time were Kusunoki Kei sensei’s works and Patlabor. When it came to Shonen, I would say I was more into Shounen Sunday. I also loved Kawaraha Izumi sensei’s works. When I think about it, rather than manga that were full of passion, I’d actually prefer manga that had calm and soothing kind of vibe.

Is that so… What about BL?

When I was in Junior High, my older sister showed me Captain Tsubasa Doujinshi by Ozaki Minami and I was dumbfounded, I thought, “So, there’s also a world like this!”. After that, I started to buy BL manga. At that time, the mangaka who left the most impression to me was Nishi Keikosensei. Her works such as Mizu Ga Koori Ni Naru Toki, Tenshi Ni Naranakya have unique openings, it made me reread them many times. Uida Shiuko (now Kano Shiuko) and Yoshinaga Fumi Sensei are also my favorite mangaka.

When was the first time you draw manga?

I seriously began drawing manga in my first year of junior high. At first, I drew a pair of man and woman, but after page three, I felt something was off. So, I tried drawing BL for the next one. Just like the present, I’ve always loved less expressive and less-talkactive main characters (laughs). But the more I draw, then an attentive senpai with good personality and short haired ones like Togawa in Doushitemo Furetakunai also appeared. At that moment I thought, “Oh, this is it!”

You really weren’t embarrassed, are you? (laughs)

Well, it’s because it was embarrassing, that’s why I’m not really open about my drawing manga activity.

(laughs) But you debut as professional mangaka eventually, how did that happen?

Yes, after that… I worked as office lady. I got married not long after, but then, I was getting through a marriage blues. At that time, I was invested in Kakashi and Naruto shown by my older sister along with Comiket catalogue.

The power of moe beats out your anxiety (laughs)

It’s true (laughs). Escaping from reality, I checked a lot of circles and opened some sites. There I found a work from a novelist (now has debuted professionally) that I really liked. This is why I started writing novel at first, not drawing. I have a lot of ways to accommodate my moe needs. I also once drew Doujinshi but due to my inability to use a proper diction, the result wasn’t optimal (laughs). After drawing slowly and more at ease, I got into Katekyo Hitman Reborn fandom and drew a lot of doujinshi for that series. A year later, I was contacted by Taiyou Tosho publisher.

“With that publisher, Yoneda Kou published Doushitemo Furetakunai which has been adapted into a movie. Since the beginning, Yoneda Kou didn’t draw one-shot but serialization. For the movie, even though it only tells a story of daily lives, but the directing, composition and dialogue are impressive. About 4,5 years later, the second volume of Saezuru Tori wa Habatakanai that had the yakuza neighborhood setting was released. This has completely different feeling compared to Doushitemo Furetakunai.”

My first work was actually published in Drap, so I had it adjusted to be a less-heavy work. That’s why I ended up switching to another magazine.

Was it a demand from the editor?

Of course I only draw what I want to draw. But without realizing, I always draw them to fit the magazine. And it seems like Taiyou Tosho prefers me to draw more simple work.

So, sensei is the type who pays attention to editor’s suggestion. When you wrote the first chapter of Saezuru Tori Wa Habatakanai, did you already want Yashiro to be the main character (for longterm series)?

Right. I didn’t explain it in the first one-shot, but I always believe that no matter how you look at it, Yashiro really loved Kageyama. And (even though he’s drawn like that) he is actually a neko (uke). I think he is an interesting character. When I drew highschooler Yashiro and others, it had been decided that I wanted to write a serialization for this.

And only then the character Doumeki was born?

At that time, the character Doumeki didn’t exist, but I thought very hard about what kind of partner that would be suitable for Yashiro. I took a break from drawing for about two years. I only worked on illustration during that time, until one morning an idea suddenly came to me, “That’s right! Erectile dysfunction!”. I immediately sent an email to my editor: “A perverted impotent man!” (laughs). Afterwards, I finally worked on the first draft.

(laughs hard) Finally, the combination of Yashiro and Doumeki who are the opposite of each other was decided. What an amazing couple that can even make the readers losing sleep.

I do have this particular interest in people’s decision and behaviour resulted from a contrasting relationship that is full of conflicts. Because there are so many characters in Saezuru, I have this excel file compiling the plot for each character chronologically. Otherwise, I would’ve forgotten about it. If I didn’t seriously research (the setting of my own story), I wouldn’t be able to write anything when I made name. But even though I got through it, drawing a family with no blood ties like yakuza was still difficult. If I don’t focus, the story might turn out like Nagara Sakugyou*. That’s why now I’m just focusing on doing Saezuru.

*) nagara sakugyou: other work that being serialized at the same time

Up until now, Sensei has published 5 volumes and all of them have beautiful covers with varied tones.

Actually, the cover color for Doushitemo Furetakunai should’ve looked like red wine, but it seemed like there was an error in printing so the pink was contrasting into it. But it turned out to be good.

Then about the cover for the Saezuru first volume. It’s so impressive! The stepped-on man! All the people around me also had high appraise for this.

Actually, there were so many things happened in the process. By taking the request (it isn’t clearly explained whether it’s from editor/designer) of “Yashiro sitting alone”, I first submitted that illustration to the book designer. However, I couldn’t throw away the idea of Yashiro being stepped on, so, during the next three days I was stressed out. I’ve finally asked them to keep my idea and that’s how the cover of the first volume ended up the way it is now.

I see! For the second volume, it’s totally different, isn’t it? It’s a scenery, but when you do a double take, there are Yashiro and Doumeki!

I always want to give a different vibe in each volume. Actually I’m also a fan of the way Tsumugi Taku-sensei draws scenery.

Hoo-, sensei is a fan of Tsumugi sensei! Talking abough NIGHTS, when you open the cover, there’s a surprise in it!

Yes, if you look at the rough sketches there were 4 pages of picture that were interconnected. In the end, the desainer took picture number two as the cover and number four to put it on the bottom of the back cover. For Soredemo, I didn’t get any guide from the book designer. I combined the the feel of the story with a touch of water paint. At first, I actually wanted to make Deguchi pulling Onoda’s hand to get out of the train, but it ended up looking like Deguchi forced Onoda to stay (with him). So I decided it’s Onoda who’s getting off the train by himself with Deguchi waiting on the platform.

Do you do the coloring with computer? How about the non-colored script?

I use SAI for coloring but for monochrome I usually draw by my hand until the inking, then I do the tone using photoshop.

Do you self-learned drawing?

Well, I at least bought a lot of ‘pose reference’ books often. When it comes to buy things, it feels great, doesn’t it? But when it comes to manga, we draw to tell our moe concept.. well, I love drawing moe concept, but the thing is- I’m not really good at drawing. I like thinking about moe stuff, I also like to combine colors (inside my head) but when I do, I have no desire to draw I, even though that’s the important part. There are often times when I feel like drawing is a handful. In short, I want to draw something that isn’t too troublesome.

But, isnt it because you’re doing manga seriously that it feels difficult?

Because I’m too serious I feel like the story can be boring. Not only the work but also the author (laughs). I often read comments saying my manga is ‘down to earth’. I guess it’s shown obviously in every each of my works

Sure, there are people who think like, “In real world, there’s no way a wakagashira can be as masochist as Yashiro”, but apart from that, Saezuru still gives an impression of it being realistic. In drawing the important men’s arms and muscles in your work, sensei has done your best. Getting into the story, the characters also put extra effort to look elegant. Despite the young age, in a positive sense, sensei’s works feels like having Showa* vibe.

(*SHOWA ERA: 1926~1989)

I’m no longer young, though (laughs). Maybe this is why my works often get called “JUNE”. Especially Saezuru, I think it really fits (JUNE concept).

Are you an organized person?

I’m actually a person who have no chill (laughs). But I have this side of myself who tend to see things as a whole, look at my surrounding then step on the brake. There is also a side of me that is so energetic in creating my own moe that I turn into a selfish person. I guess that’s also my flaw.

It seems like sensei is the type who has her own editorial meeting inside her head (laughs)

I wish it’s not true, but unfortunately, I’m the type of person who is embarrased to admit that I have a relationship with manga. Even until now I have yet told my close friends about this job (as BL mangaka). I’m not that kind of person who like to share or tell others about my moe situation inside my head. When my moe concept is being visualized in public I would scream, “Don’t look! But if you want to read it, I’d be happy”. Yes, I’m that kind of person.

I wonder if sensei’s works are the manifestation of sensei’s own self-contradictions..

[itsclydebitches]

I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.

As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.

Is there anything he can do for the "antis" to just dislike him rather that be "anti"?

