#my enjoyment of characters comes from exploring character dynamics and hypothetical interactions

[lightbulb-warning]

Do you have specific LGBTQ+ headcanons for Kokichi and Shuichi?

nope! nothing specific ^^

[razberry-jam]

Also!!! Idk if this would help people here??? But I’ve noticed a lot of people having discourse on whether Techno is meant to be interpreted, on a narrative level, if he is in the right or in the wrong! 

I just wanted to share, as someone with a big nerd feelings about storytelling, plot structure, etc- that not every narrative is about showing characters who are in the right, react appropriately, have correct beliefs etc. Most aren’t, actually! 

This is a strange trend I’ve noticed recently!!! I think it’s because a lot of us grew up idolizing fictional characters that we shouldn't have, and so who actually turned out to be assholes?? So I think people have somehow got it stuck in their heads that the main purpose of a character, or a story, is to be a role model, to be an example, send a message etc etc!

A side effect of storytelling is that we draw meaning- a “message” or a “theme” from it. Which is hella cool!! But it’s not what storytelling IS. Storytelling is the process by which you explain the change of state of one thing to another. Saying “The ballon was floating. Then I popped it.” Is a story! Saying “The ballon was a good person. Good things will happen to it.” Is not necessarily, because the ballon is not changing on any fundamental level. Even saying “bad things will happen to it” is not a story, because the ballon is still remaining exactly the same. (more underneath)

A story MIGHT say both. “A boy say a drowning cat. The boy saved the cat. The town threw him a party to thank him!” Is a story. It can be interpreted to send the message, “this boy is good, and because of that good things happen to him. Maybe we should be good too!” But even without the interpretation, the story still stands. 

Because the story does not require a message to be itself, storytelling doesn’t require messages. So the main point of stories can’t be sending messages if they don't require them. A story DOES require that a thing change from one state to another. So, if that’s true, describing change is the point of storytelling. 

It’s sort of like painting. A painting IS paint on canvas. Gogh’s Starry Night is paint on canvas, arranged to look like a night sky. People can pull different interpretations of it- but a good artist rarely goes in with their message fully formed in their mind. An artist represents something else, and by doing so, a message will often come out subconsciously through the artists’s subject combined with their own (often conflicting) beliefs, feelings, and desires.

How do most authors decide to induce change? They use conflict! Conflict: to be incompatible or at variance. Conflict, by its nature, creates change because incompatible things can’t share the same space. These two things will continue to push and fight against each other until they find a place where both of them can come to a rest. Think water and oil! Or a cat and a mouse. 

This is something that is fairly often brought up in English classes! If you’ve listen to some of Technoblade’s early streams, he even brings it up during his first two Pogtopia streams!! He mentions that he’s a little worried because everyone on the server is “too nice” so there's “not enough conflict.” He’s not saying that cause he doesn’t want people to be nice- he’s saying that because when someone is not pushing against you, its harder to know what to do. You ever done improv? It’s much easier to improv a funny argument than to improv two people who are completely on the same page in every way. 

So! Taking the dream smp for example cause thats where we’re at!

I saw some people were a bit upset that Techno said he was glad Tommy died. Yeah, not a nice thing to say about c!Tommy!! BUT cc!Techno choosing to say that is a wonderful thing to do for cc!Tommy!! Why? It creates conflict. 

If Technoblade had a “good” opinion on Tommy’s death, there would not be sufficient conflict between them, which essentially means there is no story left to tell there. That’s not good for cc!Techno or cc!Tommy. 

IF Technoblade had a “neutral” opinion on Tommy’s death (as he initially tried to have) there's still technically not a conflict there. A neutral opinion is still neutral- it does not force Techno to actually confront his mixed feelings about Tommy, or Tommy to come to a bigger awareness of those feelings, either on his or Techno’s side. 

A “bad” opinion on Tommy’s death IS the most conflict inducing choice we have here. Though small, in this moment it immediately brings him into conflict with both Ranboo and Phil (Phil!!! Which is hella interesting!!). 

A “bad” opinion also continues to heighten the conflict between Tommy and Techno, which again, is a good thing. If Techno had openly admitted he was sad that Tommy was dead, then there isn’t really anything new for us to learn about Techno or Tommy when Tommy comes back. It is redundant- which is something you wanna HELLA avoid in storytelling. 

As well as brings Techno into conflict with himself! I’m of the opinion that, while Techno believes what he said, it is not necessarily true. We can see both from Phil’s reaction “I swear he has a heart guys.” We can see this in how he talks about other people we know he cares deeply about ie my “acquaintance” Ranboo who he was willing to murder someone over. And we see this even in his brief interactions with Tommy- when Tommy came over before seeing Dream to steal out of Techno’s chests, Techno was upset, but also incredibly lenient. Which you know, is coming from a guy who hoards things religiously, towards someone whose guts he’s supposed to hate. Techno’s inability to properly regulate his attachments- keeping a cold facade while bouncing between incredibly polarizing apathy or absolute ride-and-die devotion, is literally one of Techno’s most reoccurring struggles and character flaws. A character flaw, which if Techno did not have, he would cease to be a character with any sort of dynamic struggle within him.

