#multiple songs had different names depending where I was looking them up

[darkdragon768]

Reblog for a bigger sample size!

You can gladly tell what YOUR favorite OST is in the tags!

[pigeon-toes]

Alien Stage's final round was really underwhelming for me.

It was visually appealing yes, the song made me bop my head, but it doesnt have me in the throes of obsession like most others have.

Most likely because it's incredibly straightforward. The vast majority of the screentime is Luka and Till singing, and that's it. Where the others have had the majority if their visual runtime taking place in the past, memories, or generally outside the events of the stage, this one has very few cutaways, and those cutaways aren't relevant to the characters on-stage outside of Till's final memory.

The only exception to this is Round 5, where Luka toying with Mizi's emotions was the main focus. The entire round was spent building and emphasizing that emotion, with a big cathartic climax at the end.

Round 7 feels like its trying to hit the exact same beats, but without the climax and without either of the characters being as invested in their feelings/actions.

Where Mizi's universe is clearly and visibly shattered from the start of round 5, leading up to a complete breakdown, Till seems like someone initially determined who slowly and unceremoniously loses steam over the course of the song.

Where in round 5 Luka's emotional manipulation is notably intense and aggressive, here it seems like a last-second, halfhearted tease from someone who already knows he's going to win.

Till and Luka are both the least-explored characters in the series. We know next to nothing about either of them outside of the people they desire and their surface-level personality.

Despite the fact that we know next to nothing about either of them, the episode chose not to delve into their motivations or history any further.

I would've liked Till's thoughts and memories to be explored more. All we know is that he's rebellious and likes Mizi. We don't even know how he truly felt about Ivan, before or after round 6. Round 6 was almost entirely dedicated to Ivan's feelings towards Till, with no insight on the other direction.

There were brief flashes of the kiss in round 7, but outside of Till looking uncomfortable, there's no indication in the series that Ivan makes him feel anything more than that-- uncomfortable.

You have to look at patreon and art-book information to even find out that he cares about Ivan in a positive way at all. The final round patreon interview stated that Till has a "love-hate relationship" with Ivan, but they didn't show that at all-- and now they're both dead, so it's never going to be shown.

The final round felt something like a filler episode. Where Ivan's death felt ceremonious, Till's felt sudden and anticlimactic, especially with the last-second appearance from Mizi just before he suddenly died.

I just would've liked more emotion and buildup. Even the song didn't carry the same emotional weight as the others outside of the name.

My clematis, black sorrow, and cure- they all could bring me to tears from multiple different angles depending on who's singing the song.

Unknown, all-in, and ruler of my heart all feel like they're sung directly about the character's feelings and motivations.

Blink-gone, while catchy, doesn't feel like it has any significance other than that.

Overall, I'm just disappointed. It wasn't bad by any means, but its far less than I've come to expect from alien stage.

[wander-wren]

been listening to epic (the musical) (the concept album) a bunch and my brain has been hatching lots of ideas for how to stage it, so i will share them with you, good people of tumblr.

some caveats: i don’t pay attention to any extra streams, videos, etc, so most of my context is purely the music plus some things my friend tells me. therefore i will completely be making shit up on occasion, like in the gaps between some songs. i also know that jorge has said the dream is to do some really crazy cirque de soleil shit onstage, and i don’t really know enough about that to include it!

additionally, i will be trying to keep practicality and realism in mind, but this is still pretty far-fetched and assumes we have a large stage and near-infinite backstage storage at our disposal. to be fair, the odyssey has a LOT of different locations and you can’t make a story called epic without some massive set pieces. also, my experience is mostly deck crew, idk lighting stuff or choreography or anything, so i’m just going to try my best with that.

all onboard? epic. commence troy saga:

vocab notes

stage left and stage right refer to the audience’s left and right. upstage means away from the audience, and downstage means closer to them. midstage/center stage are self explanatory. most theatres (i think? i’ve only seen a couple) have multiple curtains that can divide the stage horizontally, called travelers. i think that’s it.

the horse and the infant

i want lights down everywhere but stage left, where there is a big sort of plywood cutout loosely in the shape of the trojan horse, with of course the interior of the horse painted on it. odysseus and a couple of his soldiers are here

i originally thought you could build a small space jutting out of the horse for them to crouch in but you would have to have some serious counterweight on the other side. it would look cool tho. even if you do do that, odysseus doesn’t stay there long because that’s a pretty cramped and uninteresting position to be in.

when the soldiers all say “yes sir!” the first time, the rest of the lights come up, revealing the city of troy, which is represented by some more painted plywood backdrops of the city at night. they’re all on wheels. the lights should still be fairly dim for the vibes, and pretty blue and orange to match the album. y’all are gonna learn quickly that i loveeee putting sets on wheels.

also more of odysseus’s men are there! as odysseus names each of his men, they do something kind of related to whatever he says.

when they say “yes sir!“ the second time, well, you can do some funky group choreo there. it’s kind of hard because technically they’re not attacking yet, just sort of demonstrating what will happen. shrugs.

once odysseus calls out penelope and telemachus…my stage had these ramps on the side next to the stairs with walls, and we would put people and sets there all the time. so depending on the theatre layout, they will appear there on stage right periodically through the entire show until odysseus gets home. throw a lil spotlight on them. bam.

naturally, when odysseus yells “attack!” the rest of the soldiers charge into the city and some trojan soldiers can enter stage right to fight them. the trojan horse flips to reveal the other side is painted like a gate/the city. slowly, the city backdrops roll offstage left, and the fighting greek/trojan soldiers move off with them. the music here will probably need to be lengthened to allow for this.

simultaneously, a room for the titular infant has been set up. probably like two half walls and a crib and a fancy decoration or some such. i’m thinking some kind of projection of like, silhouettes of odysseus to represent his vision and the eagle that represents zeus.

then zeus enters stage right and has his little convo with odysseus, stepping back to sort of dramatically reveal the crib to him. he and odysseus talk, nothing special happens, zeus spookily exits stage right as he sings his last line about odysseus choosing the blood on his hands

of note, i want 90% of the cast to be soldiers in this scene. as the soldiers die, odysseus’s little ensemble can shrink, and the dead soldiers can be double cast as the various enemies and their sidekicks. the exceptions to this are penelope, telemachus, zeus, and athena.

just a man

i want to be very specific about when odysseus looks at the audience for this one. it’s such a private, pivotal moment that i want him to avoid acknowledging that anyone except him and the baby exist. the two main points i think he can look at the audience are when he says “close your eyes, and spare yourself the view” and the “forgive me”s.

otherwise not much special in this song, its just odysseus holding a baby. he can act like he might drop it, from the wall, just so the audience is Aware, but it’s definitely important that by the end of the song what he does is ambiguous

i know the musical is meant to be sung through and so i want to avoid having moments where the stage goes dark for scene changes, but there are points where it’s unavoidable bc of the crazy set this thing has to have. so, we will put one right at the end here, keep the music real quiet for the audience to just sit and absorb this song

full speed ahead

when the lights come back up, we’ll have odysseus’s ship on stage left-centerish (odysseus should always be traveling from left to right, basically, since ithaca is stage right) and that’s all

dadada we introduce eurylochus and polities, then set for the island starts coming out on stage left for polities to comment on. the island sets can all be painted backdrops, so then theres two sides for some variety, and the same set of rocks/plants/trees arranged in different ways to show its a new place. i want the colors and things to be very bright and just this side of unnatural, because this isn’t home, they’re strange lands.

the boat can slowly be going off left as odysseus and polities make their way onto the island at the end of the song, which ofc flows right into the next

open arms

polities and odysseus wander across the stage for this, nothing exciting.

definitely can do some fun costuming with the lotus eaters when they pop up. i’m thinking of the trolls (or the hidden folk, i guess?) from frozen on broadway. but creepier, maybe

not a note but i just love this song i love polities so much <3 my bestie

once they get the location of the cave, they can start walking back left and the lotus eaters can go off, taking/rearranging their set as they do because it’s about to be a new island. lights go down there as well. odysseus slows his steps to stop roughly center stage, or center-left depending on how big the stage is. he looks conflicted about what’s just happened. polities slowly walks off as he sings

athena comes out of somewhere. i think it would be fun for her to pop out from behind the set as opposed to entering from the wings. when she says “have you forgotten your purpose? let me remind you,” lights can come up on the right, kind of yellowy? i imagine ithaca as being very yellow for some reason. maybe some flickering to represent going into a flashback.

i know it’s not the original idea, but i think having a second actor play younger odysseus fighting the boar and stuff would be best/clearest. i have NO idea how to do the boar bc i feel like it would look kinda silly any way you did it? but that happens

athena this whole time is standing outside of the yellow light, narrating the flashback to odysseus. when young!ody starts calling her out, he doesnt look directly at her (because he’s bluffing, of course), until she steps into the light, which both symbolizes her dropping the spell and entering the flashback story

young!ody leaves and athena returns to odysseus after the last chorus, as she says “i still intend to make sure you don’t fall behind.” she gets very close to him to warn “don’t disappoint me” at the end, which makes odysseus look at her stubbornly. lights down, unfortunately, for another scene change to the cyclops cave

[twixitativi]

do you have any tips on writing an au? normal fics i can usually handle but i’m working on a kunichuu grease au and i’m finding it quite difficult.

hiya! thanks for asking :3 also good luck with that, that seems like so much fun omg; feel free to send when you start releasing, i'd love to check it out!

ill be using splinters as my example here purely because thats closer to what you're trying to do (movie/musical as reference)

this is going to be long as fuck because i tend to ramble and go into detail, so im adding a read-more. i sincerely hope this helps because i know its a LOT (potential spoilers for splinters included)

1. The Foundation

when i first started working on splinters, it started with a lot of idea bouncing. who would suit what role? why would that role work for them? originally, i had looked at dazai as jd and chuuya as veronica, or dazai as veronica with fyodor as his jd.

then, i also started thinking about story 'beats'. to be clear about what that means, i like to think of different parts/scenes that i need/want to hit, and kind of the order if possible. this usually intertwines with the original story-- in your case, grease.

all this starts falling into the next step:

2. Research

it may not be entirely apparent, but i did (and still do) a FUCK TON of research for splinters. by choosing to have multiple source materials to base your work off (both bsd AND grease), depending on how close/accurate you want to be, you're going to want to get in touch with the material.

you've mentioned grease-- i'm assuming you're doing this based off the movie (love the movie. need to rewatch). what i personally do with heathers the movie is that i watched it the entire way through first to refresh myself with the material. it might help you to take notes about different characters, ideas, plot lines. i found a copy of both scripts online in case i wanted to see about throwing an iconic line in during an important scene without diving through the whole movie to find it.

i dont know HOW historically accurate you want to go with your fic--you may be choosing to explore the concept of grease rather than the actual setting itself-- but grease takes place in the late 50s, TECHNICALLY early 60s (movie itself came out in the late 70s) (my mom LOVED it when it came out). so, you may want to do some basic research: fashions/trends of the time (this has gotten harder to search online, you may want to even run to the library and find some books if possible)? societal norms? what did normal teens do during that time? did they have arcades, did they go to restaurants, what was the average place they hung out at?

a lot of times, i have to double-check if some of the stuff in splinters is period accurate. each decade has different lingo, slang, and general information that was normal during it. hell, looking back at the 2010s versus 2020s, if you were to write a story during, saying, 2011, and have your characters saying "slay" and "yas queen" and "road work ahead, uh yeah i sure hope it does", i regret to inform you that that will NOT be accurate, as those phrases are more late 2010s + that vine came out in 2016. now, could you quote/potentially reference these things? absolutely! but you have to be more strategic about it.

ALSO. look up fun trivia about your source material! you know where i got my title from? its the english translation of the italian name for heathers. im not even kidding. also, mix and match material! hell, even throw references in to other material! i had my mean girls reference in there! because its bsd, i like to throw in authors i like from time to time where they fit!

another silly one: what music came out around that time, playing on the radio? HOW did they listen to music? i specifically listen to a 1989 top hits playlist when im trying to figure out what songs might be playing on the radio while my characters are driving-- and even THEN i still will look up specifically when that song came out, because i made the choice to be horribly specific with my timeline.

on that note:

3. If you can, DON'T SET A SPECIFIC MONTH/DAY/ETC.

i made my choices. do i regret them? YES. is it still fun to work with? absolutely, but also the heathers timeline is lowkey a mess and you could simultaneously claim it takes place in 2 months or several.

honestly, avoid specifics. having to keep track of a timeline is an absolute bitch, and it's going to make your life a lot harder, because then, you HAVE to make sure it all matches up. if i say that kunikida went and got his glasses in march, i cant say that his glasses are brand new in may (this is a hypothetical example).

timelines suck. unless you think you can dedicate the time and energy to keeping with one, don't do it.

4. OUTLINES.

i've been writing fanfics for years, which is wild to me. i was writing fanfics in single digits (didn't even know what fanfics were). one thing that i have especially found useful with splinters is to make outlines for where you want the story to go.

let me break it down for you:

you're gonna have MULTIPLE outlines, and they are NOT set in stone. they are guidelines for you to use so that you're not sitting there going "shit i don't know what to do next". they may be scenes you want to have in the fic. they may be important plot points. they may be absolutely stupid shit that youre like "if i dont get this in here i will cry" (diarrheazai is a threat that i intend to keep)

FIRSTLY. try making a general outline for your whole fic. you don't need super specifics, but think of what events occur during grease. in it, danny and sandy meet in the summer before their senior year. sandy meets and joins the pink ladies. there's a dance competition. danny and sandy fly off in a car into the sunset. etc. TO BE CLEAR, you don't have to keep all the details! it is your story, and what you want to do with it! having that structure can be helpful when you start though.

THEN. once you have that general outline? start trying to plan out chapters. you dont have to make outlines for them all at once. more often than not, i'll sit there before i start a new chapter just trying to outline what'll happen in it. this helps a LOT on multiple levels. i'll provide an example of what that can look like below (SPOILERS IF YOU'RE NOT UP-TO-DATE WITH SPLINTERS):

(the blacked out bit is spoilers, everything else should be clear to see)

a quick explanation: i dedicate a small document to outlines for each chapter. as you can see, with chapter beats, i have diff things i want to try to hit. the stuff highlighted in green is stuff that i come back post-chapter to confirm i hit. sometimes, if it's not EXACTLY in there, i'll leave a note in bold (ex: WAS MENTIONED).

but you can kind of see what im talking about here. i have some things that im trying to knock out per chapter.

other things in my doc to outline:

yes i talk to myself in my notes.

i highlight different scenes according to their relevance to certain characters sometimes; i add scenes in where i need to, and then ofc as you see ill go into detail about specific scenes. and AGAIN these are not set in stone. for example:

as you can see, shit changes over time. that boiler room make-out scene during the homecoming pep rally appeared in ch 11. i did not make this sequence fyodor's pov.

sometimes? i just dont have the time or energy to write shit/dont think its relevant to the plot. good bye, corn maze. you'll be remembered in my thoughts and my outline

also try to have fun while outlining. it doesnt need to be something serious. literally my outlines are a mix of dialogue, scenes, my own thoughts, etc. get silly with it. this is supposed to be fun and enjoyable!

ANOTHER THING:

5. LOOP SOMEONE INTO OBSESSING OVER THIS WITH YOU.

i was inspired by ardeidae to write splinters, and i have successfully trapped them in splinters world for almost an entire year now. by both of us loving it, we can keep ourselves focused on it.

what also helps is bouncing ideas off other people. me and lu have had conversation after conversation after conversation about different plot lines, scenes, etc. sometimes, i don't know what to do and i will ask lu (or other people) for advice about the progression.

you may have also heard of the engineering rubber duck method. if you're unfamiliar, engineers will sit there with a rubber ducky by them and talk to it about what they're working on until they figure out what they need to do. sometimes, just ranting about the fic is enough to help you spawn ideas about what to do next.

OH also

6. If you do end up making a timeline? Have a calendar on hand.

this is no longer 100% accurate to the progression of splinters and the chapters, but it helped a LOT. laying it out like this can make one hell of a difference. im a visual person, so doing this helped. also, can help you keep track of holidays and shit. if you want to give your characters a day off from classes, check a school calendar for holidays. be like "uhhhherrrr yeah they're taking, uhhhh veteran's day off" yk

7. Write, but don't force it.

splinters doesn't have an actual updating schedule because i work on it at my own pace, and update once i finish a chapter. now, i usually finish chapters after a month, but i don't say it updates on x day. don't box yourself in unless you truly think you can handle it. some people are very good about schedules. i am horrible at them, bc ykw? LIFE HAPPENS.

when im in the mood, i write. i will sit for HOURS and just write. grab some snacks, maybe pop on some music, get a buddy to sit with you, but just go for it. sometimes, i'll pull a 25-10 method-- 25 minutes of writing with ten minutes of relaxing and bullshitting--and that helps me not burn out as quickly. but honestly, you cant always brute force it.

have i had to brute force it sometimes? yes. you will get stuck. it naturally happens. sometimes, a scene fucking sucks and you're like "i hate this scene but it HAS to be in there" (if it doesnt fuck that shit. throw it out. blegh) sometimes, you need to mix things up to make it more appealing to you, because i am of the belief that the readers can tell when you're not invested in a scene. if im writing a scene and its going slowly and i just want to get it done? the quality's going to go down, and i KNOW it. so, i evaluate. what do i need to do for this scene to work? can i add something to help? do i need to just rewrite the bastard and call it a day?

and sometimes? you can just go ahead and put a little "<'scene'>" in and move on. depending on how much your fic relies on that scene, that won't always work, but sometimes, you just gotta leave it and come back to it. you can also do that with certain dialogue/details. if you're trying to get your characters from point A to point B, don't shove them there if they run out of gas. make a detour, and see what happens.

eerrrrrrr yeah, i THINK that's the majority of the advice i can give? sorry that that's a lot, but uhhh hope it helps! :')

[mainprotagonist]

ok ill bite, tell me about your ocs!

YES PERFECT... IVE GOT MANY!!!! You can see all of them on my toyhouse!!! A lot of them are WIP until I get their basics down but theres a lot of them that have icons so at least you can see what they look like

I do fandom ocs but since these stretch from fandom to fandom i wont go all over them but my Big OCs I talk about the most are Kelsey (one piece oc) or Prince (osomatsu san oc).... and i love oc/canon pairs sooo much and the biggest reason I make fandom ocs.... But look out for me making a dungeon meshi oc bc its def gonna happen.

as for my other ocs, I've currently have uhhh (checks hand) 8 'verses' I talk about which is basically just different worlds with different settings and stories that I jump around with working on.. EXPIER, Danger, OI!, Kingdom, Rampage, Red Wire Burn (RWB), V•RSE and Virus.....

I'll put descriptions in a read more so i dont spam up the dash <:)

EXPIER - newest verse of mine where all the characters are some sort of glee performer, drag performer so on so forth. all based on a very specific emotion and I'll give them playlists for songs that fit them. these guys help connect my love for music and ocs. Story follows the whole cast.

Danger, OI! - My oldest verse that I havent worked on in years and obvs needs overhauling and planning but its about people called animal whisperers who can command demons and free them from having no self control that cause them to attack civilians. Follows main character, Bibion.

Kingdom - A verse I work on with my bff milo most of the time and a lot of it wouldnt be possible without him. A world divided into multiple kingdoms: Astral, Angel, Dragon, Lava, Shadow, Spirit, Glacier, Flora n Fauna, Underdwelling and Reef.... All separated by lands considered neutral territory that many live outside of influence of the rulers. Story focuses on the aftermath of a long running war against the Shadow Kingdom rebelling against the others, which had left them devastated and leaving the rest to start anew to deal with their scars and rebuilding what was lost.

Rampage - Follows a train hopping, nonbinary shapeshifting duo named Fyle and Garrett!! Very casual loose verse I also havent worked on in a bit. They are thieves and pick up jobs that involve petty thievery in order to make ends meet.

Red Wire Burn - Usually abbreviated to RWB. Focuses on a vampire run bar and the entertainer that performs there and is given room and board, Desta who is an introverted magician; loves people but needs a lot of alone time, especially after his performances

Seasons - A family of huldrekalls living and surviving in a group or separated depending on the season. Huge plant motifs as they are tree creatures. They help local farmers with their fields and other tasks plus protecting them. Focuses heavily on Melian; the middle child of the family who catches the attention of a half giant by the name of Rexus (belongs to @not-amh). Lore related is that their names are chosen by their significant other as they are born n found no need for a name. Formerly simply known as Huldrekall until he meets Rexus and is given his name.

V•RSE - second oldest verse and arguably the more developed with almost all the ocs having their profile finished.... Its my fictional fashion industry, queer led and many of the workers are LGBT.... Creating clothes for all shapes and sizes regardless of gender; only separating the genres of clothing by the style and size rather than gender. Focuses a lot on Kåre who is the newest worker and learning the ropes of working at V•RSE

Virus - My lil scifi horror verse... An exploration team is sent to an inhabited planet as a means to research the lands. Jason, the teams head researcher, wakens a long dead alien virus, becoming infected and killing the rest of the crew and turning them into almost unrecognizable monsters; the only way to tell theyre the original crew is because of distinct physical features. A team is sent to rescue them or to find what happened to them.

[no-droids]

Home

gif credit: @javier-pena

Part Eighteen of the Rough Day Series

Rating: Explicit

Word Count: 19.5K

Warnings: SMUT, religion kink (maybe?), squirting, consensual stalking/pursuing, canon-typical violence, mention of underage drinking, uhh I believe that’s it but as always, let me know if I’ve forgotten anything please!

A/N: Hey yall!!!  So I know this chapter has been a long time coming and though I’m not completely satisfied with it, I hope it brings a little happiness to you for an hour or two while you read!  School has been kicking my ass and I’ve been in a bit of an emotional slump recently, but I pulled a few all-nighters to post this on time and it’s finally finished!  Thank you to everyone who has stuck with me and sent me encouraging words over the past month or so, I hope you enjoy the end of the Sanctuary arc💕

Also like last time, part 2 of my collaboration with @followwhereshegoes will be posted after the chapter!!  As a reminder, sweet girl is a reader insert and every imagining of her will be different—this is Lisa’s interpretation of her and her artwork is absolutely gorgeous, so please go give her a follow!

Day 5–11:13am:

You zone out again in the early morning, but that happens a lot.  Din always keeps you up so late, all the time, and without any caf here, the rising sun just makes your eyes droop instead of flutter brighter and wider.  You helped a bunch of younglings find their way into their robes when it was still dark out, tying sashes and fitting masks while holding back your yawns.  The walk into Nariss is close to three hours, probably more with all these tiny little legs, and you almost forget to change into your new digs before everyone grabs breakfast.

Even though your ragtag entourage leaves for Nariss just as soon as everyone finishes eating, you don’t reach the city until nearly lunchtime.  Mostly because the kids walk about as fast as the elderly holy women chaperoning the trip.  You and Naydee lag behind the group, forcing yourself to meander slow as fuck when you nearly sprinted this same exact path just a few days ago.  On the way there, you listen to children of all sorts sing happily as they walk, chatter about their excitement for the parade, complain about wearing the fabric mask they made themselves, and more than once, somebody takes a tumble onto the ground and is left in teary sniffles and dirt stained clothes.  Likely for this reason, the robes are designed to be two pieces—a long tunic with a hood and a separate pants portion to prevent tripping instead of a draping skirt, but the smallest ones are clumsy and find a way to fall anyways.

It’s a colorful bunch—a chaotic rainbow of babies running around, and you share easy conversation with your new friend about the plans for the day until she asks something that makes you nearly trip and join the dirty robe club.

“Sister Drya said your family is meeting you in the city,” she tells you, ignoring your immediate subtle toe stub and the awkward shuffle you have to do to make up for it.  “There’s going to be lots of people downtown, I’m worried it might be hard for them to find you.”

Your heart thuds in your chest and you feel a bit short of breath at being abruptly confronted with the need to lie, but at the same time, you kind of love it.  Having a secret, hiding the truth from others, and just the reminder that you’re almost guaranteed to see Din and the baby before midnight pours warmth and tingles through your tummy.  Everything together is a hit of spice, filling you with a kind of excitement that used to be foreign to you.  Having fun, experiencing new things isn’t quite over yet, but home is calling and you miss it with every fiber of your being.

“I don’t think so,” you eventually respond, hoping she can see your kind smile and the sentiment it carries even as light, shimmery fabric wraps right around your mouth.  “If I disappear, you’ll know why.”

Naydee’s eyes crinkle in the corners to match yours.  “Hopefully you’ll be able to see the fireworks first,” she nudges you, her skin glowing against the pale cream fabric she has wrapped around her own mouth and the hood laying delicately over her braids.  “They start at eight.”

The fireworks, you almost forgot.  You know what?  Today is a good day.  You hear yourself think the full sentence multiple times, and the words put a spring in your step after every single one.  The road gradually becomes wider and filled with more travelers, and you feel safe in the back.  Like some kind of sheepdog bringing up the rear of this migrating cluster of children, making sure none of them drift off by themselves and start eating grass or something.

