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fernsnailz · 7 months
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February 2024 Review Roundup
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well i sure did watch some stuff and read one book this month
the things i finished this month reminded me that for every incredible piece of art i find myself enjoying, i end up watching some Hot Garbage immediately after to balance things out again. idk why i do this.
i have quite a bit to say about both the things i enjoyed and the things that brought me physical pain this month, so there is um. a lot under the cut. any previous desire for brevity i had in january has been completely thrown out the window as i use these roundups as an outlet to gush about things i like and complain about things i didn't. fair warning, if you open the readmore you will be scrolling for a while. enjoy i guess
House of Leaves
does any other book out there have the balls to write a completely fake interview with stephen king
House of Leaves is a novel you gotta throw around a little bit. It feels really weird that my copy is still in the pristine state I bought it in - It seems like it should have water damage and smell like mildew with its pages falling out and spine cracked into pieces. Getting the full story from this book requires flipping back and forth, turning it around, searching for answers. All things considered it’s not that difficult of a read, but its format still allows you to feel like you’re discovering every hidden piece for yourself, and I really liked that interactivity. I was engaged pretty much the whole way through.
I don’t really think I’ll be able to revisit this book anytime soon though. It’s difficult for me to format what else I’d like to say about it because to be honest, it caught me off guard and disturbed me on a fairly personal level. There’s a relief I feel when I remember that I don’t actually know what was going on with the house - maybe that was intentional on the book’s behalf, maybe I just didn’t look hard enough for answers. I don’t know. But the implication that something divine was down there was enough of an answer for me. The book's good. read it if you want a spooooooky time or if you never want to look at a hallway the same way again
Doctor Who (Series 1-4) (rewatch)
ok so this is a fuckload of doctor who to cover so i’m gonna give some thoughts on a few of the characters and my favorite + least favorite episodes
9th doctor: My favorite butch lesbian. Christopher Eccleston truly embodies the concept of The Doctor so, so well: otherworldly guy who knows too much, genuinely cares about life across the universe, and also has a bit of deep, unresolved rage. His moments of joy and careless fun stick with me the most, he absolutely radiates with life and brings so much to this character.
Rose: I first watched Doctor Who when I was in middle school, and I didn’t like Rose that much back then. And guys. I have bad news. I'm still not really much of a Rose fan
I definitely understood her more this watch through - that desire for adventure and some sort of control over her life, emotions so strong that she’s willing to throw near everything away. That’s just what being 19 is like sometimes. I think Rose is a very compelling character who just happens to frustrate me a bit. And that’s kinda the point, her co-dependent relationship with the Doctor is doomed to fail and it's meant to hurt. Ultimately, I think when I first watched the show I was too young to understand Rose, and now I’m just too old to relate to her.
Captain Jack: Jack is my favorite character. I fucking love this guy. Dude has the worst luck in the whole universe and still cannot be stopped. Legendary. Every episode with him is a goddamn delight because he has so much chemistry with every single cast member. No notes 10/10 i love my problematic bisexual king
10th doctor: About four episodes into David Tennant’s run I realized that he dresses like a Hazbin Hotel character and it made me very sad. Still, there’s a reason this guy inspired every middle schooler to buy a pair of converse in 2008. He has style, he has depth, he’s got the sauce. It’s genuinely terrifying to see his anger, I like that a lot of 10’s run is about his denial of godhood and power over life in the universe, something that the rest of the time lords desired. idk i like my sad pathetic little weasel but he's also a huge fucking asshole sometimes which sucks. especially when it's directed at Martha.
Martha: Martha I am so sorry for what this show put you through. Martha was my favorite companion when I first watched the show, and I still have a huge soft spot for her. Her ability to hold her own and navigate foreign worlds using her own intelligence absolutely rules, and her drive forward is unbreakable. But the show seems to put her down at every possible opportunity, most notably with how 10 treats her. Her struggles and wants are constantly ignored, and she's often treated as a rebound from Rose. And I like that she eventually chooses to end it by not traveling with 10 anymore, but it hurts because it feels like she was never given the same chance or care that Rose and Donna were. This era of Doctor Who really doesn’t treat its black companions well because Mickey goes through something similar - both Martha and Mickey are characters designed to be ignored or left behind, and it sucks.
Donna: Donna Noble is one of the greatest fictional characters to ever exist. Despite seemingly living a fairly average life and working a fairly average job, Donna reflects the idea that no one is truly "average" and every single person is brimming with personality, life, and love. I love that her relationship with 10 is purely platonic, personally their friendship feels like it has a lot more depth than either of the romance-oriented relationships 10 had with Rose and Martha. 10 and Donna bounce off of each other so well and it's delightful, Donna brings so much humor and life to every world she's taken to and it's incredible. I wish her and Captain Jack could have interacted more.
My favorite episode: The Runaway Bride is hard to not choose as my favorite. I have a blast every time I watch this episode and it’s such a good introduction for Donna. Also the Tardis car chase kills me, I love when it cuts to the kids in the back of another car clapping and cheering. I was also surprised by the episode Midnight - it’s dreadful to watch and I kinda loved it. So much spirals out of control when shit hits the fan, even though no one has any idea what they’re trying to fight against. Really interesting exploration as to how fear can drive people apart.
My least favorite episode: It’s Love & Monsters. I wish I liked this episode - stories that follow regular ass people living in this world are often some of the best episodes in the series (Weeping Angels and all that). And this episode definitely has some of that. It’s honestly really touching to see this group of nerds get together and enjoy life in the first part of the episode. I think the antagonist of “guy who absorbs people” ends up dragging down any charm this story had because he just. eats all of the interesting characters. But despite me disliking this episode, I honestly have a deep respect for it - it’s fucking crazy. It ends with the main guy telling us about his sex life with his girlfriend who is now stuck in a piece of concrete. Where else are you going to get a story like this. It fucking sucks and that’s hilarious
oh also the production design: GODDDDDD I FUCKING LOVE THE PRODUCTION DESIGN AND SETS ON THIS SHOW. I love how dirty and rundown a lot of the spaceship sets look with wires and lights scattered everywhere. And a number of alien designs also go CRAZY with the prosthetics - I keep thinking about the Hath from The Doctor’s Daughter and how every head prosthetic had liquid inside it that could bubble. Absolutely crazy. I also love the moments where you can clearly see they did not have that much time and just had to throw something together or pain a bald cap green. Jank is the nature of sci-fi production design and I dearly love and miss that Doctor Who jank.
Rebuild of Evangelion
Last year after finishing the original Evangelion series + End of Evangelion, I remember going through the Evangelion tumblr tag and being very confused by the number of slice of life/found family-esque fanworks of the cast. It left me puzzled and thinking “...did we even watch the same thing??”