And finally it brings the audience into conflict with Techno, which is actually a good thing. We loose interest in characters we completely understand, and we loose interest in characters when we know exactly the direction they are going in. People who are saying “How could Techno say that when early he’d said he’d have given the world for Tommy??” Is EXACTLY the question the writers want you to be asking. 

Anyway !! To sum up!!! For technoblade, as a writer (not a character!! as a writer!!) his main concern is not portraying a character who is in the right, has the correct beliefs, or is justified in his actions. I’d argue its also NOT portraying a character who is in the wrong, has wrong beliefs, or is completely unjust.His main goal is portraying an interesting character. Through which cc!Techno’s main tool is almost always conflict! 

The narrative’s goal is usually not to portray good people, or to punish people for what they deserve. It’s main purpose is not to teach us what’s right and wrong (though that is an incredibly interesting side of effect of some stories!) The main goal of most stories is to be interesting, create conflict, and explore hypothetical scenarios.

(Which, if you notice- is true of a lot of the CCs who come from a storytelling background! IE Wilbur, Tommy, etc).

I mean, the dude’s into Greek mythology. Greek mythology is like the absolute king of “maybe heroic but mostly asshole” main characters lol. 

Anyway!! That got a bit long! But that’s the idea : ) of course, anyone’s welcome to interpret or enjoy the story in anyway they like! And feelings are feelings. But the fandom idea that a character’s purpose is to be a role model misses the point (and often, a lot of the enjoyment) of writing. 

[aseriesofvariousevents]

The Legend Series

The Legend Series is yet another series I received for Christmas years ago and never finished. This break, though, I finished it in what quite possibly could be a PR for time it took me to read a series. I started the books on a Friday evening and was done with the series by Sunday afternoon. Marie Lu wrote a riveting saga of strength with characters wholly unafraid to stand for what they believe in. 

*SPOILERS*

The first book in the series, Legend, is a strong start, though not perfect. I’ve technically read this book twice before, once as a physical book and the other as an audiobook during a long car ride, so I may be overly critical of my reading this time around, since I don’t typically re-read books, but I found parts of the story to be unnecessary. This may just be coming from my perspective as an “older reader” instead of a young teen, but I found Marie Lu did the characters a disservice by making them 15. The age itself is fine hypothetically, but the emphasis on the romance at times, especially toward the end, felt forced between the two characters and I think, at this point in the series, it would’ve made more sense for them to be just friends. I thought the author wrote June’s loss of innocence surrounding the world she grew up in very well and I truly felt for the girl who had to watch her world crumble around her, bit by bit. I did appreciate the Les Miserables analogy throughout the story, with the June realizing that there may be more to Day than she thought. I also enjoyed Tess’s characters and, briefly, Metias’s, though I found Tess to be a bit one-dimensional at times. Overall, I found the book enjoyable and thought it was a good start to an interesting series. 

Favorite Quote: Each day means a new twenty-four hours. Each day means everything's possible again. You live in the moment, you die in the moment, you take it all one day at a time.

I found Prodigy to be an improvement overall from the first book (not that the first book was inherently bad in any way), but I still had some gripes with some of the plots Lu chose to explore. I really enjoyed the politics aspect of this book, with Anden’s utter desperateness to succeed as a ruler and the double crossing of the Patriots by Razor, lying about who is funding this assassination. I had a feeling Razor was not the character he was believed to be for a while, but I never put two and two together that it was the Republic behind the scheme, but when Kaede explained everything, it all made sense, which I found to be a really cool plot point. Once again, the romance in this book frustrated me to no end. The romance between the deceased Metias and Thomas seemed more like a throwaway gay couple than anything of significance, especially since Lu did not explore their relationship as anything other than friendship in the first book, with Thomas even flirting with June (though it was implied that that was all a ruse to keep her safe, but I found that a feeble excuse). It was intended to make us feel worse for Thomas and the “sacrifice” he made for duty, but it instead just made me more sad for Metias. Tess’s sudden love for Day seemed super random as well, especially since they were basically surrogate siblings for each other for years, and, at the end, June’s and Day’s break-up of sorts seemed overly formal for being fifteen-year-olds who had only known each other for a month or so. Prodigy was definitely a page turner, but aspects were still frustrating to get through as a reader.

Favorite Quote: My heart is ripped open, shredded, leaking blood. I can't let him leave like this. We've been through to much to turn into strangers.