Surprisingly, the kids manage to be relatively patient and well-behaved once they’re in line at the gates.  The Sisters shuffle them along one by one as everyone moves up slowly, taking even longer to get into the city than it did a few days ago.  The entrance is packed already—so many people visiting for the festival, and they’re all dressed in costumes or robes of sorts, or at least a mask.  Most are beautifully crafted, but some manage to look slightly scary even with the soft springtime color schemes.  It’s a completely different world, a different life for each person as you pass them by.  Your stomach is starting to growl by the time you finally make it to the front, and luckily the guards just let the kids through without any ceremony.  Just you and the rest of the caretakers in light robes need to hold still for the retinal scan, matching each other perfectly except for differing shades of fabric, skin, and eye color.  Once the gates open for you and you step through, though… it’s… Maker.

Extravagant, magnificent are both words.  Floral is another.

It’s like they hung up bouquets wherever they could think to fit them, and this is just the edge of the city.  As the group moves through the streets and closer to downtown, it becomes more and more overwhelming.  The air itself is a warm fragrance wafting all around you, sunshiney and breezy and perfect, flowers of all kinds lining the modern buildings and archways like they were planted there from the very beginning and it just took this long to bloom between the cracks in the concrete.  You wish you had names for all of them so you could list them—the only thing you can offer is the color and vague descriptions of the ones that stick out to you.  Tiny yellow ones that are so small, they need to be bunched all together in massive quantities to even resemble normal flowers.  Up overhead, elaborate arrangements of enormous blue and purple and pink ones, wrapping around each other and hanging down from rooftops.  Some don’t even have petals, it’s like they’re big green cups that are big enough to hold things inside them.  You’re fascinated by every single one, wanting to stop and smell them all individually but needing to keep up with the large group and not allow any stragglers to be left behind, including yourself.

About an hour later, when you’re almost in the middle of the city and there are people everywhere, it’s time to eat lunch.  There isn’t much to it because of how expensive it is, and you’d normally feel bad for accepting the small meal each one of the children gets, but you donated all of your credits to the Keja and left absolutely zero for yourself.  Good intentions, terrible idea.  Still, you pull your mask down and snack on some deliciously fried food, trying not to eye anyone else’s platter after you finish yours.  It’s so good and it’s gone in an instant; you couldn’t even say what exactly it was besides which stall you got it at.  Whether it’s just the brilliant atmosphere or if the food on this moon is really just that good, you’re not really sure, but you’re still slightly hungry afterwards with no extra money to sneak a snack.

Soon after, the kids all line up to get their faces painted, or whatever portion of their face is visible behind the cloth masks and hoods they’ve got on, and music blares from at least four different directions and none of the songs are even in the same language.  Depending on the part of town, it seems like the celebrations are all different.  It makes sense, considering most if not all of these individuals were victims of the Empire’s wrath, spread far and wide across the galaxy.  Here, they’re free, and they want everyone to know it.  Spring festivals of some sort are likely common for most cultures, at least those from planets with seasons, not like Arvala-7 where it was arid and hot year-round, and you’re assuming there are multiple things being celebrated today depending on which street you live on.  There’s chanting in different tongues, dancing and drums, outfits and masks from different cultures every single time you look.

At some point, the children spot a crowded street with flowery rails set up all along them, and you stand behind the tiny heads while everyone waits for the parade to begin.  You think your heart has just been beating slightly faster than normal all day today, but when you finally hear the sound of sirens blaring in the distance and cheers begin to pour out from the gathered crowd, it kicks up and you feel like you’re just as wide eyed at the spectacle as the waist-high babies all huddled together up against the railing.

A flurry of people and things pass in slow succession.  First, New Republic officers with their blaring holobikes, bright orange as always.  Then come large groups of people walking behind banners in languages you can’t read, some of them waving, some of them making different sounds and songs.  Bands marching in formation, dancers in dresses and masks and gorgeous flowers in their hair like crowns, and then brilliant hovering vehicles decorated in bright colors and festive depictions.  The craftsmanship and cultural significance is stunning to witness, it’s so insanely loud, there’s so much going on, and yet…

Through it all, you think of Din.  No matter the faces, the sights you see.  There’s someone juggling.  There’s either a very tall man and woman walking together or they’re both on stilts.  There are enormous balloons being led through the air, people are riding atop an assortment of animals you’ve never seen before, there are traditional costumes and spectacular stunts being performed.  Stalls with games and prizes line the stretches of concrete on the cross streets, people are laughing and celebrating and drinking in equal parts, everything is so lively and festive and fun, and yet, though it all, you think of Din.  Him and the baby, they’re always in the forefront of your mind, occupying your thoughts and making your tummy stir more and more as the time passes like the parade in front of you.  You don’t think this environment would ever be his favorite, and in some far away galaxy, perhaps if you lived other lives together and called a beautiful moon exactly like this home, then you might have to drag him out to see all the with you and the kid every year.  You’d have to bat your eyelashes and kiss his cheek and snuggle up to him all nice and pretty like, and he’d probably grumble and complain about it while wrapping his arms around you—all the people and the noise, sweet girl—but he’d go.  For you, he’d go.

Your thoughts suddenly stop short and you blink for a second.  Why… Why was that scene so vivid?  So wistful?  You used to preoccupy yourself with fantasies about Din all the time, back before you even knew him as Din.  But in every single one, it was sexual and likely came from a place of boredom, a lack of external stimulation.  Here you are amidst bustling surroundings, and you’re daydreaming about domesticity with him.  Why?  You want to travel the galaxy, right?  You want to see things you’ve never seen before, right?

For some reason, you think of the floor, and you miss it.

***

Day 5—5:04pm:

It’s late afternoon at this point and nobody can find the teens.

More people have made their way into the city and it’s starting to get extremely fucking crowded, especially where you are downtown, and the handful of them must’ve slipped away with all the excitement happening and how difficult it is to keep the young ones together now that the parade is over.  You don’t know how long they’ve been gone—one second they were walking around just slightly detached from the rest of you, you assumed because the boisterous younglings fucked with their cool vibe, and then the next Naydee is gasping out to you that they’re gone.

“Sister Drya is going to kill me,” she hisses, her dark eyebrows furrowed in self-admonishment and stress.  So many fucking people here, you know her pain.  “I was supposed to be chaperoning them, they were just here—”

She shakes her head under the loose, cream-colored hood, groaning and then speeding up her gait to catch up with the woman in charge, but you decide to grab her wrist before she can relay the bad news.  

“I can go find them,” you offer, speaking as low as you can with the blaring noise surrounding you.  “Before anyone knows they’re missing.  Is there a way to convince everybody to stay in one spot for a little while?  You won’t get in trouble, but I need to know how to find you again.”

Naydee’s eyes widen in surprise, and even though it’s likely a bit out of character for you, you have a feeling it’ll be a deceptively easy task.  Even with the masses right now and how atrociously big this city is, you already have a general idea of where they’re likely to be.  Besides, you’re not even sure your absence will be noticed if Naydee is the only one who figured out the teens were gone—the other Sisters can thrive without you while missing anyone else would be noticeable, and you owe your new friend a thousand favors for helping you out these past few days.  The least you can do is save her from the scolding of one of the scariest old ladies you've ever met.

“Be as quick as you can,” she finally agrees.  It’s a lot of trust to put into you, but you’ve had experience in reading the most unreadable man in the entire galaxy, some teenagers shouldn’t pose too much of a problem.  “If you’re not back in thirty minutes or somebody notices, I’ll have to say something.”

You nod, silently breaking away from the group without another word.  You think you can hear her announce to everyone that it might be best to eat dinner now to skip any long lines later—smart—but you’re out of their hearing range and line of sight almost immediately.

***

Day 5–5:17pm:

“Really?”  You raise an eyebrow since they won’t be able to see the way your mouth is twisted up underneath your mask, crossing your arms and tapping your foot against the ground to further illustrate just how not fucking impressed you are.

Seven teenagers freeze, and slowly—depending on how much bravery they can individually muster—they turn around on their stools to face you.  The atmosphere in the tavern is bustling and cheery, booze being passed around a large crowd that laughs and mingles, but your vibe is stone cold and quiet.  The contrast doesn’t feel wrong on you like it normally would; the negative and disapproving energy you’re emitting makes you feel powerful, untouchable, armored and strong.

“How did you find us so fast?”  One of the twin boys squeaks out behind a light blue robe, sounding worried.

“Had a hunch,” you grumble, glaring sternly at each of them in turn.  Your tone is dry, your voice sits lower in your throat when you’re pissed off.  All you had to do was look for the closest bar that doesn’t have any orange jumpsuits poking around waiting to card underage younglings, it wasn’t that difficult.  “You’re not exactly unpredictable.”

“Are you gonna rat us out?”  The other twin asks you, in a voice that’s oddly deep compared to his brother.

“I should,” you snap, quickly reaching out to push their drinks away.  “I should let Sister Drya rain down her holy fury on your asses, got good people all twisted up over you for nothing and I’m missing dinn—”

You don’t know why, but you suddenly cut yourself off and jerk upright, spinning around.

The sounds of glasses clinking and boisterous voices fill the bar, but they seem to fade out for a second.  Your eyes fly around the crowded space, your heart lodged in your throat and looking for anything reflective.  Every flash you see is a false alarm—belt buckle, wristwatch, cocktail shaker—

He’s here… isn’t he?

Only, there’s nothing.  Nothing is out of place, nothing jumps out at you the way you’re assuming it will.  You’re braced taut and ready to bolt at the first sign of a chase, but it never comes.

It’s so… unexpected, this feeling.  It’s not like you’re being hunted anymore, but instead, you’re the hunter.  You’re feeling the weight of him from this far away and it’s like he’s calling for you to come find him, teasing the wild adrenaline rush you get from just feeling his presence, as if he absolutely knows it happens.  Whispering soft in your ear and then vanishing the second you’re able to turn around, like he’s here but he’s not.  Playing with you from so far away.

This… this is a taunt.  

The whole thing at the inn was leagues below this, that was rudimentary.  Teasing, getting even, having fun with each other, whatever you want to call that, that’s what it was.  This is scarily sophisticated.  Fluid and practiced and the best kind of frightening, stark and dangerous compared to the carefree and upbeat setting surrounding you.  You’re not making it up, it’s not just you being paranoid.  You know him with your eyes closed.  You know he’s here somewhere watching you, just like you know the starlight that streaks across the pitch black horizon of hyperspace.  Not because you can see it, not really, not directly.  But because by it, even in the vastest and darkest and emptiest of voids, you’re suddenly able to see everything else.

“You okay, Nerida?”

The volume gradually comes back up and you blink, suddenly remembering where you are, who else is with you.  The chatter becomes slightly louder than it seemed before.

“Yeah,” you eventually say, slightly airy while continuing to stare emptily at the crowded room.  He’s not here, you don’t think, not anymore at least.  But you’re not stupid, you know what this means.  You’re already caught, there’s nothing you can conceivably do that will delay the reunion for the next—you look down and pull the loose sleeve up to check your communicator—seven fucking hours, there’s no way.  He’ll pull back and follow you, keep up with you from a distance and then snatch you away right when you let your guard down.  You at least need to get the kids back to their guardians before that can happen, though.

“Let’s go,” you quietly tell the group of foundlings, grabbing elbows and hauling them out of their stools.  “Naydee was the only one who knew that you were gone when I left.  Here’s to hoping she managed to keep it that way.”

***

Day 5–5:32pm:

Against all odds, you’re able to rally the wayward teens and successfully lead them through shoulders that are beginning to move closer together as the crowd grows and grows.  You stay towards the back and don’t look behind you once—not only do you not want to give the younglings an unnecessary reason to become paranoid or to question your actions, but you can still feel Din lingering.  Moving like a shadow, probably fitting in perfectly with the masked festival-goers, nothing drawing any attention to him with all the spectacular sights and noise occurring.

Soon you return to the same spot from before, and you and the teenagers seamlessly integrate yourselves back into the rest of the group without anyone noticing a thing is out of place.  When you move to stand beside her, Naydee’s bone-deep sigh of relief is palpable even behind the concealing fabric; she squeezes your hand incredibly tight in a silent gesture of thanks, and then pulls something from the deep pockets of her robe and passes it to you sneakily.  A purple fruit.  She must’ve saved it for you.

Maker, fuck yes.  It’s not much but it’s more dinner than any of the seven troublemakers get, but Naydee quietly assures you they’ll be able to eat something once they return to the Keja around midnight, just not the tasty expensive treats they’re selling at the vendors.  As the sun goes down, you try not to stain your pretty fabric a deep maroon as you chomp and feel your lips start to curl upwards.  It sounds so fucking stupid when you put it like this, but you keep going back to Din and revelling in knowing that he’s so close, like you’re just mentally checking in on him.  You don’t get the sensation by thinking, though—more like you just focus really hard on your heart and feel him there just a second afterwards.

Is that how pure, stupid, shameless love feels when you’re completely entrenched in it?  It’s not like it’s surrounding you, it’s not suffocating you or making you float.  It’s just a thing.  Like… a thing inside your chest, a physical thing you can search for and find, something you can point to on your body and say it’s right here, this is where my love for him lives.  Right at the bottom of your heart, right where it curves and beats strong when other hearts meet flat at sharp angles.  You do it over and over again, reconfirming its existence every single time.  You don’t know what else you’d call it.  Love is the only word.  To love, to know.  To hold in the heart.

Soon, you start to notice that people are slowly moving around your stationary group.  You look up and watch the crowd begin to walk, some of them giving soft smiles to the cute children as they pass by, but all of them following the same unspoken direction.

“Where is everyone going?”  You ask Naydee, standing on your tiptoes to watch the crowd migrate like a giant system, an organism or mechanism of thousands (or tens of thousands?) of smaller moving parts all traveling in tandem.  It’s fascinating—you’ve been to crowded places, you know what it looks like when a lot of people are packed into one area, but you’ve never seen what it looks like when they all move together.  They would normally be bumping into each other, slipping in between, fighting and never really getting anywhere, interacting individually and thinking separately.  Now they’re progressing in one single direction, so many with the same mindset and understanding of what comes next.  A second parade, almost, with New Republic officers directing the flow of pedestrians as they pass.

“The eastern part of the city!”  Naydee yells over the noise and points, and beyond her extended finger, you can barely see the light of a dusky body of water in the distance beyond the buildings.  “The fireworks are going to go off over the bay, but it takes awhile to get there!”

“Is…”  You blink for a second, suddenly caught off guard, trying to think back to the holomap the concierge pulled up at the front desk of the inn.  Surely you would’ve noticed it, but your sudden childlike hope makes you ask anyway.  “Is it part of an ocean?”

Naydee shakes her head.  “A really big lake!”

Your shoulders drop just the slightest bit in disappointment but still, you ache to see it.  You can’t even imagine—the fireworks are likely going to reflect across the water, giving everyone double the view.  And luckily, after all the children and caretakers are individually accounted for, you start to behind the slow-moving crowd towards the docks you know lie beyond.  

Naydee scurries ahead to keep the kids together, ushering them forward and preventing any drunk passer-bys from accidentally stepping on them, and you quietly bring up the very rear of the entourage.  You take the time to observe more than anything, walk in the back and experience instead of trailblaze.  So many people, so many stories to be told, so many differences and diversity around you.  Your face is partially concealed and you don’t move your head too much, just your eyes.  They flick around to take in everything, the crowd thinning little by little as you make it out of the confined space downtown.  You’re able to make out full bodies and outfits again instead of just heads and shoulders, allowing you to breathe just a bit easier under your mask.

And then at one point—and it’s almost a little startling because it happens all at once—the organizers must decide that the sun has officially gone down, because the lights come on.  All of a sudden, paper lanterns and bulbs flicker into existence all around you and the world decides it wants to glow, glint and twinkle from the inside out.  They’re everywhere, draping across rooftops and tangled around street signs and stuffed into the flower bouquets overhead, raining soft colors down on everything.  You’re in complete awe, trying to keep walking but also needing to look at as much as fucking possible in the suddenly luminescent city.  It’s so colorful, so vernal and warm and you feel like you’re… Like when you took a shower on the Crest for the first time and spent a few happy moments just playing with the water and soap for your own enjoyment, it’s as if all the brilliant rainbow of colors the bubbles would make under the fluorescent light decided to surround you at the same time.  You’re inside stained glass, blinking at the flowers and wondering if Din can even smell the air or if it’s filtered, processed and reduced to nothing under the helmet.

And that’s when you see him.

But with the way your chest rapidly constricts and you can count your heart beats as they pound, blaring white noise through your ears and adrenaline through your veins, it’s like he's just allowing it to happen.  You immediately understand that you don’t have fucking anything the second your eyes land on him; this isn’t a heads up that you caught wind of early, it’s not a gift or an advantage you’ve incidentally gained over him that you should be thankful for.  Being able to see him directly like this, being able to make out all these fucking details from this far away…  This just feels like you’re being informed of the endgame right before it comes.  If you were anyone else, if you were a real bounty and this was a real hunt, his armor glinting and reflecting the lanterns overhead would feel like a knife you're about to be on the wrong side of.

You have a decision to make, very quickly.  Either keep in this same direction, head straight towards him and just pretend like you are who you’re dressed as, a random caretaker for a bunch of rowdy foundlings during a spring festival on Nariss, or disappear.  Drop back, move through the crowd and use the distance you have between you right now as your only hope of getting away in time.  Neither one gives you a particular advantage—your chances of being caught have already skyrocketed exponentially just being able to see the reflection in his armor, the hovering shield at his side with big black eyes… staring directly at you.

You almost trip over your pantlegs, gasping.  Baby.  He beams at you and you think he calls out through the passing crowd, his tiny arms extending out, and your chest feels like you’re pulling organs as if they were muscles, cramping up and seizing with emotion.  You want to run to them even though you’re meant to be running from them, call out over the noise and wave even though you’re not supposed to.  You want to hold the kid again, squish his little forehead with kisses, walk around with Din’s hand pressed against your lower back and see the fireworks with him.

Your hands clutch at the draping fabric covering your chest, pulling and twisting it uncertainly.  What do you do, what do you do?

No matter what, you know it’s over.  Keep your head down and try to move past him, or break away from your group and try to escape—both are different paths that lead to the same result.  What’s the point of running when he’s the one chasing you?  The heart-pounding thrill is the only reason you’re even considering it, but his body stands so tall amongst the crowd, not moving while people ebb and flow like a river passing around him.

Except then you can hear his voice repeat the last thing he said to you in person as if he says it directly into the comm in your ear.  When you do see me… try to outrun.

You should run—run, it’s better than just hoping he doesn’t see you when you already know he does.

Unless…

Out of a trillion different possibilities, you soon realize that there is exactly one situation in which this could turn out in your favor.  You can immediately picture the scenario in your mind, but there’s just too many variables to conceivably rely on getting them all right.  This maybe has a… two percent chance of working?  Maybe?  Everything would have to go perfectly, just fucking flawlessly, but what other choice do you have?  Two percent is better than whatever odds you’re dealing with now.

You walk silently behind the group of foundlings as you approach closer and closer, keeping your head purposefully down as they skip and giggle and dance ahead.  He knows you’re here—he has to know, you’re counting on him knowing.  Walk right in front of him, pretend like you don’t see, make sure you keep left.  Keep left, keep left, keep your head down, keep your head down—

A leather glove suddenly catches hold of your wrist hard enough to tug you backwards.

Your gasp is audible over the sound of the crowd and you spin around, jerking your head up to look at him in fear.  Your heart slams as the beskar reflects your mask and hood back at you—you’re terrified and it shows, you can see it in your eyes.

You quickly try to yank your hand away, even as your index finger stretches up towards the communicator around his wrist.

“Miss Nerida?”  A child’s voice cries, and then small hands grab at you from behind as you bury the urge to actually fight him.  Your instincts are demanding you attack when his grip is this strong, but you just whine and struggle, slapping weakly at him with your free hand and feeling more of the younglings begin to pull at you, their high pitched voices calling more and more attention to the scene.

Your gaze flicks to the side, suddenly landing on a pair of New Republic officers helping direct the thousands of moving bodies from the closest street corner.  They’re looking at you, pointing and beginning to speak into their own comm units.  Din’s helmet snaps sideways to follow your gaze, and then he’s immediately dropping your wrist and stepping back, retreating as quickly as he caught you.  Though you don’t want to—though you don’t want to give yourself away even more, you want to pretend fully that he was a complete stranger and the children were right to try to help you get away—your eyes fall to your son in the hovering crib by his side and you feel yourself crumble just a bit.

Just a few more hours, kid.  A few more hours.

Children pull you away while your pursuers both disappear into the crowd, and you quickly turn to soothe the tiny babies instead of chasing after the one you miss so terribly.

“I’m alright,” you tell them, scooting them up and encouraging them to continue walking.  Blend in, blend in, don’t let anybody think anything is wrong.  “Come on, we’re fine, come on, we have to catch up.”

They take your lead as soon as one of the caretakers turns around and sees the small group crowding around you.  You think she asks what happened, but you just tell her a man mistook you for someone else and nothing more comes of it.  She’s able to settle the chaos better than you are, and by the time you’re continuing to travel forwards once more like nothing happened, the communicator suddenly flicks on in your ear.

“What did you do?”  He breathes out, his footsteps moving fast through his voice.  He’s traveling much quicker than you expected—is he still being followed?  The officers are gone from your sight, they might be going after him right now, weaving between bodies and calling out to the perpetually vanishing glint of armor as he navigates his way out of danger.

You look down at the comm on your wrist and your heart nearly soars with victory.  It worked.  It worked.  You just have to outlast a bit longer, don’t draw any extra attention to it—he’s preoccupied and he certainly doesn’t sound happy, but you hope that’ll be enough to make him slip.  Use his frustration to your advantage, let him think the only thing you were successful at was momentarily escaping him.

“The cops weren’t part of the plan,” you admit quietly, keeping your head down as your loose hood billows in the twilight breeze.  “Don’t get caught.”

There’s a few moments of just his breathing, his footsteps, and the noise floor humming through the comm, before he finally responds.  “You look beautiful.”

You stare unseeingly down at the concrete under your feet, still feeling your hand tingle from where he caught you.  The line abruptly mutes on his end and you just keep moving forward, onward, wanting to look back but knowing he’s already long gone.

***

Day 5–5:24pm:

Din is fucking furious.

He had you.  You were right there, right in front of him, and even if he hadn’t been subtly trailing you all day, seeing the red footsteps get covered and flicker out of existence just a few moments after you make them, he would’ve recognized you anywhere.  In black and white, in the fading light, with your face covered, children calling you by a different name and attaching themselves to you like they’ve known you forever—doesn’t matter, he would’ve known you.  Your eyes have always given you away, always so expressive and starry and soft, but able to see right through solid steel whenever you look at him.

But then you slipped from his grasp, and then more guards pushed him further and further away from you.  They must all be in constant communication, because every single jumpsuit he sees immediately spots him and starts following.  It’s fucking exhausting, and he thinks of you the whole time.

He waits in a dark alley with the kid and taps the side of the helmet a few times to bring up the time on his comm, but then relaxes just slightly when he sees the hour.  It’s earlier than he thought it was, he’ll be able to find you again.

Though, something tugs at him while he’s looking at the clock ticking away in front of his eyes, counting down each second that passes.  There was… a moment.  Back in the square, when he was holding onto you again, when you were looking directly into his once more—everything in his helmet— 

No, he shakes his head while the kid looks up at him curiously, it can’t be.  It was just a split second, it was gone so fast.

But he can’t get rid of it.  Though there’s no explanation, he thinks the display screen flickered.  The sky behind you looked different for a single frame, your footsteps weren’t bright red and visible anymore, your eyes weren’t grey and he stopped wondering what shade of fabric you and your friend decided to choose for you to wear.  It was silvery, he’s almost certain.  Like his armor, it only reflected the color of everything around it.

Color.  Everywhere.  Bursting for a blink of an eye, and then gone just as quick, before he could actually figure out what it really meant.

***

Day 5–6:59pm:

This water is quiet here, but it sparkles.

It doesn’t ever really get truly dark thanks to the enormous hanging moon and ringed gas giant dancing with Sanctuary II, constantly reflecting light back onto the surface and reacting with some of the trace chemicals up above the atmosphere, and you think the sky just might be the prettiest you’ve ever seen it.  Must have something to do with the equinox, the glimmering angles of light being played with by celestial bodies in this stunning system, but it’s a dream.  The Maker apparently couldn’t decide which colors he wanted tonight so he just splashed all of them together all at once, let them run and blend like ink in the gentle water below, like the various people who call this moon home.

That view in front of you, coupled with all the flowers and lanterns lining the streets behind you, and you’ve lost track of time the exact same way you hoped Din would.  You think you’ve stood for about an hour or so in this one spot, half-listening to excited chatter from the babies, mostly just gazing across the stretch of water and being able to just barely spot the docks in the distance, but it feels like it’s only been minutes.

You check your watch—the fireworks should be starting any second now.  You don’t know what to expect, just that in your experience, explosions tend to be loud.  You've decided you’re not going to plug your ears, though.  Tummy twisting with nerves and another inexplicable feeling you can’t quite put your finger on, you resolve to experience the unknown exactly the way it’s meant to be.  Fully, without worry or fear.

