#mv!Ros

[oleander-neruim]

• Three of the men of Sausage's crew: Kyle Eef, Red D. Doons, & Apo Kuna. Close knit & having each other's back in plenty of cases, these three will be seen frequently throughout the Stories of the Crew.

• Two of the ladies on Sausage's ship, Guqqie & Michela are two of the closest friends you'll see on the crew.

• More of Sausages crew: Ros, Graecie, & Puffy. While Ros and Puffy also are found on Sausage'a main ship, Graecie acts as the head for one of his other ships during the voyage.

• The "Brilliant Prophet," Acho Denholm. In death, stars been gifted powers of premonition & cursed with the helplessness & growing hollowness that comes from being a prophet in the Underworld

• A mysterious shifter and God of sorts & a creature of a shattered spirit, they have taken to the name "Major." He's taken a starkly similar appearence to another in Sausage's life who could have had his heart once upon a time.

~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

Pt. 1 || Pt. 2 || Pt. 3 [Here] || Pt.4 || Pt. 5

Here is the 3rd batch of characters, there should only be one left after this I swear--

I'm very excited to post the pennings and then starting full images on this AU. Do enjoy your time and as always, asks are welcome.

Also I do love this batch a lot but I am so incredibly happy with how Michela, Ros, & Guqqie turned out, goodness.

[airenyah]

@swabianhotpocket tagged me to make this picrew and post the last song I listened to

well, here's the picrew:

as for my last song i listened to?

uh.

well.

okay.

uhm.

it was this one. if you know, you know. and if you grew up in a german speaking country in the 2000s, you will know. bye.

(not posting a spotify screenshot because i think for those people who Know it will be funnier if they don't immediately see what song it is lmao)

anyway, i'm tagging @gaym3bo1 as a thank you for so kindly putting that song on my dash last night

in addition i'm tagging: @newyearknwwme @killiru @moonkhao @dimplesandfierceeyes @cornflowershade

[kdram-chjh]

BABYMONSTER - ‘FOREVER’ M/V

Watch this video on Youtube: https://www.youtube.com/watch?v=eJCHKjt0MPw

[mihai-florescu]

I miss the hype before the element anime where every single promo frame had me screaming and crying... i was making tiktok edits like it was my job (it wasnt. My actual job and element started in the same week and i very much was dying though)

[gabbyp09]

[technovillain]

she is just a little creature to me.... in the past i liked drawing her as a human but i think she is (and sort of canonically) just a strange creature of some sort who is not to be fully understood.

[simsfromupthere]

SOPHIE 4EVER 💜

semi edited wip cause i still plan on taking better screenshots but still love this “test” one, yes this is meant to be* the eternal beautiful queen SOPHIE 🤍💿. *(“meant to be” as in hopefully i did her justice)

[prtygoth]

i wish i had shrimp colour vision so i could see things the way they are meant to be seen

[rainbowolfe]

The Goats Reign

I don't think anyone came to any solid conclusions on this, so imma take a crack at it. They told us to put our detective hats on, and I assume they're referring to this. Didn't see anything else on their Twitter that could be sleuthed. No secret alt text or anything. So...

When the Lamb is drowned and torn asunder, It awakens the G.O.A.T from their slumber. To fight tooth and claw; Side by side. What's alone and lost, now aligned. The stare, a look and dead behind-the-eyes grin. Let the Goat's reign of suffering begin.

[BG Music] Pestilence. Kill the light.

"Drowned and Torn Asunder" = DATA "Greatest of All Time" = GOAT "Tooth and Claw" = TAC "Dead Behind the Eyes" = DBTE "Reign of Suffering" = ROS

Now, I tried a few different ways to try and decode these letters using ciphers and such, but to no results. So I'll tentatively check that off as "not that kind of puzzle".

However.

All of these are song titles. This would not be the first time they've referenced lyrics to hint at the story/what's coming next. The other time was to a poem called "The Phoenix and the Turtle Dove". Theory on that still pending.

Five songs. Five points to a pentagram. Five portents of doom. Five siblings. Five gods. Five becomes four becomes three becomes two becomes one becomes nothing. Nothing at all.

Its five, always five. These five songs likely relate back to the Bishops, but they could just as well be referring to the Five Gods I theorized about here. As I hold firm that the five siblings weren't the original five bishops. They themselves were usurpers.

But for the sake of simplicity and organization, I'll just label with the Bishop's names lol. I'll do speculation another day, but I just wanted to share my findings with everyone! The order I'm using here is based on the order Shamura/The Fanatic lists them in. (Its also the order you're intended to fight them in)

//also if anyone more deeply familiar with metal music has knowledge or suggestions for songs that have these titles, please let me know!

Methodology

Some of these songs had duplicates. Some had more than others. >_> I tried to narrow things down based on certain criteria. Mostly cross-referencing for any similarities with songs 1 and 5, which didn't have any duplicates.