Champion was a satisfying conclusion to the series (though I haven’t read Rebel yet, the newest book in the series). Eden’s character was sweet and it was exciting to see him as an actual character for the first time, and not just a sick child that Day constantly thought about. I appreciated that the Tess romance thing got resolved in this book, but Anden’s love of June was creepy to me, considering the age difference, and in the epilogue, I found it weird, but not unexpected, that the two of them dated, though I was glad they broke it off. Day’s illness throughout this story seemed out of place as a plot point for me, especially since it took five years for it to really develop, but I was glad he wasn’t “perfectly cured”, after getting shot. I’m not sure if Lu meant one of those last few chapters as an homage to Les Miserables, but June’s repeated pleads of “let him live” are in the song “Bring Him Home”, which I found to be a nice Easter egg in the story, whether intended or not. June being the cure made sense in a way, but I don’t understand how she got better completely. It’s implied that the colonies gave her some sort of cure and took the virus to spread, but how they got hold of a cure seems fishy to me. In the epilogue, when June sees Metias’s grave and says that they’re finally the same age, I teared up a bit. I can’t imagine having to come to terms with effectively outgrowing someone lost far too young, and I thought the author described her grief really beautifully here.

Favorite Quote: That's why I'm sorry. I'm sorry because you shouldn't have to be everything to me. I had you, but I'd forgotten that I had myself too. It's a new feeling, something I'm getting used to.

Okay, I know this is an unpopular opinion but this was my favorite book in the series. Although I found June and Day more compelling characters than Eden and Day in this book, I thought this story was so much more poignant and had a much more complicated and interesting villain. Ross City was fascinating and the class divide present there held such poignant implications about technology and so much more that I thought it was a much more interesting and complex setting than the original trilogy. Eden and Daniel's (still weird to refer to him by that name) bickering was tiring at times, but their relationship as siblings was really touching and I thought it brought out an interesting perspective of both of the characters. I didn't love Pressa at the beginning, but toward the end, she was such an interesting character and I loved her and Eden's dynamic. The very ending of the book was so so so good and definitely made me tear up a bit. I was wary coming into the book that I would just find it a totally unnecessary addition to the series but I actually really enjoyed it and I thought it added to the overall story (though I did miss June's narrations).

Favorite Quote: There is nothing to figure out, there is no how or why. Sometimes things just happen.

*END OF SPOILERS*

The Legend Series started out as an interesting, updated take on Les Miserables, but quickly evolved into something much more. Though not my favorite series in the whole world, there was never a dull moment and I’m really looking forward to reading some of Lu’s other works, hopefully finding them as immersive as the world of the Republic!

Rating: ⭐⭐⭐⭐

Books in Series: Legend; Prodigy; Champion; Rebel

Author: Marie Lu

BONUS REVIEWS

Life Before Legend is a duology of two short stories surrounding June and Day prior to the events in the Legend series. I much preferred June’s story to Day’s and found that her story had more heart to me and was more interesting. It was cute, but I found largely unnecessary, but still enjoyable nonetheless. Fun for lovers of the series!

Favorite Quote: Someday, someone out there will see you for the girl you really are. Someday, you’ll find someone who understands you.

Fun to see the epilogue of Champion from Day's perspective. Not a ton of new info but definitely a cute little story that fans of Legend will enjoy.

Favorite Quote: I loved you. I love you still. I want to be with you.

Really short but sweet nonetheless! It's nice to see June and Day together again with his memory mostly intact. Like the other Life After Legend story, didn't offer really any new info but it was exciting to see the duo interact once more, however briefly.

Favorite Quote: Your past is forever part of you, just as it is a part of me. And I loved that person, just as I love you.

Bonus Books: Life Before Legend; Life After Legend; Life After Legend II

[strange-destinations]

Dear Yuletide Writer 2019

(As usual, please ignore this if you don’t know what this is about!)

Hello, and thank you so much for writing something for me!! I adore seeing what people come up with for Yuletide and I am super excited for what you end up producing. I want this to be a good and enjoyable experience for you as a writer, so don’t try to second-guess yourself too much - just have fun making whatever it is!

Squicks/DNWS - no sex, please! (And it also follows that I’d rather like to avoid any noncon, kinky stuff even if it’s nonsexual, any other sort of sexual content, etc - that’s just not my sort of thing, really.) Romance is all right, if that’s the way that you want to take things, but I much prefer close friendships and family dynamics. However!! I am pretty much completely fine with body horror/violence, hurt/comfort, etc. 

I love good dialogue, character interaction, twist endings, and imaginative plots - and worldbuilding! Happy endings are preferred but not necessary if it just isn’t working for you.

In general - if you’re thinking about making something gay/trans/queer/ace in any way, you should probably absolutely go for it, because I’m wild for that sort of thing.

AUs are… fine and good, as far as I can think of! (Obv no A/B/O or sex-related stuff please, but) canon divergence, fantasy, high school, etc seem all good to me! Especially if there’s a whole lot of clever nods to original canon in there. 

