#my controversial civil war history opinion
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My (possibly) controversial dance era opinion is that even if Rhaenyra and her children had left Westeros entirely, there still would have been an ursurpation and civil war.
Aemond blatantly hated those brothers of his. Even for a historical text, Fire and Blood really drives the nail in regarding his selfishness and his aversion to “sharing [his] glory.” And, if I remember correctly, this point isn’t even debatable according to the scholars writing about this point in history. F&B just straight up states “yeah, this guy really wanted it all for himself” without leaving room for speculation, debate, or even attaching a disclaimer to it like other wild stories have.
#hotd#house of the dragon#the dance of the dragons#fire and blood#house targaryen#aemond targaryen#aegon ii targaryen#daeron targaryen#team black#pro team black#anti team green
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Why People Are Wrong About the Puritans of the English Civil War and New England
Oh well, if you all insist, I suppose I can write something.
(oh good, my subtle scheme is working...)
Introduction:
So the Puritans of the English Civil War is something I studied in graduate school and found endlessly fascinating in its rich cultural complexity, but it's also a subject that is popularly wildly misunderstood because it's caught in the jaws of a pair of distorted propagandistic images.
On the one hand, because the Puritans settled colonial New England, since the late 19th century they've been wrapped up with this nationalist narrative of American exceptionalism (that provides a handy excuse for schoolteachers to avoid talking about colonial Virginia and the centrality of slavery to the origins of the United States). If you went to public school in the United States, you're familiar with the old story: the United States was founded by a people fleeing religious persecution and seeking their freedom, who founded a society based on social contracts and the idea that in the New World they were building a city on a hill blah blah America is an exceptional and perfect country that's meant to be an example to the world, and in more conservative areas the whole idea that America was founded as an explicitly Christian country and society. Then on the other hand, you have (and this is the kind of thing that you see a lot of on Tumblr) what I call the Matt Damon-in-Good-Will-Hunting, "I just read Zinn's People's History of the United States in U.S History 101 and I'm home for my first Thanksgiving since I left for colleg and I'm going to share My Opinions with Uncle Burt" approach. In this version, everything in the above nationalist narrative is revealed as a hideous lie: the Puritans are the source of everything wrong with American society, a bunch of evangelical fanatics who came to New England because they wanted to build a theocracy where they could oppress all other religions and they're the reason that abortion-banning, homophobic and transphobic evangelical Christians are running the country, they were all dour killjoys who were all hopelessly sexually repressed freaks who hated women, and the Salem Witch Trials were a thing, right?
And if anyone spares a thought to examine the role that Puritans played in the English Civil War, it basically short-hands to Oliver Cromwell is history's greatest monster, and didn't they ban Christmas?
Here's the thing, though: as I hope I've gotten across in my posts about Jan Hus, John Knox, and John Calvin, the era of the Reformation and the Wars of Religion that convulsed the Early Modern period were a time of very big personalities who were complicated and not very easy for modern audiences to understand, because of the somewhat oblique way that Early Modern people interpreted and really believed in the cultural politics of religious symbolism. So what I want to do with this post is to bust a few myths and tease out some of the complications behind the actual history of the Puritans.
Did the Puritans Experience Religious Persecution?
Yes, but that wasn't the reason they came to New England, or at the very least the two periods were divided by some decades. To start at the beginning, Puritans were pretty much just straightforward Calvinists who wanted the Church of England to be a Calvinist Church. This was a fairly mainstream position within the Anglican Church, but the "hotter sort of Protestant" who started to organize into active groups during the reigns of Elizabeth and James I were particularly sensitive to religious symbolism they (like the Hussites) felt smacked of Catholicism and especially the idea of a hierarchy where clergy were a better class of person than the laity.
So for example, Puritans really first start to emerge during the Vestments Controversy in the reign of Edward VI where Bishop Hooper got very mad that Anglican priests were wearing the cope and surplice, which he thought were Catholic ritual garments that sought to enhance priestly status and that went against the simplicity of the early Christian Church. Likewise, during the run-up to the English Civil War, the Puritans were extremely sensitive to the installation of altar rails which separated the congregation from the altar - they considered this to be once again a veneration of the clergy, but also a symbolic affirmation of the Catholic doctrine of transubstantiation.
At the same time, they were not the only religious faction within the Anglican Church - and this is where the religious persecution thing kicks in, although it should be noted that this was a fairly brief but very emotionally intense period. Archbishop William Laud was a leading High Church Episcopalian who led a faction in the Church that would become known as Laudians, and he was just as intense about his religious views as the Puritans were about his. A favorite of Charles I and a first advocate of absolutist monarchy, Laud was appointed Archbishop of Canturbury in 1630 and acted quickly to impose religious uniformity of Laudian beliefs and practices - ultimately culminating in the disastrous decision to try imposing Episcopalianism on Scotland that set off the Bishop's Wars. The Puritans were a special target of Laud's wrath: in addition to ordering the clergy to do various things offensive to Puritans that he used as a shibboleth to root out clergy with Puritan sympathies and fire them from their positions in the Church, he established official religious censors who went after Puritan writers like William Prynne for seditious libel and tortured them for their criticisms of his actions, cropping their ears and branding them with the letters SL on their faces. Bringing together the powers of Church and State, Laud used the Court of Star Chamber (a royal criminal court with no system of due process) to go after anyone who he viewed as having Puritan sympathies, imposing sentences of judicial torture along the way.
It was here that the Puritans began to make their first connections to the growing democratic movement in England that was forming in opposition to Charles I, when John Liliburne the founder of the Levellers was targeted by Laud for importing religious texts that criticized Laudianism - Laud had him repeatedly flogged for challenging the constitutionality of the Star Chamber court, and "freeborn John" became a martyr-hero to the Puritans.
When the Long Parliament met in 1640, Puritans were elected in huge numbers, motivated as they were by a combination of resistance to the absolutist monarchism of Charles I and the religious policies of Archbishop Laud - who Parliament was able to impeach and imprison in the Tower of the London in 1641. This relatively brief period of official persecution that powerfully shaped the Puritan mindset was nevertheless disconnected from the phenomena of migration to New England - which had started a decade before Laud became Archbishop of Canterbury and continued decades after his impeachment.
The Puritans Just Wanted to Oppress Everyone Else's Religion:
This is the very short-hand Howard Zinn-esque critique we often see of the Puritan project in the discourse, and while there is a grain of truth to it - in the Massachusetts Bay Colony, the Congregational Church was the official state religion, no other church could be established without permission from the Congregational Church, all residents were required to pay taxes to support the Congregational Church, and only Puritans could vote. Moreover, there were several infamous incidents where the Puritan establishment put Anne Hutchinson on trial and banished her, expelled Roger Williams, and hanged Quakers.
Here's the thing, though: during the Early Modern period, every single side of every single religious conflict wanted to establish religious uniformity and oppress the heretics: the Catholics did it to the Protestants where they could mobilize the power of the Holy Roman Emperor against the Protestant Princes, the Protestants did it right back to the Catholics when Gustavus Adolphus' armies rolled through town, the Lutherans and the Catholics did it to the Calvinists, and everybody did it to the Anabaptists.
That New England was founded as a Calvinist colony is pretty unremarkable, in the final analysis. (By the by, both Hutchinson and Williams were devout if schismatic Puritans who were firmly of the belief that the Anglican Church was a false church.) What's more interesting is how quickly the whole religious project broke down and evolved into something completely different.
Essentially, New England became a bunch of little religious communes that were all tax-funded, which is even more the case because the Congregationalist Church was a "gathered church" where the full members of the Church (who were the only people allowed to vote on matters involving the church, and were the only ones who were allowed to be given baptism and Communion, which had all kinds of knock-on effects on important social practices like marriages and burials) and were made up of people who had experienced a conversion where they can gained an assurance of salvation that they were definitely of the Elect. You became a full member by publicly sharing your story of conversion (which had a certain cultural schema of steps that were supposed to be followed) and having the other full members accept it as genuine.
This is a system that works really well to bind together a bunch of people living in a commune in the wilderness into a tight-knit community, but it broke down almost immediately in the next generation, leading to a crisis called the Half-Way Covenant.
The problem was that the second generation of Puritans - all men and women who had been baptized and raised in the Congrgeationalist Church - weren't becoming converted. Either they never had the religious awakening that their parents had had, or their narratives weren't accepted as genuine by the first generation of commune members. This meant that they couldn't hold church office or vote, and more crucially it meant that they couldn't receive the sacrament or have their own children baptized.
This seemed to suggest that, within a generation, the Congregationalist Church would essentially define itself into non-existence and between the 1640s and 1650s leading ministers recommended that each congregation (which was supposed to decide on policy questions on a local basis, remember) adopt a policy whereby the children of baptized but unconverted members could be baptized as long as they did a ceremony where they affirmed the church covenant. This proved hugely controversial and ministers and laypeople alike started publishing pamphlets, and voting in opposing directions, and un-electing ministers who decided in the wrong direction, and ultimately it kind of broke the authority of the Congregationalist Church and led to its eventual dis-establishment.
The Puritans are the Reason America is So Evangelical:
This is another area where there's a grain of truth, but ultimately the real history is way more complicated.
Almost immediately from the founding of the colony, the Puritans begin to undergo mutation from their European counterparts - to begin with, while English Puritans were Calvinists and thus believed in a Presbyterian form of church government (indeed, a faction of Puritans during the English Civil War would attempt to impose a Presbyterian Church on England.), New England Puritans almost immediately adopted a congregationalist system where each town's faithful would sign a local religious constitution, elect their own ministers, and decide on local governance issues at town meetings.
Essentially, New England became a bunch of little religious communes that were all tax-funded, which is even more the case because the Congregationalist Church was a "gathered church" where the full members of the Church (who were the only people allowed to vote on matters involving the church, and were the only ones who were allowed to be given baptism and Communion, which had all kinds of knock-on effects on important social practices like marriages and burials) and were made up of people who had experienced a conversion where they can gained an assurance of salvation that they were definitely of the Elect. You became a full member by publicly sharing your story of conversion (which had a certain cultural schema of steps that were supposed to be followed) and having the other full members accept it as genuine.
This is a system that works really well to bind together a bunch of people living in a commune in the wilderness into a tight-knit community, but it broke down almost immediately in the next generation, leading to a crisis called the Half-Way Covenant.
The problem was that the second generation of Puritans - all men and women who had been baptized and raised in the Congrgeationalist Church - weren't becoming converted. Either they never had the religious awakening that their parents had had, or their narratives weren't accepted as genuine by the first generation of commune members. This meant that they couldn't hold church office or vote, and more crucially it meant that they couldn't receive the sacrament or have their own children baptized.
This seemed to suggest that, within a generation, the Congregationalist Church would essentially define itself into non-existence and between the 1640s and 1650s leading ministers recommended that each congregation (which was supposed to decide on policy questions on a local basis, remember) adopt a policy whereby the children of baptized but unconverted members could be baptized as long as they did a ceremony where they affirmed the church covenant. This proved hugely controversial and ministers and laypeople alike started publishing pamphlets, and voting in opposing directions, and un-electing ministers who decided in the wrong direction, and accusing one another of being witches. (More on that in a bit.)
And then the Great Awakening - which to be fair, was a major evangelical effort by the Puritan Congregationalist Church, so it's not like there's no link between evangelical - which was supposed to promote Congregational piety ended up dividing the Church and pretty soon the Congregationalist Church is dis-established and it's safe to be a Quaker or even a Catholic on the streets of Boston.
But here's the thing - if we look at which denominations in the United States can draw a direct line from themselves to the Congregationalist Church of the Puritans, it's the modern Congregationalists who are entirely mainstream Protestants whose churches are pretty solidly liberal in their politics, the United Church of Christ which is extremely cultural liberal, and it's the Unitarian Universalists who are practically issued DSA memberships. (I say this with love as a fellow comrade.)
By contrast, modern evangelical Christianity (although there's a complicated distinction between evangelical and fundamentalist that I don't have time to get into) in the United States is made up of an entirely different set of denominations - here, we're talking Baptists, Pentacostalists, Methodists, non-denominational churches, and sometimes Presbyterians.
The Puritans Were Dour Killjoys Who Hated Sex:
This one owes a lot to Nathaniel Hawthorne's Scarlet Letter.
