#mud room shelves

[aspoonfulofwitchcraft]

Orange County Mudroom Mudroom Mudroom - medium-sized traditional mudroom design with brown floors and orange walls

[sophieswundergarten]

Guess what it's my blog and we're going to talk about the Waiting Room now.

In the show, it seems rather boring at first glance. However, this is a LIE because they want to throw you off. There's only one chair, and it has a short leg. There's a weird spirograph-type piece of art on the wall. There's a fish tank, for some reason. There's a bunch of very strange shelves. And there's a giant clock on the wall. THIS IS NOT ALL. The normal entry door is invisible due to the paneling, and the back wall MOVES. It is also possible the clock moves to create loss of time and the floor slants, although these might be stress-induced hallucination. It is a perfectly designed horror liminal space, and, depending on who you put in there and why, I'm fairly certain it can be defined as psychological torture. It evokes the same kind of discomfort and lack of control that a convict being placed in solitary confinement experiences.

HOWEVER

In the books, it is entirely different, and arguably worse. Again, depending on the person. In the books, it is a completely dark room full of slimy black mud that isn't thick enough to stand on. It is also a very deep pit of mud, so anyone who enters for a period of time slowly starts sinking. It also has bugs in it.

Now. If you are not the type of person who is terrified of who you are waiting for, or if you are a person who typically enjoys defying the conventional, the show version shouldn't be much of an issue. The chair doesn't work? Find a way to fix it, or sit on the floor. The room is obviously set up so you have to face whoever is going to enter? Face the other direction. Look at the fish. Sit on the really weird and randomly empty shelves. There are many things that can be done physically about what the room is doing to you mentally. It is also easier for the people who are putting you through this ordeal to rationalize. "It's just an oddly decorated waiting room. There's nothing that bad about waiting"

But the book version is another story. One that I have many questions about. One, we learn later on that the mud is created and maintained by the room being connected to an underground stream. (It takes a long time to swim/dig through the mud and other obstacles to reach the stream, so it is not a viable escape option for anyone but Milligan) It also, as previously mentioned, houses a lot of bugs. We do not know what kind of bugs these are. And yet, since they are alive, they must be living off of something in there. Most bugs cannot just live off of mud. So, either the Executives are having to refresh the bug population from time to time (And where would they get the bugs? Do they collect them? Does Curtain purchase them and have them shipped to the island? Does no one question this?) Or the Waiting Room is its own mainly self-contained ecosystem. My prevailing tentative theory is that it was designed for research/as a science experiment and then either abandoned until Curtain needed somewhere to keep people or he deliberately made the decision that it was part of his interrogation methods for the agents he captured (before he brainswept them) and then he simply extended the use to interrogating students.

BUT ALSO

How did Curtain in the book convince teenagers/young adults to leave children in there? It is an entirely different ballgame to tell someone (especially a younger person who hasn't quite got the morals beaten out of them yet) that it is completely safe and not at all detrimental to leave ELEVEN YEAR OLDS in a pitch-black room of slimy mud and unknown creatures for any period of time! That must have left some damage to the Executives, or maybe they had already experienced it and were afraid to be threatened with it again. Either way, that's such a terrifying thing to anyone, especially a child, and especially since they seemed to choose to leave kids in there overnight (Maybe so it wouldn't interfere with too many classes?) and they wouldn't get any sleep. AND THEN the meaner Executives and Curtain would GASLIGHT THEM. "It's not such a bad place" "Nobody likes to wait, but it didn't hurt you" "Waiting can be unpleasant, but sometimes there's no help for it" and whatever else they said. We don't even hear about the Waiting Room from Sticky or one of the other kids who've been sentenced; they just get extremely upset and start crying.

What I'm saying is, while it was a very clever narrative tool and an unconventional way to raise stakes without causing physical harm to children, I can see why it was toned down for the show. However, I think it is a fascinating bit of plot that can be examined in a lot of different ways.

[shiningnewlight]

Mudroom - Traditional Entry Inspiration for a mid-sized timeless ceramic tile mudroom remodel with blue walls

[fourteen-steps]

Mudroom in Toronto

Example of a mid-sized classic porcelain tile entryway design with beige walls and a white front door

[notredamedeparisfans]

Living Room Dallas Inspiration for a large, open-concept living room remodel with white walls, a traditional fireplace, a plaster fireplace, and a wall-mounted television.