APPARENTLY NOT
[spoiler warning here because these movies are very good and i give the best parts away. if you want to watch these movies then DO IT NOW!!!!!!!!]
I honestly never expected a world where these characters got a happy ending. I so, so badly wish I could see 3.0 and 3.0+1.0 in theaters - these movies are stunning. I know I say things “go crazy” a lot, but man. They go fucking CRAZY.
While I have a few issues with how the first two movies adapted the original show, I do think the changes they made better serve the story this rebuild is trying to tell. For example, my favorite episode in the original Eva series is episode 18, where Toji is chosen to pilot Unit 03. It’s absolutely terrifying because Shinji doesn’t know who 03’s pilot is, yet he’s forced to be inside Unit 01 as it tears 03 apart. His resolve not to kill anyone despite not even knowing who’s in danger is an aspect of that episode I love and speaks to Shinji's inherent humanity, and when he learns Toji was in there it hurts even more. The rebuild movies change Unit 03’s pilot to Auska, and Shinji knows she’s in there from the start. I think this choice works for the movies and is still an effective emotional beat, but personally I still prefer the version where Shinji had no idea who was in there. That lack of knowledge is infinitely more terrifying to me.
I really like what these movies did with some of the angel designs though. The sixth angel (the fuckin. blue diamond cube thing) works really well in 3D/CG animation. The way the thing warps and moves is otherly and terrifying - and it’s just a fucking cube. I’ve always really loved how the Eva series approaches angel designs and the divine - despite the alien-like designs, there’s often something extremely familiar about them. They’re often reminiscent of an animal, a machine, or a human. This is also how they approached the anti-universe in these movies, I loved how it takes the form of various locations from the series and turns them into a movie set. It’s deeply familiar, but ultimately just an illusion of familiarity like the angels and the divine.
Also I gotta say. I fucking love Mari. I think she’s hilarious. She first meets Shinji by accidentally parachuting into him and then immediately starts crawling on all fours to sniff him. This girl also introduces “Beast Mode” where the Eva pilots can go wild turn their mechs into a fucking. superpowered beast of some sort. And also she defeats a whole army by using the Eiffel Tower as a spear. She’s such an absurd character and I honestly kinda love it. The only thing I knew about these movies before watching them was this gif of her Backing That Shit Up and she truly lives up to the insane nature of this shot.
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My favorite section of these movies is definitely the first part of 3.0+1.0 where the pilots are basically just living a domestic life in a small town - it’s truly beautiful. The growth that Rei’s copy goes through here is fantastic, I love stories about seemingly emotionless beings learning how to live. And right after she dies, we get the shot that absolutely broke me the first time I saw it:
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This shit. The way you can just barely tell he’s been crying from the red around his eyes. They don't talk about it, they barely linger on it, but it's allowed just enough time to punch you in the gut. I don’t know why this shot got me as hard as it did but goddamn. jesus christ. i want to throw up
There’s some goofy shit in these movies. The infinite synch rate. Misato’s stupidass hat and sunglasses. Some goofy ass 3D animation that doesn’t age super well. The rainbow that shows up every time an angel dies. But these things really didn’t take me out of the core of these films, and there’s so much genuine emotion and beauty in this series that had me absolutely hooked - especially in the last two films. They go crazy. My favorite line is 100% “The only thing a son can do for his father is pat him on the shoulder… or kill him.” and man. ain’t that what Evangelion is all about. i love these movies
High School Musical 3
kinda slaps just a little bit
High School Musical 3 starts with a finale number. The last high school basketball game of Troy Bolton’s life - and it goes kinda hard. The classic pep band brass that’s essential to so many High School Musical numbers returns, and the constant theme of two feuding cheer teams in the background? Genius. This is truly art. I love listening to Now or Never without visuals because in the middle Troy just starts coughing and gagging seemingly out of nowhere
Unfortunately, starting the movie at such a high point means that the rest of the runtime doesn’t quite match up to it. The story lags and meanders quite a bit, but part of me kinda appreciates that - it’s their last semester of high school, which is always a time of confusion and turmoil. However, I do have a pitch for how they could have countered the constant falling action this movie seems to go through:
The Wildcats should have lost their last game at the beginning of the movie.
What if the game is instead the inciting incident that leads Troy and his besties through their tumultuous last semester? Troy is still torn between basketball and theater, but his identity would be even further challenged here - is winning and success all that matters for him, or is it the love of sport and performance that keeps him going? idk whatever this movie came out 16 years ago i can’t be out here writing AUs for it jgnfsgfnjdksg
Some miscellaneous thoughts about this movie that i don’t care about formatting into larger paragraphs:
Ryan and Sharpay’s number (I Want It All) slaps as usual. The part where Ryan shouts “MADISON SQUARE GARDEN!!!!!!!” makes me so happy every time i hear it
The production design and sets go absolutely fucking crazy. I still have no idea how they pulled off the spinning hallway in Scream.
One of the classic staples of HSM is Chad’s shirts. Most of them are fairly silly and like something you would expect to find in the walmart clearance section. However, there’s one shirt he has in this movie that confused the hell out of me. It’s this one:
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What the FUCK does Greenster mean. Is it just a combination of Green and Monster?? Why??? What green monster are we talking about here????? Where the fuck did this shirt come from?????????
Avatar The Last Airbender (2024)
There’s really only one word I can think of to describe what this show is like: sauceless. No flavor. No depth. No character. No sauce. This show is honestly so fucking boring and seems to fundamentally misunderstand what the appeal of the original Avatar series is - not necessarily because things are changed or removed from the original, but because nothing of substance is added in return. 
