#my favorite protagonist to ever

[seiwas]

teared up watching the latest mha episode bc when they said deku's operating at 120% rn, it brought me back to when he was barely managing 20% bc his body couldn't keep up with it and it made me think that he really DID THAT. he really trained and endured and struggled to get to where he is now and he's grown so much i'm so emotional bye no one touch me

[lotus-pear]

looking cool joker !!

[crescentfool]

🌊🌸

[flowersbane]

for the longest time my favorite video game antagonist has been sephiroth from final fantasy 7 and i just think it’s really funny that mr. luscious locks might be overthrown by solas

[freddycartr]

"he tried to lift his chin, though it was difficult when cinder's glare was making him feel about as important as a grain of salt."

[s-ccaam-era-crepe]

i dont think there will be another podcast like woe.begone for me ever

[mytyldotwav]

FREEEEEEEESIAAAAAAA

Freesia is a song from Guilty Gear XRD. But it could have been released in Strive and still hit just as fucking hard. That's because it's applicable to multiple aspects of the story.

Sol Badguy is one of the most powerful characters in the GG universe. At least, he's in the top 10 (probably??). Despite that, he's a grown man who is a grief-stricken mess and has questionable direction to his life.

In my opinion, this song is best interpreted as coming from Frederick. Not Sol, the Badass god-like gear that has saved the world on several occasions. Frederick Bulsara, the man that lost everything important to him.

The start of Freesia is someone reaching out to Frederick. Because really? Frederick does a lot of brooding and self-isolation. He wouldn't reach out to someone otherwise. His head isn't in the clouds, it's in space, drifting aimlessly amongst the stars.

But everything is fine, Frederick says. There's enough air for at least 2 people where he's at, and he's alone. So everything is ok. Frederick, or more accurately, Sol, has everything he needs. He's achieved great feats normal humans only could dream of achieving. He's reached greater heights than anyone ever has, and yet? Something is still missing.

There's enough air for 2 people up there. Boundless information. Wisdom beyond that of any normal human. But there's enough air for 2 people. And he knows why, but he can't bring himself to say it.

"The whole world is kind to me"

Yes, Sol has reason to be happy. Everyone has rewarded him for saving the world. Everyone appreciates what he has done in some way, and every day brings fresh start. The world has been ushered into a new era of peace; but there's someone missing. But Frederick can't bring himself to tell anyone what it is.

"Sorry, sorry, sorry..."

It'd be ungrateful for him to imply something was missing, or that something could be wrong. Sol apologizes, but laments his cowardice.

This next portion feels more like Frederick reaching out, or at least telling someone in passing about how miserable he is:

"The world may crumble down with just one piece missing"

Now, he is (to the best of his ability) trying to be genuine and honest about how life's trials have affected him. Frederick is saying that if he can't get that one thing back, if he can't reach his goals, why continue? Without this thing he's been pursuing for DECADES, actually being obtainable, his life has no purpose. He's just a shell of a man looking for comfort in the past.

This is where the dam breaks. This is where Frederick and Sol's lives converge into one. Frederick Bulsara is Sol Badguy and vice versa. He can't pretend that his reasons for fighting and living don't come from a place of loss and pain. He's not just bounty hunting for money, not just traveling the world because he can. His emotional strength isn't there because he's fixed all of his problems. His experiences have made him physically stronger, but mentally? He's exhausted and desperate for rest. Everything he has done up to this point has been for Aria Hale. But if she's gone, everything falls apart. There is no point.

That's why the song is named Freesia. A Freesia is a flower from South Africa that is commonly seen at weddings. They typically convey deep trust, friendship, thoughtfulness and sometimes purity.

And then the line hits. You know the one.

This moment in the song is an outburst of love, both platonic and romantic. This is the moment where Sol can't hide that he's still Frederick. He's still human. And damn it, he still loves that woman-- as Aria or Jack-O.

"Here I am" is a resignation. He tried ignoring the emotions building up inside of him for so long, neglected his humanity, acted as nothing but a weapon for so long, and he is tired. The mask falls off. He is finally allowing himself to be vulnerable and honest with the world.

Sol isn't proud of it.

He shouldn't have isolated himself for so long.

He shouldn't have lied about his emotions.

He shouldn't have pushed so many kind people away.

If he had done those things, maybe there would be less blood on his hands. Maybe he would have lived a more normal life.

But he knows that's not true. Aria meant too much to him. Sol would still miss her as desperately, even if he continued down a different path.

Yes, he had reasons to feel the things he felt. But at the same time, there were also so many people willing to help him start again. and he sees it now, as clear as day. Aria had been his world for so long. But he was missing so many beautiful things because of it. Frederick had spent so much time trying to save Aria that he became single minded in his endeavor. It led him to become isolated. It kept him from living his own life and that's what Aria wanted for him so badly. She didn't want to weigh on his mind, she wanted the happy memories of them to help Frederick continue living.

