#my first layout manga

[ventidy]

( 전기소설적인 ) ⎯⎯ ✩ romantic ︖﹖

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[tarrielrae]

🍥 red-hot // naruto uzumaki icons pt. 33 🍥

[seraphmaws]

Asa Mitaka Layouts!

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Rqed by @sacrificesse ! No kin/id/me tags please!

[devilsrains]

eroica 35th anniversary book

inside illustrations; poseidon 2000

[sweetheartsaku]

—HAIKYU!! various ; how deep is your love?

a/n ; [gn!reader] kinda fem implied in kawa's and kuroo's 😓 do yall like the new layout?? c: suggestive if you squint extremely hard in kuroo's .. i honestly dont know if im writing this timeskip or pre timeskip its 3am 😣

— characters : oikawa, osamu, tsukishima, hinata, sakusa, kuroo

part 2 ! ♡ akaashi, kenma, kita, semi, kageyama, suna

jade vine !

tooru oikawa ; SWEET / I THOUGHT YOU WANTED TO DANCE - tyler the creator, brent faiyaz, fana huez

has 'i love you' wars and he MUST win or he will tackle you (affectionate)

takes the BEST candid photos of you and puts so much love into the following insta post. has you as his wallpaper too (please match with him) (he'd also have a highlight just w pics of you😞)

please NEVER do that 'wipe their kiss off' trend because he will actually not talk to you for DAYS and gets all sulky until you apologize. (he will get all cocky all over again)

core memory from his teamates. bae was explaining to his teamates about new volley nerd talk blablabla and they notice his nails painted in a faint pink (for a fun date night, thinking no one will notice)

issei BURSTS out laughing and instantly points it out. now seijoh4 NEVER lets him live it down

always the first person to notice when you use a new shampoo or perfume.

cuddling, (you being the little spoon╰(*´︶`*)╯♡) you can feel his breath hitch when his lips reach your neck

before you could ask why he's stopped inching closer he's already manages to whisper out, "did you start using a new shampoo?" yes. yes you have

do his skincare with him please ! he loves it. he loves when he places you on the bathroom counter and you wrap your legs around his waist, he loves when you're so gentle with the toner, he loves when you graze your delicate fingers over his beautiful long lashes, he loves when you make sure you don't cut him when snipping the face mask so it fits a little more snug, EVERYTHING. (he is sunoo coded)

osamu miya ; good looking - suki waterhouse

loves your tummy SO much. doesn't care about shape or form, he just likes the feeling that you're being fed. squish. or pat. he loves it. have i mentioned he loves your tummy?

when his dad leave the twins at home its always osamu at the stove, please keep atsumu in a 5 mile radius AWAY from the kitchen

SPOON FEEDS YOU. please i need him. on days you're too tired to move a muscle, days where you're too sick to open your eyes, be prepared to feel his hand on the back of your head and one below your chin ready to feed you!! once you've sat yourself up he feeds you so gently... osamu miya i need you

when you're really tired from work, he will send meals to your workplace. if you work at home and sees you barely able to keep an eye open, you will see his hand under a spoon of your favourite meal. he's not the best with it, but he's trying 🥹 he means it with all his heart and hearing you say the food is really warm in your stomach, his heart feels warm too (о´∀`о)

my mans is SNATCHED. slide your hands around his waist, poke it a little do WHATEVER. your hands have probably been on his waist more than his hands on yours.

i think his core is pretty well built. have we seen it in the anime or manga? maybe. but from what i've seen, his physique is very 😳 (a tad bit better than his brother's i fear)

cooking together!!! different recipes each date, basking in each other's presence. its always so fun and the results are always almost flawless!

at one-point y'all were making cupcakes, it was literally osamu baking them and you decorated it.

AND OBVIOUSLY the basic, he would routinely give you handmade onigiri, in different shapes, flavours and whatever you like ✨

kei tsukishima ; the only exception - paramore

kinda scowls at you when you put your hands under his shirt but secretly really loves it so when you slither your hands away he instantly places your hands back and make sure your hands STAY there. bonus points if you have warm body temperature. he likes the feeling of your warm hands on his slightly colder body.

his wardrobe has drastically evolved from muted tones to slightly lighter and vibrant clothing ever since you insisted on getting matching stuff!!

WILL say he is not a jewellery person but collects, keeps and takes care of all the little trinkets you give him DAILY. he has a little sticker on the edge of one of his books and a little moon sticker on the end piece of his sports glasses

he also defineitely has really thick curly blond lashes. you say they are one of his charming points but he gets all flustered. when you insist to put clear mascara on them, he doesn't really look like he has a problem with it 🥹

what could his ahh possibly be listening to with those headphones on so often (real)

sends you playlists at an insane hour that go for insane amounts of time. but i KNOW his taste is immaculate. every song always gives you goosebumps or makes your heart tighten

please do a spotify blend with him (he was gonna ask you, but you beat him to it)(he was shy)

oh AND the shared playlists actually are insane!! so much good music all at once?? crazy yall 😭😭 (wave to earth, cody fry, the smiths, daniel caesar, rex orange county)

shoyo hinata ; intro (end of the world) - ariana grande

honestly, out of all these men HINATA SHOYO is the BEST candidate for taking care of a person except himself. has no limits in his stamina, and will only listen to you when you ask him maybe its time for a break. does he overwork? not necessarily. does he work too hard? yes, in a positive way. please remind him to eat because he will forget sometimes

he will NEVER admit he likes being the little spoon LMAO he finds being vunerable in your arms a tad bit silly, and it bugs him. after a long week of practice games and insisting kageyama and yachi to practice with him the instant he falls on the bed, he finds himself melting into your touch. your voice gets a little more buttery and he loves it, falling asleep instantly

hes probably a hard sleeper too 😭 he wont wake up till he feels your cold hands on his face or the sunbeams from the curtain literally bleed into the sheets and steal its colour