(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)

Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!

For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.

Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.

With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:

Bakugo’s bullying made him the most popular kid in school.

Bakugo’s bullying was ignored by/outright supported by the teachers.

Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.

Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.

Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.

Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.

His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.

This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.

The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.

I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.

As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.

For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.

[meruz]

i was gonna draw tonight but i dropped my tablet pen and the barrel of the pen broke off and flew somewhere underneath (??) my bed (?) and now i cant find it so I’m just gonna answer asks before bed instead. just some art asks and more mentions of infinity train LOL

What program and brushes do you use when making your art?

@ravki hi! part of this is in my FAQ but i’ll say it again anyways LOL: I use photoshop CC and have used photoshop for pretty much....my whole art career. I’ve dabbled in clip and paint tool sai in the past but photoshop is my true wife, we eloped away from her awful father adobe many years ago and are very happy together. 

as for brushes... I should prob put this info in my FAQ too lol,... my default brush set is actually free to download here! Tho I will say I also use steve ahn’s storyboarding brush sometimes and lately i’ve been using shiyoon kim’s brushes A TON. Shiyoon’s cost a couple bucks but they’re super worth it imo

How do you choose colors?

This is kind of a difficult one to describe from scratch but hmm.... I’ll put it this way. Generally when I go into coloring or painting something I already have some colors in mind. Like for a certain piece I know I want a bright green, or a magenta, or a dark blue in certain areas. A lot of the time I know a mood I want. So I’ll start with that core color tone and build around it. I’ll use an example from a recent piece

So you can see here that the first color I accessed was that bright cyan. So I start with that bright cyan and then bring in its “friends” in the form of analogous colors (shown below on the far left)

greens greys etc. THEN I know I want the characters to stand out against all the blue so I start laying down warm contrasting colors for them (middle group). the mat under them is orange, skin tones are warm, ryans flannel is red etc. then to get them to work together I work more cool colors into the shadows and slightly warmer (not too warm because its a cool img overall so in this case, greener LOL) colors into highlights. 

hope that makes sense? for me choosing colors is a lot about story and composition. If you know what you want to say, the mood you want to create, where you want to go, the path to get there becomes a lot clearer imo.

Have you ever considered making an art book?

I have! But I don’t think I currently have enough...original illustrations for one LOL? Not that an art book has to be all original work but if I were putting fanart in an art book...at that point I’d just make a fanzine. I’m making more original work lately though so maybe this year....? Who knows. For now, I do have a sketchbook up on gumroad. Hoping to do one of those next year too.

Any tips for keeping background drawings from getting super stiff, especially since things like interiors have a lot of straight lines?

This is a really interesting ask. Really great question that I don’t think gets asked enough - forgive me if I get a bit art school here but I drew up some examples.

First I think we have to investigate the assumption that straight lines make things stiff. That seems true on an instinctual level and certainly proves to be true very often But I don’t think its actually the straight lines themselves but the sort of arrangements and compositions they tend to dictate. Take this for instance.

pretty big difference, right? there’s a couple things that make a composition feel stiff and one of the most significant is lines that are perpendicular and parallel to the frame. it feels locked in and solid, like bricks. but the moment you shift these angles even a little the composition instantly becomes more dynamic because our innate senses of weight, gravity, and directionality can sense movement.

But it’s not just diagonals let’s take this one step further

when lines meet and terminate together those tangents can flatten and lock space so the best way to solve this is with overlap and complete intersection, forms continuing past or behind each other feel more layered and less like a flat mosaic... again, even in the simplest line drawings. So how do we apply this to a background?

ok I drew this really fast so its potentially not the best example but I think the idea is there. This space isn’t even particularly deep, it’s basically a room, a doorway, and a hallway behind it, and we’re not seeing that much of any of those things LOL. but when you draw an environmental object like a doorway in a way that lines up with the perpendicular and parallel lines of the canvas you’re automatically flattening it and making it look rigid.

and when you create tangents with objects and characters you flatten the space around them and make it difficult to tell what is actually in front or behind or if they’re on the same plane.

GOD I HOPE THIS MAKES SENSE. Anyways. avoid those things and you’ll instantly have less stiff bgs no matter what kind of bg you’re depicting.

I wanna mention however that this isn’t to say a stiff bg with flat space doesn’t have its purposes.

sometimes you want to create parallels and tangents. it can make characters feel closed in, trapped, regimented, part of a routine, etc. it’s also great for making a composition look ornamental (especially combined with symmetry).

directors like wes anderson can even use these compositional elements to make images feel uncanny or harrowing! its very versatile. I think the important thing is to just be aware of when you are making something rigid and when that’s the last thing you want to do. conscious choices.

Can you speak Tagalog?

@lemuelzero101​ I can! BUT NOT VERY WELL LOL ;;; both my parents are from Visayas! but they met and had me in the states lol so I’m pretty American born and raised. We go back to visit family on occasion but not regularly. My tagalog is mostly absorbed from listening to relatives at parties lol and my parents speak bisaya at home so I’m marginally better at that. Sorry to any filipinos out there hoping I’d be better educated, I’m like a little baby...

I do love meeting and talking to other filipinos online though, I grew up in an area that was relatively diverse but the asian population was small and the filipino population basically non-existent. I was like one of maybe 2 filipino kids in my highschool of 2000.

Apart from infinity train what shows are you watching now? Have you seen jujitsu kaisen?

Man this is gonna sound so boring but I haven’t watched a lot of tv lately.  It’s not really part of my daily routine. Let’s see... I was sort of watching Amphibia, Craig of the Creek, and the new Digimon Adventure 2020 but I keep falling off watching those for one reason or another. Also there’s a lot of episodes, it doesn’t feel like something I can just binge and be done with.

The last thing I binged was Succession. I want that show and Euphoria back so bad, when I’m done forcing all my friends to watch Infinity Train im cancelling my HBO subscription until Succession and Euphoria return so they know exactly what I’m on their list for LOL. 

I have not watched jujitsu kaisen but I’ve kept up with some of the sakuga news (I keep up with anime industry news and production info like x5 the amt i keep up with actual anime) for it and their compositing/editing looks dope. I’ve read the manga actually LOL or at least part of the beginning. I wasn’t super keen on the whole finger eating thing. Also to be honest I kinda feel like its the new Bleach and I never particularly cared about Bleach. Characters look nice enough tho. I wholeheartedly support jjk fans.

Thank you! Thank you @keznodzieja​! <3

And thank you anons who don’t watch infinity train LOL...it’s always nice to hear when people enjoy my fanart despite not knowing the source material because it lifts a little bit of the “oh god am I being annoying???” fear off my chest. But also I think you should watch infinity train because it’s really good I have no reservations recommending it.

[dearkusuo]

Unchanging

Synopsis: He was content with the simplicities life had to offer, while you sought out the world.

Pairing: Saiki Kusuo x artist!reader

Genre: Fluff, Slight Angst

Word Count: 3.6k

You first heard of him back in your second year of high school. There was nothing about Saiki Kusuo that stood out to you, but your good friend, Yumehara Chiyo, thought otherwise.

“Don’t you think Saiki looks like a prince? He’s so dreamy that I can’t keep my eyes off of him. He’s so cool and mysterious,” your friend blabbered. If by cool and mysterious, she meant cold and aloof, then you completely agreed. 

Even the popular pretty girl, Teruhashi Kokomi, seemed enraptured by him, despite Saiki’s unwillingness to shower her any attention like every guy in school. She never told you about her crush on him, but it was obvious through her body language alone that she was smitten by the pink-haired boy.

You didn’t understand their fleeting infatuation for someone they hardly knew - never experienced the feeling of falling hard for someone from the depths of your soul that they were the only person you could think about. And you were perfectly content with that. You had bigger dreams to achieve than a small high school romance that wasn’t guaranteed to last long anyway.

The Okinawa school trip was an outing that all the second years in PK Academy were looking forward to, you included. Although you had a feeling that your friends, Chiyo and Kokomi, had different intentions for tagging along. 

They must have been so elated that the three of you ended up in the same group with the boy they liked.

You carried on disregarding Kokomi and Chiyo’s painfully obvious antics to spend time with their beloved prince charming until later that evening when you decided to take a walk outside the hotel alone. You convinced yourself that a late-night stroll would be an enjoyable pastime, but really, you wanted to get away from the love-struck fantasies of your two friends who were oblivious of the fact that they were both pursuing the same boy.

You don’t know how long you’ve been wandering around, but by the time you returned, the hotel had disappeared from your sight. Two recognizable figures stood by a large hole torn on the ground. A battered ship had risen from the gap where the building used to be.