In addition, I'm always welcome to receiving stuff in interesting and unusual mediums/styles. This includes stuff like Interactive Fiction (additional info here) and multimedia stuff.

Anyway, fandom time. Let's do this, y'all!

->

Fandom: Ruby Redfort series - Lauren Child

Available:  I managed to acquire a copy of the full series online via my local library - and the physical copies were at my local library too. I don’t have a link to them, I’m afraid.

Tvtropes page: https://tvtropes.org/pmwiki/pmwiki.php/Literature/RubyRedfort

Characters: *** Any from *** Ruby Redfort, Hitch, Blacker, Clancy Crew 

About the fandom: I just love it a lot.  I dragged its fandom out of the depths of Tumblr singlehandedly a few years ago and have been doggedly creating content for it ever since. There's just something really compelling about 'bright young kid gets accidentally adopted by spy agency' (yes i know that's not EXACLY what happens but I can dream, right?)

Prompts/suggestions:

Like I said above, I really like the idea of Ruby being essentially adopted by the whole Spectrum team.

I’d love to see some casefic! Blacker and Ruby working together to solve a puzzle or problem - either serious or mundane - or Hitch and Ruby on a stakeout of some sort. Or both!

Some general stuff I like - heists, murder mysteries, rescue missions, characters playing games (e.g. Travelling Lemon, word games, throwing increasingly ridiculous hypotheticals at each other) because they're bored or similar,

Spectrum office shenanigans - stuff that happens between books, when Ruby and everybody else aren’t in mortal danger and that LB will most likely glare disapprovingly at.

On the angstier side of things, if you want to stick Ruby in even more mortal danger than usual I am ALL RIGHT WITH THAT. Rescue missions hell yeah.

AUs??? AUs!!! Modern!AU with Ruby doing extreme sports vlogs and occasionally failing to hide the fact that she's part of a secret spy agency. Is Blacker a hacker? Or a fantasy/medieval AU? Or Ruby Redfort, in space!

I feel like I’ll be delighted with whatever you create, tbh. I can’t think of many ways you could go wrong with it.

->

Fandom: Bernice Summerfield (Big Finish Audio)

Available:  Via the Big Finish website, and all of the boxsets from Epoch to New Frontiers are available for free on Spotify! Just look up Bernice Summerfield there.

Tvtropes page: https://tvtropes.org/pmwiki/pmwiki.php/Franchise/BerniceSummerfield

Characters: *** Any from *** Bernice Summerfield, Third Doctor (Warner)

About the fandom: It’s like if Indiana Jones was shorter, actually did his job, and was a kickass woman who was also the Doctor’s companion at one point! Several points. And also she has a considerably larger family than Indiana Jones. Her spinoff kind of transcends a lot of forms of media - she’s in comics, print, animations, audio dramas, and one really hilariously terrible sort-of-fanfilm made by Lisa Bowerman and Sylvester McCoy when they were on some kind of cruise together. And it more or less transcends genre too. There’s been musical episodes right alongside the episode where someone very dear to her manipulates someone else very dear to her into killing (you guessed it) someone who is also very dear to her. It’s a wild ride. Anyway.

Prompts/suggestions:

The Warner!Doctor and Benny era of this series particularly delights me, because Benny and the Doctor just have such a lovely dynamic. There's a bit in the writer's guide for this era that mentions that the Warner!Doctor 'seems to be a grouch' but is actually 'a playful spirit who loves to have fun', and... I just love that? And there is literally no fic with them! Which is an absolute travesty.

I particularly like: heists, murder mysteries, rescue missions, adventures, playing around with genre and style.

It's Doctor Who/Bernice Summerfield!! Which means there's an infinite wealth of planets and times and worlds to explore, if you choose to set it in the regular universe. If, on the other hand, you choose to place it in the Unbound universe, slowly collapsing in on itself, there's probably a lot you can do with this too

The found family dynamic between them!! It's clear that, despite all the snarking and sniping, they really do adore each other quite a bit. If you'd lean into that, I'd be forever grateful.

Apologies for no real specific suggestions - mostly, I just would really like to see these two having fun together and being buds. But also? The angst is good too. Make me laugh/smile or make me hurt, I don't care which.

 ->

Fandom: Beanworld - Larry Marder

Available:  ...I have literally no idea where you can pick this up. I first read it at my local library. I think you can get copies at various book retailers?

Tvtropes page: Non-existent. I should rectify that.

Characters: *** Any from *** Professor Garbanzo, Mr Spook, Beanish, Heyoka (but honestly please throw in everybody in there. I love them all so much)

About the fandom: It's a weird, brilliant, complete unique experience of a comic book set in a world where the rules are very different to ours!