The reality is actually the opposite - for their time, the Puritans were a bunch of weird hippies. At a time when most major religious institutions tended to emphasize the sinful nature of sex and Catholicism in particular tended to emphasize the moral superiority of virginity, the Puritans stressed that sexual pleasure was a gift from God, that married couples had an obligation to not just have children but to get each other off, and both men and women could be taken to court and fined for failing to fulfill their maritial obligations.
The Puritans also didn't have much of a problem with pre-marital sex. As long as there was an absolute agreement that you were going to get married if and when someone ended up pregnant, Puritan elders were perfectly happy to let young people be young people. Indeed, despite the objection of Jonathan Edwards and others there was an (oddly similar to modern Scandinavian customs) old New England custom of "bundling," whereby a young couple would be put into bed together by their parents with a sack or bundle tied between them as a putative modesty shield, but where everyone involved knew that the young couple would remove the bundle as soon as the lights were turned out.
One of my favorite little social circumlocutions is that there was a custom of pretending that a child clearly born out of wedlock was actually just born prematurely to a bride who was clearly nine months along, leading to a rash of surprisingly large and healthy premature births being recorded in the diary of Puritan midwife Martha Ballard. Historians have even applied statistical modeling to show that about 30-40% of births in colonial America were pre-mature.
But what about non-sexual dourness? Well, here we have to understand that, while they were concerned about public morality, the Puritans were simultaneously very strict when it came to matters of religion and otherwise normal people who liked having fun. So if you go down the long list of things that Puritans banned that has landed them with a reputation as a bunch of killjoys, they usually hide some sort of religious motivation.
So for example, let's take the Puritan iconoclastic tendency to smash stained glass windows, whitewash church walls, and smash church organs during the English Civil War - all of these things have to do with a rejection of Catholicism, and in the case of church organs a belief that the only kind of music that should be allowed in church is the congregation singing psalms as an expression of social equality. At the same time, Puritans enjoyed art in a secular context and often had portraits of themselves made and paintings hung on their walls, and they owned musical instruments in their homes.
What about the wearing nothing but black clothing? See, in our time wearing nothing but black is considered rather staid (or Goth), but in the Early Modern period the dyes that were needed to produce pure black cloth were incredibly expensive - so wearing all black was a sign of status and wealth, hence why the Hapsburgs started emphasizing wearing all-black in the same period. However, your ordinary Puritan couldn't afford an all-black attire and would have worn quite colorful (but much cheaper) browns and blues and greens.
What about booze and gambling and sports and the theater and other sinful pursuits? Well, the Puritans were mostly ok with booze - every New England village had its tavern - but they did regulate how much they could serve, again because they were worried that drunkenness would lead to blasphemy. Likewise, the Puritans were mostly ok with gambling, and they didn't mind people playing sports - except that they went absolutely beserk about drinking, gambling, and sports if they happened on the Sabbath because the Puritans really cared about the Sabbath and Charles I had a habit of poking them about that issue. They were against the theater because of its association with prostitution and cross-dressing, though, I can't deny that. On the other hand, the Puritans were also morally opposed to bloodsports like bear-baiting, cock-fighting, and bare-knuckle boxing because of the violence it did to God's creatures, which I guess makes them some of the first animal rights activsts?
They Banned Christmas:
Again, this comes down to a religious thing, not a hatred of presents and trees - keep in mind that the whole presents-and-trees paradigm of Christmas didn't really exist until the 19th century and Dickens' Christmas Carol, so what we're really talking about here is a conflict over religious holidays - so what people were complaining about was not going to church an extra day in the year. I don't get it, personally.
See, the thing is that Puritans were known for being extremely close Bible readers, and one of the things that you discover almost immediately if you even cursorily read the New Testament is that Christ was clearly not born on December 25th. Which meant that the whole December 25th thing was a false religious holiday, which is why they banned it.
The Puritans Were Democrats:
One thing that I don't think Puritans get enough credit for is that, at a time when pretty much the whole of European society was some form of monarchist, the Puritans were some of the few people out there who really committed themselves to democratic principles.
As I've already said, this process starts when John Liliburne, an activist and pamphleteer who promoted the concept of universal human rights (what he called "freeborn rights"), took up the anti-Laudian cause and it continued through the mobilization of large numbers of Puritans to campaign for election to the Long Parliament.
There, not only did the Puritans vote to revenge themselves on their old enemy William Laud, but they also took part in a gradual process of Parliamentary radicalization, starting with the impeachment of Strafford as the architect of arbitrary rule, the passage of the Triennal Acts, the re-statement that non-Parliamentary taxation was illegal, the Grand Remonstrance, and the Militia Ordinance.
Then over the course of the war, Puritans served with distinction in the Parliamentary army, especially and disproportionately in the New Model Army where they beat the living hell out of the aristocratic armies of Charles I, while defying both the expectations and active interference of the House of Lords.
At this point, I should mention that during this period the Puritans divided into two main factions - Presbyterians, who developed a close political and religious alliance with the Scottish Covenanters who had secured the Presbyterian Church in Scotland during the Bishops' Wars and who were quite interested in extending an established Presbyterian Church; and Independents, who advocated local congregationalism (sound familiar) and opposed the concept of established churches.
Finally, we have the coming together of the Independents of the New Model Army and the Leveller movement - during the war, John Liliburne had served with bravery and distinction at Edgehill and Marston Moore, and personally capturing Tickhill Castle without firing a shot. His fellow Leveller Thomas Rainsborough proved a decisive cavalry commander at Naseby, Leicester, the Western Campaign, and Langport, a gifted siege commander at Bridgwater, Bristol, Berkeley Castle, Oxford, and Worcester. Thus, when it came time to hold the Putney Debates, the Independent/Leveller bloc had both credibility within the New Model Army and the only political program out there. Their proposal:
redistricting of Parliament on the basis of equal population; i.e one man, one vote.
the election of a Parliament every two years.
freedom of conscience.
equality under the law.
In the context of the 17th century, this was dangerously radical stuff and it prompted Cromwell and Fairfax into paroxyms of fear that the propertied were in danger of being swamped by democratic enthusiasm - leading to the imprisonment of Lilburne and the other Leveller leaders and ultimately the violent suppression of the Leveller rank-and-file.
As for Cromwell, well - even the Quakers produced Richard Nixon.
#history#puritans#calvinism#english civil war#oliver cromwell#the stupid meme about christmas#new england#protestantism
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On the topic of judging historical figures by modern morals
This is heavily opinionated, and it's a topic I've seen debated a lot, so I figured as an American Revolutionary War account I'd give my take on it. I'd love to hear other people's takes, as long as we keep the discussion civil and respectful. Thank you!
There are so many things that were considered fine years ago but wouldn't be tolerated at all in modern society, and that's not a bad thing. In fact, it's good; it shows just how much we as a species have improved over time. I think it's beautiful that we've managed to come this far. However, because we as a society have advanced so much, the past starts to seem barbaric, and it'll only seem worse as we improve more and we'll have a longer list of what we see as wrong.
I don't believe it's fair to hold people who've been dead for years and years to a modern standard because how could they possibly know that what they were doing would be seen as horrible in the future if it was fine in their day? What if after we die, driving cars is seen as absolutely unnacceptable (bad example, but I couldn't think of anything that's acceptable now but could be horrible in the future)? We would have had no way of knowing that it would be seen as such an intolerable act and what if because driving cars would be seen as bad, any and all achievements we'd made would be dismissed and we'd be villainised for something we never could've had anyway of knowing would be wrong in future? It'd be unjust. The fact that I had to come up with an example proves that we have no way of knowing what'll be considered horrible in future, we can only guess.
But when a historical figure did something that was wrong even for their time, That's a completely different situation because then the 'they couldn't possibly know that it'd be seen as bad in the future' justification doesn't work anymore. I believe that it's perfectly fair to despise those kinds of historical figures because they would've known that what they were doing was wrong. such as men like Thomas Jefferson, who publicly spoke out against slavery but profited off of it, owned lots of slaves, and started having non-consensual relations with a girl who was considered too young even by 18th-century standards.
Also, when I say it's fair to hate such historical figures, I think I need to add: do not to hate on people for their favourite historical figure; some people like studying controversial men. I hate Thomas Jefferson and James Monroe, but I wouldn't belittle anyone who likes them and I can understand that they did a lot for America. It's incredibly important that, regardless on how much you love or hate a historical figure you have to remember the most important part about studying history: nuance! Everyone's morally grey and the best historians, anthropologists, etc. understand that looking at everything with a shallow black and white bad and good isn't going to get you anywere!
In conclusion, I believe that we shouldn't judge people by standards they never knew would exist and instead judge them by the standards of their day. Every person in the history of the world is morally grey and if you can't understand or don't want to acknowledge that nuance (the most important part of studying this kind of thing!) then history isn't for you.
#history#amrev#just going to tag all history fandoms#frev#civil war#american history#french history#controversial opinion?#opinion#controversial#american revolutionary war#world history#historical#19th century#18th century#16th century#17th century#1600s#1910s#american revolution#revwar#hamilton#thomas jefferson#us history#anthropology
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Opinion: Town Sums up the Delusions of the Right Wing
The embrace of the country star’s anti-city ‘modern lynching song’ by Republicans encapsulates their nostalgia and paranoia
— Arwa Mahdawi | July 20; 2023
‘Small towns are full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.’ Photograph: Wade Payne/Invision/AP
Jason Aldean is a country music star and a big fan of law and order. He loves the law so much, in fact, that he’s willing to take it into his own hands.
If you come to his (imaginary) small town and disrespect a cop or engage in any sort of protest, you will regret it.
Such is the theme of Aldean’s new song, Try That in a Small Town, which is all about how the singer and his pals will aggressively deal with unseemly behaviour on their turf. A sample extract: “Cuss out a cop, spit in his face … Well, try that in a small town / See how far ya make it down the road. / Around here, we take care of our own …”
A little later in the song Aldean elaborates further on what might happen if lines are crossed. “Got a gun that my grandad gave me / They say one day they’re gonna round up. / Well, that shit might fly in the city, good luck.” He is, it would appear, referencing a conspiracy theory that the government is going to confiscate Americans’ guns to impose martial law.
Try That in a Small Town was released in May but when the music video came out last Friday it generated immediate controversy. The video leaves little doubt as to what Aldean is trying to communicate: it intersperses footage of him singing in front of Maury county courthouse in Tennessee – the site of the lynching of a Black man, Henry Choate, in 1927 – with footage from protests, looting and civil unrest. Small towns are wholesome, the message is. Full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.
That last bit isn’t spelled out – it’s not like Aldean yells “I’m a massive racist!” in the middle of the track – but the dog whistles are difficult to ignore. The song has been called “a modern lynching song” by detractors and the video was pulled from Country Music Television (CMT) on Monday. (While CMT has confirmed the video was taken off rotation, it hasn’t put out a statement as to why.) Fellow country star Sheryl Crow has also voiced her disapproval. “There’s nothing small-town or American about promoting violence,” Crow tweeted on Tuesday. She further noted that Aldean should know better, “having survived a mass shooting”. Crow was referencing the shooting at Las Vegas’s Route 91 Harvest festival in 2017: the deadliest mass shooting by a lone shooter in modern US history. Aldean was performing and got out unscathed. He was lucky. Sixty people were killed and 867 injured. Those people weren’t killed and injured by a Black Lives Matter protester. They were killed by Stephen Paddock, an angry white man from Iowa.
Try That in a Small Town has generated a lot of criticism, but it also has fervent supporters. Including, of course, GOP lawmakers. “I am shocked by what I’m seeing in this country with people attempting to cancel this song and cancel Jason and his beliefs,” the South Dakota Republican governor, Kristi Noem, posted in a video on Twitter on Wednesday. The Tennessee house GOP leader, William Lamberth, similarly tweeted: “Loved this song since it was released and will continue to fight every day to spread small town values … Give it a listen. The woke mob will hate you for liking this song.” Sarah Huckabee Sanders, the governor of Arkansas, also didn’t miss the chance to stoke a little culture war. “The Left is now more concerned about Jason Aldean’s song calling out looters and criminals than they are about stopping looters and criminals,” she tweeted.
Aldean, for his part, is furious at insinuations there is anything racist in his song about shooting outsiders who come to his little country town.