Toritsuka Reita from Class 2-2 stood next to your pink-haired group member while Saiki had a hand directed at the ship, indicating that he was the one causing it to float midair. Your jaw dropped in disbelief at the sight before you.

Saiki turned his head in your direction as if he knew you were there all along. He kept his usual blank composure, although you could recognize the wary look in his eyes as he stared at you. Toritsuka panicked upon the realization that you were there to witness the whole scene.

You didn’t know how you should've reacted when the two boys told you of their psychic powers. 

“I won’t tell a soul,” you promised.

‘I know,’ Saiki’s voice echoed into your mind.

The rest of the trip went by smoothly after that incident. Kokomi subsequently spoke out about the crush she had on Saiki, and Chiyo announced that she had fallen for Kaidou Shun. 

You shook your head in wonder at the orange-haired girl. It was astonishing how quickly she was able to abandon her feelings for one boy and move on to someone else so quickly.

You realized that love was brief and ever-changing like the ticking seconds on a clock. There was no point in wasting time on such a fickle emotion when the only thing you would devote yourself to were your ambitions for the future. 

Nevertheless, a subconscious bond had been formed between you and Saiki after you learned his secret. 

You shared a glance with the psychic from afar as Kokomi relayed to you the dream she had of the boy she liked.

He was kinder and a lot less indifferent than you originally thought. Saiki wouldn’t admit it, but you would notice the subtle acts he performed to help out a troubled stranger and the small deeds he initiated to prevent harm from coming across the people around him.

 You finally acknowledged Saiki as a friend after he deliberately shared his umbrella with you during a particularly rainy day.

‘Good grief. I was feeling generous today, so this is nothing. Just make sure to come to school prepared next time,’ he had told you after you first rejected his help in worry of troubling him.

You found out much later that he could have stopped the rain with his abilities.

The empty café was tranquil save for the scratching of your pencil as you scribbled on your sketchbook. Saiki sat across from you, paying you no attention just as you did to him. His usual stoic expression was abandoned as he blissfully devoured his coffee jelly.

“I have a dream. After high school, I’ll travel around the world for a bit. I’ll join a bunch of art competitions and win a bunch of awards. Then eventually, I’ll go to an art school in New York so I can major in Illustration. And maybe I might even make a best-seller manga one day,” you mused.

‘Isn’t it a little too early for us to think about the future?’ Saiki retorted.

“Maybe. But I’ve had this dream for as long as I can remember.”

Art class was the subject you looked forward to the most in school. Not only because you excelled in many art mediums, but also because you took pride in the techniques you honed over the years of endless practice.

For the day’s lesson, you were to pair up with one person in the class and draw each other’s portraits. You casually looked around the room in search of anyone available.

From the corner of your eye, you noticed Kokomi rushing up to Saiki with an excited smile as she called out, “Saiki, do you want to-” a majority of the boys in class crowded around her before she could say her piece. Saiki walked up to you instead, asking if you wanted to pair up with him. 

You glanced briefly at Kokomi, feeling a tad bit guilty for stealing her choice of partner while she was being surrounded by her group of fans hoping that she would choose one of them. But you couldn’t bring yourself to reject the pink-haired boy’s request.

Taking a seat from across each other, you adjusted your easel so you could get a better view of Saiki’s face. Despite the red tint dusting your cheeks from the intimacy of his peering gaze, you couldn’t bring yourself to look away from him. You perceived for the first time that Saiki was actually quite good looking.

You looked down at your page so you could sketch his appearance: the antennae on his head, his green glasses, soft pink hair, slender neck, smooth lips, chiselled face, sharp eyes. You looked up to take a quick peek at him again. 

 The constant blinking on his impassive face made your eyes widen in amusement and you frantically placed a hand over your mouth to prevent a snort from escaping.

‘Why are you laughing?’

“Because you’re blinking so much that it looks ridiculous,” you explained with a chuckle.

‘I have to keep on blinking so my x-ray vision resets. I’m trying to get a look at your face.’

You let out another coy giggle despite the heat rushing to the tips of your ears. He looked down at his paper to continue his piece with a warm smile barely present on his face.

You concentrated on your own illustration, marking down his affectionate expression before Saiki could return to his blank face, and showing it off as soon as you finished.

‘Not bad. Now take a look at mine.’

He flipped his paper over, exhibiting an intricate and beautiful portrait. The focused expression he depicted on your face while you drew him looked so alluring. You almost didn’t recognize it as your own, even though it was practically a mirror image.

"This looks way too realistic for someone who's trying not to stand out."

'It should be fine if it's you.'

You didn't understand what he meant, but his words caused butterflies to flutter in your stomach.

‘I need your help,’ A familiar voice spoke in your mind.

You jumped in surprise at the unexpected appearance of the pink-haired boy you had grown fond of. Your sketchbook flew out of your lap, falling right at your feet.

“How did you know I was here?” You asked with a huff.

‘In case you forgot, I can hear your thoughts. I know that sometimes you like to come here to the school rooftop during lunch.’

“Oh,” you uttered. “Well, since you came all this way to see me, what can I do for you?” You raised an eyebrow in curiosity.

'I need you to help me reject Teruhashi.'

You pursed your lips in uncertainty.

"Kokomi is my friend, and as her friend, you can't expect me to hurt her feelings."

'As my friend, you can't expect me to lead her on when I don't ever intend on returning her feelings. She'll get hurt either way. All I'm asking is for you to help me avoid her so she'll get over me.’

You knew he was right, but you were still unsure of meddling in a situation you weren't a part of, especially when it involved the feelings of your close friend. You looked out the window in contemplation.

“Why are you asking me? Mikoto would be a better choice.”

‘I trust you more, so it has to be you.’

You ignored the churning in your stomach as you casually threw your hands up, giving in to his request.

“I’ll see what I can do.”

‘Thank you.’

Saiki bent down on one knee, reaching out to grab your fallen sketchbook. 

“I can pick that up myself, you know, or you if you wanted to help me that badly, you could’ve done that levitation thing you always do.”

‘I know.’

He held the book out, watching you through his glasses while he knelt by your feet. A saying Chiyo once told you a long time ago reverberated at the back of your mind: “Don’t you think Saiki looks like a prince?”

You gripped the sketchbook in his hand. Saiki’s gaze burned on your orbs as your image reflected off his green lenses. Neither one of you let go, even when your fingertips brushed against one another.

“What colour are your eyes?” You wondered.

‘Violet.’

“Major in Economics at Sayftee University and major in Literature at both Komman University and Ahvraj University,” you read out Saiki's school survey. “These are all surprisingly in character for you, but do you really have no dreams beyond living an ordinary life?”

‘I’m too busy thinking of ways to stop the volcano eruption to worry about my future.’

“You have a point there. Any luck with that?” you inquired.

Saiki shook his head.

“I guess that means we’ll be second years again.”

You didn’t keep track of how long time had been looping, and you found that you didn’t really care since you were already accustomed to the familiarity of your seemingly endless high school life. You were happy, even if it meant that the dreams you’ve been chasing for so long were slipping farther away from your grasp with every day that passed.

‘No, it’s about time I put an end to this.’

Saiki’s determined expression was embedded in your mind.

Your screams of disbelief were muffled by the pillow you held against your face. 

You had vowed to yourself since you were young that you wouldn’t grow attached to anyone. After all these years, you had to go back on your word just when you were about to leave.

Now was not the time. Not here. Not with him.

Kokomi and Chiyo took it upon themselves to pay you a visit after you skipped school for five days without notice. The dark circles under your eyes and your sunken face visibly worried them.

“I’m in love with Saiki,” you murmured, gazing sullenly at your blue-haired friend. “I’m sorry.”

Kokomi’s face fell, but she showed no signs of surprise.

“I already knew that. It was obvious with the way you always look at him,” she lamented. Kokomi cupped your balled fists in her hands and looked at you wistfully. “He rejected me a few days ago, so you don’t have to worry about hurting my feelings. I think you two would look good together.”

You felt tears threatening to spill over your eyes. Whether it was from relief that Kokomi accepted you so easily or pain from your unfortunate situation, you didn’t know.

“I’m leaving Japan after we graduate,” you disclosed.

A dejected silence fell upon you three until Chiyo spoke up, “For how long?”

“An indefinite amount of time.”

“Are you ever coming back?”

“I don’t know.”

Their glum faces only worsened your mood.

“Why have you been avoiding me?”

You tensed at the accusing tone directed at you. Saiki’s piercing gaze was pointed at your shrinking figure.