So the apologies tumble out again for the last time.

Frederick was surrounded by, and floating through galaxies. Worlds of people surrounded him and yet everything was touch and go. A passing greeting. A quick handshake. Knowing glances. He had recognition, respect, power, and yet, when the fight was over? Sol would leave it all behind again and move back to Aria. But that isn't what she would have wanted.

Reading through the lyrics, I initially thought Frederick was saying that he couldn't protect or save Aria, and that was what the final line meant. But I believe that's not the whole message. Frederick wasn't able to prove himself to Aria: Sol didn't keep living on like she wanted him to. He forgot her final wishes in his grief, and for the first time, he sees that. Now, finally, Frederick is ready to fulfill them.

• ○ ● Thanks for reading! ● ○ ●

[talesfromthebandgeekmafia]

Listening to Thud! while driving was a mistake, I had to fight back tears so I could see the road.

Sam Vimes will commandeer carriages and shut down major roads to get home to his baby boy on time. He approaches being there for his son with the same uncompromising severity and dedication he gives to The Law. Character of all time oh my god

[apollos-boyfriend]

hajime hinata is the funniest character ever because he has absolutely 0 swag and even less sex appeal yet literally 90% of his classmates desire him carnally. he does NOT deserve that many bitches what the fuck do they all see in him

[zingtastic]

Ren Mamma Mia!

Close ups!!

[berry--blonde]

Some soft Akeshu for the weekend <3

[eebie]

the underwater episode of bojack horseman makes me so SAD ..

[princeofcyberpunk]

Save us, Alice!

Program: Clip Studio Paint Pro

Elapse Time: about two hours

special thanks: the strawberry uncrustable i defrosted with my overheating laptop and every video Strange Aeons made about My Immortal

[vetodoesthings]

Razputin Aquato from Psychonauts!!! i've recently beaten the sequel and it just goes so so hard You should definetely play it if you enjoy 3D platformers

[dam-mar]

We needed camaraderie with Urgals yesterday

[idkaguyorsomething]

Two personal preferences for the Jojolands: it does not end on a downer note and that the author does not play Jodio's mental illness for horror.

definitely gonna agree with you on the second one, though slight disagreement on the first one. part nine could very well be the last jojo’s we’re ever gonna get, so it makes a lot of sense that people are gonna want it to end on a happy note. and traditionally, every part has ended with the characters at least reaching some level of satisfaction and personal fulfillment, but there has ALWAYS been casualties along the way, ranging from that one side character to the entire core cast minus a literal child. the happiest ending we got was in part four, which definitely had a more relaxed slice-of-life vibe to it than part nine, which already parallels part five, a story where literally half the cast gets killed off as they brutally slaughter all their enemies. having everyone in the main cast survive to the end seems unlikely, and tbh, i do enjoy the fact that in a lot of jojo stories, anyone can die. even if i love these characters with all my heart, it is an effective narrative choice to kill them off in order to raise the stakes. nearly every death in this series feels like an emotional gut punch without sidelining the actual agency of the character being killed (rip george jr, the least important joestar). depending on what kind of story araki wants to tell, a bittersweet ending could be more effective than an unconditionally happy one. but hey, if it’s his final outing in the world he created, ¡he might actually feel like being merciful to his characters for once! and if it’s not, well, i’ll look forward to all the fix fics everyone writes where everyone lives.

as for jodio’s mental illness, this one has me a bit worried. araki has made a lot of dubious writing decisions in the past on sensitive topics like this (overuse of sa, “curing” johnny’s disability, side characters that come off as dated ethnic caricatures) but he has made a consistent effort to include a lot of demographics that don’t show up in a lot of manga, and his writing of characters from said demographics has considerably improved over time. tracking the women in his stories, from erina to lisa lisa to trish to jolyne to yasuho, and how they’re treated tells a fascinating story in and of itself. johnny has a lot of emotional depth and character beyond his disability. this series honestly has more black characters than any other manga/anime i can think of (though i haven’t watched afro samurai yet). there are absolutely problematic elements here to critique and pick apart, but i kinda prefer this flawed approach to representation than the nonexistent state of it in other similar stories. but getting back on track, araki has written a lot of shit in the past, so he could definitely fumble the ball again here. however, i personally think there’s currently more setup in the story for jodio to become more of an antihero in line with giorno or johnny. he’s on good terms with at least two of his family members, an achievement hitherto unheard of in this series, and he’s depicted as more of a goofy teen who makes bad decisions somewhat in line with the criteria for antisocial personality disorder than an irredeemable monster. it’s far too early in the story to tell where this is headed, though, so overall we just have to cross our fingers and hope that araki goes for a more sensitive, nuanced portrayal of a protagonist with aspd instead of going all “lol he’s joDIO what did you expect”