Then, lacking any warning or ceremony whatsoever, a single flare launches silent and high from one of the small boats skimming the bay, and the crowd seems to hold its collective breath as the dim light disappears into thin air for a split second, before—

It’s… quite possibly the most dazzling thing you think you’ve ever seen.  So shamelessly decorative just for the sake of it, not serving any other practical purpose besides celebration and visual spectacle, and you’ll probably never know another extravagance like it.  You grew up with dust pelting against tired eyes, you never thought they’d get to reflect such gorgeous bursts of color back up at the sky, glassy and childlike amongst a group of equally wide-eyed children.

As expected, a deafening boom follows closely behind the singular display, but just witnessing it is incredible enough to make you forget to brace yourself for the sound and you jump almost violently in response.  There comes a loud cheer from the people standing around you, a few delighted gasps and children who decide now is the best time to start crying, but then more flares begin to launch from the boats and the subsequent show will sear itself into your memory to replay over and over again.

Still, you think the endless sky and dark water below would have to light on fire to stop him from coming to mind.

Din.

You click the comm on, continuing to stare in stunned awe but wanting nothing more than to hear his voice right now, feel his hand rest on your lower back and the kid’s three fingers squeezing one of yours while the stars rain down from above.  You’re only continuing to run from him because it’s expected of you, that’s the reason you’re here, but it’s becoming harder and harder to argue with yourself.  “Do you always see in black and white?”

It takes him just a few seconds to respond, but he always does.  “Only when I’m tracking someone.”

The loud booms can be heard over the earpiece, happening maybe a second after they crack and sparkle above you.  You can’t tell if the latency is due to the electronics or if he’s just that far away from the source of the sound itself, but… you don’t think he is.  He feels close again, like he could just walk up right next to you any second, or maybe that’s just how he always feels now.

“Does that mean you haven’t seen the sky here?”  You ask after a moment.  This whole time, everything has been grey for him?

“I saw it,” Din murmurs, and even though it’s quiet and explosions are thundering loud enough to deafen more sensitive ears, his quiet voice somehow breaks through it all.  “When you left the Crest, I saw it behind you.”

For some reason, you suddenly feel like crying.  Whether it’s the way he phrases it or the sentiment in the words, you’re close to tears without even knowing why, looking up at the sky illuminating spectacularly.  He says it like he wasn’t the one who parked on this moon and told you to go on without him.  “Can you… turn it off for just a second?”

He takes a second, before clarifying for you.  “I turn it off and I lose your footprints.”

So that was the ultimatum.  He doesn’t want to turn it off until you’re back with him again.  Does he not understand?  Does he not know what you know?  Maybe you just happened to feel it first, this overwhelming physical sensation inside you whenever you think about him.  It’s like the exact opposite of a hole in your chest.  And it’s so odd, so counterintuitive.  Being comforted in his absence, feeling him with you when he isn’t.  Falling in love in the dark, knowing him without ever seeing him.

“You never needed them,” you say, reaching up to pull your mask down under your jaw and chin for a moment, wanting to freely breathe the freshwater and flowers while stars explode and fracture across the sky.  It’s a truth you’re acknowledging, something you’ll carry with you, something you fundamentally own at this point.  “You’d find me without the helmet.  And I’d find you.”

The fireworks continue to bleed into the water beneath them, multicolor splashes rippling into existence and disappearing just as quick.  You could’ve never imagined a more colorful, magnificent landscape—besides your waterfall on Naboo, of course.  That was a pure product of nature though, a place hidden away and untouched by people, completely sacred.  Light refracting against mist, natural glass that would shatter under your weight.  This is a celebration of life and family.  Loud in a different way, affecting you in a different way, but just as wonderful and touching.  A cultivated paradise, designed to be beautiful and safe only because they wanted it to be.

“Think so?”  He asks softly.  He sounds so deep and warm, but… a little distant.  You’re able to hear it in his words.  You don’t know why, though.  Doesn’t he believe you?  Perhaps… perhaps this isn’t The Way.  Perhaps this is part of a completely different oath, one where knowing and loving somebody isn’t the same thing as looking at their face, not at all.  Where you can have them exist entirely separate from each other, because this is love.  This is real, enduring, bone-deep love, and you haven’t ever seen his face, so how would he explain that?  How would the Mandalorians reconcile that?  You bear the mark of the mudhorn, you’ve moved through time and space with him, you’re a mother to his son, and you’ve never seen his face.  It defies both the Mandalorian oath and traditional understandings of love, or it meets them right in the middle, depending on how you look at it.

“I know so.”  For the first time, you think you might sound more confident and certain than he does.  Maybe he doesn’t fully get it yet, but then you suppose he’ll just have to trust you.  “Will you look at the sky?”

“I see it,” Din tells you, but you know he doesn’t.  Not the way you want him to.  And stars, you just want so many things for him, don’t you?  The sky, fresh air, water, light, food, rest.  You want him to see the galaxy the way you do—have a new appreciation for the gifts that are given just because you’re alive to experience them.  All the physics and mathematics aligned perfectly for it to happen—all the chemistry, the systems, the dynamics that dictate the universe, they all got together and crafted a world where you, him, and the kid all exist together at the same time.  You want him to know the significance of that.

“With color?”  You ask, knowing his answer before he seems to.

“I…”  Din wants to argue, or at least say it again.  He can’t or he’ll lose you, he already told you he doesn’t want to turn the setting off.  It’s such an unnecessary conflict, but you want to respect it so much that you’re willing to give up things of your own to make it happen.

“How do I fix it then?”  You whisper, so desperately wanting this one thing for him, this one grandeur to behold.  How do you fix this problem?  How do you convince him to look with you?  You’d offer to just go and find him instead of continuing to run away for the next few hours, but you know the show will be over soon and you don’t have much time left.  “Do you want me to come look for you?  It’ll be too late by then, you’re too far away.  Look at the sky.”

It’s silent for a moment—truly silent, even though colorful bombs are going off above the bay.  You don’t know why you’ve attached yourself to this so strongly, but it’s almost devastating when you don’t get a response.  You look away from the spectacle for the first time in an eternity, gazing unseeingly into the crowd of onlookers with a sudden sadness taking hold of you.  He won’t look, he’s too stubborn, he holds onto things too tightly.

But then, a flurry of flares start launching in rapid succession from the distant boats, screaming and crying on their way up and then igniting into showers of light, and the abrupt increase in activity manages to catch your attention once again.  This must be the end, they saved the best for last.  Every corner of the horizon flashes and sparks, and you’re mesmerized at how bright it is, how many colors they’ve managed to fit into one single frame.

“It’s beautiful,” comes his voice, and the smile that you break into feels just right for the brilliance of the view above you.  Maker, it is, isn’t it?  Now you can hear it—he sounds like he’s looking at it too, with color, in all its breathtaking glory, and you feel like you’re flying.  Like he picked you up and let you watch up close, like you can feel his armor under your fingers right now as he carries you through the sky.

It swells up inside you, a rising wave similar to the ones you can see in the distance, and you know you probably shouldn’t say it because it’s not in your best interest to say it right now, but you have to say it anyways.  It’s an unknowable compulsion, a need to connect and communicate directly with him but for your sake, not presently, not at this exact moment in time.

Luckily, you mute your comm just in time and simply give the words to him from very far away.

“Hurry up,” you say, sending the sentiment into the sky with all your love, and the conflicting hope that he won’t take the advice until a bit later on.  “Come and find me.”

***

Day 5–7:37pm:

After the fireworks are over, people start to drift off in separate directions, clearing the traffic and congestion from the streets around you.  Someone puts their hand on your shoulder and you blink a few times, spinning around and almost stepping on a bunch of tiny little feet by accident.

Stars, that’s a lot of children.  They’re all crowded around Naydee, who pats a few heads and almost buckles under the younglings clinging to her leg.

“Figured you would be long gone by now,” she grins at you from behind her mask, and you’re reminded to pull yours up over your face just from looking at her.  “It’s late—we’re going back to the Keja.”

“Oh, shit,” you breathe in surprise, but the noise of the gradually dispersing crowd manages to cover it up.  At least from younger, more easily distracted ears, but you think Naydee hears you.  Her dark eyes roll good-naturedly, looking happy but exhausted from the long day.  You’re going to have to say goodbye now.

“What happened to your family?”  She asks after a moment, and you think she’s being careful with the way she says it, likely because family is a difficult topic to navigate in general around some of the children hanging on her and begging for her attention.  “Have you been in touch with them?  If not, I’m sure you can come back with us.  It’ll be late by the time we get there, but at least you’ll be safe.”

You open your mouth to automatically decline her offer, knowing Din is still in the crowded city looking for you and wanting to stay where there’s lots of people.

But then… well, he would expect you to do that, wouldn’t he?

There’s more people here.  More danger, but better places to hide.  It’s the obvious choice, it’s the one that makes the most logical sense.  But you’d also be completely alone and you’re assuming the only reason he hasn’t snatched you up yet—which you know he could’ve done multiple times by now, is likely because you’re with a group of innocent foundlings, moody teenagers, and very stern older women.  He probably doesn’t realize you’ve told them about him and the kid, though you were slightly vague on the details.

It’s also a little over three hours to get back, but you’re banking on it being closer to four with how whiney and tired some of the small voices sound, others sounding like they’re an enormous sugar rush contained into a tiny little capsule.  Would he have the gall to try and get you right from under their noses?  Will he even know you left the city, or will he assume you made the smartest decision possible and simply account for it ahead of time?  No, you're overthinking it, just make a decision and stick with it.

“There’s also free food,” Naydee shrugs while you’re still considering, but… well, that settles that.  Almost three days of friendship and she already knows exactly how to win you over in the end.  Sustenance for your empty tummy, an escort the entire way there, and heavily guarded walls beyond.  Din will have to get creative in response—you flaunted your imagination for days, coming up with dozens of evasion tactics to outlast him, but this one just seems… incredibly practical.  Exploiting a weakness of his—isolating it, having it be reinforced by precedent, and then taking advantage of it.  You bet he’ll catch on, but still, it’ll make it more difficult for him, and you’re grasping at straws to hang on just a little longer.

“I…”  Quick, come up with something.  You clear your throat.  “The city is too crowded, I haven’t been able to find them.  I could just… tell them where I’m headed and see if they can find me along the way?”

Naydee smiles and nods.  “Sounds perfect.”

Yet, the entire walk back… you keep thinking you’re going to feel Din trailing behind you, waiting to feel the nerves twist in your tummy and your palms to sweat, but you don’t.  You keep glancing over your shoulder and then down at your wrist, needing to talk yourself out of addressing him through the comm to let him know exactly what the plan is.  You like maintaining a sense of secrecy from the new characters you’ve met on your adventures—Naydee, Karga, Peli—almost everyone you’ve been introduced to, you found a way to find a subtle enjoyment in hiding certain things from them.  But with Din, you don’t have any walls.  They crumbled nearly a full year ago when he silently pushed a cauterizer in your hand and took his armor off for you, and you’ve felt the inexplicable need to bare yourself to him in return ever since.  It would be to your extreme detriment to do it now, but you still have to fight the urge.

Even if you don’t feel him following, you still find yourself acting like he is.  Constantly turning back to double check the road behind you, drifting off in the middle of shallow, distant conversations with tiny foundlings who can’t tell the difference, keeping towards the middle of the pack this time to avoid being picked off towards the back.  The belltower at the orphanage is loud and will ring for quite a distance, so your timing has to be utterly pristine for this to all work out.  You eye your comm the entire way there, trying to stall just the right amount to avoid any realizations or fall into any traps he may be setting for you.

You eventually leave the city walls far behind you, and now you have no clue where he is.  You lost him, and maybe that’s why you feel your heart beat insanely fast the whole time.  He could be anywhere now.  Behind you, adjacent, parallel—you can’t decide where to look, but it keeps you wide awake and focused while the group tiredly travels back to the temple.

***

Day 5–11:32pm:

You can see it in the distance, the brick buildings slowly coming into view.  One might think your stress would have worked itself out by now, been brought back to a manageable level after four hours of walking, but you’ve been on red alert for the past hour or so.  Any movement or rustle that doesn’t come from the sleepy children or exhausted caretakers, you’re on top of it, snapping your attention to the offending tree or animal and not being able to relax even after affirming it’s just nature, it’s not shiny metal bounding after you in the darkness, ready to take you down.

The infants are all likely snoozing away in the nursery, and the Sister who volunteered to stay behind and look after them comes to greet the group at the gate as you approach.  Like always, two Brothers open the iron bars to allow you inside, and you feel the anxiety dig its claws into your tummy.  If Din is going to get you, this is the very last moment to do it.  These walls are guarded and you’re nervous for him, you’re nervous for yourself—you’re just fucking nervous.  Jumpy and worried, not being able to pinpoint him anymore and feeling all the more anxious because of it.

It doesn’t feel right.  Nothing feels right about this, but you can’t figure out specifically what’s wrong.  This was the exact plan, this was a way for you to just survive these last few hours and yet, it doesn’t feel right that you actually succeeded in doing so.  It doesn’t make sense that he’d allow you to return all the way here, especially when he was close enough to touch you earlier.  Din has had so much time to snatch you up, so many opportunities to lure you away, confront you—anything to catch you, and he hasn’t done it yet.  Why?  Either you truly did escape and he has no idea where you are, which doesn’t feel right, or he’s choosing not to get you for whatever reason, which also doesn’t feel right.  What’s he waiting for?  You can’t have won.  It was all too fucking easy, you’re expecting to see him around every single corner because he should be there, he shouldn’t have allowed this to happen.

When someone gently touches your elbow, you’re so on edge that you nearly whip around in surprise.

“Sorry!”  Naydee immediately apologizes, taking her hand back to lift her hood and remove the mask covering her face.  “Didn’t mean to scare you!  I was just going to say that the commissary is still open,” she offers, and you watch the small group of hungry teenagers break off from the group to make their way there.  “It’s going to take awhile to get the children ready for bed, so we’ll be in the dormitories if you need to sleep.  Otherwise, I’m not sure I’ll see you again.”

You stare at her and blink a few times, trying to readjust your focus.  She’s your new friend, she just said this was likely the last time you’ll see each other, but you can’t stop thinking about Din.  Imagine he’s hours away in the city right now, still looking for you.  You’re trying to evaluate your priorities here, but you truthfully never expected to get this far.  Inside the gates, surrounded by brick buildings and silent guards.  You know your way around here, you know hiding spots, you know how to outlast—it’s incredibly advantageous for you to be inside these walls.  What is he doing?

Shaking your head to clear your thoughts, you give Naydee a quick hug and she happily accepts it.  “I’m sure we’ll meet again at some point.”

She smiles and nods, pulling back and letting a couple grumpy foundlings catch her robes and yank on them impatiently.  The loud group eventually disappears into the dorms, and the door shutting behind them cuts off the tired crying and chatty voices determined to stay awake, leaving you in silence that feels slightly unfamiliar after going without it for so long.

Fuck, you just need to breathe.  As soon as the dead quiet grips the air around you, you realize you need to relax.  You’re way too fucking wound up; you want to bolt at the smallest thing and the sudden silence of being alone multiplies it to the point where you have to remind yourself of its importance.  Breathe.  Focus.  There’s about fifteen minutes before the bells ring, fifteen more minutes and the chase will be all over.

Can you eat?  You thought you’d want to, but you think you’re too fucking antsy.  You can’t stay here alone, that’s for sure, but you also don’t want to be around all the children right now.  The commissary will have a handful of people wandering around, teens snacking and maybe a Brother or two standing guard.  It’s the best place to wait the clock out, so you make your way there.  The gentle breeze billows around your loose robes, your pantlegs swishing as you walk.

A few minutes later, you’ve got a plate of food in front of you but your mask is still up, and you’re just sitting there.  Towards the back of the large room, sitting by yourself at one of the tables and staring down at your communicator.  Five minutes.  You have five fucking minutes left before he finds you.  Can you feel him?  Is he closing in?

You sit up a bit straighter, taking a deep breath.  Focus on that feeling from earlier.  The presence in your chest, the weight that didn’t used to be there months ago—focus on that feeling and branch it outwards.  Can you feel him?

Something catches your eye.

Or no… it doesn’t, does it?  Nothing is out of place here, nothing is visibly wrong or amiss.  The only thing that’s changed from all the times before is how dark it is through the windows, and how there are only a few kids in here grabbing a midnight snack instead of being packed like usual.  Nothing else.

But there’s… there’s an acolyte in the far corner, standing guard with his back to the wall.  It’s not his presence that gives you pause—you expected him to be here, there’s always been at least one present whenever you’ve sat down to eat.  He doesn’t look any different from the rest of the Brothers you’ve passed by this evening or the days before—tall, silent, dark brown robes, hooded and mysterious—so why do you suddenly feel yourself break out into a cold sweat as soon as your eyes land on him?

Bubbling laughter and chatter echoes through the large room from one of the tables near the entrance—seven teenagers stuffing their faces with food and sharing animated conversation with each other now that it’s late and they’re alone—but your stomach twists and your fingers start to tremble as you slowly rise from your seat in the back.  You want to keep your head down and be casual but it’s impossible, you desperately need to keep looking at that silent guard in particular and your heart kicks up in your chest—

—and then it wrenches sideways when you’re carefully backing away from the table and the offending acolyte takes a single step forwards.

Run.  Everything in you screams for you to run, and it’s rarely done that before, but you can’t.  Not yet, you don’t want to draw attention, and the logical part of your mind rages against your gut instinct to haul ass.  He’s here—of course he is, the thought screams through your veins as you try to weave quickly in between tables, feeling light on your toes and readying yourself to run as soon as you can.  The dark figure seems to find a careful pace behind you, staying just far enough behind and walking in perfect silence, and you have so many fucking questions but you can’t even think a single thing beyond run away, run away.  Where’s the kid?  How did he get those robes?  Did he actually take his helmet off just to get to you in a room where anyone could confront him?

Your feet propel you forward as soon as you make it out of the door, you break out into a sprint—just flat out bolting because you know how fucking fast he is and you need as big a headstart as you can get.

You race down the stairs and through the courtyard, the beautiful surroundings contrasting drastically with the way you’re running for your fucking life through them.  It’s not beautiful to you right now; you feel clumsy and physically unable to move fast enough no matter how quick you go, your eyes are wide and every nerve is on fire and you can’t even tell if he’s behind you anymore with how silently he moves, but you just trust that he is and keep barreling forward.  Your breath puffs against the clinging fabric of your mask as you keep sprinting, willing your legs to pump faster.  Get to the belltower at least, get to where you have the smallest chance of being caught by the people who guard this place.

As soon as you allow yourself to even conceive the possibility, two Brothers in dark hooded robes suddenly turn the corner a little ways in front of you and your reaction time is perfect—you jerk to a halt and take a single step forward as soon as they spot you.  Since your momentum already committed you to it, you just have to walk, keep your head down, move directly past them and hope Din disappeared from behind you in time.

Step, step, step—keep going, control your breathing, you’re okay, you’re allowed to be up late tonight and they shouldn’t stop you.  Walk right by…  Stars, you feel their silent stares as you casually pass, and it just feels so cold and analytical compared to the kind of danger Din is gives off when dressed in the exact same clothing.  He’s hard and tangible and an unrelenting force, where they just feel like ghosts that haunt this place.  The threat they present is impersonal and detached, but the terror currently chasing after you is so real that he can read your mind.

You wipe the sweat from your brow as soon as you turn the corner, and your feet are already starting to speed up on their own knowing you’re out of their sight.  Run, get to the belltower before Din does, you can see it standing tall about a hundred feet away.  The stairs leading to the door come closer and closer, but you hear something behind you and it propels you faster.  It’s like you can feel him right at your heels even though you haven’t seen him, snapping at your ankles even though your footsteps are the only ones you can hear anymore.

You scramble up the stairs and close the door behind you, spinning around and facing it even as you slowly retreat backwards into the moonlit tower, trying to stay quiet.  Breathing through your nose, eyes shifting around the enclosed space, continuing to back up and away from the door.  Where is he?  There are so many windows that allow you to look outside, but why can’t you spot his movement through them?  Wasn’t he right behind you?

Behind you.

There’s no reason or logic at all to it; you just react.  Spinning around and throwing a mean punch.

Din jerks back just in time to miss it, twisting and dodging at the very last second to avoid your next few hits—but… things seem to slow down, even if they’re happening so fast.  The moonlight cascades through the dozens of windows lining the circular walls and it shines just enough to reveal small glimpses of him.  With every aggressive strike from you, you see something else—you see a flash of his chin when you try to uppercut, you aim for his chest and you see a bit of his jaw.  When you go for his jaw, he steps sideways and catches your wrist, and you see the bend of his nose catch the light this time.

But then it’s like he finally figures out that you’re actually fighting him, and now he’s coming for you.  Trained and ruthless, not weighed down by any armor and lightning quick, launching perfectly aimed attacks that you’re only able to avoid from reaction and muscle memory alone.  You block or move whenever he strikes, you attack whenever you see an opening, you sidestep at the same time he does—

Until you land a spin kick directly to the center of his chest and snap your leg to shove him back, your heel smashing into that soft spot right above his stomach with dead precision and brute force.  He exhales sharply and takes a few more steps back to steady himself while you pause to catch your breath.

Din abruptly comes back and you fall into it with him again, keeping a sharp rhythm with each other that’s faster, harder, and way more real than any sparring match you’ve ever shared.  The hours and days in hyperspace you spent practicing with him are but a fraction of what he’s throwing at you right now, the combinations so rapid and blurred that you just have to trust your knowledge of him and his movement through the dark.

But then, your downfall.  Bells begin ringing an earsplittingly familiar melody above you, and it shatters your concentration—you falter just as he grabs you and sweeps your feet out, and though you know how to get out of that, you’re not quick enough on the jump nor counterswing to prevent it.  He takes you to the ground, hard, and then your wrists are being pinned together above your head and your mask is being tugged down.

Din’s mouth on yours makes you want to cry.

The whole thing is like coming home.  You spent a week surrounded by strangers and having them call you by a name not given to you, fending for yourself, and now here he is.  Someone who knows who you really are, someone that wants to care for you.  Tears come to your eyes even as they're pressed tightly shut, and Din kisses you like he’s never known anything else.  His mouth fits to yours as if the Maker made your lips before ever considering the rest of you, his bare hand clutching your jaw and forcing you to open for him, letting him lick deep inside after going so many days without it.  It might feel dominant and overwhelming if it happened to any other person, but through it, you can also taste his desperation and weakness, how soft he is even when he’s squeezing your jaw and squishing your wrists together too tightly.

Rigid steel that bends only for your touch.

He pulls back and your heart throbs at how moonlight continues to bathe just the smallest glimpses of him under the hood—never the full thing, never the whole face, but enough.  The quiet light that brushes the arch of his nose, how it bathes the hard line of his jaw so that you can barely see his scruff when he turns his head the right way.  His eyes are hidden in near darkness but there’s the faintest glimmer where they should be, and it’s the closest you’ve ever been to looking at him without the helmet.  You can see him, you can see shadows of his chin, his neck—dear stars, his fucking neck.  You’re pinned and paralyzed under him and the ringing bells, yet you feel like you just might float if he wasn’t holding you so tight to the floor.

“Where’s the baby?”  You finally lift your chin and ask, needing to raise your voice over the melody clanging loud throughout the tower.

“Making friends,” Din pants back down at you, and… stars, then you just start giggling.  Adrenaline turning into pure joy, imagining the kid wreaking havoc with all the other babies in the nursery right now.  It feels more light and airy than anything your body should know.

“What are you so happy about?” He asks, swallowing and then continuing on with the same quick gasps.  “You lost, I caught you in time.”

“Did you?”  You drop your head to the brick floor and ask, biting your lip as he stares back down at you.  Suddenly—

—Bong—

Din holds utterly still over you while you take a quick breath and wait for the next eleven bells… 

…but then break into a slow grin up at him when nothing but utter silence follows.

There’s a moment.  Just a single moment where the cogs turn rapidly under that shadowy hood, one where the faint reflection of light in his eyes flickers down to the communicator on your wrist that says midnight and back to you, one that solidifies the longer it takes for another bell to ring.  It’s not going to.

One o’clock.

You think he puts it together.  The one moment he was never able to figure you out—when you tried reprogramming the comms just a few days ago.  The one trick up your sleeve that you resigned to throw away and almost forget about because the circumstances for pulling it off were never realistic.  Fuck with the electronics and set the clock back just one hour—all you’d need to do is reset his communicator, the timecode is synced together.  He told you before that it’s connected to his helmet, but all the buttons still work.  Rapid, panicky thinking and a wild surge of bravery in the face of certain downfall is the only reason you were able to pull it off, and you’re perfectly willing to admit you just got lucky… especially when he’s still holding dead still over you.

But then Din moves so suddenly.  You can’t account for it because there’s no build-up whatsoever—it’s so fast, you yelp while he grabs your knees and throws them both to one side.  You flop over sideways and large hands reach up under the draping length of your tunic to yank your pants down over the curve of your ass, before he’s fitting his palm up between your legs and pushing two thick fingers inside you.