[bieberarts]

Multiuse - Modern Laundry Room Example of a mid-sized minimalist u-shaped light wood floor and brown floor utility room design with an undermount sink, shaker cabinets, black cabinets, granite countertops, beige walls and a side-by-side washer/dryer

[emmagibney]

Laundry Room - Transitional Laundry Room Large transitional single-wall vinyl floor dedicated laundry room photo with a drop-in sink, flat-panel cabinets, white cabinets, wood countertops, gray walls, a side-by-side washer/dryer and black countertops

[tteotlma]

Sugar and Skin

1. First Encounter || Next

Bucky’s never been sure if normalcy is something he’s cut out for. But when he meets you—a baker with a pretty smile—he starts to think maybe he could try.

TattooArtist!Bucky x Baker!Reader (1.4kw)

tw: 18+ MDNI, mild language, subtle tension, implied attraction, slow-burn, strangers to friends to lovers a/n: happy new year! this year i'd like to actually begin and complete a multi-parter story so this is my attempt!

---

“Welcome in!” Bucky heard as he stepped into the bustling cafe shop. The smell of freshly brewed coffee, and baked bread quickly engulfed him. He looked around for the source of the voice while taking in the neatly curated shelves of novels, mismatched wooden tables and the large handwritten chalkboard menu boasting about an array of the day’s specials. Despite its charm, Bucky felt heavily out of place in his chipped leather jacket, and mud cracked boots. 

With the patrons weaving past him like he was another display in the shop he continued scanning the area noticing a few stray cats lounging throughout the space. They basked in the early afternoon sunlight that poured through the large windows. One, a sleek gray cat with white mittens and socks stretched lazily on the windowsill, while another a white cat with piercing blue eyes, watched the room with curious intensity.

The customers greeted the felines as they entered the shop and followed the line that formed at the counter where a young man with boyish charm and unruly brown hair was expertly managing the register. Meanwhile a man with a clean shaven jawline and an infectious grin moved confidently between the counter and the coffee makers. 

“You need some help?”

Bucky turned to the voice, finding himself at the end of the display case with a woman on the other side. Her hair was pinned up in a loose bun, a few stray strands escaping to frame her face. She barely paid him any mind as she deftly unloaded a giant tray of assorted pastries and bread into the glass showcase, her movements quick and practiced. The faint smudges of flour on her apron and the way she handled each item with care hinted at her role in crafting the delicacies.

“You look a little lost,” she said without looking up, her tone teasing but not unkind. "Can I help you find something, or are you just here to admire the cats?” she asked, finally glancing up at him. Her gaze was sharp but warm, assessing him with a mix of curiosity and amusement.

 Her teasing tone caught him off guard, making him glance up sharply. His ears seemed to perk slightly, before he quickly refocused. “Pick up,” he said, his voice low and clipped, offering her a tight-lipped smile that was more reflex than intentional. 

She let out a small hum. “Name?” 

“Steve.” 

“Oh yes–” Her demeanor instantly changed as she put the tray down, wiping her hands on her apron. “Let me get that for you.” Her hands masterfully opened a paper bag with clear cellophane, and slid open the sliding door to the showcase.

“Sam!” She yelled, causing Bucky to jolt. “I need Steven’s special.” She called out, and Bucky's eyes flicked back to her. Steven.

He heard a faint reply from across the cafe commotion and watched as she used the metal tongs to grab two bear claws from the wax paper lined tray. Bucky almost let out a snort but instead, he opted to shove his hands in his pockets, glancing down to his boots. He watched as crumbs of dirt crumbled from his shoe and littered the linoleum floor.

“What’s the Steven Special?” Bucky suddenly heard himself say. He looked at her through his lashes. He watched a small smile sneak across her lips. 

“A medium white chocolate macchiato, with two bear claws.” She said, fingers crinkling the bag shut as she slid it across the clear surface. This time Bucky let out a snort. Before he could thank her, she went back to unloading her discarded tray. He hesitated on grabbing the bag. 

“So you’re the new guy then?” She asked suddenly, quickly glancing at him. He looked at her. “Stevie's mentioned he’s expecting a new comer, and I’ve never seen you before so—” she explained. Stevie.

“Then yeah.” He gave a curt smile, reaching for the bag on the counter. 

“Thought so,” she said, her tone a hint lighter now as she turned back to her work. “He’s been talking ‘bout you for weeks, you know.”

“Nothing bad I hope.” 

