#my actual liveblog posts will be coming later
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sundial-bee-scribbles · 11 days ago
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In case it's hard to read/understand: "If I had a nickel for every time I had a story with a blonde girl named after a plant, who has a German father and a French mother but absolutely hates said mom, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice."
weird, extremely-specific tropes in my stories: pt 1
#oc liveblogging#ughhhhhhh i really CANNOT afford to be procrastinating rn but i know this happens when im extremelyyyyyy fucking stressed.#creative/art related classes always get me for this reason bc ill use 'wait but i need to find inspiration!' as an excuse to procrastinate.#fuckkkkkkkkkk. UGH IM NOT EVEN WRITING SOMETHING FROM SCRATCH ITS JUST A FINAL REVISION BUT IM CONVINCED IT SUCKS#the worst part is hkjhkjGHKJ I HAVE TO PRESENT SOME OF THIS SHIT AT AN. INTERNATIONAL FUCKING CONFERENCE GUYS. GUYSYSSSS#anyways this post is sadly not related to that. nothing im presenting is related to my ocs [un]fortunately lmao#ive just been thinking rotating various oc stories around in my head again ourgghhhh.#and i realized this LMAO. i mean maybe technically not 2 separate stories anymore because im recycling a lot from one for the other?#one of these was already established lowkey and the other was something i made for an assignment for a class like 2 years ago#i actually don't know if petunie will be blonde in her final incarnation?? ive always imagined her as silvery blonde ig but idk#if ill keep that. she doesnt have proper colors like colin but at least colin has his design set more straight somewhat.#and all the recent petunie development is lowkey really fucking funny to think abt. i girlbossed with her character development so#hard that she really replaced lucian as a protagonist HAHAJSDHKGJ. ok well not 100% kamille's story is a shoot-off#of lucian's technically? i guess? it started becoming that and now its solidified as that lowkey bc same town same place time period people#but man if im not careful i might accidentally make kamille/petunie's arc THE default one and lucian's main one the offshoot instead#a lot remains to be seen. but also yeah the other one who's story is mostly getting recycled (myrtille) actually ALSO HAD HER MOM#COME FROM THIS SAME FUCKING PLACE BASICALLY. a few decades later but still bruh given developments for lucian's story too its just like#at this point im noticing a pattern man wtf is wrong w/ women who come from this town specifically lol. 😔🥴#this town in general is just fucking cursed though i think ahkjshkg. i mean that jokingly and literally lolololl i gotta. work on it. but y#I HATE IT HERE WHY ARE WEIRD LITTLE FUCKING TOWNS WHERE BAD SHIT HAPPENS ALWAYS A CONSISTENT TROPE IN MY STORIES /silly#I DONT EVEN COME FROM A WEIRD LITTLE TOWN MY HOMETOWN IS LIKE. AVERAGE NORMALISH NOT SUPER LARGE??? IDFK?????#haaaaaaa fuck i need to finish this by the end of TODAY I S2G!!! SO I CAN MOVE ON TO ALL THE OTHER SHIT I OWE FUCKKKK
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thegreatandpowerfulversy · 10 months ago
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It's Worm liveblogging time! About time I finally got around to actually reading it and not just letting the wormposts flow over me and deposit information via osmosis.
I started this morning and have read through the end of Arc 2 so far, so this isn't quite liveblogging from the beginning, but I can summarize the thoughts I would have posted had I decided to do this earlier.
Taylor apparently already has her powers from the start? I honestly thought the story began before her trigger event. Seems like it's only a few months after though, she's new to it all. I guess we see the background in an interlude later.
Also, wow, I thought my experience of high school as a nerdy trans girl was bad, but goddamn. I'm a little surprised Taylor hasn't murdered any of her bullies yet. Maybe later.
Spiders on his dick! What a unique, one-time event that surely will never even remotely happen again.
It took me an embarrassingly long time to remember who Regent was. You guys don't talk about him much.
Is Armsmaster trans or something? Probably not according to Wildbow, but since when is he a reliable source anyway. Trans according to post osmosis is good enough.
Dad :(
Taylor really does have a lot more self-control in the beginning than I expected.
At least she has some basic opsec knowledge and goes to the public library to make contact. Not that it helps against a Thinker, but it's the right idea.
The Undersiders have a boss? Why do I get the feeling that the boss won't be lasting very long...
There is no way that Lisa doesn't know exactly why Taylor is here. I guess she's having fun playing with her? Or maybe she also sees the next layer too and knows Taylor is possible to turn to be a villain for real.
...You know, as someone who gets a majority of her worm knowledge from an avid Taylor/Rachel shipper, reading the actual start of Worm is bizarre. Rachel does not make a good first impression here. I understand the smugbugs much better at the moment.
Friends :)
I do not like Victoria Dallon. Sure, punch Nazis, but that's a bit beyond punching.
I really do not like Victoria Dallon. Not just police brutality, but also blatantly using cult manipulation tactics on her sister, and trying to amplify that with her aura? Come on, Amy, we've got to get you out of there.
That's it so far! I imagine the arcs get significantly longer as the story goes on; they'd kind of have to to reach the "6.5 times as long as my own longest fic" mark that I've heard about. As a writer, that's a phenomenon I know all too well.
Anyway, I'm having a good time so far, and I can't wait to keep reading! I've been warned of some spots later that I will have to skip over, but I can deal with a few dick-spiders for now.
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cb-writes-stuff · 4 months ago
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〜* New Blog Intro! *〜
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Howdy! I’m CB, short for C. Brookes. Feel free to call me any derivation of those. I am 18, going into college for a degree in English. (Even though I’m an adult, don’t be weird.) He/him, please.
My blog (and brain) is currently dominated by:
[??? I don’t know]
Other posts are spices.
Asks/doodle requests are open!
Project Opal Masterpost
★ This is a colored text blog. I use lots of colored text because my eyes glaze over homochromatic text, it’s fun to have lots of colored text, and it’s pretty. ★
♦︎ About Me ♦︎
♥︎ I’m an American from the good ol’ South. Not much of an accent, but I have a birthright to the vernacular, the hospitality, and the home-cooked meals. ♥︎
♥︎ I’m just a freelance silly little guy. ♥︎
♥︎ I have ADD (Attention Deficit Disorder), also called Attention Deficit Hyperactivity Disorder, Inattentive Type. I’m not at all hyperactive, so I prefer ADD. ♥︎
♥︎ I also have social anxiety, and a number of other suspected things! ♥︎
♥︎ I actually know very little about lots of things! Feel free to educate me. ♥︎
♥︎ I’m a yapper, if you couldn’t tell. ♥︎
♠︎ What I Post ♠︎
♥︎ Fandoms I post about: A Hat in Time, In Stars and Time, Hollow Knight, EPIC: The Musical, and… that’s about it, I think. ♥︎
♥︎ Fandoms I don’t post about: Pokémon, Baba Is You, Undertale, Deltarune, Portal (1 and 2), Stardew Valley, and I might add to this list later. ♥︎
♥︎ I’m writing a novel! I post (almost) daily word count updates, with little snippets of my favorite thing I wrote on a given day. ♥︎
♥︎ I also do art! Sometimes it’s doodles, sometimes it’s full-fledged art. ♥︎
★ I have a little AU idea percolating right now called In Hats and Time, a crossover between A Hat in Time and In Stars and Time. There’s not much on it right now, but there will be eventually! ★
♥︎ Japanese. The language itself, songs (especially Ado), and anything else that somehow isn’t either of those. ♥︎
♥︎ This is a no-swearing blog. You do you, but I don’t post or reblog anything with swearing. ♥︎
♥︎ In a similar vein, this is an SFW blog. We stay silly. ♥︎
♣︎ Tags ♣︎
#project opal - posts related to my current novel wip, Project Opal
#cb writing stuff - random posts, thoughts, and general yapping
#cb doodling stuff - my doodles
#cb drawing stuff - my more complete artwork, art projects, or illustrations
#cb defining stuff - the definitions of interesting words I come across
#cb answering stuff - answered asks, or anything from my inbox
#cbの日本語 - any of my posts that include Japanese in them
#cb progressing stuff - my writing progress updates #ihat / #in hats and time - any posts about the aforementioned AU
#siffrin and the craaaazy time loop - my liveblogged In Stars and Time playthrough
#i don’t tag my reblogs and i’m not about to start now - posts I reblogged responding to my moots
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yurisorcerer · 4 months ago
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I'm not gonna pretend I have anything super new or innovative to say about Mobile Suit Gundam. It's one of the most-analyzed anime ever, and I pale in comparison to some of the people who *have* analyzed it, but here I am, thinking about it regardless.
For context, I am watching this as part of a---as she called it---"comet swap" with my good friend @charaznablespeteevee, where I watch a mecha anime she is obsessed with (Gundam) and she watches one I am obsessed with (Code Geass). I'm not sure if I'm going to write a big long post like this about every episode (since I'm going to *try* to watch at least one per day, that would get quite exhausting), but I am liveblogging it more informally over on the worst website on Earth, if you're willing to put up with that Nazi-infested hellhole long enough to read some posts from yours truly.
In any case, Gundam and Code Geass. are many differences between these, the main ones being that Code Geass is more recent and also not widely hailed as a masterpiece of its form. It does *draw* notably from Gundam though despite having very different artistic aims and a different tone, so watching this makes sense in a way. I spent way too much of my teenagerhood obsessed with Lelouch, and now I'm watching the anime that his archetypal grandfather came from. (Goddess have mercy on my soul.)
My experience with Gundam as a franchise prior to this is very limited, but I do have some. For reference, I have seen all of:
Gundam 00, back when it aired on the SyFy channel when they had an anime block many years ago. I really liked this as a teenager but I don't remember it super well.
The Witch From Mercury, lesbian space combat, with a notable Code Geass staff connection. WFM was not perfect or anything but I loved it a lot and Suletta is very dear to me. I actually bought an Aerial gunpla a few months ago that is currently sitting unassembled in my closet.
the first Gundam 0079 compilation movie. Now, it might seem weird that I've seen this and am now going back to watch the TV series. But, while I remember the general outline of what happened, I was SUPER sick when I watched it, and I only remember what happened really, really vaguely. While I have some idea of the general outline of what's to come, I'm mostly going in genuinely blind.
like 4 or 5 episodes of Victory Gundam, which I liked but kind of fell off of. So we're giving the franchise a proper second go here.
I'm a mecha fan more generally, and I'll get into some of that as I write these, but for now that's the relevant stuff.
Anyway, my main impression of 0079's first episode is actually a structural one. It's REALLY well put together. We introduce the setting, we introduce our main characters, and we introduce the main conflict, all very economically and with a lot of style---more style than some shows with significantly less room to work with manage, in fact---and I'm immediately invested in the fate of our main character, Amuro Ray.
From what I gather here (and a little bit from outside information), my impression is that of a kid who loses his innocence very, very rapidly over the course of this story. Here, the space-hab-thing he lives on is attacked, and he ends up in the cockpit of an experimental superweapon called a Gundam (maybe you've heard of them?). I LOVE how the Gundam is framed here, like some kind of genuinely scary war machine. It's an intentionally othering effect i mostly associate with later mecha anime, especially those with outright monstrous mecha like Evangelion or even The Big O, so to see it here in such a comparatively early series in the genre is impressive.
The episode's climax sees him kill two soldiers from the enemy nation of Zeon, but it's not a triumphant thing, really. He's portrayed as kind of not really knowing what he's doing, flailing around inside this gigantic walking tank / mechanical war god. But then when he *does* figure things out, well, he has to deal with the fact that he just killed two dudes. Going by the cliffhangery ending here, it doesn't seem like his troubles are over, either.
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woodsfae · 7 months ago
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B5 S03E19 Grey 17 Is Missing previous episode - table of contents
I'm not sure how this episode is going to go, because prior to this I have always watched B5 high (I started this saga while taking hydrocodone pain meds I was allergic to post-wisdom teeth removal) or sober (which I quickly stopped doing, because the recaps were a dry and stale recounting of the plot in a most unpleasant way), but now I can't have THC for awhile (pre-op instructions for what will hopefully be my last surgery for awhile) and so I am experimenting with liveblogging while tipsy. 
So far I thimk that tipsy b5 blogging may be the era of run-on sentences. play video. 
Harry Sanders says in response to the question "are you a telepath,": "sure." 
I am guessing that Mr Sanders is not a telepath. But I am a huge fan of people fucking with Zack Allen. Queer icon Harry Sanders tries to flirt his way into the job. sadly, he fails.
Unnamed maintenance worker gets sucked into a maintenance tunnel with random wires trailing out of it. That probably won't be relevant later :)
Someone, I am assuming Sinclair, spoke of Delenn "with great reverence" to his Minbari friend regularly. I LOVE THAT OMG. *shipping intensifies* 
Harlan Ellison consulted on this one, too?? That's so cool. My Eepectations just went up. Minbari With The Nose thinks that Delenn should take over as Ranger One. Are they going out of their way to not say his name? 
Calling a gun with bullets a slugthrower is a pretty amusing thing to share with Star Wars. I once read a crossover fic where Han Solo (iirc) went on smuggling runs to B5 to pick up kyber crystals, which the B5 people have been using for mere data storage. 
"I swear it's like the Centauri triangle in there - something's always going wrong."
I only support Garibaldi's casual racism because actually, everything IS always going wrong with the Centauri....but has the Bermuda Triangle myth been supplanted with a centauri space equivalent?? And what makes it a triangle in 3d space?
