#mtg fan character

[allhailklisz]

decided to finally jot down my half baked phyrexian oc concepts and also give them names (which I made basically by just ramming random phyrexian phonemes together, seeing what syllables I liked, and then trying to anglicize them by vague analogy to the praetor names and to the correspondence of φyrx-phyrexian itself)

Iphiqua (^’yφq.)

Formerly a priest of the Machine Orthodoxy, the sort who could recite the entire Argent Etchings from memory. Became disillusioned with the Orthodoxy for [reasons to be decided later, it’s not like there aren’t options] and has defected, and is now the sort of jaded ex-religious type who never misses an opportunity to make a jab at their former faith (frequently quoting the Etchings right before flagrantly violating the quoted verse, that sort of thing). Has deep-seated self-hatred because of having once been a tool of Norn’s, but is simultaneously in deep denial of this.

Chovex Parsk (^čovx-paʁsk.)

Dissident Gitaxian, who has come to emphasize the whole “anyone can become anything they want to be” bit of blue’s ethos – still wanting everything to progress in the process of perfection, but also believing that perfection itself is fundamentally subjective, and thus opposed to involuntary compleation purely for monoblue reasons (rather than the red-based empathetic reasons that Urabrask and his sort have for their own distastes for such).

[hopeless-knight]

Ink-Tail

Kamigawan Kitsune, Artist and Caligrapher, Aspiring Ink Mage and newly-discovered Planeswalker.

I wanted to share my boy here. Specially cus i’m really proud of this drawing and honestly, i wanna talk more about him.

i might try to look for a question game. i work better talking about my characters when i’m answering questions about them

[connoissuer-of-fine-vines]

Is there something your ocs gets homesick for? A person, a place perhaps a particular food they cant get anywhere else or a festival they can't attend anymore?

Ayden- He misses his time at Thraben Cathedral. He misses the stained glass windows, the stately stone walls, the high ceiling, the sound of hymns reverberating around the interior. The death of Avacyn created a big disconnect between him and the Avacynian faith. And now that Thraben is overrun with undead, it's not even like he can visit. He also misses the Cathar group he traveled with before his spark ignited. It was the first time he felt like he had a family once everyone got used to each other. It wasn't exactly good times while traveling with them, but the sense of belonging he had left an impression. But half the group is dead and a few don't even remember him anymore because they allowed themselves to be possessed by spirits to protect themselves from Emrakul's influence.

Corrine- She misses her parents. While she disagreed with their devotion to Avacyn even when she had disappeared, she still loved them. They remind her of a time when she wasn't jaded with society and when she was relatively carefree (hard to be truly carefree on Innistrad). She also misses their wonderful cooking. While what they could get wasn't anything fancy, she has fond memories of it.

Sylene- She misses her connection to the Worldsoul. It felt like she lost a part of herself when her spark ignited and severed that connection she had known all her life. Since dryads have an innate connection and are able to access the memories of those who have become one with the Worldsoul, it was very jarring for her to lose that.

[shardssystem]

So sometime ago I sent around a ask, asking people to create a Mox themed around their ocs. Well I has a new ask in the vain of that ask. What two aspects of your ocs could be combined to create a Sword. Are they complimentary like Truth and Justice or opposites like Peace and War? Could you tell us about their sword and what it dose, though that's not required, just have fun!

These are not remotely balanced properly, as they’re designed to be more representative:

Liya: Sword of Loss and Gain - I feel Liya’s story is about learning to overcome adversity, and acknowledging what she has, instead of grieving for what she doesn’t, and regretting decisions past. The visuals of the blade being accompanied by a funeral shroud is fitting, and the simplistic style represents Liya’s training.

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Yri: Sword of Fun and Frivolity - Yri’s all about being playful, even if it causes trouble. Though she’s very quick to hide away once the heat starts backfiring. The abilities are reminiscent of Yri’s own magic, and of course, the sword is more a dagger, because of her size disparity.

═══════════════ ═══════════════ ═══════════════

Vasil: Sword of Hatred and Pain - Vasil’s entire existence is a metaphor for chronic pain. He is constantly tortured by what he’s become, and has fully shifted blame to where it is undeserved. Vasil’s magic allows him to control the oil seeping from his core into a blade, so that’s what gets represented.

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Caidi: Sword of Growth and Change - In a way, Caidi represents envy; wanting to be something other than what they are, and using their natural abilities to manipulate themself to further that point, though it’s only temporary.

═══════════════ ═══════════════ ═══════════════

Kolya: Sword of Honor and Duty - Though change and acceptance is a huge part of Kolya’s character arc, he’s an Azorius through and through; very rigid and rules-focused. The card abilities reflect adherence to the law, and also his precognitive magic.

