#my (lack of) writing

[scrion7]

This, but replace writing with literally anything

…this is just executive dysfunction, isn’t it

do you ever not write for so long that you’re almost afraid to? like what if I’m dumb now

[fictionadventurer]

Genuinely think the only way to approach art is to like the things you like instead of tearing down what other people like.

"You should read classics because those are real literature unlike that TikTok garbage." Bad. Turns people away from reading the classics because it makes them sound stuffy and boring and makes you sound like a snob.

"You should read classics because this book is amazing! I love the characters and the story, and it's so cool to read a story that uses different techniques than modern fiction does." Good. Makes people want to read the classic. Suggests there's something good in this story instead of just suggesting that other stuff is worse.

"You don't like the modern art? That's because you're an unwashed plebeian who only likes what's pretty." Bad. Puts down the person and makes them even less likely to be interested in this type of art.

"Wow, I love this painting! Look at the technique! I love the message behind it!" Good. Helps the person to appreciate what might not be obvious at first glance, instead of shaming them for not automatically knowing this.

"You should watch this show because it's so much better than that other garbage show." Antagonizes people who like the garbage show and makes them less likely to feel positively toward the show you like.

"You should watch this show because it has great writing/characters/plot etc." Good! Tells people what makes this show appealing and makes them want to try it.

"I listen to this music because it's real art and not that manufactured pop garbage." Bad. Makes your genre seem like an exclusive club of snobs that I don't want to join.

"I listen to this music because I like the sound. Here, listen to this song." Good! Shows me something good within the genre and may encourage me to explore further.

There's a place for criticism. You don't have to like or approve of everything. But it's not a great technique for getting people to like art. Hating on the things that are bad just drives people away. If you want to draw people toward something, you have to help them to appreciate what's good.

[scrion7]

okay, so with the college semester done I should in theory hopefully probably maybe perhaps have some time to write stuff. Probably.

oh, and apparently I forgot to post the tidbits for A Magnetic Personality. Those are going up with a new format (b/c the old one was kinda trash)

[time-slink]

(my two interests flying around my skull and crashing into each other) wgere am i

[shiraishi--kanade]

Make your own proseka OCs. Make your own proseka unit. By god, make it. If you have an idea, go with it. Proseka lore allows for boundless opportunities. They don't even have to be musicians to have a Sekai. They don't even necessarily have to be in Japan. Project Sekai as a game is a love song to art and artists. You are one. Go nuts.

[lokh]

finding out shuro genuinely just likes bugs...

[crossistent]

[vaultureculture]

I said I was going to draw him so I did

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[sixtysixproblems]

i want to see Fox have the most chaotic ass relationship with some feral investigative journalists. and it somehow turns into a fix it fic. like this somehow leads to Palpatine getting taken down. how funny would that be.

like. journalists are fucking insane man (i mean this as a compliment), and insane in a way I think fanon Fox would 100% get along with. Like, what Palpatine didn't realize when creating a clone army to kill the jedi, is those clones might be very enthusiastic whistleblowers.

Fox stresses out the journalists by how much he's willing to divulge despite the potential consequences (or, yk, actual consequences cause it's palps), and the journalists stress out Fox bc they're catching up to Padme in number of assassination attempts. meanwhile--

Thorn: how many hours of sleep did you get last night

Journalist: i got like 30 minutes at my desk

Fox: omg twinsies

Thorn: nO

thorn's just. stressed.

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[rookamell]

Other Plans for the Evening

Pairing: Lucanis x Rook

Summary: Scene after the Illario fight, but the way I would have written it. It's not that deep or different, but I think it's better. My Rook but mostly I wasn't specific.

Disclaimer: Whoo first Lucanis fic! I'm still trying to find the DA companions' voices so you might have to bear with me a little bit. This has been in my brain since the MOMENT he said "I have other plans for the evening". I tried to make him that weird mix of awkward and smooth so lmk if I did that or if I need to work on it. Might come back and edit.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"You came back here just for coffee?"

Rook's voice startled him out of his thoughts.