Stephen Franklin is looking rough. Withdrawl. Withdrawal? Sad plotline. Space AA is not my favorite plotline. Also, Mr Dr Franklin, maybe don't compain about people following you around when you haven't even left Babylon Five???? That's a cry for help if ever I saw one in metaphor. If you wanna be alone like...barter some medical attention for a ride to an abandoned planetoid. 
Gray 17 is a level of b5? Cool. I thought it was going to be a person that disappeared. And it is several of them at least. But there's also thirty official grey levels but only 29 accessible. I like it. 
Delenn looks extra pretty today. 
Why does this Minbari know about siren songs? Convergent cultural evolution, or does this guy like Earth ancient-greek sailor myths? 
It's genuinly hilarious (and apropos) for a Minbari Ranger to think it pollutes the rangers for humans to be admitted. This warrior class Minbari thinks it's heretical for Delenn-of-the-clerics to consider taking command of the Rangers, which he thinks are the rightful domain of the warrior caste. 
hm. Where'd he go. That won't come up later, either. 
Garibaldi is leaning into one of his strengths: investigation. He's counting the seconds the elevator takes between Grey levels. Grey  like the grey council, or pure coincidence?
ALSO. no minbari has killed another minbari for a thousand years?? I find that very hard to believe. Domestic violence? manslaughter?? What kind of statistical fuckery are they employing to make that something Delenn can say without winking??
Delenn: "I want your word that you will not tell [Sheridan] about [the warrior class dick threatening to kill me]. Your. Word." 
*cue Lennier hinting unsubtly about Delenn's life being in danger*
I did not expect Level 17 Grey to come up. Where is the missing number if Grey 17 is missing, it goes to Grey 30, but there's only 29 levels? This mystery is deeper than I expected it to be!
 The missing floor, once Garibaldi rules-lawyers the lift into stopping there, is trashed. And it says Grey 17 in a different place than the other floors. AND there's what looks like a technical diagram for a trash can where the other floors have their designation signs. Idk what this means, but it's a data point!! 
Well. I would drop kick that puppet if it talked to me on a trashed level. But Michael Garibaldi let it DART him. like a SCHMUCK. Don't let it do that. hit the follow button for more HOT TIPS FROM MICHAL. (pronounced like McCalll, not like Michael).
Lennier!!!! YES HE IS TELLING SOMEONE. But not Sheridan. Love his rules-lawyering. Super cute. My guy. Lancelot (purely platonic version).
I would kiss Lennier all over his sweet face. And he would not like it. I am sure. 
Garibaldi has recovered-ish from his darting of unknown substance. FUCK THAT PUPPET. burn it with fire or smth. 
Who is this council of lost persons?? Jim Henson's dream?????!
"My name is Jeremiah. Welcome to the end of the world." 
YES PLEASE. This is good plot, and I like it. 
Delenn is really beautiful this episode. I think the red/blue rich, saturated colors particularly flatter her. But she is always unfairly pretty and generally lickable.
Delenn's mother entered the sisters of valeria soon after Delenn was born, and she's only seen her twice. TWICE. And Delenn's father died ten years ago. She does not mention siblings. How old is Delenn? If it isn't a plot-relevant spoiler, please let me know if you know it. 
Her thoughts on missing her father are both relatable and wistful. It made me thoughtful about the same topic. 
Jeremiah says the reason the Minbari almost defeated the humans in the war was because the Minbari are closer to the truth than humans. AND we have learned that the people on Grey Level 17 is because they hacked the system and detached themselves from the rest of B5. Isolationists being isolationist on a tiny little level of a space station is illogical and funny and very, very human.
The Minbari offended by Delenn running the Rangers is called Neroon! That's super familiar and I think I've met him before. He says "During the war I killed fifty thousand of you....what's one more?" Well my dude. I bet you didn't kill fifty thousand humans in one-on-one combat. And I'm gonna go ahead and bet on Marcus's staff-fighting prowess over his. 
GET 'IM MARCUS.
This is a well-choreographed and filmed staff fight. 
Jeremiah on Grey Level 17 actually is super aligned with Delenn's philosophy on the universe. But is far more freaky about the practical side of the philosophy. tbh. I think Jeremiah did LSD one too many times. 
Garibaldi isn't super serious about his threat because his choke hold lacks a fulcrum...Jeremiah could break it anytime he liked if he knew how to identify what wrestling hold he was in....signed...someone whose father wrestled in highschool and taught them from a young age to identify and break choke holds by neck-feel....
GO MARCUS GO GET NEROON. 
Neroon: "Why? You must have known you could not win....so why do it?" Marcus: "For [Delenn]. [...] In Valen's name." 
LANCELOT MOVE OVER, GALAHAD HAS ARRIVED
Jeremiah: "Listen. Listen. The only way out is-is to find a purity of thought. A purity of belief! That is the door! The door of the mind." 
Hm. This dude is craycray. And his further speech does nothing to dispel the notion. What is screeching?? 
If Sinclair was Entil'Zha, wthen what was this Minbari Ranger going to designate Delenn?
Damn it, Neroon lives. Bring! Back! Galahad! fuck u neroon. You don't deserve a capitalized proper noun name.
wtf is this thing hunting on level 17 grey?? I don't recognize its silhouette. 
Michael Garibaldi (paraphrased): HOW DO WE HURT THIS THING??? *looks at .38 bullets in hand*
Me, reliving my misspent youth: IF YOU GRAB THE SHELL OF THOSE .38s WITH PLIERS THEN HIT THE PRIMER WITH A BALLPEEN HAMMER U CAN SHOOT IT
(yes I did this shit for fun as a child and I am EXTREMELY LUCKY I did not have a mishap of a permanent injury variety)
hmm. Garibaldi sorta used my childhood fun trick but with a pipe to protect his fragile hands.. UNLIKE ME AND MY PLAIN PLIERS AND HAMMER
Neroon kicked Marcus's ass but Marcus is going to recover -a relief. But Neroon!! FUCK OFF. 
"you are more noble than I" - Neroon (paraphrased)
THAT'S A GALAHAD MOVE. psych. Marcus got you with his ideological purity and ironic wit!!
The murderous thing on Grey level 17 was a "zarg." OK. Please, if it isn't spoilery, remind me what that is. 
This episode feels a bit more disjointed than they usually are, but I liked it. And fuck Neroon!!! Get behind Delenn or shut the fuck up. 
*a perfectly good episode. but also. GET BEHIND DELENN OR STFU!!
onward
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docholligay · 3 months ago
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Schedule!
It's a weird week (good, though, I think) with some stuff I haven't done before and I'm hoping both the sponsors and YOU like.
Monday, August 26th: I did some stuff for geeky that will come relevant later, but today I'll be writing a little or big, we'll see how it goes, post about I Saw The TV Glow!
Tuesday, August 27th: During the day I ahve the beeb all day, but that night, we have USONATSU.
Wednesday, August 28th: The patreon Liveblog of The Bear!
Thursday, August 29th: So for miscanthus I've been watching this Samurai horror tales--Tuesday and wednesdaY you'll actually see my thoughts on the first two tales in a short form, and THURSDAY, I'm going to start actually liveblogging the third one, Bake Neko.
Thursday night: a place further than the universe patreon stream
Friday, August 30th: I have beeb all day but I would really really like to get my choose your own adventure done, man, killing me here.
Saturday, August 31st: I'm giving myself all day to work on the choose your own adventure. You have all been so supportive whether you care or not, and even though it's hard it makes ME feel better to be writing again. It being 'good' is secondary
Sunday, September 1st: The Lucky Mill movie club meeting!
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leareadsheresy · 2 months ago
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Battle for the Abyss
This post contains spoilers for Battle for the Abyss, by Ben Counter, first published as a novel on (as nearly as I can tell) July 29th, 2008, although sources disagree -- some places I've found assert it was published on August 1st, 2008. Something I've found when trying to date specific works in this series, though, is that a lot of places will say "Published on [Month] 1st" when they actually mean "Published in [Month], we don't know which exact day," so as a general rule when I do this dating thing I assume any source that's specific about it being published on an exact date is accurate unless that date is given as the first of the month, in which case I assume that's filler information and only the month is reliable. I guess it makes sense for a book published two days before the end of the month would be attributed to the next month in some databases. Also I kind of don't care if I'm off by a couple of days about a publication date because I'm tumblr liveblogging a series of, at best, high-school-essay-quality book reports about a media tie-in novel series.
So this book is kind of infamous; I've seen it described as The Worst Horus Heresy novel with the possible exception of some of the Salamanders books that come later. Thing is, I don't hate it. To explain why, I will have to go into some of the events of the Horus Heresy that haven't been covered in these novels yet.
According to the pseudo-history of the Horus Heresy, following the Istvaan III Atrocity but before news of it had reached the larger galaxy, Horus issued orders to the Ultramarine Legion to muster at Calth, a planet in the Veridia System within the realm of Ultramar (the Ultramarines' empire-within-an-empire, conquered by their Primarch prior to his discovery by the Emperor of Mankind). An airless world with massive underground cities and an expansive orbital shipyard, Calth served as one of Ultramar's major military bases, and the order was for the Ultramarines to gather there with the Word Bearers Legion to prepare for a campaign against an ork force who were moving in the direction of Veridia. Unknown to the Ultramarines, the muster at Calth was a trap -- the Word Bearers, upon their arrival, immediately attacked the planet, using the slaughter of the gathered Ultramarines and Calth's human population to fuel a ritual that poisoned Veridia's sun, and ultimately this ritual fueled a massive warp-storm, the Ruinstorm, that both interrupted FTL travel between one half of the galaxy and the other and made it much easier for daemons to manifest in realspace in its vicinity, allowing the traitor forces to summon daemonic reinforcements to aid in their war against Imperial loyalists.
(If you've played Space Marine 2, this is what Chairon is talking about when he says he was born on Calth -- the game takes place ten thousand years after the Horus Heresy but many of the first generation of Primaris Space Marines, of which Chairon and Gadriel both are, were taken by Belisarius Cawl as children during the Heresy for experimentation and spent most of the intervening millennia being brought in and out of stasis as Cawl developed the Primaris aguments.)
Calth is important in the annals of the Heresy. Visions of Darkness, an art book (the second of four, compiling card art from the 2003 Horus Heresy collectible card game; the Visions series also served as the outline for the events of the Heresy as a whole), detailed the Word Bearer assault on Calth in 2005, a year before the publication of Horus Rising. (I would have covered the Visions series on this blog except I didn't realize three of the four were published before Horus Rising until after I'd done my entry on False Gods; the fourth was published between those two novels.) Calth is the subject of future novels and in 2015 got its own boxed game, Betrayal at Calth, which contained the first Horus Heresy plastic miniatures -- Mark IV armor, Cataphractii Terminators, two characters, and the first (truly awful; thank God we're rid of it) plastic Contemptor Dreadnought. Betrayal at Calth also had its own ruleset but hardly anybody ever played it; that boxed set was a way to justify pulling money for development of plastic Horus Heresy figures from the self-contained-boxed-games budget and everybody knows it.
What the pseudo-histories of the Horus Heresy don't say is that the attack on Calth was part of an intended two-pronged attack, meant to occur simultaneously with a sneak attack on Maccrage, the adopted homeworld of the Ultramarine Primarch Roboute Guilliman and the Ultramarines' primary recruiting world, while most of the Ultramarine forces were on Calth awaiting Word Bearer rendezvous. The other half of this attack would be carried out by a massive battleship of a new class, the Furious Abyss, commissioned by Kelbor-Hal, Fabricator-General of the Mechanicum of Mars (and secret Horus ally), with the intent to shatter Maccrage's second moon and then use the debris field to bypass Maccrage's orbital defenses to deliver a payload of life-eater virus to the planet directly in a repeat of the Istvaan III Atrocity. This attack, together with the betrayal at Calth, would have knocked the Ultramarines out of the war and prevented them from rallying and rebuilding later, and without the Ultramarines as a rebuilt force later in the war serving as a counter to the traitors, Horus would have been able to commit forces in greater numbers to the Garmon Sector, allowing him to land more forces on Terra much earlier. This likely would have won the traitors the war.
The reason why the pseud-histories of the Heresy doesn't say any of that is the attack by the Furious Abyss failed, because a small group of Astartes from the Ultramarines, Space Wolves, World Eaters, and Thousand Sons legions, none of whom even know that the Heresy was a thing yet, found evidence of the Furious Abyss's weapons test against an Ultramarines battleship and investigated, followed the Abyss's trail, and ultimately destroyed it before it could succeed in its attack on Maccrage, and this battle was so small -- the Furious Abyss itself versus a pursuit force of six much smaller ships -- that it was entirely swallowed up by the chaos of the Heresy's eruption and was ultimately forgotten by later historians.
The early Heresy is so replete with devastating loyalist losses that I kind of love the idea of an early loyalist win, entirely forgotten by later histories, made by a mixed group of members of legions who'd later be on both sides of the conflict, being one of the unknown lynchpins of Horus's ultimate defeat. The Horus Heresy game book series, the Black Books, do not to my knowledge even mention this battle, because their setting sections are written in-character by a post-Heresy historian, and the narrator would have had no way of knowing Calth was intended as part of a two-pronged attack. (Actually I'm not sure it's never mentioned; if I eventually get to the Black Books while doing this readthrough I'll keep an eye out for it.) I just... I love the idea of a small, forgotten event being so important. I think it's genuinely interesting, and this sort of attempt to expand the timeline with new events that make sense (of course the traitors would have had a plan to follow up their Calth attack with an attack on Maccrage to finish the Ultramarines off completely!) is exactly what these Horus Heresy novels ought to have been doing once it became apparent that they sold like gangbusters and were therefore going to be published for a very, very long time. This is, at least in theory, what I am here for. I'm sure not here for Primarch drama! I don't even like the Primarchs! (God, me reading this series is a mistake. Yeah, Lea, read a 64-book-series where you don't care about any of the ostensible main characters; that's a great use of your time.)