No matter how much time had passed since the loss of his abilities, you doubted that you would ever get used to the sound of his voice resonating out loud, or the enchanting shade of his eyes, even if they looked dangerously menacing at the moment.

“I wasn’t avoiding you. I was just busy studying for exams and doing other stuff,” you explained weakly.

Saiki’s deadpan expression indicated that he didn’t believe your lie.

After a few minutes of squirming underneath his scrutinizing gaze, you gave in and told him your worries, “I’m leaving the country soon. I think we should stop talking to each other so that it won’t be so hard for us to say goodbye.”

You pushed past him. You didn’t know where your feet planned on dragging you, but you figured anywhere was fine so long as you could get away from him.

The familiar warmth of Saiki’s hand wrapped around your own, stopping you from taking another step away. You didn’t dare turn around as you felt your heart thumping wildly.

“I won’t ever ask this of anyone else, so I’m begging you not to push me away,” he pleaded. He placed your hand over his chest, giving away the heavy pulsing of his heartbeat.

You could never say no to him.

Memories of the last few years ran through your mind as you smiled at the nostalgia. You took one final glance at your high school building before turning your back on it, striding towards the exit. 

You stopped at the sight of a familiar figure standing under the shade of a cherry blossom tree. Saiki must have known that you were staying much later after the graduation ceremony, all thanks to his restored powers.

‘Good grief. Were you really planning on leaving without saying goodbye?’ His voice resounded in your head.

You didn’t respond as you watched the wind blow through his hair, the sun illuminating the affectionate smile on his face, the violet obscured by his green glasses, and the petals dancing around the two of you as they fell to the ground. The timing was right. The mood was right. Everything was right.

He rubbed the back of your hand while you reached out to intertwine your fingers with his. The warmth that radiated off his skin felt like home.

He knew, and you knew that he did. After all, you could never hide your secrets from a psychic, no matter how hard you tried. However, you couldn’t bring yourself to tell him how you felt.

“Goodbye,” you pulled away from Saiki.

What was the point of confessing your feelings to someone you would never see again?

Paris, France was one of your destinations out of many. Most people romanticized the capital as the City of Love, but the only reason you were even there in the first place was to visit the Louvre, the world’s largest art museum. 

Influenced by the art and the romantic ambience, you sketched out the scenery around you, deliberating how you could embody the city on paper. If you were to draw a picture of love, what would you envision? 

Maybe, it would look like pink locks tousled by the spring breeze, or the reflection of your eyes searching for violet orbs through tinted green glass. It might have been the lingering warmth on the fingertips of someone who trusted you enough to share their deepest secret, or the gentle smile that was reserved only for you during the most intimate of moments.

Your love was constant and unchanging. You realized that now. No matter how much time had passed or how many countries you visited, you always found yourself thinking about home.

Ever since you were a young student in junior high, you had hated the thought of giving up on your dreams to pursue a flighty, insignificant relationship. Six years ago, you threw away your chance at love to focus on your aspirations. There was no point in thinking back on what might have been. You shouldn’t have.

 You made a name for yourself through the many art competitions you joined, winning a few awards here and there. A while back, you finished your Bachelor's Degree in Illustration at a famous art school in New York. Things were coming together quite nicely.

Your high school days almost seemed like a lifetime ago. The memories that used to be the center of your universe, the laughter you shared with your friends, and a not so ordinary boy with psychic powers were at the back of your mind. Everyday life without the only person you've ever loved became the norm for you.

You recently got a job offer from a famous publishing company in Japan after you posted a short comic that blew up in popularity. The editor in chief sealed the deal with you after you sent him a promising draft for a manga you had planned out. 

It had been years since you’ve been to the country, but your return and the nostalgic surroundings brought back old recollections that made you feel like you were a teenager again.

The chief took it upon himself to give you a tour around the company, showing you the work environment and the employees. He guided you through the different floor levels, offices and workrooms, and acquainted you with the higher-ups. But he had yet to introduce the editor you would be working with.

"There he is."

The chief led you towards the figure of a man who had his back turned to you. The pink tuft of hair on his head and the silly-looking antennae shaped into joysticks poking out of his scalp were noticeably familiar. But you couldn’t believe it.

He turned around, green-tinted eyes boring into yours with the same neutral expression you used to see every day. Even when you had anticipated who it was, you couldn’t help the breathless gasp that escaped your lips.

"This is Saiki Kusuo. He will be the editor in charge of overseeing your work,” the chief introduced to you.

You took the hand Saiki held out for you, shaking it courteously. His blank expression didn’t fade, but his eyes softened under your gaze. The warmth on his grip was just as comforting as you remembered, like the welcoming embrace for a loved one returning home. 

Neither one of you let go.

"Well, since it's already after work hours, you guys should grab dinner and get to know each other. You'll be working closely for a while, after all," the chief suggested before leaving you and Saiki alone.

A hushed silence washed over both of you as the world disappeared before your sight. The image of a cherry blossom tree on a sunny spring day was evoked in your mind.

He sat next to you in a secluded booth of the café you used to frequent, away from prying eyes. 

"What happened to majoring in Economics and Literature?" you asked.

Your body was angled in his direction while you engaged him in conversation. Despite the many years apart, you and Saiki had fallen back to the easygoing relationship you once shared.

'I finally had time to think about my future, and I realized that this is what I wanted.'

“You wanted to be a manga editor like your dad?” you prompted.

‘Not quite.’

Saiki was composed as usual as he turned to face you.

'I have a dream. After you accomplished your goals, we would find each other again and spend the rest of our lives together. And maybe we might even make a best-seller manga one day,’ he mused.

Your heart was beating rapidly in your chest. The words you couldn’t bring yourself to say on the day of your graduation poured out unthinkingly from your throat.

“I love you.”

He placed a hand on the back of your neck, closing the distance between you.

‘I know.’

Your lips crashed into his, moulding perfectly as they moved against one another. You gripped his shoulders, pulling him in as he snuck an arm around your waist. Your eyelids fluttered shut, relishing in the sweet sensation of his taste.

You only pulled away minutes after to catch your breath. His forehead leaned against yours, the tip of your noses barely skimming each other. The look of adoration in his eyes revealed that he felt the same way.

No matter how long he waited, your love for each other was unchanging.

[whatwillyoudodifferently]

Look, Louts! Lilies! - Yuri For A Hope-Flung Present and Hopeful Future

Look, I’ll be frank. I typically try to keep to a more formal tone when I write for this blog. I’m not in a formal mood. It is June October 2020, and I, like the rest of you, have been under quarantine for a little over three almost seven months now due to the Covid-19 virus. Throw in a eensy, teensy bit of massive political movements and change in response to police violence and racism, and an increase of police violence and racism in response to those movements, and I think it’s fair to say it’s been a tumultuous couple of months. Except, strangely, it also hasn’t been, because so much of this time has been characterized by ennui and isolation. Stressful, yet soul-numbing. In short, it’s been a very weird place to be in.

So, we’ve all found our different ways to cope. My sister’s way has been getting really into succulents(?), and my way has been buying digital manga and video games. I’ve finished stuff I’ve put off for literal years and bought stuff I had heard was good but wasn’t that hyped to get into. And somehow, the one thing I’ve really gotten into has been yuri? 

Now, yuri has a very long and rich history, as well as its own sets of conventions and nuances, so it is with a great, great, GREAT deal of respect that I say that I’m going to simplify it for this essay as “Japanese media with a particular focus on romance between women” for brevity’s sake. If you want to know more, there’s actually quite a lot that’s been written about it in English, but I’m aiming this essay at English-speakers who have had at least a little experience with yuri and more than just passing knowledge.

Because you see, I’ve found that yuri fans have a lot of things to say about yuri! And a lot of those things really bug me!! “Yuri is only fetish quasi-porn written by men,” “yuri is only bland wholesome fluff,” “yuri is only high school drama,” so on, so on. It made me mad, but it also made me realize something: a lot of people simply must not know how big this field of lilies truly is! How else can we get people saying “yuri is oversexualized” and “yuri is sexless” as gospel truth? Something’s not adding up here, guys!

So, all that is to say I’m doing something different for this blog: I’m writing up a recommendation list of yuri. A large chunk of it will be stuff I’ve read and can officially give my seal of approval to, while some of them are just titles I’ve heard of that I think will interest others. All of them have been specifically chosen to counter common untrue things I’ve heard about yuri as a whole. I hope you can find at least a few things on this list that you will enjoy and help you keep your head as the encroaching darkness lurches yet a few inches closer!