 She turned to set down the now empty tray, glancing over her shoulder, a glint in her eye. “Depends on your definition of bad.” Her tone was playful but laced with just enough intrigue to make him pause. She spins swiftly, closing the display case. 

“Nah,” She shrugs with a smirk, “He’s just psyched you're here, it’s kinda cute.” 

Bucky raised an eyebrow. She waves a hand in the air.

“He’s just got this way of talking about things—”

“Order up.” 

The sudden burst out causing the both of you to abruptly turn toward the man holding out an oat-colored to-go cup.

The woman cleared her throat, shifting back to allow space for the man to step in. Her smirk faded into a polite, neutral expression, her focus now on adjusting a tray of napkins nearby.

“Steven’s special,” the man announced, his grin wide and easy, breaking through the tension that had lingered just a moment earlier.

Bucky’s eyes lingered on her for a moment longer before he turned toward the man, who was now leaning casually against the counter, holding the cup out as if he were presenting a prized trophy.

Bucky nodded and reached for the cup, his movements deliberate. “Appreciate it,” he said, his voice steady. 

“No problem,” the man replied, his tone light and teasing. “Better get it to him quick, he’s been talking about the claws all morning.” 

“Noted,” Bucky muttered, though his gaze flickered back toward the woman, who was now bent over another display, her attention fixed on her work as if the earlier exchange had never happened.

The man cleared his throat sharply, drawing Bucky’s attention. When Bucky turned toward him, he was already side-eyeing the woman before shifting his gaze back to Bucky with a deadpan expression. It wasn’t accusatory, but there was a challenge in the look—like he’d caught Bucky doing something he shouldn’t be.

Bucky’s brow twitched in response, his face otherwise impassive, and he adjusted the bag in his hand.

“Thanks again,” he said curtly, stepping back from the counter.

Sam held his gaze for a beat longer, then turned his attention away from him.

Bucky stepped toward the door, the hum of the café enveloping him once more. His grip tightened slightly on the bag as he moved, but something tugged at his attention, making him glance back one last time.

The man was now leaning against the counter, his posture relaxed, but his head tilted toward the woman. Whatever he’d said caused her to laugh softly, her shoulders shaking with the motion. The earlier ease in her posture had returned, her movements efficient and unbothered, as though their exchange had been nothing more than a routine part of her day.

She brushed a strand of hair from her face as she replied, her voice lost in the café’s hum. They shared another laugh.

Bucky’s jaw tightened, though his face betrayed nothing as he turned back toward the door. Pushing it open, he stepped into the cool air outside, the bell above jingling faintly as the door closed behind him.

As he walked down the street, the warmth of the café began to fade, but the soft intensity of the exchange lingered. He shook his head with a quiet huff of air, the bag crinkling faintly in one hand while the other held the to-go cup. His boots scuffed lightly against the pavement as he approached a sleek, dark car parked a few steps ahead.

Bucky unlocked it with a press of a button, the quiet beep breaking the stillness. Sliding into the driver’s seat, he set the paper bag on the passenger side and the cup in the holder before resting his hands on the steering wheel.

For a moment, he sat there, the hum of the café replaying in his mind. He exhaled sharply, shaking his head as if to clear it.

With a twist of the key, the engine purred to life, the quiet power of the car grounding him. As he pulled out onto the street, the cool air rushing through the window carried away the lingering warmth of the café—but not entirely.

---

Next

a/n: I know there's barely anything there but I have an idea and im jsut trying to roll with it -- so if you have any ideas let me know! i’m begging — pls reblog to support!

[pastel-rainbow-galaxy]

Mudroom Chicago Inspiration for a mid-sized transitional mudroom remodel with gray walls and multicolored floors.

[deanohgorman]

Farmhouse Powder Room in Detroit Small country medium tone wood floor and brown floor powder room photo with wood countertops and brown countertops

[hagoftheholler]

If you have plans to vacation in appalachia this autumn: no you don't. Not unless you're planning on helping the people rebuild.

"What about the money I spent reserving a rental house/hotel room/etc?" "I've been planning this vacation for months." "I want to see the pretty leafs change colors."

Don't care. If you can get a refund then fine, get a refund. There's a good chance that rental house you reserved doesn't exist anymore. There's a good chance that hotel you booked a room at won't have power for weeks.