Unfortunately, Battle for the Abyss just isn't very good. Fortunately, at least some of the ways it's not very good are themselves of at least some interest.
So. Let's go with a summary.
We open with Kelbor-Hal, Fabricator General of Mars, watching as the Furious Abyss launches from Thule, which we're told has been a moon of Jupiter for six thousand years. Jupiter doesn't have a real moon called Thule but there is an asteroid called 279 Thule, so I think we're meant to assume that this is 279 Thule, having been dragged into orbit of Jupiter six thousand years previously. The ship is described as being impossibly big. Inside, a Word Bearer is giving a speech to a bunch of other Word Bearers about how religion is cool and it's their destiny to overthrow the emperor, and how they'll finally get their revenge on the Ultramarines. (Much like Calth, there is another important pre-established bit of Heresy lore where the Word Bearers insisted on worshipping the Emperor like a god even after he told them not to, because the Word Bearer Primarch, Lorgar, believes firmly that life is only worth living in service to a divine power. The Emperor then sent the Ultramarines to the Word Bearer homeworld to humble them by leveling their biggest temple-city, which Lorgar pretended worked but actually just drove him to hate the Emperor and seek out alternate gods to worship, which lead him to Chaos.) After the ship launches, Thule is rigged to explode so everyone who worked on the Furious Abyss dies, keeping the ship's design secret.
We then cut to some Ultramarines heading towards Vangelis Spaceport (I appreciate the name) on the Fist of Maccrage, but the Furious Abyss comes out of nowhere and attacks it as a weapons test. Judging his ship doomed, the captain of the Fist orders a distress signal sent before they all die.
Then we meet the protagonists. Some Ultramarines on Vangelis Station lead by Captain Cestus are waiting to be picked up by the Fist of Maccrage to be... stationed at Terra, I think? But it's late and they're worried. Cestus meets up with a Space Wolf named Brynngar, who leads a couple of packs of Blood Claws (that's a type of Space Wolf unit in 40k but, importantly, not in 30k; I'll get back to this at the end), in a bar, Brynngar is carousing and fighting and drinking special Space Wolf mead that can get even Space Marines drunk (another 40k thing). Cestus and Brynngar are old battle buddies who saved each others lives a couple of times. Suddenly alarms go off -- there's been an incoming astropathic message, and Cestus thinks it might be from their late ship, so he goes to check it, but it's a bunch of ominous nonsense that kills the astropaths who receive it and then feedback from the astropaths into the station's systems threatens to overload the reactor. Cestus and Brynngar rush off to the reactor room to do an emergency shutdown and in the core of the overloading reactor Cestus gets a psychic vision of Maccrage in flames.
There is some evidence the astropathic message of doom came from the Fist of Maccrage and Cestus decides to investigate, rallying all the other space marines on the station -- his own Ultramarines, the Space Wolves, some World Eaters lead by an captain named Skraal, and a single Thousand Son, Mhotep. They commandeer a warship called the Wrathful and its escorts, captained by the reasonably cool Admiral Kaminska, who's sort of pissed off she's been drafted into this potential fool's errand, and Mhotep brings along his personal ship as well. They encounter... you know, I don't remember, either they find a debris field or an energy signal or something, they find some evidence that the Fist of Maccrage has been destroyed and are able to follow an energy signature to the Furious Abyss, which they hail, it blows up one of their escorts when the escort gets too close and there's a space battle. Our protagonists kind of freak out when they realize that's a ship full of space marines that just attacked other space marines, which isn't supposed to happen, but mainly they're like "Oh, this is a fight? Cool, I know how fights work" and then they fight. One of the Wraithful's escorts is a fighter carrier but the Abyss use a psychic attack to drive all the fighter pilots insane when they get too close, Mhotep's ship gets blown up but he escapes in a "savior pod" (one of the things 30k/40k does is give slightly off-kilter names to SF staples, so escape pods are savior pods, the teleporter room is called the teleportarium, etc) and gets picked up by the Wrathful, etc. All but one of the escorts are destroyed (the survivor is the Fireblade), so the protagonist's fleet is down down from five ships to two, and Abyss escapes.
During the fight, they damage the Abyss so the protagonists know that if they just follow it, it'll have to get repairs somewhere, and they can attack it then. The Abyss heads towards a warp jump point which serves as a known entry point to a stable warp corridor (to my knowledge this is not how warp travel is described as working elsewhere in the setting; there are stable warp corridors, but there's nothing like Babylon 5 style jump points you have to use to enter them), and the protagonists follow but after entering the corridor the Word Bearers use a psychic bomb to collapse the corridor, so the Wrathful and the Fireblade enter the unstable warp. Both protagonist ships are attacked by daemons in the warp; the space marines aboard the Wrathful fight theirs off but the Fireblade takes significant damage, and the Wrathful moves to bring it into a repair bay, but surprise, the whole ship has been compromised by daemons who've fused the souls of the crew into the ship, and the Fireblade has become a sort of giant anglerfish monster thing that attacks the repair bay as it opens. Mhotep, the Thousand Son, senses that something is off and rushes to the repair bay where he uses warp sorcery to fight the Fireblade off, breaking the Edict of Nikea (when the Emperor declared that any Space Marines who were developing psychic powers had to immediately stop using and developing them, which the Thousand Sons are bitter about because they'd made their psychic talents their whole thing). Everyone else in the repair bay dies in this process and Mhotep lies about using a ruptured fuel line to fight off the Fireblade's incursion but Brynngar the Space Wolf doesn't believe him, because Space Wolves, being viking barbarians, hate witches. (Space Wolf rune priests are not witches, as any Space Wolf will tell you.)
The Wrathful continue following the Abyss until it leaves the warp and stops off at a repair station, and Cestus plans a three-pronged attack involving infiltrating groups of space marines to the station and sneaking into the Abyss to sabotage it. The three groups are Ultramarines lead by another named guy who convinces Cestus to stay behind and command the Wrathful, Skraal and his World Eaters, and Brynngar and his space wolves. The World Eaters ruin everything because unlike the other two groups, they can't resist killing innocent station workers along the way to infiltrating the ship ("A bit of killing will sharpen our senses"), and this results in an alarm going up. One touch I sort of like is that at no point later in the book do our protagonists realize this was what gave the attack away; at one point they speculate that the Word Bearers may have had daemons on the Wrathful passing info back to the Abyss and then it just doesn't come up again. The attack fails, most of the infiltrating Ultramarines are killed, the Space Wolves fall back, but the World Eaters and one Ultramarine get in... and are immediately killed because when like twenty space marines try to just rush into a ship filled with hundreds of space marines on high alert, things go badly. Only Skraal survives, fleeing into the depths of the Furious Abyss.
The Furious Abyss takes off, the Wrathful follows, back into the warp with both of them towards Maccrage. On the Furious Abyss, Skraal, sneaking around in air ducts and behind pillars and things, witnesses a ritual where the Word Bearers use the corpse of the dead Ultramarine lieutenant to appease a daemon named Wsoric, while on the Wrathful, Cestus and Brynngar try to get some info out of a captured Word Bearer that Brynngar and his 40k Blood Claws brought back from his failed assault. Asking nicely doesn't work, torture doesn't work, Cestus finally loops Mhotep in to do a psychic probe and Brynngar freaks out about it. They argue, Mhotep tells them to leave so he can do his interrogation without witnesses, demons attack the ship, Mhotep finishes his interrogation and then heads to the spot of the daemon incursion and uses more sorcery to defeat them, which saves a bunch of Ultramarines but drives Mhotep unconscious. Brynngar witnesses this and decides to kill the unconscious Mhotep for witchcraft before he can wake up and share what he got from the Word Bearer, Cestus refuses, they have an honor duel about it. Cestus barely wins and Brynngar abides by the terms of the duel but makes it clear their friendship is over. Mhotep wakes up and tells Cestus the plans for the attack on Maccrage that I went over many many paragraphs ago at the start of this blog post. Cestus confines Mhotep to an isolation cell because Brynngar made it clear the next time he sees Mhotep he'll kill him, honor duel or no. Also, Mhotep touches Cestus's head and gives him a vision of the future, and confesses that he'd foreseen farseen foreseen all of this years ago and knew his fate was to die on the Wrathful.
Both ships exit the warp at Maccrage and have another space fight. Secretly, Cestus made a plan with the human crew of the ship -- all the Space Marines would enter shuttles and when the Furious Abyss opens its torpedo tubes to fight, they'd launch the shuttles toward it and enter via the torpedo tubes while the Wrathful and the Furious Abyss slug it out. During that fight, the Wrathful's engines are wrecked and it begins plummeting towards Maccrage's moon. Most of the Space Marines make it into the ship. Their plan is to blow up the torpedos the Abyss was going to use to blow up Maccrage's moon, since they entered via torpedo tubes and are therefore right there on the torpedo deck, but the Word Bearers hit them with a psychic attack. All the Ultramarines but Cestus die and Brynngar goes crazy, hallucinates being a wolf and fighting a bunch of other wolves for pack dominance, and then wakes up realizing he's killed all the Space Wolves he arrived with. He flees into the depths of the ship, has another fight with a named Word Bearer he fought and nearly killed earlier (now half-interred in a dreadnought), but nearly loses and is saved by Skraal, who has spent the last several weeks sneaking around learning the interior of the ship. Cestus met up with Skraal off-camera while Brynngar was fighting the dreadnought and he shares his new plan: Attack the plasma reactor at the center of the ship and cause a cascading failure that will blow the whole thing up. Brynngar is like "How do you know the interior of the ship well enough to be confident that will work, Cestus? Is it Mhotep's witchery? I hate witches; I'll help you with your witch's plan, but after that you and I are quits" and Cestus is sad but agrees to those terms.
Back on the Wrathful, Admiral Kaminska does one of those scenes you get in space navy science fiction where she orders all the crew into the savior pods but her bridge crew all refuse to go, preferring to die with her, and she's mad about it but also appreciative... and then her second in command doubles over like she's being played by John Hurt in Alien, and the daemon Wsoric bursts out of her and then kills Kaminska and the rest of the bridge crew, also emanating a chill aura that kills everyone on the ship... except Mhotep, who leaves his cell and heads to the bridge. They fight, Wsoric taunts Mhotep about corrupting Brynngar and using his hatred of witchcraft to turn him against them, and tempts Mhotep with escape and hints at the Thousand Sons siding with Horus, Mhotep resists temptation and stuffs a grenade in Wsoric's chest during a moment of daemonic instability (daemons don't hold together well in realspace). Wsoric blows up and Mhotep lies down on the deck plating just in time for the Wrathful to impact the surface of Maccrage's moon and be destroyed. Mhotep dies triumphant.
Brynngar, Skraal, and Cestus get to the plasma reactor, pursued by Word Bearers, and once there, Skraal charges the Word Bearers to give Cestus and Brynngar some time. He makes it to the head Word Bearer guy and injures him before being killed. Cestus's plan is to sacrifice himself by jumping into the plasma reactor with a bunch of grenades but Brynngar says nope and does it instead, implicitly apologizing for being so hostile earlier. Brynngar jumps into the plasma reactor with a bomb strapped to his chest and dies triumphant. With the ship about to explode, the head Word Bearer runs off to escape, Cestus follows him, they have a duel, and Cestus is wounded but cuts off the Word Bearer's head. He then succumbs to wounds the Word Bearer inflicted on him during the duel and dies triumphant as the Furious Abyss explodes. The end.
It would be theoretically possible to write a good book based on the above outline. I don't think there is intrinsically anything wrong with the idea of a full-length, 416 page novel that is just one extended battle-chase-battle-chase-battle. Fury Road was great.
Battle for the Abyss doesn't manage it. The prose is workmanlike and the characterization is flat. Everyone is a stereotype and plot points keep relying on things working in noncanon ways, like the warp jump point thing. Not only is everyone a stereotype, everyone is a 40k stereotype, most notably the drunken Space Wolf. There is a whole subplot I didn't go into above where the narrative keeps cutting back to the Word Bearers as they speak exposition to each other and they're all plotting against each other for status, like a group of Decepticons comprised entirely of copies of Starscream. (And not the cool version of that from Transformers Animated.)
That said... I still think the characterization is better than in False Gods. Everyone is a flat stereotype but almost nobody is ever holding the idiot ball. (Exception: Whoever designed Vangelis Station so that bad astropathic feedback, something that people in 30k already consider extremely dangerous, can trivially jump to the power grid and overload the reactor. Like, come on, guys, the Emperor considers psychic stuff so dangerous he's busy forcefully reorganizing every human civilization in the galaxy to weaken it; don't plug it directly into the mains. More to the point, if your story outline requires a crisis where your space station is going to blow up so the heroes can save it, please have the crisis unfold in a way that doesn't leave me wondering why the space station was designed so as to be improbably, plot-conveniently vulnerable.) In False Gods everyone made infuriatingly stupid decisions and failed to see through laughably obvious manipulation constantly for the sake of clumsily driving the central tragedy through; here, people make reasonable decisions and are just sort of boring about it. There is a type of reader who considers the latter worse but I'm not him.