Your head thunks back against brick with how unexpected and merciless it is, but his other hand is grabbing your jaw and twisting, forcing you to look up, stare right into the dark shadow under the loose cowl.  The whole thing is too overwhelming—you’re trying to keep quiet but your breathing feels like thunder crashing inside this tall, echoing chamber.  He’s touched you so many times, he knows exactly how to do it by now, but it feels like so much more than that.  Probably because you can see the way Din’s mouth silently falls open as he feels you, stretching his fingers up and hooking them tight inside.  You can tell when he closes his eyes, the smallest glint slowly disappearing into nothingness while the hand around your jaw blindly moves up.  It catches your chin and lips, and then two fingers push over the bottom edge of your teeth to slip into your mouth.

Your entire leg twitches and jerks while you lay sideways on the ground and open up for him, your neck twisted at a sharp angle to keep your eyes on him and his fingers in your mouth, giving you something to bite to stop making noise.  Din makes room for himself inside you two different ways, and you just choke on his fingers and try to stay quiet, praying he’ll go deeper.

But then you’re not expecting his whole fucking arm to start moving the way it does—oh fuck, what is that?  First you just feel jostled and displaced, but then suddenly a wicked, deep, burning pleasure starts to roar through you, radiating outwards from the rapid motion of just two fingers inside you.  It’s not in and out, it’s up and down so hard and quick against your g-spot that your eyes cross and your hands go numb.

You think you grab at him, clutch onto his arm or chest and open your mouth to moan at the new and overwhelming sensation, but his hand pushes up against your chin and closes it for you, the bend of his fingers caught hard between your teeth but you don’t think he cares.

“Quiet,” Din hisses the word down at you while his arm continues to work, your toes starting to curl as the feeling overwhelms you.  Fuck, what is happening, what is happening?  It’s like he’s just shoving unfamiliar sensation at you so forcefully that you can’t even think straight anymore, not even ten seconds in.  You can only feel the pleasure, fire blurring hot and shapeless through your entire body as your eyes clamp shut, his fingers isolating that perfect spot and stimulating it directly, relentlessly.

Something dull and white hot presses up tight against all the muscles you have down there and you’re almost afraid of how strong it is.  You gasp and choke and he has to take his fingers out of your mouth and just clamp down around your entire jaw, sealing the whole thing shut with his large hand.  And then Din’s fingers leave your pussy too—and stars, you should be embarrassed by how desperately it clamps around nothing for as long as it does.  He’s not even inside you anymore but your body is on such a delay from the hot, twisting pleasure, and he doesn’t put them back in until your muscles are finished spasming.

Everything comes back full force as soon as he starts moving again.  Noise starts to come from your throat, humming in your vocal cords to deal with the arcing, swirling build, and so Din just moves his hand there instead.  He finds where it’s vibrating from your neck and he pushes up against it, trapping the sound right at the source.  He’s fucking perfect at it for some reason… how many times must he have done this to know how to cut noise out without stopping airflow?  You clutch at his wrist and silently mouth his name, feeling his arm work between your legs—faster, faster, harder, pushing you higher, higher—

Din pulls his fingers out again and this time, one of your thighs suddenly feels warm and wet while you spasm and you hear him growl out a ragged, “Fuck yes.”  Everything is sparks zapping through you long after his touch is gone, you cry out but it’s all trapped under Din’s expert grip.  His fingers soon push back inside you and you dig your nails into his forearm, your sounds muffled and quiet enough to hear his raspy groan.  

“Let me see it again,” Din breathes, his arm starting to work up and down once more, and you don’t even know what he’s talking about anymore.  What does he want to see?  You losing your mind again?  Being reduced to an utter mess in front of his shadowy but unobstructed gaze just because you managed to pull one over on him?

Fucking… apparently.  It’s what happens, after all.  You’ve never seen him like this before; whenever he’s worked up and taking it out on you, there was always something in it for him, too.  He’d hammer into you and rock your world until his eventually shattered, and then you’d both lay exhausted afterwards, equally affected and satisfied.  This isn’t like that—this is just cruel, targeted retribution on his behalf, coaxing the molten pleasure out of you with his fingers and keeping his other hand locked around your throat.  You blink helplessly up at him, your vision starting to blur by the time he leans down to whisper to you.

“I missed you, sweet girl.  Did you miss me?”  It’s so soft and quiet compared to the strength and relentlessness of his movements.  You can’t speak even if you wanted to, but when he finally pulls away to yank his hand out and you feel all your muscles automatically flex outwards and push against the sudden emptiness inside you, his voice groans long and satisfied while your thighs get wet again  “Yeah you did,” he breathes, pushing your shaky legs to the brick with his hand and watching you struggle through the aftershocks.

Did you just cum?  You don’t even know, that’s how fucked up you are right now.  The whole thing felt like an orgasm from the very beginning, just a boiling hot tornado ripping through every single cell in your body, never really having a peak.  If you didn’t cum, then why do you feel so weak?  You feel heavy, your limbs don’t work properly, and you barely even register Din pulling at the fabric of his own robes until he fits himself up against your entrance.

When you do realize it, though… your body burns with it, wrecked already but wanting him to take what he wants from you.

“Oh, plea—” you gasp but you don’t even have enough time to get the full sentence out.  He’s already pushing his hips forward, pressing you tight into the ground and opening you up after what feels like a fucking eternity without him.  It’s the hottest, slickest welcome you could give him, you hear it in the whispered curse his lips brush up under your ear, the wet noises your body makes that get louder the longer you hold the moan in your throat and bury your head into his shoulder.  He throbs thick and perfect inside your tight, spasming cunt, stretching you and smacking the rough ground near your head with how fucking good it is to be back, finally, finally—

Your hands grab uselessly at his chest while you try to acclimate, try to breathe while you’re blind with sensation.  It’s so fitting for him, isn’t it?  That your reunion should be just as physically debilitating as it is mentally.  Din’s voice scrapes on a groan like he’s dragging it across the brick ground as quiet as he can, catching when you clamp down on him and shuddering when you clamp down harder.  That’s just it—you don’t ever loosen, you just keep tightening and tightening around him, threatening to break and cum again.

This feels different from before, though.  It’s deep, purposefully so.  His hand reaches up to push the fabric of your hood back, lifting himself up over your body and wanting to start as deep as he can.  You feel him in a place you’d never be able to reach and that’s just the beginning—that’s before he starts thrusting into you, hitting a dull sensation at the apex of each movement so hard that it becomes sharp.  His hips don’t make practically any sound smacking into you because they don’t really smack, they just rock downwards and fuck you into the floor without needing to pull out really at all.  You know he’s just trying to keep it as quiet as possible, but what he lacks in speed and agility he makes up in power.

You don’t even realize you’re making too much noise until a palm wraps tight around your mouth and the room gets a little emptier.  Din keeps you all to himself on the floor, silencing as much as he’s working you up, smothering as much as he’s freeing you.  There’s no easing up, no dragging it out, no gradual build or climb—it’s just there all of a sudden, pleasure and pain pummeling you all at once, engulfing you in flames.

You reach up to grab at the loose fabric of the hood over his face, catching a fistful of it before his hand suddenly snatches your shaky wrist and pins it back to the ground.

Maker, you forgot—oh, you completely forgot about how many people could find you right now if they ever decided to look in the right place.  You’re not in hyperspace; your body is rocking against rough brick, you’re probably going to have a lump on the back of your head from how terrible you are at trying to map out heaven while holding still.  He’s pinned down what he can with one hand; your fingers are the only things that can move besides how tight you can curl your toes, but you feel your moans turn into words against his palm.  They garble indistinctly and you’re not really even sure what you’re saying, but Din decides it’s worth hearing.

“Shh,” he whispers, slowly lifting his hand from your mouth.  “Shh, tell me—”

“W-wanna look,” you hear yourself whimper, trying your best to keep quiet but wanting to scream it while he fucks you hard and slow on the ground, “—I wanna see, I wanna look at you—”

“Fuck,” Din gasps, and though his grip tightens on your wrist and you know he can’t do it right this second, the words seem like they shatter something inside him, “Keep—oh fuck, please, k-keep saying…”

“I want to marry you,” you nearly whine for him, feeling his hips kick up rapidly and start hammering in and out, in and out, in and—“I want to see your face, I wanna be yours, I don’t want anyone else to know you the way I-I—”

You think he drops his head into your neck to muffle his own sounds.  Though they start out rough and quiet and indiscernible, but they gradually become louder as he repeats himself over and over again, growling and fucking you rough.  You only catch it on the peak, when he pulls his mouth away from your skin and gasps them raggedly one last time.

“—ve you—I l-love y—”

He kisses you to stop himself.  But it’s not really a kiss, it’s more desperate than that.  Though it’s beautiful, it’s beautiful in a different light.  It’s not rejoicing at having you back with him once again; it’s a last prayer begging you to stay by his side forever.  He loves you.  He gives it everything—it feels even more concrete and simple than taking the hood off him and revealing his face would.  You told you that you'd know him without ever seeing him, and you did.  You picked him out and found him when absolutely nothing was giving him away, and this feels like a manifestation of that.  Even if you’re not in a place where he can show you his face, his beautiful brown eyes, something still feels like it changes.  He loves you.  You gasp into his mouth and his tongue sinks deep into yours, tenacious and brave and unyielding.  

When you finally cum, you almost bite him on accident.  

Everything surges hot and molten while he pulls back and keeps fucking you through it, and you can’t tell where you’re touching him anymore, just that his skin is blazing hot under your hand and he feels like everything the armor isn’t.  He loves you.  You’re looking into his eyes right now.  You can’t see any of the details, not really, but the moonlight flickers like silent stars moving through dark depths, staring right back at you and giving you an anchor for the euphoria rocketing through you.  He loves you.  Your nails dig in sharp and slowly drag downwards, scratching hard red lines into whatever thick muscle that is—

The back of his neck, making his hips stutter and when he cums for you, he does bite.

You lift your head just in time to feel his teeth catch your chin instead of your mouth, and his entire body shakes while you keep dragging your nails down the side of his neck and his throat.  Din fucking lives for it, he releases you and arches into the pain and owns your marks like he wishes you made them deeper, stretching his neck and lifting his chin into the moonlight and—

Maker.  You can see it, with direct light, you can see more of it than ever before.  You can see his soft lips and white teeth gritting the sound of your name as quietly as he can, the dark facial hair dusting across the lower half of his face.  A fucking gorgeous jawline and throat extended long over you, flexing hard with his cock pulsing inside you.  You can just barely see the bottom of his nose from under the brown hood, the dark curls brushing up under his ears.

Stars, you still never see his eyes, the fabric of his hood acts like a blindfold draped over them, but you think you cum again.  Even if it’s on accident, it’s mean—Din tries to keep from squishing you and his hand pushes down hard against your lower tummy while he shoves his hips deep one last time, and you cum while staring at half of his face in the moonlight.  Completely lovestruck.

How can he be this beautiful when you’ve only seen fractions of him?  You have everything but the eyes now, everything but the most mysterious thing about him, the reflection into his deepest self, but you feel like you’re hypnotized by every single feature you do see.  His tongue coming out to wet his lips, the vein pulling under his sharp jaw—he’s gorgeous, he’s gorgeous, and your body agrees.  It shakes and shudders under him and eventually, Din finishes and you keep looking as his chin slowly lowers, face disappearing into the shadow once more.

Stars.  He’s so handsome and no one has ever told him, fucking dreamy and the biggest grump you’ve ever met.  Without being able to see him, you already want to reach your hands out and touch him, drag your nails through his scruff and force him to extend outwards into the moonlight again for you.  Whenever he does end up showing you his face, you know right fucking now that you’ll never be able to look away.  For the rest of your life, you’ll be staring at him, apologizing blankly for your rudeness but not feeling sorry at all.

Din leans down and gives you a slow, gentle kiss, finally relaxing into a slouch and breathing hard with the effort it took to shatter you with pleasure.

“The kid is with the other foundlings,” he whispers against your lips.  “You… you’ll have to go get him, I need to grab my armor.”

You squeeze around his cock, pulling at the fabric of his robes and ignoring him for just a second.  He fucked you in robes belonging to one of the guards and nobody has mentioned it, you need to say something.  “Where did you get this?”

“I found it,” he tells you after a moment, kissing up under your jaw.  Oh fucking Maker, he feels so good and perfect inside you, shoulders so broad and crowding you on the floor, and his lips are plush and hot, brushing and fitting your skin like it’s just an extension of his own.  “Some guy was wearing it.”

It takes you a second.

“Mando,” you suddenly gasp in quiet horror, pushing at his chest and trying your best to detach his mouth from your throat.  It’s so much more difficult than it needs to be, but you eventually succeed.  “What did you do to him?  Where is he?”

He lifts his neck up just the tiniest bit, turning his face towards yours under the hood and holding still for way too fucking long.  He’s too close to see the expression he’s making, but you know the tone of his silence.  He’s in trouble and he knows it before you do.

“Ma—”

“They’re in a closet,” he admits at the very same time, completely monotone.

You don’t know which word to emphasize.  A fucking closet?  They’re?  Plural?  Instead of stressing any particular word, you decide not to do it at all and it ends up just coming out in the same exact blank tone as him.  “They're in a closet.”

“Inside the Temple,” Din continues on when you lay still as a statue underneath him.  His head slowly dips down once more, pushing his hips against you just the slightest bit to make you remember the cock still inside you instead.  Your eyelashes flutter with it—fuck, focus—“I didn’t know there’d be more than two.”  He kisses your neck so gently.  “It was an accident.”

You don’t say anything at all, your mouth pinching down at the corners because it should but your heartbeat galloping with how… fucking sexy he is.  You shouldn’t encourage this, this horrible behavior just to get close enough to catch you, but your curiosity overtakes you and you ask a question you’ve asked yourself before.  “Did they put up a fight?”

“Mm,” he whispers noncommittally, rocking his hips down once more.  “You did.”  Your nails dig into his chest, making him falter just slightly before slowly kissing your neck again.  “Did so good.  Fought hard, outsmarted me.  Pretty fucking girl.”

And then your eyes pop open as you feel it.  His cock suddenly beginning to harden once again inside you, twitching and gradually gaining a thicker shape, and for a moment, you actually fucking consider it.  He’s the only one in this galaxy that could not only ruin you on these sacred grounds, but then coax you into doing it more than once—stars, are you actually considering it?

“We can’t,” you automatically tell him, but it’s fucking pitiful.  Zero effort, absolutely no umph behind it, leaving it entirely up to him and how much he wants it.  Your logic reminds you that the kid is probably wreaking havoc in the nursery and there are tied up guards in the fucking temple that could be discovered any second.  You shouldn’t have even let him fuck you here in the first place, but…  “Mando, we can’t—”

His mouth opens against the crook of your neck and his tongue brushes velvet hot on your skin, tasting the glistening sweat there and not moving his broad figure a single inch over you besides getting closer, deeper.  Your nails dig into his collarbone, aiming for reason one last time.  It’s apparent that you’d be better off rephrasing, knowing the challenging streak in him and how much telling him what to do doesn't help.

“It’s not a good idea,” you attempt instead, breathless and trying not to move under his mouth and lazy hips.  “Not smart.  Bad idea to fuck again.”

Din’s body stops moving, even though he keeps getting harder.  His jaw opens and then his teeth scrape softly against your flesh, making you tilt your neck back and gasp.

“Later,” he lifts his head to state aloud, committing it to truth now that it’s been spoken and heard by another person.  “Later, I’ll fuck you on the ship, in our bed, when I can get you naked and have your taste in my mouth.”

Tingles rock through your body and you squeeze around his cock just as he pulls it out and tucks it back into his pants.  Your lungs quiver when you inhale—it’s shaky, but it reminds you of how long it’s been since you’ve been able to breathe correctly.

“Later,” you finally agree, combing your fingers through your hair and glad you have this hood to cover your freshly fucked dishevelment.  He came inside you and you don’t want to be leaking and getting your nice pretty robes all wet and stained, but then of course, without any prompting, Din quickly scoots back on his knees and drops his head down to take care of it for you.

***

Commotion.

After Din helped you clean up the way he sometimes likes and then disappeared to change back into his armor, you put your mask and hood back on and tried to look as casual as possible walking to the nursery.  Your knees wobbled slightly and you couldn’t stop smiling under the mask the entire walk there, but when you arrived, you just saw a dim room with sleeping infants—not what you were expecting.  Soon, however, you hear it: down the hall, distant and coming from the dormitories, you hear a loud commotion.

Fuck, you’re nearly wincing with every step you take now, and not because you’re sore.  Well, you… are, a little bit, but in a great way.  No, you’re just dreading the ridiculous shinanigans you already know are well underway, wondering if Din actually dropped the kid off in the dorms from the beginning or if he somehow migrated his way there to cause trouble.

When you walk inside, the first thing you see is a handful of crying and shouting toddlers, and while you can’t immediately spot your favorite floppy-eared monster, you don’t have to see him to know he’s probably standing tiny directly in the middle of this tense showdown.  Automatically, you’re taking a few steps forward to rescue him, but then you stop as soon as you see what the other babies are so mad about.  A large piece of chocolate leftover from the festival levitating just beyond their pitiful little reaches.

Hm.  Who could possibly be responsible for using demon powers to steal snacks and hold them hostage from a sizeable group of hostile children.  A mystery that may never be solved.

It makes you take a second.  The sheer… the… stars, you can’t even think straight—how fucking typical it is just hits you right in the chest, sends your heart into orbit.  Of course.  Of course this is what he’s gotten himself into without immediate supervision, of course this is the shipwreck you’d walk into, and you’re holding back a chuckle before making a single move to intervene.  In the midst of everything, you can hear adults approaching distantly from behind you.

“—don’t know where it came from, I was helping the younglings into bed when I heard the ruckus and I—”

The voices gradually grow louder, and you snatch the floating piece of candy out of thin air and whip around right before Sister Drya and Naydee walk in.  Their hushed, concerned conversation is cut to an abrupt end, and you clear your throat as they take you in, standing in front of chaos central continuing to go off behind you.  Do you… look as freshly disheveled as you are?  You’re not supposed to be here, you know, but hopefully the only strange thing is your presence itself and not anything concerning your appearance.

“Nerida,” the older lady suddenly announces, the name alone holding so much expectation, and the younglings missing their candy have now turned their ire towards you and the crinkly food wrapper hidden in your fist.  “What is the meaning of this?”

“Ah, yeah,” you stand up a little straighter, letting the chocolate casually fall out of your grip behind you, and a stampede of feet suddenly kick up to recover it.  It’s fine, nobody will know, it’s fine.  “It’s just…”  Your head tips behind you to the cause of the uproar, feeling a bit sheepish yet so incredibly fond.  “My… kid.”

Sister Drya stares at you for a few seconds, before tipping sideways and staring at the culprit.  “That is your child?”

You turn around just in time to see him, now abandoned by the angry mob of children, finally notice you.  All of a sudden, his pitch black eyes light up something bright and sunshiney, and you just start beaming in return.  What an adorable little creature, apple of your eye and pain of your ass.

“Yep,” you sigh, dropping into a squat and watching him barrel towards you, catching him right before he can trip over his brown potato sack and scooping him up into your arms.  “Hiya, bug,” you murmur with a grin, lifting back up and plopping him in his favorite spot in the universe—your left hip.  “You making friends?”

He giggles and it’s like sparkles and bubbles fill the room instead, wrapping tiny arms around the largest surface area he can get and clinging.  He laughs with a tiny open mouth, bless him, clearly not understanding the sarcasm, and suddenly your eyes feel just the slightest bit wet.  No, you’re not crying, don’t be fucking ridiculous, but you missed him like hell and he’s just the cutest fucking thing—why do you feel like crying?

“Sorry about that,” you apologize to the two women while slowly turning around, brushing your thumb over one of his cheeks and smiling as it squishes.  “He’s… uh.  Not great at sharing.  We’ll work on it.”

Takes after his dad, you purposefully leave out, just a different kind of sharing.  Din hasn’t shown you his full face yet and the kid performs magic tricks to taunt a roomful of children a fraction of his age for a single piece of chocolate, completely different kind of sharing.

Sister Drya says something in response, but when you look up to address her, all you see is Din standing silently behind her and Naydee, slowly dropping his hand from his helmet to his side.  They don’t seem to notice he’s there and you automatically try your best to pay attention to the Sister speaking to you, but your eyes get caught on the silver reflecting in the dim light beyond.  Fuck, he’s a presence.  An immediate distraction, taking all your focus with a single glimpse.  Seeing him fully armored again, staring at you from the silent shadows behind everything… you melt a little bit, knowing that you’ve seen more of what’s underneath than anyone.  Your shoulders settle and your entire body burns warm, wobbly like the air around a fire, and one of the kid’s hands leaves you to reach out towards his dad.

You watch the metallic helmet tilt sideways after a moment, saying everything without saying anything.  Come on, make up an excuse, let’s get out of here.

Looking at him in the quiet shadows, you’re reminded once again about how much you love him, how much softness you have inside you for a man so hard, so guarded.  And, for the first time, a voice in your head finishes a poem you didn’t realize you were writing, adding its own verse and bringing everything back around to the beginning.  He loves you, too.  How much he lets his guard down for you, the way he’s revealed more of his face to you than not.  You love each other.  You’re family.

So, all at once, you decide to mess with him, because that’s what family does best.

“Don’t be shy, come say hello,” you suddenly urge his silent figure, taking a step forward and speaking directly to him.  “Sister Drya, Naydee, I’d like to introduce you to my—”

It’s remarkable, you see it happen in front of you.  Like he has powers of his own, Din just literally fucking disappears.  Like magic, he’s nowhere to be found within a blink of an eye.  You know he’s capable of it; he’s done it plenty of times during the chase just to fuck with your head, but you’re staring straight at him when it happens this time and it might just be the funniest fucking thing you’ve ever seen him do.

Sister Drya and Naydee both turn around to an empty hallway bathed in shadows and you laugh.  A deep, shameless, loud belly laugh.  Where the fuck did he go so quick?  You were staring straight at him and you have no fucking clue.  He’s just out, and you’re left alone with his child and the unspoken understanding that he’ll just catch up with you later.

You’re giggling even as you shake your head and give the women your genuine thanks for keeping you and feeding you these past few days, grabbing your backpack with all your belongings and eventually using three green fingers to wave goodbye to them.  The very first thing Din says when he seamlessly joins you outside the Keja later is, “That wasn’t funny,” which just makes you laugh harder.

***

About a half hour has passed, and you’re walking along a dirt road, cradling a very happy baby in your arms and giving the grown man next to you an incredibly hard time.

“You’re unbelievable,” you mutter, your back twinging slightly at the way you’re leaning about as sideways as you can get without falling over.  You think you’re basically just the hypotenuse between the ground and Din, who easily supports almost your entire weight with your backpack slung around his far shoulder and readily allows you to rest against him.

“They’re fine,” he grumbles in response, squeezing you tight to his side.  You just have to focus on moving your feet; it’s like he’s practically carrying your upper-half anyways.  “I gave them the night off.”

“You stuffed them in a closet,” you hiss, feeling his shoulder shrug under your cheek.

“I gave them the robe back,” he says, not really defending himself and more just throwing it out there to see if it helps any.  “I’m sure someone’s found them by now, they’re fine.”

Your eyes suddenly go wide, absolutely mortified at the thought.  “Wait.  What do you mean you gave the robe back?”

He shrugs once more, apparently not seeing the problem yet.  “I borrowed it, so I gave it back after I put my armor back on.”

If you could plant your feet on the dirt road and screech to a halt, you would, but all your weight is already resting on him and you’re working solely off his forward movement.  You just hope your tone holds the same amount of shocked disapproval your body language would’ve conveyed if you weren’t so completely attached to his hip like a parasite he adores.

“You fucked me wearing it, though.”  Your voice is strangely flat, so fucking confused and horrified by the mental image of him just tossing the soiled garments haphazardly somewhere in the temple behind you, or even worse, leaving them somewhere respectful, and Din soon stops in the middle of the deserted road.

“Oh,” is all he says, emotionless and blank through the modulator.  Did he not even consider this?

“I had to promise them I was a virgin just to sleep there, you know,” you admit, and you can tell that’s brand new information to him with how still he goes as you continue to lean against him.  You’re getting the feeling that he probably knows a lot more about your experiences on this moon than you think he does, but can tell that this is brand new information to him.  “And you locked three of their holy men in a closet, chased me across the temple grounds, fucked me in one of their robes, and then.  You gave it.  Back.”

Din stays perfectly silent for quite some time.  You can never go back to that place, you know this for a fact.  You’re banned forever now, it’s what you deserve.

Never one to be outdone but not actually having anything to say for himself, Din suddenly decides to just scoop you into his arms and boost up into the sky without a single word like an actual fucking maniac.

You squeal and damn near drop the baby because of it, but he cinches you tight to his chest and refuses to loosen with your struggle.  Eventually, after you realize he’s completely locked you in and you won’t fall to your death with this poor innocent child in your arms, you glance over the shiny pauldron on his shoulder and watch the kid’s crib disappear by the abandoned road as Din takes you higher and higher.

