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☆ lonely is the muse ☆
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lovetales · 3 months
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JIMIN ✾ BLOOMING
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inspoandedits · 2 years
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I’ve been MIA for so long, and it feels so good to finally be back! I moved to America from the UK in August of last year, and when my laptop went through the security scan it wiped my google accounts of all saved emails/passwords. I couldn’t find the email for this account, and tumblr refused to give it to me, but after months of searching I found it!!! After missing this account, and its potential so much, I’m determined to bring it to life again, so please, please, please stick around and watch this space!
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inafieldofdaisies · 1 month
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pumpkin-mines · 2 months
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a couple wips. I don't really like drawing lately
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radioapple-heathen · 2 months
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As much as I love the "drags Alastor kicking and screaming into a romantic entanglement with Lucifer where he inevitably accepts that he's in love with dear ol' King of Hell", I really need some fics where he's like, 'Hm. Well, alright, you'll do, I guess. I suppose if I am going to be with someone in this way, it's an unfathomably powerful entity/king.'
Just like so aware of himself/his sense of self that he's like, no point in denying the inevitable, sigh. Take me out to dinner then. Somewhere nice in Cannibal Town, only the best for me.
Or even better, he's fucking smitten from the get go -- tail wagging, ears twitching, like, yes I'm gonna make that blinking-one-eye-at-a-time king mine.
I just need HIM to be the pursuer. Desperately.
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evermore-grimoire · 4 months
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The Evermore Grimoire: Greek Mythology
Melpomene (Μελπομενη meaning "Celebrate with Song") was one of the nine muses known as the 'Muse of Tragedy' in Greek mythology. She was also known as the goddess of music, song and dance as well as being the daughter of Zeus (king of the gods) and Mnemosyne (goddess of memory). In the Classical era, when the Muses were assigned specific artistic and literary spheres, Melpomene was named muse of tragedy. In this guise she was portrayed holding a tragic mask or sword, and sometimes wearing a wreath of ivy and cothurnus boots. According to some traditions, the Sirens (half bird half women) were born from the union of Melpomene with the river god Achelous.
artwork by Yliade
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tofixtheshadows · 5 months
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Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.
I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.
Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.
Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.
I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).
Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.
Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.
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Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.
Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.
Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.
Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.
Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.
Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.
There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.
Okay: back to Kabru (under the cut).
I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.
And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.
The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.
We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.
Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.
This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.
Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.
We also have this very important moment:
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It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.
And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.
The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:
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Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.
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This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.
While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.
Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.
I hope I've explained my reasoning without becoming too insufferable.
To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.
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fairy-minie · 2 months
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jimin x sofia carson
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chipper-smol · 3 months
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I'm a mix of these, but there's one that I lean towards the MOST out of all of them. I'm interested in seeing what works for people the most.
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thejiminiepark · 3 months
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THE KING IS BACK 👑💛
Smeraldo Garden Marching Band 🌺🐥🌸
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bdlandslouist · 25 days
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HALSEY’S POSTERS
Made by me
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inafieldofdaisies · 1 month
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rueyam · 1 year
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turkish is so beautiful
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y-ves · 6 months
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#⃝𝟶1 ( TOKYO DRIFT X SEONGHWA ) 町中すべってのりこむ ?
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yaekiss · 4 months
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𝑴𝒖𝒄𝒉 𝑵𝒆𝒆𝒅𝒆𝒅 𝑹𝒆𝒍𝒂𝒙𝒂𝒕𝒊𝒐𝒏
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꩜ Room Content: GN! Dom! Reader x Sub! Kaveh, no gendered terms for reader, no mention of reader's anatomy, handjob & blowjob (Kaveh receiving), praise (Kaveh receiving), lmk if I missed out anything ! ꩜ A/N: I've been thinking about writing something for Kaveh again lately so thank you pringles for sending in this prompt!! Also a huge thank you for waiting! Hope you enjoy the fic !! <3 ꩜ This was written for @xxpringlesxx as part of my Care for a Fic fundraising event for Gaza! If you would to request a fic of your own, do check out the event post above ^^
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As he busies himself with washing the dishes after dinner (it’s his turn today), Kaveh hums along to the tune of that catchy love song that’s been popular in Sumeru lately, one that’s been stuck in his head all week. 