Furthermore... when this book was written, what 30k Space Wolves were like hadn't been established yet. Horus Rising has mention of Devastator Squads, which are a 40k generic space marine thing that aren't in 30k, so I can't be super mad about this book giving the Space Wolves a couple of Blood Claws squads, a 40k Space Wolf thing that aren't in 30k. Later writers would develop 30k setting elements in new directions, and I can criticize Ben Counter for failing to see he had an opportunity to do that here (maybe if he'd done something more interesting with Brynngar it'd have stuck and we'd have gotten an entirely different version of 30k Space Wolves than we did, because later writers might have followed his lead), but I can't criticize him for failing to guess what later writers would eventually do with them.
Ultimately it's bolter porn. It's just okay bolter porn; it's not even especially bad bolter porn, and it's about what is at least in theory an interesting forgotten early loyalist victory. Next to the violence False Gods did to the plot setup and characterization in Horus Rising, it looks okay.
I can't recommend reading it, though. There are better ways to spend your time.
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lunanoc · 10 months ago
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so probably against what should have been my better judgment, i went ahead and actually wrote “meta”, except it’s only borderline meta because it ends up veering off into crack theory territory and is also insanely long, but i figure since it’s now too long to be posted as a discord liveblog like it was supposed to be, i might as well just. post it here (in several parts because no one wants a 10k post lbr)
disclaimer: i like to be transparent about where i’m coming from, so just know that i have not finished reading all the books yet. currently i’m practically through everything, books and extras included, up until and including sand sea part III, so anything i talk about relating to that is my own reading experience. i’ll sometimes reference later books i’ve either read snippets of, or talked about with people who have (and verified the information as best as i could), but because i lack full context for those, any mentions of those elements are automatically grain of salt and relegated to crack theory. for everything i have read that i can grab quotes for, i’ll be providing clear references to the specific chapters of the books they’re from
also, blanket spoiler warning for the books
but that being said, let me actually get into this thing:
king shang of lu, the iron-masked gentleman, king mu of zhou, the queen mother of the west, how they’re connected, who they might be, and what that could mean for the larger dmbj narrative
PART I: KING SHANG OF LU AND THE IRON-MASKED GENTLEMAN
writing this shaved years off of me, the rabbit-holing was insane, and there’s still no clear answers in the end but welcome to the ride i guess
starting off here, the problem with these two characters is that we have conflicting information about them from three different sources that all give a different version of the same story, all of which are various degrees of dubious for different reasons. and you could say ok but really, who cares i do apparently about these two because in the larger plot they don’t really amount to much in the end
BUT
given both the things we learn by the end of sand sea (and elements that pop up in later installments) about all the various parties involved in what’s essentially a subplot, and the fact npss goes into so much detail with such a deliberate throwback to something all the way back in the first book, i don’t think the fact that the various versions of the story of king shang of lu sometimes blatantly contradicting themselves is a mistake, but is rather proof of deliberate obfuscation of the truth. npss tends to like revisiting sometimes seemingly anecdotal or trivial things from previous books to connect them with a subsequent revelation, or open the door to a different interpretation of them, so that he’d do it here isn’t all that surprising to me
the three versions of the story of “the emperor” (or the ruler of the state of lu), king shang of lu, and the iron-masked gentleman we get are, in order of appearance:
version 1 from a silkbook found in the purple jade box in “king shang of lu”’s coffin (Book 1, Ch. 26, Purple Jade Box)
version 2 from xiaoge himself who gives an opposing account to the previous one that he supposedly read from a warring states period silkbook he found in a song dynasty tomb (Book 1, Ch. 26-27, Purple Jade Box / Lies)
version 3 from the powerpoint lesson given by the wang family to li cu (Sand Sea Part III, Ch. 132, 133, 134, Lesson / King Mu of Zhou / Deception)
the first two accounts are both from book 1 and immediately follow each other, but neither of them quite fit with the last one, or at least it would seem so. you could argue this is simply because book 1 was when npss was still trying to figure things out both with his plot and characters, so the final account given by the wang family is a retcon, and while that’s always possible, like i mentioned, npss likes to connect things and tends to either incorporate these kinds of seemingly obscure and irrelevant details for a reason, or simply retroactively fleshes them out to revisit them at a later date and shed a new light on the bigger picture. so it’s more the fact we just don’t know which things he implements deliberately from the start and which ones he ties back to retroactively, but in the end seeing as the result is the same it doesn’t matter much. what does matter is that he does it pretty consistently, so it’s safe to assume he’s also doing it with this particular story (side tangent, but i like to think that npss has shown he’s a big fan of something called chekov’s gun and no i won’t elaborate on that or else i’ll be here for hours but google that if you’re interested it’s fun)
so tldr; i basically just want to argue that by intentionally bringing back this story with obvious divergences, it might be a way to shed light on something else that informs king shang of lu’s story while placing it as a puzzle piece in the bigger picture of dmbj lore
but let’s break down those three different accounts of the story of king shang of lu
the first account
i’m going to tldr; most of these for the sake of clarity, but i’ll be referencing the various chapters all these bits are taken from if you want to verify any of it
technically the first real account of king shang of lu’s story we get is what’s written on the stone slab in the hall with all of the coffins in the seven star palace that says that he was “born with a ghost seal and could borrow ghost soldiers from the underworld” (Book 1, Ch. 10, Shadow), but i’m not counting that as a full-blown version of the story because it’s not dwelt on all that much and mostly serves as a preamble for pangzi to later posit to wu xie that it’s a bunch of bs and was probably just an exaggeration meant to mythologize king shang of lu given that the tomb itself is a weird anachronistic mix of western zhou and warring states architecture (which is an important argument but maybe not for the reasons you’d think)
so i consider the first fleshed-out version of king shang of lu’s story we get to be the one wu xie reads off of the silkbook he and wu sanxing pull from “king shang of lu”’s coffin, and is one that very quickly gets debunked within book 1 itself multiple times, so while it may seem easy enough to write off, it’s not so much what it says that’s interesting, but rather why it exists in the first place
this version of the story essentially relates the life and deeds of king shang of lu, recorded on what’s supposed to be a warring states period silkbook pulled from the man’s own coffin. it talks about how he inherited his title from his father and was a lowly grave robber lord who was cruel and greedy, and how one day he gained from a snake demon/spirit in a tomb he excavated “two treasures” in a “purple and gold box” (this will be important later) which are never explicitated, although wu xie speculates one of those treasures to be the ghost seal as its acquisition is directly mentioned in the text. the snake comes to king shang of lu in a dream and promises to make him a high-ranking official and teach him how to use the treasures in the box if he spares its soul (he doesn’t). and so king shang of lu becomes a military officer under the command of the ��emperor” of the state of lu. in his later years, however, he starts to get old and sick, and so the “emperor” demotes him back into being a lowly grave robber, and he starts to fear death, so king shang of lu goes to his military advisor, the “iron-masked gentleman” or 铁面先生 tiemian xiansheng, in search of a solution. the iron-masked gentleman then tells him that something called jade burial armor, a treasure from ancient times, exists, and that it can keep someone young forever. so king shang hunts and hunts and scours tomb after tomb until eventually he finds a western zhou dynasty tomb which will later become the seven star palace where he discovers a corpse wearing the famed jade buriam armor. iron mask takes the corpse out of the armor, subdues the blood zombie it turns into, and then helps king shang of lu fake his death in front of the “emperor” so he can be buried in the tomb he built for himself on top of the western zhou tomb he’d found (Book 1, Ch. 26, Purple Jade Box)
however
this version is quickly debunked twice in pretty quick succession, and then a third time a bit later, still in book 1, but before i get to that, a few extra little details i want to point out:
to be fair literally no one (who doesn’t speak chinese and is reading the original text anyway) would be able to guess either from the translation or merebear’s footnotes that “iron-masked scholar/gentleman” or 铁面先生 is not in fact necessarily meant to be taken literally. it’s partly an idiom. 铁面 tiemian is an expression that can mean “someone who is upright in character”, in other words someone with a positive reputation. so this man isn’t necessarily implied to have worn a mask at all (i think he did, but that’s also for later)
the purple and gold box that’s mentioned in this version of the story is the one wu xie finds in the hands of the corpse of the green-eyed fox (who’s also wearing the belt that has the qilin blood clot wu xie accidentally swallows can you believe, which is also another detail for later) that’s accompanied by a key in the corpse of a woman next to it (Book 1, Ch. 22, The Eightfold Treasure Box)
the second account
before we get into the first version of the story more, let’s briefly take a look at the second one. the first version of the story is first debunked by the second version of the story which is told in abridged format by xiaoge pretty much right after wu xie finishes reading the silkbook. he says that the silkbook’s account is incorrect because the person in the jade armor isn’t king shang of lu, but iron mask who faked his own death in order to escape the systematic execution king shang of lu enacted on all the people who knew about and/or helped build his tomb. he then snuck into the seven star palace and disposed of king shang of lu’s body before taking the jade armor for himself
xiaoge explains that he found this story in a song dynasty tomb he’d robbed a few years ago that contained a complete silkbook that turned out to be iron-masked gentleman’s memoirs (Book 1, Ch. 27, Lies). and you’d be inclined to believe this version of the story over the first one because it’s xiaoge telling it, and xiaoge usually isn’t one for intentional deception unless it serves a purpose, even less so if it’s verbal deception (literally the only time i can think of him openly lying rather than lying by omission is when he disguises himself as professor zhang). except even this version is called into question multiple times. the first time is by wu xie himself, who while choosing not to confront xiaoge about it, senses that xiaoge seems uneasy when wu xie presses him on the point that if it’s true that two people were pulled out of the jade armor in that tomb, then why is there no second blood corpse. xiaoge answers that he doesn’t know because iron masks’s memoirs only mention it briefly, and that maybe king shang of lu was pulled out early enough that he didn’t turn into a blood zombie. technically there’s the mummified body they find in the sacrificial ding cauldron next to the coffin with the monster at the entrance to the seven star palace whose head is cut off that could fit that description (Book 1, Ch. 9, Ancient Tomb), but in any case xiaoge according to wu xie looks like he’s lying. the second time this version is refuted is by wu sanxing, but i’ll get to that when i get back to the first account and how it also gets debunked
arguments against the second account 
i already mentioned xiaoge isn’t typically someone who’s into overt deception as a course of action unless it’s strictly necessary (and even then). it’s always possible he was either acting on a compulsion from the heavenly gift or under some order from chen pi ah si (since he was working for him at the time, even if i doubt this to be completely honest) or even something else, so it’s mostly my own assumption that he’s not actively deceiving them by fabricating a story, because xiaoge’s deception usually relies on omission rather than a concentrated effort at producing an elaborate lie. so really, the only fact we can be certain of is that he has an “uneasy look in his eyes” when he talks about the lack of another blood corpse, and that wu xie gets the impression he’s lying, which is a sentiment wu sanxing apparently shares because they look at each other in that moment and silently agree. whether this means xiaoge was *actually* lying, or that wu sanxing was taking advantage of xiaoge’s unease to further his own deception (re: arguments against the first account i’m getting to in a bit) is really up in the air
however
i’d like to think if xiaoge was lying and there was nothing more to it than that, he wouldn’t make it so apparent that that was the case given he only ever really projects visible upset or discomfort at anything when it’s related to his memories or lack thereof, and only much later in the story does that start to extend to allowing himself moments of vulnerability, or just his own brand of open concern for wu xie and pangzi. but this is all happening in book 1 where wu xie, as perceptive as he is about people, doesn’t know xiaoge yet, and so doesn’t know his tells. therefore that he can tell xiaoge is visibly emoting when it’s xiaoge is noteworthy in itself. also, given that book 1 takes place at a time when xiaoge’s memory was still very much lacking and fragmented, and he was likely still working for chen pi ah si partly to search for his memories, i wouldn’t be surprised if his unease was visible because the confrontation of both the first and second versions of the story started triggering his memory in some capacity, or it might have even triggered the heavenly gift senses into letting him know that there was something of importance in these stories since the particular episode of it he’s going through at the time gets a bit fast-forwarded from the seven star palace onward seeing as not too long afterwards xiaoge goes into the gate at the end of book 3
something else that’s worth mentioning is the logic behind these memoirs of iron mask even existing. why it would be in a song dynasty tomb is up for debate and probably irrelevant (although it does to be fair align with king mu’s motives of perpetuating grave robbing for deliberate dissemination of information), but mostly i question how he could have written his memoirs if he faked his death and slipped into the jade armor himself shortly after, unless he waited a significant amount of time before doing so and lived his life in hiding, which is also possible given there’s nothing more we know about him. but more food for thought
arguments against the first account
let’s go back to the first account from the silkbook for a bit and take a look at the other two times besides xiaoge’s second account where this version is debunked:
the second debunking comes from wu sanxing as he and wu xie are waiting around in jinan while panzi is in the hospital, and wu sanxing comes back outraged bc when he tried to have the silkbook they brought back from “king shang of lu”’s coffin, he was apparently told it was a forgery because the gold in it was too pure to have dated back to the warring states period, and so was necessarily more recent, though how recent is never specified (Book 1, Ch. 29, Purple-and-Gold Box). he then suggests to wu xie that he thinks it’s xiaoge who snuck into the tomb ahead of them, and with his skills successfully planted a dupe to trick them. i’ll get back to this eventually, but again, while it’s not impossible, it feels unlikely to me that xiaoge would extend so much effort in deception unless it served a clear purpose he agreed with, which is why i’m not convinced he would have blindly been following orders from someone like chen pi ah ai. and xiaoge would likely not have gone to the trouble of making a fake silkbook either, so the idea would have to have come from chen pi ah si, which then brings into question what motive chen pi ah si would have had to go to such lengths to deceive wu sanxing. again, really the only time we ever see or hear of xiaoge making an effort at deliberate deception is when he disguises himself as professor zhang, and while we never get an explanation for the reasons behind that, that’s more likely to have stemmed from feeling like he had to conceal his identity rather than wanting to deceive if that makes sense. in any case, i don’t know what tangible reason xiaoge would have had to deceive wu sanxing and his team with a fake silkbook even if he’d been acting on chen pi ah si’s orders, because would chen pi ah si have had a reason to go to the effort of creating a fake silkbook to deceive wu sanxing with details so specific that you quite literally have to have been in that tomb before to know them?  