Most of the characters are mere echoes of their original counterparts when compared to their source material. Sokka is reduced to a guy who wants to fight good, Katara’s stubborn and confrontational nature is very rarely utilized, and Aang’s mischievous antics and love of fun is sorely missing. One of the major reasons for the dull interpretations seems to be the directing - While I have faith that most of these actors are trying their best (especially since a number of them are kids/young adults), the direction seems to be incredibly lackluster and takes away nearly every cast member’s stage presence or personality. There’s a number of reaction shots of the main trio that just look like this: 😐😐😐 as if they were just told to “look concerned” at the events unfolding before them. And these issues are apparent in the majority of the performances - for example, General Zhao talks like he’s in a board meeting up until the last episode, and it’s an incredibly flat performance. He talks somewhat monotone in the original series as well, but this live-action take on the character often meanders with his dialogue and lacks that sharp, terrifying quality that I think this character needs. Uncle Iroh also feels incredibly stiff in this adaptation, and it’s a goddamn crime that they took away the cunty little outfit and chains he was originally wearing when he gets captured by earthbenders. wait who said that
Credit where credit is due, there’s a few cast members that seem to be giving their best. It’s clear that Aang’s actor enjoys the role and does pretty well despite the lackluster direction and dialogue he’s given. On top of that, I think Zuko’s actor is honestly the best part of the show. His take on Zuko leans much more into teenage tendencies and sarcasm, which, although it can be silly, is a welcome take of the character in my opinion and pretty fun to watch. There’s this one line he has at the beginning of episode 2 where, in an incredibly whiny tone of voice, he goes “He RAN! The ultimate warrior! He’s a Coward :((((“ and the read is so. fucking funny
The case of bad direction isn’t limited to the performances, however. It’s also stunningly apparent in how everything is shot. Despite being in a widescreen format, most shots are incredibly centered - you could crop the entire runtime into a 4:3 frame and you wouldn’t be cutting out much of anything. I’ve seen some speculation that this was an intentional choice to make things more adaptable or readable for TikTok/phone video, but honestly I think that’s a dumb take. I think the issue stems from a lack of creativity and thoughtless composition. Keeping everything staged in the center can make shots feel disjointed, lacking much depth, or completely empty. It’s a boring way to shoot and indicates that the show lacks any unique vision at all.
Overall, this show doesn't really seem to understand what makes Avatar interesting in the first place. It's more interested in spectacle and action than the characters' relationships, emotions, and mistakes. I try not to compare it too much to the original since it's allowed to take liberties with its adaptation, but very few of its changes add much to the end result or give it a unique voice. It's just sauceless and boring.
Some YouTube videos i liked in February:
💥 My House.WAD - Inside Doom's Most Terrifying Mod (some supplemental House of Leaves material for ya) 💥 Martha Jones Deserved Better (this video explains how Doctor Who did Martha dirty better than i ever could) 💥 bringing JUSTICE to the worst garfield game 💥 Selling Kids for Clout: The Downfall of Family Channels
And that’s my roundup for February! Thank you for reading, I promise there are no more reviews left to scroll through below this goodbye. Nope, nothing else I watched this month. Bye!
…ok is everyone gone. phew, i’m glad no one noticed i pulled an hbomberguy and hid the largest part of this post under a false ending. Anyway holy shit i need to talk about hazbin hotel
Hazbin Hotel
well i didn’t like it
Hazbin Hotel is a weird, fascinating mess of a show. Every episode left me wondering what creative decisions (or lack thereof) led to the sequence of images I just watched. There’s been a lot of discussion of this show recently and I’m not interested in covering every critique I have, but there’s a few things that I'd like to talk about somewhat in-depth.
Hell is real and it's just Red Chicago
The setting of Hell is kinda boring in this show.
Let me try to put this into perspective. Aside from the hotel, here’s a list of the locations we see in Hell:
A boardroom
A video store
Vox’s evil lair (it has cyber sharks which is kinda cool)
Various streets
Another boardroom
A BDSM club
Carmilla’s house (it’s gray and has. balconies?)
A porn studio
A bar
Another bar
A town square (full of cannibals)
None of these locations really take on any sort of otherworldly form besides some vague demonic imagery scattered throughout (and the cannibals. i guess. whatever). In short, Hazbin Hotel’s setting resembles Chicago more than it does Hell.
I can see a world where that’s intentional. Perhaps making Hell resemble a modern city could be used as a thematic tool or point of relatability? But Hazbin doesn’t really do anything like that - since the characters rarely ever interact with their environments, these locations end up seeming like they lack creativity, like they’re just cardboard sets where characters go to swear. They all start to blend together after a while - every street feels the same, every boardroom fades into the background, and every bar feels like a google image search result for the word “club.” This world feels stunningly empty despite the busy designs and colors. Even though the backgrounds are painted and designed fairly well, nothing of substance is ever really added to them through the story.
However, a few musical numbers take effort to break away from these settings. This felt like a weight off of my shoulders whenever it happened, it was nice to see some interesting setpieces and backgrounds that weren’t red. I liked the bombastic and over-the-top broadway lights in Loser and the glowing alternate world in Charlie and Lucifer’s song. But these moments are few and crowded by the dull locations in Hell - or worse, the Hotel itself.
Despite being the namesake of the show, the actual Hazbin Hotel is… lifeless. Which, yeah, it’s a hotel where dead people go in the afterlife, but it’s missing any sort of personality or history besides “it’s old and falling apart.” I expected the hotel to be full of secrets - like maybe some hidden passages or rooms, or mysterious cabinets full of rotted meats, or old valuables hidden under the rugs by the previous owners. Something for the cast to explore and discover, and as they get closer to each other they also start to understand the hotel more. Alastor seems very intent on keeping the physical hotel standing for some reason, but I never really understood why. There’s nothing there. And that nothingness is fully realized when at the end of the show, they just rebuild the entire hotel to be grand and beautiful - an emotional beat that didn’t hit me at all because I never felt like I knew the hotel in the first place. Despite rebuilding it from the ground up, it will feel just as empty.
3 SHOTS THAT DRIVE ME CRAZY
I was truly baffled at how some of these scenes are timed and put together. Multiple sequences left me feeling nauseous and dazed - the camera moves like it’s being swung on the end of a rope, and there’s so many misplaced or meaningless cuts scattered through these episodes.
There’s a sequence of three shots in the first episode that I want to dissect. I will fully admit that I'm breaching nitpicking territory here, but the shot composition issues in this show are pretty rampant and my analysis here is just a hyper-specific look at a single part of that larger problem. Hopefully you can also use it as a quick storyboarding lesson too idk
First, we see Adam teasing Charlie.
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Then, it cuts straight to this shot:
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A few things here. 
Shot 2 is just closer on the characters, which is not a great idea to cut to after the previous waist-up shot. On top of being a jarring jump cut, there is no purpose for this new shot. All the information we see here (Adam laughs, Charlie fake laughs) could have just been conveyed in the previous shot.
Despite the characters being in the same position as the last shot, the background changes. This straight up just feels like an error. I think the idea is supposed to be that the camera is at a different angle, but the position of the characters does not convey that. It looks like reality changes behind them.
And if that’s not enough, this is the shot we get immediately after those two:
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In this shot, the residents of the hotel sit on the couch as Vaggie walks into the shot, framing them between her legs. But there’s something… off.