“In the past 24 hours I have been accused of releasing a pro-lynching song,” Aldean tweeted on Wednesday, “and was subject to the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it – and there isn’t a single video clip that isn’t real news footage.”
If Aldean isn’t trying to make a point about the Black Lives Matter protests, what is Try That in a Small Town about then? Community, apparently. “When u grow up in a small town, it’s that unspoken rule of ‘we all have each other’s backs and we look out for each other,’” Aldean wrote on Instagram when he launched the video. “It feels like somewhere along the way, that sense of community and respect has gotten lost.”
Jason Aldean, from the ‘small town’ of Macon, Georgia. Photograph: Amy Harris/Invision/AP
Perhaps you’re wondering which quaint small town Aldean grew up in. The answer is: he didn’t. Aldean is from Macon, Georgia – a city with a population of about 153,000 people. Now he lives in Nashville, a city with a population of approximately 700,000. The small town he’s singing about is a product of his imagination.
But that’s conservatives for you. Last month Nikki Haley tweeted about how much better the US used to be back in the days before marginalized people had rights. “Do you remember when you were growing up, do you remember how simple life was, how easy it felt? It was about faith, family, and country,” she tweeted.
Was the past really that easy for the former South Carolina governor? By her own admission things have got a hell of a lot better for people who, like her, aren’t 100% white. “Years ago I was disqualified from a pageant because they didn’t know whether to put me in the white category or the black,” she wrote on Facebook in 2012. “I was neither. Tonight I watched my daughter get first place in her school pageant. God has an amazing way of bringing things full circle.” God also has an amazing away of depriving people like Haley of self-awareness.
Aldean’s song doesn’t just epitomize manufactured rightwing nostalgia, it also encapsulates rightwing paranoia. People on the right are obsessed with the idea that big cities are violent hotbeds of crime where you risk your life every time you nip out for a pint of milk. In reality, however, big cities tend to be safer than small towns. A 2013 study by the University of Pennsylvania, for example, found the risk of death from an injury was more than 20% higher in rural small towns than in larger cities. “Cars, guns and drugs are the unholy trinity causing the majority of injury deaths in the US” one of the researchers told NBC News at the time.
The pandemic, to be fair, saw a rise in violent crimes in cities. But even still, you’ve got a better chance of living a long, healthy life in a city. A 2021 US Centers for Disease Control and Prevention report on mortality data from 1999 to 2019 found people living in rural areas die at higher rates than those living in urban areas. That’s because they have less access to healthcare and are more likely to live in poverty.
So what’s next for Aldean? Well, I’ve got some good news for all the Republican lawmakers screeching about how unfair it is that Aldean has been cancelled by the woke mob: he’s going to be fine. Indeed, he’s going to be more than fine. Country music (and America) has a way of opening its arms to people accused of racism and making them feel right at home. Just look at Morgan Wallen, for example. In February 2021 TMZ published a video of the musician drunkenly yelling the N-word during a conversation with a friend. He was shunned from polite society for a few months but made a rapid comeback. He won album of the year at the Academy of Country Music Awards in 2022. His song Last Night is currently in its 14th week at number one on the Billboard Hot 100. If it sticks there a little longer he’ll beat the 19-week record currently held by Lil Nas X’s Old Town Road, featuring Billy Ray Cyrus.
While people on the right may be railing about Aldean being “cancelled”, the sad truth is that this will probably help his career. He’ll go on Fox News and yell about wokeness. He’ll wallow in his imagined victimhood. His song will probably be played in rallies for the next Republican nominee for president. Aldean hasn’t been cancelled or silenced – his message has been amplified.
#Country | Race | Music | US News | Republicans#US Politics | Article | Comment | Arwa Mahdawi#The Guardian USA 🇺🇸
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FYI: the author of that ""they deserve to die" is something you should never hear a leftist say. if you do, run" post is a Zionist. I guess that mindset doesn't apply to brown people, huh?
But also, you should consider that this is an extremely shallow view of leftism and violence as a tactic. What, you're a "punk" and you think any punk space got safe without a few nazis getting their teeth kicked in? They didn't. Sorry.
I hope you develop a punk mindset that's a little less about shitty bands and an aesthetic and a little more about having firmer political opinions and not agreeing with Zionists.
Your concern in the first paragraph was addressed in a previous post I’ll link to here.
Going off of that, I’m not sure what on my blog, besides the controversy surrounding this specific post (which again has already been addressed), would ever make you think that I would exclude anyone from the statement of ‘we shouldn't say anyone deserves to die’??? I simply. Do not think humans should be killing other humans. At all. Anywhere. On either side of any war. Like. One human should not be granted the power to decide the lifespan of another in my opinion
On that note, being anti-war is actually both a very punk stance AND a left-wing movement. Though I agree, it is a shallow view of leftism. Because leftism is SO much more than a single movement (like the civil rights movement, the feminist movement, the LGBTQ+ movement, the environmentalism movement, anarchy, socialism, the labor movement, and GOD the list goes on). But also. It *does* include being anti-war and anti-'they deserve to die'.
As far as Punk being anti-war and taking non-violent approaches to the larger socio-political changes in the world, I'd recommend looking into Peace Punk. It was very popular in the 70's and early 80's with bands like Subhumans, Zounds, and The Mob. Here's a great beginner article on it!
As to your point about nazis. I promise you I'm not oblivious to the history behind the phrase 'Nazi Punks Fuck Off'. I also would have hoped that someone would be able to see nuance in a statement that say 'lets not say everyone deserves death' and not read it as 'we should let nazis do what they want'. Because that would be stupid. And if you've interacted with my blog for any real length of time, then you would know that I ALWAYS support punching nazis. But evidently that must have slipped your brain.
Now as far as this part of your ask: "I hope you develop a punk mindset that's a little less about shitty bands and an aesthetic and a little more about having firmer political opinions"
First of all buddy, I think I've already demonstrated that my political opinions are pretty firmly set (and that someone hoping on anon isn't going to change them). Personally, I don't feel the need to scream about my political stances every second of the day to make myself feel validated and like a good person. Because I have a life outside of the internet. But you do you I guess. I would however say that its kinda a dick move to just assume that others aren't well educated or have developed opinions when you've evidently only looked at a single post on my blog without actually looking at my blog. Otherwise you would have seen the EXTENSIVE amount of research and punk culture that I've written about or collected either on my own or in collaboration with others.
Really its either that you just didn't look, or because you didn't immediately agree with me, that you decided that my political views had a very shaky foundation. In which case, please do grow the fuck up and learn how to deal with people that have differing opinions than you without being a bitch and ranting about it on anon thanks.
Also. I like my 'shitty bands'. Get over it (Also like. Punk is inherently connected to music and shitty bands? Do you not know that? Do you understand where punk even comes from? I'm all for not needing to listen to punk music to be a punk as long as you align with other facets of the counter culture, but being told NOT to focus on music that is politically charged and full of punk values and history. Well that's a new one lol)
And lastly. Dude if you don't like me, you don't have to be here? You can leave? No one is forcing you to read anything on my blog??? Bye???
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Asian Representation in Cyberpunk 2077
For a long while, I have this idea floating about writing what Cyberpunk 2077 did about Asian representation. This long overdue but similarly complex topic that was an unintended follow up to my previous post about my argument against Orientalism in Cyberpunk 2077. In that post, I tried to write as concisely as I can but I realized that I did not articulate further using the game itself which leads to some persistent confusion and casual assumptions about the game.
As a disclaimer, I am not defending orientalism or even war crimes while discussing about Cyberpunk 2077. I am not endorsing only negative portrayals of Asian people nor defending the problematic western stereotypes of Asians in the media history. We could have a civilized discussion over this entire matter because lucky for all of you, I am fluent enough in English that I could use my own voice for this. Every words that I wrote in this series; about the topics I explored, about myself, my lived experiences, my history, my opinions and my criticism are all solely my own. I think I am uniquely qualified to talk about many aspects of this topic but I like to think I am not immune to criticism and neither was the Cyberpunk 2077 game itself. What I generally hope was my writings would help, inform, educate and hopefully clarify some of the contentious takes directed towards me, CD Projekt RED, R. Talsorian Games and the video game; Cyberpunk 2077. There was simply no perfect Asian representation that could encompass all of the wealth of diversity. We couldn't perfectly portray everything either in academia, in media, in writing, non-fiction or even fictional works either by Asians or non-Asians. Asia is the largest continent on earth. Asian people are richly diverse, complex and sometimes described to many people across various ethnicities and nationalities. All we could in representation works was to attempt, to explore, to criticize and to create more and better works as an honor to ourselves and to our people. We all have our own stories to share and our interpretations. There was so many things that I could write about Asians in Cyberpunk franchise but I intend to fully explore again that was more than just the controversial Arasaka family or the Tyger Claws. I want to talk about the Asian aesthetics of Night City and many Asian characters in the game and including Cyberpunk Edgerunners' Lucyna Kushinada and Cyberpunk 2077 : No Coincidence's Aya and because of the impending release of Phantom Liberty, I am looking forward to explore Song So-mi @ Songbird. (Especially with the OST release, I know that CDPR used traditional Korean performance Pansori as Songbird's musical leitmotif and I'm so excited to explore that once I played the expansion) But for starters;
Not all Asians are East Asians
I wished I didn't have to write that down but I realized it was something that a lot of online discourses in English seemed to center itself either by non-Asians or East Asian diaspora in Western countries. It was most apparent within these published articles : Orientalism, Cyberpunk 2077, and Yellow Peril in Science Fiction and How Cyberpunk 2077 Resurrects the 1980s’ “Japan Panic” which were very hyperfixated on Arasaka and the Tyger Claws. Another element that I noticed from these articles and by their writers, they both neglect the fact that not every diasporic Asian portrayed in Cyberpunk 20777 are East Asians. Not every Asians are Japanese or Chinese or Korean.
I am not East Asian.
I am Southeast Asian.
My V was a Malay woman like me. Someone who was flawed, imperfect and maybe portrayed many sides that was very unbecoming to the image of a Malay Muslim woman. I created this Tumblr blog mainly to share my own CorpoV. She was my own OC that I was simply obsessed with. Cyberpunk 2077 remained to be the only game that truly allowed me to craft a genuine Southeast Asian woman protagonist with her personal history that was almost relevant to me on personal level.
However, V could be anyone of any races or ethnicity. She could also be Japanese, Korean or Chinese because the game have localization with those languages. In the game, V can love sushi, drink tea, burn incense and work for a fictional Imperial Japanese company. After all, Cyberpunk 2077 is a roleplaying game . But did you know who else was also a Southeast Asian in Cyberpunk 2077?
Aha... think I don't notice the casual disrespect towards our glorious living legendary Pinoy rockerboy ever? My next post will be all about Kerry Eurodyne.
We will discuss Kerry in the TTRPG, what he become in Cyberpunk 2077, his complicated history, his character analysis, his traditional Batok tattoos, his relationships to Johnny Silverhand, their band Samurai and other Filipino representation within Cyberpunk 2077 game. However, I have to admit that my own exposure to my dear neighbouring Philippines was genuinely abysmal. I live in West Malaysia and unlike my Sabahan and Sarawakian friends, I am not exposed enough to the Phillipines. Personally, I won't claim I am an expertabout Filipino people, culture and heritage (and if you are from Phillipines, feel free to DM me, please) but I hope to do justice about our beloved rockerboy in the way he truly deserved. Didn't just make music on that boat. Busted my ass servin' drinks, waitin' tables. Free time, I-I composed till my fingers bled. - Kerry Eurodyne "Boat Song"
#Cyberpunk 2077#Cyberpunk 2077 Essay#Asian Representation#Video Games#Corpo V#Kerry Eurodyne#R. Talsorian Games#Cyberpunk#CD Projekt RED
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Exploring Religious Syncretism
As-Salam-u-Alaikum wa-rahmatullahi wa-barakatuh (“Peace be unto you and so may the mercy of Allah and his Blessings”)!
Religious syncretism is the practice of blending two or more religious beliefs. This phenomenon has occurred throughout history and has given us a plethora of diverse religious beliefs, rituals, and customs. Religious syncretism often occurs from assimilation and conquest. However, its origins are not always born from negative events; syncretism also comes from cultural exchange, trade, and other peaceful interactions between different religious communities.