PLEASE STROKE HIS HAIR. he loves it. he absolutely loves it. again, melts into your touch like ice-cream. his heart will feel tight and he has a lil' blush 🥹 whats even more priceless is his lips slightly agape after hes fallen asleep... how can you NOT love this man

one of the only boys on this list who will LET you put little pink bows or style his hair in braids and clips. (if you're imagining timeskip hinata, you have attempted to put a little bow around his bicep but you underestimated its size and it BROKE. gosh what an experience)

DANCES WITH YOU EVERYWHERE!!! omg i love him so much. doesn't care if you have two left feet, he just loves the feeling in his heart when he sees your smile as he spins you around. in the rain, in big empty rooms, in the kitchen, anywhere.

loves the idea of promise rings or little trinkets that ensure he gets to have you forever!!

kiyoomi sakusa ; washing machine - VANISHING GIRL, rosemary fairweather

PLEASE braid this man's hair. 😞 he pretends to despise it and thinks you don't notice when he literally melts under your touch. he feels safe 'nd comfy and hopes it lasts forever, when your hand retracts he has a lil' pout

notices when you've been wearing your favourite hood for a couple days straight, has a little scowl under his mask and throws one of his jackets at you. he only gives you the wind-breakers that are 100% cotton or the ones he just knows you like.

he uses this as an excuse to share his clothes with you. its safe to assume its his love language under-cover!

HE IS SO ASS WITH PDA all you get is him giving you hand sanitizer before eating meals or snacks. its only you though, don't tell him that.

BUT sometimes when he feels like it, he will take your hand and put it HIS pocket so "your hands are always sheltered from germs" now what type of bs is THAT. (you love this bs)

can be snarky. sometimes he gets the slightest eenie meenie miniest bit cocky, and its very noticable. has the ability to be a little bit of a tease but not in a pestering way more like a little smartass way LMAO.

tetsuro kuroo ; never lose me - flo milli

always has his hand in the back pocket of your pants. that was it. thank you for coming to my ted talk. (to feel your butt? no idea.)

tutor sessions always unbearable. either you're too busy staring at his biceps, or you're sighing that he's made a little pop quiz for you!! tell him it sucks please

if he notices it gets a bit too much or overwhelming for you over the week or before study dates, insists to take you out instead (what a gentleman!! kuroo tetsuro come into my life)

extremely consistent with routine. good morning and good night text DAILY no matter how busy he is, he WILL find a way (i like to think its his way or the high way #kingofprovocation /hj). very good at getting the things he wants in a non-manipulative way but with simply logic and brains

yeah as captain hes no. #1 but he is also no. #1 waist CLUTCHER. his hands are always on you somehow even in the slightest way, but never pervy. he just likes having his hands on you! bonus points if you have hip dips, he loves it so much. he finds it as a perfect spot to place his hands on (btw ppl w hipdips yall are BEAUTIFUL!! 🥹)

i feel as he has a possessive side as well. small, but more noticable compared to someone else. will not hesitate to stare someone (or recite chemistry nerd stuff 🙁) down for looking at you a little too long :3

when he sees you post or sees himself in your instagram or tiktok dumps, his heart tightens a bit in the best way possible. when you mention him in the post he only reacts with a heart but he's actually going insane

[undertalethingems]

Heya! I was thinking of making my own comic, and I was curious what app you used to make comics, and if you had any tips.

Anonymous asked: What program do you use to draw? (cant remember if this was already asked or not, sorry if it was)

It has been asked, but not in quite a while, so no worries ^^

I used to use photoshop, but it was an old version that stopped working when i got my newest computer, so I've switched to using clip studio paint. it works pretty much the same, so very little of my workflow had to change, which was nice.

i'm sure most other art programs out there would work just as well though; about the most specialized things i use in clip are some of the brushes--i don't even touch any of the tools that are supposed to help with making comics specifically XD

edit: oops, i forgot to answer the bit about tips for making comics

first off, start small. unexpected guests is not my first comic, and what i learned from past--even failed--attempts has helped me get as far as i have. doing a few short comics will help you get a sense for how to block out panels, how long it takes to draw a page, and how it feels to draw the same characters all the time. Project management is a whole other skillset, but it's important to learn if you want to take on bigger works.

I also recommend studying your favorite comics to understand how they achieved what you like about them. I've mentioned before how the manga Fullmetal Alchemist has been a huge inspiration for much of my work, and sometimes when I'm stuck I'll revisit it to see how its author handled action, how she paced scenes by changing the paneling layout, and so on.

these are far from the only things to know about making comics, but they're the tips that first jumped to my mind, so i hope they help at least a little ^^;

[hotwaterandmilk]

Weddingpeach.net update

I have (finally) updated Weddingpeach.net for the first time in 2024 to include the following:

A new layout by Never Enough Design and a new header image I whipped up featuring a manga scan of Peach and Viento.

Subpage image updates in line with the new layout.

A special sidebar image I commissioned to celebrate 30 years of the Wedding Peach manga!

9 new 1200 dpi image scans in the manga gallery. That's right, I'm finally scanning high-res furoku! You an check them out on the 1995 Ciao Furoku page and the 1996 Ciao Furoku page.

Updated/removed dead links from the Website page.

I had wanted to do a bigger gallery update when launching the new layout, but with my health issues I thought it would be best to just get what I have online lest the 2024 manga anniversary get away from me.

Please visit, link and share this website if you're a fan of Wedding Peach. I am trying my best to make it a useful resource and I'm just overjoyed right now that fans can celebrate 30 years of the manga.

Thank you Yazawa-sensei, Tomita-sensei, and all others involved. Here's to another 30 years of loving this amazing manga!