Vaggie either looks like she’s floating or she’s three stories tall. Quick storyboard lesson as to why:
The main problem with this shot is that the perspective of the background doesn’t match up with where Vaggie is placed. The couch is framed as if the camera were above it, but Vaggie is framed like the camera is floor-level below her. I’ve traced the shot and added a perspective grid to hopefully better illustrate this:
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Do you see what I mean? If the camera WAS actually on the floor like Vaggie’s position in the shot suggests, the composition would look more like this:
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Notice how much closer the floor grid is to the bottom of the frame and how you can see the underside of the couch.
And to be fair, this is probably what the original storyboard for this shot looked like! Personally I think something went wrong in the compositing stage - this might be a couch background from another shot that was reused here to save time, or whoever approved this shot just let the error slide since the shot is so short (i've been there. sometimes you let the jank slide). Most animated shows will have some poorly framed shots and continuity errors because mistakes are bound to happen, but two egregious ones right next to each other like this is. pretty bad. It's so noticeable from a directing perspective.
Here’s the thing: these three shots happen in the span of like 10 seconds. Most viewers probably wouldn’t notice these issues, and that's fine. But even though these errors are quick, they stack upon each other so fast that even if you can’t pinpoint exactly what’s wrong, something still feels wrong. There’s so many other moments where the show breaks extremely basic shot composition, continuity, and staging rules - for example, the second musical number of the show breaks the 180 rule like four times for no good reason. The whole show feels like a dizzy, nauseating mess because the shots rarely feel like they form anything cohesive.
MY ROOMMATE TOLD ME TO GO TO BED SO HERE ARE SOME FINAL THOUGHTS
Here’s a rundown on some other thoughts that I don’t care to format into larger sections:
The show seems to lack much to say about sin and redemption other than “redemption good.” like sure, but what are they being redeemed from? Is heaven truly the place they deserve to go after being redeemed, even though it’s shown to be unjust? Are there sins that are too great to be redeemed from, or others that shouldn't be considered sins at all? I asked myself a number of questions like this, but never got many answers from Hazbin.
This show has a bad relationship with kink and sex. Both are mostly used as a punchline or a form of control. I didn’t like it. Perhaps the reason Hazbin never really comments on the nature of sin is because it needs you to consider sex and kink sinful or otherly for these jokes to hit.
Some of the animation is crazy good. I will praise any animator that even attempts to make these character designs move. A number of extremely talented people worked on this show, a few of the musical sequences in particular have some incredible movement.
Alastor is a very boring character. It’s wild that most of the side characters in this show only exist to talk about how much they like or hate Alastor, he mostly just stands to the side of some shots or kills random nameless goons. I expected him to have a much larger role in the story, but he just gets his ass kicked in the final episode and then crawls back to the hotel.
Episode 4 is the most cohesive, and i think Angel is the best character in the show. Unfortunately, the fact that Hazbin takes so much effort to show Angel’s misery left me… concerned? None of the other characters get treated as poorly as Angel by the narrative. There’s a few smaller explorations of trauma, but nothing remotely compares to what Angel is put through on-screen. This isn’t to say that I think the whole cast needs to be extremely traumatized and constantly miserable, but rather that I find it concerning that the only character subjected to incredibly graphic abuse and torture (that we see or hear about) is the gay sex worker. Which sucks, because I think the concept of hypersexuality resulted from sexual abuse is an important topic worthy of discussing in adult media. I just think they tried to execute this theme without much critical thought beforehand.
I think the voice cast does a fantastic job for the most part. Keith David is way too good for Husk.
I really liked the one shot where Charlie opens her phone and we see that she has a contact for every individual egg minion.
I was very brave and got through this whole review without talking about my new least favorite character of all time, Vox. here’s what I think of him:
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The overall vision and end result of Hazbin Hotel is just mediocre. While I don’t know what led to the messy state this show ended up in, my guess is that it was probably the result of inadequate direction, sloppy writing, and lacking creative support from the studios involved. Because of this, please understand that I have no desire or intention to put down any individual artists that worked on this show - I hope it's clear that most of my criticisms are directed at the larger vision these artists were given to execute and/or the lack of creative support they received while working on this show.
I also don’t really have much desire to participate in any further Hazbin discussion or discourse because it has wasted enough of my time already and I want to be free of this curse. please spare my inbox from hazbin hotel discourse. please. i'm begging.
You want to know what the most fucked up thing about this is though? Despite everything I said about Hazbin, Avatar the Last Airbender 2024 is still the worst show I watched this month. I would take Hazbin over Avatar 2024 literally any day.
well if you got this far. thanks for reading. also sorry you read all that. whelp alright back into my hole i go bye bye
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agentmmayy · 9 months
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2023 monthly music rotation
it's been a hot minute since i've made one of these, but here are all my favorite songs from each month of 2023!
january:
one i wanna be with - trella: oh bop!!!!!!!!!!! this ENTIRE SONG just makes me so happy!!!!!!! it’s so full of love!!! every lyric hits but especially i can’t help but wish we met before we did.
february:
antiques - holden laurence: god the desperation in this makes me want to claw my chest open and rip my heart out. the beat fucks in this jaunty rhythm that’s such a juxtaposition to the haunting lyrics and vocals. then the bridge?????? i promise to be strong i promise to believe in love that lingers on i’ll see you in my dreams. I’M CALLING THE POLICE. this is a tess/joel song. not only because of how apocalyptic this feels (which is a whole other discussion) but also meet me in the space between all the words unsaid when we could not speak meet me i’ll be waiting for you there. thanks for coming to my ted talk.
march:
borderline - tove lo: HOT. listen. everything tove lo writes and sings is inherently sexy i don't make the rules. this one especially wtf!!!!!!
unrequited night - lily kershaw: i- please respect my privacy at this time. this is a masterpiece. immediately a song i listened to laying in bed staring up at the ceiling. VERY tlou coded. (but then again every song i listened to in feb/march and lbr this past year was) AND THE GASP AT THE END GETS ME EVERY TIME.
april:
flowers in my hair - calista garcia: sweet, slow, and syrupy. i love this song and how it feels like a breath of fresh air. it’s achingly romantic and has got me singing along and twirling my hair and kicking my feet. though, at the same time it’s so intimate i feel like i’m intruding. 
labor - paris paloma: the intensity of it still continues to blow my mind. it’s unapologetic and awful. it’s incredible. i felt every lyric in my gut. i don’t want to over explain it since i can’t do the song justice but it’s so brutally honest in describing and dismantling traditional roles placed upon women and girls. the entirety of it is like poking at a wound that never closes, a wound that’s been gaping and bleeding for centuries and it makes me so angry. the visceral reaction i had to the lyric ‘if we had a daughter’ girl i- ouuuuugh. i got sick to my stomach. i was screaming crying throwing up etc etc. anyway this song is a masterpiece. still haven’t recovered from it. also it’s a fucking bop. 