Prompts/suggestions:

I know that pretty much the entire point of Beanworld is that the characters are not human in the least, But I can't help but wonder what a human AU would be like!! Beanish as a struggling art student, the Hoi'Polloi as the local street gang with an unfortunate gambling habit, Heyoka as the weird chaotic neutral genderqueer acrobat who babysits occasionally and is always standing on their head. Or any other direction you want to take it in!! I adore seeing familiar characters in settings that they couldn't possibly find themselves in, in canon.

Bean shenanigans!! What sort of things do they get up to on their Goof-Off Days that we don't see on-screen?

Explore some of the friendships/relationships between the characters! I love some of those good good Bean interactions. For example (but not at all limited to):

Professor Garbanzo and Mr Spook - the ultimate BroTP. I particularly love how well they get along even when you wouldn’t expect them too - how Mr Spook isn’t really a scientific sort of guy but is really encouraging and helpful to her endeavors. It’s good and soft.

Mr Spook and the Chow Sol’jers! A dedicated fighting team that work together and protect each other every day. I’m now wondering what the Chow Sol’jer in-jokes are. They’ve gotta have some, right?

Beanish and Dreamishness - the greatest love story ever told! (If you do end up including this relationship in particular, I’d prefer it if it wasn’t the focus.) Additionally, I’d really love it if you could play around with the idea of love in the Big•Big•Picture being different to how we see it/perceive it in our world! I know it’s kind of vague, and it’s definitely not necessary, but I figured I might as well put it out there.

Heyoka and... everyone. Literally everyone. I love how she interacts with the Beans - how they’re kind of confused as to how she works, but accept her as one of them anyway - and how she interacts with people outside of the Beanworld. The sequence when she’s falling upwards and through the Inspiration Constellation, and how the Constellation is so pleasantly amused by and encouraging of her - it’s really nice. And her as the teacher to the Pod’ll’pool babies!! She’s such a cool character.

Other AUs or canon divergences! Can't think of anything specific off the top of my head, but I'm sure there's some stuff out there.

Literally anything that takes stuff from canon and extends upon it! Especially if you’re playing into the amazingly bizarre and extensive world of the Big•Big•Picture. Because the rules there are definitely not at all the same as they are for our world, and that delights me to no end. I have so many questions about it that I’m nearly certain aren’t going to be answered anytime soon. Like, where does the Thin Lake/Four Realities/Hoi-Polloi zone end?? There’s gotta be an end to it somewhere. Are there other islands like the Beanworld? 

->

Fandom: Rainbow Magic series - Daisy Meadows

Available: on your younger sister's bookshelf or at pretty much any library, bookstore or garage sale you'd care to visit.

Tvtropes page: 

Characters: *** Any from *** Rachel Walker, Kirsty Tate, Titania, Oberon (but feel free to throw in any of the million-plus other fairies that exist at your discretion)

About the fandom: Oh, jeez. What to say about this? It's such a bizarre interest of mine. The series has suffered from intense seasonal rot, with literally every book following the same formula. And there are hundreds of books. But it's such a large part of my childhood that it's hard to not feel some sort of affection for it. Plus, there's so many interesting things to explore!

Prompts/suggestions:

Feel free to throw some Kirsty/Rachel shipping in there, because we all know those two were lesbian as all hell. I'd prefer it not to be the focus, though!

Any exploration of the fact that the girls have been doing this for far longer than is strictly reasonable with no complaints, questions, or problems. They've been through like ten Christmas specials and don't appear to have aged a day since the beginning of the series. What's up with that, huh?

To that end - there's plenty of myths and legends about the rules that fae traditionally have. What about applying some of these to the RM fairies? Are Titania and Oberon the leaders of the Seelie Court, with Jack Frost as the Unseelie leader? Do they do the whole Changeling thing? Are Kirsty and Rachel Changelings?

(And bear with me for a second while I point you at a specific line from the very first book, because I think it's very good inspiration for the whole 'giving a fairy your name' thing:)

Kirsty wanted to ask the fairy so many things. But she didn't know where to start.

"Tell me your names, quickly," said the fairy. She fluttered up into the air again. "There's so much to be done, and we must get started right away."

Rachel wondered what the fairy meant. "I'm Rachel," she said.

"And I'm Kirsty," said Kirsty. "But who are you?"

"I'm the Red Rainbow Fairy - but you can call me Ruby," the fairy replied.

Very suspicious.

A Discord server I'm on has been throwing around the idea of the fairies (yes. All of them.) ending up as humans in the human world abruptly, and having to adjust to living life without magic - and dealing with the fact that somehow, their magical domains are functioning perfectly without them. Which is a very compelling idea. How do Rachel and Kirsty deal with their now-possibly-permanent, no-longer-magical neighbours? How are Titania and Oberon coping, now that they no longer have to rule a whole kingdom? What sort of the things do the fairies get up to? Where do they stay?