From where you’re seated, you can hear the water run and plates and glasses clink as he washes them and puts them away on a rack to dry. However, interspersed between the mundane noises and his light humming, you pick up frustrated huffs. 
Concerned for your lover, you crane your head over to look at him, and you see the problem. He’s constantly rolling his shoulders back and sharply tilting his head to each side, probably trying to pop a stubborn crick in his neck.
Making your way over to the kitchen, as you get closer, you can’t help but notice that his posture looks tense as he hunches over the sink. Mind processing, you recall him complaining about his latest commissions to you over dinner.
(“Can you believe the client even suggested that?” He sighs before lifting another spoonful of soup to his mouth.
“And don’t even get me started on the deadlines, dearest! I don’t know how I’ll survive this one without pulling a few all-nighters,” Kaveh all but wails. The soup doesn’t really make it into his mouth since he just sets the spoon back into the bowl so his hands are free to tug at his hair.
You laugh lightheartedly, take his hands out of his hair gently, then pick up his almost empty bowl of soup so that you can refill it. 
“You’ll need all the energy you can get then, I’ll get more soup for you. And I hope you’d still get some rest though, beloved,” you chide him softly.)
He hears you pop into the kitchen and he turns around to face you.
“Hey, just finished the dishes, do you need something from the drying rack?”
You shake your head, “Nope. I was just wondering if you wanted a massage, since you’ve been working hard and your shoulders are tense, is all.” 
Kaveh answers as he wipes his wet hands on a clean dry cloth hanging by the wall, his tone chipper, “That’ll be nothing but heavenly, thank you so much, dearest. Ugh, you don’t even want to know how much my shoulders have been killing me lately.” 
He allows you to lead him into your shared bedroom, where he promptly faceplants down onto the mattress, a tired muffled sigh leaving him. Reaching over to the bedside table, you pick up the tub of lotion in the drawer. Opening it, you look back down at Kaveh who’s still sprawled out prone on the bed and you sigh.
“Come on, don’t you think it’ll be better and easier for me without your shirt in the way?” He doesn’t answer but you know he heard you because of the way he kicks his legs, as if throwing a fit. 
“But I just got comfy,” he groans, his grumpy tone muffled by the mattress under him. Ultimately, he sits back up, pulls his shirt over his head, folds it quickly and sets it to a side, then flops back down onto the mattress, all in quick succession.
Clambering over him to straddle his lower back, you scoop a nice dollop of the lotion and spread it across the expanse of his back so that your hands can smoothly glide over his skin. You start from between his shoulder blades, where you rub it into his shoulders and take note of how tense his muscles are. While you work at the knots in his muscles, he relaxes more and more until he has practically melted and become one with the bed. 
Then gradually, your hands make their way down to his waist. When your thumbs dig into the area around the small of his back, he shivers under you, along with a low hiss. 
Unbeknownst to you, your beloved Kaveh lays pinned and squirming beneath your hands as he desperately tries to muffle the moans that itch to make their way out of his throat. He fights back the urge to buck his hips downwards, you were nice enough to help him wind down from a busy couple of days and yet here he is getting hot and bothered under your touch.
It’s not his fault that you’ve been running through his mind, who wouldn’t be enraptured by you? You’re the only thing keeping him sane in spite of his growing workload, his thoughts wandering to his dearest lover throughout these hellish days as a balm to soothe his weary soul.
The more he tries to tear his traitorous mind away from you, the more it conjures up increasingly scandalous fantasies of how this current situation could play out. What would you do to him? Tease him until he’s begging for his release, a full-body blush painted across his skin? Or perhaps the inverse, where you’d wring climax after climax out of him until he’s mumbling nothing but utter nonsense, limbless in your arms? How’d he love for your hands to drift further down his body, trail under the waistband of his pants to where he needs you the most.
Your voice snaps him out of his daze and drags him out of his daydreams.