may:
‘i’m just learning how to make peace with feeling small’ ‘but i might drive off if it gets too hard’ ‘there’s always a sunset that i wanna run into’ ‘i’m searching but i’m not lost’ and my all time favorite lyric that put me on the floor when i heard it the first time- ‘i’m a growing tree a few missing leaves i can’t shelter you don’t sit under me’ HELLO????? 
vagabond - overcoats: THIS song. this song has been the one i played the most in may because one it’s an absolute banger and second of all it read me for filth and the lyrics are so beautifully crafted and honest and pure and delivered impeccably. it’s a sweet, slow melody and coupled with the lyrics it reached into the depths of my soul and pulled out everything i can’t say and put it into this song like.
fireworks - JOSEPH: now for ANOTHER song that read me for filth. lately i’ve been feeling this exact way since all my friends and people around me have reached certain milestones in life- such as getting married, settling down, etc- that i haven’t and i’m left even more alone and bereft. but THIS SONG said that’s okay!!!!!!!! this song understood!!!!!! it said i’m not alone feeling this way!!!!
every lyric absolutely sent me through the roof but these especially:  ‘all these long songs might be no good for me’ ‘how long will i wait to be happy all my friends ask me’ ‘what if i’m wrong wrong to think there’s more to this story’ ‘an act of faith even though it hurts to shut that door am i holding out forever?’ ‘am i headstrong or foolish every night waiting for lighting to strike whole you’ve got blue skies?’ and my favorite- ‘i wish i could just flip a switch and accept your kind of muted bliss’ WHAT!!!!!!!!!!!!!!!!!! once again HOW did they put it into words!!!!!! this song has such a special place in my heart. i can’t tell you how many times i’ve not only listened to it but also screamed along and cried to it 
also, JOSEPH always creates the most compelling and just fun to listen to songs and this is no exception!!!!!!!!! the harmonies are delicious and the music dropping at certain points is incredible and the beat has me dancing around the room. filed right under beach music! 
moonlight - madison rose: i wore this song into the ground!!!!! AMAZING beat and vibe. liberating rejuvenating sexy etc etc.
june:
cowboy take me away - the chicks: me personally!!!!! my favorite version of cowboy take me away. i DO wanna touch the earth and break it in my hands but i ESPECIALLY wanna look at the horizon and not see a building standing tall!!!!!!!!! every summer is cowgirl summer but this song just turned the dial to the max. never have i ever wanted a cowgirl summer more.
july:
satellites - emi larraud: this one was interesting! VERY 80s themed. it's funky. it's powerful. it's just groovy.
august:
wicked game - ursine vulpine, annica: alright i'm a sucker for these intense ballads especially when they remind me of the 100 but seriously. it's sensuous. it's an experience. the vocals are out of this world.
pretty boy - LEON: of course i had to put a LEON song on here. while this isn't my favorite of hers it was just so nice to get a new song from her again. i felt like a wilting flower getting watered. to no one's surprise it's a bop and delivers lines that absolutely wreck me such as you can't outrun getting old, that hidden place where hope lives, well that's the last it goes. ma'am!!!
september:
moonburn - dani sylvia: feeling very seen rn thank you!!!!!!!! literally spongebob leaning against rock.jpg every time i listen. it's- ough. this song has layers and i am peeling them back like an onion. when does the healing start if you leave before daylight. saying SO much in one line!!!!!!! it's the inversion of the typical light vs dark trope for me! and the chorus is immaculate.
super graphic ultra modern girl - chappell roan: chappell hit it out of the park with her first album and THIS SONG SPECIFICALLY. the absolute journey @152glasslippers and i went on listening to this... especially at 22 seconds in. WHEW. super graphic ultra modern girl IS THAT GIRL!!!!!!! SHE IS THE MOMENT!!!!!
october:
honest mistake - bears den: screaming shaking crying throwing up etc etc. bears den always writes songs that lift me by my ankles and shake me until every humiliatingly private thought comes tumbling out in the lyrics of their songs. also i love how consistent they are with the aesthetics and formality of their songs. it's very soothing while ripping me up inside.
mars - noelle: listened to this 60 times in a day. you don't understand i found this song 10/17 and spotify stopped tracking 10/31 and it was my most listened to song of the year. it's dreamy. it's sweet. the vocals are stunning and the music is fantastic.
heart to heart - now more than ever: banger. when that beat dropped i was shook!!!!!!!!!! it's a very early 2000s emo vibe but also delightfully contemporary? the vibes are there. oh and the lyrics and the way they're sung is amazingly bittersweet.
november:
swimming pool - jack kane: one of my favorites of the whole year. if spotify didn't stop tracking before november this would have been my top song. it is 100000% a slow sad groove bop. every time i listen maybe not physically but spiritually i am girl at table.jpg. formally this song is delicious and lyrically it is devastating.
december:
scorpions - distance sprinter : okay this one might be a contender for top song. impeccable. there's crack in this. the beat is OUTSTANDING. i literally can't play this in the car if i'm driving because i will start dancing. the vibes are off the charts. at no point in this song do you expect what's next. the lyrics are heartbreaking and beautiful. there's so much i can say about this song but i am gnawing on the words it's just so good.
TOP SONGS OF THE YEAR: these have 5 stars. to me. 6 stars even.
antiques - holden laurence
unrequited night - lily kershaw
vagabond - overcoats
fireworks - JOSEPH
moonburn - dani sylvia
swimming pool - jack kane
scorpions - distance sprinter
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guiltyonsundays · 16 days
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Here are some albums I’ve been smashing lately. Top to bottom, left to right: Good Kid, M.A.A.D. City by Kendrick Lamar; The Overload by Yard Act; Desire, I Want to Turn Into You by Caroline Polachek; Ants From Up Here by Black Country, New Road; Romance by Fontaines D.C.; Snake Sideways by Do Nothing; What’s Wrong With New York? by The Dare; Fine Art by Kneecap; Brat by Charli XCX
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glitch-the-artist · 2 months
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lindsaytimberlake · 5 years
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Model Lindsay Timberlake on the runway for Jerry Lee Atwood, chain stitch and western wear designer - Western Roundup Fashion Show, Nashville Boogie Vintage Weekender (2019)
PHOTO: Bill Borgwardt, Association of Country Music Alberta
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bangers2 · 3 months
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Weekly Music Roundup 28/6/24 :)
Heya! I've had a lot more free time lately to listen to some new music, so I'm going to be sharing what I listen to each week through a Friday Tumblr post. I'm aiming to listen to an album (or EP, compilation, DJ mix, etc etc) a day, and this week my schedule wasn't perfect, but I found a lot of great stuff nonetheless and want to talk about it!