[aveloka-draws]

I imagine you have a lot of asks so please don't worry if this is too much to respond to, but I wanted to ask if you have any advice/could recommend any tutorials on how to lay out comic panels (or just choose what shapes/layouts to do)? I have some comic ideas but I struggle so much with each frame not just being like 'a rectangle, then another rectangle under it, then anot- etc.,'

Like I can't even figure out whether to draw the art first and then sort of crop it to fit a frame or if I should draw it directly into the frame.... Any help is much appreciated ;-;

No clue! I guess reading a lot of comics/manga you like can help, I keep a stack of my fav mangas around when i want to get ideas for staging types of shots and figuring out panels. (obsessed with Gachiakuta rn)

Even if you only use rectangles you can change the pacing by changing the amount and the size you put in a page, smaller panels usually are meant to read faster (a quick action, a conversation) while bigger ones are meant to keep your attention for longer (introducing a new character, a location, putting more importance in a conversation, expressions etc). Theres many ways to use them tho, so be sure to observe a lot of comics to get a better sense for it!

My process is kinda messy? I'll sketch the scene ideas and stuff in my sketchbook and then try and arranging them in panels.

[dreamerwitches]

Rating labyrinths: Gertrud!

Okay! Let's go with the labyrinth ratings wheeee!!!

What I'm going to do is rank separate parts of labyrinths (eg. anthony's labyrinth from ep 1 is separate to gertrud's from ep 2) but I'll also give an average at the end.

I will (most likely) only be doing labyrinths that are in colour (so maybe not manga witches)

Anthony's labyrinth from episode 1

I think this is a really good one, especially as the first shown (not including walpy's). It really shows of the cut-out style of the labyrinths and the deep blue-hued colours are perfectly moody. The use of runes in the background is also really fun for secret messages. I feel the only downside is that it doesn't really scream Gertrud to me. Like, if you didn't know the series well and was shown this, I doubt you'd think it belonged to her. HOWEVER... I think this does work for Gertrud since all her precious roses are in her room with her. It makes sense that she'd keep them close.

You could say that it's weird that this labyrinth doesn't share colours with the main one but I think it works because it's a familiar's labyrinth. The photorealistic buildings also match the main labyrinth. I wonder if the butterfly and anthony traffic signs are meant to be a subtle warning to madoka and sayaka hmmm

I really like this one. A 5/5 for me

Gertrud's labyrinth from episode 2

There's a lot to it so it's kinda hard to summarise in images lol. But it's another great one. Great imagery, lovely colours and has themes brought over from Anthony's labyrinth. I think the orange tones, although relaxing, also give off this sepia feel that makes it a little unnerving too. Like looking through a tinted view makes things seem unreal.

One of my favourite parts are the doorways that lead to black nothingness. Really helps with the labyrinthine feel. Small touches like the portraits with slight things changed in them to make them scary. It's the kind of thing you don't notice unless you pause. I also like how it seems the labyrinth becomes more luscious as you get deeper. The trees start bare, then with black leaves, then Gertrud's room is fully in bloom.

I wasn't sure whether to rank the boss room separately, maybe I will... I think the ceiling that doesn't quite make sense works well to make it feel disorientating and it's a fun contrast to the kinda pretty garden around Gertrud. It's messy but in a good way. I also think having the boss room have a different theme to the rest works. Just as before I mentioned that roses are only in her boss room, I think it would make sense that her special place may be better taken care of or just look overall nicer. It's very good but I'd say, not my favourite segment. Maybe just because it's only one room?? That makes it a little unfair to compare to the rest...

I'll give the labyrinth a 5/5. Boss room is a 4.5/5

Gertrud's labyrinth from Magireco episode 11

Yeah... this one isn't it, chief... like, it has the things of her labyrinth but it's just not... uhhh I dunno it feels more like a set piece than a proper area...

Let's start with what I like: of course, I love the Gertrud motifs. The butterflies, the cut out images and the hidden text (although it's no different than the original anime iirc). I really like the halo above Gertrud's area. And the hanging loops. It's weird but pretty. Suits Gertrud!

Sadly that's where my positives end. The stark white is NOT Gertrud it's so weird... I guess the stone rose works better but not the rest. I kinda hate in the zoom out where... it just looks like a video game level, like I'm looking at mario 64 or something ToT that is not a labyrinth..! Just the overall layout is meh. I dislike the random fluff pile below it too. Just felt like they didnt know what to fill it with...

It's a dud but has some good things... I'm giving it a 1.5/5. I know there's worse which is why it's not a 1.

So overall Gertrud get's a.... 4/5 wow!!!

[asdfghjklmals]

OC GOJO GIRLFRIEND'S AU—CHRONOLOGICAL ORDER

don’t get blocked! did you read the rules yet?

MALS' NOTE

readers have asked how to read my fics in chronological order, so here it is! i've included the ages of the the characters as well. i know the ages are off by a year compared to the manga, but whateva lol.

as of right now, the baby gojo chronicles is sometime later than all of these fics in the timeline.

love at first fight — oc gojo girlfriend and satoru are 17-18

sleeping with the enemy — oc gojo girlfriend and satoru are 18.

the courage to try — oc gojo girlfriend and satoru are 18.

souvenirs — oc gojo girlfriend and satoru are 18.

meet the gojos — oc gojo girlfriend and satoru are 18.

fated to love you — oc gojo girlfriend and satoru are 18.

the honored one — oc gojo girlfriend and satoru are 18.

learn to love — oc gojo girlfriend and satoru are 18. megumi is 5. tsumiki is 6.

pinky promises — oc gojo girlfriend and satoru are 18. megumi is 5. tsumiki is 6.

learning from the strongest — oc gojo girlfriend and satoru are 18. megumi is 5. tsumiki is 6.

to be present — oc gojo girlfriend and satoru are 18. megumi is 5. tsumiki is 6.

back to school — oc gojo girlfriend and satoru are 18-19. megumi is 6. tsumiki is 7.

seeing red — oc gojo girlfriend and satoru are 18-19. sometime before graduation.

graduation — oc gojo girlfriend and satoru are 18-19.

safe haven — oc gojo girlfriend and satoru are 19.

fairytales — oc gojo girlfriend and satoru are 19. tsumiki is 7.

morning routine — oc gojo girlfriend and satoru are 20.

lilies & roses — oc gojo girlfriend and satoru are 20. megumi is 7. tsumiki is 8.