the third debunking of the silkbook version is ironically a reverse uno from xiaoge directed at wu sanxing when he, wu xie, and pangzi are stuck in wang zanghai’s tomb in xisha (Book 1, Ch. 63, Chain). xiaoge’s just recovered a massive amount of his memories related to the first xisha expedition, and very bluntly tells wu xie that not only is the silkbook from the seven star palace a fake, it was wu sanxing who planted it there. to which wu xie obviously responds with “wtf no you did”. to which xiaoge then replies completely deadpan as he does with “no, it was your sanshu, he and da kui dug a hole under the tree to do it, probably why da kui had to be silenced”. which leaves wu xie very torn about what and who to believe. and mind you this is also a little before they find the inscription on the wall from “xie lianhuan” accusing wu sanxing of murdering him. honestly it’s possible xiaoge is telling the truth if you consider that wu sanxing might have planted a fake if he knew ahead of time what the silkbook contained, what the seven star palace was, and basically faked his own way through the entire thing
it wouldn’t necessarily surprise me because he does sound very pretends to be shocked in the delivery of many of his remarks (but again, how much of that can you attribute to this being book 1), and while he did bring wu xie along because he was trying to ease him into the game with the wangs, it’s possible he was prudent enough that he would have made wu xie’s first tomb experience take place in a somewhat controlled environment. which doesn’t mean he’d necessarily been there before, just that as entrenched in the wang shit as he is, i wouldn’t be surprised if he’d known even vaguely what the seven star palace represented and what could be found in there. he did know about the snake cypress and about the stone used to subdue it, and while that doesn’t necessarily mean anything seeing as wu sanxing is a highly experienced tomb robber, it’s worth noting that the only times we’ve ever seen those trees is in the seven star palace and in the snake mine in gutongjing. in other words, always somewhere connected to longevity and The Secret and all the parties involved in that power struggle
but then again, we don’t really know how much wu sanxing knew about the wangs and the zhangs etc, so it’s all very up to interpretation. if he did in fact plant the fake silkbook though, it might have served the purpose of making sure there was something to string wu xie along to push him towards xisha and the conspiracy, but the copper fish ended up serving that purpose in the end. nothing really elaborates on this silkbook again, so we don’t know why xiaoge would speculate that wu sanxing was the perpetrator, unless it was because he’d just recovered his memories of xisha (but even then xiaoge doesn’t accuse people so firmly based on impression alone) or he literally saw wu sanxing do it
regardless of who did it, the bottom line is that it’s safe to say the silkbook was probably fake and was placed there intentionally, both because as wu sanxing points out, it is suspicious that wu xie would conveniently only be able to understand what happened to be key portions of the silkbook relating parts of king shang of lu’s life, and because it mentions the purple and gold box in it, which when opened, wu xie discovers contains the first snake-eyebrowed copper fish
to me this actually pushes suspicion more heavily onto two parties in particular: wu sanxing and the wang family. because to be able to forge a silkbook that would specifically contain passages tailored to wu xie’s knowledge of old chinese and not run the risk of him either knowing more or less than speculated, you would have to have extensive knowledge on wu xie as a person on a personal level. and to be fair, this idea hinges a lot on the silkbook being put into that coffin for wu xie specifically ti find, so i’m working on assumptions again, but if this were the case, then only wu sanxing and the wangs qualify to fill that role, and in some ways the wangs even more so because this kind of covert manipulation is very much the way they do things. xiaoge would not have known wu xie to that extent in book 1, if at all, and while wang zanghai himself is a tempting possibility, he was obviously in the seven star palace long before any of this took place, so it can’t be him. in fact, the only thing that ties wang zanghai to any of this at all is the purple and gold box containing the copper fish, since whether or not the box had originally been there and he simply emptied it of its contents or brought it in from outside, he’s the one who placed the copper fish in it
as to why if it was wu sanxing who planted the fake silkbook he would shift the blame onto xiaoge, my theory on that would be that xiaoge was another convenient means of stringing wu xie along into the xisha expedition mystery by virtue of him being zhang qiling and therefore both highly mysterious and suspicious, as well as personally involved. part of me wonders if part of the reason wu sanxing went to chen pi ah si to hire xiaoge specifically because he was added insurance that he would have the means to trigger wu xie’s curiosity, and provide a first clue to lead him into the It conspiracy. wu sanxing did use the picture of the expedition team to explicitly tie xiaoge into it along with the copper fish story, so there’s that to consider
the third account
which finally brings me to the final version of the king shang of lu story, which is the one given to li cu during the wang family powerpoint lesson. this particular version also overlaps with the story of king mu of zhou and the queen mother of the west, but i’ll get to in another part of this meta. so this version of the story is mostly ironically both the version that most blatantly contradicts the first two, while also being the version most accurate to the tiny introduction we get to king shang of lu at the entrance of the seven star palace that says he was “born with a ghost seal and could borrow ghost soldiers from the underworld”. the only real issue with that this third version has it’s told by the wang family to li cu, so just by virtue of it coming from obvious wang propaganda, it’s immediately suspicious by nature
going back to speculations about who planted the fake silkbook version of king shang of lu’s story in the seven star palace, it then also raises the question of, if the wangs were the ones who did it, what motive they would have had not only to do so, but to tell the story in that particular way, only to then tell a completely different one to someone they consider a candidate to join them. in my opinion, the only thing that makes this third version hold water is that given how it’s explained to li cu, and how wang xiaoyuan (the girl who passes by the window during the lesson) has the same version of it, the wang family believes this version is true, and by virtue of that, it gains a little more credibility, bc suspicious as they are and twisted by their own biases their version of history may be, the wang family is nonetheless well-informed for the most part. not to mention because the narrative has the wang family consistently mirror the zhang family and the way they function so perfectly it’s almost eerie, it stands to reason that the wang family also dabble in historical revisionism when they can, so putting out a fake version of history onto a fabricated silkbook seems up their alley
i’ll get into king mu of zhou separately because that’s a whole other can of worms, but this final version of king shang of lu’s story begins between the “emperor” of the state of lu and his advisor, the owner of a fox mask “with ancient patterns that often appeared on bronze ware” (Sand Sea Part III, Ch. 132, Lesson). the “emperor” asks his advisor “around 1000 BC” (fyi the original says 一千年上下 which amounts to “around 1000 years” but it’s more of an approximation and can technically encompass the warring states period too) as a hypothetical whether or not it’s possible “to prevent people from dying”, to which the advisor answers that he himself doesn’t know how, but he does know where to find something that can “beneath the loess inside the mountains”. he then goes on to tell the tale of king mu of zhou to the “emperor”, and of how he was given an elixir of immortality by the queen mother of the west that he likely hid inside of his tomb centuries ago
it very quickly becomes apparent to the reader that this story is an obvious ploy by the owner of the fox mask, who in sensing that the “emperor”, while tempted, is reluctant to cast all appearance of morality aside to deploy his troops to rob king mu of zhou’s grave, calls a “strange man” to the court who’s “believed to be a descendent of the zhou emperor” (that is to say king mu of zhou) “who was able to communicate with the underworld”. the ruler of the state of lu thus gives this “strange man” a jade seal and seals him in an iron coffin deep in a well for 49 days, saying that if he can come back up from it with the ghost seal in hand after having successfully spoken to king mu of zhou, then it would be proof of king mu granting him permission to rob his tomb and take the immortality elixir from it. and so this “strange man” does, in fact, come back, not only with the ghost seal in hand, but with an imperial edict written by king mu of zhou himself that granted him the title of king shang (殇 shang meaning to die young or at war) as well as all the contents of his tomb
the ruler of the state of lu then uses this to make several leaps in logic to justify being in the right if he deploys his troops to rob king mu of zhou’s tomb, because if this “strange man” can communicate with the underworld and was given a title relating to dead people, then surely that means that this strange “king shang” is likely dead himself, and that king mu of zhou chose him as his heir after he’d died. it’s a very convenient out for the ruler of the state of lu to say that he’s only helping an esteemed deceased elder to recover his birthright if he makes him a general and lends him troops to go find king mu of zhou’s tomb (Sand Sea Part III, Ch. 133, King Mu of Zhou)
it’s also quickly obvious to the reader that the owner of the fox mask and this newly minted king shang of lu are in fact working together, given it was the former who referred the latter to the state of lu’s court in the first place, which is something i’ll come back to in another part of this meta. from here, under the ruler of the state of lu’s orders, king shang and the owner of the fox mask, together with more grave robbers who also wore fox masks (as according to the wang family, foxes would live in graveyards and grave robber’s tunnels at the time, and so grave robbers associated their imagery with the profession), began their search for king mu of zhou’s tomb and the immortality elixir it supposedly contained. while this version of the story of king shang of lu more or less ends here, you could assume the rest of it might follow along the same lines of the first two versions, and maybe it does. you’d then assume that the person king shang and the owner of the fox mask (who’s by then inferred to be iron mask from the previous two versions) find in the western zhou tomb is king mu of zhou, who they then divest of the jade burial armor to take for themselves
however, one very important detail in this version compromises this assumption: king mu of zhou isn’t actually dead, and he thus gave king shang the edict personally (Sand Sea Part III, Ch. 134, Deception). what this means is that the ruler of the state of lu was duped presumably not by two, but three people, all of whom were working together to find the jade burial armor for who appears to be king mu of zhou. in other words, where the other two versions of the story have two key players, this final version suddenly introduces a third one, and that changes things. how much it does is what i’ll be getting into in the next part on king mu of zhou more specifically
(tbc in part II and part III of this madness)
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theneighborhoodwatch · 10 months ago
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Found this welcome theory video that i found interesting: https://youtu.be/9Lz6OcILeSc?si=tcPnCX3QC4JmAyC-
Thoughts :3?
(functional link to video)
i tend to avoid youtube coverage of welcome home because i'm petty, but fuck it, it's a new year and i've never actually heard of this youtuber before. i'll give it a shake. liveblog under the cut:
"y'know if it wasn't for the unsettling mysteries, the feeling that somebody is always watching you, and the mold.... i'd wanna live in the neighborhood" that's exactly why the mold and paranoia's so scary babeyyyy
"update number two" Tch.
i'm less inclined to call the writing in this update character development so much as it is just character establishment. especially since before the july 22nd update (bc that's what this video is about) all we knew about the other neighbors was what the WHRP was willing to tell us. i feel like i'm preaching to the choir though.
ok i laughed at the grindset alpha male howdy joke
"now i wanna move onto eddie bc i wanna make a connection between [eddie and howdy]" :D OH DO YOU NOW.
i do love the energy in this video, very infectious. i too have recommended people welcome home solely on the basis that they would have the hots for eddie and y'know what i haven't been wrong yet.
I WAS GONNA SAY SOMETHING ABOUT HOW LIKE. almost all of the characters have that backstory element of having coming from somewhere else before settling down in home, but i see the point about howdy and eddie specifically dealing with stuff that comes from someplace else as like, an actual job. putting a pin in it.
i'm not Sure how i feel about the idea that the world of home/the world in which home exists is Within our world? pretty much from the beginning i assumed it was running on re:creators/deltarune dark world rules (i.e. it is a world that was born from human thought and its existence is dependent on/influenced by our world, but at the end of the day it does exist on like a separate plane of reality) and i still stand by that. barbieland in barbie 2023 is a more apt comparison though.
"possession route" Tch.
ok actually i can't tch at that because i have talked about it in my own posts. TL;DR: i think possession/haunting theory could work but only if it's anything other than actual literal ghosts. as soon as you try to make it FNAF 2 i sleep.
don't have much to say about Real Poppy Lover Hours except emphatic smiling and nodding. although i will say i have seen people use "oh she's more like a mom/aunt/etc.!" as an excuse to sideline her in fanwork bc for some reason some folks think that her having a motherly personality means that she can't be shipped with anyone? even though all of home's residents are adults who aren't even related to each other? that's a gripe for another post, though.
THE CONCEPT OF SALLY BEING AS BIG AS POPPY IS KILLING ME. I PROMISE SHE'S SMALL SHE JUST HAS A BIGASS HEAD. she would want to be big though wouldn't she.
...actually now i want big sally. note to self to draw that later.
i do like the examination of whether or not sally referring to the audience is meant to mean anything. personally i think it's just a bit of wordplay/red herring action but You Never Know!
i misheard "girlboss bossgirl slay" as "girlboss boygirl slay" for like a split second. still fits tbh.
IT'S FUNNY THAT THEY MENTION THINKING THAT THE WHRP IS A SINGLE PERSON bc i do have an ask about that right after this. i'll save my thoughts for that response though.
it's funny that "was the majority of the gang being some form of queer/disabled/nd/etc. planned in-universe" is a question at all bc at the risk of sounding like an asshole it feels so obvious to me that it very much was not. the interview is definitely playing into those themes though.
"them <3" yeah
again. extremely refreshing to see a welcome home video from someone who actually likes welcome home instead of the clicks that covering it will give them.