1. “Yuri is all schoolgirl stuff! Where’s the sci-fi, the period pieces, the action, the fantasy?”

Otherside Picnic

What It Is: A light novel series written by Iori Miyazawa (illustrated by shirakaba). Ongoing, four volumes at time of writing. The story is being adapted into a manga by Eita Mizuno, and an anime adaptation directed by Takuya Satou will be airing in January 2021.

What It’s About: It was on her third trip to the Otherside that Sorawo Kamikoshi almost died, and it was on that same trip she was saved by an angel. Toriko Nishina is a beautiful and confident young woman who also happens to have intimate knowledge of the Otherside, a dangerous yet captivating world that Sorawo can’t help but being drawn to. Toriko convinces Sorawo to join her on her expeditions to the Otherside, fighting off bizarre creatures that have somehow been ripped out of Japanese urban legends and finding strange artifacts in order to make a little extra cash-- all the while keeping an eye out for someone dear to Toriko’s heart.

What I Think: Otherside Picnic is heavily inspired by the novel Roadside Picnic by Arkady and Boris Strugatsky and features several creatures and scenarios from ghost stories, net lore, and-- there’s no other way to put this-- creepypasta. On paper this sounds deeply unoriginal, so it’s pretty surprising that OP has an incredibly strong identity. The idea of fusing horror with a yuri love story excited me enough the moment I heard about it, so when I finally got to read it for myself, I was delighted to find that the horror elements and the romance elements are both quite strong. 

I will say that thanks to the author’s commitment to following his sources of inspiration to the letter sometimes causes him to undercut his own writing (good example: in one arc there’s an ominous train that keeps being mentioned, causing the reader to dread its arrival with each passing page, but seeing what’s on the train will inevitably fall flat in comparison to the reader’s imagination), but those moments are made up by the more original moments-- the things that are left unseen and unexplained.

The place where the story truly shines is the relationship between the two leads. Sorawo and Toriko are great characters, both incredibly charming and deeply flawed, and they achieve a great chemistry with each other right off the bat. Sorawo is a very interesting protagonist, one who turns out to have a deeply tragic past that has made her into a reclusive, somewhat selfish young woman. What’s great is that Toriko, vivacious and confident, everything Sorawo isn’t, accepts this part of her, in a way. Toriko flat out admits she’s not looking for a particularly virtuous person to accompany her, but an “accomplice.” A big part of the appeal of OP is seeing these two “accomplices” bounce off each other, and eventually come to care about each other, all playing against a background of some genuinely spine-crawling horror. Otherside Picnic is a truly underrated series, and I deeply hope that the anime adaption next year will finally get it all the eyes it deserves (menacing phrasing very much intended).

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores. The manga will be published by Square Enix Books starting May 2021. The anime will start airing on January 4th, 2021.

Goodbye My Rose Garden

What It Is: A manga by Dr. Pepperco. Three volumes, complete. It inspired a stage play that ran for a while in Japan, but not much information is available about it in English. 

What It’s About: Hanako has two goals: to meet Victor Franks, the mysterious author who pens the books she adores, and to become a writer herself. Despite having the mettle to travel to England on her own to pursue her dreams, she soons finds that it’s difficult for a young, unwed Japanese woman to dream in 20th century London. However, her luck seems to turn around when she meets Alice Douglas, a noblewoman who offers her a job as her maid-- as well as a surprisingly warm friendship. Alice even offers Hanako a way to meet her idol… but at the price of a horrifying request.

What I Think: In the afterword of Volume 1, Dr. Pepperco openly admits that Goodbye, My Rose Garden was the result of them trying to marry all of their favorite tropes (“Victorian maids! Loads of frills! An English family manor!” are some standout items), and this is apparent in the best way possible. GMRG is a lush period piece that will likely appeal to fans of movies like The Handmaiden and Portrait Of A Lady On Fire, with loving attention paid to details like clothes and settings. 

The relationship between Alice and Hanako is quite charming, with Alice supporting Hanako as much as she can while still taking every available opportunity to tease her, while Hanako constantly surprises Alice each time she shows her moxie and strength. It’s an adorable, sweet dynamic, yet a dark, melancholy weight lurks in the background in the form of Alice’s request-- in short, it’s a relationship that feels tailor made for me. Still, I believe this “darkness” never threatens to overwhelm the story, only enhance it in such a way that the reader will soldier on, hoping for a happy ending for our two leads. With an engaging plot and gorgeous art, this is a great manga for both longtime yuri fans and newcomers looking for an introduction to the world of yuri.

Where To Get It: Seven Seas Entertainment has translated the first two volumes, with the final one coming to English soon all three volumes into English.

Seabed

What It Is: A visual novel by paleontology, a Japanese doujin circle.

What It’s About: Mizuno Sachiko is a designer who is haunted by visions of Takako, her vivacious childhood friend and former lover. Narasaki Hibiki is a psychiatrist who wants to help Sachiko make sense of these hallucinations. Takako is… confused, trying to figure out why she keeps losing her memory and why she and Sachiko drifted apart despite being so close. Seabed is a story that spans the pasts and presents of these three women as they attempt to find and understand the truth.

What I Think: At first glance, Seabed seems simple, but it’s a bit of a hard story to explain. In a way, there isn’t much to explain-- it’s a very slow, down-to-earth story that gets almost tedious at times. I think it would be a hard sell to someone who isn’t used to visual novels, but I could imagine it being challenging even for fans. All I’ll say is this: if you give Seabed a chance, it will draw you into a surreal, gentle, melancholy tale akin to slowly sinking beneath the water of a strange, yet not unfriendly sea. For its simplicity, it’s got quite a few surprises in its long, long runtime, and any attempt to explain further will just ruin an experience that’s meant to wash over the reader over time. The only thing I’ll say is the one thing I think everyone knows: the climax will make you cry.

Where To Get It: Seabed is published in English through Fruitbat Factory and is available on Steam, Itch.io, and Nintendo Switch.

SHWD

What It Is: A manga by Sono. Ongoing.

What It’s About: Sawada is one of the few women working for the Special Hazardous Waste Disposal, and the only one in her office. But that changes when the stunningly-strong yet staggeringly-sweet Koga is hired, and the two become close in no time. Sawada trains Koga and soon the two go on their first mission to dispose of the “hazardous waste” left after a recent war… the dangerous, organic anti-human weapons known as the Dynamis.

What I Think: SHWD opens with several close-ups of Sawada’s arm muscles as she works out. I have found that page alone is sometimes enough to convince someone to read SHWD, and if not, pictures of Sawada and-- especially-- Koga are often enough to do the job. In all seriousness, what I love about SHWD can be summarized by something Sono said in an interview about the manga:

‘The first motivating force was "I want to write a yuri manga featuring strong women." I was very drawn to strong female characters by watching "PERSON of INTEREST" and "Assassin's Creed Odyssey." However, I felt that I should differentiate myself by doing something other than a "strong woman" and "weak woman" dynamic. So, I thought about coupling women with different types of strength. This is why all of the SHWD main characters are "strong women."’

It’s a mindset I love a lot. Koga is remarkably strong in a physical sense, but her mental fortitude is fragile due to her past experiences with the Dynamis, and as such, it’s Sawada who uses her immense mental strength to support her. Indeed, every character in SHWD so far bears intense trauma born of the Dynamis in some way, and it’s hard to see how their pasts still hurt them in the present. But that just makes it satisfying to see these women come together to support one another. SHWD drew me in with a unique and often dark action-oriented story with horror elements, but it’s this idea of “strong women” who make up for each other’s weaknesses that really makes it dear to me. 

Also, it can’t be stated enough that Sono is so so so so so (etc) good at drawing muscular women. 

On a completely unrelated note, there’s a side story about Koga and Sawada playing sports together. This includes judo. I am saying this for no reason.

Where To Get It: The English translation of the manga is released in chapters by Lilyka Manga.

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!

What It Is: A two volume light novel series by Ameko Kaeruda, illustrated by Kazutomo Miya. Possibly complete.

What It’s About: Tanya Artemiciov is an absurdly talented Mage. So why the hell was she kicked out of her adventuring party? Her leader and former friend sums it up in four words: “You’re a woman, Tanya.” In a fit of rage, Tanya channels her anger into a “venting” session that involves swearing her head of and casting a volley of Explosion spells into the wasteland… and accidentally releases a legendary sorceress! Luckily, Laplace is actually quite nice, and just as powerful as the legends say, so the two decide to team up so Tanya can have her revenge!