The crib—he forgot the crib—

“D-Din,” you stammer out through the whistling air, stiff as a board.  Stars, you have such a different sense of adventure than him; an explorer and a daredevil, one who gets a thrill from discovering the existence of the edge of a cliff and one who’ll take a running dive off of it without thinking twice.  He’s hit with blaster fire some days, he faces down death completely fearless like it owes him one every single time, and you’re stiff as a fucking board while he carries you through the sky.  It’s stunning up here, it’s exciting and wonderful, but you’re so scared that you can barely even look.  He’s giving you the most fantastical view, everything your budding adventurous streak could ever ask for, and your terror is crushing.  It would be different if you could hold on, but you’re responsible for not letting the baby slip through your arms and you just have to trust that he won’t let you slip through his.

You raise your voice.  “Din?!”

“I won’t drop you,” he automatically reassures, and well you sure as fuck hope not, but there’s something else.

“What about the crib?”  You call out over the wind whipping, tucking the baby tight to your chest and settling your hands over his ears to avoid them flapping and whacking you repeatedly in the chin.

“We’ll come back for it,” he responds, just as easily.  Maker, you wish decision-making came that easy to you, that commitment and choice should be so simple as to just fly away from things on the ground and promise out loud to come back for them.  You know he will, but still, his spontaneity shocks you after spending the past week thinking every decision through meticulously, and you’re taken aback by the casualness of it all while soaring through the sky, committing such spectacular feats without a single thought beyond it.

Soon—incredibly soon, which honestly kind of blows your mind—you spot Nariss glowing in the distance and then you’re flying overtop of the city, slowly dropping altitude in the middle of a quiet little side street.

Din carefully allows your feet to settle on the ground before letting go, but you still stumble a bit stupidly after flying so high without any sort of safety measure besides him, prioritizing the steadiness of the baby in your arms instead of your feet underneath you.  His gloves catch at your clumsy body and pull you along with him without another word, leading you out of the quiet alley and into the middle of a beautiful, luminescent street.

What’s he doing?  He seems slightly hurried, and you’re clueless but you go with it, clamoring along behind him to wherever he’s leading you.

Though, you suddenly remember one of the very last things you told him last night right before he steps up in front of a vendor.

“Caf,” Din grunts, sliding a few credits towards the man standing behind the counter. “The… biggest one you have.”

Okay, well.  You could just about fucking cry.

“Y’sure?” The vendor asks skeptically, jerking his head at the large thermos behind him.  He’s balding, wearing a white outfit with his eyes scrunched up and forehead sweaty, likely working all day.  “It ain’t fresh.  Closin’ up soon, was just about to trash it and go home.”

The helmet turns to gauge your response to the news, the sharp angles and contours looking so sleek and dangerous as they reflect the colorful lamplights, but just filling you with comfort beyond anything in the entire galaxy.  He’ll take that armor off for you tonight and you’ll sleep next to him.  He’ll call you by your given name, or the fond name he’s given you, and you’ll cuddle your baby on a metal floor in hyperspace with him, and all will be well.  Even if he needs to leave again soon—even if you don’t get to go with him, you’ll always have these small eternities with each other, and that’s more enough for you now.

You’re completely zoned out while staring at him, and Din turns back to the vendor before you can even remember the conflict he was attempting to defer to you.

“Yeah, just empty the whole thing in there for her,” he mutters, and you want to marry him.  It’s been a long week, and in your haze and delight of being with him in this gorgeous setting, your brain turns to cavewoman mush.  Big man, makes me happy.  Strong man, loves me, knows me.  Provider, makes me feel good, protector, loves me.

Din hands you the large cup of steaming caffeine, clueless to your grunted inner monologue but knowing better than to reach out and grab the kid from your other arm.  You’re just fine like this, hands full, the little frog snuggled up against your side and blinking up at your face instead of any of the shiny or glowing things around you.  When you look down at him, you can see the world through his eyes—quite literally, they’re reflective and gigantic—and his father’s hand quickly finds its preferred spot on your lower back.

“Try to drink it quick,” Din advises you gruffly, pulling you snug into his side and sloshing the big cupful of piping hot liquid in your hand.

“It’s a thousand degrees,” you protest, trying to balance your three favorite things in the universe all begging for your direct attention at once.  “It has to cool down.”

He gives a dismissive hm in response, and you frown even as your heart soars with how tightly he’s gripping you, how little leeway you have to even move without him.  Part of you is so thrilled at being reunited with him that you consider snarking something back at him, excitement making you brave.  He could probably chug boiling hot liquid in thirty seconds and doesn’t see the point in letting it sit any longer, and you could make some stupid joke about filtering it through his helmet or having a built in bendy straw but you decide to keep it to yourself.

So then you just stand there together, under stringed lights and flowers everywhere, and he waits.  Holding you glued to his side, completely silent and clearly just waiting for your caf to stop steaming so threateningly in your hand so you can drink it.  For some reason, the fact that he’s wanted by the New Republic doesn’t really register at this second—you’re not looking for cops, though he may be.  You’re just lost in this beautiful, fancy city that’s on the edge of finally quieting down after a long day, and you’d like to see more of it with him next to you.

“Well, do you wanna just…”  You ask, tilting your head around at all the vendors.  “Shop around for a bit?”

“Shop… around,” Din repeats slowly, sounding the words out like they’re not common Basic.  Admittedly, they do sit a bit awkward in his voice when put together like that, describing a phenomena he’s likely never even considered a thing before, but it’s so fucking pretty here and you’d like to show him something this time instead of the other way around.

“Yeah, like,” you shrug a shoulder, tipping your head in a random direction.  Anywhere, you’ll go literally anywhere with him, the three of you can go explore.  “Just wander around, and look at all the pretty things.”

From where you’re standing right now, you can already see glittering crystals and jewels being sold at the tent across the street, there’s a booth dedicated entirely to floral arrangements and crowns next to it, you can hear a distant quartet playing melodically in the distance and a couple is being painted by an artist on the corner.  Bars are in full swing at this point, as if they weren’t all day, and even though the merchandise is all different, the multicolored tents look slightly similar when they’re underlit with multicolored lights.  It’s less slightly lively than it was in the daytime, but also… more beautiful, in a sense.  Muted, softer, more romantic.

“I don’t have any more credits,” Din admits casually, finally turning to look around at everything.  You get the feeling that he’s just now seeing it, even after spending the entire day here.  “That stale caf was the last of it.”

Money well fucking spent, you can assure him of that.

“It’s okay,” you tell him automatically, gently bumping your hip into his.  “We don’t need credits, we can just look.”

So that’s what you do.  Even though it’s completely not his fucking style, for the next hour or so, you just walk around downtown with him and sip your caf, looking at anything and everything new and experiencing it with him.  At first, you think he’s just entertaining you, following you while you discover new streets and attractions, but then he points out different things and you know he's looking, too.  There are large animals harnessed up and pulling carts for people to ride, there's an enormous spinning wheel set up in the distance, its colorful lights flickering out as soon as you ask what the fuck that is and why anyone would ever get inside one.

You eventually end up finishing your caf around the time he’s leading you back through a quiet, abandoned alleyway, and you hand him the empty cup to throw away in one of the trash cans on the corner.  The conversation has faded to a comfortable quiet and you don’t really need to ask—you go willingly, not requiring anything beyond his hands on you and the baby dozing in your arms.

“Come on, sweet girl,” he murmurs, gently sweeping you up into his.  You sigh, glad he’s giving you a moment to prepare yourself this time, holding the sleeping kid securely to your chest and resting your head on his shoulder.  “Let’s go home.”

After you’re comfortable, Din rockets up from the ground and climbs high up into the canvas sky.  He disappears with you and the baby into the pastel clouds above, making it back to the Razor Crest in probably about an hour, maybe less.  You and the baby do nothing more than climb into the comfy floor blankets while Din starts up the engines, and you think you’re dozing off together by the time he makes the pit stop to collect the crib and the jump into hyperspace.

You think he might shower?  You’re not sure—you just know he moves up behind you in bed at one point without any armor, burying his face in your hair while you cuddle the sleepy kid to your chest.  It’s dark in the hull, Din’s palms are bare and warm as they slide around the front of your body and he breathes you in, and there isn’t a single place that can touch you here, not a single place you’d rather be.

Home.

***

@followwhereshegoes​ Thank you for the stunning artwork! 💕To anyone interested in possibly doing an art collab in the future, please message me!!

[elsewhereuniversity]

Why You Should Wear Boots after Picking a Major You Didn’t Want

A university is a place where dreams are thrown away.

Such is the case far too often. It remains Real even between the railroad, highway and train tracks. Even there, people interrogate themselves: ‘This is your dream, but is it realistic? How much is the starting salary? Look at your classmates, elegantly breezing over what you clawed through, tooth and nail. Look at your competitors––’

So many choose to drown their dreams themselves… even though, at Elsewhere University, the dead do not rest quietly. The Wild Hunt is proof of that. Yes, that Wild Hunt, which rides across campus when the fog rolls in. We all know the versions in which they hunt for students unlucky (or unbelieving) enough to be outside when the hounds begin baying. Stay inside, stay quiet, and you’ll be all the better for it, if they ignore you.

What about the other versions, though? What about the versions in which it is best to open your windows and howl back? There are tales like that, too––

Sometimes, those brave enough to shout along with the Wild Hunt will be rewarded with a share of prey or gold. Those kind enough to repair a lost hunter’s sled soon discover this to be the right choice, for upon closer inspection, the hounds are not just hounds. Their bones are laden heavy with wrath.

And sometimes, villagers tell tales of a cloaked rider on a white horse. Horseshoes spark against the night breeze. He will ask you to play an impossible game of tug-of-war. If you are wise, you will tie the other end of the rope to a sturdy oak. The leader of the Hunt likes clever little things. He might even drop a reward in your boot.

Perhaps this is why you see students wearing boots for a while after they declare their majors. Even Magenta (who got her name from always wearing high-heeled loafers of that particular shade) and Ma-Boi-Blanche (who has 17 pairs of white sneakers) wore boots back then. Rumor has it, according to a friend of a roommate of a Forbidden Major, that this footwear will help you abandon your misery.

When the Wild Hunt rides as a group, they come to condemn. The RAs are not wrong in telling you to run for safety when the fog descends.

On the other hand, when the leader of the Hunt appears alone, he comes to test. In this more benign (but not safe, never safe) form, 4% meet a bedraggled man, 2% a king of old, 3% a specimen of demon (the Christian subspecies), 6% a harlequin, and 5% a sledder with a thick Mecklenburg accent.

84% of those who have survived the encounter say that the leader of the Hunt wears a cloak and a wide hat that partially hides his eyes (one of which is duller than the other). He gallops in on a splendid white horse.

95% of those who survived the encounter were wearing boots (one of them was wearing spatterdashes over court shoes, but eh, close enough).

100% of the survivors say that you must be ready to be tested. Be kind, clever, daring. If you are all that––and wary, wise, lucky too––the leader of the Hunt will let you go and stuff something in your boot. A post-it, on which is written the major that they chose, yet hated with every fibre of their being.

Now, put the boot back on and walk. It may be a bit awkward to walk around, what with the paper writhing under your feet, but do so anyway. Every student who has tried it reports that when they got back to their dorms, the paper had vanished from beneath their soles. In its place, they had gained a floating sensation, grafted in their bones.

By the end of the year, Ma-Boi-Blanche and Professor Redd were chattering away like old friends. The Professor had to admit that his student wasn’t very good at dissections, but there was an unmistakable passion for anatomy in his eyes, and he would improve soon. (Very soon, especially with Professor Redd’s talent of acquiring practice bodies, his jaunty hat growing redder with every new specimen.)

On the other side of campus, the law majors learned to listen for the click-clack of high-heeled loafers. Woe betide the unlucky people who faced off against Magenta, who suddenly threw herself into mock trials with gusto. Her opponents gained a Pavlovian fear response to seeing any shade of pink.

This did not go ignored. The Involved went up to the two, in order to warn them.

“The Gentry do not offer things for free,” they said. “And intelligence isn’t cheap. What in Morganwode did you pay?”

To which the ones who met the Huntsman merely laughed, because they weren’t any smarter. The only difference was that now, they were interested in the subjects they found so odious before.

In the old tales, a satisfied rider of the Wild Hunt will reward a human with meat. The person will walk back home in the dark, one shoe on and one shoe off, the boot growing heavier with every step. Once home, they will see that the raw, bloody meat has transformed into gold.

There are a few who still receive this, not always in the payment of gold, but in blessings. (Childe House’s oldest RA is one of them, which explains why the once-every-305-days evacuation has a 100% success rate, even when half a dozen residents don’t understand what a “mandatory house meeting” or a “fire drill” is.)

  Which begs the question: why does the leader of the Hunt help so many?

Rewards are meant to be given to the exceptional few. Yet the unhappy are not part of these few. Given the number of students with newfound rapture in their eyes, one does not need to be exceptionally kind, clever, or daring to transfer their passions. Just wary, wise, and lucky are enough.

When asked, the leader of the Wild Hunt proclaimed that such a spell is child’s play. We’ve already provided the ingredients: two subjects and a passion. The price is low because all he needs to do is to sever the interest from one subject, then attach it to another. Simple work, he said. He would never think of charging so much for something he could do before breakfast. It is not befitting a warrior. Think of it as a favour from a father to his children, he said, then laughs as if there is a joke here that no one else understands.

There are more people who understand than he might think, for the more competent members of the Forbidden Major have another theory. Anyone with passing knowledge of folklore would be able to recognize this person at a glance, they say (quietly, and never to the Huntsman’s face). He is the amalgamation of ghost, fae and old god.

The first rider of the Wild Hunt might be, depending on the amount of fertilizer on the campus lawn and the moon phase, the oldest warrior poet. There are less battlefields for him to watch over now, but still he is song and madness. Still, he is overcome with fury when he sees yet another soldier buckle before the fight has begun.

This child would have made a fine skald. That child could have become a brilliant shield-maiden. This one had the makings of a king, yet they chose to push these futures away, he said through clenched teeth. These children began to think there was nothing left. They started to look at the pond and that single eighth-floor window which could open all the way.

This is not a battlefield, but… to give up before the horn sounds, under his watch?

Unforgivable, he said, with an unblinking smile, all teeth and lone glittering eye. To despair is to slander my hundred names.

So the leader of the Hunt casts a few spells here, a little trickery there, and coaxes the bright frenzy back in their eyes, or so the Forbidden Majors whisper. The price is only low because of who and why he is. He helps them so they can die more valiantly, another day.

  Think of it as a favour from a father to his children, he says, then laughs as if there is a joke here that no one else understands. This is despite the fact that half the Forbidden Majors and a fifth of the Literature Majors know who he is.

(Not that they would reveal that, ever. The all-father’s wrath is a terrible thing.)

  Addendum:

Statistics unavailable for those who encountered the Wild Hunt’s leader alone, while not wearing boots. Mythological references, as well as the Sword-House valet’s intuition, imply it is better not to know.

[Author’s Note]

I did not intend “Why You Should Wear Boots after Picking a Major You Didn’t Want” to be so long. Do pardon me.

There is much debate over the identity of the Wild Hunt’s leader. My personal favourite theory is that the leader is Odin, or some variant of him, which this submission is based on. Still, I couldn’t resist hinting at the others:

“Bedraggled man” = multiple stories, in which the Hunt’s leader is any hunter who preferred hunting to going to church, or else slandered a certain god

“King of old” = Arawn

“Harlequin” = in Vitalis’ Ecclesiastical History Vol. 2 (1140), Hellequin/Herlequin is the herald of a Wild- Hunt-esque procession of tortured souls. There is also King Herla.

“Sledder with a thick Mecklenburg accent” = Frau Gauden

-Louis

[ausetkmt]

Published Sept. 29, 2022Updated Sept. 30, 2022

It started in 1995 in a home in Los Angeles’ Hollywood Hills, where two roommates — a music producer and a D.J. — used to compete over who could find the best sample from their record collections.

One day, Paul Stewart, the D.J., conceded that his roommate, the producer Doug Rasheed, had bested him when Rasheed put on a vinyl copy of Stevie Wonder’s 1976 album “Songs in the Key of Life.”

The track that Rasheed played, “Pastime Paradise,” opened with a mournful synth loop that replicated the sound of a string section. The song that it inspired, “Gangsta’s Paradise,” would change both of their lives and catapult an up-and-coming West Coast rapper named Coolio to global stardom.

Coolio, born Artis Leon Ivey Jr., died on Wednesday in Los Angeles at age 59; the cause has not been disclosed. The rapper had a handful of hits before and after “Gangsta’s Paradise,” but nothing in his career would top the popularity and cultural influence of that track, which was featured in the 1995 movie “Dangerous Minds” and went on both to win a Grammy and inspire a Weird Al Yankovic parody.

In recent years, Coolio had commented on the legacy of the song and its long shadow over the rest of his career, calling it, in one interview, both a blessing and curse (“More of a blessing than a curse,” he noted).

“That record: It took him over the top,” Rasheed, the song’s composer and producer, said in an interview on Thursday. “It made him a household name worldwide.”

Coolio’s opening words, which are based on Psalm 23, became one of the most widely remembered verses in ’90s rap: “As I walk through the valley of the shadow of death, I take a look at my life and realize there’s nothin’ left.”

The singer L.V. (born Larry Sanders), who features on the song, had already started collaborating with Rasheed on the track, he said in an interview, when Coolio wrote those lyrics. Listening to the Wonder song in that Hollywood Hills home, it had been L.V.’s idea to turn “Pastime Paradise” into “Gangsta’s Paradise.”

L.V. recorded multiple vocal tracks that Rasheed combined to sound like a large choir singing a haunting refrain, as well as the chorus: “Been spending most their lives living in a gangsta’s paradise.”

Sign up for the Louder Newsletter  Stay on top of the latest in pop and jazz with reviews, interviews, podcasts and more from The New York Times music critics.

The tale of how Coolio first heard the track differs depending on who is telling it. In L.V.’s version, L.V. brought the song, with his recorded vocals, to Coolio on a cassette tape, hoping to persuade him to collaborate on it after another rapper had turned him down. In Coolio’s account, according to a Rolling Stone oral history of the song from 2015, the rapper was visiting the Hollywood Hills home to pick up a check from Stewart, who was his manager, when he heard the track.

“I walked into the studio, and asked Doug, ‘Wow, whose track is that?’” Coolio told Rolling Stone. “Doug said, ‘Oh, it’s something I’m working on.’ I said, ‘Well, it’s mine!’”

Coolio recalled writing his verses in one session, rapping about chasing his dreams and the uncertainty of whether he would live to 24 years old. (He was in his early 30s at the time, but 24 rhymed better, he said in a 2015 radio interview.)

The reinterpreted song still needed to get a green light from Wonder’s camp. But, Rasheed recalled, Wonder was turned off by the profanity and violence expressed in the lyrics. The producer asked Coolio for a rewrite, and the rapper agreed. The other catch: Wonder’s music publishing company would receive three-quarters of the publishing proceeds.

“The terms were a little harsh, but without them approving it there’s no hit,” Stewart, who managed both Coolio and L.V. at the time, said in an interview on Thursday.

Stewart shopped the song around and found a very interested party in MCA Records, which was producing the soundtrack for “Dangerous Minds,” starring Michelle Pfeiffer as a former Marine who becomes a teacher at an underfunded Bay Area high school. (The movie received mixed reviews, with The Los Angeles Times film critic Kenneth Turan calling it “stereotypical, predictable and simplified to the point of meaninglessness.”)

The music video, directed by Antoine Fuqua and featuring a severe-looking Pfeiffer staring down Coolio, initially received a pass from MTV, Stewart recalled, until MCA arranged to advertise the video on the channel, generating interest from viewers.

MTV picked it up, and “it was the most phenomenal takeoff of a record that I’ve ever seen,” Stewart said. “Gangsta’s Paradise” spent three weeks atop Billboard’s Hot 100 and was named the chart’s No. 1 song at the end of the year. It won the Grammy for best rap solo performance in 1996.

Then came Weird Al.

The musical parody artist and his team approached Coolio to get his blessing to make their own version of the song — “Amish Paradise” — Rasheed said, but the rapper refused. Knowing that legally speaking, Weird Al didn’t need their green light, Rasheed gave them his approval, despite Coolio’s skepticism.

“I think he just didn’t want to be made light of,” Rasheed said. To Coolio, his collaborators explained, “Gangsta’s Paradise” spoke to the real hardships and fears around street life in a way that seemed to resonate with people from different walks of life.

“A lot of people say it saved them from whatever demons they were dealing with, that they listened to the song and it helped them carry on,” Coolio said in the Rolling Stone oral history.

The “Amish Paradise” music video from 1996 opened with Yankovic in a broad-brimmed hat and a thick beard rapping, “As I walk through the valley where I harvest my grain.” In place of Coolio’s references to being “raised by the state” and finding protection in “the hood team,” Yankovic rapped about “milkin’ cows” and partying “like it’s 1699.”

Rasheed said that over time, he saw Coolio soften to the parody, viewing it as more homage than mockery. And in later interviews, the rapper said that he had changed his perspective on Yankovic’s song.

“I let that go so long ago,” Coolio told Vice in 2014. “Let me say this: I apologized to Weird Al a long time ago and I was wrong.” He added, “I listened to it a couple years after that and it’s actually funny,” adding an expletive.

In an interview with Newsweek a few months later, Yankovic said he was relieved. “I’m not the kind of guy that has beef with people, because I go out of my way to make sure that people are fine with what I do,” he said. “That was the one little moment in my whole history where there was a problem,” he noted, saying it was “very sweet” of Coolio to have told Vice he had made amends.

While “Amish Paradise” gave Coolio’s song a boost, the track was a smash on its own. L.V. remembered Coolio and his crew touring the world — Japan, France, Australia — and feeling like they were drawing “Michael Jackson-level” crowds that recited the lyrics along with them. Earlier this year, Coolio celebrated the song reaching a billion streams on YouTube.

“He put some magic on that track,” Rasheed said. “His voice, his delivery his cadence — it was something really special.”

[dojae-huh]

Unpopular opinion

I guess "neos shouldn't leave SM" is an unpopular opinion. "Burn SM", "SM has the best idols but treats them the worst", "he/she would do better solo", and other similar widespread statements make me sigh.

Fans look at an idol and put him on a pedestal. They don't think about the hundreds of people and the giant machinery that enables their bias to shine on stage.

There is no ideal idol company. They all have pros and cons. Whether an idol finds himself at home in a given company depends on the idol's temperament, the time, the group he ends up in, his own aspirations and goals, people in charge and executives, and other factors. YG at the time of BigBang's creation and YG today are two different environments run by different leaders.

SM is a company that creates idols rather than nurtures originally existing talents. Free-spirited, rebellious, or lazy trainees won't last long there. On the other hand, it's a company that is ready to invest a lot in a trainee free of charge. If you work, you get your artistic education with zero student debt. You get language lessons, vocal lessons, and facultative courses like tap dance. Even more, you can continue to get them after your debut.

As a company with connections and money, SM gives its idols access to the best repertoire. Artists need hits to make them famous. There're many more really good singers than there are good songs. SM can buy a song, store it for a few years and release it at the best time when it matches the new concept and the current image of an artist. SM has the best in-house producers, hires worldwide choreographers, pays for elaborate stages. And the company is ready to be patient with the return of the investment for several years.

Many groups from small companies disbanded during the pandemic or took long hiatuses. SM came up with Beyond lives and had money to produce multiple albums and ship them where they were needed. SM gives protection against turbulent times. It can withstand them.

The long contracts, overwork, shady machinations is a Korean problem. SM is the child of its environment. The company is not evil because it was designed to be exploratory (it was designed to change the conservative musical scene and undermine the dictatorship of the TV channels), it has its negative sides because it's how business is done in Korea, it's what the older generations think is right. An employee is a subject of the corporation and can't leave before 11 p.m. or ask the overwork hours to be covered. Are these rules right? No. But is SM different from all other companies in this regard? Is there an alternative idol company where idols work for 6 hours a day and still get to tour the globe and perform at Mickey Mouse's BD? No.

Hybe has funds but no visionaries. BTS guys came to sing rap and express themselves, but ended up singing about honey for money. JYP has music, but for some reason, its boy groups don't last. YG has a damaged reputation and doesn't care about vocal lessons. Cube isn't very good at managing. Smaller companies require double the amount of fanservice and variety shows for a group to be noticed and a miracle or participation in a big show like Kingdom for a chance of increasing album sales.

Yes, Kang Daniel created his own company and is doing well. He is an exception, he was a household name. He is still second (this month) after Jimin on the brand reputation. And it was Produce 101 and not his own original company that let him find the road to stardom. Jungwoo or Yuta won't be able to do the same.

Foreign SM artists are not mistreated or mismanaged. They are simply harder to promote, they have lesser options and opportunities for them. They need perfect Korean to host a radio or be a music show MC. They need to be really popular to get a magazine photoshoot, either in Korea or back at home. WayV members got multiple brand deals and participated in many variety shows back in China. Koreans want Koreans. Korean Winter and Karina are the most popular members of aespa in SK, not Giselle (Japanese) or NingNing (Chinese). And all 4 girls are pushed equally, they go everywhere as one group.