BARNABY-SANS COMPARISON IS... DISTRESSINGLY APPROPRIATE.
he always knows when to show up, huh.... huh.... i've been trying to break away from being so self-referential ever since welcome home and consequently this blog blew up but. huh...
do i think he's a service dog? i think to answer that question we would first have to answer the question of whether or not he's even a Dog or just Shaped Like A Dog. the laws of his reality say he is a dog, but we can at least guess that even even those can't be trusted. i think it's possible that he may see himself as in service to wally, that he worries about what will happen if he doesn't butt in, but i don't know if this is an objective truth.
"[wally] being so mysterious i don't think is like, him wanting to be mysterious. [...] there just may not be that much about him." and then relating that to how typically protagonists in puppet shows have more subdued personalities than their co-stars so they can be more relatable to the audience. Teehee. (this is positive)
oh there's something kind of poetic about the idea that each bug video ends bc wally's snapped out of his dissociation by one of his friends calling his name when paired with the idea that he's disassociating in part due to his connection with the audience isn't there. being reminded of one's own personhood through your connections with others, and how that has the potential to become more bittersweet the more wally continues to risk it in the process of regaining a sense of purpose as The Audience Surrogate. oogh. that's just me waxing poetic though.
oooh that whole passage about the idea of remembrance and the pursuit of a "correct" story and tying that back into how welcome home in-universe has been almost universally forgotten and the themes of living as a disabled or mentally ill or queer person. beautiful connection.
"hmmm, how much agency do you have in your life actually" AHEHEHE. HEHEHEHE. HEHE.
conclusion: Good Video. thank you for sending it.
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tarisilmarwen · 1 year ago
Text
Rebels Rewatch: “Spark of Rebellion”
With the Ahsoka show coming up here in August, I have just enough time for a full refresher so, you know, I Might As Well.
This is going to be different from my normal liveblogs, obviously, less real-time reactions and more commentary and meta analysis, though you’ll probably still get some incoherent nerdery and feelings spew here and there.
All right, let’s get into it.
You know with the benefit of hindsight, Vader’s speech to the Grand Inquisitor here is actually a perfect encapsulation and summary of the premise of the show.
“Hey so the Jedi are dead and the Empire reigns but the Emperor is still worried about threats to his rule, so your job is to hunt down and kill anyone a little bit too Force Sensitive and also anyone Order 66 managed to miss.”
It’s an interesting choice of phrase too.
“The Children of the Force”
Emphasizes the villainy of our bad guys in that they’re hunting down literal children and also seems to suggest some kind of protectiveness from the Force here; these are its children, people born into its “family”, so to speak.
Anyway.
OKAY WAIT NO I NEED TO STOP BECAUSE I STILL CAN’T GET OVER HOW THIS SCENE IS PARALLELED IN THE FINALE.
SHOT FOR SHOT.  SHOT.  FOR.  SHOT.
The show opens with the “boy who was lost” and closes with the “girl who was broken”, Sabine’s move into more narrative prominence S3 onward was not a writing mistake, it was purposeful, it was deliberate, the show is their coming-of-age arc, they are co-protagonists, they are each other’s Most Important Person and have so much influence on each other’s character development and it’s reflected so perfectly in that seventy-something episodes later we’re going to see Sabine standing right here where Ezra’s standing now.
*sobs*
Okay I’m good.
Right here is also when we hear our first classic Star Wars leitmotif, as the Imperial March blares out with obnoxious brassy flair.
Followed almost immediately by the short excerpt of the Rebel Alliance theme that functions as our stinger.
(I’m going to be talking about the score A LOT this time around, better get used to it lol.)
Ugh, there was this one stupid post that was like, “What’s so bad about the Empire regulating commerce anyway?  Controlling food safety is a good thing!”  REGULATIONS ARE A TOOL OF THE STATE TO CONTROL ITS PEOPLE SHARON, you notice they harass this vendor specifically because he hasn’t asked permission from the oh-so-benevolent Empire to make a couple credits selling a single basket of fruit, as if that’s something the Empire needs to control, and when he dares to complain about it they immediately want to toss him in prison.  That’s the epitome of petty state authoritarianism.
This is also such a wonderful character establishing moment for Ezra, because as much as he says he’s only out for himself and doesn’t stick his neck out for people the very first thing we see him doing in the show is surreptitiously sticking up for this harassed vendor.
We learn three main things here: 1. He’s clever and agile, 2. He’s a street kid trying to survive, 3. He actually really does care about people.  All in less than a minute.  Very tight writing.
I love the sound effect they use to signify Force use.  It’s very pretty.
Aaaaand of course accompanying it, the quiet string prelude to the classic Force theme.  An immediate auditory clue cueing us into the fact that Ezra is also Force Sensitive.  So unconsciously, we’re already primed to expect that.
Snrk, I still love how casually Sabine tosses the grenade onto the speeder.
There’s a strechiness and elasticity to the character models here that I think they lose later, as the tone evens out into being more serious, but it’s very Disney-esque.
Actually hilarious and kind of fascinating that instead of stopping Ezra, Sabine lets him keep part of the shipment and have a fair shot at escaping.
She definitely sounds like she likes his gumption.
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If no supposed to ship, why let Tiya say the line so playfully here?
Zeb’s resigned thumbs up always cracks me up.
It bears repeating but the animation?  Very Disney-esque.  The whole way characters move, their design, how they emote and express.
I was always particularly impressed by the hair.
Look at it.
It’s always shifting softly around Ezra’s face and blowing in the wind and reacting to his movement shafkjghkajh.
SO much better than early Clone Wars.
No, shut up, go back and watch those awkward early episodes.
The faces don’t emote.
Kanan’s fond little smile. :)  He already loves that kid so much.
Again with the animation being very 2D Disney hand-drawn inspired in the way Kanan sloughs his shoulders here replying to Hera.
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Hgnnnglllll the little shine in Ezra’s irises shifts like it’s an anime sparkle, I love this animation I love it I love it your Clone Wars could never.
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If no supposed to ship, literally why have this moment with the classic Sees Her In Sparklevision trope?  (Okay so I added the actual sparkles but still.)
Seriously Filoni.  “I think there’s an automatic instinct to ship them.”  WELL WITH THIS COMING DAY ONE EPISODE ONE WHAT DID YOU THINK WAS GOING TO HAPPEN?!
Hi Kallus!
Right so after this sequence where Ezra feels inexplicably guilty for not doing more to help the people of Tarkintown despite him literally only finding out they existed two minutes ago there was pretty much no way I wasn’t going to love him.
I think my brain subconsciously recognized, “Oh, he has a Hero Complex.” annnnd yep, yep, that did it, he’s my son now.
Interestingly, this is also I believe the first time we hear Ezra’s leitmotif, which like Luke’s theme is primarily in brass but in a minor key, slower, more somber, more introspective, almost a thematic foil to the adventurous bold excitement of Luke’s theme.
Luke’s theme, AKA the Star Wars Main Title theme, by the way, is primarily used throughout Rebels to denote heroism.  Typically it comes in whenever we have a Gunship Rescue from the Ghost or some other kind of Big Damn Heroes moment.
Side note appreciating the animation again, the storyboarding and blocking is very cinematic.  The camera moves as it might on a modern Hollywood production instead of a weekly TV serial, which I think helps makes Rebels feel closer to the Original Trilogy.
And here the full Force theme breaks through. :)
Note: At this point, behind the scenes, Hera and Kanan have already discussed Ezra’s potential Force Sensitivity, and agreed to test him.  I am still sorely in need of fanfics that cover that conversation.  Just saying.
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AGAIN.  WRITERS.  YOU NEED TO BE A LITTLE MORE AWARE OF JUST HOW SHIPPY THINGS COME ACROSS BETWEEN EZRA AND SABINE THIS FIRST EPISODE.
Like, there’s a reason why this conversation and footage is used in a million Sabezra amvs.
Ezra rubbing his hand on his neck, Sabine’s soft looks of concern at him, how warmly she finally reciprocates on telling him her name...
(Also notice how Ezra, empath that he is, immediately cottons onto the fact that Sabine considers the Ghost crew her family and discerns that something or other happened to her bio family.)
Gremlin child Ezra. <3
I’m sorry, I just noticed this:
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What is that look, Sabine?  Lolol.
Hera going into Mom Mode immediately.  Her cheeky look back at Kanan, lol, she knows exactly what she’s doing.
Edgy TWC bros complained so much about the humor in early Season One and I say they have no taste, “rare hairless Wookie” is hilarious.
Part Twooooooooo!
For all his bluster and his devil may care facade, Ezra had that Jedi compassion and drive in him from the very start, I will hear NO slander otherwise.
Something in this escape sequence I absolutely love?  Ezra clinging to Zeb’s back.  Just the way he grabs Zeb’s legs and climbs him like a feral cat.  And Zeb does not appreciate it lol.
Oh hey, we’re at The Scene That Basically Sealed Ezra As Tari’s New Favorite Whump Target.
Yeah, protip to all showrunners, you put an emotionally vulnerable young male protagonist in mortal peril and you basically guarantee that I will obsess and fixate on them forever.
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EVERY SINGLE FRAME OF THIS SHOT IS MORE HEARTBREAKING THAN THE LAST.
Hngl and you can hear him hyperventilating too ow my heart.
A brief excerpt of Ezra’s theme plays right here too, as if to compound Zeb’s guilt about the whole thing lol.
Like the score itself is saying, “HEY AREN’T YOU MISSING SOMEONE?!”
Sabine automatically assuming Zeb did something to Ezra. <3
Hera full-naming Zeb. <333333
A couple people pointed out before that Ezra flinches pretty noticably when Kallus reaches for him, and Kallus definitely marks that reaction with his eyes.  It’s such a quick little sequence but it’s fascinating in the layers it suggests.
I reiterate: The subtle facial animation is this show is fantastic.  The minute little emotions that you can pick up tell so much story.
Chopper voting with Hera to go back for Ezra. <333333333333333  The murder hobo does have a heart.
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I love the little sideglance these troopers give each other after Ezra seals them in.  You can’t even see their faces but you know they’re chagrined all, “Oh.  Ohhhh we’re in so much trouble.”
And the joke is even followed up on when Kallus demands to know how Ezra escaped and this poor dude just has all the notes of, “This is the worst day of my life.” in his voice lololol.
I gotta gives props to Taylor Gray, he pulls off Ezra’s impersonations really well.
So how much do you want to bet Kallus had unfortunate flashbacks every time one of Sabine’s bombs threw him?
“I’m sure your parents must be worried sick.”  “I don’t have parents.”
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*URGE TO ADOPT HIM INTENSIFIES*
(Also, same, Hera, same.)
Speaking of entire stories being told in the subtle expressions...
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Tangenting here a little bit, I’ve seen more than one bad faith reading chiding Kanan and especially Hera for “manipulating Ezra into being a child soldier” and hnnghghghgkjgdksh could you guys have any worse comprehension?
Ezra’s fate, narratively and meta-textually speaking, was sealed the moment he volunteered the information about the Wookies and actively took part in their rescue.  He didn’t have to do any of that.  He could have stayed quiet.  He didn’t.  He could have made Hera drop him off first.  He didn’t.  He could have stayed on the ship the whole rescue.  He didn’t.  And yeah, some of the reason why is because Hera told him it was better to fight for others than only for himself, but also have you considered that Ezra maybe is just that selfless at heart?
(See above where his Establishing Character Moment was saving that fruit vendor.)
ANYWAY, if he hadn’t done any of that, Kallus would have never seen him leap far higher than he was supposed to be able to, and would never have marked him as a Force Sensitive, would never have alerted the Inquisitor to him and basically marked him as a target.
Any time the local Lothal garrison spotted him, their impetus would be his capture and/or extermination.  Ditto for when news eventually reached the Inquisitorius.
The safest place for him was absolutely staying with the Ghost (where he could be trained to protect himself) and they even gave him the choice about it.
To say that he was manipulated or guilted by Hera into following instincts that were already inside him denies Ezra his narrative agency; he chose to become a Rebel and fight against the Empire.  Hera might have awakened his heroism but it was Ezra who Answered The Call.
All right, tangent over.
Oh ho man, you can tell they went into this with zero plans to redeem Kallus.
I mean, I’m glad that it happened, I definitely enjoy that aspect of his character.  But there was noooooo groundwork laid for it in these early episodes lol.
Writers got halfway in and realized, “Shit, we like him.” and then had to scramble to come up with something, which, I mean... I relate.
Ah, here’s what I mean when I say Luke’s theme is used primarily as a shorthand for the element of heroism.
And for an example of what I’m talking about re: cinematic camera motion, there’s the bit right where the crew charges out of the cargo hold onto the platform on Kessel.  The camera is behind our subjects and instead of immediately cutting to an exterior shot (which would be perfectly acceptable), instead it sort of rolls out behind them, pushing down and forward with them, for a more dynamic shot.
Add several tracking shots after that, that basically follow specific characters, and with that simple cinema magic, the action sequence feels more frenetic and energized.
Gosh, Ezra was so tiny back in Season One.
I do like this cue right here, when the Imperial ship drops in, don’t know if it’s generic action filler or it becomes a leitmotif later, will have to pay attention I guess.
With context from A New Dawn, we know that Kanan has not ignited his lightsaber since Order 66, though he apparently came pretty close it in that book.  I just find it rather beautiful and poetic that the Force tells him it’s time right when he has a padawan to protect. :)
And this reveal is still excellently done, fine candidate for my personal No Context Signature Scene Test (that being a scene which, when shown in isolation, showcases off the best of a movie or show and entices watchers to check out the rest, it must do a good job of selling the work, essentially).