A pattern I was able to find was: A) The genre (metalcore or its relatives); B) Their 'presence' in Australia (even though some originate in the US); C) The use of religious iconography/imagery in either the album art, album name, or music video; and D) It being the band's first album (some of them are technicalities). Bonus points if any goat imagery is used anywhere.

Let's dive right in!

1 - Leshy Drowned and Torn Asunder

By Trivium, from the album Ascendancy.

Force-feed them your ways Dictate up a blinded swarm Society's afraid

A song about revenge set in the midst of a conflict. Sounds like the opposing side is winning/otherwise has the upper hand, but the POV character intends to turn things around.

Deconstructing their hold Our vengeance will be tenfold; Our enemies will be drowned The opposing torn asunder

2 - Kallamar G.O.A.T

This one actually has me pretty stumped. Because there are, quite literally, only two options. And both of them are entirely different genres from the rest of these songs. And I'm pretty heavily leaning towards the one by Polyphia, even though it doesn't have lyrics.

It checks most of the criteria boxes, but I'm not actually sure if this band has a presence in Australia. And it's also not from their first album.

The one by Theory is. Technically. See, they were originally called Theory of a Deadman, but they changed their name. And "Wake Up Call" is their first album released under that name. They also have a presence in Australia despite being Canadian in origin. (They're actually under the same record label as Trivium!)

Polyphia

The MV presents us with two locations that mirror each other. A church represented with red and white banners. You can already see why I'm so inclined towards this one. In the "upright" reality, there are angels depicted in the stain glass window, and the performers wear black. In the "reversed" reality, the plain/clear windows show instead the nature outside, and the performers wear white.

The two sides are doing a (wordless) duet that has the same underlying melody but different vibes. The upright side presents a brighter environment where things are upbeat/triumphant, even though those present are dressed in dark colors. While the reversed (or mirrored) side presents a dark environment with a solemn/serious vibe despite those present being dressed in light colors.

Theory

A rather... triumphant/reflective song despite its gentler, sad-sounding beat. Sort of like, things were super good and the POV character accomplished a lot. They were the greatest that ever was. Emphasis on the past-tense.

Props to the gods as they watch from above Your enemies line up for miles You crush them all with your hope and a smile When you win, put your fists in the air Your fans cheer you on while your victims stare

Despite opening with a list of accomplishments, telling the tale of a Hercules-esque hero who did everything they set out to do, the song transitions into accepting what they have and preserving that. Since, you know. They did it. They crossed the finish line in first place, so to say. They don't have to keep running to prove they were the best.

You never settle for less than gold You're the best that the world will know No one'd ever guess how far you'd go You're the greatest, the greatest that ever was

3 - Heket Tooth and Claw

I'm pretty confident it's the one by Ghoul, but there's another that was a close second. It tells the story of a group of townspeople being shown an eye that corrupts their minds and inflicts them with an insatiable hunger that drives them to compulsive cannibalism. They can't actually keep it down, which means all of this death and violence ultimately amounts to nothing. They're all still hungry.

Shattering glass in the throne room As the multitudes seek to be fed The Basilisk flees into the swamp His acolytes are ripped to shreds

A Basilisk is the opposite of a Cockatrice. A toad or serpent egg incubated by and hatched from a cockerel. It's incredibly venomous and looking it in the eye kills you.

But in the context of this song, he's a sort of overlord responsible for the fall of many pseudo-deities (which is what Crown Bearers are). He broadcasts a transmission (the aforementioned eye) with the intent of controlling the minds of all the citizens of the land. It does not go as planned.

Really, I might need to go back and analyze the entire album for this one. Skimming the lyrics of the tracks before and after this one, there are mentions of fungoid tunnels, an unwilling sacrifice turned unwilling god, cultists, decay, and rot.

4 - Shamura Dead Behind the Eyes

This one I'm also between two. They're both about self-destruction and giving up, just expressed differently.

Oceans Ate Alaska

It breaks the established formula I was using for literally all the other songs, but if this isn't the intended song then this is the most brutal coincidence I have ever had the misfortune of discovering. Because what do you mean the song that perfectly describes Shamura isn't about Shamura.

Web-weaver You are weak, as hollow as those words you speak All for show with a lack of backbone The biggest hypocrite I have ever known You are weak, tangled in the webs you weave Parasite takes control of my mind

I can't tell if it's heaven or hell with you I'm paralyzed, dead behind the eyes

The very first line of the song being "web-weaver". Lyrics about letting the parasite win. Themes of self-hatred and regret. Also the line about being tangled in webs is a sentiment reflected in the album 'Tooth and Claw' comes from.

Soulfly

The only criteria this one breaks is that it's their eleventh album, and not their first. However, they were also under the same label as Trivium and Theory, so there's yet another connecting piece. It's also sung by Randy Blythe, who's from a band called Lamb of God. So that feels. Pointed.