sugar daddy — oc gojo girlfriend and satoru are 21. megumi is 8. tsumiki is 9.

break up to make up — oc gojo girlfriend and satoru are 21. tsumiki is 9. megumi is 8.

butterflies — oc gojo girlfriend and satoru are 22. megumi is 9. tsumiki is 10.

the purrr-fect approach — oc gojo girlfriend and satoru are 22. megumi is 9. tsumiki is 10.

forget me not — oc gojo girlfriend and satoru are 25. megumi is 13. tsumiki is 14.

the cursed child: yuta — oc gojo girlfriend and satoru are 27. yuta is 16.

the cursed child: yuji — oc gojo girlfriend and satoru are 28. yuji is 15.

wherever you are — oc gojo girlfriend and satoru are 28. tsumiki is 16.

in case of emergency — oc gojo girlfriend is 28. megumi is 15.

sealed & delivered — oc gojo girlfriend and satoru are 28. megumi is 15.

EXTRA:

facts about oc gojo girlfriend

facts about oc gojo girlfriend part 2

facts about touya

the baby gojo chronicles

layout of oc gojo girlfriend and satoru’s apartment

© 2023 ASDFGHJKLMALS — all rights reserved. please do not copy, translate, or repost my work.

dividers provided by @/anlian-aishang

[hurpdurpburps]

Otherside Picnic Manga Yuri Club Special Story 1 English Translation

It has recently come to my attention that Japanese animanga merch store Gamers (ゲーマーズ)'s Yuri Club (百合部) benefits programme's publication of the OP manga series come with an exclusive bonus short story for every volume (not the same as the Kozakura POV shorts).

Since I haven't come across any English translations of these bonus stories online, and they seem unlikely to receive official English licensing, I've decided to translate them myself and share them with the internet.

You can check out the official Yuri Club website if you wish to find out more (Japanese-only).

-

SPOILER WARNING: Takes place immediately before the events of File 3 - Station February in Vol 1 of the novels.

Written by: Miyazawa Iori

Translated by: @hurpdurpburps

-

Chapter 1: Shinjuku, The First Meet-Up

As it was my first time meeting up with someone in Shinjuku, I asked about where we should meet.

A message saying "I don't know, I'm not very familiar with Shinjuku," returned in response.

What an unreliable woman. You’re the one who insisted on having an afterparty…

I was glaring at the screen of my smartphone when the next message appeared along with a goofy pop-up sound effect. "You can pick a spot, Sorawo."

You’re not supposed to say "You can pick a spot". Shouldn’t you be saying "Could you pick a spot, please?" [1]

Oh, whatever. She helped me out when we encountered Hasshaku-sama the other day, so I'll pick a meeting place as a way of returning the favour…

After consulting the internet, I decided for us to meet at 4.30pm in front of an installation called "The Eye of Shinjuku". From there, we would make our way to the commercial district along the West Exit of the station and pick a restaurant at random.

It's going to be early Friday evening, so it shouldn't get too crowded yet… Is that too optimistic of me? No, I'm sure it'll be fine. This is Tokyo, there are lots of shops, I’m sure it’ll work out somehow.

With excessive trust in Tokyo's crowd capacity that was typical of someone from the countryside, I informed Toriko of the meeting place.

The next evening. The station's layout was more complicated than I thought, so I got a little lost. I cut through the underground hurriedly and finally arrived at my destination five minutes late. Toriko, who was leaning against “The Eye of Shinjuku' - a shining eye-shaped object against a black stone wall, waved as soon as she saw me.

Toriko stood out, so she'd caught my eye before `"The Eye of Shinjuku" did, which was supposed to have been the focal point of attention. Perhaps we might have been able to catch each other anyway if I’d gotten Toriko to stand at a random location.

"Sorry to keep you waiting."

"No, it's okay. I just got here." [2]

"When did you actually arrive?"

"About fifteen minutes ago, I think."

"… That's a little early?"

"I was looking forward to it!"

Toriko was in a good mood despite having been kept waiting, and looked like she was about to start hopping around.

"Let's hurry up. I haven't eaten anything since I woke up, so I'm really hungry."

"Fine, fine. Well, um… I guess it’s this way."

Together with Toriko, I started walking towards the West Exit.

"By the way, why did you choose this side of the station? Isn't the East Exit side more bustling?"

"Well, that side seems a little scary… Isn't Kabukicho or whatever over there?"

"Yeah. Haven't you been there?"

"Absolutely not. Isn't it scary?"

"No it’s not. There’s lots of stuff over there, like a movie theatre. It's annoying when people call out to you when you're alone, though."

"It's scary after all."

"It'll be fine, I’m with you. Wanna head over there now?"

"Nope, I’m good. Maybe next time if I feel like it." [3]

As we engaged in frivolous conversation, I was suddenly struck by a strange feeling. Meeting up with a friend to go drinking made me feel like an ordinary college student. I wasn’t planning on going to the Otherside today, had a surplus of cash in my pocket, and I didn't have my gun with me either.

So even I can do something like that…

As I indulged myself in the sentiment, I walked side-by-side with Toriko through the streets of Shinjuku, where bars were starting to open for business.

TL Notes

General note: I adopted a more 'literary' prose style to match the tone of the novels. Hence, the translation in this series will be significantly more liberal than my usual analytical posts. Feel free to ask me anything. Feedback regarding translation accuracy is also welcome.

[1] The original Japanese here says 決めていいよじゃないよ。決めていただけませんか、じゃないの？

TLDR Sorawo is just being petty and griping about Toriko's not using formal/polite language for what was essentially a request/favour while not having the 'moral high ground' so to speak.

[2] More of a cultural note than a translation one. These two lines are something of a standard greeting for scenes depicting a (new-ish) couple going on a date.

And also throwback!!!! To their conversation at Shosen Grande when Sorawo was waiting for Toriko before their second trip to the Otherside in Vol 1 (File 2 - Hasshaku-sama survival).