To sum it up. If a neo is interested in singing and being famous, it is better to stay with SM. If a neo gets tired of the idol life or his aspirations change to acting, fashion, business, then it might be better to leave SM. I don't think any neo, except for WW and Lucas, at the present is able to leave SM and make a bigger career elsewhere for different reasons. Some, like Taeyong, need the protection of the glasshouse. Some, like Doyoung, are suited for SM's brand of a company and belong to it like fish to water (he will stay and change the company from within for the better like his sunbaes did). Others are not famous on their own enough, without the NCT brand, to make it from scratch, or not confident in their abilities to take their careers into their own hands. Some, like Mark, will be capable in the future to leave and prosper, but right now it's too early, they still need to learn a bunch of things and can profit from the school of SM (its producers, its studios, SMstation platform, etc).

[ackerfics]

hi! i don’t know if you’re taking requests but if you are would you be interested in a soulmate au with mikasa. i adore soulmates au a lot! mikasa x fem!reader (aot cast reincarnated into the modern world and they get to have a happy and not stressful life)

she is half of my soul, as the poets say  — mikasa ackerman

— mikasa ackerman x female reader (soulmate au)

— warnings: none, just fluff

— summary: you finally found each other.

— word count: 3.2k

— author’s notes: thank you so much for the request !! i hope you enjoy reading this because i had a blast putting this all together. plus, i couldn't help but place a quote from 'the song of achilles' bc that was a masterpiece.

Underwater.

Your surroundings were submerged in the depths of the ocean to you.

The professor in front of the lecture hall continued his lesson in a cacophony of white noise. The occasional flipping of textbooks and the clacking of the keyboard droned, a majority of the students tried taking down what the middle-aged man was reciting. You should be doing those, too, but there was something about your day that made you want to skip class and bury yourself in a mound of blankets. The air-conditioning wasn’t helping at all, it just made you drift away, even more, images of flying people and humanoid giants flickering through your mind. Even your vision was becoming blurry as you stared at the seat in front of you, not noticing how your Ethics professor dismissed your class with a reminder of the paper that was due the following week. You were still seated as most of the students stood up, eager to spend the rest of their day inside their dormitories and apartments.

“[Name].” Somebody called out to you but the raw feeling of swinging in midair acted like a bubble, keeping you from going back to reality. The voice groaned in frustration at your lack of response. “Earth to [Name]! Hey, wake up!”

You shook out of your stupor with a blink, turning your head slowly at the person waiting for you. You took in her casual attire, so different from the daydream you were in. At first, you didn’t know about your whereabouts, making you look around the lecture hall — empty except for the two of you and the professor at front. The feeling of confusion once again dominated your sound mind as you breathed out, “Where am I? I thought I was just outside in this desert and I was surrounded by people who were crying like they were a hopeless case. Then there was someone screaming my name, saying they wouldn’t let me go.”

The person pursed their lips, concerned and slightly creeped out at the nonsense coming out of your mouth. There weren’t any deserts near you right now because you two were in the middle of the city, inside a university. The way you phrased those words sounded like a plot from an apocalyptic movie you were bound to binge during academic breaks. There were accounts scattered around the internet about reincarnation that the person drank in the early hours of dawn when they couldn’t go to sleep but witnessing it in front of them, was another whole level of conspiracy theories. A hand was planted on your shoulder, your friend smiling sympathetically at you, knowing that you sometimes have these episodes inside your shared apartment. The look you gave them was enough to erase the wariness bubbling in your friend’s stomach, which spurred them to gather your things and placing them inside your backpack. Your friend worked in silence, however, they were aware of the stare you never took off from the side of their head.

“In case you don’t remember me,” your friend looked up at you with a twinkle of mischief in their irises, “I’m Hitch and I’m your roommate.” She was speaking to you as if you were a toddler, something that made annoyance tickle your chest.

“Hitch?” You mumbled, looking down on your lap for a solid minute until you gasped out loud, the sound echoing inside the lecture hall without any warning. The professor looked up from his seat, glare already in place at the disruption you caused. You buried your face in your hands, face erupting in hues of red because of the embarrassment creeping in your throat. “Oh, my God, don’t tell me I did it again.”

Hitch nodded with a shrug. “I mean, I’m used to your episodes but it always amazed me how you wake up from them all disoriented.” Finishing with her task of tidying your bag, she pulled on your arm. “I think I should record whatever you say next time, this could be my viral moment.” When you gave her a dry glare, she laughed. “Oh, come on, think of the possibilities! But pushing that aside, let’s have dinner first.”

“Hitch, it’s only four in the afternoon.”

She scoffed lightheartedly. “We can always have a midnight snack later. Right now, I’m craving something savory.” The two of you went outside the lecture hall’s door, not missing the look of relief from your Ethics professor as you linked your arm with Hitch’s. She turned to you expectantly. “Any ideas for dinner, bub?”

There was a churning feeling inside your stomach, very much like those life-and-death situations during exams where you rely on your gut for the correct answer if the test includes multiple-choice questions. This time, instead of the nagging voice telling you to encircle the first choice, your gut was telling you to head to the café near your university. Aside from their famous coffee blends and teas (the latter being one of their specialties), the café houses a variety of dishes in its menu, which doesn’t make them a café anymore but the owner still insisted that they’ll be known as that establishment. It was more of a restaurant than your regular coffee shop, making it a hit among the students in the University of Eldia, where a majority of the student body was either caffeine-dependent or reliant on fast food take-outs. The quaint café owned by Levi Ackerman was the perfect solution to yours and Hitch’s grumbling stomachs. 

“How about the café just outside of uni?” You suggested, hoping that Hitch will consider the idea.

The said girl hummed, a finger placed on her chin. “The one owned by that grumpy short-stack?” 

“Hey, that’s rude.”

Hitch shrugged without care, hoisting her tote bag up to her shoulder. “Even his cousin calls him that, you know?” At your raised eyebrow, all Hitch could do was laugh at your adorable, clueless expression. Between the two of you, the light-haired girl was the social butterfly in your friendship and you wouldn’t be surprised if she even had an inkling of the gossips happening around your year level. 

“Relax, his cousin is a good person (that is if she doesn’t kill you with her blank stare), along with their little friendship circle. I must say, all of them look so adorable. You remember Annie, right?” She continued when she saw you nod, the mention of the blonde made you remember your time when the three of you shared your apartment. It was a good kind of chaotic, the three of you balancing out each other’s personalities. Annie was always the indifferent one, Hitch the most sociable, and you being the mediator of the two. “She’s dating one of Mikasa’s friends, Armin. Mikasa is the cousin, by the way, and I can clearly see the resemblance between her and the café’s owner. With the permanent scowl and all.”

“Uh-huh.”

You didn’t know what to do with the information so you only hummed and nodded your head every time Hitch spewed out a couple of trivia involving people you have heard down the hallways or being called during roll-calls. She even told you how one of Mikasa’s friends, Sasha Braus, was reprimanded for eating inside the class of an infamous terror teacher, which landed the girl on that professor’s blacklist. The girl, Sasha, was actually in one of your classes but you never really talked to her, all of your attention poured out into absorbing what the teacher relayed in the class. All of Hitch's ramblings spanned the entirety of your walk to the café — a talent your roommate has that amazed you every time it happened. 

The smell of cinnamon greeted you once you stepped inside the café, the homey decorations making your heart warm in an instant. There were a couple of college students in separate tables, all of them draping their textbooks and readings in front of them, headphones plugged in despite the soothing background music brought by the café’s speakers. Now that you mention it in your head, midterms were coming up in a month and you hadn’t started organizing your revisions. As your mind was filled with the scent of flowers and coffee, Hitch tugged on the sleeves of your blouse, your light-haired friend wordlessly gesturing her head towards one of the empty tables overlooking the window showing the small garden beside the café. You nodded and flashed a thumbs-up, already knowing what Hitch’s order is the number of times she went home with take-outs from this establishment.

Thinking that you should order something for a change, you looked up at the menu board above the counter. With your order listed in your mind, you faced the person manning the counter, ready to relay your order to her. What greeted you, though, wasn’t a smiling cashier, instead, wide gray eyes stared at you with a slacked jaw — irises flecked with an emotion that sent your heart lurching inside your chest. She was a tall girl with muscles in the right places, black hair styled in a pixie cut that made you appreciate her features more. You faintly recalled that she was in one of your majors, which should explain the air of familiarity surrounding her. Her hands on the small notepad hovered over the current lilac paper, her posture rod straight as her breath hitched while staring into you. You weren’t sure what made her react like that so you slightly tilted your head back to look at the booths behind you. Hitch caught your eyes, raising her eyebrow in a silent question. Facing the counter attendant again, you were shocked to see that star-like tears were decorating her eyelashes, chapped lips wobbly. 

It felt like you’ve seen that expression too many times but you were sure this was the first time you saw her face to face.

“Oi, Mikasa, why are you stalling?” A short black-haired man entered the space behind the counter, arms crossed and gaze questioning as he took in the breaking form of his employee. “It’s been a full minute and you still didn’t take the customer’s order.” 

“Can I stay in the breakroom for a while?”

Your breath was taken away at the sound of her voice. It sounded like all four seasons were present in the soft-spoken tone she carried, very different from her tough physical appearance. You were left staring at her back, chest nearly bursting open because of how fast your heart pounded just from that sentence. Images of late-night trysts played in your head; of secret kisses that created an ocean of emotions inside you; of eyes looking at each other with tendrils of hope before the gates open, death beckoning you in its arms; of desperate promises, neither person could ever keep. All of them were so familiar and nostalgic that a swarm of butterflies was starting to infest your ribs and chest, sprouting flowers that clogged your throat from speaking. 

Levi glanced at you, eyes analyzing your form with a hint of concern for his relative and wondering what made Mikasa act like that. “Sure, go ahead, brat, your friends are at the back. Hello, ma’am, I’ll be taking your order.”

“Oh, sure,” you murmured before beginning to list down the food you and Hitch will be indulging in, eyes curiously staring at the girl going inside the breakroom. “Uhm, is she going to be alright?” You tried asking Levi, who only looked at you with a raised eyebrow. “It looks like she had a fright here.”

“It’s the first time I saw her in that state, to be honest,” Levi simply answered, with no room for other discussions. “Your drinks will be served shortly.” He gave you a small gadget, his pointer finger pushing a button on the device, making it light up in a blinding red. “Once your drinks are ready, this will light up and you can get it here on the counter. Thank you for your patronage.”

“Thank you, too.”

It was only when you seated yourself in front of Hitch that you realized Mikasa’s voice sounded like the one always shouting your name in your daydreams, failing to keep the promise of never letting you go.

-

Mikasa was a mess.

First, before waking up for her 7 A.M. class one autumn day, she was haunted by the memories of her previous life (or this is what Armin told her, with him also remembering being born again from a different timeline, another universe altogether rather). In that more outdated version of this world, they were on the constant grapple with these beings called Titans. Her dreams became more complex the more time passed by as these Titans disappeared, replacing with it a looming war between two countries. Her daydreams always resulted in tear-stained cheeks, eyes then finding her best friend who started a mass genocide in their previous lives, Eren. When Mikasa remembered that part of her last life, she would often find herself staring deeply at the side of Eren’s head, resulting in the brown-haired man complaining about her soulless eyes. It looked like Eren didn’t remember it, which nearly drove Mikasa mad. 

Until that day Eren came up to her after a three-hour lecture, all haggard with his man-bun in disarray, and shouting, “I’m so sorry for laughing at you, Mikasa! I had a dream during a lecture of those titan things you and Armin are talking about. I believe you!”

Second, the warmth of somebody was a constant in balancing out the horrors of her daydreams. Among the carnage, a body fitting against hers with the morning rays passing through the slit of the windows was a sight she didn’t want to wake up from. Threads of soft hair tickled her cheek, making way for an unforgettable shade of irises that she compared to the crystals they found underneath the Reiss estate. A smile so vibrant that it paled in comparison to the blue expanse of unknown waters they saw after killing all the Titans in Paradis. The smell of freshly picked flowers lingered in the air, acting like the comforting blanket Mikasa had when she was young. At first, she couldn’t see the face of the person but as the episodes became more vivid, Mikasa finally saw the woman of her dreams. 

Pulchritudinous — that’s what you are.

After that encounter with you in the café, Mikasa immediately talked everything out with her two friends.

“So you’re saying that you kind of knew her but you don’t?” Eren pointed out after a spoonful of ice cream. “This is some conspiracy theory shit right here.”

“Eren,” Armin sighed. “This is not one of those videos you watch at 3 A.M., okay?” The blonde glanced at the last member of their little trio, who was pacing in front of them with a queasy expression on her face. “Mikasa, I know you feel like you’re in a pinch but please calm down.”

Eren leaned forward and took a spoonful of ice cream from the tub on the low table. “It’s no use, Armin. You know Mikasa.” He nodded his head towards the said girl. “Once she enters that state, we can’t do anything about it.”

“I know,” Armin trailed off, dejected.

Mikasa buried her hands through her hair. “This was so unexpected.”

“Clearly,” Eren dryly stated.

The blue-eyed boy beside him instantly hit the back of his head. “Eren!”

Mikasa stopped pacing, not hearing how Eren exclaimed ‘finally’, her face and neck erupting in a warm shade of red that made her two friends exchange a concerned glance. Placing a hand on her pounding chest, she murmured with half-lidded eyes, “She’s much more beautiful than my dreams depicted her to be.”

Armin breathed out a silent ‘oh’ while Eren snickered, “Great, she turned into a simp,” to which the former slapped another hand at the back of the green-eyed boy’s head.

“That explains it,” the black-haired girl exclaimed. “There were times where a voice inside my head tells me to be at this specific place at a specific time.” (“I’m concerned,” Eren stage-whispered to Armin.) “While applying for this university, I had a feeling that I should take up medical sciences. Every time I’m at the campus, I will always find myself in the library after five o’clock and there are instances that I would search the tables. And you guys know how I hate helping Levi in the café.” Eren and Armin nodded as if they were children. “I just realized that she was always there, I can see her now. Why did I miss her when all this time, I was meant to find her? And now that she’s finally in the café right when I told Levi that I felt like helping the shop, I ran away! I’m such an idiot!” Mikasa then sunk on one of the plush chairs, her groans mingling with the gloomy atmosphere she created.

“You’re not an idiot, Mikasa,” Armin told her, to which she replied with an aggravated groan.

“Yeah, you’re not an idiot, you’re just having a gay panic moment,” Eren casually announced. Both of his friends slowly turned their heads toward him. He stared right back, blinking as he shrugged. “You have to admit, I’m not wrong.”

“You’re not helping right now.”

“I’m just stating a fact, Armin!”

The blonde boy rolled his eyes. “So what are you going to do about this, Mikasa?”

“About Eren?”

“No,” Armin shook his head. “Eren will be fine with his two brain cells.”

“Hey, I’m right here.”

Armin rolled his eyes and fixed his gaze on his gray-eyed best friend. “So are you going to tell [Name] that you two are star-crossed lovers pre-destined since your previous lives?”

The confidence she gained the day before during that conversation with her childhood friends dissipated as Mikasa awkwardly stood in the middle of the university’s library, eyes widely staring at you, who was browsing the shelves for the reference material for your papers. She didn’t expect to meet you this suddenly. All she was supposed to do was borrow a reference material and there she realized that the two of you share the same major so most of your schedule line up with one another — the both of you share a free period. Almost as if you were surrounded by a magnetic field, Mikasa went in your direction, her heart matching her footsteps. Meters became feet as she looked at your captivating figure. Even with a shirt tucked inside a pair of jeans, you are still the most beautiful girl inside the library. 

And as you lifted your gaze, your glinting irises meeting her gray ones, Mikasa swore her orbit was waiting for this moment to be tilted to you.

Tears were immediately present in your eyes when she stood in front of you, it was as if you remembered her.

“Hey,” Mikasa breathed shakily, hands gripping the strap of her backpack.

“Hey, starlight.”

That nickname. The one you blurted out when Mikasa invited you stargazing in the meadow beside the Survey Corps Headquarters. You said it suited her because her eyes reminded you of the glow of the stars forming a canopy above you. But for her, you were brighter than any star in the sky, you were an entire cosmos altogether. “You became a part of me the moment I laid my eyes on you in our town. Right then and there — wherever you go, I’ll go. Because I know, I’m a part of you as well.”

“You finally found me.”

You are half of her soul, as the poets say, and the Fates will do everything in their power that it stays like that for eternity. 

[demifiendcruithne]

ok i'm not actually from r/196 but r/curatedtumblr, so i guess i'm a transfer student now. might have ended up there eventually

name: i dont really like putting my name out (not a privacy thing i just feel Weird seeing my name. names in general are an issue for me for some reason), so just call me Crui

pronouns: she/her, gender is a heck and is very low on my priority list

sexuality: demisexual, subtype pan, if you're going to make pandemic jokes i made those three years ago

location: england (unfortunately)

fandoms: i'm more of a lurker than a participator and dont really actively seek things out right now, but i'd probably say pokemon, kirby, shin megami tensei, danganronpa, and insert whichever special interest of the week here. (notable inclusions are zero escape and live-a-live)

most forbidden snack: i have kirby squishies that smell like strawberry......

pet a bug: depends on the situation. if it's out of nowhere probably not but if i'm prepared in advance then sure. i want to pet a giant millipede

weird fact/story: ok lets see what's here without like. trauma dumping. i used to get what i now guess are auditory hallucinations of my sibling calling to me? but they stopped before i really started looking into health stuff in general so i forgot about them and never brought them up anywhere. and now its just more to deal with i guess

blue tastes like raspberry. the artificial raspberry. one of the only good points about where i used to live is that it had SUCH good blue raspberry sherbet...

most beautiful thing seen: this is also a difficult one because my memory is bad. but i think my sibling's just... obvious improvement in how they felt after getting major gender-affirming surgery would definitely be up there

stupidest thing done: probably hiding all the physical/mental stress i was under from people (notably my mum) so i didnt cause them problems. in my defense my mum was very busy and people (teachers mostly) had already called me out on causing trouble by just trying to talk about things and failing because i had like. five different things affecting communication and one of them i literally only found out might apply to me like last week. and this was over a decade ago

stupidest thing seen/heard: i dont remember any legit stupid examples offhand so i will instead say stupidest (affectionate) and cite my fluffy dumb cat. he will go outside through the back door, circle around to the front, and meow plaintively to be let in because he forgot the back door exists. he's so good

hyperfixation song: there's quite a few, but one consistent one is changing me from persona q

profile picture: the pokemon line stickers make very good avatars. username: demifiend from the Demi-fiend of smt3 nocturne, and cruithne is a name i picked up from a celestial object thought to be earth's second moon for a while

dream career as a child: i cannot remember enough of childhood to answer this. for college it was game development though

dream career as an adult: honestly i just want to like. help out in a library and be tech support and entertain kids with nice hats and also draw stuff. i got. multiple disabilities hecking me up so

cilantro: either i haven't ever had it or it doesnt taste like soap, that's all i got

banned from a location: i don't think so? well high school kicked me out of sixth form if that counts because i was struggling to keep up (it's almost like i had a bunch of undiagnosed difficulties or something.....) and they didnt want to actually do their job of helping. but i was still ok to go on campus if i needed to pick my sibling up or something

cursed food: salted carrot sticks. it adds extra cronch

trans rights: Trans Rights Heckers. but also trans wrongs. go spraypaint blahaj on government buildings.

i. dont really like tagging people in stuff like this so if you're reading this consider yourself being offered a tag if you so want it

“I just came from r/196” ask game

Saw another post. I think I should invite y'all to one of our longstanding traditions. Answer the questions then tag 10 (or more) people. I'll go first.

Name? Frankie

Pronouns and gender? he/they/it, transmasc

Sexuality? Lesbian

Country? USA

Top 5 fandoms? Bungou Stray Dogs, Cosmere, All for the Game, Fundiesnark (not a series but I'm too deep in it to not consider it a fandom), .....the tornado fandom? (they're my special interest)

What is your Most forbidden snack? The preserved bones at the Atlanta Bodies Exhibition. They looked so crunchy...

Would you pet a bug? If it's big enough, it is pettable.

Share a weird fact/story about yourself with the class. I like to drive around rural areas and photograph old, sometimes abandoned locations in the dead of night. I have been literally chased out of towns by foot and by car on two separate occasions. The second time this happened, "See You Again" by Miley Cyrus came up on shuffle and that's the soundtrack my friend and I tore out of town to. Also every "guy" I've dated except for my most recent ex (who has big egg energy) is a lesbian now.

What does the color blue taste like? Creme brulee

What is the most beautiful thing you've ever seen? The appalachian mountains of Tennessee in the middle of summer. There's kudzu everywhere. On the backroads, there were several old, dilapidated Baptist churches barely hanging to the side of the mountain. I wonder how many of them were still in use.

What is the stupidest thing you've ever done? Short version: my friend's house almost got broken into by this dude who'd been stalking us for months while we were home alone. Instead of calling the cops, we decided to confront him with a bow and arrow (me), a hatchet, and a baseball bat (him). The plan was that if it went badly, we would simply throw his corpse into one of the many lakes in the neighborhood and let the alligators eat his remains (this was Florida). Why? Because we were afraid of having our home-alone privileges revoked. Luckily for us all, the guy fucked off and we never saw him again.

Stupidest thing you've seen/heard someone else do/say? My ex thought that Jackalopes were real. Also, a nurse I was doing rotations with apparently thought that "Witness Protection" was for Jehovah's Witnesses.

Hyperfixation song? Young Enough + Bleach by Charly Bliss

Is there any meaning behind your profile picture and/or username? Profile pic; I'm transmasc and I'm currently obsessed with TriStamp. Username; It was my fake internet name when I was like 13. I won't change it because I want my mutuals to recognize me, and because I do have a viral post associated with this name.

Dream career as a child? Doctor (funnily enough I'm now in nursing school)

Dream career as an adult? Professional Jester. Not a comedian. I just want to be some weird little guy who dresses silly and you can hire me to roast your boss at work parties.

Thoughts on cilantro? Delicious

Have you ever been banned from a location and if so, why? I honestly can't remember? Probably... but in recent memory I've mainly banned people from places.

What is your cursed food combination? Pineapple on a hotdog with grilled onions. It Slaps.

Trans rights? TRANS RIGHTS

Tagging: @rocket-mankoi @mostlymarco @atleast8courics @jazzlike39 @gemsweater72 @limbobilbo @ameliaaltare @redcrane112 @theoneofwhomisblue @twinkenjoyer @theultimatecarp and anyone else who wants to jump on

[cloveroctobers]

PLASTIC HEARTS — ALL

Synopsis: what the characters are like in the mornings since I’m currently writing this at midnight lol + I feel like ask memes are really underrated and they’re quick to write so I’m open to those too amongst the 100 of other things I have on my list/have yet to write (typical writing probs lol)

Jordan: I feel like with Jordan is either 50/50 with him. If he has to be up pertaining to football then he’s up and determined! it might take him like 2-5 mins more extra in bed to fully get up if his parents (more so billy) don’t drag him out of bed but he still manages to get up and function somehow. If he’s partying the night before then that’s a different story, he’s always hungover and feeling that shit the next morning so he’ll move super slow and will be late to class/grumpy as hell. He’s either happy and functioning well making sure he’s getting a meal regardless if he’s in a good mood in the morning or not cause the boy likes to EAT (just like Michael’s ass) + if there’s no food at the house best believe he’s cruising to a cafe to get him a meal before heading to boredom high—I mean Beverly

If he’s in a crap mood then he’s mean to everyone in his path. It’s best to leave him alone and let him sulk in his corner until he’s out of his grumpy mood which he does get out of...eventually after arguing with someone or snapping on them, taking a nap in the back of class, or after football practice.

Olivia: I’m squinting as I’m thinking this over. I don’t really think she’s a morning person? but she sets her alarm for herself and can get up in the morning without the help of her parents unlike Jordan lol. She is the type to set her alarm ten minutes before she actually has to get up so she can get extra time in the comfort of her bed. It takes the girl some time to get ready in the morning okay? Have you seen her hair? It takes time to get it right for how she wants it and she always says she should pick her outfits the night before but she always seems to get side tracked so that never happens which also takes up more of her time. Eventually she almost always makes it downstairs before Jordan does. They DON’T ride to school together, hardly, unless one of them has a issue with their car or something but they’re usually doing their own thing but have some sort of conversation in the morning over breakfast—trying to build the closeness of their relationship back

Liv likes to be on time if she can or just right on time, either or. And if things come up, then she’s a little anxious which she normally is until she’s meeting up with someone she can hold a conversation with. Half of the time there’s no need to be anxious? It’s just there and she hates it despite the lonerism she found herself in

Spencer: I think Spencer can be a light sleeper since he’s used to some sort of noise going on in his house. Plus his room is in the center of where the noise will take place. If it’s too quiet, like it usual was at the baker’s he finds it a little hard to sleep all the way? There has to be something going on for him to fully sleep like the light noise of tv? Or a sound machine. James said he was the same way as a baby, always alert. So when he wakes up in the morning, he always lets out a soft sigh closing his eyes letting the alarm go off for a few more seconds before he smacking it off. He has to get in the shower to fully wake him up tho. If he doesn’t take a shower in the morning then he’s not fully up and if he doesn’t take a shower at night, he knows he’s not going to sleep well either.