Endless, deathless A cryptic inner fear What’s left, the wretched And those who speak in your ear Eviscerate your own impressions Die along with your transgressions Menace, penance Horrific path to ascension

Cenobites I know your kind Dead behind the eyes

This song is explicitly about/inspired by Hellraiser. It's a cliffnotes of what the Cenobites represent. They are former humans turned demons (though they just see themselves as higher beings) that exist in a version of Hell. They're masochistic hedonists to the extreme who stopped differentiating between pain and pleasure.

5 - Narinder Reign of Suffering

By Malevolence, from the album of the same name. Like the first song, it presents a conflict the POV character is in the middle of. They are dishing out a punishment in line with what they believe to be a righteous cause. And nothing's going to stop them from doing it. Not even death.

Down with the weak One chance to make a stand The hooded reaper will meet you at your end Unveiling wounds of whispered lies I am the proof of living hell

And as for the music at the end... it doesn't exist yet. It seems to be an (unreleased) original piece created for Cult of the Lamb by Pick Up Goliath. The COTL Twitter wouldn't answer any questions regarding what the song is, but he can be seen in the comments being coy.

Joined August 2024... seems he made this account solely to repost this amv/teaser. Has no tweets before OR after it.

Anyways, what we're given seems very straight forward. "Pestilence" is being told to "kill The Light".

While the axolotls regard Lamb as The Light once they fix the lighthouse, Monch says outright that they aren't that. She seeks "the truth and the light". Based on the info we have now, 'the truth' is the Ancient Tablets. And by extension, The Fanatic. Monch's statement is vague enough that I can't say whether she's looking for one or two people. Lets assume the Light is someone else.

This entity is associated with fire, which may suggest a connection to the Cursed Crusade Fleece—a damaged fleece with a fire-pattern. But could just as well be connected to the Fervour's Favor fleece, as Fervour is often depicted using fire imagery.

Whoever this entity was, Kallamar killed them. Directly? Indirectly? Who's to say. But he is Pestilence.

Aaand that's all I got. For now, anyways.

[b9kos]

✨🍎Newton Dance Artist Collab

Original MV:    • ニュートンダンス - ナユタン星人 × Chinozo (初音ミ

Artists: @lukewarm-lily https://x.com/Lukewarm_Lily: ng,ro,bc,krn,se https://x.com/pochipochiegg: na,ho,ego,anri https://x.com/heart4id: cg,kr https://x.com/paperw3ight: ot https://x.com/b9kos (me!): isg,kis,ns (if you have a tumblr here and see this pls tell me!) July 15 -> Sept 25 I finally go this finished up after so long! big ups to all the artists that pitched in with their characters! :'D

[httpiko]

video make I pain

Ok so-

I tuned an engrish cover of BUTCHER VANITY with Piko in like two days. It is sitting there, completed. I'm waiting to get some feedback on the mix since, yanno, no headphones (and no money to replace them atm). Now my problem is...

What should I dress Piko in for the art?

Do I just use Rice's Yi Xi design like in the original or smth else??

[kdram-chjh]

E'LAST (엘라스트) - 'Thrill' M/V

Watch this video on Youtube: https://www.youtube.com/watch?v=MT6lr5mbxWA

[mihai-florescu]

that isnt a request or anything btw i just wabt to hear your thoughts on them<3

Hi! Keeping ur other ask for when i eventually, hopefully make an edit with one or both of those artists. Unfortunately i only know them superficially, so i'll need to listen to them more first

[sanguinesky-if]

Do you have RO playlists that you listen to when writing each RO?

I ask because recently a show released on Netflix called Kaos, which is essentially modern day Greek Mythology, and there's a song on that show called Eurydice.

I was wondering if you get a chance, to listen to it (or read the lyrics) and see if it would fit any of the ROs.

Do you have RO playlists that you listen to when writing each RO?

No, but I do have one song that, in my mind, serves as the title theme for the story.

Without that song and the MV, the plot of Sanguine Sky wouldn't exist in the first place.

there's a song on that show called Eurydice. I was wondering if you get a chance, to listen to it (or read the lyrics) and see if it would fit any of the ROs.

After listening to it and reading the lyrics, I think it's perfect for L (and I love it)!

Thank you for sharing this and for your message!

[slayerkitty]

Narrative Frameworks in Only Friends

Something I have been tracking as part of the ongoing discussions about Only Friends is the use of the narrative framework for each episode.

So, I’m making this list specifically for tracking purposes, to note which framework was used for which episodes, if they repeat, and what they may be paying homage to. The goal is to update it every week. Due to suggestions, I am also tracking the end credit scenes, as well as any specific visual or audio formats used in the episodes.