When he looked up at her, his heart gave a lurch, the same lurch it had given every other time he'd laid eyes on her.

Her hair was damp and sligtly wavy from her bath, still, and she wore leather trousers and a shirt. It was difficult to see in the dim firelight, but he knew the blue of the shirt would be reflected in her eyes, twinkling above the bemused grin she was giving him.

"What, the stuff in that gigantic villa wasn't good enough for you?"

She folded her arms across her chest, eyebrows raised and dimples clearly visible as she grinned down at him. Mercifully, Spite was being quiet for once. He idly wondered if demons ever got tired, or overwhelmed after a long day. Something to ask Emmrich about, perhaps.

"It's better if I make it myself," he said, not quite managing to smile back at her, despite the lightness that smile brought to his chest.

"And besides, I wanted some quiet."

He hated that her smile melted slightly, her shoulders tightening ever so slightly. He doubted anyone else would have noticed, but he did.

"So," she said, "First Talon?"

"First Talon," he said, and if he was honest with himself, it did not fit right in his mouth.

"I still cannot believe Caterina did that."

Lucanis is the new First Talon. His decision stands.

The corner of her mouth lifted slightly, but her fingers tensed where they rested on her arm.

"Does that mean you're leaving?"

Ah.

He almost grinned.

"No," he said simply. "We have a contract. Besides, Caterina might have named me First Talon, but there's no stopping her from giving all the orders."

This time her smile was wider, and she tilted her head to the side so her hair shifted, glinting golden in the firelight. He ached to run his fingers through it.

"You know," she said, her eyes twinkling with laughter again, "You could have said, 'Of course not. I would never leave with you still here.'

Her Antivan accent was good. Too good. It made his chest feel tight whenever she pretended to be him. He grinned back at her despite himself.

"I would never leave with you still here," he said. "You'll have me for as long as I can put off the Crows."

He saw her brow furrow slightly, but she hid it quickly.

Before he could let his nerves interfere, he stood up, setting his half empty cup down on the table as he did.

"I may have had another reason for leaving the party early," he said, letting his voice drop slightly. He saw her eyes narrow, but then she gave him a crooked grin.

"Besides coffee, you mean?"

He walked past her, to the open space between the dining table and the door, and held out his hand to her.

"Dance with me," he said softly.

It was the first time he'd seen her truly taken aback. To his delight, her mouth even dropped slightly open.

"Dance with you?" She asked, as if he'd just asked her to jump into the Fade.

"What?" He asked.

"There's no music. Also, I told you," she said, shoulders tensing again, "I'm a terrible dancer."

She had. Technically she'd told all of them.

You'd have to get me drunk first, I'm afraid, it's mortifying otherwise. I got told I have about four left feet.

"You did," he said, still holding out his hand. "But you also said you loved to dance."

She tilted her head to the side, almost pleading.

"It's only me," he said softly.

"That's what's worrying me," she said, almost too quiet for him to hear, and he remembered that this was as new to her as it was to him.

What would a first kiss taste like?

Like hope.

She held back for a moment longer, then hesitantly, she placed her fingers in his hand.

They were warm, and her callouses scraped against his own as she allowed him to pull her close to him. His heart thumped in his chest, as if it was trying to get to her.

"I don't know how to do this," she said, and he knew she wasn't only talking about the dancing.

"Like this," he said, curling his left hand around her right, and placing the other one on his shoulder.

"Your elbow has to stay up," he said seriously, lifting said elbow so it was almost in line with her shoulder before dropping his hand to her waist. "Caterina would smack me with a cane if I got it wrong."

"If you try and smack me with a cane..." she started, leaving the threat unfinished.

"I couldn't find one," he said. She tried to hide a grin, but her dimples gave her away, and suddenly those hours with Caterina and her cane seemed worth it to him.

"Now," he said, "step back with your right foot."

She did, looking at her feet, and he followed, relishing the warmth of her hand on his shoulder, the way his hand fit perfectly on her waist.

"Back and to the left with the other."

She did so, and he followed.