POV shot as Kanan stands up out of cover, cut to in front of him, the action music drops out and fades into the Force Theme and Kanan just kind of... casually walks through shots, leaning around them, the sound gets muted slightly, we get the gunslinger shot of the lightsaber pieces clicking together and then the Force Theme gets a bass drum flare to emphasize the moment.  Awed looks from everyone.  A triumphant musical cue.
Even Kallus is unnerved for a second lol.
And I love the verbal hesitation when he says, “Focus your fire on... on the Jedi.” like he can’t even believe he’s saying that.
Is it any wonder why I love the whole Rebellion Era Jedi aesthetic?  It does such a good job of encapsulating pure eucatastrophe, the sudden happy turn for good, a beacon of light and hope breaking through the darkness and despair.
The Wookies look at Kanan like a living legend has stepped out of the pages of their storybooks.
HNGH no one touch me.
And of course, Kanan stepping up immediately inspires Ezra to do the same, I love these two so much.
Wilhelm scream, lol.
See people, Kallus already associates Ezra with Kanan and has marked them as a master-padawan pair, there was no chance Ezra was going to just be able to keep his head down and live his life after this.
And again with the subtle expressions, there’s just a flash of sadness from Ezra here as he watches Kitwarr reunite with his dad, HAVE I MENTIONED I LOVE HOW UTTERLY EXPRESSIVE THE FACES ARE IN THIS SHOW?
I do kind of wonder what made Ezra decide to swipe Kanan’s lightsaber.
He had a thought to sell the holocron but honestly it seems like he wanted to keep the saber.  As a keepsake?  To use?
Honestly though I love it when writers have Force Sensitives just kind of compulsively drawn to Jedi artifacts and tools.  Like some part of them is called by the Force within the items.
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There’s a really cute, almost shy way that Sabine ducks into her shoulders here.  I see it in amvs all the time but no one ever really talks about it.
I mean, along with Chopper’s sad little moan I think it’s meant to convey that they’re already fond of him and regret him having to leave.
Chopper loved Ezra from the beginning and only gave him grief because that’s how he shows affection change my mind.
Ezra does not take Zeb’s playful hit well, flinches like he did with Kallus.  Of course later he’d get used to it but right now Ezra definitely does not associate roughhousing with affection.
Ezra gets so timid in his body language here.
I... I would really love to know how Kanan got up the tower.  Where exactly is the turbolift in this thing?  Is it in Ezra’s room?  How’d Kanan sneak past?
I know we’re meant to believe Kanan is physically there and just Batmans in and out but honestly I don’t blame the people with the wild theory that Ezra’s having a vision of Kanan in this moment.
Speaking of Ezra’s timid body language, have you noticed how often he crosses his arms, in an insecure kind of self-protective fashion?  This all but goes away in the later seasons as he grows up.
Aaaaaand we hear a snatch of Leia’s theme as Obi-Wan’s message plays again, a little musical Call Forward to the princess’s iconic plea for help perhaps?
Interestingly it fades into a very understated version of Luke’s theme, without the full orchestral accompaniment, just a single trumpet and then some quiet strings playing the notes.
I’m going to have to pay attention but I’m tentatively hypothesizing that Leia’s theme will primarily represent the aspect of hope in the series, to accompany Luke’s representing the idea of heroism.
Hope and heroism, two classic archthemes of Star Wars, lol.
Maybe it’s fitting that Ezra’s theme kind of blends the feel of both of the twins’.
On a completely different note, nice to see composer Kiner keeping in the tradition of assigning the Ominous Latin Chorus to the villains, lol.
I like Grand’s theme, it’s reminiscent of the Emperor’s, all bass male voices and dark minor chords in the strings.
I warned y’all I was gonna be talking about the soundtrack a lot in these.
And that’s the pilot premiere down.  Some people said they found it hard to get into the series at first, but I was never one of them, the pilot had me hooked from the get go.  Granted it was my birthday and I was a bit, ah... sloshed at the time.
Still, there was pretty much no way I wasn’t going to be into this show.  The classic Star Wars feel, the lovely animation, the fact that Ezra was basically exactly My Type... (Orphan, tragic backstory, Hero Complex, heartwarming relationship with (surrogate) father figure, this boy was ticking off boxes left and right lemme tell ya.)
Pilot still holds up.  Not every show’s first episode does but this one does.
This was a fun exercise.  I think I’m going to try to knock one of these out a day at a time until Ahsoka drops, maybe not as in-depth and rambly as this one, but we’ll see.
Until tomorrow then.
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highladyluck · 1 year ago
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Season 2, Episode 8 Post-blog:
So I did not liveblog this episode since I had friends over to do a watch party, but here's everything I remembered that I wanted to talk about!
As far as I can tell, the two Seanchan sul'dam that got collared are not going to be found with the collar on them. (Not sure if Renna is dead or if Egwene chose to uncollar her, but either way she's not chained up in a basement with the collar on waiting to be discovered by her peers.) I was thinking at first that this had major implications for the rest of the Seanchan storyline. But really, it only has implications for Suroth, since in the books Suroth (and Alwhin, who is already her Voice in the show) sit on the information until Egeanin discovers it separately. Egeanin can still be the first Seanchan to know and do anything about it. I do think this lack of a dangling thread, Suroth's ship being blown up, and the way it's hard to get actors to come back seasons later make it more likely we've seen the last of Suroth. I would be happy to eat my words, though! Also, Egwene, Nyneave, and Elayne all know you can collar a sul'dam, and possibly Mat, Rand, and Perrin will soon as well if anyone remembers to communicate this information, so any one of them could spill the beans.
Major props to whoever hypothesized that Uno would be a Hero of the Horn; not sure if he's implied to be Gaidal Cain or not (possibly not? there was a blink-and-I-missed it moment of PDA between Birgitte and somebody but I am not sure if it was Uno or not).
I did not anticipate Mat making an ashandarai out of household objects and the dagger and I am EXTREMELY PROUD of him. Also proud of him for escaping traps! My boy is really coming into his own! I also really appreciate the classic blunder of doing the same thing to Mat again but worse- the Dark does not understand that my boy thrives when you do that. He solves his problems by escalating them in intensity or magnitude. You can only put him in a room with drugs once, if you put him in a room with drugs again he will use them in an unconventional manner to escape and also destroy his enemies.
Also props to whoever guessed that the Horn would trigger memories for Mat- I'm intrigued by where they are going with this. I hope it's not precluding the Aelfinn and Eelfinn, but given all the hanging foreshadowing, the makeshift ashandarai, and Lanfear yeeting Moiraine out of the waygate doorway, I don't really think they'd cut the Eelfinn. It's the Aelfinn that seem slightly less like a sure thing, and I'm going to be a little on edge until Mat gets the DotNM prophecy somehow. I don't think they'd cut the problematic fave; it's a juicy part, idk what Mat would even do if he weren't babysitting the Seanchan in the later plot, and they've been doing great with the 'you're wrong but I see where you're coming from' characters. But they've either cut or significantly changed the Moiraine/Thom relationship in the show, and the two relationships are kind of linked in my head for thematic reasons. I'm probably overthinking it though.
HOPPER T_T
Dain looked like a boy band member who fell off the stage and got trampled in the mosh pit.
Loved that Egwene got to face off against Ishamael! Loved Egwene all the time forever actually. I was also entertained that Egwene had like one semester of Magic College and used it to school the Seanchan on linking mechanics. She's right that the sul'dam don't know how to link properly and are weak little babies when it comes to channeling, and she should say it.
Nyneave and Elayne were great, as usual- very impressed with Elayne, who is finally living all her Battle Queen fantasies and is being very brave about how much they suck, actually. Nyneave is in for some self-loathing next season though, I'm afraid. I love that Rand and Elayne still get to have a meet-cute when she's treating his wounds. :P
I was very happy for Tumblr User Moghedien that we got to see Forsaken Moghedien. She's offputting and very gay, just like I imagined!
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I'm on like my 5th rewatch of The Good Place, and since I always find something new to say about it whenever I watch it I'm gonna try live blogging it. I think one post per season oughta do it. So here it is:
The good place liveblog
Eleanor looked over at Jason when he mentioned soulmates, and like, they obviously aren't soulmates that's supposed to be something they poke at later
But she looked over at one of the only humans in a crowd of demons. I like to think all four of them are soulmates in a way.
Chidi is SO adorkable
"maybe it's a test, if you go to Michael and tell him the truth, you'll get to go to the good place"
Yeah actually, in a roundabout way... That's exactly what happens.
The best comedy moments in this show come from them being utterly human "did I bring a purse? No, wait, I'm dead"
"don't do that" *proceeds to do the thing*
*deadpan* "well that's terrifying"
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shamera · 8 months ago
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Jan-Feb 2024 Manhwa round-up
it is MARCH so it's two whole months of manhwa that I wanna talk about I'M SO SORRY so here are the top 5 new (to me) manhwa that I read the past two months!
5. Estio
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The story of a boy with the ability to communicate with animals, a power that grows and evolves into something fearsome as he grows up. It's the story of Estio's search for a meaning to his life and his powers, and to understand humanity's place in the world. (This series had me crying over a cactus at 1am, so it's earned it's place on top 5!)
4. The Way to Protect the Female Lead's Older Brother
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The villainess of all time. Roxanna is the reason for 'she can step on me and I will thank her' phrases. Transmigration story, except this time the lead realises that the only way to prevent the bad end is to be a greater villainess than the original character. With an entire villain family to deal with, Roxanna will manipulate, seduce, and kill her way to take them all down and save the character whose death starts the tragic novel she's now living. (Probably discontinued, but good enough to still recommend with the chapters that are out.)
3. Death is the Only Ending for the Villainess
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A 'transmigrated as the villainess' story where the original villainess was merely a victim, and every choice leads to death. Thanks to the system, Penelope knows her only chance of survival is to seduce one of the romance targets before the female lead arrives-- except they're all red flags a hair's breath away from murdering her if she so much as says the wrong thing. Her manipulations and scheming in order to survive, however, is leading her to become a greater villainess than the original ever was, and that might actually be the key to her survival... if she doesn't get murdered by her romance targets first.
2. The Greatest Estate Developer
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A transmigration story where... the mc's past life is relevant?? Lloyd Frontera was meant to be a scummy noble who dies at the beginning of the story as a way for the protagonist Javier Asrahan to leave the family he was serving, but when a modern day civil engineer takes over Lloyd's life, the fantasy world he's now living in is about to get an upgrade! (An absolutely hilarious story with what might be my favourite mc and protag relationship. The ridiculous artwork is a bonus and I look forward to how much more deranged Lloyd can look with each chapter!)
The S-Classes That I Raised
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I started reading this 10am Jan 1st, and I know this because I have liveblogging receipts. I literally wrote 'this one is going to break my heart' and 'BRING IT ON' and then proceeded with 79 reaction comments the first day. When I finished the manhwa, I went straight to the novels and spent the NEXT MONTH AND A HALF reading all 850+ chapters. This series has catapulted it's way to my #1 manhwa in my heart, and I posted a whole powerpoint on why. It's a story about F-ranked hunter Han Yoojin and his S-ranked little brother, Han Yoohyun. It's a story about brothers absolutely doomed by the narrative and their attempts to save each other, even if they have to save the world in the process. It's about the family you choose, and about love (not even the romantic kind) bringing people together, and how people don't need to be strong to be important. It's a story of Yoojin turning back time to save his brother, and then saving a girl who needed help, and then saving a man who needed a friend... and he continues to reach out to people who didn't even know they needed human connection. It's about a doomed world that fears S-ranks as much as they revere them, because people with that kind of power are nothing short of monsters, but they are the only possible way of saving the world. It's about a boy rejected by the world, and his brother who rejected the world to keep him safe. (And later on, it's about a man who was meant to be a protagonist, but even he can't save the world from what's coming.)
Below is: IT DIDN'T MAKE TOP 5, BUT THEY WERE REALLY GOOD! The honorable mentions~
Honorable Mentions (aka they are really good! I read through all the chapters that are out and I now check for weekly updates!!):
How to Live as the Enemy Prince
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MC was the prince of a country that was invaded and conquered for a mysterious time artifact, but after he was killed in battle he finds himself decades in the past as the sickly third prince of the enemy kingdom who was originally murdered before he reached adulthood. His goal was to help his original kingdom by preventing his new brother's ascension to the throne, yet he finds out that in this timeline, the king of his previous kingdom didn't have a younger brother who fought for him, and that the time artifact disappeared when he woke in the new body.
Max-Level Player's 100th Regression
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MC is part of a brutal death game that he's consistently died to, only to realise right before his final regression that the last stage of the game required teammates-- and now he's on a journey not only to survive the game, but the level up the people around him so that they can finally defeat the death game. Almost made top 5 because the art is... hnnnng. So good. Also MC has a cute little brother he's very protective of, and I desperately wanted another story like S-Classes.
My In-Laws are Obsessed with Me
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Genuine Fruits Basket successor, it feels like! After being murdered by her supposed loving family, MC wakes up weeks before her death and throws herself into an contract marriage with a duke powerful enough her family wouldn't dare go against, only to eventually find out that the duke's family has a mysterious and deadly curse-- one that she's immune to (because she's already died from it before), and her immunity sparks hope that perhaps the family curse can be broken after all. Really intriguing plot as it's soon revealed she's not the only one who died and then woke up several weeks in the past, and that there are outsiders who want to make use of the family's curse for their own gains.
The Crown Prince That Sells Medicine
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Set in the same world 300 years after Greatest Estate Developer! A doctor wakes up as a sickly crown prince and the system once again pulls shenanigans where the only way to live is to save lots and lots of people, so he goes to save the novel protagonist who becomes his personal guard! Less than 20 chapters so far, but it's super promising and really funny!