Most of the towns popular for tourists are gone, wiped out. Major highways collpased. Bridges were taken by the rivers. People's homes are destroyed. The locals are struggling to resource food and water. People who need life saving medication are struggling to obtain it. Grocery stores in areas that managed to get by with minimal damage are being cleaned out. Locals are either panic buying to stock up their own shelves, or otherwise donating to help those who have literally nothing left. At this rate it's gonna be like covid grocery shopping again.

There are BODIES being resurfaced from mud, trees and debris every day.

Appalachia is in a crisis, as is most of the south now. We don't need tonedeaf tourists. We need people who want to help. The locals are working day and night to help their communities. If you want to come to help rebuild, then please come. Otherwise, stay away.

[tommyxvx]

Cleveland Mudroom Mudroom Large modern mudroom idea with a gray floor and concrete accents and white walls.

[protectingstucky]

hbo’s succession is an insane fucking show because remember when they said “he never saw anything he loved that he didn’t wanna kick just to see if it would still come back” and when they said “life's not knights on horseback. it’s a number on a piece of paper; it’s a fight for a knife in the mud” and when they said "you know this is just fun, right? there’s no god, there’s no anything. there’s just people in rooms trying to be happy” and when they said “what could you possibly kill, that you loved so much, it would make the sun rise again?” and when they said “i love you. i can’t forgive you” and when they said “i wonder if the sad i’d be without you would be less than the sad i get from being with you” and when they said “the good thing about a family that doesn’t love you is that you learn to live without it. you’re needy love sponges and i’m a plant that grows on rocks and lives off insects that die inside of me” and when they said “we think these grand horror things, at times like these, these ice shelves are gonna come at us in the night and take our heads off. its not true. he was an old bastard. and he loved you” and when they said-

[hometoursandotherstuff]

Love this black 1955 mid century modern in West Cornwall, CT. 2bds, 4ba, 2,540 sq ft, $1.925m but just sold for $1.910m.

The home has been fully remodeled and done in black & white.

Lovely foyer entrance.

It still retains the mid century modern look, but with a modern flair. Open concept living space has a partial wall divider, which is the dining room.

Normally, you don't see a dining room surrounded by built-in shelving. If it's not, the only other dining space is a round kitchen table in the main living area.

The long galley kitchen is very sleek in black with a touch of gold.

Walk out the kitchen door and there's a path to this beautiful guest house.

Bedroom #1 is on the far side of the living room. The bed is in a small alcove between lovely built-in shelving.

Interesting bathroom has an unusual modern sink and shower doors that look like Soji screens.

The stairs leading up to the 2nd level look original mid century modern.

This larger room would be the primary bedroom. It's a very private space b/c it's the only bedroom up here.

The ensuite is very tastefully done.

Stairs continue down to a lower level.

Very large den. Look at the ceiling. That's so different.

Nice bath. I think it may have a shower. It's hard to tell with all the mirrors and the angle of the photo.

This rear entrance is a very large mud room/drop zone.

This patio under the house is partially open and you can see the rock foundation. Glass walls have a view of the beautiful gardens.

The hilly lot has lovely outdoor levels.

The grounds are stunning.

1.19 acres of park-like land.

https://www.realtor.com/realestateandhomes-detail/275-Dibble-Hill-Rd_West-Cornwall_CT_06796_M38635-27404

[whitehotwild]

took a peek at amazon music’s The Boys character playlists (really just Butcher’s and Hughie’s… womp womp)… ohhhh old man Butcher my beloved.

all i can imagine is being at Butcher’s apartment for one reason or another.

☆ maybe the team went out to a bar together, and as everyone turned in for the night, saying their goodbyes, you and butcher were the last ones there. For whatever reason, he refuses to send you off by yourself to your own apartment this late at night and tells you to just come over and spend the night at his, that it’s closer anyway.

you try to ignore the zip up your spine when he leads you into his apartment with a hand on the small of your back. you try to ignore the soft flush of your cheeks when he teases you about snooping while you look through his one (barely filled) bookcase.

“what? you scared I’m gonna find your fuzzy pink handcuffs?” you tease right back, squatting down to flip through the vinyl records he has sitting in a milk crate next to the bookcase.

butcher rolls his eyes with a smirk, “mine ain’t fuzzy… d’you even know what those things are?”

you don’t react, but you do store that in the folder labeled ‘Useful Butcher Information’ that lives in your brain. ignoring his teasing, you let out a soft huff of laughter when you see a record you’ve only seen at your grandparent's house and in the back of a shitty thrift shop uptown.