Aged-up Kirsty and Rachel get called upon to deal with new adult problems that are blooming in the fairy world. (Tiara The Tax Evasion Fairy, anyone?)

...or anything else.

->

Again, thank you for writing for me, and I hope you get something awesome in return from your own writer! Good luck!

[dreadnought-dear-captain]

On Writing and Reading in Fandom

Earlier this week, I received a couple of asks about Baghdad Waltz that were,  frankly, quite rude. I’ve taken them - and my responses - down because I don’t think the conversation was ultimately productive. I have also undone edits that I felt compelled to make to assuage people’s anxiety about the story and characters. These asks and my responses made me think about how readily I defended my words and choices and apologized for things that I’m not sure I needed to apologize for. I’ve thought a bit about this based on my own experience and the input from some of you offline, and wanted to make a few remarks.

1. Fic writing is a hobby. Maybe it’s a serious hobby, but it’s a hobby nonetheless. People who write fic work. They go to school. Many have families. Children. Sometimes they juggle all of these things and more. Oftentimes, they write in stolen minutes and seconds on their cell phones while feeding babies or on breaks at work or while cooking/burning dinner. I take my hobby a bit too seriously, but this is something we do for free in what little free time we have. And in addition —

2. This is supposed to be fun. Period. Yes, there is suffering. Sometimes there is incredible suffering. But at the end of the day, it’s supposed to be something that is satisfying for the writer. Which brings me to —

3. We don’t owe you anything. This is not intended to sound dick - it’s really, really not. It’s just the truth. We are sharing the stories we enjoy writing because we think you might also enjoy them. We can craft them however we choose. We can change our minds. Sometimes stories unexpectedly evolve, because that’s the nature of character-driven fiction. Personally, I make most of my story decisions based on what I think would actually happen to my characters in the cold, real world. It’s not always what I want to write, but I do it anyway because I believe their psychological makeup, history, and circumstances demand it.

You might not like it or agree with our choices, and you are either onboard for what we choose to write or you are not. It’s okay if you’re not. There is something for everyone in fandom. If you are not onboard for a particular author’s work, you have some choices — you can choose not to read more and go find something else, or you stop reading and also get mad and write rude comments. I think you know which one we would prefer, because it’s undoubtedly the one you would prefer if you were sharing your work. Which leads me to—

4. Writing is a profound expression of vulnerability. Yeah, this is a hobby. But it’s also not just bullshit for us. Writing is deeply personal. You think a fic is personal for you as a reader? That may be, and we love when readers connect strongly with our fics. But these stories literally come out of us. They are an extension of us. The characters, relationship dynamics, and plots we painstakingly (and I mean PAINSTAKINGLY) craft, the emotions we explore, they are deeply, deeply personal to us. This is us putting our insides out into the world on the off chance that someone else might also get something out of experiencing them. So when people make shitty remarks about our stories or accuse us of being manipulators/liars who make creative choices for some secondary gain like reads or kudos, this is both hurtful and wildly off the mark.

5. Tumblr is supposed to be fun. Many writers come here to have enjoyable and thought-provoking interactions with readers who want the same. Please don’t drop bags of shit in our inbox. It makes us not want to come back. Most of us appreciate honest and challenging questions and comments, and it doesn’t take much effort to just be polite.

All that said, my fic is one of the most important things in my life. I think about it more than I think about anything else. It’s the first thing I think about when I wake up and the last thing on my mind as I fall asleep. It completely consumes the hours of my commute. I drift to it inevitably during every single staff meeting and training and class. I spend hours upon hours discussing it with by long-suffering beta, @pitchforkcentral86. I calculated that I have spent - at a bare minimum - 1,350 hours on BW since I started researching and outlining it in 2016. I have dumped my fucking soul into this story, and I am not being hyperbolic.

I’m honestly not looking for any “attaboys”; the overwhelming majority of you are already shockingly, beautifully generous with your praise and support and messages telling me how much you connect to my stories and characters, and I really do love you for this. I’m merely trying to convey the immense amount of emotional commitment and time and plain-ass work that people put into fics.

So I implore readers to not shit on writers when they don’t give you exactly what you want in the stories they are choosing to share with you. The thing you want may be plot or character-related stuff, or it may be comfort regarding the future of a fic. I do, however, warmly welcome you to shit on my characters for behaving in ways you don’t like. Get angry at them. Criticize their motives and behaviors. That’s all fair game, as far as I’m concerned. Ad hominem attacks on the writer for fucking with your OTP or whatever other sin you believe they’ve committed, however, is not appropriate.

For those of you with difficulties tolerating the ambiguity and uncertainty with BW, I get it. I really do. This is a very difficult story with huge emotional and relationship stakes. I get your anxiety around the ending in particular, because after so much suffering, we just want everything to be okay.