═══════════════ ═══════════════ ═══════════════

The Coterie: Sword of One and All - The Coterie are firmly of Plin, taking its magic with them wherever they go and however far apart they are. Their unique physiology allows them to turn peoples own skills against them, and benefit from their encounters.

Thanks for the ask, @little-red-rabbit

[shardssystem]

Complete cheat hours over here, because I already have an OC who’s been compleated! Or at least, as far as Old Phyrexia could manage. And because I can’t remember if it’s been revealed or not, this is Vasil!

He’s all about using the weaker iteration of Phyrexian oil in combat, relying on the passive indoctrination it attempts to corrupt his opponents with; giving more openings the more it works.

Fandom Friday

Welcome to Fandom Friday! A day for the MtG community to come together and talk about our OCs, fanplanes, and favorite aspects of MtG in general!

Ok so you know the drill, I’ll give a prompt and you can respond to it by answering directly, doing a doodle, making a custom card, a little flash fic, or whatever feels right and most fun for you! (Heck, do multiples if you want, this is just for fun!)

Happy Friday!

Card design day! Create a card for your OC if they were to get compleated. Can be a planebound creature, planeswalker, or heck do a canon character that didn’t get compleated and see what you think they’d be like!

[commander-ben]

My take on the MTG card “Heartless Hidetsugu” .

I really wanted to convey the massive amount of damage that he can unleash reducing every players live by half with each swing.

I wanted to keep as much as I could from his original design like the girdle with the bones. But move him more to an oni look.

[threewaysdivided]

Hey ! i'm a longtime follower of your blog and I've read a lot of your YJ analysis and why the latter seasons totally flopped. I haven't seen you comment on Young Justice Phantoms, although I guess your opinion remains the same. However I'd love to read it one day.

PS : I do think Greg Weisman is a decent writer, but not that good at characterization and desperatly needs editors and not enablers *sigh*

Hey nonnie!

Glad you’ve found my YJ writing critiques interesting. 

The reason why I haven’t commented on Young Justice: Phantoms (or the final Targets comic) is that I haven’t watched it, haven’t read a synopsis and have no plans to ever do so.  My interest in the series went pretty cold as far back as Invasion but at the time I was willing to give the showrunners good faith on their claims that they had a plan to bring things together and that the problems were mostly production issues.  However, after how bad Outsiders was (and having seen similar awfulness from Greg Weisman in other franchises) I don’t have any good faith or trust left to give them.

I talked at length about how Outsiders left the show with no compelling narrative as part of this big Invasion breakdown (grumpier TL:DR version here), but here are the most relevant sections:

In terms of the Central Conflict, the Light are proved utterly correct: by Outsiders the Original Team are callous, hollow husks of their former selves, who have replicated a worse version of the same status quo the Team originally formed in response to. Dick, Kaldur and M’gann’s Anti-Light are a new upper echelon of older heroes who keep even more secrets from the next generations, who exclude the new generations far more strongly from knowing their plans, who give them even less reason to trust or communicate with them, and who do so for less just, less honest and less narratively justified reasons than their own mentors’ understandable (if condescending) desire to shield the proteges from the parts of the Life they may not yet have been equipped to face. Not only that but their constant lying with the intent to control others, and refusal to hold themselves accountable for those actions goes directly against both the League’s stated heroic ideals of “Truth, Liberty and Justice” and Red Tornado’s conclusion that caring is “the human thing to do”. By the end of Outsiders, even the existence of the Team itself is undone; decommissioned into the exact kind of safe training space that the Season 1 characters were desperate for it never to be. […] With Outsiders, any actual narrative set by Young Justice Season 1 is over. By their own standards the Team have lost, and lost entirely.

The meta-narrative of Young Justice Animated is that of a show that started with a promising initial season and strong sense of narrative identity, only to discard every part of that identity.  With Invasion the show discarded its original characterisations, themes and ideologies; replacing them with contradictory and often antithetical ones.  Outsiders would then shed even the surface trappings of its aesthetic (in favour of the more generic “modern DC” art-style) and mission-based narrative structure.  There is nothing left, save for some superficial proper nouns and call-back references: the textbook definition of an In Name Only Sequel.

I didn’t bother with Phantoms (and am frankly a little artistically insulted by its existence) because I knew it was doomed from the start to be a narrative stillbirth.  Having actively abandoned its original identity, Young Justice was left desperately scrambling to forge a new one, by clawing at the one thing it had left: people’s nostalgic attachment to the Season 1 iterations of the cast.  But this could never work because every season since has been engaged in a performative pretense of not acknowledging the character-breaking contradictions and hypocrisies forced upon the original cast by the poor writing decisions.  Phantoms would have to thread an impossible needle: wanting to be about the “journey” of the original cast for nostalgia reasons, while not being able to acknowledge that the last two seasons (and attaché comics) have resulted in all of them either actively failing or being tragically soft-locked out of their explicit character arcs without breaking that kayfabe of performative ignorance.  And, in trying to tell a story without engaging with that story's content or how broken it had become, what would they have left but to fall back yet again on canonical filler, sidequests and references held loosely together by contrivance? 