“Did I keep you waiting?” “Fifteen minutes.” “Isn’t this where you’re supposed to say, ‘I just got here’?” “Did you think this was a date or something?” I said curtly, heading outside without listening to her response.

Gotta love how Sorawo just punched through social niceties and interrogated Toriko about the truth. But more importantly she didn't call out Toriko again on the date-ish line lol.

[3] Vol 5 foreshadowing!!!!!!!!!!!!!!!! 'Nuff said.

List of Yuri Club's Otherside Picnic Short Stories [my translations]:

1. Shinjuku, The First Meet-Up (新宿、初めての待ち合わせ)

2. Hasshaku-sama Epilogue (八尺様エピローグ)

3. Ochanomizu, The First Afterparty (お茶の水、初めての打ち上げ)

4. Ikebukuro, Cafe Meal For One (池袋、ひとりカフェ飯)

5. Naha, After The Big Job (那覇、大仕事の後)

6. Ishigaki Island, A Dazed Vacation (石垣島、呆然のリゾート)

7. Mercedes AMG, The Backseat (メルセデスAMG、後部座席)

8. Otherworldly Elevator, On The Way Back (異世界エレベーター、帰路)

9. Kozakura Mansion, Pizza Party (小桜屋敷、ピザパーティー)

10. Ikebukuro Bookstore, Meet Up (池袋の書店、待ち合わせ)

11. Hannou, In The Car From The Station (飯能、駅からの車中)

12. TBD

[momtaku]

Excerpts from Shingeki Fly

I finally had time today to look closely at my copy of Shingeki Fly. I used my cell phone to translate bits of the interviews, so mileage may vary, but I am fairly confident the gist is more or less correct.

About the Shingeki Fly Color Art Book

Since Isayama prides himself on not being an excellent artist, he wanted the color art book to highlight the work Mr. Nakao, his colorist since the beginning of the series.

I really like this reflection regarding Mr. Nakao on his first chapter of Attack on Titan:

This is the first color manuscript that a presumptuous amateur, a newcomer who doesn't really know how to hold a pen left or right. The composition, panel layout, and everything else is terrible, but the way you colored it so nicely made me think that maybe I can make a living as a manga artist, and that manga doesn't have to be created by one person alone. I remember feeling hopeful that I would be able to participate in the unknown series that was about to begin.

Isayama's experience at Anime NYC in January 2022:

Isayama talks about how happy he was to visit Manhattan. Because he can't be normal for two seconds, he mentions that seeing the skyscrapers at night reminded him of the 1998 GODZILLA movie.

He also talks about the fan panel. My translation app says something like this: By actually seeing the crowd I was able to realize that Attack on Titan,'' which I had been drawing while holed up in my room in Tokyo, was connected to people far away from Japan and overseas. I was very happy to be able to see each fan's face and think, ``How happy are they?''

(I was able to attend that fan panel in person so I can attest how emotional he was by seeing us all there.)

Isayama's experience at Anglouleme in France in January 2023:

Being in France made him feel very far away from Japan because the city and architecture were so different from what he was used to. He described walking on the streets by the Eiffel tower in the middle of the night as thrilling.

While he set the landscape of Attack on Titan as French, German and Italian architecture, he understands now it was all from his Japanese perspective. Seeing the city is person was completely different from what he'd imagined.

How it felt drawing Levi after such a long time

Here is something I didn't know. At first Isayama was going to write a prequel set 100 years before the main story, but after meeting the fans in France he realized the idea of a one shot was to make them happy. Instead of an original idea, he settled the tea cup story, which is something he'd intended to write but had never had the chance.

He said is was surprisingly easy to draw Levi again after such a long break. The only thing he really had to think about is what Levi would sound like as a 10 year old.

"Bad Boy" was also his first time drawing manga on an iPad. Because he wasn't used to it, he had three assistants helping him. I really want a good translation of this bit because it seems funny. He mentions something about how what should've been digital remote work was more of an analog training camp. He said is was fun to reminisce about his "war era" when he would work while chatting with his assistants about trivial matters.

[batbabydamian]

🦇🐥 Batman and Robin (2023) #6 rambling and screaming crying throwing up about a single page

so right off the bat, i'm adding these panels to the Ms. Hall is Shush conspiracy board - the first suspect in mind for who could train Zach would be Principal Stone, but Ms. Hall is conveniently placed in the "teacher's pet" panel HMM

Damian's history with Zsasz is mentioned again! any further reference to Streets of Gotham ends here once Damian and Zsasz face off, but i'm not complaining when Damian gets to kick his ass again LOL

AAH SUCH A COOL PANEL!! i rambled enough about Cizmesija's impact shots last time, but this is just. SO COOL... DAMIAN'S POSE, the light streak from the eyes, the jittery effect at the point of impact from Zsasz's front to his back - LIKE DAMN, YOU KNOW THIS KID HIT HIM HARD

ok i was gonna shut up about the impact shots but to accompany the Robin panel, THIS SICK BATMAN PANEL!! THE SPEED LINES ALONG HIS WHOLE ARM, the hilarious waves of that hit going through Zsasz's face asdfg, the cowl and cape silhouette in the back - and the KRAK SFX!! it's got a bit of that gritty splatter effect Cizmesija uses so either another smooth choice by letterer Steve Wands or extra kudos to Cizmesija!!

i thought the action would be my favorite aspect of this issue, but it was THE EXPRESSIONS. from Damian's frustration here (his glare and his seriously gritted teeth) to the page that brought me to my knees lol

a breakdown of my breakdown for this page:

DAMIAN'S WIDE EYED EXPRESSION AT BRUCE'S COMPLIMENT, THE SHINE IN HIS EYES!! what gets me about Bruce’s praise is how specific it is, especially pointing out Damian’s storytelling 😭 Bruce already knows Damian’s technical art skills are amazing!! storytelling through comics is a whole different skill and Bruce recognized that!! 😭 no wonder Damian is so touched, Bruce is paying attention 😭

HE LOOKS SO OVERWHELMED BY THE VALIDATION FROM HIS FATHER - THE TENTATIVE SMILE!! BEFORE HE BREAKS OUT INTO A FULL GRIN!! 😭

