#musing on these things!

[cheetour]

it's a common artistic insecurity for people to be like, "You're just saying you like it because I made it, if you just saw this online it wouldn't impress you!".....

......But that's the point... people DO like your art because you made it... I like my mom's art because she made it and I love her... When a kid draws a picture of me I like it immensely because it's really exciting to be seen and depicted even when it's a small child...

If someone shows ME a piece of art they made because they wanted ME to see it then obviously I will like it more than if I just saw it on instagram + it's more beautiful and interesting to look at, To Me

redefine "good artist" in your head to "someone who makes others happy with their art" and you'll find that the world is full of far, far more good artists than you previously imagined

[theajaheira]

another cool thing is when you devour a book over the course of a handful of hours and it fucks you up and you just have to lie on the couch feeling like your brain went swimming for too long & only just came up from under the water. art is so good

[st-just]

Watching the new tasting history and very charmed by the fact that the whole Michelin Star system apparently started out as, like, a galaxy-brain marketing campaign for the concept of road trips.

[madootles]

this guy

[maaikeatthefullmoon]

I’m sorry but, to me, this

does not look like an angel with no plan and no ulterior motive.

And, I think Crowley knows that. And Aziraphale knows he knows. Because they’ve known each other for aeons. Because Crowley knows his different tones of voice. Because they trust each other.

This is the face of a determined angel. And this is the face of a demon who’s still there with him.

He’s not happy about it, but he’s still there.

If he’d given up on them (on Us), he would’ve left. It’s what he’s always done before: Crowley’s been the one to turn & leave. He wouldn’t have watched Aziraphale leave if he didn’t still believe in him, in their history & their trust. He stayed.

[lavend3r-stardust]

Palming their dick through their boxers so you can see them get all rilled up and hard. their breathing growing faster as they try to stifle a moan until you press your fingertips to the head, feeling their cum bead through the material, fingers ghosting the slit in their boxers and leaving them pleading for you to pull their cock out. But you glide your fingers up and down the outline of their bulge, and their head rolls back with a low, needy groan, their hips rolling upward to meet your hand

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[swordatsunset]

Oddly enough one of the most meaningful/painful parts of I Saw the TV Glow was when Owen is sitting there, watching the old tapes, someone with a family and an adulthood (or so she tells us), however small and sad that life is, and she tells us how abjectly humiliated she is rewatching them. The cheesiness of the show, its stilted and childish plots, the bad acting and bad visuals and whatever else— Owen is humiliated to have been saved by this bad TV show. And regardless of the fact that I don’t think the Pink Opaque she watches is the actual Pink Opaque that saved her, it tunes into this fascinating and essential part of living dissociated from your actual life and restored/saved/rescued by media, which is the shame of living like this. Yes, this was the thing that helped me survive; it was awful and childish and embarrassing and I can’t believe I survived it, I can’t believe I got through this period with the help of this. It’s so easy, when your life is so small, to be ashamed of your lifelines: it’s so easy to survive and look back and be horrified at how pathetic (however untrue it may be) and pitiable you were, and then, in reaction to that blinding embarrassment, lash out at your former self, try to say how much you’ve moved on (because you’re better now, of course you’re better, you don’t need to be saved by anything, right?). You loved this? The reason you’re alive is because of this? How embarrassing. How sad.

[antlergrave]

he has me on an excruciating chokehold please help

[melanthaeunomia]

Do y’all ever reread an old unpublished fanfic you wrote and then get invested on the storyline but get sad because you never wrote the next part of it, just me?

[lucystark12]

sometimes i remember that finn wolfhard asked the duffers how mike is so clueless in the van and they said don’t worry it will pay off in the end and i start sobbing hysterically

[paxcallow]

desire to draw raz's hair unhatted and uncombed spiraled into imagining an extended gag about some emergency situation forcing all of the psychonauts out of the motherlobe into the quarry in their jammies at like 2 am and judging each other's clothing choices instead of getting actual work done.

[tinystepsforward]

the good thing about no longer working for automattic has been being able to like. watch matt go off the rails during his ostensible sabbatical and have it be 0% my problem any more

[nothatsmi]

Adam Parrish

I'm one of those who forget they go to school.

I've been enjoying a lot of trc fanart but I don't always have the same vision of Adam than other fanartists, so here's Adam through my eyes :) He's more playful/mischievous/smirky than others I've seen; he's also exhausted and almost succeeding at hiding it.

/!\ spoilers in the bottom tags

[hinamie]

binding vow

[sheikfangirl]

A bitter sweet memory ❤️

Pre-Calamity flashback panel from my Zelink comic. Work in progress.