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Look at this pic I took omg. just wanted 2 share ^_^
Tinashe - BB/ANG3L (2023)
I'd always been aware of Tinashe, but hadn't taken the time to deep dive into her discography until she dropped the Nasty remix EP (JANE REMOVER REMIX????). "Nasty" is a banger obviously, but a lot of stuff on BB/ANG3L is excellent as well! She traverses so many genres with ease and excels at each of them. This is such a diverse showing, and it's very concise as well, having a runtime of just 20 minutes. I feel like anyone can find something they vibe with on here. Personally, my favourite track was "Gravity," a song with gentle vocals juxtaposed with a bit of a breakbeat moment. I always love a breakbeat and was shocked to hear one on here. Overall, BB/ANG3L was short enough to leave me wanting more, but in a good way. I hope that she builds upon this sound and vibe with her next album! I'm super excited to listen to Quantum Baby and listen to the rest of Nashe's discography.
Jane Remover - jane_remover_heatwave.zip [NTS Radio] (2024)
Real ones know that I am Jane Remover's no.1 fan. That is a vast exaggeration, but I love her music to bits and greatly enjoy these DJ sets she does. Each one has a different vibe and the ones she's been doing lately have been my favourites ever. The mixing is immaculate and the tracks she mashes up are always so unexpected but go so well together. I really loved heatwave, especially the mashup between her song "Lips" and the Carti song "Different Day." So damn hard. These sets are always the highlight of my month and always become mainstays in my DJ mix rotation. Give it a listen!
Mk.gee - Two Star & the Dream Police (2024)
I was a little intimidated to listen to Mk.gee (Mike Gordon), since I've heard so many great things about him. However, I heard "Are You Looking Up" in Jane Remover's new DJ mix and fell in love with it instantly. The guitar playing intrigued me since it sounded so...different to what I'm used to. The control Mike has over his instrument is phenomenal and allows him to create these really unique sounds and textures. There's a wonderful energy to all of these songs that I can't quite place. Due in part to the interesting guitar sounds, but also the really distant-sounding vocals, nostalgic melodies, and bits of noise peppered about, this album vaguely reminds me of something that would be heard in an empty building. Not the backrooms or anything, but like...a quiet mall in the suburbs. Is that weird? Probably. On songs like "Candy" the melodies sound really 80s to me for whatever reason, and...I don't know. The nostalgia? Regardless of whether I've placed the vibe or not, Two Star is a wonderful collection of hopeful, sweet guitar melodies interspersed with little bits of noise. I need more people to get on the Mk.gee train RIGHT NOW. What are you even doing with your life if you haven't listened to this? I can seriously see Mike becoming an all-time great.
lil hero - pawwwfect! (EP) (2023)
Okay, this is another one I found from Jane's set. "big flirt" is such a bop, and it sounds kind of familiar to me (upon further research, the song went viral in 2022 ish...I have no recollection of that year tbh.). It's a song that instantly puts a smile on your face with its sweet bubblegum production and wonderful vocals. This whole EP sounds like bright pink. There are pitched-up samples, bouncy uptempo grooves, and cute lyrics about falling in love all across pawwwfect, and I eat that shit up. I need lil hero and PinkPantheress to collab; I feel like that could change my life. All in all, it's a great 16-minute project that makes me feel like a...chihuahua in a pink purse. Which is exactly how I want to feel. Excited to hear what lil hero does next! :3
Radiohead - In Rainbows (2007)
I've definitely listened to In Rainbows before but I don't think I ever properly digested it. It's an overwhelming album to take in upon first listen. I revisited it a couple days ago after not really liking it the first time I listened to it, and needless to say it clicked for me. I still need to listen to this a couple thousand more times to really get it, but as of right now I think In Rainbows is an excellent and innovative record that is as thought-provoking lyrically as it is gorgeous sonically. The whole album made me feel like I was spinning. I don't know why or how, but I physically felt sort of dizzy, like the world was trembling around me. Strange how music can do that. It's magic.
Not on free Soundcloud smh
Jelani Aryeh - The Sweater Club (2024)
I got this album in my Apple Music (do NOT judge me or you're BLOCKED. STOP IT.) recommended before it came out and was really drawn to the album art. As the no.1 "person lying on grass" fan and president of "person lying on grass" NATION I was intrigued, but also had absolutely no idea who Jelani Aryeh was hahah. I presaved but didn't listen to any of his discography and just listened to it when I realized it was out. The Sweater Club is a wonderful collection of indie pop jams that are warm and summery. The art matches the music super well - I felt like I was lying in the grass on a breezy summer morning as I listened, and am definitely turned on to more of Jelani's music now. Holy shit this was such a gorgeous record.
Kevin Abstract - Blanket (2023)
I listened to this at like...2 am and have no recollection of it, other than that it was filled with jams. I really liked "The Greys." Will probably have more to say about it after another listen hahaha.
Couldn't find this on Soundcloud, sorry!
Okayyyy and that was every album I listened to this week! (minus the relistens...which there were many of lol.) I hope you enjoyed reading my little ramblings and I hope you have a great week to come :)
Now i am going to sleep. In the morning i will listen to tonight's new releases. Today is stacked tbh
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tahyirasavanna · 2 months
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5 Standout Songs That May Have Gone Under Your Radar This July
Is there anything quite like the rush of discovering a new song or artist you can’t get enough of? We think not, and that’s exactly why we at TREMG love spotlighting rising and underappreciated talent to give creators at every level the recognition they deserve. So many artists spent July offering fans new treats, releasing some of the best work of their career, and opening up in their lyrics…
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carrionkid · 7 months
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Here's my monthly music roundup for February!