If he has to walk Dillon to school, then he doesn’t mind being late. Now that Dillon is getting older he doesn’t mind walking on his own or with a friend or two but being the protector that Spencer is, he’s going to try his best to make time for Dillon no matter what and the boy secretly appreciates it but understands now if it can’t be all the time. Spencer doesn’t have his license so he’s either catching the bus (if he was still going to Beverly, Jordan or Liv would scoop him up ofc) or speed walking to school which he seems to make just in time?? Always.

Layla: I always view her as someone so chipper. She IS a morning person (unless the depression is hitting her hard, some of us have those days) and usually has it together. She’s a big planner and if she doesn’t continue with being a producer like her dad in the future, I can see her being a event planner big time. Anyways she’s usually very organized, outfits steamed and hung up for the week, weekly calendars and reminders in her phone. Alarm’s set since she’s the only one in the house and only has herself to depend on. I feel she does take a lot on her plate for a teenager so she tries her best to follow a routine/schedule most of the time. Wake up. Stretch. Slippers. Robe. She does not check her phone until after she is done taking care of herself! Brush teeth. Shower. Skincare. Get dressed. Does hair. Checks phone on her way downstairs to breakfast. Layla is a açaí bowl or oatmeal kinda girl, fight amongst yourselves. I see it. I manifest it. She always has to have her hands in something and when it comes to breakfast and baking, you can count on her to always make something. It became something she loved since her mom and her always did that together. And she often likes taking the long way to school and the long way back home.

Asher: not a morning person. Never on time unless it’s for football on Saturday mornings. he’s a cereal kinda guy since his dad can’t afford a professional chef anymore. His favorite cereal is probably Rice Krispies with strawberries and wh*le milk or cashew milk if he remembers to buy it from the grocery app. I feel like he would eventually have to get a job his senior year since it’s kind of a struggle with his dad settling into his new job. It’s a big adjustment with his parents divorced and although his mom still slips him money when he see’s her every other weekend, he’s more tired than he ever was before. He’s used to sleeping in cars if he’s not in a king sized bed but can pretty much sleep everywhere. He can sleep through anything and always has multiple loud ass alarms to wake him up since his dad is either gone before he wakes up like before or just about to leave for his new job. He never bothers to wake him anyways. Asher is a grumpy grouch in the mornings and is addicted to ice coffees and loves a good pastry if he can’t have himself some cereal in the morning.

He’s also annoyed if he doesn’t get his cartoon’s in too before school. Don’t bother him until mid-morning, early afternoon if you know what’s good for you.

Coop: if she’s something else when she’s angry what do you think she’s like in the mornings? Annoying either way? Probably lmao. She’s probably a talker in the morning expressing some wild ass dream she had or either how she had a sucky night and couldn’t sleep properly so she was up writing a new song or something. Since she’s dropping out of school, her mornings could probably start later around 11am? Unless her mother is still home and making her get out of bed to run errands with her or clean the house while she’s gone for the day? Either way she’s probably dancing, talking your head off, blasting music as she gets ready, or browsing Twitter as her form of “morning news”

Chris: I get night owl vibes from Chris. Which is more difficult to do in high school, whew! He has to use melatonin spray or cream to help him knock out and if it fully doesn’t help, he’s dragging the next morning once he fully crashes. Sometimes it can be a good morning or it can be a sucky one. Due to his injury, he gets occasional pain in his joints which he keeps a secret from mostly everyone from his team since they were only described as spasms from his doctor. He deals with it even if it freaks him out from time to time. If it’s a sucky morning, he has to wake himself up with a splash of water to the face and then tending to the pain in his joints before carrying on about his day.

I do think he’s on his phone a lot. Before bed, actually watching soothing videos to help him knock out—don’t tell anybody that and then checking his phone again when he wakes up. Which is apparently unhealthy for the mind but hey with technology continuing to take over, what can you do?

Patience: the girl doesn’t care if she’s late or early. All that matters is trying to get through the day. She’s not crazy about getting up early to sit in 7-8 classes a day but if she’s got to do it, then she’s going to take her time. She wasn’t named “Patience” for no reason okay? When it comes to her appearance, she’s going to make sure she puts in the effort because if she looks good then she feels good and can go about her day. Most of the time she takes a quick breakfast with her on her bus ride to school (thanks to her hair not doing what she wanted it to) and then if there’s time heads to the cafeteria to get whatever they’re serving for breakfast there. At least that’s better than the lunch they serve there.

JJ: total morning person! Or if he’s not? You can never tell. The guys always in the best mood. Even if he was out partying and doing too much the night before, the dude is never hungover. Everyone wants to know his secret. And when he tells them, they don’t believe it. He’s usually a slob of a eater but he also knows how to take care of his body and all about his protein shakes and juicing. He definitely has a meal plan that he takes the time to post on his Instagram stories. The guy loves Instagram and is always posting there. If you need positive words of affirmations, JJ is your guy. Check his stories or if you run into him in person he’s all hugs and uplifting you to get through the day. He’s the guy you need around if you need it. If you don’t want to be bothered? Make sure he doesn’t see you and keep your distance because he will tackle you down and turn into DJ Khaled on your ass.

Simone: she hates mornings and thinks it’s cruel to be up five days of the week for. If she physically feels like she can’t get up due to intense studying or up binge watching real housewives or whatever, she knows it the night before and puts her plan into motion the next morning. Her parents are usually always on her ass, especially her mom so it takes a lot of persuading to let her stay home. And it still doesn’t feel like a free day because her mom is checking up on her every hour on the dot from work. She makes it feel like Simone should have just went to school. If the answer is, “there’s nothing wrong with you, you’re going.” Then Simone is definitely in a sour mood. Her dad almost always drives her to school and she checks up on her son every day through socials if she doesn’t message his second mother. Simone’s also not much of a breakfast person but if her dad is making her eat they’re stopping somewhere before he drops her off or encouraging her to take some of whatever dish he made before they leave.

Now? If there’s something on her mind? Then she’s active and stressing over it before she’s talking to someone about it. She’s out getting a light jog on around her gated neighborhood (she’s getting her fitness game back up after deciding to take tennis seriously again) before showering and getting back into bed for at least thirty minutes to forty five before she has to be up for school. Worries erased for now.

Darnell: is a morning person even if he grumbles that he doesn’t care for it. He’s a sunset kinda guy not a sunrise. It’s not much of a issue for him to get up and start the day with a long exaggerated sigh. He’s not as talkative but get something in his belly and he’s bringing up some interesting facts or news about what’s going on with certain celebrities he keeps up with. I also feel like he knows how to cook and breakfast isn’t his speciality but lunch foods are? Grits, eggs, bacon, and jam on toast is his fav thing to eat for breakfast with apple juice. That’s right, apple juice over orange juice no matter what Spence and dil have to say.

His version of appetizers (which are too big of portions but to each their own) are his go to make for lunch. For breakfast if he can’t have his fav meal in the late morning, he always eats light since he says his stomach is too sensitive in the mornings which has been proven to be true...The James’ can vouch for that

Kia: again 50/50. Depends on her night. She’s also someone who is very active in clubs so it all depends when she gets home and how fast she can get things done at home before she can crash. Sometimes she takes a lot on as well but she thrives off it? It makes her feel productive but she also knows how to balance and have free time when she wants to. Her breakfast always consists of fruit, she loves her fruit. And even if she finds herself running late then she quickly adjusts and cuts out what needs to be cut out of her morning routine and get where she needs to be making herself have the time. Which can be good or bad, depends on how you look at it. Kia is great at handling whatever is thrown at her it seems!

Vanessa: Morning person after she’s fully awake lol. Hates how she looks in the morning, thinks her face is too puffy and definitely uses a jade roller no matter what to help. Her mom is always on her ass + she’s a coach so just imagine that on top while struggling to get up. However once she’s settled, she gets this burst of energy—coach montes believes it’s “the vitamins” and “always eating properly” but the small girl always seemed to get random bursts of energy throughout the day no matter the circumstance. loves a food bagel or pastry for breakfast with orange juice or water, either is fine. She especially loves sunny mornings in California, it just makes her feel better—as it should. She even thanks the sun when it greets her face. Which is something she used to do as a kid too.

Fin.

A/N: I apologize for any typos in advance. It’s now 2am, phones about to die and it’s surely time to crash. Goodnight/morning wherever you are in the world and I’ll fix what needs to be fixed later lol. Feel free to send me ask memes for this week if you want when I do have the energy to write. Toodles!

[5uptic]

crewfu: fanfic spotlight!

We work together by Anonymous (5up & DK, unrated, gen | 248 words)

Summary: One likes plants and baking, the other loves to create and design video games. They stay up and create monstrosities together, it's their fun, it's their favourite game. Aka a 5up and Dk roommate au!

No matter how life tangles, I’m still here with you. by hungryandsleepy (5up/Steve, general rating, m/m | 279 words)

Summary: 5up has been working so hard on his new map, and of course, he needs someone to give him a motivation to go to sleep.

objectively pretty by vesque (5up/Steve, general rating, m/m | 462 words)

Summary: steve is drunk. he's pretty sure 5up is too. that doesn't mean being called pretty is any less momentuous.

you plus me by mangoedges (5up/Steve, teen rating, m/m | 489 words)

Summary: 5up and Steve meet.

he said to me by mangoedges (5up/Steve, teen rating, m/m | 656 words)

Summary: 5up and Steve share a moment.

by the snowmen by mangoedges (5up/Steve, teen rating, m/m | 670 words)

Summary: Steve has a moment when it's all over.

today you got to know me (a little bit too slowly) by runninohhoney (5up/Steve, teen rating, m/m | 675 words)

Summary: Steve lights up a cigarette. 5up doesn't smoke.

what would it take by mangoedges (5up/Steve, teen rating, m/m | 787 words)

Summary: It's Steve's first mission. He hecks up. Or does he?

sorta cute by floweruru (5up/Steve, unrated, m/m | 822 words)

Summary: ‘I wouldn’t do that,’ he said. ‘That’s just disrespectful,’ he said. Yet there was 5up, crushed like a can in Steve’s embrace, feebly kicking at nothing as his feet leave the pavement.

i was gonna kill u, but ur kinda cute?? by Cthulhuer (5up/Steve, general rating, m/m | 1k words)

Summary: Steve is a mess and 5up is worse.

I hear a Symphony by AwkwardAce (5up/Fundy, unrated, m/m | 1.1k words)

Summary: He exhaled until his lungs ached for air, fingers twitching as he opted to remove the sleek white gloves he wore in a feeble effort to soothe himself. It didn’t work. He wrung his trembling hands together as his eyes raked down the worn leather case taking in the doodles- some etched some drawn- across the faded surface. He snapped the buckles open and his breath hitched, catching in his already tight throat. For a moment the world span, his head throbbed and he wanted nothing more than to run and hide. 5up breathed out slowly, shakily.

staring by lytriis (5up/Steve, teen rating, m/m | 1.1k words)

Summary: steve asks 5up out. 5up doesn’t know how to respond.

and it's four am, and yet, you're here by vesque (5up/Steve, general rating, m/m | 1.2k words)

Summary: in which steve shows up at 5up's house, in the middle of the night, completely spontaneously

more than this by mangoedges (5up/Steve, teen rating, m/m | 1.2k words)

Summary: Steve catches 5up venting.

3:15 by vesque (5up/Steve, general rating, m/m | 1.2k words)

Summary: Steve tries to guess Five's name. It's much more difficult than he anticipated.

things were different by fourpebbles (Apollo/Steve, teen rating, m/m | 1.5k words)

Summary: His eyes circled around to his friends, Kimi and Janet engaging in pleasant comversation, sleepy and becoming increasingly more sober. He looked, finally, across him, and caught Dumbdog staring at him. What now bro, what did this guy want. small talk, turns into not small talk, then there's no talk

Once Upon A Dream by SmearedWords (5up/Steve, teen rating, m/m | 1.5k words)

Summary: 5up looks ethereal, while Steve is struggling to breathe. "You're not real either." Or: Steve has a crush and a nightmare in three parts, 5up is tired, the crew life is hard and Polus sucks.

the ones you love will call you back by homeward_bound (Apollo/Steve, teen rating, m/m | 1.8k words)

Summary: stevesuptic: dude, is it weird that i miss vegas   DumbDog: No? I do too.   stevesuptic: okay [steve misses vegas and apollo. they talk about it]

cough it out by cj__writes (Apollo/Steve, teen rating, m/m | 2k words)

Summary: Apollo thinks that Steve must be well and truly gone, at this point, because he giggles, like Apollo’s just told a particularly funny joke. He looks Apollo right in the eye and asks, “Do you trust me?” “Absolutely not.”

ivy by Secular_Czar (5up/Steve, teen rating, gen | 2.1k words)

Summary: It might be a sad day, in general, but Steve isn't about to let it get to him. His friends won't ever let him wallow either.

The Colosseum by WhenTheFogClears (general rating, gen | 2.1k words)

Summary: Five squinted, looking at the colosseum intensely. He thinks Apollo was latched onto the sphinx’s shoulder, fur matted with blood. Janet was slumped against a column, probably out, with Kimi whose bow was snapped in two, her leg twisted at an odd angle. DK was in the corner trying to cast various supporting hexes and charms with a broken arm, whilst Hafu was dragging a heavily bandaged Steve away. or 5up slaughters a cat

Oneshots :) by woofles1990 (5up/Fundy, 5up/Steve, teen rating, multi | 2.5k words, oneshot collection)

Summary: Just a bunch of MCYT/Among Us oneshots, mainly featuring 5up's crew because yes :)

the adventures of 5up and steve staying up late because they're under 30 by 5280ft (5up/Steve, teen rating, m/m | 2.5k words)

Summary: “The night is young!” Steve yells at the ceiling, throwing his hands up in the air. “Take advantage of it! Commit crimes! Fuck hoes!” Five catches his hands in the air and laughs. “You wish you had hoes.”

unreasonably in love by cj__writes (Apollo/Steve, teen rating, m/m | 2.6k words, chaptered WIP)

Summary: "It was like pieces of a puzzle, everything coming together. And now, here they are, standing in their apartment, which looks more like a hollow shell than a home, filled solely with scattered boxes and the minuscule amount of furniture that they brought with them to Vegas." Or: what happens after Apollo and Steve move in together.

cant be love by fourpebbles (Apollo/Steve, teen rating, m/m | 3.5 words, chaptered WIP)

Summary: He had chuckled to himself, he felt so stupid. Who in their fucking minds names a playlist 'sugr?', he thought, internally cringing. A story where a Steve meets an Apollo, and some things happen.

Somewhere in the darkness, us together for a while by tumtummeke (Apollo & Kimi & Steve, teen rating, gen | 3.6k words)

Summary: Apollo worries about Steve. Steve breaks his vape pen. Kimi plays power washer. Self-indulgent angst, with a generous helping of friendship and cuddles.

odyssey by 5280ft (5up/Steve, teen rating, m/m | 23k words, chaptered WIP)

Summary: "First you will come to the Sirens who enchant all who come near them. If any one unwarily draws in too close and hears the singing of the Sirens...they warble him to death with the sweetness of their song. Therefore pass these Sirens by and stop your men's ears with wax that none of them may hear." -Homer, The Odyssey

Also: SilverSprinklez10‘s yupwaves collection.

Summary: This is a Harry Potter AU based on the characters/personas of the youtubers/streamers.

FAQ:

Wait what is this: pretty straight to the point! i’ll regularly share crewfu-related fanfictions to this blog :)

How regularly is “regularly”?: great question! LOL. it depends on the flow of fanfics that get uploaded, which i do not have any control over, but i’m looking forward to do this twice a month. after all, it’s only me doing this and i often run on a tight schedule.

What’s the format like?:

[title of fic with link] by [author of the fic with link] ([main pairing(s), if there is one/multiple], [fic rating: eg, general rating], [relationship: eg, m/m] | [word count in k] ([added prompt to specify if it’s complete or not)])

Summary: [summary provided by the author. if it doesn’t have a summary, a “No summary” prompt will be put instead]

(What does WIP mean again?): Work In Progress :)

Why are you doing this?: from the beginning, my blog has hosted conversations about RPF (real people fiction) and crewfu pairings. this has evolved into people sending me updates about certain fics in the crewfu tags every now and then, but i wanna take the next step and just do these things myself. after all, i’m already lurking in the tags often to see the fics that get posted. as someone who is both a writer and a reader, i wanna appreciate fanfic writers and help out other people that want to read fanfic and consume more fandom content!

Will it be AO3 only?: well, ao3 has a very helpful tag system that makes finding fics incredibly easy, as well as allowing people with no accounts to like and comment on fics, so that’s the site i will personally look in for fanworks. but if there are any fics you’ve written or liked in any other platforms, such as wattpad, you can always contact me through my inbox (send an ask or a dm!), and i’ll make sure to include for the next fanfic spotlight :)

Does it mean you won’t reply to fic asks anymore?: yeah, i guess. since i’ll be doing the searching myself it seems counterproductive. but if i ever skip a fic or again, it’s in another platform, or you’ve posted/read the fic a while ago and you want to get more traction on it, hit me up and i’ll take it into consideration!

Will you read every single one of the fics on your list?: oh no. again, i run on a tight schedule, and also i have my own taste when it comes to fics. i won’t be reviewing fics or any of the sort, and my intention extends to simply sharing these fics to this page so people will have easier access to them :) that’s where ao3 tagging becomes SUPER useful!!!

So what’s the criteria for the way you’ll sort out the fics in your list?: word count, going from lowest to highest. in case of fics in other platforms, i guess i’ll put them at the top of the list. i’ll also be looking for fairly recent fics, so let me know if you want any old-ish fic to be included.

I see you talking mostly about 5up/Steve and Steve/Apollo. Can I still send/see other crewfu fics?: why yes absolutely! my goal is to push every fic which heavily features regular crewfu characters - 5uptic and supdog just happen to be very popular pairings. so, to give you a list: core 4 (5up, hafu, dk, steve), apollo, aipha, annie, janet, kimi, ellum, koji... you know the drill. it doesn’t have to be centered on a relationship, or about 5up in specific, etc. my only requirement is that any of the previously mentioned members are a central part of the fic or are HEAVILY featured in it (sorry, minecraft fics with 50+ tags who only mention 5up as an afterthought won’t make the cut :/).

Isn’t shipping Bad™?: well, it’s a little more nuanced than that. i will go out of my way to discourage and shame people who often violate CCs’ boundaries by acting like so and so has a crush on this person, or that this and that are Actually Into Each Other or secretly dating. any sort of tinhat bullshit is a big nono (think larries). but i run on the assumption that people who write rpf understand that what they’re doing is simply write a completely fictional story using real life personalities, and understand the boundaries necessary to do it - aka they’re not tinhats, they understand they can’t assume everything about CCs’ thoughts and personalities, they understand that what they’re writing is strictly fiction, they keep these works only in fandom circles, etc. (but again, it’s only one me doing this, so please be kind if i don’t happen to know that this person is Actually a tinhat or whatever).

show fic: NO. (seriously. i don’t feel comfortable putting my ao3 account out there. please respect my privacy on these trying times <3)

I REALLY don’t care about your rpf/fic talk: fair! i’ll be tagging every single one of these posts as “fanfic spotlight”, so just mute the tag using tumblr settings so you’ll never have to look at these! likewise, you can follow the tag if you want to keep up with it, or search it on my blog to look at the other entries you might have missed (but this is the first one! lol).

Hey, my fic is here and I don’t feel comfortable with it being shared over here: no problem! let me know as soon as you can and i’ll take it down <3

[whileiamdying]

The Story of ‘Gangsta’s Paradise,’ Coolio’s Biggest Hit

The 1995 song changed the rapper’s life, bringing a rush of stardom — along with a new level of success that he was unable to match again.

Coolio’s “Gangsta’s Paradise,” built off Stevie Wonder’s “Pastime Paradise,” held No. 1 on the Billboard Hot 100 for three weeks in 1995.Credit...Paul Bergen/Redferns, via Getty Images

By Julia Jacobs Sept. 29, 2022

It started in 1995 in a home in Los Angeles’ Hollywood Hills, where two roommates — a music producer and a D.J. — used to compete over who could find the best sample from their record collections.

One day, Paul Stewart, the D.J., conceded that his roommate, the producer Doug Rasheed, had bested him when Rasheed put on a vinyl copy of Stevie Wonder’s 1976 album “Songs in the Key of Life.”

The track that Rasheed played, “Pastime Paradise,” opened with a mournful synth loop that replicated the sound of a string section. The song that it inspired, “Gangsta’s Paradise,” would change both of their lives and catapult an up-and-coming West Coast rapper named Coolio to global stardom.

Coolio, born Artis Leon Ivey Jr., died on Wednesday in Los Angeles at age 59; the cause has not been disclosed. The rapper had a handful of hits before and after “Gangsta’s Paradise,” but nothing in his career would top the popularity and cultural influence of that track, which was featured in the 1995 movie “Dangerous Minds” and went on both to win a Grammy and inspire a Weird Al Yankovic parody.

In recent years, Coolio had commented on the legacy of the song and its long shadow over the rest of his career, calling it, in one interview, both a blessing and curse (“More of a blessing than a curse,” he noted).

“That record: It took him over the top,” Rasheed, the song’s composer and producer, said in an interview on Thursday. “It made him a household name worldwide.”

Coolio’s opening words, which are based on Psalm 23, became one of the most widely remembered verses in ’90s rap: “As I walk through the valley of the shadow of death, I take a look at my life and realize there’s nothin’ left.”

The singer L.V. (born Larry Sanders), who features on the song, had already started collaborating with Rasheed on the track, he said in an interview, when Coolio wrote those lyrics. Listening to the Wonder song in that Hollywood Hills home, it had been L.V.’s idea to turn “Pastime Paradise” into “Gangsta’s Paradise.”

L.V. recorded multiple vocal tracks that Rasheed combined to sound like a large choir singing a haunting refrain, as well as the chorus: “Been spending most their lives living in a gangsta’s paradise.”

The tale of how Coolio first heard the track differs depending on who is telling it. In L.V.’s version, L.V. brought the song, with his recorded vocals, to Coolio on a cassette tape, hoping to persuade him to collaborate on it after another rapper had turned him down. In Coolio’s account, according to a Rolling Stone oral history of the song from 2015, the rapper was visiting the Hollywood Hills home to pick up a check from Stewart, who was his manager, when he heard the track.

“I walked into the studio, and asked Doug, ‘Wow, whose track is that?’” Coolio told Rolling Stone. “Doug said, ‘Oh, it’s something I’m working on.’ I said, ‘Well, it’s mine!’”

Coolio recalled writing his verses in one session, rapping about chasing his dreams and the uncertainty of whether he would live to 24 years old. (He was in his early 30s at the time, but 24 rhymed better, he said in a 2015 radio interview.)

The reinterpreted song still needed to get a green light from Wonder’s camp. But, Rasheed recalled, Wonder was turned off by the profanity and violence expressed in the lyrics. The producer asked Coolio for a rewrite, and the rapper agreed. The other catch: Wonder’s music publishing company would receive three-quarters of the publishing proceeds.

“The terms were a little harsh, but without them approving it there’s no hit,” Stewart, who managed both Coolio and L.V. at the time, said in an interview on Thursday.

Stewart shopped the song around and found a very interested party in MCA Records, which was producing the soundtrack for “Dangerous Minds,” starring Michelle Pfeiffer as a former Marine who becomes a teacher at an underfunded Bay Area high school. (The movie received mixed reviews, with The Los Angeles Times film critic Kenneth Turan calling it “stereotypical, predictable and simplified to the point of meaninglessness.”)

The music video, directed by Antoine Fuqua and featuring a severe-looking Pfeiffer staring down Coolio, initially received a pass from MTV, Stewart recalled, until MCA arranged to advertise the video on the channel, generating interest from viewers.

MTV picked it up, and “it was the most phenomenal takeoff of a record that I’ve ever seen,” Stewart said. “Gangsta’s Paradise” spent three weeks atop Billboard’s Hot 100 and was named the chart’s No. 1 song at the end of the year. It won the Grammy for best rap solo performance in 1996.

Then came Weird Al.

The musical parody artist and his team approached Coolio to get his blessing to make their own version of the song — “Amish Paradise” — Rasheed said, but the rapper refused. Knowing that legally speaking, Weird Al didn’t need their green light, Rasheed gave them his approval, despite Coolio’s skepticism.

“I think he just didn’t want to be made light of,” Rasheed said. To Coolio, his collaborators explained, “Gangsta’s Paradise” spoke to the real hardships and fears around street life in a way that seemed to resonate with people from different walks of life.

“A lot of people say it saved them from whatever demons they were dealing with, that they listened to the song and it helped them carry on,” Coolio said in the Rolling Stone oral history.