The Ancient Origins of Religious Syncretism:
One of the oldest examples of religious syncretism is that of Ishtar. Ishtar was an ancient Mesopotamian goddess of fertility, love, and war. There is a list, known as the “Ishtar Tablet” which lists the names of other goddesses that are syncretic equivalents to Ishtar. Syncretic examples of Ishtar include Innana, Astarte (who is mentioned in the Old Testament and is my cat’s middle name), and Aphrodite.
Key Examples of Religious Syncretism:
Interpretatio Graeca/Interpretatio Romana: Ancient Greece would often try to identify foreign deities by using their own pantheon. Rome would do this same practice, especially with the Celtic pantheon. For example, Sirona is the name of a Celtic goddess. However, she was often paired with Apollo “Apollini et Si/ronae.”
Ancient Egyptian Religion: Syncretism was frequent in ancient Egypt. The god Amun and the god Ra were combined into Amun-Ra. Ancient Egypt would also combine their gods or goddesses with those of neighboring civilizations. For example, Osiris would be combined with Helios or Zeus. Whether the combination is due to religious similarities or political gain is up to historians.
Christmas Trees: Anyone familiar with the Gospels will tell you it never mentions evergreen trees or ornaments or even Santa Clause. However, these are iconic aspects of Christmas season. The Christmas tree finds its roots in pagan religious practices. The evergreen being a symbol of life in a dark, lifeless time.
Challenges and Controversies:
Critics of religious syncretism claim that it raises questions about authenticity, purity, and the preservation of traditional practices. Some religious purists may view syncretic movements as heretical or impure, leading to tensions within religious communities, even going so far as saying religious holidays are “fake” if they are touched by syncretism.
The Significance of Religious Syncretism:
Despite the critics, religious syncretism is still incorporated into most of today’s societies, religious or not. It’s clear in the examples given, but also in the names of the days of the week (Norse paganism), names of some of the months (Roman paganism), the workday/weekend schedule, etc. Ignoring thinks simply because they have been affected by syncretism is, in my opinion, silly.
For those of us trying to find some divine meaning in our lives, syncretism can show us the overlap of everyone’s beliefs. Personally, I always hated the idea that there is only one, chosen group of people that have had the truth revealed to them. The Qur’an tells us the names and stories of some of the prophets, but not all of them. Messengers have been sent to all ends of the Earth, to all people. Their messages just get lost in time and change into different religious beliefs (almost like a giant game of telephone). In my opinion, by seeing the reoccurring themes throughout religions, such is flood stories or “golden rules” that are prevalent in many belief systems, syncretism is just one of the many tools we can use to find the “truth.” Additionally, I personally see syncretism as a way for people to see how their beliefs are not so different from others.
Conclusion:
In a world characterized by globalization and cultural exchange, religious syncretism continues to shape the spiritual landscape, offering a glimpse into the rich tapestry of human belief and practice. By embracing diversity and dialogue, we can appreciate the beauty and complexity of syncretic traditions, fostering mutual understanding and respect across religious boundaries.
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Rudolf Berthold (Part 3)
Disclaimer: Now starts a part of German (and European) history that is highly controversial. The period shortly before the end of the war and the years afterwards were a mess of revolutions, fighting, terrorism and murder. Opinions of how good/bad it was depend on political/ideological convictions. For the sake of keeping it short, I will simplify and only mention events that are necessary to tell Bertholds story.
During the last month of the war Berthold still had hope that he will be able to return to the front: “I want to go back out to the frontlines! If only I had my healthy bones – but I can still do it. As long as the battle rages everyone with experience belongs out there.” But his health was too unstable for even his iron will to make a return possible. He returned to his home and waited. For what he wasn´t sure.
In November the situation at the front and in Germany worsened and Marine troops started mutinies. Revolutions broke out, inspired by the Bolshevik revolution in Russia. Berthold was a fervent monarchist and held on to his Kaiser and the established social order. “Overthrow! Constitutional change! In a few days, what strong men have built up over centuries will be destroyed. The people have been seduced. Doubts are cast on the army. We're still far in enemy territory and we're supposed to surrender? Madness!”. Bertholds opinion on all that was happening is clear.
After the Armistice in November a semi-civil war broke out in the bigger German cities. Communists, Socialists, Bolsheviks on the left; Nationalists and Monarchists on the right; Social Democrats in the middle. Mix in some Anarchists and foreign agents and the disaster was perfect. The soldiers returning from the front were being pursued by all sides to join. By many they were not treated well, their uniforms were ripped and they were called to throw down their weapons and join the fight against militarism. But many soldiers were still loyal to the emperor and did not want to accept the looming Republic.
Especially at the end of 1918 to early 1919 the communists were very powerful. The left-wing Spartakus movement tried to overthrow the government in Berlin and took over Munich. Separatists in Western Germany called for independence of the Rhineland.
Berthold spend the rest of 1918 depressed at home. He felt angry, devastated and useless but he stayed true to his convictions: “The oath of allegiance I once swore I keep for life. A life that now lies so dark before me!”. But his mood and his perspectives changed when more and more Freikorps units (mostly right-wing paramilitary units, used by the Social Democratic government to defend itself and suppress the communist/Bolshevik uprisings) were established. He saw that there was still fight in some men.
The newly formed Reichswehr (official military of the new German state) offered the Hauptmann an active duty posting at Döberitz Airfield. He soon was back in uniform, training men. His charisma and leadership ability enabled him to even get along with the Worker´s and Soldier´s Councils (that caused a lot of trouble in other places). But shortly after, Berthold was ordered to close the Airfield and dismiss his men. Berthold worried that the ever rising number of unemployment would drive the men towards the Spartakus and similar movements.
When Munich, capital of Bertholds home region, was taken over by Communists in April 1919 and proclaimed a “soviel republic”, several Freikorps from all over of the country came to free it. For Berthold this was a turning point. He saw a purpose again. He now saw an opportunity to keep fighting for his country. He put out a call for young men to join him and form their own Freikorps. Soon he had gathered around 1,200 men for his “Eiserne Schar Berthold”. He trained the mostly very young farmers boys and in August they answered the call to go to the Baltics to fight the Bolsheviks there.
Berthold and his men travelled to Mitau, Lithuania to join with the Eiserne Division (Iron Division). There, Germans and anti-Bolshevik Russian were fighting the Red Army side by side. But also local troops that wanted complete independence and both Germans and Russians out of their country. It was a brutal fight from all sides. Bertholds right hand was still paralyzed, he was not able to join in the active fighting but he rallied and motivated his men with great success. They came into the suburbs of Riga but then it was over. Pressure from the German government to cease fighting and return home as well as strong resistance made it impossible to keep fighting. The Freikorps did not get any new supplies, be it food or weapons; something that even Bertholds iron will and dedication could not substitute.
Starving and their numbers greatly decimated Berthold and his group returned to Germany in December 1919. There it was demanded that the Eiserne Schar be disbanded. Bertold did not agree to this, knowing that there was nothing waiting for him or his loyal fighters. They were ordered to report to several different locations, finally ending up in Harburg (near Hamburg), which was governed by Independent Socialists. During this time a military-backed putsch (“Kapp-Putsch”) to overthrow the Government in Berlin was about to be carried out, with support of Lieutenant-Commander Hermann Erhardt, with a Freikorps of his own.
Berthold was accused of wanting to come to its support and ordered to give up his weapons. Harburg officals ordered the officers of the Reichswehr stationed in the town to be arrested. Tensions rose and Berthold met with town representatives who promised safe accommodations and later on transportation for his troops. He and his men went to make camp in the local school. Local union trade leaders demanded of the Reichswehr soldiers to subdue Berthold but they were ordered to stay out of it. The trade leaders then called for their workers to take up arms against the Eiserne Schar Berthold. The men in the school readied their weapons, including machine guns, to defend themselves against the advancing lynch mob. A fight broke out (it is unclear who fired the first shot). Bertholds men were outnumbered and being fired at from all sides. Many died inside the school. After a while a cease fire was called. Berthold managed to come to an agreement with the local authorities: His men were to give up their arms and then be allowed to leave the city unharmed. But that deal was broken the second a disarmed Berthold and his men stepped out of the school. Some local sympathizers warned Berthold that he will be attacked and should try to sneak out on his own but he refused to leave his men. That was his doom. The men were attacked from all sides the second they stepped out of the school and soon lost sight of their leader. Shortly after one of the attackers called out tauntingly: “There lies your great leader”. The men of the Eiserne Schar Berthold looked towards a street corner where an unrecognizable body lay in the gutter.
Autopsy results:
The captain's blue tunic was completely torn open. There were severe scratch wounds to the neck. Terrible piston blows had shattered the entire top of his skull. Seven shots in the head, left and right chest shots, all from behind. The spine was completely separated.
Bibliography:
Iron Man – Rudolf Berthold: Germany´s indomitable fighter ace of World War I, Peter Kilduff
Kamerad Berthold, Thor Goote
Rudolf Berthold, Ludwig F. Gengler (this book consists mainly of Bertholds diary)
Die Geächteten, Ernst von Salomon
#Rudolf Berthold#Poor Rudi you deserved better#y´all the way I cried when I first read about his death#fuck communists#Weimarer Republik#Weimar Republic#Freikorps#wwi
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The Subaltern Speak but we don't listen
In 1988, groundbreaking Indian-American author Gayatri Spivak published her most well-known essay, “Can the Subaltern Speak," which explored the difficulty of those who live on the periphery of academia in the global north to be heard. In this essay, she claims that knowledge is never innocent; it always has an economic role to play because it is written in the interest of those writing it, who are western academics. This essay has paved the way for a new conversation about post colonialism and the impact academia has on the global south.
Author Jean Franco, when writing about Spivak's essay in her peice "Moving on From Subalternity, Indigenous Women in Guatemala and Mexico," discusses a famous account dictated by a subaltern woman, Rigoberta Menchú, now a Nobel peace prize winner. Menchú gave a testimonial account to biographer Elizabeth Burgos about her life as an indigenous woman during the Guatemalan Civil War, which saw the massacre of 100,000 indigenous people and the burning of 450 villages. The book titled "I, Rigoberta Menchú" became popular after its publication in English in 1984. Franco argues that the reason it became popular in academia was that "after it appeared on a Stanford University syllubus; it was invoked as a source of inspiration by guilt-tripped academics and claimed as a teaching tool in an effort to increase U.S. student awareness of other culture, as an ethical example and as a challenge to literary studies that had suppressed orality" (pg. 214) As a student at American University, I even had to read some of this book for my Latin American History and Culture class. The book is terribly heartbreaking and personal. It gives the reader an in-depth first-hand account of the individual tragedies that happened to Menchú, but also a history of the civil war and indigenous movements. One of the leaders of this movement was Rigoberta Menchú's father. He was killed in the 1980 Burning of the Spanish Embassy, seen as one of the defining moments in the Guatemalan civil war. I find that it is difficult for people to remember dates and ideas, but give them a story and they will hold on to it dearly and remember it easier. The book had a personal impact on me and the other students in my class, I'm sure, along with the hundreds of thousands of college and high school kids who have read the book in their classes. That is why I was livid upon hearing my Latin America professor tell us that a U.S. academic, David Stoll, refuted Menchú's story and claimed she had lied.
Franco’s essay’s works cited section names pieces such as “The Pitiful Lies of Rigoberta Menchú,” which appeared respectively in El Periódico de Guatemala and the Spanish newspaper El País, reprinted in Arias, The Rigoberta Menchú Controversy” regarding discussions of writers who were of the opinion that Menchu is lying all of whom got their information from Stoll. David Stoll, a professor at Middlebury College’s Department of Anthropology, even went so far as to go to Guatemala to investigate her story personally. Even if Rigoberta Menchú did not experience every single detail of her book personally, she herself states, “I’d like to stress that it's not only my life, it’s also the testimony of my people.”
I argue that David Stoll’s refutation of her story goes to show that when the subaltern speaks, even if it is dictated by a western academic (which Spivak would argue that Menchu is not actually getting a chance to speak because her words are being corrupted by a Western scribe), she still won’t be heard, or, at least, it will be more difficult for her to be believed. The reason for this relates back to the reasons Spivak argued that subalterns are not listened to in the first place because the divisions of race, class, and gender make it so difficult for a poor brown woman to be heard.
Franco argues, and I concur that Menchú has had to shift from subaltern to political activist and public intellectual. Menchú has certainly moved into the field of international activism not only for indigenous people around the world but for economic inequality and climate change.