What I Think: So, this is a silly one, but after a couple of darker entries I think it’s a good palate cleanser. Sexiled is a loud, not-even-remotely subtle, unabashedly feminist take on the “power fantasy” light novel, especially the “revenge fantasy” subgenre-- and even if that sounds awesome on paper to you (ex. me), it will probably feel over-the-top at times to you (ex. me). But in a way, that’s actually kind of its charm. 

I like that Kaeruda utterly refuses to let up on what she wants to tell you, especially because the story was inspired by a real case in Japan. One may be tempted to think “this story is ridiculous, no one would ever be this cartoonishly sexist!” and then you read a news article about how in a famous Japanese medical university was found rigging the test scores of women, and you realize, “oh, people are still this cartoonishly sexist.” So I’m fine with Kaeruda letting it all out in this story. At the same time, I think Sexiled is best when it’s focused not on Tanya’s revenge but on her kindness, and the way her compassion, her strength, and yes, her anger inspires the women and girls around her. 

Sexiled is a fun and often very funny romp about assholes getting theirs, with some surprisingly deep and nuanced moments hiding in a very unsubtle story.

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores.

BONUS: Other titles with sci-fi/fantasy/action elements that may interest you!

The Blank Of Describer: A one-shot manga by kkzt about a pair of two dream-builders. They’ve taken all kinds of commissions in the past, but one job they recieve throws them for a loop: a request for a shinigami that can predict and report death. And then comes the kicker: the customer asks the two of them to give it features that the both of them “adore the most…” (Published in English by Lilyka Manga)

A Lily Blooms In Another World: A light novel by Ameko Kaeruda (illustrated by Shio Sakura), author of Sexiled, about Miyako, a Japanese wage slave reincarnated into another world based on her favorite otome game. However, she’s not interested in her would-be love interest, but in Fuuka Hamilton-- the game’s villainess! After Miyako confesses her love, Fuuka decides to give her a challenge: if Miyako can make her say the words “I’m happy” in fourteen days, she’ll stay by her side! (Published in English through J-Novel Club, available on various platforms)

Superwomen In Love: An ongoing manga by sometime about the sentai villainess Honey Trap and her infatuation with the masked superheroine Rapid Rabbit. After being kicked out of her evil organization, Honey Trap decides to team up with her former nemesis to fight evil-- and hopefully, find romance! (To be published in English by Seven Seas Entertainment, coming in April 2021)

2. “Yuri is all stories about teenagers! Where’s the stuff about adults?”

Take a look at the previous section: there’s the stuff about adults! Otherside Picnic, Goodbye My Rose Garden, Seabed, SHWD, Sexiled, The Blank of Describer, A Lily Blooms In Another World, and Superwomen In Love are all stories with adult-aged protagonists! But if you’re searching for a more down-to-earth romance, I’m happy to report there’s quite a bit of options to look into!

Still Sick

What It Is: A manga by Akashi. Three volumes, complete.

What It’s About: Makoto Shimizu is an office lady with a secret: she’s a yuri fan who draws doujinshi. She’s able to keep her two lives separate, all until the day she comes face-to-face with her co-worker at a convention! To Makoto’s horror, Akane Maekawa is amused by her nerdy secret, but Akane may have some secrets of her own...

What I Think: This one was a roller coaster for me: I loved the premise of the manga, but wasn’t sure about the dynamic between the leads… that is, until near the end of the first volume, where something happened and everything changed. Without giving too much away, I implore people to give Still Sick a chance-- it has a much deeper story than one might initially guess, as well as an interesting character dynamic between the two leads with some surprising turns.

Where To Get It: The first two volumes of Still Sick are published in English by Tokyopop, with the final one coming soon All three volumes have been published in English by Tokyopop.

After Hours

What It Is: A manga by Yuhta Nishio. Three volumes, complete.

What It’s About: After being ditched by her friend at a club, Emi Ashiana is ready to write the whole night off. All that changes when she meets Kei, a DJ who seems to be everything Emi is not-- cool, confident… employed.... But Kei and Emi hit it off and Emi’s life changes as Kei draws her into the world of Japan’s club scene!

What I Think: It’s hard to explain exactly why I like this manga, but I reeeeally like this manga. 

There’s just something about the sleek art, the amazing atmosphere of the scenes set in nightclubs, the chemistry between Emi and Kei, the focus on more mature topics.... it’s a manga that’s remarkably magnetic for how down-to-earth it is. It’s also just interesting to read stories about subcultures that don’t normally get a spotlight in comics. To sum it up, After Hours is just a lovely manga that’s severely underrated that’s perfect for someone who’s looking for a story that’s both fun and mature.

Where To Get It: All three volumes are published in English by Viz Media.

How Do We Relationship?

What It Is: A manga by Tamifull. Ongoing, five volumes at time of writing.

What It’s About: Miwa and Saeko’s first meeting is… interesting. But despite that, and despite their clashing personalities, the two of them become fast friends. Well… actually, perhaps more than friends. You see, pretty soon the two of them learn that the other is into women. With that in mind, Saeko suggests they try dating each other-- might as well, right? “Might as well” seems like a strange place to begin a relationship, but perhaps even something like that could end in true love?

What I Think: “Why do romances always end when they decide to start dating?!” That’s the question Tamifull poses in the afterword of Volume 1. And it’s a great question! What makes How Do We Relationship? an interesting manga is how oddly realistic it is, highlighting things like the compromises people make in relationships, people who get into relationships for pragmatic reasons rather than love, the whole “thing” about sex… as well as highlighting the additional issues queer people have to deal with. That may sound like a heavy story, but it’s actually quite light-hearted, as well as very, very funny at times. With a cute art style and surprisingly deep premise, HDWR is a great manga for older yuri fans who are craving a more mature story.

Where To Get It: The first volume has been published in English by Viz Media, with more on the way.

BONUS: Other titles with adult protagonists that may interest you!

Even Though We’re Adults: A manga by Takako Shimura about two women in their thirties. Ayano and Akari meet each other in a bar and almost immediately feel a sense of chemistry between them. There’s just one problem: Ayano is married to someone else. (To be published in English by Seven Seas Entertainment, coming in January 2021)

Doughnuts Under A Crescent Moon: A manga by Shio Usui. Uno Hinako wants nothing more than to be seen as a normal young woman, but she just can’t seem to make a “normal” romance work. But maybe Sato Asahi, a woman who works at the same company as her, can show her a new kind of normal? (To be published in English by Seven Seas Entertainment, coming in February 2021)

Our Teachers Are Dating: A manga by Pikachi Ohi. Hayama Asuka is a gym teacher, Terano Saki is a biology teacher. One day, they come into work both looking suspiciously happy… because they’ve started dating! (Published in English by Seven Seas Entertainment)

I Married My Best Friend To Shut My Parents Up: A one-volume manga by Kodama Naoko. Morimoto is sick and tired about constantly being badgered about finding a man to marry, so her kouhai from her high school days offers a solution: marry each other to make her parents back off! (Published in English by Seven Seas Entertainment)

Now Loading…!: A one-volume manga by Mikan Uji. Takagi has just snagged her dream job at a games publisher, but being put in charge of a mobile game that’s barely pulling in any attention isn’t exactly what she was hoping for. What’s worse, she’s drawn the attention of her strict higher-up Sakurazuki Kaori… who also happened to design her most favorite game of all time?! (Published in English through Seven Seas Entertainment)

3.  “Yuri is all schoolgirl stuff! Where’s- wait, didn’t we already do this one?”

Yes we did. And you know what? I’m making a stand! There’s a lot of really, really good yuri stories set in high schools, and I think more people need to give them a chance! Here are some high school titles that I think are worth a second look for one reason or another!

Bloom Into You

What It Is: A manga by Nakatani Nio. Eight volumes, complete. A twelve episode anime aired in 2018, covering about the first half of the series. A three volume spinoff light novel series written by Hitoma Iruma was also published.

What It’s About: Yuu Koito has long dreamed of the day she’d find That One, Storybook Romance that would make her feel like she was walking on air, but the day that a boy confesses to her, her feet remain firmly planted on the ground. When she meets Touko Nanami, a girl who seems to have the same strange, distant relationship to romance as she does, Yuu feels like she has found a comrade. But what will happen when the next person to confess to Yuu… is Touko?

What I Think: What can I say about Bloom Into You that hasn’t already been said? There’s a reason it’s basically considered a staple of yuri despite being only five years old. The art is beautiful and delicate, the story has a deft mastery of comedy, drama, and romance, and the characters are deeply loveable. Really, the only reason this one is here is to tell you to get to reading this manga (or watching the anime) if you haven’t already. So get to it!