Frameworks so far:

1. Voiceovers: gives the audience specific insight into a characters thoughts and feelings; also a great way to provide exposition. It’s more of an audio than visual framework, as we don’t always see the character doing the voice-over because it plays over other scenes.

2. “Talking Heads” (is there a better descriptor for this?): The characters talk directly to the camera, interview/documentary style. We get to see exactly how they feel about a given moment because they are reacting to it at that time. Audio and visual. Homage to Love8009 (per P'Jojo).

3. Social Media (ft The Artist Formerly Known as Twitter, Instagram, and Facebook): Not as insightful as the other two frameworks but does give context and a way for interaction, commentary, and exposition on a given plot. Visual. Probable homage to Together With Me, one of the first spicy BLs starring our kings, MaxTul.

(Side Note: I was re-watching some scenes from Never Let me Go and realized P'Jojo uses yellow text on the screen in it too. So maybe he just likes the yellow text or maybe it means something, idk, idk.)

Episode 1

Framework: Voiceover

Title: What’s Your Role in a Bar?

Narrator: Mew

Visual Moment: Yellow title cards listing everyone’s “roles” as well as the month and days of the week in episode one

End Credit Shot: Mew sitting on the floor in front of his fish tank

Episode 2

Framework: Talking Heads

Title: M.F.M. My Favorite Man

Narrator: Everyone

Visual Moment: The talking heads scenes

End Credit Shot: Ray driving

Episode 3

Framework: Social Media (Twitter and Instagram)

Title: What Am I to You?

Narrator: Nick and Boston

Audible Moment: Nick listening to the TopBoston sex audio

End Credit Shot: Nick listening to TopBoston sex audio

Episode 4

Framework: Voiceover

Title: Emergency Contact

Narrator: Ray

Visual Moment: The flashback of RayMew is in 4:3 ratio; meaning it looks like recorded footage versus a memory, yellow text onscreen indicates flashback

End Credit Shot: Ray driving (repeat from episode 2)

Episode 5:

Framework: Voiceover

Title: The Extra Hour

Narrator: Sand

Visual Moment: Intro and Outro are animated; black and white (made me think of the Take on Me MV by A-ha but I’m open to suggestions on what this might be referring to)

End Credit Shot: Sand driving his motorcycle

Episode 6:

Framework: None

Title: Happy Fucking Birthday

Narrator: None

Audible Moment: Ray listens to the TopBoston sex audio; Mew plays the TopBoston sex audio for Top

Visual Moment: Top draws Mew sleeping/gives Mew a book of drawings he did of Mew 

End Credit Shot: Top in his bathtub alone looking angsty

Episode 7:

Framework: None

Title: After Effect

Narrator: None

Visual Moment: Mew setting the drawing on fire; Boston’s sex tape; the “super zooms”

End Credit Shot: Mew sitting on the floor in front of his fish tank (repeat from episode 1)

Episode 8:

Framework: None

Title: Save Me

Narrator: None

Visual Moment: Facebook party invite/everyone’s reactions to the invite; Everyone’s costumes at the party

End Credit Shot: Boston looking angsty at the hostel

Episode 9:

Framework: None

Title: The Return

Narrator: None

Visual Moment: Boston's photo of Atom; Top recording SandRay kissing, BOEING (I had to, lmao)

End Credit Shot: Top in his bathtub alone looking angsty (repeat from episode 6)

Discussion: Once again, no framework or narrator this week. I speculated along with @twig-tea that this means we have left the fantasy world (we, along with Mew, have lost our “rose-colored glasses”) and all that’s left is reality and consequences.

It’s almost like the show started as a BL (using/subverting the standard tropes, etc) until the midpoint and then veered into a queer drama. Having said that, post episode 9, I think we're firmly back in BL territory. This was the OF "beach" episode. Fences are starting to be mended. There's still honesty and consequences though, so the frameworks aren't back yet.

Spoiler Alert (avoid this next paragraph if you don’t want any spoilers)

P'Jojo posted on The Artist Formerly Known as Twitter some pictures that imply the talking heads framework is coming back, with at least Sand and Ray. Does that mean the characters are trying to escape reality again? That they will be back to lying to themselves?

If anyone can think of anything else to add, please let me know! If you would like to be tagged in this post or any other meta, let me know and I’ll add you.

Tagging the Ephemerality Squad: @lurkingshan, @waitmyturtles, @wen-kexing-apologist, @chickenstrangers, @ranchthoughts, @twig-tea, @clara-maybe-ontheroad, @distant-screaming, @thatgirl4815, @elizabethsebestianhedgehog

Tagging @sandrayy by request

Apologies to anyone I forgot!

[f0linasahl0]

routines in the night is so good and like come on the mv is so lore adjacent i'm foaming at the mouth

the imagery? coME ONNNNN IT HAS RO BE SOME SORT OF LORE.

i'm going crazy this ALBUM