"Now bring your feet together, and do the same with the other foot."

They went slowly, and he enjoyed watching the crease between her eyebrows as she concentrated.

Gently, he let go of her waist so he could tilt her face up to his own.

"You should look your partner in the eyes," he said, aware that his voice had dropped lower, but not really caring, "Not where you are going to step."

"And if I step wrong?" She asked, her voice slightly breathy. It felt like soft fingers tracing their way down his spine.

"Trust me to guide you," he replied, his hand going back to her waist.

The corner of her mouth curled up ever so slightly.

"Alright," she said. "I trust you."

As they moved slowly through the room, the firelight caught her eyes and hair, gilding her in gold and taking his breath from him. In fact, breathing felt suddenly like a very big effort.

"What is it?" She asked quietly, almost as if she was scared he would run if she spoke too loudly. He wasn't too certain he wouldn't.

"You are so beautiful," he said, before he could think about it too much, though his voice was markedly less smooth than it had been.

Her eyes, her beautiful, sparkling eyes, widened slightly.

"Really?" She asked.

"Would I ever lie to you?"

She smiled. It was small and soft this time.

"No one's ever called me that before," she whispered.

"Good," he managed to whisper back. "I would have to kill them."

And she laughed. By the blood of the Maker, she laughed and every terrible moment up until just then seemed as though it had a purpose.

"There's that smile," he said, when her laughter died down.

"Yours too," she replied, still grinning happily at him.

"Thank you, Rook," he found himself saying.

"You don't need to thank me."

She leaned in slightly, mischief in her eyes.

"For you, it's on the house."

His stomach tightened slightly when she did the accent, but he tried his best to ignore it.

"Did Illario hurt you?" He asked. "I'll skin him if he did."

She touched the scratch on her neck from Illario's, thankfully unpoisoned, blade.

"A scratch," she said dissmissively. "He hurt my pride more than anything else."

They moved for a few seconds in silence while he waited for her to ask the obvious next question.

"Do you regret..."

"Giving him a chance?"

He'd been thinking about it since they had left Villa Dellamorte.

Didn't you tell me he was basically your brother and your closest childhood friend?

"No," he said. "You were right. He's family."

Family. The word tasted sour in his mouth.

"I didn't even suspect him," he said. "When the Venatori caught me on the boat in Tevinter, it never even crossed my mind."

Almost without meaning to, he brought her right hand to his heart, his fingers tightening over hers. She lay her head on his shoulder as he pulled her closer, a solid weight against him. A comfort, for the first time in his life.

"He's better than I thought," he said, absently resting his cheek against her head. Her hair smelled of lightning, and a faint, almost unnoticeable trace of honey. "Maybe there is hope for him yet."

She snorted a soft laugh through her nose, making him grin. It vanished quickly, though.

"But this wasn't a mercy. Being watched by all the Crows, with their knives out? He will never live down being the Traitor Crow, brought down in front of everyone. There is nowhere he can run."

"I was surprised you listened to me," she said. He felt her breath tickle his neck, involuntarily clutched her closer against him.

"So was I," he said. "But... I don't have a lot to lose. What there is... Caterina, this team... you, even my idiot cousin. I'm not giving that up."

She stopped moving, lifting her head up to look at him. She wore the softest smile he'd ever seen on her face.

"What's that look?"

"You have a big heart," she said softly, "For an assassin."

He tried to look away at the tone of her voice, at the emotion in it, but she gently turned his face toward her again.

"That's not a bad thing," she said.

"If it brought me here," he said, taking her hand again and kissing it on a whim, "To this moment with you, then it cannot be a bad thing. I just... I cannot believe he would do all of this, only to be First Talon."

She frowned up at him.

"He said you didn't want to be First Talon."

"I don't. But how am I supposed to trust him with it now? How is anyone? The funny thing is, he might have finally proven he has the abillity for it."

"Right before getting humilliated in front of everyone," she said, grinning slightly.

"Exactly."

He sighed, though it came out as more of a frustrated growl.

"Fucking Illario."