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Profiles in Courage
In anticipation of the celebration this week of the 248th anniversary our nation’s independence, I undertook to re-read President John Kennedy’s Pulitzer-Prize-winning 1956 bestseller, Profiles in Courage, a book I first encountered when it was assigned to me by Mrs. Gore in my eleventh-grade American history class. If I remember correctly, it impressed me then. But it astounded me now, and in several different ways. Of course, I am more than aware of the widespread belief that the book was substantially written by Theodore Sorensen, at the time a Kennedy speechwriter with a strong interest in American history, and that a good deal of the research that went into the book was undertaken by Jules Davids, a professor of diplomatic history at Georgetown, where he had among his students the young Jackie Kennedy, then still Jacqueline Bouvier. (Sorensen’s remark that he wasn’t the book’s author, merely the guy who wrote “the first draft of most of the book’s chapters” says more than enough.) Of course, I was unaware of any of this when I was in Mrs. Gore’s class and took the book to be the work of our martyred thirty-fifth president, whose memory we all revered and whom we all believed would have gone on to do truly great things if he had lived to the end of a second term in the White House. For better or worse, I will refer here to John Kennedy as the book’s author.
The book itself consists of a series of essays, eight in total, describing acts of moral heroism undertaken at various moment’s in our nation’s history by sitting senators. Most of the senators in question served in the Senate in the decades leading up to the Civil War or in the ones that followed; all are depicted as men who, rather than following the advice of their party or even the wishes of their constituents, chose instead to do what they perceived to be the right thing regardless of the consequences of their actions. These senators, in Kennedy’s opinion, were therefore heroes: men who chose to remain true to their own ideals and who were prepared to pay a big price for doing so.
That notion, of course, was and remains controversial: is the job of elected officials to do what they personally believe to be right or to represent their constituents vigorously and to vote in accordance with the wishes of the people who put them in office specifically to represent them in the Congress? It’s a good question! And it is telling, at least to me, that that specific issue is not debated or even raised really in the pages of the book: for the author, it goes without saying that the job of public officials is always to act in accordance with their own moral code and so to fulfill the “real” reasons anyone is elected to office in the first place: to do good, to promote virtue, to act in the best interests of the people, and to lead the nation forward to (or at least towards) the fulfillment of its national destiny. No more than that, but also no less!
What I liked so much about the book the first time ‘round (i.e., back in eleventh grade), I can’t quite recall. But what struck me this time was how complicated it is to say that politicians who act in accordance with their own values and ideals are always behaving in a praiseworthy manner—and that the corollary, that it is always base and unworthy for politicians to bow to public opinion, including the public opinion of their own constituents, is also true.
A good example would be the case of Senator Robert A. Taft, the son of the twenty-seventh president of the United States and the senator from Ohio from 1939 through 1953. What JFK particularly admired in Taft was his willingness to face nation-wide opprobrium for publicly opposing the Nuremberg Trials of some of the worst Nazi war criminals, to which Taft sneeringly referred as victor’s justice under ex post facto laws. This latter idea—that no one may be tried, let alone executed, for breaking laws that were only enacted after the deed under consideration was done—is a pillar of Western justice. But there was no one in the nation—except for Senator Taft, it seems—who was willing to apply that to the Nazis being tried in Nuremberg, whose crimes against humanity were—at least for most—so beyond the pale of “normal” criminality that the regular rules could not reasonably apply to them. Nor did Taft mince his words on the topic, repeatedly referencing the trials as being far more about vengeance than justice. This could not possibly have been a less popular opinion and he was publicly lambasted both by Republicans and Democrats for daring suggest that there was something intrinsically illegal afoot in Nuremberg and for going so far as to characterize Nuremberg as “a miscarriage of justice that the American people would long regret.” (To read the New York Times article of October 6, 1946 recording the senator’s words, click here.) It is widely believed that this principled opposition to the Nuremberg Trials is what cost Taft the Republican nomination for President in 1952.
JFK admires Taft immensely for knowing what he believed to be right and for repeatedly paying gigantic prices for being true to his own self. (His pre-Pearl-Harbor opposition to US involvement in World War II is widely thought to have cost him the Republican nomination in 1940, which he also didn’t get in 1948 because—or at least probably because—of his isolationist positioning.) I felt myself swept along by Kennedy’s rhetoric too: I couldn’t have agreed with Robert Taft less on most issues, including—possibly most of all—the legitimacy of Nuremberg. And yet I was struck by the portrait of a man with the courage of his convictions, of a man who would simply not lie about how he felt for his own gain.
The other portraits in the book are equally stirring, most of all the portraits of Edmund G. Ross, the senator from Kansas who broke with his party and the large majority of his constituency to vote to acquit at the impeachment trial in the Senate of President Andrew Johnson, and of Lucius Lamar, senator from Mississippi, who alienated huge numbers of his constituents by attempting to re-integrate the South into the Union and by supporting Black suffrage. At this juncture in history, it would probably be a good thing for all Americans to review Kennedy’s book—including those of us who last read it as teenagers. The chapters are a bit uneven (and some presume a familiarity with American history that will not correspond to what most readers will bring along to their encounter with the book), but the book’s basic argument—that our nation has been blessed over the centuries to have among its leaders people whose devotion to their own ideals and principles was ironclad and unshakeable—is something American would do well to consider and reconsider as we wrap up the first quarter of this century and move on into the second.
We have evolved a system in which we esteem above all else flexibility of opinion and elasticity of conviction. We hail as our greats individuals who get things done, who are effective and energetic, who know how to compromise. And we specifically do not admire people who refuse to go along with the majority, who insist on sticking to their opinions no matter what the consequences, who don’t mind being widely reviled if such is the price for being true their personal convictions. Indeed, the notion itself that the job of senators and members of the House is to embody their own virtues rather than invariably to act in accordance with the opinions of their constituents is probably the opposite of what most people think. And that is what makes President Kennedy’s book so challenging and so interesting—because, in the end, the book is a provocative argument that democracy needs leaders with vision and virtue, not ones who see their job as simply doing what they are told by the voters. In turn, this question leads to others. With whom should the ultimate power rest in a democracy—with the people (who are, after all, the demos in democracy) or with its leaders, chose precisely because of their vision and personal philosophy? How should history judge those who claim to believe in democracy but who—like JFK, apparently—ultimately hail as heroes elected officials who refuse to obey the wishes of the people who put them office? What does it even mean to lead a nation, for that matter: to do as the people demand or to inspire them to want what you feel is in their own best interests? Is that paternalism or leadership? Does hoi polloi get the final vote? Or is putting that kind of power in the hands of the masses precisely what leads to Nazism and Maoism? These are the questions that Profiles in Courage awakened in me as we approach the nation’s semiquincentennial in just two years. Are our leaders supposed to lead or be led? Do the people have the final word? Or is their job to put in place leaders whose sense of allegiance to their own virtues and values will lead the nation forward to its destiny? These are all excellent questions…and one more timely than the next!
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Algorithms is why Twitter sucks and is bad for mankind. My timeline gets flooded with the most brain dead and controversial tweets you can imagine because they have high engagement, are tangentually related to my interests, because someone I follow follows these idiots, or even just because this person wrote a response to a person who the algorithm thinks I would like. Just giving a fav to a guy because I like one of their tweets even once can doom my feed. Most if it is culture war garbage too. And sometimes I am stupid and engage.
I swear to God it will be the end of civilization, and the people who come after us will have religious commandments against this nonsense.
No, I am not interested in WhiteHeritage1488's opinions on race, genetics and non european history. Hahaha, 13/50 and mud hut jokes, very funny and original. I don't want to see TradMemes✝️ reach Reddit atheist levels of cringe. Not yet sick enough from people blaming every ill of the world on "(((them)))" or "muh capitalism"? Have some more! I am annoyed at seeing the 36796th Twitter communist justify mass violence, slander my country and post their sad nazi and Elon memes. Don't even begin with all the Elon tweets. I am also very much tired of witnessing interesting and cool posts vanish from my timeline in front of my very eyes.
It's such garbage.
I don't care if guys I follow like meme, drama, ultra tradcon or delusional race baiting commie accounts, but there are other, more fun, educational and less stressfull vectors I can use to engage with all the above topics if I want to. Twitter is not one of those, and probbably neither is tumblr. I don't need to see these things here or there. Keep stuff I don't request or from peoole I don't actively follow away from me.
HEY. @staff LISTEN TO US. LISTEN TO YOUR LOYAL USERS. DO. NOT. I REPEAT DO NOT GIVE THIS SITE AN ALGORITHM.
the whole reason I use this site is because it DOESNT have one. PLEASE. I swear you will lose half your user base if not more.
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US Lt General Ulysses S. Grant’s strategy to defeat Gen. Lee’s Confederate army during the Wilderness Campaign of 1864:
#american civil war#ulysses s grant#american history#zapp brannigan#futurama#i actually cannot stand certain Union generals#people put up statues of Robert E Lee because he was genuinely loved and respected#nobody out up statues of Grant or Sherman because they were butchers and nobody liked them#also if we’re tearing down statues of Lee we should get rid of anything honoring Tecumsah Sherman cuz he was a violent racist#sorry but there it is#my controversial civil war history opinion#disclaimer: I’m not pro-confederacy#i’m just saying just cuz certain people were on the ‘good’ side doesn’t mean they were good themselves#and vice versa
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Traitor of Atlas: In history class in beacon Professor Oobleck is teaching the class about the traitor and has the class decide whether he’s a good guy or not which ends up dividing the class
A Matter of Differing Perspectives
Weiss: He’s a villian!
Blake: He’s a hero!
Weiss: He betrayed his kingdom, and killed his fellow countrymen!
Blake: To save innocent faunas who were about to be slaughtered by, Atlas forces for just being faunas!
Oobaleck: Settle down children, settle down. While you both make good points, you miss onw of the key aspects upon why, Jaune Arc is seen as such a controversial character. Ms. Nikos, do you know what that one things is?
Pyrrha: The fact he was considered a villain, and a hero before he betrayed, Atlas?
Oobaleck: Correct! Prior before his betrayal he was considered a hero by the forces of, Atlas, and a villain to those that opposed them. Thus resulting in him developing a rather uncertain stance in public opinion. For he is considered a hero, villain, and neither, based upon whom you talk to. But nonetheless, he is an individual who is regarded in high esteem by both of them, but not for what he didnthat day. Can any students care to guess why?
Ruby: Oh! I know, I know!
Oobaleck: Yes, Ms. Rose?
Ruby: He is held in high regard because of his tactical brilliance, and his skill as a huntsman.
Oobaleck: Correct! But, why is that, Ms. Schnee.
Weiss: The tactics he created, and pioneered during the war are the bases of many current military doctrine used by the Atlas military. Many of the battles are in fact taught to students of Atlas Academy. Mostly to those that decide to join the military, than become Hunters.
Oobaleck: Correct. His strategies were the tide changers in many a battle. In fact, before he joined Atlas’s war effort they were losing, badly. After he joined, Atlas, and Mistral started winning and were pushing, the forces of, Vale, Vacuo, and their faunas allies back. When he defected to the faunas, this stance in the war quickly, and harsh changed in the other direction.
Ren: Would Atlas, and Mistral won the war if he didn’t defect?
Oobaleck: While, it unsure for certain what would have happened, many scholars and military theorist do agree that, Atlas would have won the war. This is based on the simple fact of how easily the tide of war changed, whether or not he was directly involved in a battle. At the end of the day class, whatever, Mr. Arc’s position is in the public eye, it is based upon your personal opinion. Of which, there is one students opinion, I’m sure we would all like to hear about; Ms. Arc?
Jeanne: M-M-Me?!
Oobaleck: Yes you, Ms. Arc. Would you like to tell the class what your personal opinion about your older brother is?
Jeanne: Uhhh… No…?
Oobaleck, ‘No?’ And, why is that?
Jeanne: I was only around five, since I last saw my brother. And, it wasn’t until years later I was able to comprehend what my brother did. And, there are… other reasons why I can’t really express my opinion…
Oobaleck: And, those are?
… : Probably because of how our dad reacted the last time we talk. That was… civil…
Oobaleck: Excuse me, who are…?! W-What are you doing here?!