Where To Get It: The entire series-- as well as the spinoff light novel series Regarding Saeki Sayaka-- has been published in English by Seven Seas Entertainment. The anime is currently streaming on HiDive.

Yuri Is My Job

What It Is: A manga by Miman. Ongoing, seven volumes at time of writing.

What It’s About: Hime wants nothing more than to be adored by everyone and to someday bag a rich husband. Of course, being loved by all takes a lot of work, and she prides herself in keeping her perfect, adorable facade so well-maintained. But of course, the one time she slips up, she ends up injuring the manager of a local cafe! Hime finds herself strong-armed into working for this cafe under their star employee, a kind, graceful girl named Mitsuki. But things aren’t quite so simple-- you see, this cafe has a gimmick in which all the employees are constantly acting out yuri-inspired scenes for the customers, so in a way, the employees also have their own facades. And under her facade, Mitsuki… hates Hime’s guts!

What I Think: Yuri Is My Job is an odd duck, but in a good way. It’s advertised and initially framed as a comedy, but it becomes a surprisingly thoughtful drama about the personas people adopt and why they do so (though, luckily, the comedy never truly goes away). There’s an interesting web of relationships between the girls, and having those interactions take place in a setting where they must act out a completely different sort of drama adds an extra level of drama and intrigue. The cute, polished artwork is just the icing on the cake. YIMJ is a good manga for those who are already familiar with yuri tropes and those who are interested in a drama that doesn’t get too heavy.

Where To Get It: Six volumes have been published in English by Kodansha comics, with the seventh on the way.

Riddle Story of Devil

What It Is: A manga written by Yun Kouga and illustrated by Sunao Minakata. Five volumes, complete. A 12 episode anime aired in 2014.

What It’s About: At Myojo Private School, an elite all-girl’s academy, Class Black has a secret. Twelve of the thirteen girls are actually assassins who have been offered a dark deal-- one wish will be granted to whoever manages to kill Haru Ichinose, the thirteenth student. But there’s still hope for Haru in the form of Tokaku Azuma, one of the assassins who has decided to defect to Haru’s side-- and defend her from the other girls at any cost.

What I Think: I’m not sure… if I can say Riddle Story of Devil is “good.” It’s definitely something. Although its premise is vaguely similar to Revolutionary Girl Utena, its tone and atmosphere remind me a lot more of the Dangan Ronpa series. It’s schlocky and ridiculous and often over-the-top and at times exploitative. It’s pure junk food, basically… and I believe that’s where the charm comes from. It’s my guiltiest of guilty pleasures. It may not exactly be good, but more often than not, it’s fun. It’s hard not to be immediately interested in a yuri battle series, you have to admit. 

And if it does have one undeniably good element, it’s Tokaku and Haru’s relationship. They contrast each other nicely, and while one might expect Haru to be boring and helpless, she’s actually quite proactive at times, and some of the most interesting, engaging parts of the series come from seeing how the two work together to fend off the latest assassin. It’s a short read and if anything, it’s worth it to see how each girl ends up. I recommend it for older viewers who are okay with violence and ludicrous battle scenarios.

Where To Get It: All five volumes are available through Seven Seas Entertainment. The anime can be watched through Funimation.*

*Please don’t watch the anime.**

** At the very least, please don’t watch the anime unless you’ve read the entire manga. Riddle Story Of Devil was one of those unfortunate cases where the anime adaption was produced before the manga reached its conclusion, and as such it has a very strange, rushed ending that includes none of what I enjoyed about the actual ending. Several scenes were also changed, and if I recall correctly, fanservice was added in several places where there was none previously. All in all, I’d really only recommend it for big fans of the series.

Side By Side Dreamers

What It Is: A light novel by Iori Miyazawa, illustrated by Akane Malbeni. One volume, complete.

What It’s About: Saya Hokage has been suffering from insomnia, but one day finds relief in the form of Hitsuji Konparu, a strange girl who can put people to sleep. As it turns out, Hitsuji is a person who has the special ability to move freely in their dreams, known as a “Sleepwalker.” The Sleepwalkers have been battling beings that possess people through their dreams, and it turns out they want Saya to join them in the fight.

What I Think: Side By Side Dreamers is short and… well, dreamy. I really enjoyed the premise and I think it’s a good novel for people who think Otherside Picnic may be a little too much for them. I also enjoyed each dream sequence-- I tend to find that the writing in light novels is a little dry, so the use of figurative language to describe these scenes was really refreshing and interesting. SBSD is a fun oneshot that I think is especially ideal for newcomers to yuri.

Where To Get It: Side-by-Side Dreamers is published by J-Novel Club and can be found via various digital platforms and bookstores.

Cocoon Entwined

What It Is: A manga by Yuriko Hara. Three volumes, ongoing.

What It’s About: Hoshimiya Girls' Academy is a strange, almost otherworldly paradise with a peculiar tradition. For all three years, each girl grows out her hair to absurd, breathtaking lengths, in order for it to eventually be cut and weaved into uniforms for future students. Perhaps it is these strange uniforms that seem to whisper about the past that makes the school seem frozen in another time… picturesque, yet stagnant. But one day, a shocking incident shatters the quiet peace of the academy, and the tumultuous feelings that have long been hidden in the hearts of these girls come rushing into the light.

What I Think: Cocoon Entwined is, in a word, eerie. It’s not marketed as a horror story, and I don’t think it’s intended to be one, but I’ve seen some that say they get horror vibes from it. I definitely understand that-- there’s a deep sense of unease that permeates the entire story in a way that’s a bit hard to articulate. The running thread of uniforms made from human hair definitely doesn’t hurt (it does-- I’ve seen many people understandably turned off by this element), but it’s more than that. It’s the sense that everything at Hoshimiya feels frozen and fragile. It’s the sense that everyone is burying their true feelings under countless layers. It’s the fact that in one scene, Saeki reaches out in a dark room full of uniforms and feels her arm touched by countless hands made of hair. 

Cocoon Entwined is a strange manga, and I feel it’s not for everyone-- besides the way many are put off by the central premise, the way that the story jumps around in time can be a bit confusing to follow. But in my opinion, I love it for these elements: the uniforms and their marriage between beauty and grotesque, the sense of frozen time, the delicate artwork that feels like it might be shattered by the weight of your gaze, the strange, airless atmosphere, the girls and their clear exhaustion of having to be ideal women. It’s a strange little series that I think should be given a shot, particularly if you want something a little more out there, or a darker take on Class S tropes.

Where To Get It: Yen Press has currently published two volumes in English.

BONUS: Other high school titles that may interest you!

A Tropical Fish Yearns For Snow: A manga by Makoto Hagino. Konatsu Amano has just moved to a new town by the sea, and must deal with her new school’s mandatory club policy. Luckily, she meets Koyuki Honami, an older girl who runs the Aquarium Club. Recognizing her loneliness, Konatsu decides to join her club. (Published  in English by Viz Media)

Flowers: A four-part series of visual novels published by Innocent Grey. Flowers focuses on Saint Angraecum Academy, a private high school that prides itself on overseeing the growth of proper young ladies. One notable thing about the academy is the Amitié program, a system that pairs students together in order to foster friendships between the girls. But friendship isn’t the only thing blooming… (Available in English from Steam, J-List, and JAST USA)

Adachi And Shimamura: A series of light novels written by Hitoma Iruma and illustrated by Non that has recently received a manga adaptation and an anime adaption. Adachi and Shimamura are two girls who encounter each other one day while cutting class. Little by little, the two girls become a part of each other’s lives, and feelings begin to form. (The light novels are published in English by Seven Seas Entertainment, the anime is licensed by Funimation)

And there we go! 24 different yuri titles. I didn’t even go into the series that I tried but personally didn’t like that still might interest other people. I primarily made this list to gush about yuri that I liked, but I also tried to include a fairly wide range of things so that, hopefully, any random person who read this whole list could find at least one new title that interests them. And I hope that includes you!

The yuri scene is quite large and wonderful if you know where to look, and it too often gets a bad rap. I hope that this list could give you a new perspective on what kinds of titles are available, and I hope it gives you something new to try. And remember: if you want something specific, try looking for it! There’s a good chance the story you’re craving is already out there, waiting to be discovered!

[curioskitty]

THE・Rarest Bakugou

Given Bakugou-kun's description as a "juvenile delinquent" (Horikoshi sensei uses the term 不良少年, or furyou shounen, meaning juvenile delinquent boy), it's expected that he wouldn't conform to standard. So obviously, it's not possible to find Bakugou-kun wearing a tie properly................