It could only ever be a zombie-fic of itself: having long-since concluded or abandoned any remaining character or plot threads, driven forward solely by the stream-of-consciousness compulsive-writing of a production team desperate to remain present, relevant and profitable.  And from the feedback I’ve heard from the general community and fandom friends who kept watching, it seems like Phantoms did indeed pull down the curtain on that empty, directionless, hollow-automaton-filled narrative for a lot of people.

As for Greg Weisman himself, while I agree that he is a particularly poor character-writer, I will respectfully but firmly disagree that he’s otherwise decent.  I think the fact that we have to caveat “he’s a decent writer” with the condition “so long as he’s surrounded by a team of strong editors and directors to keep him from being awful” kind of reveals that he isn’t.   I also don’t really accept the premise that the main fault lies with the people around him for not stopping that.  They certainly haven’t helped but he’s a grown adult who can make his own decisions. Enablers don’t generally induce behaviours; they simply amplify or become complicit in the behaviours that are already there.

In the video Plagiarism and You(tube), Hbomberguy did a great job of laying out the difference between “honest mistakes” ��� which can be easily cleared up by good-faith apologies and explanations – and “dishonest behaviour” – where the person(s) is aware that what they are doing is not appropriate and falls back on reputation-protecting deflections and “non-apologies” to avoid consequences when caught.  Weisman would not so-frequently disrespect his colleagues’ work with contradictions, or write patterns of misogyny, queerphobia, casual racism/ableism and abuse apologism into his stories if he did not fundamentally feel entitled to do so, was not comfortable and in agreement with those beliefs, or did not think he could get away with it.  And the way he has routinely responded to even gentle, good-faith comments by fans expressing frustration/confusion with inconsistent characterisation/structure indicates someone who knows he has done the wrong thing but resents being questioned or held accountable.  And then we see him continuing the same behaviours.  A “decent writer” should not need an editor to hold their hand and explain why directly contracting explicitly-stated characterisation is bad practice.  A “good ally” should not need someone to tell them that disproportionately subjecting queer/non-white characters to shock-value violence, writing minority characters to be dirty/dangerous/less valid in their identities, erasing/demonising/misgendering AFAB trans and bisexual identities, rewriting strong female characters to need motherhood or men to “tell them who they are”, writing gay men to be secretly misogynistic/racist, and framing victims as being equally responsible for their abuse is offensive.  All of which he has either directly done or tacitly allowed under his lead.  Multiple times.  Across multiple series.

These are not isolated incidents of “good-faith mistakes” from a newcomer learning the ropes (if they were, it wouldn’t bother me like this).  Weisman has had multiple seasons - multiple franchises even - and decades to show himself to be the kind of sincere ally and visionary artist of integrity that myself and his fans wanted him to be… and that he has so benefited from presenting himself as.  He has chosen not to. Say what you want about their stories, but you can’t claim that marginalised creators like ND Stevenson, Rebecca Sugar, Dana Terrace and allies like Neil Gaiman didn’t push back hard against their own publishers and make a lot of careful compromises in order to tell those stories in a way they felt was respectful. Weisman is in a very privileged position, with a resume that carries a decent amount of clout. He could have held himself to the creative standards he publicly expresses; could have worked improve his craft, could have examined his own biases and actually learned from the communities his stories speak about/over.  But he didn’t – because obviously it's easier and more comfortable to keep being lazy, keep relying on his colleagues to carry him, to not question his own biases/privileges and then lie when caught.  And with the money he makes, and all the second chances and new jobs he keeps getting handed, what incentive does he have to change that behaviour? 

So, personally I don’t buy his attempts to position himself as an UwU Nice Guy Ally whose haters are taking him out of context and whose nasty publishers keep forcing him to do incoherent bigotry.  He’s a grown-up, who can own his own behaviour.  And, even with a generous reading, this is at best the behaviour of a fair-weather sell-out who is willing to abandon his principles at the slightest hint of pressure from above.  That is not what respect looks like.  I wanted to give him good faith, but in light of all this, I find I can no longer trust him to keep his word or be honest about his intentions.