HOW HE BURSTS ABOUT HIS PROCESS AND THEN THE LIL ASIDE OF “I love those…” HE'S SO CAUGHT UP IN HIS JOY PLEASE I’M COUGHING UP BLOOD THAT'S SO CUTE 😭 happy Damian is my weakness i mean LOOK AT HIM OH MY GOD the wide smile his lil fist and the pointing, he cannot contain himself!! 😭

his art is so fun, i'm glad we get to see more of this!! the shadow of Bruce and Damian over the pages is a neat touch too! Damian expanding from realistic renders to this manga style on top of these amazing comic layouts…Bruce is right his growth is crazy 😭

to add on to Damian's progress from Bruce's eyes - Detective Comics (2016) #1003 was the last time Bruce acknowledged Damian's art!

the return of Flatline!! for this last bit, i'll be referencing Lazarus Planet: The Next Evolution (2023) since that's Nika's last notable appearance!

Nika calling Damian out on not contacting her asdfg she mentions something similar before, and i could only imagine it's been months since then considering that issue came out a whole year ago 😭

besides Nika meeting Bruce, the most important thing that needs to be addressed is if Damian's aware that she resurrected Ra's and finally, what they could have discussed??

ending note, upgrade from earbuds in Batman and Robin (2011) to headphones haha wired earphones only!!

[aluhnim]

Hello!! When you start a comic, how do you go about deciding your panelling layouts?? If this is too big of an ask for covid brain, how about your favorite song of the moment / a song that really inspires you?? I hope you feel better soon!

I was searching around for an old write up I did for some Original Character Tournament folks who were interested in my thoughts on panels and layouts. To try and answer your question, I go off of vibe now that I’ve made a LOT of comics. However, as much as it doesn’t seem like it at times, I do typically stay as “conventional” as possible to make sure my readers are still following the plot. I make a lot of adjustments along the way. Smarter layouts allow me to draw less, and drawing less is better for me in the long run! It’ll allow me to put more time in other places of the comic.

Anyway, here’s my write up back in the day that’ll hopefully answer some comic drafting questions!

More conventional paneling is a necessary stepping stone because you know your reader won’t get lost and the structure will have you more focused on flow and pacing. It seems remarkably easy to do comics with more “static” or traditional panel layouts but they work for a reason. There’s no real need to break out of something that works, unless you want to! Breaking out of the structure can really add some OOMPH to your important pages.

Some tips, note that these have been my preferences and some definitions don’t quite match their descriptors.

Bleed

I consider open panels or panels that stretch out beyond the edge of the page to be considered bleeds. They’re simple ways to make you feel like your not just sticking within your margins and making your page feel less static without much extra effort. Manga does this quite often, and Western American comics, especially during action packed moments or large splashes.

Some examples of things bleeds can do:

- They can also be used as transitions between pages (first panel bleeding in, last panel bleeding out).

- They can be used to interrupt or add a beat to a moment. Although the example below is mostly bleeds, you can see the one full panel at the bottom stands out because it’s not like the others. A subtle beat.

- They can also just be used to extend a panel to make it bigger. That seems obvious, but larger panels do make people spend a bit more time on them, regardless if there is text or not. Though, “more time” means probably several milliseconds or even a few seconds more than usual.

- Collaging with a bleed is a really great way to think beyond panels and open the space. You will be spending more time thinking of how much you can cram in along with the flow of how your text is going to lead through a series of images.

- Removing panel borders can really open a space and allow for more room without having to go above and beyond the ideas of comics and panels. (sorry, gale galligan is just good)

Gutters

The space between panels is almost just as important as the panel itself. That’s where readers and inferring actions and time. You can only control so much of what the reader is doing between their eye shifting between panels, which is why composition within panels and clarity are so important.

Gutters can also be played with! A simple example is changing your gutters from white to all black. It can be a subtle shift in time, a transition to a new space.

Even the amount of space between panels leaves an idea of time! I think webtoons/manhwa really work well with the gutter space, leaving you to physically scroll and feel the effects of time passing with the amount of empty space you encounter.

It’s important to understand that the gutter has a lot more to do with reader imagination, and your goal is to have them understand that the next panel is somehow plausible.

THIS SCENE EMFIELDS DID IS VERY FUCKING GOOD. TIME, SPACE, GO OOOOOOFFFF KING

Panels themselves can be a part story!

This one is a difficult thing to write for, since I feel like there isn’t many examples out there. There are very structural examples of panels out there, like Watchman. While the 9 panel grid was intentional, it also was likely the only way to deal with Alan Moore’s script effectively without missing details. The panels themselves don’t ENHANCE the story, but a means to an end.

But it’s also an incredibly good example of how conventional comics paneling can still be effective, especially when you start breaking that mold just a little bit.

But then you have comics like M. Dean’s “Baby fat”. Where the comic paneling itself never strays from its original structure, but is indicative of the story itself, representing tiles, mirrors, patterns.

Or Robert Hunter’s “The New Ghost” which he uses circular motifs and has circular panels representing the telescopes sight line.

Predicting Reader Navigation

These are my rules of thumb when doing general sight reading panel by panel.

1. Text is what people gravitate to first. It’s the context needed to approach the next panel.

2. Faces are next, this provides context to what the subject is feeling.

3. Familiar people/animals/objects and SFX.

4. Everything else!

This is an example of sight reading notes I gave to my friend Holocene when we were collaborating.

[likesdoodling]

:D:D:D

Reads manga style/right to left not left to right. :D

This is an amalgamation of a pre-existing shoujo manga, (A Sign of Affection) and Ascendance of a Bookworm. Since as you can probably see, I replaced the main characters, (Yuki and Itsuomi) with Rozemyne and Ferdinand. I'm kinda trying to 'study' manga layouts- (*cough- great excuse for reading copious amounts of manga *cough) so I tried using a few pages as reference to see what the composition was like and all that. This is my Shoujo example. I've got some half-finished Shonen ones as well, but this was the first one I got on to finishing since action shots are not my strong point. Even if I have the appropriate reference.