What is up with this perfectly tied nonsense right here?!

Bakugou-kun, I thought I knew you!!! THE LIES! THE BETRAYAL!!!

But, it's probably just a fluke. You didn't mean it, right Horikoshi-sensei?

WTF?! WHY?!!! Horikoshi-sensei?!

Yep. Contrary to expectations, Bakugou-kun wearing a tie correctly only ranks at Ultra Rare status: difficult to find, but not impossible.

So, what's rarer than a tie-wearing Bakugou-kun? Go Beyond, Plus Ultra Rare Bakugou!

++++++++++++++++++++++++++++++++++++

In fact, it's even harder to find Bakugou-kun wearing a tie improperly. Given proto-Bakugou's loose tie design, I would have expected that to be the likelier delinquent-esque tie option. But I've only seen Horikoshi-sensei draw him like this once:

(Horikoshi-sensei's one year celebration illustration. This is still fairly early in the publication.)

On top of that, Bakugou-kun consistently wears his uniform tie-less and with at least one button undone on his shirt collar. His pants are always slung low on his hips and legs bunching up at his feet (except when he had to wear jeans for Best Jeanist). You can even see panels where Horikoshi-sensei drew in the rips at the hems near the heel where they drag on the ground.

So why the inconsistency, Horikoshi-sensei? I see you over there, stop pretending you didn't notice. I know you're paying attention.

Horikoshi-sensei gave proto-Bakugou a loosened tie, so what is the reasoning for taking Bakugou-kun's tie away?

Some No-Tie Theories

Fan Theory #1: HE DOESN'T KNOW HOW

//Like Midoriya-kun, Bakugou-kun came from a middle school with gakuran uniforms. They never learned how to tie them. Midoriya-kun messes up his tie, while Bakugou-kun doesn't even bother to try.//

I actually think this is the least likely reason. Bakugou-kun was designed to be a naturally talented genius. I think this applies to anything he wants to do. If he does something, it's always perfectly done.

Bakugou-kun can (and does if you look above) tie it perfectly when necessary.

CONCLUSION: If Bakugou-kun doesn't do something, it's completely out of personal preference or because he doesn't see a reason to.

Fan Theory #2: REBELLIOUS NATURE

//Bakugou-kun is a delinquent and maintains that image because he thinks it looks cool. Or maybe he is rebelling against fashion designer parents. Either way, because of his family background he knows how to tie a tie, but wants to be a rebel.//

I'd give partial points for this one. I'm pretty sure he wears his pants loose at least partially because he thinks it looks cool. However, Bakugou-kun's parents were noted to be designers and not specifically fashion designers.

Despite appearances, this is the kid that sleeps at 8:30pm, doesn't break school rules, and yells at his friends for smoking.

He zips up the collar on his gym track suit all the way. Both the summer and winter versions get the same treatment. He doesn't feel the need to "make a statement" by wearing his track uniform incorrectly. Outside of class, he can and does sometimes wear his track jacket unzipped, but during class he always wears it properly.

So then why does Bakugou-kun refuse to wear the band T-shirt and Christmas party Santa outfit? Because he isn't cooperative. In Ultra Analysis, his Cooperativeness Stat was the lowest rank: E.

CONCLUSION: Bakugou-kun may be non-conformist and uncooperative, but he isn't a rebel.

Fan Theory #3: TRAUMA/PTSD

//This is one of the more popular theories. Between Dabi grabbing his neck, the Sludge Villain and being restrained at the School Festival, our boy has been through the wringer. As a result, he just doesn't like stuff around his neck because it gives him anxiety.//

The Western Fandom is definitely concerned about the mental health of the kids. But I don't actually think this is the reason. Not that I don't think they all need some therapy and self care, especially right now, but there just isn't evidence for this specific trauma in Bakugou-kun.

He wears scarves and even turtle necks without a problem.

On top of that, Bakugou-kun ALSO unbuttoned the top button of his shirt and gakuran in middle school; even from before the Sludge Villain incident. There isn't any evidence Bakugou-kun changed his dressing habits due to trauma. He wore a scarf to the entrance exam for UA, too.

CONCLUSION: Bakugou-kun has ALWAYS worn his shirts with the top button unbuttoned.

These 3 theories are inadequate, too. Even if they did explain the reasons Bakugou-kun doesn't wear a uniform tie, they don't factor in the reasoning for why he DOES wear his other ties properly sometimes.

HC#1: Bakugou-kun's preference

Bakugou-kun doesn't seem to care about his image and how "extras" see him. Even during the press interviews after his hero debut, he wore the same style of open collar look. He's not shy about being nude or taking his shirt off.

But what he hates is being uncomfortable.

He is "explosively brawny". Just look at how thick Bakugou-kun's neck is when compared to Midoriya-kun's. It isn't just that Midoriya-kun is supposed to be scrawny, but also that Bakugou-kun has a thicker than average neck.

Bakugou-kun doesn't like to button up his shirts all the way because it's uncomfortable. It's reasonable that he zips his track suit and everything else up because those are looser at the neck or made of stretchier materials.

As for why he doesn't wear the uniform tie at all... Don't forget Bakugou-kun is a perfectionist and a bit of a neat freak.

He always tucks his shirt in. For the band performance he wore a collared black dress shirt. From what we saw of his room, it's minimalist and clean. I don't see him wanting to look like a slob.

A sloppy loose tie would probably irritate him more than just not wearing it (which is even funnier when you think about Midoriya-kun's chonk tie. It probably makes him want to strangle Midoriya-kun, or maybe just tie it himself...)

Bakugou-kun has difficulties compromising when it comes to his high standards. So if he has to wear it, it's going to be either 0% or 100%.

HC#2: Explosiveness

Why draw Bakugou-kun with either 0% tie or 100% tie? If Horikoshi-sensei is going for a delinquent image, wouldn't the 50% tie option make more sense?

Taking a look again at Bakugou-kun's profile page, Horikoshi-sensei describes him to be explosive in every way. That includes his whole body being "explosively brawny", but also adds a note that he looks slender in clothes.

Horikoshi-sensei put an effort to make every element of Bakugou-kun's character in some state of either fully compressed or explosive.

His slimming clothes, general appearance and even his speech patterns are highly compressed (blunt/terse) and loud. The extremes of his attitude are compressed too; if Bakugou-kun is not loudly raging, then he's quietly observing.

This contrast is key to his character. You can't explode if you aren't compressed first. It's supposed to be shocking to see how brawny he actually is under his slenderizing clothes. And I always feel shocked whenever I see this kid compressed into a tie.

HC#3: Deku & Kacchan

These two are set apart from the class by design and very much on purpose. Horikoshi-sensei designed them to be at opposite ends of the same spectrum.

If Bakugou-kun has muscular arms, then Midoriya-kun needs muscular legs. If Midoriya-kun buttons up his shirt all the way to the collar, then Bakugou-kun's collar has to be loose. Their designs reflect their connection.

So if Midoriya-kun has a poorly tied tie, the opposite of that is either non-existant or perfectly tied. If it's perfectly tied, he'd just blend in with the class.

The no-tie option just makes more sense.

Plus Ultra Rare Bakugou

Horikoshi-sensei only ever draws Bakugou-kun with a tie in specific scenarios. Costume events that require the neck tie as part of the costume or "fancy" events where everyone is in formal wear. And even in those, Bakugou-kun manages to not wear his tie 90% of the time.

So, I just imagine that when Horikoshi-sensei makes Bakugou-kun wear his tie, he's super grumpy! Just look at his face in every illustration he's wearing a tie in. He's probably hot, uncomfortable, and really not enjoying himself at all.

Ultimately, the "Plus Ultra Rare Bakugou" is a Bakugou-kun who wears the tie and SMILES while doing it.

(Yes, I know that's NOT actually a tie. Shut up Bakugou-kun. You're only smirking in this one because you won the Popularity Poll for the 5th time in a row...)

(Well that's random, you say? Welcome to my blog. Considering the stuff going down on canon, I figured I should give fans, and myself, a break from angst to talk about something silly.

Please note that this applies only to the manga. I've found that the anime isn't quite so strict about how Bakugou-kun looks.

Regarding the headcanons, I just want to clarify that everyone is free to think whatever they like. I enjoy all headcanons and support your right to have them.

I wrote this a while ago and then debated posting it because it's such a huge meta about... Bakugou-kun's tie. I had regrets. But now it's become my new years post. Regrets were for 2020, it's already 2021!

Demons out, fortune in!!! I know it's not setsubun for another month, but 2020 was such a demon.

HAPPY NEW YEAR!!!)