“Done with your back, beloved. Flip around for me?” He hears you coo from above him as you move to sit on the bed so he can change his position and yet, hesitates to turn upwards and face you.
Mainly, due to the tightness in his pants right now.
“Hmm, Kaveh? What’s wrong?” The concern in your voice is evident and he tries everything to will away his hard-on until he’s confronted with the fact that he has no choice but to do as you say, lest he causes you to worry even more.
Slowly, he peels himself off the mattress on shaky hands while the tips of his ears are burning red. But before he flips over completely, he manages to mumble out a weak, “Um. Uh. Just don’t look down too much…”
When he’s finally done shifting positions, you’re able to see just how bright of a blush has settled on his face, his brows knitted together as he quickly moves his hands to the front of his pants. However, it’s too late and you’ve already caught a glimpse of what he’s trying to hide. (And really, the rumpled state of his pants aren’t helping his case.)
Kaveh knows that you’ve realised when a mischievous look flashes across your face, “Aww, why didn’t you just tell me? Just an innocent little massage and you’re already so worked up?” He didn’t know his face could get any hotter but it does when he recognises that you’re teasing him.
Fortunately for him, it seems like you’re in a merciful mood tonight as you drag your fingertips down past his navel, goosebumps rising on his skin along the path you trace out. When your fingers go to hook under his waistband, you ask, “Do you want this?”
Kaveh thinks he has never nodded this hard in his life.
Prying him free from the confines of his clothes, he’s already almost fully erect, to which you quickly fix. Wiping your hands of the remaining lotion still clinging to them, you procure a different container, a water-based lubricant this time, and slather it generously on your palms and fingers to bring it up to your body temperature. 
Wrapping a hand around his base, you stroke upwards in a fluid motion, making him jerk his hips up into your fist. Eyes squeezed shut, Kaveh hisses sharply when he feels your other hand snake up to his chest and flick at one of his sensitive nipples. 
Filthy slick noises fill the room as you take the time prying moan after moan from his lips and he looks utterly debauched lying under you. A messy halo of golden blonde hair frames his face aflame with colour and you sear this image of your beloved into your memory.
“Are my hands really that good?”
“Hnn… Ye-yes! More, please…!” He slurs, half out his mind.
The combined onslaught of pleasure proves to be too much for him as the telltale sign of his thighs tensing signals his oncoming release. Yet, just as he tips over the edge, you instantly stop your ministrations, pulling your hands away from him.
But before he can whine out in disappointment, you take him into your mouth. The sudden replacement of your hands with the warmth of your tongue takes him off guard and it rips a drawn out keen from the architect. Your hands rove around his body, alternating from pinching and toying with his chest to kneading at the muscles of his thighs and ass.
“Absolutely lovely, beloved. I’m so lucky to have such a hard worker, someone so kind and earnest in everything that he does,” he moans unabashedly at your praise, head pressed back hard against the bed as he tries to hold himself back from coming too soon. Unshed tears cling to his eyelashes as he blinks rapidly at the overwhelming sensations.
“Going to… hah! Need to-!” At this point, Kaveh’s mind has been reduced to mush, his fingers tangled in the bedsheets as he begs and babbles in between breathy pants.
“Go on, beloved, anything you want,” you coo, pressing a kiss to his inner thigh. When you lick up the underside of his shaft and take his drooling tip into your mouth, a hand twisting at the base whilst the other toys with his balls. His muscles lock up as his back arches off the bed and he cums with a shout. 
Stars dancing behind his eyelids, he moans when you press your lips to his and he tastes himself. His hand scrambles to find yours, fingers entwining as his thoughts fill with nothing except the love he has for you. 
When you break away from him, Kaveh sighs against your cheek, plastering kiss after kiss across your face. But you’re not done pampering him for tonight yet, and he knows this when you nibble at his ear.
“Looks like you’re still tense, how about we continue your massage, hmm?” 
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Thanks for reading! Consider supporting me on kofi if you enjoyed this or check out my other works hehe ♡
If you'd like to request a fic of your own, do consider checking out my event post!
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