And no, that last picture was not in A Sign of Affection, I just have a certain inability to draw anything completely seriously so I couldn't help myself. It was also a case of-

Would Ferdinand and Rozemyne actually act like that? I mean... I dunno if they would, but if it was someone else's misinterpretation-

Which is where Hannelore came in. Because I can definitely imagine her fangirling on the sidelines.

Anyway.

This took way longer than I thought it would, (Random insert- I HATE drawing Ferdinand's profile. It is so HARD to draw!! >:/ Doable, but it is not one of my favourite things. That's for sure) but it was worth it. I think. Looks cool anyway.

:D

[canmom]

Ping-Pong The Animation: eps 1-3

So Masaaki Yuasa [AN12, AN28, AN150] can do no wrong, right? OK, well, I'll admit Ride Your Wave was kinda mid, and Devilman Crybaby goes hard as hell at the beginning and end but sorta treads water in the middle, but... generally speaking! No-one does it like Yuasa.

For reasons I don't really remember, I didn't get very far watching Ping-Pong The Animation some years ago. It should be entirely my shit: Yuasa pulling in a gang of wildly creative animators to put their unique spin on something. However, the first episode didn't entirely hook me, and I never got round to trying the second before something else punted 'watching Ping Pong' out of my brain. ADHD, y'know.

This is a shame because even the very next episode seriously goes, as does the one after that. But also this anime isn't entirely what I was expecting (crazy sakugafest full of Yuasa weirdness). Not to say it doesn't do a lot of really unique stuff with its cinematography and animation, but these first episodes at least are more about like... dissociation! ennui!

But more on that in a mo. First I wanna continue the thread of 'how do you animate sports'.

So, ping-pong, or table tennis. Not a sport I know much about, I'll be honest. (To be fair I don't know a lot about sports in general outside of some very specific niches. The sports I've pursued so far are rather eclectic: swimming, fencing, tai chi chuan, and roller derby; I never got particularly far in any and it's been years since I've done them.)

I'll inevitably be drawing a lot of comparisons to The First Slam Dunk, the other sports anime I've watched recently. I do think it's a productive comparison though! Both of them bring something of the visual language of manga into their presentation in unique ways. I have not yet read the Ping Pong manga, but it's by Taiyō Matsumoto, otherwise known for scifi manga like Tekkonkinkreet (god tier movie, still need to read the manga) and Number Five. So that's a pretty impressive track record!

If you go take a look at some scans of Ping Pong, what will immediately jump out is the shaky, rough line style and unusual camera angles and compositions.

The stylisation is also very different from a lot of manga. Noses are fully drawn, eyes are realistically small, and in contrast, lips and mouths tend to get the emphasis - as well as hands.

Knowing this makes a lot of the creative choices in the anime make sense! It also adopts a shaky lineart style, and makes use of heavy line weights and spotting blacks to add definition. It also has a lot of crazy closeups and layouts, and it loves a visual metaphor. But most of all, the most striking element of this anime is how often it loves to split the picture up into little panels...

...which [eli]'s subs do a really good job of typesetting, incidentally, moving the dialogue to fit naturally into the split composition. And while this shot with 7 smaller shots is perhaps on the extreme end, splits of three or more are pretty frequent. It's a really interesting way to evoke the effect of seeing a whole page of manga

So, as you proooobably know, ping-pong is a game of bouncing balls off a little table and directing them into places the opponent will find it hard to hit them back. From watching this anime I picked up that there are a number of styles of holding the racket (e.g. 'penhold grip' and 'shakehand') and approaches to hitting the ball (e.g. 'chopping'). A lot of this pretty much went over my head, but honestly it didn't matter, since the narrative significance was pretty much always evident.

Compared to basketball, though, ping-pong is a pretty tricky sport to make visually interesting! Sure, you have the players running to and fro, and that can lead to some interesting poses, but how do you get the drama and tension into this?

Ping-pong additionally is all 2D, it doesn't have the sort of resources that Toei could throw at making the best looking 3DCG basketball game ever. It is limited to a TV-feasible drawing count. So it has to make use of clever limited-animation tricks to get the most impact out of fewest drawings.

Let's take an example sequence from episode 3. A minor character is about to get his ass kicked by Tsukimoto. Tsukimoto is something of a pingpong prodigy, and yet he is very emotionally closed-off and even standoffish; he doesn't particularly seem to like the game very much, and doesn't particularly feel inclined to flex on other players and get into the status games. But other players, like Wenge, have heard about him and want to see what he's got.

First we have the setup. Other characters are observing and discussing the game. Since ping-pong tends to involve very rapid exchanges, it can follow the classic shōnen model where there's a lot of talking, flashy fight sequence, more talking...

The cut happens in two steps, maintaining the vertical dividing line. This approach to cutting is used a lot in Ping-Pong, and it's quite a creative way to keep visual interest when it's using a lot of largely static shots. The panel on the right is more animated than the panel on the left, a naturalistic depiction of bouncing the ball off the table.

Things start moving faster here. A rapid pan on the image on the left disguises the fact that this anticipation pose is actually not moving at all. This then goes into a rapid, explosive moment as this guy serves.

The final pose is held for a couple of seconds while the voiceover line discussing his intended move finishes. This sort of elasticity of time is a very Osamu Dezaki type of move - it's something that Hayao Miyazaki and Isao Takahata actually really disliked.

A sound effect hits as Tsukimoto appears on the right in silhouette, anticipating his reaction, and setting up the next shot which leaves the split picture and hides the background for just a moment, as if to put us in Tsukimoto's shoes: he only sees the ball.

Tsukimoto follows through and holds this pose - the ball is the only thing moving here. The ball moves mainly on 2s while Tsukimoto moves on 3s and 2s, and he and the ball move on alternating frames. He holds the pose as the ball zips off to the right (bouncing off the corner of the table), with a speed lines-like effect. At the end of the shot, the ball freezes in the air for the moment while the sound echoes.

