#M/V

[kdram-chjh]

Stray Kids "MOUNTAINS" Video

Watch this video on Youtube: https://www.youtube.com/watch?v=80H_-aHTUws

[stayalix]

OMGMG JJAM M/V IS OUT

ARRG A CHEF KISS MASTERPIECE

[momomikan]

DAESUNG - Falling Slowly M/V BTS

[mm-sisters]

JUN. K(준케이) "Paint this love" M/V

So beautiful 💓This is relaxing my heart @jun2dakay sweet voice is healing me🥰💖Listening to his voice feels like a warm hug 😘💞

[yyoon5]

My favorite M/V in existence.

[madhattersez]

Twice - Set Me Free: Sana HQ Gifset

Follow my blog or the #hatterskpopgifs tag for future sets! 🫰

[itzchaerry]

BET ON ME M/V /❕/ Chaeryeong cut Icons

It was a cultural reset

[morenotles]

SHINee 샤이니 'The Feeling' MV

[missjulyuniverse]

Peter’s new release :

[kdram-chjh]

Stray Kids "JJAM" M/V

Watch this video on Youtube: https://www.youtube.com/watch?v=7ytGFxD-FcI

[quokka-chingu]

THE SOUND - M/V Release

Woah. It is simple yet really powerful. After watching the first part of the m/v and after the tornado and the lightning were used, I can't stop myself from thinking that these are used as metaphors to show that the sound Stray Kids produce is as powerful as elemental forces. In German, we call it "Urgewalt".

[momomikan]

DAESUNG

Falling Slowly M/V

[nightguide]

MUSIC VIDEO THEORY 1: a HSJ element to use and compare: follow ons

Harper: you're made to appeal to lie. that's your cue

P. 358

ERRORS AT PHONETIC FEATURES: you're not allowed to cry over your works in joy during interviews. like it pays to secure everything by had if there isn't anything you can do to support your work via morality, you don't even have a consistent story to tell if you have liquid bigger than you that it's their problem to clean up after you, your reasons to oblige is matters outside the personal for a make believe solution ongoing ideals with where you continue with space you sell than appealing you to meet the eye than a thought alone to hinder your process of being recognised than the latter (a necessary reason to own earth)

ERRORS AT SYLLABLES: why is where to you that is convenient than 'ooo, pretty' existing, channelling that into your work makes you too independent for your own good, so you like partnership with space that does not occur to you that often but are remarkable at sources convenient to your worldly interests (money blinds the eye), you have no interest in thought processes whatsoever than being blind to the city they (latter opinion) created to you than you utilising the world for your experience as a viewer. abolish cringe viewing

ERRORS OF STRESS (WITH THE STRESSED SYLLABLE GIVEN IN CAPITAL LETTERS): you're broken on the inside seeing them all struggle with a faint heart due to the toxicity of the ways they grew up meaning nothing to you but a mother remotely not there for them except themselves (familiarity) so why is space so demeaning to you than your reasons to lose into interests (female) or to make yourself seen with your now new partner now socialite beginning to free themselves from an ableism situation in their own household via one hated heart to trade to think better of

ERRORS OF WORD SELECTION: you clarify that responsibility thinking than you believing who you are that will support your idea in thinking (HSJ's upbringing by teacher association) thoughts battle your rights to enter a conference room of a university of your own thinking (ideas to change the world) and upon meeting me (an idealist of thought process) is an artist worth valuing for than notioning me to work for your petty little crimes (sexual evidence proved to bits of hate in her heart knowing you: her husband is not present yet but father is); so how and why are you moving in with me (social-space) than careening the latter of working alone abroad because your works are now too securely understood to the eye but so barren from mind-thought reasoning that you believe in change much stronger than she is to you by work of her own study (the blog you're reading right now)

ERRORS AT MORPHEMES: you're at reason with everything but yourself, (a music video director) is now looking at the worst of (you can name many that would have had your grateful eye but there is no such chance you missed at living for) so you're ignorant over men who have had the chance to imitate value by selling porn over women in the music industry available to your vices to make-do with why you're reasoning with them (social polarity)

ERRORS AT PHRASES: you're at home making sure what you need isn't there for you but you have a great skill in liking everything that is not you in the end, you're making a world too heartbreaking for someone else to live under your schemes of interest via versatility of the songwriters natural reason with the singer (often separate) but this is not you to work with but someone else (sculptor, designer, maker etc. works outside of the music scene too often) to be that judge of great polarity to you by forceful intervention (Eliasson is now a lecturer alongside Aitken who i have introduced to by reason: they knew my keen eye to direct a music video is because i did not know how to live but the arts scene take me everywhere with cruel kindness and sincerity with reason, feel free to talk to the British Arts Scene)

SEMANTIC AND PHONOLOGICAL WORD ERRORS: you make do with your history goes in 9's (massive sign that your life breaks down) this is not numerology or some sect of interest that makes you grind your gears but you have an affinite reasons to live and make do by you being you, there is no red-lines in works you're publishing online or to your crowd of interest that makes you forgive the latter of the scenes in desperation, forget that. you're going to die by nazar and the screen is your last chance, what you do matters, that is now Aitken's hand to intrude if not mine (women don't kill).

ERRORS AT MORPHOLOGICAL COMPLEX WORDS: you have a meter in your bones that changes your level of hate everywhere but now you're a maker, McKinley high is going to evolve and nostalgia is purely your enemy you're not looking for a heartbreak to change you, but you're amplifying words you used to use to drop 'placeholder words', you're scared to use your brain too much that even social presence defies your personality that all you ever do is sleep for it (your language) to understand that by heartbreak to use than to escape the means to believe (which is why you hate using 'placeholder words' to advantage someone in a race you'll never win: your discography back at 'her' or to a guy, you're reasoning with time because you never were meant to carry on except her, but you're scared of the BAS to use you as a product in their means to evolve the university now to see everybody than just you, then what actually is you, you're scared to forget the scenes in forgiving time backwards to a man but to a woman, your erotic identity is so severely adorned that your sisterhood (faith) wears you right back and it takes social thought of you to keep on going because of one life charity events (actually true) take over your system by TV personality alone (feel free to talk to Jason about that)

LEXICAL SELECTION ERROR: you hate being thought out of that reason after you become famous, not that you hate the 'one song you skipped that felt personal to you' but you don't like what you made of yourself (your fanbase) likely, someone with a bigger vision of the universe (HSJ) will see that and makes you fight for your rights to be (karmic personalities at McKinley)

EXCHANGE ERROR: you're in a multiverse of your own fuckery (you a villain elsewhere) now justify your means and let that horrible thing in your head die (you'll never die but that is the thing, you die in fantasy, you die in reality, but nobody will show up to your funeral) keep that in mind before looking at Eliasson's artwork in horror: just read that first before making that stupid mistake of skimming it for the 'ooo, pretty', you the fckin problem of society right there

[theredhairing40]