Jaune: Excuse the interruption, Professor. I came looking for my students to see how they were doing. Then I just so happened to stumble across a history class talking about me, a rather surreal experience in all honesty. However, I found someone far more interesting than all of that in the end. Hello, Jeanne.
Jeanne: Jaune…?
Jaune: I don’t mean to be rude, but may I talk to my sister? Privately of course.
Oobaleck: Of course; if Ms. Arc is…?!
Jeanne: L-Let’s go to my room! N-Now!
Jaune: Huw? Okay. I shall take my leave then; again, sorry for interrupting your lesson. Have fun kids!
Weiss: T-That’s the Traitor…?
Pyrrha: He seems rather… normal?
Nora: Do you think I could take him?
Ren: I’m not sure, Jeanne would like it if you attacked her older brother.
Ruby: Where’s the cape?! I heard he had a cape! Hero’s need to have a cape!
Yang: And, who didn’t mention that he was fucking hot! Why didn’t you say he was hot, Blake?!
Blake: I refuse to answer that…
#rwby#jaune arc#yang xiao long#weiss schnee#blake belladonna#pyrrha nikos#ruby rose#lie ren#nora valkyrie#rwby oobleck#traitor of atlas
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Ayyo it's Potentially Controversial Opinion Hour
I love the spectacle and drama of the Butcher Army arc as much as anyone, but I genuinely believe that c!Techno having a trial was an incredible missed opportunity
Would it have been rushed, possibly rigged, and a foregone conclusion that led to an execution anyway? Well... probably. But hear me out.
In this version of events, the Butcher Army is a little harder to misconstrue as a one-dimensional evil. At this point, they're trying to maintain a sense of order and fairness, even though those foundations are clearly falling apart at the seams due to fear of outside interference. New L'Manberg's escalation of violence occurs far more gradually, and we see elements of both the nation's fading diplomatic roots and increasing desperation for security in its methods for confronting war criminals.
On the other hand, c!Techno is acutely aware that this is a mere formality that is unlikely to change the cabinet's decision, that the odds are stacked against him. He is frustrated by what he sees as proof of government corruption, even more so when c!Phil's testimony in his favor is completely dismissed. It's almost more insulting than if they had just killed him. He spends a good portion of the trial joking and not taking anything seriously, before the state establishes its case in earnest and obliterates arguments he barely bothered to make; it's at this point that he goes all-in and we get one of his famous speeches. This sudden eloquence unfortunately does not endear him to his captors. His ideals do not waver, and neither do theirs.
c!Quackity acts as the prosecutor, of course. He gets a chance to go full lawyer mode and just lay out every detail of c!Techno's crimes. Communication is his greatest strength, after all, and the one area where he is on equal footing with the server's greatest fighters. If c!Techno is eventually sentenced to death but escapes his execution and kills c!Q in that duel anyway, this infuriates c!Q even more than it already did; once again he attempted to resolve a crisis the civilized way, and once again he was not only unsuccessful, but left humiliated and overpowered by an uncaring threat. He will never make the same mistake twice, never trust anyone's good intentions, never invoke the peaceful rule of law against those who will not respect it. His only option left is to fight dirty.
As for who the defense attorney would be, my first thought was c!Ranboo... but then I wondered, what if they offered the job to c!Niki? She was there during Pogtopia, and knows c!Techno's history (does this make her a stronger candidate, or is it believed that she will argue only halfheatedly?). This gives her a chance to do something else significant leading up to L'Manberg's final destruction, and offers more buildup to her joining c!Techno. It also furthers her arc about feeling like no one listened to her, that she was all alone after c!Wilbur's suicide. Like c!Techno, she believes that her position is not an honor or a serious attempt at fair representation for the accused, but merely an illusion of justice. c!Niki resents this. Regardless of her feelings about c!Techno's actions, she pours all her energy into his defense and holds her own.
c!Tubbo oversees as judge. He is frightened of c!Techno, equally reluctant to incur his cabinet's disapproval, and insists on handling the situation calmly and logically. He will be better than c!Schlatt. He needs to be kinder, wiser, fairer than his predecessor. He needs to prove that he can deliver the justice his people want, the way the nation's founder would be proud of. But as the arguments from both sides become more heated, as the details of L'Manberg's destruction are hashed out, as his own gruesome death is narrated to him and presented as evidence of c!Techno's bloodthirst and hypocrisy, detached impartiality becomes more and more difficult to maintain. c!Tubbo cannot bear this joke of a trial any longer. He silences the court and makes his decision.
Now, I doubt this would change anything substantial about the overall trajectory of Season 2. The cabinet still tries to hunt down everyone on their hit list. c!Techno is still mad about being executed, opposes the government on principle, and destroys L'Manberg. c!Niki still has her breakdown and burns down L'Mantree. c!Fundy still turns against his father's creation before isolating himself in the wilderness. c!Ranboo is still disillusioned with the server's conflicts and rejects the idea of choosing sides. c!Quackity still loses faith in the ideals of diplomacy he once held dear and turns to violence to survive. c!Tubbo still cracks under the weight of his responsibility and sacrifices his reputation, integrity, and nearly his life to live up to those expectations.
But holding a trial turns the Butcher Army into an explicit ideological and character-driven conflict, instead of a mostly physical one. It smooths out a lot of character arcs, gives more screentime to those who were ignored before, and gives everyone an obvious opportunity to clarify and defend their beliefs.
So yeah. I just think it would have been really cool
#dsmp#analysis#c!tubbo#c!techno#c!quackity#c!niki#c!fundy#c!ranboo#long post#the butcher army is probably the arc i have the most mixed feelings about#it's so exciting and cinematic and influential... but it always felt a little rushed?#then again. that's an issue with season 2 in general#tw suicide#tw execution#critical#but only very gently
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Anonymous asked: I enjoyed reading your posts about Napoleon’s death and it’s quite timely given its the 200th anniversary of his death this year in May. I was wondering, because you know a lot about military history (your served right? That’s cool to fly combat helicopters) and you live in France but aren’t French, what your take was on Napoleon and how do the French view him? Do they hail him as a hero or do they like others see him like a Hitler or a Stalin? Do you see him as a hero or a villain of history?
5 May 1821 was a memorable date because Napoleon, one of the most iconic figures in world history, died while in bitter exile on a remote island in the South Atlantic Ocean. Napoleon Bonaparte, as you know rose from obscure soldier to a kind of new Caesar, and yet he remains a uniquely controversial figure to this day especially in France. You raise interesting questions about Napoleon and his legacy. If I may reframe your questions in another way. Should we think of him as a flawed but essentially heroic visionary who changed Europe for the better? Or was he simply a military dictator, whose cult of personality and lust for power set a template for the likes of Hitler?
However one chooses to answer this question can we just - to get this out of the way - simply and definitively say that Napoleon was not Hitler. Not even close. No offence intended to you but this is just dumb ahistorical thinking and it’s a lazy lie. This comparison was made by some in the horrid aftermath of the Second World War but only held little currency for only a short time thereafter. Obviously that view didn’t exist before Hitler in the 19th Century and these days I don’t know any serious historian who takes that comparison seriously.
I confess I don’t have a definitive answer if he was a hero or a villain one way or the other because Napoleon has really left a very complicated legacy. It really depends on where you’re coming from.
As a staunch Brit I do take pride in Britain’s victorious war against Napoleonic France - and in a good natured way rubbing it in the noses of French friends at every opportunity I get because it’s in our cultural DNA and it’s bloody good fun (why else would we make Waterloo train station the London terminus of the Eurostar international rail service from its opening in 1994? Or why hang a huge gilded portrait of the Duke of Wellington as the first thing that greets any visitor to the residence of the British ambassador at the British Embassy?). On a personal level I take special pride in knowing my family ancestors did their bit on the battlefield to fight against Napoleon during those tumultuous times. However, as an ex-combat veteran who studied Napoleonic warfare with fan girl enthusiasm, I have huge respect for Napoleon as a brilliant military commander. And to makes things more weird, as a Francophile resident of who loves living and working in France (and my partner is French) I have a grudging but growing regard for Napoleon’s political and cultural legacy, especially when I consider the current dross of political mediocrity on both the political left and the right. So for me it’s a complicated issue how I feel about Napoleon, the man, the soldier, and the political leader.
If it’s not so straightforward for me to answer the for/against Napoleon question then it It’s especially true for the French, who even after 200 years, still have fiercely divided opinions about Napoleon and his legacy - but intriguingly, not always in clear cut ways.
I only have to think about my French neighbours in my apartment building to see how divisive Napoleon the man and his legacy is. Over the past year or so of the Covid lockdown we’ve all gotten to know each other better and we help each other. Over the Covid year we’ve gathered in the inner courtyard for a buffet and just lifted each other spirits up.
One of my neighbours, a crusty old ex-general in the army who has an enviable collection of military history books that I steal, liberate, borrow, often discuss military figures in history like Napoleon over our regular games of chess and a glass of wine. He is from very old aristocracy of the ancien regime and whose family suffered at the hands of ‘madame guillotine’ during the French Revolution. They lost everything. He has mixed emotions about Napoleon himself as an old fashioned monarchist. As a military man he naturally admires the man and the military genius but he despises the secularisation that the French Revolution ushered in as well as the rise of the haute bourgeois as middle managers and bureaucrats by the displacement of the aristocracy.
Another retired widowed neighbour I am close to, and with whom I cook with often and discuss art, is an active arts patron and ex-art gallery owner from a very wealthy family that came from the new Napoleonic aristocracy - ie the aristocracy of the Napoleonic era that Napoleon put in place - but she is dismissive of such titles and baubles. She’s a staunch Republican but is happy to concede she is grateful for Napoleon in bringing order out of chaos. She recognises her own ambivalence when she says she dislikes him for reintroducing slavery in the French colonies but also praises him for firmly supporting Paris’s famed Comédie-Française of which she was a past patron.
Another French neighbour, a senior civil servant in the Elysée, is quite dismissive of Napoleon as a war monger but is grudgingly grateful for civil institutions and schools that Napoleon established and which remain in place today.
My other neighbours - whether they be French families or foreign expats like myself - have similarly divisive and complicated attitudes towards Napoleon.
In 2010 an opinion poll in France asked who was the most important man in French history. Napoleon came second, behind General Charles de Gaulle, who led France from exile during the German occupation in World War II and served as a postwar president.
The split in French opinion is closely mirrored in political circles. The divide is generally down political party lines. On the left, there's the 'black legend' of Bonaparte as an ogre. On the right, there is the 'golden legend' of a strong leader who created durable institutions.
Jacques-Olivier Boudon, a history professor at Paris-Sorbonne University and president of the Napoléon Institute, once explained at a talk I attended that French public opinion has always remained deeply divided over Napoleon, with, on the one hand, those who admire the great man, the conqueror, the military leader and, on the other, those who see him as a bloodthirsty tyrant, the gravedigger of the revolution. Politicians in France, Boudon observed, rarely refer to Napoleon for fear of being accused of authoritarian temptations, or not being good Republicans.
On the left-wing of French politics, former prime minister Lionel Jospin penned a controversial best selling book entitled “the Napoleonic Evil” in which he accused the emperor of “perverting the ideas of the Revolution” and imposing “a form of extreme domination”, “despotism” and “a police state” on the French people. He wrote Napoleon was "an obvious failure" - bad for France and the rest of Europe. When he was booted out into final exile, France was isolated, beaten, occupied, dominated, hated and smaller than before. What's more, Napoleon smothered the forces of emancipation awakened by the French and American revolutions and enabled the survival and restoration of monarchies. Some of the legacies with which Napoleon is credited, including the Civil Code, the comprehensive legal system replacing a hodgepodge of feudal laws, were proposed during the revolution, Jospin argued, though he acknowledges that Napoleon actually delivered them, but up to a point, "He guaranteed some principles of the revolution and, at the same time, changed its course, finished it and betrayed it," For instance, Napoleon reintroduced slavery in French colonies, revived a system that allowed the rich to dodge conscription in the military and did nothing to advance gender equality.