The Newbie is Too Strong!
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A great take on the tower ascension trope and streaming sponsorships-- except rather than the gods watching, it's other players who are watching the progress! After finding out the orphanage he grew up in would only have three more years of funding, MC discovers a series of videos sent to his phone that featured himself in the future challenging the tower and decides that would be the perfect way to make enough money to keep the orphanage going. By the time he's drawn into the tower, he's ready for every challenge-- or so he thinks.
Debut or Die
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Reincarnation idol series with a system! MC wakes up one day three years in the past in someone else's body, with a system that tells him he has to debut as an idol within a year or die! He ends up on an idol show using unconventional thinking to climb his way to the top. Really funny concept with a lead character who has to be the most blank-faced and deadpan debut idol I've ever seen.
Pick Me Up
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What I call 'I got isekai'ed into Raid: Shadow Legends' because that is what it is. MC gets isekai'ed into the mobile gacha game he played where characters stay dead if they die in battle, and now he's a character at the whim of an unseen, unknown 'master' who summons heroes and pushes them to fight-- even killing off characters by 'combining' them with others in order to help one get stronger. He has to survive the game he was playing, and this time without control of anything at all!
I Thought My Time was Up!
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Hilarious. Almost made top five this time! MC is told she has three months to live, and so she proceeds to stop worrying about everything and live her life the way she wants-- and her bucket list includes having a hot boyfriend! Thus begins her utterly shameless and relentless pursuit of a fearsome Duke, winning the hearts of everyone around her with her fearless and go-getter demeanour (which is really just a result of not fearing death at this point).
Tyrant of Tower Defense
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Another 'main character gets isekai'ed into the game he was playing', except with heavy Fear and Hunger and Bloodborne vibes. In a game where the goal was to defend a city against waves of monsters, each level more impossible than the next, the MC is out to discover the secret of the world he's stuck in-- because in his previous life he barely managed to defeat the game with one surviving character, and this time he wants everyone to live. Now he's out to discover just where the invading monsters come from, and why they're here.
Hunter World's Gardener
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In a hunter and dungeons world, the MC is the class 'labourer' which doesn't quite allow him to raid dungeons, and thus he opens up a general store for hunters instead. My slice-of-life pick this month! Finally, a sweet cinnamon roll MC who is 1, not struggling in his life and 2, not being taken advantage of by other people in a way that will later leave them scarred or jaded! Seriously, this series is sweet in every way: a kind MC whose kindness is rewarded in turn, and people around him who genuinely want to help him keep that innocence and ensure no one takes advantage of him! (Another around 20 chapters so far story.)
My Favorite Novel has a Weird Epilogue
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MC is an olympic gold medalist fencer who gets transmigrated into her favourite novel-- except 20 years after the horrible ending! All her favourite characters are dead and gone, and now she's determined to protect the son of her OTP, which means she's definitely going to do the same thing as her favourite character (his mom), and pretend to be a boy in order to be his knight. Again, around 20 chapters, but this is shaping up to be really really funny.
Moon-Painting Alchemist
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Less than 20 chapters so far, and the first bl to make the list! MC is a genius alchemist tasked with creating a spell that would show people their future spouse, but when he finally thought he had it, the spell showed him-- a man? When he fixed the spell again, it showed him a boy the second time-- a boy that he soon meets, who disappears soon after right before he meets the man he saw in his spell-- who hires him to break a complicated curse. (I'd give this one a mature rating for the Duke's dirty mind, lol, but so far it's played off as humorous intrusive thoughts.)
The Tyrant Wants to be Good
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This story led me to tears. About a tyrant queen who woke up at the beginning of her life after she was executed by her country, and rather than revenge and power, she decides that this time she will live her life quietly and learn to be a good person. Starting with her as a young, unloved princess, it really explores how she went down the path she did, and her quiet exhaustion as she examines what originally led her to kill her brother for the throne, and her descent into madness as she took up the crown in the first timeline. This time around, she's resigned to a life without love so long as she doesn't cause the downfall of the people she cares for. (Every scene with her and her brother had me in tears, because he loves her so much but it took her a lifetime and a half to see that.)
The Academy's Undercover Professor
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I had to debate between this series and Estio on the top 5 list, because this one is also very, very good but in a different way. Complicated world-building, factions and politics, with events that will keep you on your toes-- this is almost a Sherlock Holmes-esque story where the intrigue keeps you going and you don't know who is actually who. Set in a fantasy version of Victorian England at a magical academy, the MC is accidentally roped into a role he was never meant for while he investigates criminal organizations and searches for relics that contain a hidden power, all the while being hunted by different knight and police groups.
Series I read that didn't quite cater to me but it doesn't mean that it wouldn't be good for other people (mostly because I really couldn't connect to the main character, but it doesn't mean the story is bad)!
I'm the Queen in This Life
Regressor Instructional Manual
Necromancer Survival
Global Examination
Limited Extra Time
The Villain Discovered My Identity
The Remarried Empress
Third Wheel Strikes Back
Weapon Creator
Seoul Station Druid
Revenge of the Iron-Blooded Sword Hound
F-Class Destiny Hunter
66,666 Years: Advent of the Dark Mage
Reincarnated Assassin is a Genius Swordsman
Reporting for Duty, Duchess!
Doom Breaker
Cleric of Decay
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lucas-deziderio · 10 months ago
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Dezi reads Pact
I am a newcomer to Tumblr and have just found out about liveblogging books. It seems pretty darn fun! So I decided to try my hand at it to both exercise my literary analysis muscles and to maybe make a few friends in this site. And I've decided that my first subject on this will be John “Wildbow" McCrae's web serial Pact.
I've been a huge fan of his other work, Worm, for years now (though I do have a couple issues with it). And I'm also a big fan of urban fantasy stories with well designed magic systems, so the premise of this book is already very appealing to my tastes.
I have actually started reading through it before but put it on hold for a while. I am currently sitting in the middle of Signature 8.7 and will be picking up the story from there. I'll try to post once I finish each chapter, sharing my overall thoughts and analysis, and maybe once I finish each arc to stitch them all together and make predictions about the plot.
The road so far
Here are some assorted thoughts I've had on what I've read of the story so far:
Blake Thornburn is definitely a protagonist of all time. This little wet blanket of a man has successfully fled his toxic family, survived homelessness and got adopted into a found family of queer artists only to then be dragged back into his family's issues. And the skeletons in his grandma's closet want to eat his soul.
Also he totally fumbled a threesome. My dude simply can't get a win.
Rose Thornburn is a character who is completely devoid of any trans subtext, thank you very much. At the beginning I thought she was an excellent addition to the story, being a tool to get Blake to externalize his thought process and opinions. The first arcs would have been really dry without her. But she has grown so contrarian; convincing her to help is now an additional step Blake has to do every time he comes up with a new plan of action. I suspect she might become an antagonist even before the end. Is it just me? Is it some kind of ingrained misogyny?
Evan is the best character in the story. He's such a ray of sunshine that every line of his is like a breath of fresh air in this dark and gritty narrative Blake is trapped in. Please, let him become a fire bird. I beg you. He's just a cinnamon roll too pure for this world.
The magic system is maybe the best I've ever seen and is definitely what makes the story stand out. It feels like what I, almost instinctually, always imagined magic should work like. But defined and refined to a point where it actually becomes a usable set of rules. Everything from true names, binding, spirits, demesnes... It's ugh, so good! I will probably dig more into each of those elements as they come up in the next chapters because there's so much to chew on.
The monsters. The author has this amazing ability of grabbing well-known concepts of mythological creatures and giving them their own spin while at the same time seemingly distilling them to their core appeal. After meeting Wildbow's goblins, that's how I expect all other goblins to be like. The same goes for demons, fey, ghosts... As with the magic system, I'll dig into each of those as they come up in the next chapters.
During the discussion of the binding contract, the imp Pauz has mentioned some “inviolable rules", which caught Blake's attention for a second but were not clearly explained. This has been living rent-free in my head since then and I am very sure it will come back later.
Isadora, the sphinx, could step on me. Also, she has mentioned the fact that in the classical Greek myth Oedipus actually gave the wrong answer. I've been dying to know what is the true answer the the classic sphinx riddle, but unfortunately I don't think it will be revealed...
The way they defeated Conquest was, to me, a total copout. I couldn't fully follow Blake's plan until it was all over, and I can't understand why Conquest needed to travel into the mirror world to catch Rose when previously he just pulled her out of it like it was nothing. It just felt anticlimactic to me.
Also, please, can we actually just give him an actual arsenal of stuff he can use? I know Wildbow likes to keep his protagonists as the underdog but this is getting ridiculous. This magic system allows for basically anything but still our main man only has two or three tricks up his sleeve at any time and is constantly losing resources as fast as he can get more of them.
Last time I saw Blake he was swallowed whole by an ontophagic demon, being completely erased from reality as we know it and leaving Rose to steal his life. I know he'll come back, he's the protagonist after all, but I'm really excited to see how it will play out. Will he fight his way out Hell itself? Like Kratos??
The spoilers I already got
I don't care that much about spoilers, but still would like to avoid them if possible. I decided to list here what I could already gather from the future of the story simply by osmosis from the fandom:
There will be a mermaid called Green Eyes who is super cute in a “bite your face off" kind of way.
Blake will become part tree(?).
The ending is bittersweet at best.
Next
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granny-griffin · 2 days ago
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hey hey :~) it seems like you’re blogging about mha while watching for the first time— there‘s a tag for that actually! so if you want to find other people‘s posts of the same genre, sort your own posts by it so you can find them more easily later, or make it a lot easier for people to filter those posts out, you can use the general #liveblogging tag, or make it more specific— to the media or even just your blog theme. #mha liveblogging #liveblogging mha or #griffin‘s liveblogging adventures perhaps. anyway, happy watching & blogging, and potentially tagging… :~)
hey its ok if you want me to tag my reread posts so you can block them, thanks for letting me know! I’ll try and come up with a tag before I read ch 8 next week
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thessalian · 5 days ago
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Thess vs Arlathan
So turns out I can actually play this thing - on the easiest settings, mind you, but I can do it. Haven't entirely figured out parry (that "too much visual noise" thing), but I get it sometimes. Doesn't help that the timing of the indicators is a bit ... wonky.
I'm beginning to see why people are a little iffy about the writing. I don't think it's bad, mind you. It's just that it's ... all got a bit of Purple Hawke to it, if you see what I mean? It feels like Rook was built around the "scoundrel with a heart of gold" trope, and all the lines the players choose really do is slightly change the degrees of 'scoundrel' and 'heart of gold'. Which ... I mean, I don't mind that much. I get that thing with Aloy, after all. I just ... understand why people might complain about it a little in a Dragon Age game, just because the series has up until recently been known for letting you shape your character the way you want, and now the vague framework we got for "Warden" or "Hawke" or "Inquisitor" has been a lot more carefully structured for a "Rook". I mean, hell, Varric gave Rook a nickname. Up until now, he's only done that with characters we don't control. The closest he comes is Mark of the Assassin, where he workshops one based on the personality you've crafted for your character over the course of however many games. So Rook has a nickname based on what Varric knows of them, which means that kind of has to stick. Thus, more structured character that we can basically guide but not hugely control, at least not in terms of personality.
Like I say, I'm not necessarily complaining. I just know that it takes somewhat more headcanoning for those of us who prefer a bigger range of character traits for their DA characters. But I know you all over here are up to it. Hell, so am I, or I will be, when I get the structure and flow of the game a little more sorted in my head.
Currently I am playing a nonbinary elven Veil Jumper named Lira - specifically Lira in the cause of differentiating them from my various Jalliras, who are definitely ladies, because this one ... isn't. This is my practice character. That whole rant above? I guess I had it on my mind because the way Rook's character is set up for us means that I can't really play a Jallira. This is definitely a Molly game. Quite possibly a Jessie game. I have a few others, but I'd have to check through the imaginary Rolodex to find out which ones hit the snark the way Rook seems to.
That said, this particular set of liveblog posts are going to be actual liveblogging, not ... well, not what I normally do. But when I do get the hang of this a little more, and can assess the flow and figure out how best I can play a Rogue? Holy hell am I running a Molly through this game. It's basically made for a Molly. Though I am having a hard time deciding which faction she should join. Veil Jumpers (again) because Things To Tinker With? Lords of Fortune because Adventure? Shadow Dragons because freedom fighter? ...Well. I mean. A Molly is a tinkerer. A Mychae is a freedom fighter and adventure-seeker. So I guess Molly of WoD Mage would be a Veil Jumper (again) and Mychae of SW:TOR fame would go with the Lords of Fortune. I do have a second Mychae - the TSW one - and she'd be the Shadow Dragon. Jessie'd be a Warden, no question. Srina ... Antivan Crows. I have an old WoD mage who might do for Mourn Watch, actually. It's thoughts for later, anyway. But the playthrough of at least one of those will get the dialogue snippet treatment (probably two; you all love the Molly and the Jessie).
Much later, because I am running on far too little sleep. But at least, for all I've heard and read, and even with it being a bit of a struggle to play, I have been enjoying myself. Met Bellara (Molly is going to love Bellara), and have a crossing to look at and probably clear darkspawn or some shit out of. Also, no, I have no idea who this nonbinary character is going to romance. I'm not even sure they'll romance anybody. This is a practice character. This is basically as close to me as I'm going to get. But you never know. This Lira might speak up inside my head at some point, if only to differentiate themself from their parent and original.
...But I doubt it.
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