#much more productive too

[i-like-gay-books]

just bought myself a new set of hair cutting scissors and a fine toothed comb and midterm papers are about to be underway you know what’s up

[revenantghost]

This damn thing is way out of print and often goes for $200 second-hand for a 100-page artbook, but! To keep you from having to flip through incomplete uploads on hentai sites, and to save you from minuscule and questionably seeded torrents for files you might not know how to open, you should absolutely NOT check out this Google Drive I made of some ridiculously high-quality .png scans of the '98 Trigun artbook. Absolutely don't spread it around to anyone interested and keep it from getting lost ever again.

[shhroomer]

Oh, help me God, this hellboy got me coming back for more

reblogs super appreciated !!! close-ups under the cut !

[pinkavtomation]

[ I used to have this Tarn that I used to pour milk on and suck the milk back out of and it was sopping wet all the time 😭 i used to slam it against walls and it would make a loud thud ]

[tabooi]

i call this one "literally what was going on with the second us tour"

[my-autism-adhd-blog]

The Neurodivergent Struggle of Not Being Able to Do Anything All Day Knowing We Have A 3pm Appointment

Neurodivergent_lou

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[angelpuns]

Another necklace, but bigger. She's okay I guess. I've been saving that cicada charm for a flower crown I wanted to make but never did, but she deserved a better home. Also she was not one of a kind and in fact can be found at hobby lobby. so. Yeah.

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[dontvap0rdawave]

I blame my bestie for getting me into Murder Drones against my own will, so uh, here! *throws my wacky ass crossover OC at you and runs away* (for all intents and purposes, that is a very dramatic joke)

Rambles about the crazy™ under the cut

She is a weird ass unholy mix of a Disassembly Drone and an actual Mass Production Evangelion corpse.

She was created literally just to spite god and the government.

She's literally more meat than robot.

Her name was supposed to be either "M" or "E", but because her creators were dumbasses who could never choose, she decided to mix both those letters in her name (now pronounced Emmie) and loves seeing people mess it up in paperwork.

She HATES paperwork.

She hates people too, she's Copper 9's #1 introvert.

Likes to hide in cramped spaces, like a bird, was hidden in the Cabin Fever labs because it's the only place no one ever came looking for her.

After the humans got fed up with her, they got rid of her and pretty much abandoned her at her own luck.

She is VERY picky, wants to eat only meat, can still drink oil and stuff but hates it, thinks it's gross.

The MPE corpse she has in her is still very much ALIVE and wants to break out of her to make everyone's existence just a little bit more miserable than what it already is.

[the-worms-in-your-bones]

Love when they put gay people in doctor who

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[carnivalcarriondiscarded]

I'm so sorry I'm pretty sure your bard au is supposed to be serious but oh my god I couldn't help but get strong Men In Tights and Monty Python and the Holy Grail vibes

Especially bc of Barnaby I would not put it past him to make a "your mom's a hamster" reference

no no it Is very silly. how can it not be when you've got the neighbors as the characters? silly central. ALSO YOU'RE SO RIGHT VERY STRONG MP&HG VIBES I FUCKING LOVE THAT MOVIE HERE'S SOME REFERENCES

but it is also real. when it's silly its silly and when it's serious!

it's serious.

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[myokk]

Sebastian had a few days leave from duty so he visited Eloise😇😇

[leadandblood]

Silly captain. Don't you know you don't need an excuse to get kisses from ur steward