"Hey," she said, gently reaching up and smoothing out the crease between his brows. The gesture made his chest ache.

"We'll work it out," she said softly. "Together. But for now... "

He took her hand again, holding it to his chest so she could feel his heartbeat.

"Just be here with me," she said. "Just for a little while."

"I can do that," he said. "For a little while."

She smiled, and he could see the day was starting to get to her, the tiredness starting to reach her eyes.

"Rook..." he started, not sure what he was going to say, but needing to say something before his chest caved in on itsself. She cut him off before he could.

"Shhhh," she said gently, kissing him for a long moment before laying her head back on his shoulder. He forgot, sometimes, that he could kiss her. Usually, Spite was there to remind him, with enthusiasm. It scared him, how much he ached to feel her lips against his own.

"Don't ruin it."

So he held her close, and kissed her forehead, and later he let her fall asleep on his lap in the chair, savouring the way she held on to his hand even in sleep, and finally letting his fingers run through her hair, softer than silk against his skin.

[dreamerdrop]

My issue with writing Julian POV is that I don’t think Julian is actually self-aware enough to realise how mind-blowingly attracted to Garak he actually is, no.

I think he would be in denial about it conciously, because Garak is a dangerous Cardassian who may or may not be a spy. Julian would filter his attraction through whatever justifications he can for why he’s not ~really~ attracted to him. (While blushing and being flustered by Garak’s overt attraction and flirting back like his life depends on it for reasons he will conveniently brush over in his head.)

But you see, I cannot conceive that anyone could ever, ever look at Garak and not immediately be overcome with lust that makes them dizzy. I can’t imagine having someone who looks like that approach so blatantly flirty and not just immediately following them back to their store to do whatever the fuck they tell you for as long as they want.

So it’s very hard for me to write Julian not being immediately on his knees for Garak because it baffles me that he didn’t just throw himself at Garak over the table in that replimat to begin with.

Maybe it’s my bizarre taste in men talking but how did this scene not end with Julian following him back to his store and being like “Yes, sir, what do you want to do with me, sir”.

[poke-poke-poke]

Thinking about pkmn social media-- he's giving tips on how best to take care of pkmn that aren't too keen on water (goomy's there for enrichment)

...

his hoodie got soaked,,

[beepboopappreciation]

I always see people talk about how cool becoming a cyborg would be, replacing parts of our flesh with metal and pistons and cool gadgets.

Why don't we talk more about the horror that is the opposite of that?

A computer who grafts lab-grown skin in patches onto their own form to feel. To experience a gentle and cool breeze passing by, or the oppressive sweat-inducing heat that their systems produce.

A robot with an organic eye to help them see as their creators once did. Imperfect, sure. But it seems to have quite an uneasy effect on organics, and doesn't that make it more than worth it?

A machine with blood coursing through its systems, flowing through the central chambers, in and out of its beating heart. Perhaps if the heart holds up, it could add lungs to help circulation.

A being that resembles a man at a distance, but upon closer inspection it is clear that he is instead a cacophony of skin, mismatched body parts and features, with just a few robotic limbs and mechanical parts visible. It smiles at you, the wide grin revealing that none of its teeth match.

He lurches toward you, hair from at least three different scalps falling carefree in front of its shoulders. You take a step back.

Where is the line drawn between cyborg and robot with human parts? Do you know? Does it know? Does anyone know?

It gets closer. You continue to retreat. Your back brushes against a wall.

You don't know where that line is, you've decided, but you're positive this individual has crossed it.

Having cornered you, it reaches its mechanical hand out, fingernails grafted on the metal tips. You blink, locked completely still from fear for just a few moments. It angles his hand in invitation. He wants you to take it. You hesitantly accept.

Under the metal you can feel . . . something, flowing, pulsing just beneath the surface wanting to escape. It's warm.

"Wh.. what do you want?" You manage to sputter out.

The being shakes your hand, his smile returning. "A friend," it replies.

[ai-no-kokuhaku]

if you had to get something off your chest, surely a demon isn't a bad option to vent to