“exactly how old are you?” you ask, pulling it out and showing him the record in question: Roy Orbison Sings Lonely and Blue (1961).

butcher walks over and takes the record from your hand, switching it for his beer. he had asked you if you wanted one when you two walked through his door, you had declined before, but have taken to stealing sips of his. it’s probably the closest you’ll get to kissing him tonight.

“old enough to know this is real music… not that Taylor Swift shite you force me to listen to in the car.” he snarks, slipping the record out of the sleeve, setting it on his cheap turntable.

you stand back up straight with a scoff, “you can make fun of my ‘brat summer’, but Miss Swift is where I draw the line.” the beginning of the record starts to ring softly through the room…

‘Only the lonely… (dum-dum-dum-dumby-doo-wah)’

“oh… you can’t be serious,” you smile softly and he holds a hand up as if telling you to ‘wait for it’. “…so corny,” you mutter shaking your head, still with that same smile.

butcher takes the beer bottle out of your hand, taking a sip before setting it on one of the shelves, “nope… classic.”

he lets himself be a bit softer around you, even if only for a moment. it’s only when you two are alone, usually late at night, usually after a few drinks that he lets the walls drop… only just a bit.

like now, when he pulls you into the empty space of his living room, placing your hand, the one that isn’t wrapped in his, on his shoulder, his free hand goes to the small of your back.

“so now you wanna dance?” you ask with a bit of snark.

butcher lets out a soft huff of amusement as you two start swaying, “what you lot was doin’ at the bar wasn’t dancin’… you was flailing about.”

“hm… whatever. least we were having fun, i mean… even M.M. got up!”

“‘cause he’s a sucker for ‘Earth, Wind & Fire’.”

“well yeah… who isn’t?”

“me.”

you roll your eyes with a soft sigh, “suuure… stick in the mud.”

you’re both quiet after that, only the sound of old music coming through shitty speakers and gentle steps against his floor fill the room. he dances you through the whole a-side of the album, the hand on your back has snaked around your waist, your head rests against his shoulder, and he holds your intertwined hands closer to his chest.

you take as much of this as you can get from him, knowing these moments are fleeting. there are so many unspoken words between the two of you, you’re too stubborn to make a move, and well… butcher’s too… butcher. he thinks he’s much too undeserving of something as precious as you.

and maybe he’s right. maybe he doesn’t deserve you, but that doesn’t stop him from wanting you, it doesn’t stop you wanting him. so for now… the soft, fleeting, moments are enough.

it’s always strange when those moments end, though. the way you can see his demeanor shift in an instant.

like now, the music stops and he looks away from you when you look up at him. you can see the way his face changes, like he’s snapping out of a trance or he’s caught himself doing something he knows shouldn’t.

butcher pulls away from you, wiping his hands on his pants as if the feeling of you lingering on his skin has to go. he turns to put the record away and turn off the turntable.

the silence lingers for a minute before he speaks up, “think we should turn in. you take my bed.”

you try to protest, “the couch-“

“don’t fight me on it.” the command isn’t harsh, it’s not mean, it’s only a bit stern, but he just wants you to listen to him.

he just wants to do something nice for you.

you nod with a quiet sigh and thank him with a soft smile. you both retire for the night and you both know you’ll be gone in the morning before he wakes up. you both know you won’t make any mention of it when you're both in the office tomorrow.

but you both know that for now, the fact that it happened at all is enough.

(divider by @/plutism)

[numetaljackdog]

shoe shopping is so humiliating they need to put changing rooms in there at least. 3pm on a saturday and i'm there sweating it out, in between pairs of docs so the dogs are fully out, on the hardest bench crafted by human hands in between the two little shelves. always those two little shelves, with the skechers display items lined up collecting dust. i'm rolling around in the mud out there trying to free this pair of timbs from their tissue paper cocoon and next thing i know the 60 year old attendant, gums showing, comes barreling up holding a foot-measuring device that the occult masters were no doubt using for some kind of podiatrist phrenology a hundred years ago, ready to tell me that my long unwieldy pinky toe signifies i won't make it through the winter. and i'm flat on my back, wishing i hadn't put the boots back in the box after seeing the price tag, so i could at least kick up and defend myself. eventually i get to take my leave toting a pair of mediocre adidas, looking like shaggy blonde poodles just raring to hit third place at the district track meet next week. but you leave a piece of yourself behind, y'know, in between those two little display shelves. the saints' eyes aren't seeing you from between those shelves, i can tell you that