Let Go - KMFDM
Circuits and Curses - Firewerk
Azoic - Specimen
An Indifferent Beat - Oizone
Beers, Steers, & Queers - Revolting Cocks
Pins and Needles - The Birthday Massacre
Voltage 2.3: Remixed and Revisited - Left Spine Down
The Used - The Used
It Screams Disease - Carfax Abbey
Candy - PIG
Is A Real Boy - Say Anything (literally so sorry this is one of my favorite albums in the world)
The Ugly Organ - Cursive
Don't Blow Your Cover - Various (kmfdm tribute album from 1999)
Filth - Swans
Wanda Jackson in Person - Wanda Jackson
Leader of the Pack - The Shangri-La's
The Last Temptation of Reid - Lard (what's better than this, Jello Biafra and Al Jourgenson)
Surgical Meth Machine - Surgical Meth Machine (got jumpscared bc I didn't realize jello also featured on a song here)
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db9d9 - db9d9
Yours Until the War is Over - Amigo the Devil
The Other Side of Fate - Team Cybergeist
Pigmata - PIG
The Same Old Blood Rush With a New Touch - Cute is What We Aim For
¡Viva La Cobra! - Cobra Starship
Andiamo - Authority Zero
1000 Gecs - 100 Gecs
I'm going to bed, so here's my February list. It is a deeply unhinged list I think BANSJSBNDJFB
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december playlist!! last playlist of 2023!!! no idea what's on here i blacked out and there's like christmas songs and blur and crowning glory from the princess diaries and i don't even know 😵😵
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vykodlak · 8 months
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There’s so many interesting things going on in this album that made me go “woag…” that it’s strange that I didn’t see a lot of talk about in the usual circles
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youtube
I am gonna make it through this year if it kills me I am gonna make it through this year if it kills me
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avomagazine · 20 days
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Every week, we bring you a treasure trove of captivating music videos from lesser-known, new and intriguing Japanese artists who deserve your support! Join us on this extraordinary musical journey as we shed light on the artists who often go unnoticed but leave an unforgettable impact. We also maintain a YouTube Music playlist
This week we highlighted music videos from: 🍙 after six poolside 🍙 sugar 🍙 LANPAZIE 🍙 ULTRA 🍙 なるぎれ (Nargile) 🍙 小松成彰 (Nariaki Komatsu) 🍙 Leetspeak monsters
Since 2020, AVO Magazine has been curating a list of seven music videos by Japanese artists and bands across various genres, from pop and rock to metal.
Enjoy the music!
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burtonsdoodles · 11 months
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INKTOBER 2023 ROUNDUP…
Well, that’s it, another years inktober-ing is completed… 31 days, 31 prompts, 31 doodles - all newsies themed - I have well and truly surprised myself with this one - I never thought I’d manage a week let alone the full month… now I’ve actually got to work out what I’m gonna do with all these 31 new designs… any ideas?!?
Also, with them all now done, I’d love to know any favourites people have!
Otherwise, I want to say a massive THANK YOU to all those who have been following along with this journey - your wonderful support has meant the absolute world and truly kept me going - especially when I felt a design wasn’t particularly strong… I’m so so grateful and appreciative of you all, thank you!!! 🙏🥰🫶
And with that… INKTOBER COMPLETED ✔️
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INSTAGRAM
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agentmmayy · 1 year
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march + april rotation
it’s gonna be...... may finally posting the march + april rotation playlist. combining these two months since most of the music i listened to in march was off the previous rotation list!
flowers in my hair - calista garcia: sweet, slow, and syrupy. i love this song and how it feels like a breath of fresh air. it’s achingly romantic and has got me singing along and twirling my hair and kicking my feet. though, at the same time it’s so intimate i feel like i’m intruding 
back for more - nia hendricks: the usual type of slow groove beat i adore that makes me want to dance around with the love of my life. it’s just as sweet as the previous one but it feels... lonely. mournful. i’d be dancing but with a ghost
bodybag - charlotte lawrence: this song is so *clenches fist* i am obsessed with how the body bag fills in for the other person in the relationship and holds her when they can’t or refuse to! the relationship is already dead! she’s holding on! in that liminal space between resurrection and burial! also the vocals in this are insane. my favorite part is ‘she’s at the bowery bar, showed you her paper heart’ and then ‘help me hurt and then i’ll come back’ YEOW
gasp of air - lisa curtis: THIS SONG MAKES ME WANT TO SING AND SCREAM ALONG AT THE TOP OF MY LUNGS!!!!!!!!! and then the lyrics slapped me across the face. ‘but i’ll stay and such ‘cause i think it’s love enough’ ‘i’m yours enough that i come back’ ‘some water if i’m lucky but i would never ask that much’ ‘what kind of person needs to breathe A HEALTHY ONE I’M SURE BUT THAT’S NOT ME’?????????? 
nothing left to give - BAILEN: ‘i wanna live i’m sick of just trying to survive’ *looks into the camera* anyway. obsessed with this band and how weird this song sounds 
kilimanjaro - dolores forever: this song and the next have me asking how songs can be this good. like. is it crack? is that what they put in these?? the music and the vocals are EVERYTHING it’s unlike anything i’ve heard recently and i’m digging it. then the harmonies?? and the lyrics???? ‘a thousand shards of glass from your silver tongue got me like a shot gun’ the way ‘i was young. you were pure ice and snow’ IS SUNG?????? WTF
labour - paris paloma: this has been my hype song for the past few weeks. the intensity of it still continues to blow my mind. it’s unapologetic and awful. it’s incredible. i felt every lyric in my gut. i don’t want to over explain it since i can’t do the song justice but it’s so brutally honest in describing and dismantling traditional roles placed upon women and girls. the entirety of it is like poking at a wound that never closes, a wound that’s been gaping and bleeding for centuries and it makes me so angry. the visceral reaction i had to the lyric ‘if we had a daughter’ girl i- ouuuuugh. i got sick to my stomach. i was screaming crying throwing up etc etc. anyway this song is a masterpiece. still haven’t recovered from it. also it’s a fucking bop. 
bad blood - trousdale: another banger for the books!! trousdale always delivers these perfect harmonies and this time it’s a fantastic, bitter song but that’s not the only element! there’s indifference and confusion and acceptance! there’s healing! and the repetition of anyway *patcha holding earbuds meme* perfection
all the love - katie gregson-macleod: katie!!!!!!!!!!!!!!!!!! how am i supposed to live laugh love in these conditions!!!!!!!! this one is SO SAD. i ache each time i listen to it. it doesn’t apply to romantic love but all other types of love and what happens when you lose it and how you deal with that loss. the grief is so thick it’s almost suffocating but as always the way she sings is enough for it to not be overwhelming. every lyric hits but the combination of her voice with ‘but i’d rather do that in bed alone’ is my favorite  
BONUS: here are a few stray songs that didn’t quite fit in the narrative but i wanted to share them anyway :)
far and wide - WILDES: doesn’t quite fit the narrative, but it’s a good follow up to all the love. it’s toned down more and easier to get lost in, but still woven with the running strand of grief that makes it sorrowful. once again, back at it with the yearning 
ava - famy: this song had me by the throat the first time i heard it in teen wolf and it still does. chewing glass over the switch between ‘this world is primal’ + ‘this world is rabid’ to ‘this world is pure’ + ‘this world is learning’  and ‘my conscious burning, my beastly flaw’ 
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glitch-the-artist · 1 month
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*The air crackles with freedom
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bangers2 · 3 months
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Weekly Music Roundup 5/7/24 :D
Hey! I hope y'all had a great week. I've been super busy as of late since I'm packing and preparing for a long trip, but I still managed to squeeze some listening into my miserable daily Walmart visits. I didn't keep with the daily schedule, but I have many albums to get through on the 12-hour drive that I will probably be on when this is posted. Good times!