The actual table-tennis round lasts just seconds, and the drawing count involved is pretty minimal, but it does a lot with those drawings.

We go back to voiceovers and reactions in the next few shots, returning to the split video as Tsukimoto's opponent thinks about how he'd really rather be at the beach...

Often, these comic-like compositions will change one panel at a time, and while one panel is animated another panel will be still, naturally moving your eyes across the screen. It is an approach similar to some experiments I've seen in 'animated comics' viewed in a web browser, where the panels do not appear all at once, but enter with some animation.

So this is the sort of animation technique that Ping Pong uses. It's effective! Elsewhere the cuts are used in a less direct, continuity-editing way and more in a juxtaposition/montage way. For example, Wenge's desire to return to China is symbolised by match cutting/fading to shots of an aeroplane.

And there is a recurring image, which I'm sure will be expanded on, of Tsukimoto hiding in a cupboard and wishing for a tokusatsu hero to come save him from his isolation. As Tsukimoto's feelings about himself change, the toku hero is replaced by a robot. At this points it starts to feel like an outright Ikuhara anime.

There is occasionally a little bit of CG, mainly when Tsukimoto uses a different type of racket surface, and the way the ball and racket make contact is the crucial thing that the shot is trying to convey...

It gets the job done, but I'm glad they stuck with 2D for most of it.

So I went in the first time expecting like, crazy elaborate sakuga - and to be fair, the OP, animated by none other than Shinya Ohira, delivers on that front - but if anything what I've seen so far in Ping-Pong is actually a triumph of storyboarding and limited animation techniques. I think back then I didn't have the eyes to appreciate it in the same way.

OK, that's the film nerd stuff, but what about the story? Ping Pong follows two school friends, Makoto Tsukimoto aka "Smile" (right), and Yutaka Hoshino aka "Peco" (left). Smile is defined by a flat affect and a standoffish persona. He's just going through the motions. He's very good at ping-pong, but to him it's just a way to pass time, and he's scornful about the idea of caring all that much about it. Much like Shinji with his casette player, Tsukimoto is pretty much always staring at a handheld games console rather than make eye contact with anyone.

Peco on the other hand is the more childish one - playful, kinda arrogant, very much an 'emotions on his sleeve' kinda guy. He sulks when he loses and gloats when he wins, and is constantly seen with bubblegum or other kinds of candy. He provides a lot of our commentary when he chats with the other players.

日本語上手 readers probably noticed the tsuki (moon) vs hoshi (star) symbolism thing they've got going on here!

High-school table tennis in this story seems to be a rather 'tough love' kinda world. Most of these players tend to look down on those who can't meet their level. Going easy on someone is seen as weakness, or cultivating bad habits, by almost everyone. Tsukimoto doesn't play at his full potential because he isn't as invested in winning as all these weirdos, but it seems that might be starting to change...

The coach is interesting. He's an old man and fairly disdainful of the club at large, and prone to speaking English randomly with a heavy accent. But he gets excited at the prospect of getting Tsukimoto to unleash his full potential, in terms that are repeatedly metaphorically compared to romance/marriage.

And when Tsukimoto gets sick of it, he challenges him to a game, with the stakes as...

Cue Makima/Beatrice images here I guess.

Tsukimoto de facto wins when the coach collapses, but this episode marks a change of heart. He starts to think of himself as a robot - the affect of a robot replacing the affect of the toku hero in his fantasy. And in this way he does what people seem to want and plays ping pong with mechanical precision, expressed once again in visual metaphor (shot here from a cool transformation sequence)...

What if I just dissociate harder? This is gonna end well.

So it really is one of those kind of like 'ennui of being a teenager' kind of stories - c.f. say FLCL. 'Boy with complicated emotional landscape' is Yuasa bread and butter, but the particular variant here seems a little unusual for him - they tend to be a little more earnest. I'm curious to see how Tsukimoto develops.

I am definitely enjoying the arrogant Chinese player Kong Wenge. Dude's got a lot of screen presence, and while I'm sure he'll get shown up sooner or later, he makes for a very fun antagonist of sorts.

In comparison to Slam Dunk... one thing that's significantly different about table tennis is that it's an individual rather than a team sport, which means it's harder to have an ensemble cast all contributing to the protagonists' eventual victory - instead it's about a lot of individual arcs interweaving with each other, individual duels. Besides that, it does seem like it will be following a similar arc of a character in an emotional hole (grief for Ryota, depression for Tsukimoto) finding new meaning and purpose through sports - though I can't be sure how things are gonna go for Tsukimoto here!

The tone however is quite different. Even when it's silly, I feel like Slam Dunk is a very sincere story. There's little detachment or irony, or false consciousness - with perhaps the major exception of Ryota's mother, who lets her own grief and trauma get in the way of understanding her son. But ultimately 'why would you care this much about basketball' is not a question that anyone would ask in Slam Dunk. Even the judo guy in the manga who's trying to recruit Sakuragi is just as hot-blooded about his own sport of choice.

There's a difference in like, general affect about the players as well, which has something to do with the sport itself. Yeah, Sakuragi's superpower is his 'genius' ability to predict rebounds, and there is plenty of strategising in Slam Dunk - but basketball is still a sport that very much emphasises physical power, and as much as Slam Dunk will work hard to sell you on a clever trick pass, the visuals are also emphasising the speed that players are dashing, the height they're jumping, their physique. Table tennis by contrast seems to be a sport that's more about prediction and mind games.

That said it is equally just like Matsumoto's style being different from Inoue's. Now I know it's by the guy who wrote Tekkonkinkreet, a lot about this series falls into place! There's a sense of tension here, of being fundamentally at odds with the world. The autismfeels. This is reflected also in the drawings - the characters don't entirely seem comfortable in their embodiment.

So if that's what I'm getting from just three eps, I'm very excited to see what the remaining 8 have to offer. This series is probably too long to cram into Animation Night format, but we'll see...