At the other end of the spectrum have been former right-wing prime minister Dominique de Villepin, an aristocrat who was once fancied as a future President, a passionate collector of Napoleonic memorabilia, and author of several works on the subject. As a Napoleonic enthusiast he tells a different story. Napoleon was a saviour of France. If there had been no Napoleon, the Republic would not have survived. Advocates like de Villepin point to Napoleon’s undoubted achievements: the Civil Code, the Council of State, the Bank of France, the National Audit office, a centralised and coherent administrative system, lycées, universities, centres of advanced learning known as école normale, chambers of commerce, the metric system, and an honours system based on merit (which France has to this day). He restored the Catholic faith as the state faith but allowed for the freedom of religion for other faiths including Protestantism and Judaism. These were ambitions unachieved during the chaos of the revolution. As it is, these Napoleonic institutions continue to function and underpin French society. Indeed, many were copied in countries conquered by Napoleon, such as Italy, Germany and Poland, and laid the foundations for the modern state.
Back in 2014, French politicians and institutions in particular were nervous in marking the 200th anniversary of Napoleon's exile. My neighbours and other French friends remember that the commemorations centred around the Chateau de Fontainebleau, the traditional home of the kings of France and was the scene where Napoleon said farewell to the Old Guard in the "White Horse Courtyard" (la cour du Cheval Blanc) at the Palace of Fontainebleau. (The courtyard has since been renamed the "Courtyard of Goodbyes".) By all accounts the occasion was very moving. The 1814 Treaty of Fontainebleau stripped Napoleon of his powers (but not his title as Emperor of the French) and sent him into exile on Elba. The cost of the Fontainebleau "farewell" and scores of related events over those three weekends was shouldered not by the central government in Paris but by the local château, a historic monument and UNESCO World Heritage site, and the town of Fontainebleau.
While the 200th anniversary of the French Revolution that toppled the monarchy and delivered thousands to death by guillotine was officially celebrated in 1989, Napoleonic anniversaries are neither officially marked nor celebrated. For example, over a decade ago, the president and prime minister - at the time, Jacques Chirac and Dominque de Villepin - boycotted a ceremony marking the 200th anniversary of the battle of Austerlitz, Napoleon's greatest military victory. Both men were known admirers of Napoleon and yet political calculation and optics (as media spin doctors say) stopped them from fully honouring Napoleon’s crowning military glory.
Optics is everything. The division of opinion in France is perhaps best reflected in the fact that, in a city not shy of naming squares and streets after historical figures, there is not a single “Boulevard Napoleon” or “Place Napoleon” in Paris. On the streets of Paris, there are just two statues of Napoleon. One stands beneath the clock tower at Les Invalides (a military hospital), the other atop a column in the Place Vendôme. Napoleon's red marble tomb, in a crypt under the Invalides dome, is magnificent, perhaps because his remains were interred there during France's Second Empire, when his nephew, Napoleon III, was on the throne.
There are no squares, nor places, nor boulevards named for Napoleon but as far as I know there is one narrow street, the rue Bonaparte, running from the Luxembourg Gardens to the River Seine in the old Latin Quarter. And, that, too, is thanks to Napoleon III. For many, and I include myself, it’s a poor return by the city to the man who commissioned some of its most famous monuments, including the Arc de Triomphe and the Pont des Arts over the River Seine.
It's almost as if Napoleon Bonaparte is not part of the national story.
How Napoleon fits into that national story is something historians, French and non-French, have been grappling with ever since Napoleon died. The plain fact is Napoleon divides historians, what precisely he represents is deeply ambiguous and his political character is the subject of heated controversy. It’s hard for historians to sift through archival documents to make informed judgements and still struggle to separate the man from the myth.
One proof of this myth is in his immortality. After Hitler’s death, there was mostly an embarrassed silence; after Stalin’s, little but denunciation. But when Napoleon died on St Helena in 1821, much of Europe and the Americas could not help thinking of itself as a post-Napoleonic generation. His presence haunts the pages of Stendhal and Alfred de Vigny. In a striking and prescient phrase, Chateaubriand prophesied the “despotism of his memory”, a despotism of the fantastical that in many ways made Romanticism possible and that continues to this day.
The raw material for the future Napoleon myth was provided by one of his St Helena confidants, the Comte de las Cases, whose account of conversations with the great man came out shortly after his death and ran in repeated editions throughout the century. De las Cases somehow metamorphosed the erstwhile dictator into a herald of liberty, the emperor into a slayer of dynasties rather than the founder of his own. To the “great man” school of history Napoleon was grist to their mill, and his meteoric rise redefined the meaning of heroism in the modern world.
The Marxists, for all their dislike of great men, grappled endlessly with the meaning of the 18th Brumaire; indeed one of France’s most eminent Marxist historians, George Lefebvre, wrote what arguably remains the finest of all biographies of him.
It was on this already vast Napoleon literature, a rich terrain for the scholar of ideas, that the great Dutch historian Pieter Geyl was lecturing in 1940 when he was arrested and sent to Buchenwald. There he composed what became one of the classics of historiography, a seminal book entitled Napoleon: For and Against, which charted how generations of intellectuals had happily served up one Napoleon after another. Like those poor souls who crowded the lunatic asylums of mid-19th century France convinced that they were Napoleon, generations of historians and novelists simply could not get him out of their head.
The debate runs on today no less intensely than in the past. Post-Second World War Marxists would argue that he was not, in fact, revolutionary at all. Eric Hobsbawm, a notable British Marxist historian, argued that ‘Most-perhaps all- of his ideas were anticipated by the Revolution’ and that Napoleon’s sole legacy was to twist the ideals of the French Revolution, and make them ‘more conservative, hierarchical and authoritarian’.
This contrasts deeply with the view William Doyle holds of Napoleon. Doyle described Bonaparte as ‘the Revolution incarnate’ and saw Bonaparte’s humbling of Europe’s other powers, the ‘Ancien Regimes’, as a necessary precondition for the birth of the modern world. Whatever one thinks of Napoleon’s character, his sharp intellect is difficult to deny. Even Paul Schroeder, one of Napoleon’s most scathing critics, who condemned his conduct of foreign policy as a ‘criminal enterprise’ never denied Napoleon’s intellect. Schroder concluded that Bonaparte ‘had an extraordinary capacity for planning, decision making, memory, work, mastery of detail and leadership’. The question of whether Napoleon used his genius for the betterment or the detriment of the world, is the heart of the debate which surrounds him.
France's foremost Napoleonic scholar, Jean Tulard, put forward the thesis that Bonaparte was the architect of modern France. "And I would say also pâtissier [a cake and pastry maker] because of the administrative millefeuille that we inherited." Oddly enough, in North America the multilayered mille-feuille cake is called ‘a napoleon.’ Tulard’s works are essential reading of how French historians have come to tackle the question of Napoleon’s legacy. He takes the view that if Napoleon had not crushed a Royalist rebellion and seized power in 1799, the French monarchy and feudalism would have returned, Tulard has written. "Like Cincinnatus in ancient Rome, Napoleon wanted a dictatorship of public salvation. He gets all the power, and, when the project is finished, he returns to his plough." In the event, the old order was never restored in France. When Louis XVIII became emperor in 1814, he served as a constitutional monarch.
In England, until recently the views on Napoleon have traditionally less charitable and more cynical. Professor Christopher Clark, the notable Cambridge University European historian, has written. "Napoleon was not a French patriot - he was first a Corsican and later an imperial figure, a journey in which he bypassed any deep affiliation with the French nation," Clark believed Napoleon’s relationship with the French Revolution is deeply ambivalent.
Did he stabilise the revolutionary state or shut it down mercilessly? Clark believes Napoleon seems to have done both. Napoleon rejected democracy, he suffocated the representative dimension of politics, and he created a culture of courtly display. A month before crowning himself emperor, Napoleon sought approval for establishing an empire from the French in a plebiscite; 3,572,329 voted in favour, 2,567 against. If that landslide resembles an election in North Korea, well, this was no secret ballot. Each ‘yes’ or ‘no’ was recorded, along with the name and address of the voter. Evidently, an overwhelming majority knew which side their baguette was buttered on.
His extravagant coronation in Notre Dame in December 1804 cost 8.5 million francs (€6.5 million or $8.5 million in today's money). He made his brothers, sisters and stepchildren kings, queens, princes and princesses and created a Napoleonic aristocracy numbering 3,500. By any measure, it was a bizarre progression for someone often described as ‘a child of the Revolution.’ By crowning himself emperor, the genuine European kings who surrounded him were not convinced. Always a warrior first, he tried to represent himself as a Caesar, and he wears a Roman toga on the bas-reliefs in his tomb. His coronation crown, a laurel wreath made of gold, sent the same message. His icon, the eagle, was also borrowed from Rome. But Caesar's legitimacy depended on military victories. Ultimately, Napoleon suffered too many defeats.
These days Napoleon the man and his times remain very much in fashion and we are living through something of a new golden age of Napoleonic literature. Those historians who over the past decade or so have had fun denouncing him as the first totalitarian dictator seem to have it all wrong: no angel, to be sure, he ended up doing far more at far less cost than any modern despot. In his widely praised 2014 biography, Napoleon the Great, Andrew Roberts writes: “The ideas that underpin our modern world - meritocracy, equality before the law, property rights, religious toleration, modern secular education, sound finances, and so on - were championed, consolidated, codified and geographically extended by Napoleon. To them he added a rational and efficient local administration, an end to rural banditry, the encouragement of science and the arts, the abolition of feudalism and the greatest codification of laws since the fall of the Roman empire.”
Roberts partly bases his historical judgement on newly released historical documents about Napoleon that were only available in the past decade and has proved to be a boon for all Napoleonic scholars. Newly released 33,000 letters Napoleon wrote that still survive are now used extensively to illustrate the astonishing capacity that Napoleon had for compartmentalising his mind - he laid down the rules for a girls’ boarding school on the eve of the battle of Borodino, for example, and the regulations for Paris’s Comédie-Française while camped in the Kremlin. They also show Napoleon’s extraordinary capacity for micromanaging his empire: he would write to the prefect of Genoa telling him not to allow his mistress into his box at the theatre, and to a corporal of the 13th Line regiment warning him not to drink so much.
For me to have my own perspective on Napoleon is tough. The problem is that nothing with Napoleon is simple, and almost every aspect of his personality is a maddening paradox. He was a military genius who led disastrous campaigns. He was a liberal progressive who reinstated slavery in the French colonies. And take the French Revolution, which came just before Napoleon’s rise to power, his relationship with the French Revolution is deeply ambivalent. Did he stabilise it or shut it down? I agree with those British and French historians who now believe Napoleon seems to have done both.
On the one hand, Napoleon did bring order to a nation that had been drenched in blood in the years after the Revolution. The French people had endured the crackdown known as the 'Reign of Terror', which saw so many marched to the guillotine, as well as political instability, corruption, riots and general violence. Napoleon’s iron will managed to calm the chaos. But he also rubbished some of the core principles of the Revolution. A nation which had boldly brought down the monarchy had to watch as Napoleon crowned himself Emperor, with more power and pageantry than Louis XVI ever had. He also installed his relatives as royals across Europe, creating a new aristocracy. In the words of French politician and author Lionel Jospin, 'He guaranteed some principles of the Revolution and at the same time, changed its course, finished it and betrayed it.'
He also had a feared henchman in the form of Joseph Fouché, who ran a secret police network which instilled dread in the population. Napoleon’s spies were everywhere, stifling political opposition. Dozens of newspapers were suppressed or shut down. Books had to be submitted for approval to the Commission of Revision, which sounds like something straight out of George Orwell. Some would argue Hitler and Stalin followed this playbook perfectly. But here come the contradictions. Napoleon also championed education for all, founding a network of schools. He championed the rights of the Jews. In the territories conquered by Napoleon, laws which kept Jews cooped up in ghettos were abolished. 'I will never accept any proposals that will obligate the Jewish people to leave France,' he once said, 'because to me the Jews are the same as any other citizen in our country.'
He also, crucially, developed the Napoleonic Code, a set of laws which replaced the messy, outdated feudal laws that had been used before. The Napoleonic Code clearly laid out civil laws and due processes, establishing a society based on merit and hard work, rather than privilege. It was rolled out far beyond France, and indisputably helped to modernise Europe. While it certainly had its flaws – women were ignored by its reforms, and were essentially regarded as the property of men – the Napoleonic Code is often brandished as the key evidence for Napoleon’s progressive credentials. In the words of historian Andrew Roberts, author of Napoleon the Great, 'the ideas that underpin our modern world… were championed by Napoleon'.