This week, I listened to:
underscores - Wallsocket (Director's cut)
Everyone Asked About You - Everyone Asked About You - EP
Tinashe - 333
English Teacher - This Could Be Texas
Syzy - The weight of the world
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underscores - Wallsocket (Director's cut) (2024)
I started my Friday out by listening to the new Wallsocket deluxe “Director’s cut” tracks. Holy shit holy shit holy shit holy shit. These new tracks, albeit mostly familiar to me ("My guy (Corporate shuffle)" and "Northwest zombie girl" can both be found on Wallsocket ARG websites, and April teased "Stupid (Can't run from the urge)" on Tiktok), are absolutely breathtaking. "My guy (Corporate Shuffle)" is a wonderful throwback pop song that has a simple shuffling beat, but by the end of the song it goes absolutely insane. "Northwest zombie girl" is super fun as well, but not my favourite upon first listen. I think i need a little more time with "CCTV" to really get it - these are my initial thoughts and not full reviews, and I still need to deep dive into this one's lyrics. However, the standout has GOT to be "Stupid (Can't run from the urge)." "Stupid" is a cute glitch-pop track with the punchiest percussion I've ever heard in a song. This might sound kind of weird, but each time I hear the kick I feel a kick in my chest. It's epic. The melodies are incredibly earwormy and I haven't been able to get the song out of my head. Overall, this new "Director's cut" builds upon an already incredible record (SERIOUSLY. Listen to Wallsocket if you haven't already. It's insane) with even more well-produced, well-written, well-sung, bangers. I wish anyone listening to Wallsocket for the first time "Good Luck!"
Everyone Asked About You - Everyone Asked About You - EP (1997)
We love a 4-track EP moment. I saw one of my AOTY mutuals give this a 100 so I listened to it because I had a free moment, and 4-track EPs are, like, my favourite thing ever. This is a cute set of twee / emo love songs with sugary melodies and adorable lyrics. It’s wholesome and loving and absolutely gorgeous throughout!
Tinashe - 333 (2021)
I can't recall a time I've ever been this excited about an artist as I have since I heard my first Tinashe song. Her artistry is unmatched and I seriously admire her refusal to adhere to basic cookie-cutter r&b, instead embracing a really unique and eclectic style. She’s been so consistently making some of the most innovative music in the industry, so it’s no surprise that 333 is as excellent as it is. This is a really solid addition to her discography, and while I think BB/ANG3L is a stronger record, 333 still shines. There's so many moments on this album that set it apart from other albums from similar artists. She explores so many different sounds and vibes on here - everything from breakbeats on "Shy Guy" to dance-pop on "The Chase." I'm so happy Nashe is getting more recognition these days; she really deserves all her flowers!!
English Teacher - This Could Be Texas (2024)
I first discovered English Teacher in August or September of last year, when their song "The World's Biggest Paving Slab" appeared on my Youtube recommended. I had that song on LOOP for months after that - it was just so damn good. I didn't really keep up with ET as a band in the months between "Paving Slab" and This Could Be Texas, their debut record. I saw it on AOTY when it first came out and was strangely, really scared to give it a listen. So I put it off way more than I should've. I guess a part of me was afraid that this album wouldn't live up to my expectations only hearing "Paving Slab.' But god damn did they deliver. Suffice to say this very much DOES live up to my expectations. There are so many diverse sounds and themes being explored here, all while going incredibly hard. The vocals are excellent, and the melodies are all so memorable. It's an ambitious album and it's clear that they've mastered their craft already, one album in. Ughhh it's so good. There's more exciting moments like the aforementioned "The World's Biggest Paving Slab" and "R&B," slower and gentler cuts like "Sideboob" (my FAV!!), and really fun synthy cuts like "Not Everybody Gets to Go to Space," which while being my least favourite, still sticks out to me! If that's the lowest point on your album, you have a damn good album. I'm so glad I mustered up the courage to finally listen to this, and I will eagerly await what other lessons my English Teachers will teach on their next record.
Syzy - The weight of the world (2024)
I want to start this blurb out by saying that riddim is NOT my forté. I am totally unfamiliar with the conventions of the genre and how this holds up compared to Syzy's contemporaries. That being said, this shit is heavy as fuck. I went into TWOTW totally blind, with no prior knowledge of what kind of music Syzy makes. All I knew was that there was a kmoe feature.
Each track is so intricately put together, with really delicate nuances and details hidden beneath the layers. This is an album that demands every ounce of your attention. I tried listening to this while reading a book (usually goes well, even with really loud shit) and I could not focus on the book at all. There is no way to tune this out. That being said, you won't want to tune this out. You will sit down and listen to TWOTW and you WILL enjoy it. There's something to like about this record for everyone - not just those who normally jive with this type of music. The melodies are incredible and the buildups and drops are immaculate. The production is so detailed, with flourishes here and there that keep you engaged. Not to mention the kmoe feature is phenomenal.
"HEART123" features a gorgeous, euphoric melody, and great vocals from Kale. The first drop took my breath away (as many moments on this project did...I need an inhaler), and the energy was infectious. Same goes for "Take my energy!", an obvious standout and definitely one of the best tracks I've heard this year. What the fuck? I'm headbanging so damn hard. The outro is one of the gentler passages on the record, giving you some breathing room before you're thrown back into the fun with "Caught up (in circles)" - a track that sounds like exactly that: spinning rapidly in a circle. That's my favourite 3-track run on the record, but I could go on and on about the track continuity like this. TWOTW manages to find a wonderful balance between soft, ambient sections and visceral yet euphoric drops. There's buildup and release. Inhales and exhales. Ups and downs.
This is starting to exceed my usual "short review" length and I'd really rather not make this a wall of text. I'll probably write a longer review for this record because HOLY SHIT??!?!??!!? But all in all, I think The weight of the world sees Syzy making some of the best electronic music out there. It's explosive and euphoric, with passages that both take your breath away and breathe life back into you. It's an insane effort and I'm definitely going to delve into more of their discography in the future. Wow, I love dubstep.
Okay! And that concludes my weekly first listens. I may or may not post next week - I'm going to be really busy and might not have time to write these. Nonetheless I'll try my best. See you soon and I hope you all have a great week :]
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