This is kind of the other reason why I choose not to support or engage with YJ Phantoms (or the revival in general): on top of being utterly disinterested, I just don’t want to incentivise this kind of creative behaviour with more money or attention.  I also can’t ignore what could be a pattern where Weisman makes grand promises that he likely never has a plan or intent to fulfill, then deliberately leaves holes/timeskips/inconsistencies in his narratives in order to generate ongoing demand for separate-purchase side content which promises to “fill those gaps”… but which never does because there isn’t actually a plan to facilitate that (thus creating an endless cycle of demand and profit).  To me that cuts a little too close to the potential for a privileged creator to be exploiting their clout and the good-faith belief of their fanbase in order to grift those fans out of their time and money.  I don’t find that acceptable.

So, yeah.  Not to deploy the GIF again but:

It'll be a big, fat doughnut on YJ Phantoms content from me 🍩. Sorry!

[starlit-mansion]

i think it was obvious that the mh3 prerelease was not important to us because we didn't even think about self-quarantining for 2 weeks like we did do for otj

(not that we were going to go sick, i mean we would have not been bothered having to miss it if we got sick while we would have been devastated not going to otj)

[gelatosushix]

Custom Mishra’s Warform token reimagined in a cyberpunk ghost-in-the-shell inspired art style ^^

[teanewton]

I made some phyrexian friends.

[inudono]

Fellas, is it cringe to draw your OCs defeating canon characters?

[teaspoonarts]

Commissions are open for Nerdy Valentines Day cards! Please DM me if you’re interested or email me at teaspoonarts@gmail.com . Prices range starting at $60 .

[mariourza]

I did a character study of Jace Beleren a little while ago. I made it when I didn't have a Tumblr account during the time, so it felt like a good idea to post it here. It turned pretty good when I finished drawing him.

[connoissuer-of-fine-vines]

Do forgive me for the more esoteric question this time, but it has been bouncing around in my head for sometime now. One of my favorite tropes is the psychic head space, that when someone with mind reading abilities enter deeply into another's mind that they enter a psychic space that represents that person. Such as someone who lived their entire life in the military their psychic head space take the form of the army base they lived on, or someone with a very reserved personally head space might be a a tightly back cube with containers for all their thoughts and memories. The best example of this would be the Psychonauts games. So my question is what dose your ocs psychic head space look like?

I really appreciate that you still send me asks even though I take forever to answer them. I've been in a bit of a funk with my MtG OCs and really haven't been focusing on them. But this is a very cool ask.

Ayden- Initially his head space would've looked like an exact copy of Thraben Cathedral. Now, it's look like a combination of Thraben Cathedral, Vitu Ghazi, and Theran temples. Strong stone walls with stained glass windows surround the space with cultivated nature entwining around marble columns that seem to reach impossibly high, their capitals ending is storm clouds, and an open and airy interior with a ceiling that looks like it opens directly into Nyx, gently illuminating the space. Memories would be visible as stills in stained glass murals, leafy topiaries, and gleaming bronze statues through his temple headspace. Where an altar would be is instead a large pool of water as smooth and clear as a mirror reflecting the starry ceiling, which serves as Ayden's mental scrying surface.

Callum- Callum's mental headspace looks like a library vaguely reminiscent of of the Biblioplex, but that's where the similarities end. Callum's mental library would give a real librarian a heart attack. It's orderly to him, but to an outsider it seems like orchestrated chaos. Books and scrolls that constitute memories and knowledge are ordered in way specific to Callum's needs and whims, so they may change suddenly and fly off to different shelves and sections as his mind sees fit. Even entire sections of his mental library may move or stay floating in midair as he is figuring out where it would fit better in his headspace. A lone Cogwork Archivist roams the stacks in a never ending search for specific things Callum is thinking about, seemingly lost at all times yet still finding what it's searching for.

[thehamwarrior]

Drawn for a dude on instagram.

Phyrexian Prophet?

Yeah, that.

[leafdrake-haven]

Fandom Friday

*dusts of my prompts and taps microphone* Hello? Is this thing still on? It’s been a minute or two since I’ve done one of these, but I’ve been wanting to step back in for awhile now and I’ve been feeling it lately. So with a big smile I wish you a welcome to Fandom Friday! A day for the MtG community to come together and talk about our OCs, fanplanes, and favorite aspects of MtG in general!

Ok so you know the drill, I’ll give a prompt and you can respond to it by answering directly, doing a doodle, making a custom card, a little flash fic, or whatever feels right and most fun for you! (Heck, do multiples if you want, this is just for fun!)

Happy Friday!

Ok we saw this one coming since we saw the beginning of previews. If your character went to Bloomburrow, what creature would they be? (I know it’s a little tricky since we don’t know the archetypes yet and we don’t know a size limit on creatures before they become the scary elemental big creatures, but shhh it’s fun we can do a serious one later)