However, from here forward, I will not be answering any more asks, messages, or comments about future plot points. This includes whether there will be a happy ending, whether Steve and Bucky will end up together,  etc, etc. I’ll address issues about content warnings etc., but only enough to say that people will be warned if anything super triggering is addressed in future chapters.

Focusing so much on outcomes diminishes the journey of these characters, and I’m choosing not to say anything more about their future so that you can live in their present reality with them. That is unpleasant, I know. But it’s where we are all at right now.

I am very happy to answer many other types of questions and comments about the fic, so long as they are about present, past, hypothetical, character, or meta stuff and they don’t involve revealing future plot (or historical information that will be revealed later). I will, however, immediately delete any asks that are rude or otherwise disrespectful.

Thanks again to those of you who have offered support and encouragement along the way. I’m especially moved by those of you who have let me know how much the fic has impacted you personally. It means so much to me to know that, and you know I’m right there with you <3

[traincat]

I think I Kno the answer but I like the way you explain things so; would you ever write superfamily?

This is the sort of stone cold ‘no’ where it’s literally one of the only things I say I will not write on signup sheets. You’d have to pay me to write it. Substantially. If there’s one Marvel fandom-specific trope I hate above all others, it’s this one. I ‘flames on the side of my face’ gif loathe it. And because you played to my ego here, anonymous, I’ll explain why it bothers me so much. (Joking aside, I do genuinely appreciate that people want to hear my thoughts on things! Thank you! I’m sorry for how seethingly bitter I’m about to be, but anon, I suspect you knew what you’d be getting when you asked this!)

Frothing hatred, a discussion about the integrity of the character of Peter Parker, and The Importance of May Parker – all beneath your friendly neighborhood cut.

Superfamily in this instance refers to a specific fic trope in Marvel fandom where a pair of superheroes, traditionally Captain America and Iron Man (the superhusbands, hence the superfamily) although I’ve seen other pairings especially as of late, are written as the fathers of Peter “Spider-Man” Parker – usually adopted, sometimes biological, but ultimately legally. 

In general I don’t really enjoy this kind of fic where two characters who aren’t related (by blood or otherwise) are re-envisioned as relatives. It’s not that I think it’s inherently a bad concept, but what I would hypothetically want out of it – an exploration of how these characters change as a result of being related in this version – is almost never what it actually is, which is that Characters A and B are the author’s OTP, and the author wants to give them a child, and Character C, who is off over there minding their own business probably with their own supporting cast, is right there. 

(While trying to come up with comparative combinations on a tangent I ultimately dropped, I did think “Maria Hill and Natasha Romanoff are the parents of Daisy Johnson, costarring Nick Fury as the mysterious uncle” and apparently there are versions of this I would read. Make superspyfamily the next big thing.)

There’s a lot of other things I don’t like about the trope: the diminishing and infantilization of Peter Parker, a ~30yo man in the comics with his own complicated web of connections and relationships – including, if we wanted to go here, a surrogate father figure in Joe “Robbie” Robertson. The twisting of Peter’s personality in order to make his a Good Earnest Kid, his Grand Canyon-wide independent streak and his anti-authoritarian nature stripped away in favor of making him beholden to two characters who are, you know, not his parents. Two characters who aren’t even, striking a stint in the ice where Steve Rogers is concerned, that much older than him in 616. The fact that, over the years, Iron Man and Spider-Man have clashed several times, often aggressively on Peter’s side of things. 

(This post isn’t meant to be a criticism of Tony Stark – even if I was interested in taking that angle when discussing this trope, which I’m not, I frankly haven’t read enough Iron Man comics to offer a valid criticism – but rather a statement that Peter Parker is an aggressive character by nature, and that sometimes two characters with the best of intentions can have damaging interactions with each other. That’s the beauty of having a canon with 80 million different characters – every possible dynamic exists. And that’s why there’s several canon instances of Peter attacking Tony in my Spider-Man refs folder. Listen, I like when he punches people, okay.) The invention of a totally fake dynamic that has become so widespread and latched on on a fanon level to the point where it was shoehorned into the latest Spider-Man movie adaptation to the detriment of Spider-Man’s actual supporting cast. The fact that when I read Spider-Man fic, I want to be reading about Spider-Man, not someone’s Peter Parker shaped OC. And maybe most importantly: the erasure of May Parker. Without May Parker, there is no Spider-Man, not as we know him. 

I’ve spoken before about the importance and gravity of Ben Parker’s death and how without knowing the exact circumstances, I find it difficult to know what form Peter’s actions will take. (The differences in his crime fighting methodology 616 vs Marvel Noir, for instance.) But while Ben Parker’s death made Spider-Man, the vigilante, I think it’s May Parker who makes him a hero, every day. 