The “Amish Paradise” music video from 1996 opened with Yankovic in a broad-brimmed hat and a thick beard rapping, “As I walk through the valley where I harvest my grain.” In place of Coolio’s references to being “raised by the state” and finding protection in “the hood team,” Yankovic rapped about “milkin’ cows” and partying “like it’s 1699.”

Rasheed said that over time, he saw Coolio soften to the parody, viewing it as more homage than mockery. And in later interviews, the rapper said that he had changed his perspective on Yankovic’s song.

“I let that go so long ago,” Coolio told Vice in 2014. “Let me say this: I apologized to Weird Al a long time ago and I was wrong.” He added, “I listened to it a couple years after that and it’s actually funny,” adding an expletive.

In an interview with Newsweek a few months later, Yankovic said he was relieved. “I’m not the kind of guy that has beef with people, because I go out of my way to make sure that people are fine with what I do,” he said. “That was the one little moment in my whole history where there was a problem,” he noted, saying it was “very sweet” of Coolio to have told Vice he had made amends.

While “Amish Paradise” gave Coolio’s song a boost, the track was a smash on its own. L.V. remembered Coolio and his crew touring the world — Japan, France, Australia — and feeling like they were drawing “Michael Jackson-level” crowds that recited the lyrics along with them. Earlier this year, Coolio celebrated the song reaching a billion streams on YouTube.

“He put some magic on that track,” Rasheed said. “His voice, his delivery his cadence — it was something really special.”

[queen-of-voltronian]

Omg thanks for the tag @mothmanavenue!!

named after anyone?

I am actually! I'm named after a little girl my mom used to watch in her lifeguarding summer job back when she was a teen/young adult. And my middle name is the same as both my mother's and grandmother's!

2. last time you cried?

shit bro I cried last night. the ending "who tells your story" song to Hamilton always gets me right in the feels.

3. do you have kids?

nope!

4. do you use sarcasm often?

I do use it quite often with my coworkers in my retail job lol. (Retail work really does live up to its reputation sometimes, but luckily the coworkers on my shift are great!)

5. what's the first thing you notice about people?

ooh this is a good one. What DO I notice first about people? Hmm...I would say probably their expressions - like whether they seem sad or happy or tired, etc. And then I start thinking of oh WHY do they look like that and coming up with little scenarios sometimes, or simply hoping that their day improves if they look under the weather and hoping their day stays the same if they look joyful!

6. color of your eyes?

Blue! Though sometimes they look more blueish-gray depending on lighting/what I'm wearing.

7. scary movie or happy ending?

Oh happy endings, all the way. I'm not a big fan of scary movies lol

8. any special talents?

you know the song that they play for horse races/chases—the William Tell Overture? I know how to snap/clap out the rhythm of about 10 seconds of that song (specifically the part running from about 0:14 - 0:26 of this video). It’s kinda hard to describe without seeing it, but it’s different from regular just plain clapping in that you use a mix of snapping your fingers and clapping the side of your cupped hand to get the right sounds. You can also get the tempo to be way faster than just regular clapping/snapping lol. Kinda dumb and silly, and I don't know if I'd really call it a "special" talent, but it's still kinda fun and charming all the same!

9. where were you born?

In the US of A, specifically California lol.

10. hobbies?

Reading and writing has always been a love affair of mine, and I really like doing a lot of arts&crafts type stuff. Years ago, I made one of my high school friends a book safe version of the story book from the tv show Once Upon A Time, and it's still one of the most favorite things I've ever made lol. Other than that, I want to start getting into digital art, though I haven't had the time i'd like to really sink my teeth into it yet.

11. pets?

I have one dog and one cat!

12. sports?

Oh I'm a tennis player all the way. My grandma was a real big tennis enthusiast, and she taught me and my siblings how to play and love the game! I don't play as much anymore now that I have work and bills and adult life getting in the way, but I still love it with a passion.

13. height?

I'm a shorty. I'll be generous and call myself 5ft 1in/155cms, but I'm usually one of, if not the shortest person in any room I walk into. Multiple of my taller friends throughout the years have joked that I'm the perfect arm rest for them lol

14. favorite subject?

I actually don't know if I could confine myself to just one. I always liked all of my subjects in school, because I always really like learning new things. Though I've always found history especially fascinating (particularly ancient history like Greek and Roman and Egyptian), and art/photography always held a special place in my heart. Funnily enough, English was one of my least favorite (I did not like writing essays (and FUCK fucking timed essays they can die in hell as I spit on them I hate them with a passion) even though I loved reading the books/class discussions about symbolism and analyisis of texts).

15. dream job?

I used to really want to be a teacher, but now I'm thinking I'd really like to be an editor! I've found that I really love discussing stories and the mechanics of how storytelling works, and I like the idea of working to make new stories the best they can be

no pressure tagging @vexednperplexed @k1ance-a-lot @badsongpetey, and anyone else who wants to join!

Thank you @blobfish-whisperer for the tag :)

Sorry for the late reply, been very busy and haven't had very stable internet

1. Named after anyone?

No i dont guess so??

2. Last time you cried?

A few months ago i think but i got pretty close with me graduating

3. Do you have any kids?

Nooo to young and i dont plan on having any either :)

4. Do you use sarcasm alot?

Yes very much so

5. Whats the first thing you notice abt people?

Uhh idk really since i dont meet new people alot

6. Color of your eyes?

Blue 💙

7. Scary movie or happy ending?

Ive been meaning to watch more horror movies but i dont :) I always enjoy a happy ending though

8. Any special talents?

Uhhh im double jointed in my fingers and elbow i guess/think??

9. Where were you born?

Tennessee, USA (unfortunately)

10. Hobbies?

Uhhh gaming and band i guess?

11. Pets?

2 dogs :)

12. Sports?

Uhh no im not very active but would band count?

13. Height

Its a secret (:

14. Favorite subject?

Social studies bc my teacher was awesome and the class was decently easy

15. Dream job?

Twitch gaming streamer

Some friends and mutuals :) @fourteensmallchildren @pikamiii @mikubinderthomasjefferson @autisticlancemcclain

[stuckinapatriarchalbullshitland]

PR stunt relationships - ɟ

🎶🎶 Guess who’s back, back, back? Back again, gain, gain 🎶🎶

Heeello, my babies! 🥰 How are you? I hope you’re all fine and that you’re staying strong since, as we knew and expected, they’re literally attacking us every day with these PRs. And today’s topic is precisely about this. PR-stunt relationships.

What do I know about- What do I know about love? Nothing. And that’s why it’s everything. Sorry, I had to 😅🤣. Shout-out to ‘What Do I Know About Love?’ by CC. No but, seriously tho. What do I know about a PR stunt relationship? Again, I’m not an expert on the subject. I know as much as you do, plus, maybe a little bit more due to my research over the years.

🥁🥁🥁🥁🥁🥁🥁

PR stunt relationship, also known as PRomance, showmance, fauxmance (👈🏽 cover for celebrities who are both queer), and also as 🤫😂 ‘extremely camera-ready relationship’. I can personally define a PR as a work of persuasion. Picture PR people as shapers, as narrators, as storytellers, because that’s what they do. Whether it’s for protection, or to build or rebuild an image, or simply for promotion, they analyze the situation in order to create the best publicity/narrative/farce that benefits their client. They each have their own vision. Each of them has a plan that they sometimes tend to repeat with other clients because it works. Take as an example our friend Scooby Doo Sc**ter (Br**n), who is making it increasingly normal and common for his clients to use engagement rings as narratives.

A PR stunt relationship is nothing more than a PUBLICITY STUNT, as the word itself implies, aimed to get people and media attention. Publicists and celebrity management managers set up a fake public relationship to make fans and the general public believe it’s true. To give the couple more credibility, also friends, family, and artists friends of the couple get involved many times. To give you a practical example, let’s take PRen Tyren. They were at least 80% involved in each other’s lives.

Think about their birthdays and all the friends and families involved. Think about when Tymber even went to Graciela’s birthday, L’s great grandmother. Think about Tyres and brother Jauregui (who even made a song out of it with him). Think about L and Angel Gold (his sister). Think about L and Jailynn (his daughter). Think about The Four Horsemen of the Apocalypse, aka Tyren and, I think they were called Galsey? (Halsey and G-Eazy). Think even about Dinah who was part of the PR. I mean, you got it, right?

This type of business, whether involves the music industry, the film industry, the sports industry, etc., works this way for EVERYONE. They get at the same goal but with different tactics for each individual person, and they give a damn if in the meantime the person, their client, is bullied, or hated, or if they receive death threats, or if they start having anxiety problems, panic attacks, mental or physical health problems, etc. They don’t give a shit about their well-being in general. It’s just business to them. They’re just money with two legs. Can you picture a rolled-up dollar with two legs, can’t you? Good, because that’s what they are. Products. Products to sell.

There’s a very strict contract that both parties have to mutually agree on, and this contract is called a relationship contract. A relationship contract is a legally binding document for the duration of at least one year. It’s very VERY own custom-made because they write down what do they want to happen, then the duration (which can be extended) and the termination, and all the other things that each of them wants to include. The duration of a contract obviously varies from person to person and can depend on many things. But the main thing is that, it depends on the type of goal they want to achieve thanks to it.

For example, if the purpose is purely publicizing, such as the promotion of an album, or a movie, or whatever else, the relationship will last only for the necessary time that it takes to increase the interest of the public and indeed, to publicize the project. Another example could be when they want to hide the sexuality of one of the two people in the couple or both. Here, the duration of the contract could reach up to years, and could even lead to fake marriages.

We have examples of people who have done this to promote movies/sagas/franchises: Robert Pattinson and Kristen Stewart, Zac Efron and Vanessa Hudgens. We have examples of people who have done this to promote TV series: Blake Lively and Penn Badgley, Lili Reinhart and Cole Sprouse, Chad Michael Murray and Sophia Bush. We have examples of people who have done this to hide their true sexuality: Ricky Martin & Rebecca De Alba (for 17 motherfucking years), TS and.. and-and-and EVERYONE. We have examples of people who have done this to increase their notoriety, but then fell in love for real despite being super toxic for each other: Justin Bieber and Selena Gomez. We even have examples of real couples who have been asked to go public to boost ratings and publicize their show more than it already was per se: Lea Michele and Cory Monteith. [Yes, my friends, even real couples do PR stuff for publicity purposes]

Celebs fake relationships for profits. Profits such as more fame, more fans, more acquaintances, whether they were made together or thanks to or of the ‘partner’ themselves based also on the industry fields to which they are part, more freedom in other aspects of their life, both work and private, etc., and of course, money. The money profit received varies. It varies according to the duration (especially if they’re many years), to what they’re supposed to do, such as how many times they’re forced to kiss (yes, guys, that also counts), to the amount of time they have to spend together, aka being seen together, etc. It also and above all vary, based on how famous they are, or if one of them is not famous at all, or if one of them is more famous than the other. It’s obvious that the more famous the person is, the more money they receive. Both parties benefit from it, but the person who ACCEPTED to do the PR is obviously paid more also based on the notoriety they have as I told you. Here we start with a minimum of $5,000 received per month. The figure can also reach disproportionate numbers with five/six zeros per year.

It’s enough to think that 75/80% of all famous couples are fake. They gain more attention and ultimately, more money, and at the same time, fans and GP can witness an exciting ‘love story’ filled with drama, gossip, rumors, mysteries, and if they decide to end their story on a negative note, even with the possible and eventual shade-throwing which in turn leads to more attention, more gossip, etc., etc. Exactly how the teams on both sides wanted. You have to keep in mind that teams have the power in this case. It’s the PR teams who hold the power over the media to control the narrative, and not the other way around.

There are also many factors involved to keep in mind. People involved. We have friends, parents, paparazzi, and all those other people the celeb team involves to make the story look as believable as possible. For example, you know when the media say it was a source who gave them the news? Well, that’s the truth. Think about it. Those sources and those insiders are really insiders because they’re part of the team. They are those people who work for them and who release information, whether true or fake, to follow the narrative decided for the plan. Speaking instead of another topic that I’ve noticed in many asks. Paparazzi.

I don’t know if you know how paparazzi usually work, but especially the old-fashioned stalker type ones, are not known to hold back, in fact, on the contrary, they go way too far beyond the limits. Some of them know where the celebrities might be based on how popular the location is (clubs, restaurants, etc., where celebs often go), or other times, they’re called by waiters, valets, drivers, etc., etc. It’s a pretty aggressive and competitive industry, and paparazzi do everything they can to get images of famous people to sell to a newspaper or a magazine or on Instagram. There are differences between those in the US, those in Europe, etc. Many are also easy to control since eight times out of ten, it’s an organized thing.

As we well know, most of the time, the paparazzi are told where to be and when, probably by the celebrity’s PR agency itself. It’s ALL for publicity. Publicity of any kind. To promote a movie if it’s an actor, to promote an album if it’s a singer, to be noticed if that person’s project was a flop, for fake relationships or to ‘cover’ the real ones if one of the two is in a relationship that is not seen in a good light and therefore doesn’t suit the public eye, or if one of the two or both of them are queer. Seriously, for everything. And so they have paparazzi following them around so it looks like they’re more popular than they actually are, and the celebrities who make me laugh the most are those who, after calling them, act like the paparazzi were following them everywhere, some even getting angry and taking it out on them.

But it must also be said that celebrities who really don’t want the paparazzi’s attention, make sure that this doesn’t happen. Unlike the ones who want them and even have them called. There are many celebrities who want their pictures taken because, as we also know, any publicity is good publicity. These celebrities know how it works and not only accept that the paparazzi are part of the business, but use them as a tool for their publicity. It’s just business for them and a new opportunity to look good in magazines. They want to be in control of their image and in this way, they have it.

Also, some brands pay celebs to wear their clothing or accessories while out and about, and those staged shots that look like candid of a celebrity leaving a restaurant or a store, actually have multiple purposes, namely: celebrity endorsement of the product, big check for the celebrity for wearing the item, collaboration between the celebrity and paparazzi to get nice shots that look natural and random from which the celebrity then selects the ones they prefers, and image sales for the paparazzi agency. Everyone gets paid and everyone is happy.

Another thing to take into consideration? Depending on the celebrity’s profession, even their own contracts. In the sense that most of their contracts involve fake relationships. It also depends on the image that the celeb has and whether they’re trying to hide their sexuality. From this, their contracts can include a minimum of two PRs, or five, or eight, or even one that lasts for many years. They can also state that the same person with whom the celebrity has already had a PR in the past, may be again in the future. I’ll give you a practical example.

Imagine yourselves and a friend as a celebrity, okay? You guys are singers and your friend is an actor. You’ve just signed a 3-album deal lasting 5 years (meaning you have 5 years to complete and release 3 albums), and your friend an 8-year movie saga contract (let’s imagine 3 movies). Now let’s imagine that there are clauses in both your contracts that also include fake relationships. Your contract has two, and your friend’s contract has five, including one with one of their co-stars. Both of you must, ABSOLUTELY, have the number of PRs chosen for you over the course of those years, otherwise, you’re gonna be forced not only to fight a lawsuit that you will lose because you haven’t respected the contract, but also to pay a penalty that can reach up to six figures.

Doesn’t this ring a bell? Now do you also understand why Ca*ren, and most of the other celebrities, are forced to have PR stunt relationships? Because they have to! Because it’s part of their contracts if they want to keep doing what they do. Many of them have a say. They can decide whether or not to accept the person chosen for them, they can choose a person themselves, they can negotiate something in return if they accept a person they didn’t want, etc., etc. But many have no say in it.

And speaking of our Camr*n, more specifically, our L, and Kris. Guys… All the comments I’ve read around… *help* 🤦🏻🤦🏻🤦🏻

L didn’t invite Kris there because he’s her boyfriend. And it certainly wasn’t her the one who asked her dad to delete the post because she didn’t want her fans to start attacking her new boyfriend or because she wanted to protect her relationship. IT WAS ALL DONE ON PURPOSE. Mi*e posted the picture and then deleted it ON PURPOSE! Why? Because (L and Kris’ teams) wanted the fans to see the picture to speculate! They wanted the fans to start attacking him! They want people to talk about it!! Is that really that hard to understand or to believe? Welcome to Tyren 2.0, my friends. That’s how it started with Taco Delivery Symbol, or did you forget that too? Go read the timelines if you really don’t remember.

I’ve lost count of how many times they’ve put off releasing L’s album over the years. They’d finally decided, and then it was postponed AGAIN, but because of COVID. EVERYONE had to postpone their programs actually, but L’s album was supposed to be released 100% this year (in September, in my opinion). Her PR should have started earlier. This is the only reason we have only had hints of Crispy McBacon (I’ve already found so many nicknames for his transphobic ass, sorry but I just can’t help myself) over time. Because they have postponed several times! *And also because, in my opinion, they were still looking for an alternative. The choice had to be between a guy (him) and a girl.*

But hey, at least they have an excuse to make this PR more real, you know? I’m already picturing what she’ll say because we all know the script by now: “Kris and I’ve been dating for a while now. I’m a private person. My personal life is my personal life and I want to protect my shit, you know? I don’t like it when people judge my life choices and that’s why I’ve never talked about it before. And I’d like it to stay that way”. Picture me shouting a “SURE, JAN!” when that happens, also because we will then slowly have more and more of their content. Aww, I’m already picturing them playing fake lovebirds and talking to each other in Spanish IN FRONT of a camera, in a live or an Insta-story maybe? 🤮🤮🤮

And speaking of postponed programs…

This is my version of how things could’ve turned out for our oh so beloved IwanttobeknownMila. Keep these dates in mind. Shon Mentos: The Tour, started on March 7, 2019, and ended on December 21, 2019. The Romance Tour, was supposed to start on May 26, 2020, and end on September 26, 2020.

They could’ve released Shirt’s documentary around the beginning of the Romance Tour. They could’ve made them break up almost at the end of the Romance Tour. He would’ve completed the album now, to then releasing it in January or February almost simultaneously with Cinderella’s release.

Why all this? Simple, cross-publicity or cross-promotion or whatever you want to call it. Choke recently said that they’d initially finished filming at the end of his tour and that they had to cut out a lot of parts. And what does all this mean? That the original documentary was another one.

In my opinion, the original was supposed to about his life on tour and only a small part, sneak peeks about the creation of Wonder. Instead, thanks to COVID, they changed direction and made it all about his album. The reason why they had to cut a lot of parts, was to make room for the last few months and therefore to the completion of the album. Which is why I think they finished filming in September/October (if anyone of u knows more, please feel free to let me know).

Without COVID they could’ve released his original documentary more or less around the beginning of the Romance Tour. News, tabloids, and people would’ve talked about them, both for the documentary and for the tour of our Mila= cross-promotion. They could’ve made them break up almost at the end of the Romance Tour. The distance, the misunderstandings, and why not, even the pathetic excuse that Toilet Brush used now when ‘they were in crisis/on a break’, that is, that he hadn’t been opened and vulnerable with her. People would’ve talked about them, Shitmila fans would’ve rebelled and cry their eyes out, news and tabloids would’ve gone crazy for who would tell the story better= cross-promotion. He would’ve completed the album now, with half of the songs he already had (from 3 years) and that he’s using on this album, and a half with songs that would’ve been about his broken heart, to then releasing it in January or February almost simultaneously with Cinderella’s release. Do I need to say this? You can imagine what would’ve happened, right? And what would that have led to? Oh yeah. Cross-promotion!

But anyway, guys, it didn’t happen. Just as we didn’t get L’s album as we hoped. But try to remember one thing, okay? Tyren’s contract started because L needed a new male PR and then they flipped the cards around and continued for him AS AGREED initially. Shakerstoremila’s one, on the other hand, is only and exclusively for HIM. It’s centered on him and will continue to be on him until the end. There’s no point in asking yourselves why Paruparo does this and why Paruparo does that, okay? She HAS TO do it. It’s in her contract and she cannot legally break it if she doesn’t want to face the consequences HER HERSELF has accepted. The sooner you understand this, the sooner you accept it, the sooner you can wait for the end more calmly. It sucks, I know. But that’s the way it is.

I’ve never liked Shon that much in the past. I discovered his existence only and exclusively thanks to Paruparo (IKWYDLS). I’ve always seen him as too fake and with a huge ego. I first became aware of his giant ego during the interview they did in 2015 at The Late Late Show with James Corden. Indeed, I’ve always wondered how someone like Mila could be friends with such an egocentric person. But you know how it is, I just brushed it off because I simply didn’t care about him, and also because at the time (2016 when I officially entered the fandom) the IKWYDLS era was already over for a while. BUT, my first impression of him became very true years later when they started this ridiculous charade.

Not only is he self-centered and with a huge ego, he’s also one of the most fake people I’ve ever seen. Why am I saying this? Because although I don’t know him and consequently, I don’t know if he was already like that before he became famous, Shon is the typical empty celebrity without a personality that has become the role he was set to be in the beginning. The perfect product. They wanted to sell the good guy. The sensitive and different from the others (and that’s where the bullshit of being a ‘singer-songwriter’ came from). And since this idea in itself only partially worked, they made him work on his body so they could sell that too. To sell the unreachable good guy. Superman, as he defines himself 😂. The problem of Shawn and his team, is with people who have not stopped to just look at the fake goody to shoes image that they wanted and want to continue selling.

The way I see him, Shoe’s just a selfish kid. Everything always revolves around him. Everything is and must be about him. He lives to be loved. He lives for the attention. He lives for the approval of others. Everyone must necessarily like him. There’s no one else besides him. Do you know what he reminds me of? He reminds me of a child who asks his mom for attention. ‘Mommy, how did I do? You liked it, didn’t you? Was I good? I can do better if you want, I know I can do better’. I don’t even think he realizes he’s like that because he’s so full of himself and so clouded by himself. Oh and, you know what I’ve been realizing lately? Many of his fans really believe he grew his hair out because Paruparo asked him to (I’d never have believed this bullshit even under torture), but now more than ever I’m convinced that he did it to copy one of his obsessions for years, that is, Matthew McConaughey. My personal problem with this look of his is the fact that he’s now starting to look more and more like Jon Snow (any Game of Thrones fans like me here?), aka one of the characters I can’t stand the most of that amazing TV series. And this, is making me dislike him even more.

Don’t get me wrong, I’m not saying that I hate him and that I consider him the devil. In fact, I think there’s a lot but A LOT worse than him out there. I really, REALLY, dislike him, but I don’t hate him. Do I follow him on social media? Yes, but only on IG. Did I listen to his music? Yes, but illegally, and I liked some of his songs because as usual, I distinguish the art from the artist. I’ve never bought his music, I’ve never streamed it, I’ve never gone to one of his concerts, and the only views I’ve ever given him are only for music videos (not even all of them) on YouTube and only because other channels can’t violate copyrights by taking and posting them on their own. Indeed, you know how I’m gonna listen to his album? Thanks to the YouTube channels of his fans who will post his songs.

But anyway. I’ve dwelt too much on #pleasenoticeme #pleaseloveme, I’d say that’s enough. I’m gonna conclude with my final thoughts on the main topic of my post, that is, the fake PR relationships. I wanna explain to u guys why a fake relationship like Shazam’s and our Mila’s is so obvious as PR.

A PR relationship MUST create doubt in people’s heads and MUST NOT look perfect at all. Why? Because otherwise people WOULD NOT TALK ABOUT IT. If it looked like a basic relationship, a common relationship, people wouldn’t talk about it because they wouldn’t find anything strange about it. They wouldn’t speculate, they wouldn’t look for clues, they wouldn’t watch every move. They wouldn’t be thirsty. They’d just get bored. Yes, there would be the initial boom of the ‘new couple’, but then everything would end and people would move on to look for something else to entertain them. The main point of a PR relationship is to make people speculate, and if people don’t constantly talk about it, then it would be all pointless because it would make no sense to create a fake relationship in the first place.

Way to stop this act or any other act? Stop giving them fucking attention! You want to talk about it, speculate, look for evidence, and make theories amongst you friends? Do it! That’s great actually. I do it myself. But fucking tagging them?? 🤨😒🙄

If all the fans who know the real TRUTH stop talking about it by tagging them, tweeting them, etc. their ‘story’ would end. Sure, their teams would try to create something to attract attention again, like a kiss or a scoop, but if ignored even then, everything would end immediately. Why? Precisely because they were unable to complete their task. And in that case, the two celebs would ‘break up’ with a big scandal that would still bring attention back to them, although in this case, the attention would FINALLY be on both celebrities in a singular way and no longer as a couple. The next goal would be for fans and media to find out ‘what happened’ and ‘why’, while for managers it would be to create a scoop on those questions that keep them talking about them, and if all goes well, maybe even get them ‘back together’, and so on, until they have a better idea. But, if they fail even then, even though they’ve not reached the date scheduled in the contract, they would ‘break up’ without any more surprises.

And that’s all for now, my fellows CS. Remember to hold on and to not lose hope. Be patient. And above all, try not to freak out and get very angry as soon as you listen to the album. We already know it’s all bullshit.

I’m sending you a virtual hug 🤗🤗 Always with love, F ❤️