What about Napoleon’s battlefield exploits? If anything earns comparisons with Hitler, it’s Bonaparte’s apparent appetite for conquest. His forces tore down republics across Europe, and plundered works of art, much like the Nazis would later do. A rampant imperialist, Napoleon gleefully grabbed some of the greatest masterpieces of the Renaissance, and allegedly boasted, 'the whole of Rome is in Paris.'
Napoleon has long enjoyed a stellar reputation as a field commander – his capacities as a military strategist, his ability to read a battle, the painstaking detail with which he made sure that he cold muster a larger force than his adversary or took maximum advantage of the lie of the land – these are stuff of the military legend that has built up around him. It is not without its critics, of course, especially among those who have worked intensively on the later imperial campaigns, in the Peninsula, in Russia, or in the final days of the Empire at Waterloo.
Doubts about his judgment, and allegations of rashness, have been raised in the context of some of his victories, too, most notably, perhaps, at Marengo. But overall his reputation remains largely intact, and his military campaigns have been taught in the curricula of military academies from Saint-Cyr to Sandhurst, alongside such great tacticians as Alexander the Great and Hannibal.
Historians may query his own immodest opinion that his presence on the battlefield was worth an extra forty thousand men to his cause, but it is clear that when he was not present (as he was not for most of the campaign in Spain) the French were wont to struggle. Napoleon understood the value of speed and surprise, but also of structures and loyalties. He reformed the army by introducing the corps system, and he understood military aspirations, rewarding his men with medals and honours; all of which helped ensure that he commanded exceptional levels of personal loyalty from his troops.
Yet, I do find it hard to side with the more staunch defenders of Napoleon who say his reputation as a war monger is to some extent due to British propaganda at the time. They will point out that the Napoleonic Wars, far from being Napoleon’s fault, were just a continuation of previous conflicts that arose thanks to the French Revolution. Napoleon, according to this analysis, inherited a messy situation, and his only real crime was to be very good at defeating enemies on the battlefield. I think that is really pushing things too far. I mean deciding to invade Spain and then Russia were his decisions to invade and conquer.
He was, by any measure, a genius of war. Even his nemesis the Duke of Wellington, when asked who the greatest general of his time was, replied: 'In this age, in past ages, in any age, Napoleon.'
I will qualify all this and agree that Napoleon’s Russian campaign has been rightly held up as a fatal folly which killed so many of his men, but this blunder – epic as it was – should not be compared to Hitler’s wars of evil aggression. Most historians will agree that comparing the two men is horribly flattering to Hitler - a man fuelled by visceral, genocidal hate - and demeaning to Napoleon, who was a product of Enlightenment thinking and left a legacy that in many ways improved Europe.
Napoleon was, of course, no libertarian, and no pluralist. He would tolerate no opposition to his rule, and though it was politicians and civilians who imposed his reforms, the army was never far behind. But comparisons with twentieth-century dictators are well wide of the mark. While he insisted on obedience from those he administered, his ideology was based not on division or hatred, but on administrative efficiency and submission to the law. And the state he believed in remained stubbornly secular.
In Catholic southern Europe, of course, that was not an approach with which it was easy to acquiesce; and disorder, insurgency and partisan attacks can all be counted among the results. But these were principles on which the Emperor would not and could not give ground. If he had beliefs they were not religious or spiritual beliefs, but the secular creed of a man who never forgot that he owed both his military career and his meteoric political rise to the French Revolution, and who never quite abandoned, amidst the monarchical symbolism and the court pomp of the Empire, the republican dreams of his youth. When he claimed, somewhat ambiguously, after the coup of 18 Brumaire that `the Revolution was over’, he almost certainly meant that the principles of 1789 had at last been consummated, and that the continuous cycle of violence of the 1790s could therefore come to an end.
When the Empire was declared in 1804, the wording, again, might seem curious, the French being informed that the `Republic would henceforth be ruled by an Emperor’. Napoleon might be a dictator, but a part at least of him remained a son of the Enlightenment.
The arguments over Napoleon’s status will continue - and that in itself is a testament to the power of one of the most complex figures ever to straddle the world’s stage.
Will the fascination with Napoleon continue for another 200 years?
In France, at least, enthusiasm looks set to diminish. Napoleon and his exploits are scarcely mentioned in French schools anymore. Stéphane Guégan, curator of the Musée d'Orsay in Paris, which, among other First Empire artworks, houses a plaster model of Napoleon dressed as a Roman emperor astride a horse, has described France's fascination with him as ‘a national illness.’ He believes that the people who met him were fascinated by his charm. And today, even the most hostile to Napoleon also face this charm. So there is a difficulty to apprehend the duality of this character. As he wrote, “He was born from the revolution, he extended and finished it, and after 1804 he turns into a despot, a dictator.”
In France, Guégan aptly observes, there is a kind of nostalgia, not for dictatorship but for strong leaders. "Our age is suffering a lack of imagination and political utopia,"
Here I think Guégan is onto something. Napoleon’s stock has always risen or fallen according to the vicissitudes of world events and fortunes of France itself.
In the past, history was the study of great men and women. Today the focus of teaching is on trends, issues and movements. France in 1800 is no longer about Louis XVI and Napoleon Bonaparte. It's about the industrial revolution. Man does not make history. History makes men. Or does it? The study of history makes a mug out of those with such simple ideological driven conceits.
For two hundred years on, the French still cannot agree on whether Napoleon was a hero or a villain as he has swung like a pendulum according to the gravitational pull of historical events and forces.
The question I keep asking of myself and also to French friends with whom I discuss such things is what kind of Napoleon does our generation need?
Thanks for your question.
#question#ask#napoleon#french#french history#history#military history#bonaparte#france#historiography#republic#historians#personal
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Hi, I’ve been tasked with researching Richard Plantagenet for a paper and thus far found extremely negative accounts of the king, his religious bigotry being a reoccurring theme (his treatment of Jewish dignitaries attending his coronation and his reasoning to join the third crusade etc)
I stumbled across your wonderful tag for Richard at the weekend and wondered if you wouldn’t mind sharing your informed opinion of Richard and his views on religions ? Your writing seems very well balanced regarding his attributes and flaws. Thanks :)
Oof. Okay. So, a short and simple question, then?
Quick note: when I was first reading your ask and saw "Richard Plantagenet," I briefly assumed that you meant Richard Plantagenet, father of Edward IV, or perhaps Richard III, both from the Wars of the Roses in the fifteenth century, before seeing from context that you meant Richard I. While "Plantagenet" was first used as an informal appellation by Richard I's grandfather, Geoffrey of Anjou, it wasn't until several centuries later that the English royal house started to use it consistently as a surname. So it's not something that Richard I would have been really called or known by, even if historians tend to use it as a convenient labeling conceit. (See: the one thousand popular histories on "The Plantagenets" that have been published recently.)
As for Richard I, he is obviously an extremely complex and controversial figure for many reasons, though one of the first things that you have to understand is that he has been mythologized and reinvented and reinterpreted down the centuries for many reasons, especially his crusade participation and involvement in the Robin Hood legends. When you're researching about Richard, you're often reading reactions/interpretations of that material more than anything specifically rooted in the primary sources. And while I am glad that you asked me about this and want to encourage you to do so, I will gently enquire to start off: when you say "research," what kind of materials are you looking at, exactly? Are these actual published books/papers/academic material, or unsourced stuff on the internet written from various amateur/ideological perspectives and by people who have particular agendas for depicting Richard as the best (or as is more often the case, worst) ever? Because history, to nobody's surprise, is complicated. Richard did good things and he also did quite bad things, and it's difficult to reduce him to one or the other.
Briefly (ha): I'll say just that if a student handed me a paper stating that Richard was a religious bigot because a) there were anti-Jewish riots during his coronation and b) he signed up for the Third Crusade, I would seriously question it. Medieval violence against the Jews was an unfortunately endemic part of crusade preparations, and all we know about Richard's own reaction is that he fined the perpetrators harshly (repeated after a similar March 1190 incident in York) and ordered for them to be punished. Therefore, while there famously was significant anti-Semitic violence at his coronation, Richard himself was not the one who instigated it, and he ordered for the Londoners who did take part in it to be punished for breaking the king's peace.
This, however, also doesn't mean that Richard was a great person or that he was personally religiously tolerant. We don't know that and we often can't know that, whether for him or anyone else. This is the difficulty of inferring private thoughts or beliefs from formal records. This is why historians, at least good historians, mostly refrain from speculating on how a premodern private individual actually thought or felt or identified. We do know that Richard likewise also made a law in 1194 to protect the Jews residing in his domains, known as Capitula Judaeis. This followed in the realpolitik tradition of Pope Calixtus II, who had issued Sicut Judaeis in c. 1120 ordering European Christians not to harass Jews or forcibly convert them. This doesn't mean that either Calixtus or Richard thought Jews were great, but they did choose a different and more pragmatic/economic way of dealing with them than their peers. This does not prove "religious bigotry" and would need a lot more attention as an analytical concept.
As for saying that the crusades were motivated sheerly by medieval religious bigotry, I'm gonna have to say, hmm, no. Speaking as someone with a PhD in medieval history who specialised in crusade studies, there is an enormous literature around the question of why the crusades happened and why they continue to hold such troubling attraction as a pattern of behavior for the modern world. Yes, Richard went on crusade (as did the entire Western Latin world, pretty much, since 1187 and the fall of Jerusalem was the twelfth century's 9/11). But there also exists material around him that doesn't exist around any other crusade leader, including his extensive diplomatic relations with the Muslims, their personal admiration for him, his friendship with Saladin and Saladin's brother Saif al-Din, the fact that Arabic and Islamic sources can be more complimentary about Richard than the Christian records of his supposed allies, and so forth. I think Frederick II of Sicily, also famous for his friendly relationships with Muslims, is the only other crusade leader who has this kind of material. So however he did act on crusade, and for whatever reasons he went, Richard likewise chose the pragmatic path in his interactions with Muslims, or at least the Muslim military elite, than just considering them all as religious barbarians unworthy of his time or attention.
The question of how the crusades functioned as a pattern of expected behavior for the European Christian male aristocrat, sometimes entirely divorced from any notion of his private religious beliefs, is much longer and technical than we can possibly get into. (As again, I am roughly summarising a vast and contentious field of academic work for you here, so... yes.) Saying that the crusades happened only because medieval people were all religious zealots is a wild oversimplification of the type that my colleague @oldshrewsburyian and I have to deal with in our classrooms, and likewise obscures the dangerous ways in which the modern world is, in some ways, more devoted to replicating this pattern than ever. It puts it beyond the remit of analysis and into the foggy "Dark Ages hurr durr bad" stereotype that drives me batty.
Weighted against this is the fact that Richard obviously killed many Muslims while on crusade, and that this was motivated by religious and ideological convictions that were fairly standard for his day but less admirable in ours. The question of how that violence has been glorified by the alt-right people who think there was nothing wrong with it at all and he should have done more must also be taken into account. Richard's rise to prominence as a quintessentially English chivalrous hero in the nineteenth century, right when Britain was building its empire and needed to present the crusades as humane and civilizing missions abroad rather than violent and generally failed attempts at forced conversion and conquest, also problematized this. As noted, Richard was many things, but... not that, and when the crusades fell out of fashion again in the twentieth century, he was accordingly drastically villainized. Neither the superhero or the supervillain images of him are accurate, even if they're cheap and easy.
The English nationalists have a complicated relationship with Richard: he represents the ideal they aspire to, aesthetically speaking, and the kind of anti-immigrant sentiment they like to put in his mouth, which is far more than the historical Richard actually displayed toward his Muslim counterparts. (At least, again, so far as we can know anything about his private beliefs, but this is what we can infer from his actions in regard to Saladin, who he deeply respected, and Saladin's brother.) But he was also thoroughly a French knight raised and trained in the twelfth-century martial tradition, his concern for England was only as a minor part of the sprawling 'Angevin empire' he inherited from his father Henry II (which is heresy for the Brexit types who think England should always be the center of the world), and his likely inability to speak English became painted as a huge character flaw. (Notwithstanding that after the Norman Conquest in 1066, England did not have a king who spoke English natively until Henry IV in 1399, but somehow all those others don't get blamed as much as Richard.)
Anyway. I feel as if it's best to stop here. Hopefully this points you toward the complexity of the subject and gives you some guidelines in doing your own research from here. :)
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