And, my line on her to Peter is that he got his powers from the spider but he got his strength from May. Because that backbone is what made him who and what he is today. The choices that he makes now come of her having raised him a certain way. – J Michael Straczynski (x)

Look, I think there’s a simplicity to Superfamily that contributes to its overwhelming, infuriating, kudzu-like popularity: Spider-Man is one of the biggest superhero properties on the planet. He’s often, however incorrectly I would personally suggest this is, depicted as a kid. He is, as we all know, an orphan – he has no parents, and he lives with his aunt and uncle, and then – robber, bang, power, responsibility – only with his aunt. And I think sometimes when people hear “orphan” and “aunt” they kind of feel a distance – a disconnect. Or maybe it’s an age thing – the idea that May’s somehow too old to be his parent, so she’s discounted. Maybe it’s just because she’s not a superhero, I don’t know. I don’t think it’s entirely a coincidence that early Marvel is populated with non-traditional family models – the Fantastic Four, for example, are not a team but a family – when these stories were created by Jewish people living in a heavily Jewish area in the shadow of WWII. In the face of decimation, you come together however you can. Orphaned Peter Parker and his aunt, his father’s brother’s wife, alone together. But May Parker’s a lot more than just that.

In Amazing Spider-Man #33, Peter finds himself hopelessly trapped under rubble while Aunt May’s life hangs in the balance – if he cannot free himself, it’s not only his life but hers that’s forfeit, and through his love from her he finds the strength to literally move mountains. (Speaking of removing May from the picture in favor of Iron Man, I’ll never forgive Spider-Man: Homecoming for recreating this scene so that Peter derives his strength from him and not from, you know, the woman who raised him and who he loves more than his own life, in favor of the inherently more marketable Iron Man brand.)

A lot of times in Superfamily fic, they just kill May off. Okay, fine, whatever. I might hate it (I hate it a lot) but like, alright! Fine! If you gotta go here! May’s often been in delicate health, especially in older comics, and if an author needs to take her out of the picture, her literally being dead is basically the only in character reason she wouldn’t be there for Peter if he needs her. I might personally have a grudge against about it, but hey, as we’ve established, I have a grudge against the whole trope. Lately though, and I suspect because of the advent of Homecoming’s Hot Somewhat Younger May – I’d like to suggest that 616 May is not as old as one might think looking at her first appearances and that, as the sliding timescale moves along, we have to address the fact that people both live longer and look younger today than was expected in the 1960s –,  I’ve been seeing a different trend. (Yes, I’ve been known to hateread, I’ll admit it. How else would I know how much I hate it! Also it keeps ending up in the JohnnyPeter tag and I make poor choices re: deriving enjoyment from my anger over fanfic of all things.) Lately, more and more, I’ve been seeing fics where Tony adopts Peter from May – as in, she signs the forms giving up her child, because obviously he loves him so much more. Fics where May is just the cover story so Peter Stark can escape media attention – so great, now she’s an employee. And at least one tweet about how great it would be to see a fic where Peter comes out to May and she throws him out in a homophobic fit but wait! The Avengers can rescue him! So now she’s demonized for the Drama. Gag me. (Not that I think it should matter at all for the sake of this argument, but we have May’s actual word in Amazing Spider-Man v2 #38 on what would happen if Peter came out as gay to her, and that it’s she’d love and support him no matter what.) And listen, like, part of me is like let it go! The majority of this content is written by younger fans just figuring out what they want to write, dipping their toes into the swampy waters that is Marvel canon! But the problem is, this perpetuates. It gets popular, and people form their opinions based on headcanons and not on canon and it becomes a vicious cycle, and suddenly Peter’s the Kid Avenger like, ACTUALLY, and May’s role in the story has been demoted to Roommate With a Car at best. Just there until better, cooler parental figures show up at the doorstep with adoption papers. 

Because, listen, May Parker is Peter’s mother. 

One thing I find fascinating about Peter Parker in 616 is how he relies on and draws strength from other people’s goodness, and none more so than May. It’s her well of inner strength and kindness that enable him to be kind of superhero that he is. 

Without May Parker, Peter Parker would be a totally different character – and I don’t want a different character. I like this one. (For a canon story about how Peter would be different without May, check out Friendly Neighborhood Spider-Man #8.)

Like I said above, the great thing about having 80 million characters is that those characters get to be different things, and as superheroes they get to protect different things. Iron Man is a futurist. The Fantastic Four are about discovery. The X-Men protect a world that hates and fears them. Spider-Man isn’t here to save the world. Spider-Man is here to protect ordinary people – people like May Parker. 

In conclusion: fuck Superfamily as a widespread trend.

Anyway I had to see an actual article about the MCU refer to two characters as Spider-Man’s “Avenger dads” and another suggest that Dr. Strange and Spider-Man are the father-son combo we never knew we always needed (it’s not, and we don’t), so I guess I’m going to go live in a cave and throw rocks at innocent hikers who stumble upon my Spider-Man Opinions cave now.